The Snows of Kilimanjaro (1952)

Model synopsis: The beat shows a dark, indistinct frame followed by a studio title card for Twentieth Century-Fox presenting Gregory Peck. No people, events, or objects beyond the title card are visible or mentioned.

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Model synopsis: A title card credits Technicolor and Leonard Doss as Color Consultant. No people, actions, or locations are depicted beyond the text and a small animated figure.

• A credit screen for Technicolor and Leonard Doss is displayed. [frame:1]

“Субтитры создавал DimaTorzok” 0:30 · “Субтитры создавал DimaTorzok” 1:00

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Model synopsis: A wide shot shows a large mountain with a snow-capped peak under a bright sky, with a dark foreground of low vegetation. No people or actions are visible in this beat.

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Model synopsis: A wide shot shows a snow-capped volcanic crater under a cloudy sky. No people or man-made objects are visible in the frame.

Evidence, details and a link to share

Model synopsis: A single frame shows a snow-capped volcanic crater from an aerial perspective. No people, objects, or text are visible, and no dialogue is present.

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Model synopsis: Two frames show dark shapes against a cloudy sky, with no visible ground or identifiable objects. No dialogue or on-screen text is present in this beat.

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Model synopsis: A man is shown in close-up, looking upward with a serious expression. No location, time of day, or named characters are established in this beat.

1 person observed.

“Субтитры создавал DimaTorzok” 1:44

Evidence, details and a link to share

Model synopsis: A bird flies over treetops against a cloudy sky. No people or dialogue are visible or audible in this beat.

• A bird flies across the sky above trees. [frame:1]

Evidence, details and a link to share

Model synopsis: A man lies on a pillow, looking upward with a serious expression. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A wide shot shows a field with two white tents and trees under a cloudy sky. No people or actions are visible in the frame.

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Model synopsis: A man lies in a bed while a woman sits beside him holding a cigarette. The setting appears to be outdoors under a canopy with trees visible in the background.

2 people observed.

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Model synopsis: A man lies in a hammock while a woman sits beside him in an outdoor camp setting; a tree and distant mountains are visible. The transcript includes a spoken line at 2:52 that begins with 'Марвелous thing, isn't it?'

• A woman sits beside a man lying in a hammock. [frame:2]
• A tree and distant mountains are visible in an open landscape. [frame:1]

2 people observed.

“Марвелous thing, isn't it?” 2:52

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Model synopsis: A single frame shows a bird of prey perched on a bare tree branch against a blue sky. No people, dialogue, or on-screen text are visible in this beat.

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Model synopsis: A close-up shows a hand touching a white, stained garment wrapped around a leg. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies on a makeshift bed under a patterned cloth canopy. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light shirt adjusts a dark hat while seated outdoors. The background shows a dusty, open area with indistinct structures under a dark sky.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies on a cot under a tent canopy while a woman stands nearby holding a glass. The transcript includes a line expressing helplessness and a wish to act, in Russian and English.

• A woman stands beside a man lying on a cot under a tent canopy. [frame:1]

2 people observed.

“В один способ или другой. Не очень важно. Я чувствую себя helpless. Я wish there was что-то я мог сделать.” 3:45

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Model synopsis: A single frame shows a bird perched on a bare tree branch against a bright sky. No people, dialogue, or indoor setting is visible.

Evidence, details and a link to share

Model synopsis: A man lies on a cot under a tent while a woman stands nearby holding a glass. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two people stand in a wooded area with animals visible in the background. The setting appears to be an open field with trees and brush.

2 people observed.

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Model synopsis: A scene set in a grassy, wooded area shows deer in the distance and, in a separate shot, a woman standing beside a man lying in a camp cot under a tent. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two canoes with people paddle across a wide, shallow body of water with dark rocks or animals visible in the water. Distant hills are visible under a cloudy sky.

• Dark shapes are visible in shallow water. [frame:1]
• Two canoes with people paddle across a body of water. [frame:2]

7 people observed.

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Model synopsis: A group of people in a boat observe hippos in a body of water. The scene is set outdoors during the day with no visible structures or artificial lighting.

4 people observed.

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Model synopsis: The beat shows a wide, turbulent river with dark shapes moving through the water, possibly animals, under an overcast sky. No people are visible or audible, and no names or events are mentioned in the transcript.

“Субтитры сделал DimaTorzok” 5:43

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Model synopsis: Three men stand near a body of water; one is shirtless, another wears a hat and light shirt, and the third is in a hat and darker shirt. The scene shifts to show two figures from behind walking toward the water's edge, then cuts to a wide shot of the water and distant land.

• Three men stand together facing the camera near water. [frame:1]
• Two figures, one adult and one child, walk away from the camera toward the water. [frame:2]
• A wide shot shows calm water with rocks and distant land under a cloudy sky. [frame:3]

3 people observed.

Evidence, details and a link to share

Model synopsis: Two people in safari attire are on a boat; one holds a camera while the other gestures. The surrounding water is choppy and turbulent. No names are spoken, and the setting is not clearly identifiable beyond being on water.

• A man holds a camera while seated next to a woman on a boat. [frame:1]
• Turbulent water is shown with no people visible. [frame:2]
• The woman gestures toward the water while the man looks at her. [frame:3]
• 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two people are in a small boat on water; one rows while the other shields their eyes. A wide shot shows a distant shoreline with many small figures and a dark mountain silhouette.

2 people observed.

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Model synopsis: A vehicle is parked in a grassy field with trees in the background; no people are visible. No dialogue or on-screen text is present in the supplied frames or transcript.

Evidence, details and a link to share

Model synopsis: A vehicle drives across a flat, open landscape near a body of water under a cloudy sky. No people are visible, and no dialogue or on-screen text is present in this beat.

• A vehicle drives across a flat, open landscape. [frame:1]

Evidence, details and a link to share

Model synopsis: A man lies in a bed inside a tent while a woman stands nearby holding a bottle. A voice says the illness 'laid the great man low.'

• A man lies in a bed inside a tent while a woman stands nearby holding a bottle. [frame:1]

2 people observed.

“It laid the great man low.” 8:35

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Model synopsis: A hand touches a bandaged leg in a close-up shot. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A bird perches on a bare tree branch against a blue sky with clouds. No people or dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: A man and a woman are seated close together in what appears to be a vehicle interior. The man is reclining and looking upward, while the woman sits upright and looks at him.

2 people observed.

Evidence, details and a link to share

Model synopsis: A campsite with a tent, table, and chairs is set up outdoors with mountains in the background. No people are visible in the frame, and no dialogue is present.

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Model synopsis: A man lies reclined while a woman sits beside him in an outdoor camp setting. The transcript contains a line about songwriting and romantic feeling, but it is not clearly tied to the visual.

• A man reclines while a woman sits beside him in a camp setting. [frame:1]

2 people observed.

“Кольпортер wrote the words in music. Knowledge that you're going mad for me.” 8:54

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Model synopsis: A campsite with a tent and table is shown under twilight sky with mountains in the background. A person in light clothing stands near the tent.

1 person observed.

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Model synopsis: A woman in a light shirt and dark skirt stands facing a man in white trousers and a dark vest, outdoors near a vehicle. The setting is a dry, grassy field with trees and a vehicle visible in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored dress stands beside a man lying on a cot under a tent, while another man in white robes and a head covering stands nearby. No spoken dialogue is provided in the transcript for this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man lies in bed, viewed in profile. The lighting is dim and focused on his face, with a white pillow visible behind him.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies in a camp cot under a tent while a woman in safari attire stands beside him holding a glass. The setting is a tented camp, likely in a remote location.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man lies in bed while a woman sits nearby in an outdoor camp setting; the transcript contains a line in Russian that translates to 'This will leave a bad taste in your mouth.' No names are spoken, and no time of day or period is established.

2 people observed.

“Это оставит плохое чувство в вашем mouth.” 10:29

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Model synopsis: A man lies in bed, eyes closed, in a dimly lit interior. No dialogue or action occurs in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman sits outdoors holding a glass, with trees and a vehicle visible behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man reclines in a camp chair outdoors while a woman sits nearby; the setting appears to be a campsite in a dry, wooded area. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows silhouetted figures near a doorway with warm light spilling from within. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman stands in a dimly lit interior with blue-tinted background lighting. No spoken names or clear time of day are established in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows two figures near a doorway with light spilling from within; one figure appears to be moving or falling. No dialogue or on-screen text is present in this beat.

• One figure moves rapidly near a doorway while another stands still. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A single figure stands near water at night, silhouetted against distant lights reflected on the surface. Trees frame the scene, and the background shows a lit structure across the water.

1 person observed.

Flagged: time_of_day without evidence (night)

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Model synopsis: A dark exterior shot shows a building with lit windows and silhouetted figures near the entrance. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dark, underwater shot shows a submerged figure near a small boat at night. No dialogue or on-screen text is present.

• a submerged figure is visible near a small boat in dark water [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands in silhouette in a dimly lit doorway, with another figure visible in the background near a stone wall. The scene is dark, with warm light spilling from an interior space.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person stands in a dimly lit room with bookshelves and a lamp, facing away from the camera. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a doorway at night, with a blue-lit exterior visible beyond. The interior is dimly lit with warm yellow light, contrasting with the cool exterior.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands in a dimly lit room with bookshelves, holding an object. The transcript contains garbled lines in Russian and English that do not clearly describe the scene.

• A man stands in a room with bookshelves, holding an object. [frame:1]

1 person observed.

“Педал субтитры, housewives.” 12:45 · “Ничего wrong with beddling soap.” 12:47

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Model synopsis: A dimly lit interior scene shows a doorway with blue light spilling through, framed by warm yellow lighting on the left. No people or actions are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: A man stands indoors holding a cup while another figure is silhouetted near a door; dialogue includes references to truth, pain, and a character named Ellen. No names are established for visible figures through spoken lines in this beat.

• A man holds a cup while facing a silhouetted figure near a door. [frame:1]

2 people observed.

“Рея, который seeks, есть truth, worth telling.” 13:10 · “Пain and suffering.” 13:35

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a doorway at night, looking out at a dark landscape with distant lights. The scene is lit from behind, casting the interior in shadow and the exterior in blue tones.

• A figure stands in a doorway looking out. [frame:1]

1 person observed.

“Я дам вам не уйдя, чтобы вы начали уйдать свою пакет с excesses багажа.” 13:46

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands in a dimly lit interior space with strong blue and yellow lighting. The scene cuts to a view through a doorway or window, showing a blue-lit exterior or distant room with a faintly visible structure.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a dimly lit interior space with a blue-lit doorway visible to the left. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a doorway at night, backlit by blue light from inside a building. The scene is dark and lit by artificial sources, with no visible text or spoken dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man sits inside a tent while a woman stands nearby; they exchange dialogue about trust and love. The scene is set in a camp with minimal props and natural lighting.

2 people observed.

“Ну, я вам его верю, Harry.” 15:16 · “Я люблю тебя, you know.” 15:29

Evidence, details and a link to share

Model synopsis: The scene shows a dimly lit street at night with a sign reading 'Emile' and then cuts to a crowded interior space with people gathered. No names are spoken, and no specific events are described in the transcript beyond fragmented phrases.

• A sign reading 'Emile' is visible on a dark street. [frame:1]
• A crowd of people is gathered inside a dimly lit room. [frame:2]

1 person observed.

“В английском, это довольно-надо. В финале. В финале.” 17:32

Flagged: quote not verbatim (В английском, это довольно-надо. В финале. В финале.)

Evidence, details and a link to share

Model synopsis: A man in a suit dances with a woman in a red dress in a dimly lit room with other couples and a musician visible. The man speaks to the woman during the dance, and the scene includes a subtitle credit for DimaTorzok at 17:40.

• A man in a suit smiles while seated. [frame:1]
• The man dances with a woman in a red dress; an accordion player is visible in the background. [frame:2]
• The couple continues dancing closely. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Субтитры сделал DimaTorzok” 17:40

Evidence, details and a link to share

Model synopsis: Two men stand in a doorway observing a crowded, dimly lit interior where people are embracing. The scene is set in a social venue with decorative elements visible in the background.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat is visible in profile against a patterned backdrop. No dialogue or other events are recorded in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A crowded interior scene with multiple people seated and standing, one man in a light shirt holding a glass. No dialogue or on-screen text is present in the supplied frames or transcript.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit reclines in shadow while another man plays a saxophone on a dimly lit stage with other musicians. No dialogue or on-screen text is present in these frames.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are seated indoors, conversing; the woman introduces herself as Cynthia and the man identifies himself as Harry Street from the Chicago Tribune. The dialogue suggests they are in a setting where people are attempting creative or journalistic work.

Named: Cynthia (t:20:22), Harry Street (t:20:41). 2 people observed.

“Thanks. I'm Cynthia. Cynthia Green.” 20:22 · “I'm, uh... Harry Street, Chicago Tribune, and you write...” 20:41

Evidence, details and a link to share

Model synopsis: Two people are in a dimly lit interior, speaking about their attempts to create art and their pursuit of happiness. One person admits to drinking too much and lying, while the other listens.

2 people observed.

“What are you trying to do? Are you trying to paint? No. I'm not trying to paint.” 20:57 · “Are you trying to sculpt? No, I'm not trying to sculpt.” 21:05

Evidence, details and a link to share

Model synopsis: A man and a woman sit close together in a dimly lit interior while a band plays; a saxophonist is shown performing. The woman speaks about making one's way and questions the piety of an African.

• The woman and man are seated together in a dimly lit bar. [frame:1]
• A saxophonist performs in the bar. [frame:2]
• The woman and man remain seated as the woman looks upward. [frame:3]

4 people observed.

“Sometimes. Mm-hmm. Well, we all have to make our way with whatever we were given.” 21:38 · “Oh, hasn't that African got any piety at all?” 21:49

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in a dimly lit interior space; the woman asserts her independence while the man makes a suggestive offer. The setting appears to be a bar or lounge with other patrons visible in the background.

• A man and a woman are seen in a bar setting with other patrons in the background. [frame:1]
• The woman and man are shown in close proximity, engaged in conversation. [frame:2]
• The man is seen smoking a cigarette while talking to the woman. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“No. I'm not particularly Compton's lady. I'm not Compton's lady at all.” 22:29 · “I'm my own lady.” 22:35

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. The man holds a cigarette in his mouth while looking at the woman.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman and a man are shown in close proximity in a dimly lit interior. The woman speaks, saying she expects 'they' like it very much.

2 people observed.

“I expect they like it very much.” 22:50

Evidence, details and a link to share

Model synopsis: A man plays a saxophone while two other men stand behind him in a dimly lit interior. No dialogue or on-screen text is visible in the single frame provided.

3 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, silhouetted outdoor scene at dusk or night, with a streetlamp and distant spires visible against a dim sky. No people, objects, or text are clearly identifiable beyond the silhouette of structures and a lamppost.

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors at night; the man speaks about his father’s death and his decision to stay in France. The scene is dimly lit with bare trees in the background.

• Woman listens with hand to head, man continues speaking. [frame:1]

2 people observed.

“And my father was a soldier.” 23:28 · “He had the bad luck to get himself killed in the Argo.” 23:30

Evidence, details and a link to share

Model synopsis: A man and a woman are in a close, tense conversation at night, with the man wearing a hat and the woman looking up at him; they discuss rest, drinks, and fear. No location name or time of day is established beyond the nighttime setting implied by the dark background.

• The man and woman stand close, facing each other in a dark outdoor setting. [frame:1]

2 people observed.

“Would you like to go and rest on another bar?” 24:08 · “Have another drink? No, I'm afraid I've gone and had too many to get.” 24:12

Evidence, details and a link to share

Model synopsis: A man lies with his eyes closed, appearing to rest or be unwell. He speaks about unfinished writing and the impossibility of completing it now.

1 person observed.

“There are so many things that I've not written.” 25:31 · “And that I'll never right now.” 25:34

Evidence, details and a link to share

Model synopsis: A street scene in Paris shows a flower cart and a truck labeled 'Fermiers Réunis' on a cobblestone road. The transcript mentions Paris, flower sellers, and purple dye on paving stones, matching the visual elements.

• A person stands behind a flower cart on a cobblestone street. [frame:1]

1 person observed.

“I've written only that first time in Paris. The Paris that I love.” 25:37 · “The Place Country Scar, where the flower sellers dived their flowers in the street. The dye ran purple over the paving stones where the auto…” 25:42

Evidence, details and a link to share

Model synopsis: The scene shows a street with children playing, a horse-drawn cart, and storefronts including a cafe and a butcher shop. A narrator describes the setting, mentioning a coal man, bad wine, and a golden horse's head sign.

• Children are visible playing on a wet cobblestone street. [frame:1]
• A horse-drawn cart is parked in front of a cafe named 'Cafe Charbons'. [frame:2]
• A man stands on a cart loaded with barrels and crates. [frame:3]

6 people observed.

“The children played in the streets in the spring sunshine.” 25:56 · “And the wooden coal man's place.” 26:01

Evidence, details and a link to share

Model synopsis: A man and woman are seen in a vehicle on a street, then a woman in a blue dress stands in a room with a table set for tea. The transcript mentions a green-painted cooperative, cheap wine, an apartment, and shared domestic life.

• A man and woman sit in a vehicle on a street. [frame:1]
• A woman in a blue dress stands in a room near a table set for tea. [frame:2]

3 people observed.

“and the green-painted cooperative where we bought our wine.” 26:19 · “Good wine and cheap. Our apartment was a room in a hand.” 26:23

Evidence, details and a link to share

Model synopsis: A close-up of a typewriter shows text being typed, including the lines 'She was shivering in my arms' and 'You're everything, I thought.' No people or physical setting are visible beyond the typewriter and paper.

Evidence, details and a link to share

Model synopsis: A man lies in bed in a dimly lit room while a woman speaks to him off-screen. The dialogue indicates she is informing him that breakfast is ready.

• A man lies in bed in a dimly lit room. [frame:1]

2 people observed.

“Harry.” 27:06 · “Yeah? Huh? Darling?” 27:14

Evidence, details and a link to share

Model synopsis: A crowded outdoor market scene is shown, followed by a woman in a patterned robe holding papers indoors. The transcript references poverty, a first book, and the term 'Lost Generation' while mentioning 'Cynthia'.

• Crowd of people in a street market with stalls and goods visible. [frame:1]
• Market scene continues with people walking and stalls in view. [frame:2]
• People interacting in market, including a man in suit and woman with produce. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“We knew our neighbors in that quarter. Hello.” 27:29 · “We were all poor.” 27:31

Evidence, details and a link to share

Model synopsis: A woman in a patterned robe holds papers and looks off-camera while a man walks near a parked van outside a building entrance. The transcript contains a single spoken line calling out 'Harry!' at 27:56.

• A woman stands holding papers and looks to her right. [frame:1]
• A man walks past a parked van on a street. [frame:2]

Named: Harry (t:27:56). 2 people observed.

“Harry!” 27:56

Evidence, details and a link to share

Model synopsis: A man and a woman stand outside a shop, looking at a document; the woman reacts emotionally while the man reads. The transcript reveals they are celebrating the acceptance of the man's first book for publication and discussing plans for an apartment and a trip to Africa.

• The man and woman stand together looking at a document in front of a shop window. [frame:1]

Named: Harry (t:28:13), Lou (t:28:29). 2 people observed.

“David! Oh my God!” 28:09 · “Harry, darling, it's been accepted. What? Your very first book, and it's going to be published.” 28:13

Evidence, details and a link to share

Model synopsis: A silhouette of three figures stands against a sunset sky with clouds and a bush visible on the left. The transcript includes a character reflecting on a past experience in Africa and exclaiming in distress.

• Three figures are silhouetted against a sunset sky. [frame:1]

1 person observed.

“And there never was another time for me” 28:46 · “Like that first time in Africa.” 28:48

Evidence, details and a link to share

Model synopsis: A group of people observe rhinoceroses through binoculars in a grassy, open landscape. One person speaks about a bull and two cows, and another urges action with 'Go!' and 'When do we get going?'

• Rhinoceroses are visible through a circular lens view, lying in grass. [frame:1]
• Four people in safari attire observe the landscape, some using binoculars. [frame:2]

5 people observed.

“Three of them.” 29:13 · “A bull and two cows.” 29:15

Evidence, details and a link to share

Model synopsis: A group of men in safari attire observe rhinoceroses in a grassy field. One man gives a command to approach the animals from downwind.

• Two rhinoceroses are visible in tall grass. [frame:1]
• Four men in safari gear crouch and aim rifles toward the rhinoceroses. [frame:2]

4 people observed.

“Get downwind and work up on them.” 29:29

Evidence, details and a link to share

Model synopsis: Two rhinoceroses lie in tall grass in a savanna, followed by a wide shot of several people running across the same open landscape. No dialogue or on-screen text is present in these frames.

• Two rhinoceroses are lying in tall grass. [frame:1]
• Several people are running across an open grassy field. [frame:2]

Evidence, details and a link to share

Model synopsis: A rhinoceros is visible in a grassy, brush-filled landscape. The word 'Amen' is spoken during this beat.

• A rhinoceros is visible in a grassy field. [frame:1]

“Amen.” 29:49

Evidence, details and a link to share

Model synopsis: A wide shot of a grassy savanna with scattered bushes under a cloudy sky. No people or vehicles are visible in the frame.

Evidence, details and a link to share

Model synopsis: A single frame shows two rhinoceroses in a grassy, brush-filled landscape. No people, dialogue, or on-screen text are visible.

• Two rhinoceroses are visible in a grassy field with scattered brush. [frame:1]

Evidence, details and a link to share

Model synopsis: A group of five people in safari attire are gathered outdoors in tall grass, with one man kneeling and speaking to others. The transcript includes dialogue about taking a shot, with one person declining and another encouraging them.

• A man kneels and speaks to a group seated in tall grass. [frame:1]

Named: Mr. Johnson (t:30:01). 5 people observed.

“Don't you think it's time to have the first shot?” 30:01 · “Oh, no, no, I don't want it.” 30:01

Evidence, details and a link to share

Model synopsis: A rhinoceros stands in tall grass with a hyena visible in the background. No people or dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: A group of people crouch in tall grass near rhinoceroses in a savanna-like environment. One person speaks instructions about shooting low and not spooking the animals.

• People crouch in tall grass near rhinoceroses. [frame:1]
• Rhinoceroses are visible in the grassy field. [frame:2]

4 people observed.

“Now take it easy.” 30:20 · “Just imagine he's a tin can in the camp. But he's not a tin can. Actually, I don't want to do it. Shoot low at this distance. Careful, do…” 30:22

Evidence, details and a link to share

Model synopsis: A man and a woman in safari attire are crouched in a grassy field, aiming rifles. A rhinoceros is visible nearby, and the transcript includes instructions to shoot and a request for someone to be quiet.

• A woman aims a rifle while crouching next to a man. [frame:1]
• The woman adjusts her aim while the man watches. [frame:2]
• A rhinoceros is visible in a grassy field. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Just set them squarely in your sights.” 30:34 · “Freeze yourself and squeeze. Deary Perry, please shut up.” 30:37

Evidence, details and a link to share

Model synopsis: A single frame shows a dense, green forest with a narrow dirt path winding through it. No people, vehicles, or artificial structures are visible in the shot.

Evidence, details and a link to share

Model synopsis: A group of people in safari attire stand in a grassy outdoor setting, discussing whether to proceed with a hunt or stay behind; one person expresses fear while another jokes about being a 'great white hunter.'

• A group stands in a field, armed with rifles, discussing whether to continue hunting. [frame:1]

Named: Mr. Johnson (t:31:23). 4 people observed.

“Missed. I told you I didn't want to do it. No harm done. Everybody misses. I never claimed I was a hunter. You're the hunter. Yes, and you, …” 30:57 · “He took cover there. What do you mean, get going? Where will he break out, do you think? I won't go, and I don't want you to. I'm fright…” 31:14

Evidence, details and a link to share

Model synopsis: Two men in safari attire stand in a dry, brushy landscape with a third figure visible in the distance. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A static shot of a dry, grassy savanna with scattered acacia trees under an overcast sky. No people, vehicles, or artificial structures are visible in the frame.

Evidence, details and a link to share

Model synopsis: Two figures are visible walking through tall grass in an open field with scattered trees under a partly cloudy sky. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dry, grassy landscape with scattered acacia trees under a bright sky. No people, vehicles, or artificial structures are visible in this shot.

Flagged: period without evidence (1920s)

Evidence, details and a link to share

Model synopsis: Two people in safari attire are shown in a grassy, tree-dotted landscape; one calls out to another named Harry while holding a rifle. The scene includes shouted dialogue urging someone to go back and to look lively, with a second person visible in the background.

• A man and a woman stand in a field; the man raises his hand to his face. [frame:1]
• A person runs through tall grass in the distance. [frame:2]
• A man holds a rifle in the foreground while another man stands behind him in tall grass. [frame:3]
• 1 more under Evidence and details.

Named: Harry (t:32:18), Kelly (t:32:19). 3 people observed.

“He fell.” 32:10 · “Kelly! Kelly! Now go back!” 32:19

Evidence, details and a link to share

Model synopsis: A person in a wide-brimmed hat aims a rifle outdoors. The setting appears to be an open field under a cloudy sky.

• A person aims a rifle while crouched in tall grass. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A rhinoceros is visible in a muddy or watery environment. No people, dialogue, or on-screen text are present in the single frame.

• A rhinoceros is standing in shallow, muddy water. [frame:1]

Evidence, details and a link to share

Model synopsis: A person in a wide-brimmed hat and shirt stands outdoors among bushes. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A rhinoceros is visible in a wide, open, flat landscape with distant trees. No people, dialogue, or on-screen text are present in this beat.

Evidence, details and a link to share

Model synopsis: A rhinoceros is visible in a natural, open environment. No people, dialogue, or on-screen text are present in this beat.

• A rhinoceros is visible in the frame. [frame:1]

Evidence, details and a link to share

Model synopsis: A person in a hat and light coat aims a rifle in an outdoor field. No dialogue or on-screen text is present in this beat.

• A person aims a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat holds a rifle in an outdoor setting. No dialogue or on-screen text is present in this beat.

• A man holds a rifle with both hands, aiming forward. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A rhinoceros is visible in a flat, open landscape with distant trees. No people, dialogue, or on-screen text are present in the single frame.

• A rhinoceros walks across a flat, open landscape. [frame:1]

Evidence, details and a link to share

Model synopsis: A man in a safari hat and khaki shirt stands in tall grass under a partly cloudy sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a rhinoceros in profile against a bright, indistinct background. No people, dialogue, or identifiable location are visible in this beat.

Evidence, details and a link to share

Model synopsis: A person in a safari hat and khaki coat aims a rifle in a grassy field. No dialogue or on-screen text is present in this beat.

• A person aims a rifle forward while standing in tall grass. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a wide-brimmed hat and shirt stands outdoors among bushes, mouth open as if speaking or shouting. No other people, objects, or on-screen text are visible in the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and light clothing stands in a grassy field with a large animal, possibly a rhinoceros, nearby. The background shows distant hills under a partly cloudy sky.

• A man stands in a field facing away from the camera, with a large animal to his left. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a wide-brimmed hat and light-colored shirt stands among bushes, holding her hand to her mouth. The setting appears to be outdoors in a natural, brushy environment.

1 person observed.

Evidence, details and a link to share

Model synopsis: The scene shows a dark outdoor campsite at night with a fire burning and silhouettes of people gathered around it; a mountain is visible in the background under a cloudy sky. A line in the transcript indicates singing is occurring, though no specific lyrics or speaker are identified.

• A mountain is visible under a cloudy sky at night. [frame:1]
• Tents are visible in the dark with a fire burning nearby. [frame:2]
• Silhouettes of people stand around a campfire. [frame:3]

1 person observed.

“*Muchas singing*” 33:07

Evidence, details and a link to share

Model synopsis: Three men in safari attire sit outdoors at night, discussing a recent encounter with an animal and the urge to write about Africa. One man mentions a book dedicated to him, and they argue over who killed a rhino.

• Three men sit together at night in a camp setting, engaged in conversation. [frame:1]

3 people observed.

“Only a moment when an animal comes out of the bush at you, a million things seem to happen at once.” 33:32 · “We'll get busy. It's not at all simple. You could write a lot about it if you could get it just right.” 33:43

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A dark, silhouetted scene shows a group of figures near a tent under a cloudy sky. No dialogue or clear time of day is established.

Evidence, details and a link to share

Model synopsis: Two people sit and talk at night in a camp setting, with one asking what is wrong with them. A wider shot shows the camp under a dark sky with tents and silhouetted figures.

• Two people sit facing each other at a camp table at night. [frame:1]
• A wide shot shows a camp with tents and silhouetted figures under a dark sky. [frame:2]
• The two people are shown again, with the woman leaning forward and speaking. [frame:3]

Named: Mr. Johnson (t:34:51). 2 people observed.

“Anybody want another look at that horn?” 34:33 · “What's the matter with me, Mr. Johnson?” 34:51

Evidence, details and a link to share

Model synopsis: A woman and a man are shown in close-up, speaking about hunting and manhood. The setting is dimly lit with blue and warm tones, suggesting an interior space at night or under artificial light.

• The woman is visible in frame 1, looking upward. [frame:1]
• The man is visible in frame 2, looking downward. [frame:2]
• The woman is visible in frame 3, looking to her right. [frame:3]

2 people observed.

“I try to put up a show because I know he loves it so.” 34:59 · “But all of it, the hunting, the killing, it terrifies me.” 35:03

Evidence, details and a link to share

Model synopsis: A man lights a match while speaking; a woman listens nearby. The dialogue reveals a pregnancy announcement and reflections on courage and fear.

• A man lights a match. [frame:1]
• A woman looks toward the man. [frame:2]

2 people observed.

“A woman shows her courage in other ways.” 35:27 · “I've got another fear now. Worse.” 35:33

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit outdoor camp setting at night; the woman holds a drink and speaks about her relationship with Harry, while the man listens. The dialogue reveals her internal conflict about revealing a pregnancy and her dependence on Harry, while the man offers terse advice.

Named: Mr. Johnson (t:35:54). 2 people observed.

“We came to Africa for trophies. Harry's got his and I've got mine.” 35:44 · “All my life I've just been drifting.” 36:02

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other at night near a thatched structure; the sky is dark with clouds and light breaking through. The transcript includes dialogue about going to bed, feeling good, and a moment of reflection.

• A man and a woman stand facing each other near a thatched structure at night. [frame:1]
• The sky is dark with clouds and beams of light breaking through. [frame:2]

Named: Gary (t:38:22). 2 people observed.

“But 33 inches is nothing to be ashamed of.” 38:02 · “He's going to bed. It's too early. I feel too good.” 38:11

Evidence, details and a link to share

Model synopsis: A single dark frame shows an indistinct outdoor scene at night with some foliage and a faint light source. No people, objects, or text are clearly visible, and no events are depicted or mentioned.

Evidence, details and a link to share

Model synopsis: A dark silhouette of a large animal, likely an elephant, is visible against a bright sky with trees in the background. No people, dialogue, or on-screen text are present in this beat.

Evidence, details and a link to share

Model synopsis: Two people stand together outdoors at dusk or night, looking off-screen; one speaks about hunger, love, and hate before saying they will leave. The scene ends with a dark, empty landscape shot.

• A man and a woman stand together outdoors at night. [frame:1]
• The camera shows a dark, empty forest landscape. [frame:3]

2 people observed.

“Bedtime lullaby, eh?” 38:46 · “There's an awful lot of everything there is on this.” 38:51

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, silhouetted treeline against a dim sky. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Model synopsis: Two frames show a dark, silhouetted landscape under a cloudy sky, transitioning from a pale overcast to a deep blue night sky. No people, objects, or text are visible, and no dialogue is present in the supplied transcript for this beat.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown embracing outdoors at dusk or night, with a dark sky and silhouetted trees in the background. The transcript includes fragmented dialogue such as 'Come on,' 'Amen,' and 'Don't talk it all away,' suggesting an emotional or intimate moment.

• A man and a woman embrace outdoors. [frame:3]
• A wide shot shows a dark field with silhouetted figures in the distance. [frame:1]
• The scene is almost entirely dark, with faint lights visible. [frame:2]

2 people observed.

“No.” 39:37 · “Amen.” 39:43

Evidence, details and a link to share

Model synopsis: A person is lying on grass in low light, partially obscured by foliage. No dialogue or on-screen text is present in this beat.

• A person lies motionless on grass. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other in a room with shuttered windows; the woman holds a hat. The transcript includes dialogue about Paris, a doctor, a husband, and a child, suggesting a serious conversation about personal matters.

• A man and a woman stand facing each other in a room with shuttered windows; the woman holds a hat. [frame:1]

Named: Claire (t:40:39). 2 people observed.

“So as you reach Paris, see your own position.” 40:22 · “I am his death.” 40:40

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a room with medical equipment; the woman mentions receiving a letter and check from a publisher, and the man reassures her that everything will work out. The man also references plans to travel to Madrid and Pamplona.

• A woman places an object on a table while speaking to a man. [frame:1]

Named: Will (t:41:31), Nick (t:41:42), Sawbones (t:41:35). 4 people observed.

“Yes, darling. Oh. I thought you... On the table, sir. Look what this arrived. A letter from the publisher and a check.” 41:19 · “Isn't very much, but it's a check.” 41:27

Evidence, details and a link to share

Model synopsis: A woman and a man have a conversation in a bedroom, with the woman suggesting they return to Paris and the man explaining his need to travel as part of his work as a writer. The setting includes a bed and window with shutters, and the man holds papers while speaking.

2 people observed.

“Harry. What is driving in the world? Darling.” 41:54 · “Home?” 42:00

Evidence, details and a link to share

Model synopsis: A man and a woman have a conversation about children, work, and travel; the woman expresses a desire for a child while the man discusses trade-offs in life. The woman later agrees to change travel tickets after the man suggests she could go to Paris without him.

• A woman and a man stand close, facing each other in conversation. [frame:1]
• The woman turns slightly away while the man looks at her, continuing their conversation. [frame:2]

2 people observed.

“I want a child more than anything in the world. Something of my very own to hold on to. Well, sure.” 43:11 · “Look, Sin, the world is a market.” 43:26

Evidence, details and a link to share

Model synopsis: A woman in a green shawl stands with her back to the camera, facing a window with diamond-paned glass. A voice calls out 'Harry!' during this beat.

1 person observed.

“Harry!” 45:14

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a silhouetted figure near a pillar and a yellow chair in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies unconscious while a woman in a yellow dress stands in a hallway; someone off-screen calls for a doctor and an ambulance. The setting is an interior staircase and hallway with patterned carpet and shadowed walls.

• A woman stands in a hallway near a staircase. [frame:2]
• A man is shown lying down with eyes closed. [frame:3]

2 people observed.

“Get it, Doc. Call the ambulance.” 45:24

Evidence, details and a link to share

Model synopsis: A man lies with eyes closed on a pillow in a dimly lit interior. No dialogue or action is visible or audible in this single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: An ambulance with red crosses drives away on a dirt road lined with trees and a building in the background. No people are visible in the frame.

• An ambulance drives away on a dirt road. [frame:1]

Evidence, details and a link to share

Model synopsis: A doctor in a white coat speaks to a man in a hallway. The doctor delivers news that a woman has lost a child.

• Dr. Simmonds speaks to Mr. Streep in a hospital hallway. [frame:1]

Named: Dr. Simmonds (t:45:50), Mr. Streep (t:45:44). 3 people observed.

“Mr. Streep? Yes.” 45:44 · “I'm Dr. Simmonds. How do you do? How is she?” 45:50

Evidence, details and a link to share

Model synopsis: Two men converse in a narrow interior space; one is in a light suit, the other in a white coat. The dialogue reveals concern about an accident involving a child and a lack of communication between the parties.

2 people observed.

“You get to know Mr. Street?” 45:58 · “It's been an accident. It's a nasty fall.” 46:09

Evidence, details and a link to share

Model synopsis: A man in a light suit stands near a window while another man lies in bed, looking up at him. Dialogue suggests an argument about an accident and blame, with one person calling the other a 'stupid little idiot.'

• A man in a suit stands near a window while another man lies in bed looking at him. [frame:1]

2 people observed.

“He did it deliberately.” 46:37 · “It was an accident. I stumbled.” 46:43

Evidence, details and a link to share

Model synopsis: A man and a woman are in a close embrace in a dimly lit interior. One person speaks, requesting to go to the pool.

2 people observed.

“No.” 47:14 · “We can go to the pool, please.” 47:17

Evidence, details and a link to share

Model synopsis: A bull stands alone in a circular arena with tiered seating filled with spectators. No dialogue or on-screen text is present in this beat.

• A bull is visible standing in the center of a circular arena. [frame:1]

Evidence, details and a link to share

Model synopsis: A group of people, including a man in a brown suit and a woman in a patterned blouse, stand among a crowd at an outdoor event under a flag. One person speaks about having seats higher up to see the whole spectacle.

• A group of people stand together in a crowd under a flag. [frame:1]

7 people observed.

“This one, I got seats away up here. Better? Anything you say, darling. Up here, you can see the whole thing. It's a spectacle.” 47:39 · “It's quite a sight.” 47:47

Evidence, details and a link to share

Model synopsis: A bullfighter in a white shirt and blue pants faces a black bull in a dirt arena with spectators in the stands. The bull charges at the matador, who uses a red and yellow cape to maneuver the animal.

• A bullfighter stands in a dirt arena facing a black bull. [frame:1]
• The bull charges at the matador, who holds a red and yellow cape. [frame:2]
• The matador maneuvers the bull with the cape as it approaches. [frame:3]

2 people observed.

Evidence, details and a link to share

Model synopsis: A high-angle shot shows a small red boat on a white, turbulent surface surrounded by a dense crowd of dark figures. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A bullfighting arena is shown with matadors and a bull in the ring, surrounded by a large crowd. No dialogue or on-screen text is present in the frames.

5 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows silhouetted figures moving among tables with white cloths and potted plants. No dialogue or on-screen text is present in the frames or transcript for this beat.

Evidence, details and a link to share

Model synopsis: A man in a black top hat and formal coat stands in a dimly lit, ornate interior with columns and a twilight sky visible through an archway. Other figures are seated in the background, suggesting a social gathering or performance venue.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a candlelit table in an interior setting with patterned tiles and a window. The woman holds a glass; the man gestures with his hand.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat gestures with his right arm raised in a dimly lit, columned interior with seated patrons. The setting appears to be a restaurant or similar public dining space with classical architectural elements.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a candlelit table in a dimly lit interior, engaged in a tense, emotionally charged conversation about separation, love, and a telegram concerning a war assignment. The woman references a dancer and questions the man’s intentions, while he urges her to forget their troubles and move on.

Named: Harry (t:49:26). 2 people observed.

“You know, darling, I think that dancer likes me. Oh, if the dancer likes you, I like you too, darling.” 49:13 · “It meant that I'm beginning a lifetime without you. Well, that's real nonsense.” 49:44

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a dinner table in a dimly lit room with tiled walls; the man gestures while speaking, and the woman listens. The transcript reveals a conversation about guilt, ambition, and the symbolic use of pads on horses in bullfights, with references to spectators and emotional protection.

• A man and a woman sit at a dinner table; the man gestures while speaking. [frame:1]

2 people observed.

“You with your ambition, me with my guilt.” 51:44 · “Why do they put the pads on the horses and the bullfights? I've told you that.” 51:51

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands over a seated woman in a dimly lit interior with decorative tiles and plants; he speaks to her as she looks up at him. The transcript indicates he reassures her he will return shortly.

• A man stands over a seated woman in a decorated room. [frame:1]

2 people observed.

“Harry!” 52:43 · “It's all right, dear. I'll be back in the jiffy.” 52:45

Evidence, details and a link to share

Model synopsis: A woman in a dark dress stands indoors near a window with patterned curtains. The lighting is theatrical and the setting appears to be a private room.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a black suit and hat stands in a formal dining room with seated guests. The word 'Bravo!' is spoken during this moment.

• A man in a black suit and hat stands in a dining room. [frame:1]

2 people observed.

“Bravo!” 53:09

Evidence, details and a link to share

Model synopsis: A man in a dark suit writes at a desk under a lamp. The transcript contains only the word 'Amen.'

• A man writes at a desk. [frame:1]

1 person observed.

“Amen.” 53:17

Evidence, details and a link to share

Model synopsis: A hand writes a note on paper that says 'Sorry—must refuse assignment. Harry'. No people, places, or events beyond this action are visible or mentioned.

• A hand writes a note on paper. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand writes a note declining an assignment, signed 'Harry Street'. No people are visible beyond the hand, and no dialogue is present.

• A hand writes 'Sorry - must refuse assignment. Harry Street' on paper. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands at a desk holding a paper while speaking. The setting appears to be an interior room with a lamp and decorative wall fixture.

• The man stands at a desk holding a paper. [frame:1]

1 person observed.

“Can you send us right away, please?” 53:29 · “Immediately, send us.” 53:29

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a table while a waiter stands beside him; dialogue indicates a woman has left with a dancer and will not return. The setting appears to be an indoor dining area with tiled walls and a window.

2 people observed.

“The lady left, senor.” 53:57 · “I don't know in as much as she left with a dancer.” 54:02

Evidence, details and a link to share

Model synopsis: A man is shown lying down, looking upward with an expression of concern or surprise. No location, time of day, or other people are visible or mentioned in this beat.

• A man is lying down and looking upward with an expression of concern or surprise. [frame:1]

1 person observed.

“I thought one.” 54:44

Evidence, details and a link to share

Model synopsis: A man in traditional attire stands outdoors holding a pipe while another man lies down, visible in close-up. The transcript includes fragmented dialogue and a mention of 'the men'.

• A man in traditional attire stands outdoors holding a pipe. [frame:1]
• A man lies down, visible in close-up, looking upward. [frame:2]
• The man in traditional attire stands again, gesturing with his hand. [frame:3]

2 people observed.

“Hey, are you?” 54:46 · “I'm going to go.” 54:54

Evidence, details and a link to share

Model synopsis: A man lies on a cot outdoors while another man in traditional attire stands nearby. A voice mentions someone going out to kill something and claims to have taught her.

• A man lies on a cot outdoors. [frame:1]
• Another man stands near the cot in a camp setting. [frame:2]

Named: Dio (t:55:21). 3 people observed.

“Up in them sides.” 55:07 · “I'm so glad you could be here, my brother.” 55:08

Evidence, details and a link to share

Model synopsis: A man lies in a camp cot under a tent while another man in traditional attire sits nearby; in the distance, figures approach across an open field under a cloudy sky. The transcript includes a line about a party ending and a hostess arriving.

• A man lies in a camp cot under a tent. [frame:1]
• A man in traditional attire sits near the cot holding a bucket. [frame:2]
• Figures approach across the field toward the tent. [frame:3]

3 people observed.

“I hope.” 55:33 · “When the party's over, you're likely to get let with your hostess.” 55:37

Evidence, details and a link to share

Model synopsis: A man lies on a cot under a tent while another man in white robes stands beside him holding a small object. The transcript includes fragmented speech, including a phrase in Swahili and a comment about a woman.

• A man lies on a cot under a tent while another man in white robes stands beside him holding a small object. [frame:1]

2 people observed.

“Oh.” 55:52 · “Suppose I'm as well off of her as any of her.” 55:52

Evidence, details and a link to share

Model synopsis: A campsite is shown with tents and people, followed by a man lying down and a woman standing outdoors. No names are spoken in the transcript for these individuals.

• A campsite with tents and people is visible. [frame:1]
• A man is lying down with eyes closed. [frame:2]
• A woman stands outdoors with hands on hips. [frame:3]

3 people observed.

“Come on.” 56:08 · “Amen.” 56:15

Evidence, details and a link to share

Model synopsis: A man lies in a tent while a woman stands nearby; they exchange dialogue about shooting, feeling better, and not quarreling. The woman mentions Molo and offers to return if needed.

• A man lies in a tent while a woman stands beside him. [frame:1]

Named: Juana (t:57:17). 2 people observed.

“Making good shot?” 56:31 · “better.” 56:45

Evidence, details and a link to share

Model synopsis: A man in a white shirt and vest stands over another man lying on the ground in a wooded area; spoken lines include references to 'Naomi,' 'Amen,' and comparisons of relationships to buying cows. No named characters are established by dialogue, and no on-screen text is visible.

• A man stands over another man lying on the ground in a wooded area. [frame:1]

2 people observed.

“Naomi.” 57:19 · “You Africans may have the right system with women at that.” 57:40

Evidence, details and a link to share

Model synopsis: A man lies in bed speaking about past relationships and books he wrote. A cutaway shows sailboats near a coastal town, followed by a close-up of a book titled 'THE RED HAT' by Harry Street.

• A man lies in bed speaking. [frame:1]
• Sailboats are shown on water near a coastal town. [frame:2]
• A book titled 'THE RED HAT' is shown. [frame:3]

1 person observed.

“You know, son,” 58:34 · “There was one woman. And what a woman.” 58:36

Evidence, details and a link to share

Model synopsis: A man lies on a small boat on water, speaking about finding success. The background shows a distant shoreline with buildings.

• man lies on a small boat on water [frame:1]

1 person observed.

“Just right to tickle the smart ones on the Revere.” 59:01 · “And I'd found something, son.” 59:06

Evidence, details and a link to share

Model synopsis: A person is seen swimming underwater in deep blue water. No dialogue or on-screen text is present in this beat.

• A person swims underwater. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies on a boat while a woman swims nearby; later, the woman is seen in a dimly lit interior, smiling. Dialogue suggests a romantic incentive for swimming.

• man lies on boat while woman swims nearby [frame:1]
• woman smiles in dimly lit interior [frame:2]

2 people observed.

“You can swim very well.” 59:22 · “Naturally, when I have an incentive.” 59:23

Evidence, details and a link to share

Model synopsis: A man leans over a woman in water near a boat while speaking; the woman is partially submerged. The dialogue indicates a confrontation about changing plans and not leaving that night.

• A man leans over the side of a boat toward a woman in the water. [frame:1]
• The man continues leaning over the boat, appearing to speak to the woman. [frame:2]

Named: Bridget Licks (t:59:43). 2 people observed.

“Bridget Licks.” 59:43 · “I swam way over to tell you that I've changed your plans.” 59:45

Evidence, details and a link to share

Model synopsis: A man and a woman are in a tented camp at night; the man lies on a cot beside the woman who is in water, and they speak intimately. The dialogue suggests a romantic entanglement and a refusal to part.

• The woman lies in water, looking up, while the man leans over her from a cot. [frame:1]
• The man lies on a cot beside the woman in water, reaching toward her. [frame:2]
• The man leans over the cot, holding the woman’s legs as she floats in water. [frame:3]
• 1 more under Evidence and details.

Named: Countess (t:60:18). 2 people observed.

“Because you run around him,” 59:57 · “What does it get you? Only this. If you have to write, I have a typewriter at home. I'll let you call your own.” 60:00

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A woman lies on a boat holding a rifle while a man leans over the side into the water. The transcript includes dialogue about climbing onto the boat and a reflection on a woman named Liz.

• A woman lies on a boat holding a rifle. [frame:1]
• A man leans over the side of a boat into the water. [frame:2]

2 people observed.

“Climb up here on this boat. I can't hurry up. Hardly anything else.” 60:23 · “Get up here. - Please, lover. Not out here.” 60:27

Evidence, details and a link to share

Model synopsis: A person is seen floating in deep blue water, viewed from above. The transcript references 'The Countess Elizabeth' and describes her as a 'semi-iceberg of the semi-tropics.'

• A person floats on their back in blue water. [frame:1]

Named: The Countess Elizabeth (t:60:40). 1 person observed.

“The Countess Elizabeth.” 60:40 · “frigid lives.” 60:42

Evidence, details and a link to share

Model synopsis: A man lies in bed, covering his face with his hands and then lowering them. Two lines of dialogue are spoken during this beat, one calling something 'fun' and another denying it.

• A man covers his face with both hands while lying in bed. [frame:1]
• The man lowers his hands from his face, eyes closed. [frame:2]

1 person observed.

“It was fun, son.” 60:53 · “It was just lousy with fun.” 60:56

Evidence, details and a link to share

Model synopsis: A woman in a blue dress works on a sculpture while another woman in a gold dress and a man in a suit converse nearby. The dialogue includes introductions and a question about a 'quest' and 'why do you want her'.

• A woman in blue works on a sculpture. [frame:1]
• A woman in gold and a man in a suit stand near a pillar and talk. [frame:2]
• The woman in blue looks toward the sculpture. [frame:3]

Named: Beatrice (t:62:04), Mr. Smith (t:62:07). 3 people observed.

“It would be much more polite if you'd say it, darling.” 61:33 · “Beatrice, this is my fiancé's nice uncle.” 62:04

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a room with ornate pillars and a window; a second woman works on a sculpture near a window. The dialogue reveals the woman is not visiting Harry but that Harry is visiting her.

• Beatrice leans against a pillar while speaking to a man. [frame:1]
• The man in the suit stands and speaks. [frame:2]
• A woman in a blue blouse works on a sculpture near a window. [frame:3]
• 1 more under Evidence and details.

Named: Beatrice (t:62:20). 3 people observed.

“Beatrice, are you Devane? Oui, monsieur.” 62:20 · “- Oh, may I call you Uncle Bell? - I won't leave.” 62:28

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a dimly lit room while a woman in a blue dress works on a sculpture in a bright studio. The dialogue suggests a conversation about marriage, children, and the location of a person referred to as 'genius'.

• A man in a dark suit stands in a dimly lit room. [frame:1]
• A woman in a blue dress stands near a window, looking at a sculpture. [frame:2]
• The woman works on a large sculpture in a bright studio with other sculptures visible. [frame:3]

2 people observed.

“When you and Harry get married,” 62:56 · “Why don't you go ask him?” 63:02

Evidence, details and a link to share

Model synopsis: A woman in a blue smock works on a sculpture while a man in a suit speaks to her; another woman in a gown stands behind them. The dialogue includes French phrases and laughter, suggesting a social or artistic setting.

• A woman in a blue smock touches a sculpture. [frame:1]
• A man in a suit speaks to the woman sculpting; another woman in a gown stands behind them. [frame:2]

3 people observed.

“You have a suggestion?” 63:25 · “Ceres, the goddess of fertility. Madame? Madame?” 63:27

Evidence, details and a link to share

Model synopsis: A man sits at a desk in a room with a view of water; another man enters and leans over the desk. Dialogue suggests a tense or playful exchange involving someone named Liz and a reference to money.

• A man sits at a desk, looking toward the camera. [frame:1]
• Another man enters and leans over the desk toward the seated man. [frame:2]

2 people observed.

“Good. Come on in. Now I can stop.” 63:51 · “You do? I'll go away again.” 63:55

Evidence, details and a link to share

Model synopsis: A man stands in a room while a woman sits nearby; another woman is visible in the background. The transcript includes dialogue about mail, success, and Hollywood.

• A man stands in a room while two women are present, one seated and one standing in the background. [frame:1]

3 people observed.

“They're everywhere, aren't you darling?” 64:19 · “It's the only attribute I share with the Almighty. Angel, are you doing anything that's thinkingly important?” 64:22

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks while seated near a bookshelf; a man and woman are shown together in a curved interior space. The transcript includes dialogue about writers being paid for their work and mentions libraries and museums.

• A man in a dark suit sits near a bookshelf and speaks. [frame:1]
• A man and woman sit together in a curved interior space. [frame:2]
• The man turns his head and speaks while the woman looks at him. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Cosmopolitan wants another series of short stories and Smarts are true.” 64:54 · “Well, why should a writer feel guilty? Because people are willing to pay good money for the sweat off his brow.” 65:02

Evidence, details and a link to share

Model synopsis: A woman in a blue dress and two men stand near a reception desk in an ornate interior; one man speaks about settling down and a museum, while another mentions walking out and finding a door. The dialogue includes references to Paris, a museum, and a person named Harry de Bond.

• A woman and two men stand near a reception desk in a hotel lobby. [frame:1]

Named: Harry de Bond (t:65:28). 3 people observed.

“I've decided to settle down and take over that museum. That's wonderful, Muse. Does that mean we'll see you often, darling? When you're in P…” 65:15 · “My bones will be on display amongst the other antiquities every day except Thursday.” 65:24

Evidence, details and a link to share

Model synopsis: Two men converse in a room with decorative wall art; one stands near a staircase while the other remains in the foreground. The dialogue suggests a discussion about personal success, health, and hunting, with one man urging the other to visit again.

• A man in a dark suit stands near a staircase while another man in a light shirt stands in a room with wall art. [frame:1]
• The man in the dark suit is seen from below, standing on a staircase. [frame:2]
• The man in the light shirt stands in front of a wall with decorative art. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“What do you think? But you think my book stinks? Everything I'm doing stinks. I came to praise his honor to bury him.” 65:43 · “Make a handsome living, have the acquaintance of most of the interesting people of the world. All this and this too.” 65:53

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark tie is shown in various settings, including standing near a window, looking at newspapers outdoors, and writing at a desk. He speaks about fame, loneliness, and a woman named Cynthia, whom he still loves despite her absence.

• A man stands near a window, looking down. [frame:1]
• The man, wearing a fedora, looks at newspapers displayed outdoors. [frame:2]
• The man walks through a dimly lit room with another man seated at a desk. [frame:3]
• 1 more under Evidence and details.

Named: Cynthia (t:66:37). 1 person observed.

“My name in the papers, my face in the better magazines.” 66:31 · “And why didn't she come back to me?” 66:44

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat walks on a city street near a tall column, while other pedestrians and horse-drawn vehicles are visible in a large square. The transcript reveals a man speaking about following women who resemble someone he misses, fearing loss of the feeling it brings.

• A man in a dark coat and hat stands near a lamppost, smoking. [frame:2]
• A woman in a light coat walks past the man. [frame:2]
• People walk through a large square with classical architecture and horse-drawn carriages. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I followed a woman whom I thought was you. I follow any woman who looks like you in some way.” 67:20 · “I pray to see that it's not you.” 67:27

Evidence, details and a link to share

Model synopsis: A man and a woman have a brief, awkward encounter on a street; the woman apologizes for mistaking him for someone else and then asks if he is the writer Mr. Harry Street. The man confirms his identity.

• The man turns and looks at the woman, appearing surprised. [frame:2]

Named: Harry Street (t:67:53). 2 people observed.

“I beg your pardon. I thought you were someone else.” 67:37 · “They're my brother's children.” 67:47

Evidence, details and a link to share

Model synopsis: A man in a blue suit and hat adjusts his hat while standing beside a vehicle. A line from the transcript suggests regret about not being the right person.

• A man adjusts his hat while standing beside a vehicle. [frame:1]

1 person observed.

“I think I'm rather sorry I'm not the right one.” 67:57

Evidence, details and a link to share

Model synopsis: A woman in a dark dress stands in a room with arched windows and patterned walls, holding papers. A close-up shows an envelope addressed to Cynthia Green at Hotel Florida in Madrid, Spain, and to Mr. Harry Street in Antibes, France.

• A close-up shows an envelope addressed to Cynthia Green at Hotel Florida, Madrid, Spain, and to Mr. Harry Street, Antibes, France. [frame:1]
• A woman stands in a room with arched windows and patterned walls, holding papers. [frame:2]

1 person observed.

“Anything interesting?” 68:10 · “Routine.” 68:13

Evidence, details and a link to share

Model synopsis: A man in a tuxedo speaks to a woman in an evening gown in a decorated room; another woman in a light dress is present. A woman reads from a paper while speaking. The transcript mentions a fiancé, a princess, and a hotel in Madrid.

• A man in a tuxedo stands beside a table with a glass decanter. [frame:1]
• A woman in a black gown stands with her back to the camera, facing two men in tuxedos and a woman in a light dress. [frame:2]
• A close-up of a man in a tuxedo looking off-camera. [frame:3]
• 1 more under Evidence and details.

Named: Princess von Steffen Grandview-Pjotten (t:68:35), Mr. Street (t:68:25). 4 people observed.

“Please. All right. - Poor pig. - Angel. You came just at the right moment. Now let's see, I don't think you've met my fiance, Mr. Street…” 68:25 · “Princess von Steffen Grandview-Pjotten.” 68:35

Evidence, details and a link to share

Model synopsis: A man in a tuxedo speaks to a woman in a black dress while another woman in a white gown sits nearby; the dialogue references a girl named Cynthia Green and a book. The man and the woman in black interact closely, with the man holding a glass and the woman holding a card.

• A man in a tuxedo stands and gestures while speaking to a woman in a black dress. [frame:1]
• The man holds a glass and looks down, appearing contemplative. [frame:2]
• The woman in the black dress holds a white card and looks upward with a slight smile. [frame:3]

Named: Cynthia Green (t:68:57). 3 people observed.

“There must be a girl named Cynthia Green.” 68:57 · “Not the last I heard. From Madrid. My dear, devoted fiancé has so many fans. And I am one of them. Oh, I just devoured your last book.” 69:04

Evidence, details and a link to share

Model synopsis: A man in a tuxedo stands indoors holding an object. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a black evening gown with beaded straps stands indoors. No dialogue or action is visible in this single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a black tuxedo and bow tie stands indoors, holding an object. The setting includes ornate architectural details and a draped window.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two people argue in a dimly lit interior, then the scene cuts to an outdoor field with a vehicle. One person, called Harry, is accused of acting foolishly and is told they look like a knight seeking the Holy Grail.

• Two people stand close in a dim room, one facing away, the other leaning in. [frame:1]
• A vehicle is visible in a field with dry grass and trees. [frame:2]

Named: Harry (t:69:55), Ari (t:70:10), Thomas (t:71:34). 3 people observed.

“Harry!” 69:55 · “Lover, darling, stop and listen to me.” 70:12

Evidence, details and a link to share

Model synopsis: A single blurry frame shows an indistinct, high-contrast image with no identifiable people, objects, or setting. No transcript is provided for this beat.

Evidence, details and a link to share

Model synopsis: A dark, smoky scene with indistinct ground debris is shown in one frame. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Model synopsis: A street scene shows the Hotel Florinda sign in Madrid, with sandbags and vehicles visible. The transcript mentions Cynthia not being at the Hotel Ferenda and references a civil war affecting Madrid.

“My Cynthia was not at the Hotel Ferenda in Madrid or anywhere else.” 71:42 · “The lousy civil war had fixed Madrid.” 71:47

Evidence, details and a link to share

Model synopsis: A person lies on the ground while another crouches nearby holding a rifle in a barren outdoor setting. The speaker expresses regret about carrying a gun.

• A person lies on the ground while another crouches nearby holding a rifle. [frame:1]

2 people observed.

“Before I knew it, I was carrying a gun.” 71:52 · “I wished I weren't.” 71:54

Evidence, details and a link to share

Model synopsis: A group of people stands near a Red Cross vehicle and banner in an open, hilly field. No dialogue or on-screen text is present in the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in dark uniforms are on the ground in a barren, rocky landscape. One man is crawling forward while the other lies prone behind him, both appearing to be in a combat or survival situation.

• A man in uniform crawls forward on the ground. [frame:1]
• A second man in uniform lies prone behind the first, holding a rifle. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of people stands near a Red Cross vehicle and banner in a barren, hilly landscape. No dialogue or named individuals are present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A military-style vehicle is parked on uneven ground with several people around it; one person is visible in the foreground. The background shows a hazy, open landscape with smoke or dust in the air.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform and cap stands in a smoky, war-torn landscape while speaking about being an American and wishing he were back in Detroit. Other soldiers are visible in the background, some seated and some standing, amidst smoke and debris.

Named: Cynthia Green (t:72:24). 3 people observed.

“Do you know an American driver by the name of Cynthia Green?” 72:24 · “Wish I was back in Detroit. You're American, huh? Yeah. Wish I was back in Detroit where I was when I got sucked into this.” 72:42

Evidence, details and a link to share

Model synopsis: A man in a beret is shown in a battlefield setting with soldiers and smoke; another man speaks off-screen. No named characters appear, and the scene is set during an unspecified time of day.

• A man in a beret looks off-camera while soldiers are visible in the background. [frame:1]
• A man with glasses and a cap looks upward, surrounded by soldiers and debris. [frame:2]
• A soldier walks through rubble with smoke in the background. [frame:3]

4 people observed.

“No.” 73:01 · “What are you doing here?” 73:02

Evidence, details and a link to share

Model synopsis: A dark vehicle drives on a dirt road in a barren, hilly landscape. No people are visible and no dialogue is present in this beat.

• A dark vehicle drives on a dirt road. [frame:1]

Evidence, details and a link to share

Model synopsis: A man in a military uniform is seen in profile, looking toward smoke in the sky, while other soldiers are visible behind him. A voice shouts '¡Compañía! ¡Adelante!' during this moment.

• A man in uniform looks toward smoke in the sky [frame:1]

2 people observed.

“¡Compañía! ¡Adelante!” 73:23

Evidence, details and a link to share

Model synopsis: A man in a dark beret and uniform is visible in a chaotic outdoor scene with other soldiers. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Soldiers in helmets are visible in a trench or battlefield setting, with one holding a rifle. No dialogue or on-screen text is present in this beat.

• Soldiers are positioned in a trench with rifles. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in dark uniforms and berets are shown outdoors with rifles, against a hazy background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A chaotic outdoor scene with multiple figures moving across a dusty, tree-dotted landscape under a pale sky. Smoke rises in the background, suggesting recent or ongoing conflict.

• Figures move across a dusty, tree-dotted landscape with smoke rising in the background. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit, grainy frame shows a person in light clothing moving near a dark, slatted object. No dialogue or clear setting is visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person lies on the ground next to a vehicle tire, holding onto it. The setting appears to be outdoors on uneven, leaf-strewn ground.

• A person lies on the ground holding a vehicle tire. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of soldiers advances through scrubland under smoke, while a soldier in the foreground aims a machine gun. No dialogue or on-screen text is present.

• Soldiers advance through scrubland under smoke while a soldier in foreground aims a machine gun. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A soldier is visible in a rocky, outdoor setting with a machine gun. No dialogue or on-screen text is present in this beat.

• A soldier is positioned behind rocks with a machine gun. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is partially visible among dense vegetation in a natural outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, silhouetted figure is visible against a bright, blurry background with foliage. No events or spoken dialogue are recorded in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single figure is visible in a dark, blue-tinted frame, holding a round object near their face. No dialogue or clear setting is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, smoky mass against a lighter background, with no identifiable people, objects, or location. No transcript is provided for this beat.

Evidence, details and a link to share

Model synopsis: A man lies on the ground, injured, while a woman lies nearby on rocky ground near a vehicle. The transcript includes a plea for someone named Harry to find her and a repeated invocation of Mary, Mother of God.

• A man lies on the ground, injured, with his eyes closed. [frame:1]
• A woman lies on rocky ground near a vehicle, looking upward. [frame:2]

Named: Mary (t:74:37). 2 people observed.

“I must escape.” 74:23 · “This is Mary, Mother of God.” 74:37

Evidence, details and a link to share

Model synopsis: A battlefield scene shows soldiers in combat near a vehicle with a Red Cross emblem; one soldier is seen lying on the ground. A voice requests room for prayer during the action.

• Soldiers are engaged in combat in an open field. [frame:1]
• A soldier aims a rifle from behind a vehicle marked with a Red Cross. [frame:3]
• A soldier lies on the ground, eyes closed, possibly wounded or dead. [frame:4]

4 people observed.

“Please find room for my prayer.” 74:50

Evidence, details and a link to share

Model synopsis: A man in a blue uniform and cap works near machinery. The setting appears to be an industrial interior with large mechanical components.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person lies on the ground next to a vehicle interior. No dialogue or on-screen text is present in this beat.

• A person lies on the ground next to a vehicle interior. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark cap and blue jacket kneels over a woman lying on the ground, holding her as she appears injured. He speaks to her and says he will get help, while she is told to stretch her back.

• The man kneels over the woman, holding her shoulders and looking at her face. [frame:1]

2 people observed.

“You're hurt. Oh, dear.” 75:25 · “You're very hurt. Oh, dear.” 75:32

Evidence, details and a link to share

Model synopsis: A group of men are gathered outdoors near rocks and trees; one man bends over while others stand nearby. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are lying close together on the ground; the man is leaning over the woman. The transcript includes emotional dialogue about belief, punishment, mercy, and physical touch.

• A man leans over a woman lying on the ground. [frame:1]

2 people observed.

“Do you believe my letter? Every word. About the job, too. It's about the job, too. Stretch your back! I'm so glad!” 75:55 · “I'm sorry. I was so wrong about the child. I know that God would punish me. You, you,” 76:12

Evidence, details and a link to share

Model synopsis: A person in a blue cap and dark clothing kneels beside a vehicle marked 'AMBULANCE' while holding a small animal. The setting appears to be outdoors on uneven ground.

• A person kneels beside an ambulance while holding a small animal. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing carries another man on a stretcher through a smoky outdoor area; later, a man and woman embrace closely on the ground. The transcript includes a repeated urging phrase, 'Come on, sir.'

• A man carries another man on a stretcher through a smoky outdoor area. [frame:1]
• A figure moves through smoke and brush, suggesting chaos or aftermath. [frame:2]
• A man and woman lie close together on the ground, face to face. [frame:3]

4 people observed.

“- Come on, sir. - Come on, sir.” 77:27

Evidence, details and a link to share

Model synopsis: A group of soldiers is seen moving through a smoky, open field during what appears to be a battle. No dialogue or on-screen text is present in this beat.

• Soldiers advance through a smoky field. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are engaged in a physical confrontation in an outdoor, smoky setting. One man in dark clothing grabs the other man in a lighter uniform by the shoulders.

• A man in dark clothing grabs another man in a light uniform by the shoulders. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of soldiers is seen moving through a smoky, open battlefield. The scene is shot in silhouette against a bright, overexposed sky.

• Soldiers move through a smoky field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A soldier in uniform stands in the foreground while another walks in the background near smoke. The setting appears to be an outdoor battlefield or camp with sparse vegetation.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two figures move across an open, hazy field with smoke rising in the background. The scene is shot from a distance, showing sparse vegetation and indistinct structures.

• Two figures move across a field with smoke rising in the background. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing crawls on grass in an outdoor setting. No dialogue or on-screen text is present in this beat.

• A man crawls on grass. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two figures carry a stretcher through a wooded area with smoke in the background. The scene is dimly lit, suggesting dusk or overcast conditions.

• Two people carry a stretcher through a wooded area. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man lies on his back with eyes closed and mouth slightly open, appearing to be asleep or unconscious. The lighting is dramatic, with strong shadows and highlights on his face.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a sick man in bed; another man stands on a staircase nearby. The dialogue references illness, doctors, and past travels, with one man called 'Uncle Bill'.

• A man in a suit stands on a staircase while another man lies in bed. [frame:1]
• A man in a suit leans over a sick man in bed and speaks to him. [frame:2]

Named: Uncle Bill (t:78:32). 3 people observed.

“Please come up, your uncle will wait.” 78:15 · “Mr, I regret you to ask him, he was so sick, so many people who are in the mood. This is from here, Mr. Lach.” 78:26

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks while seated indoors; another man is shown lying in bed. The transcript contains a monologue about wasted talent and self-betrayal.

• An older man is shown lying in bed, looking upward. [frame:4]

2 people observed.

“Oh, I've seen the seven wonders of the world.” 79:19 · “I've destroyed my talent.” 79:51

Evidence, details and a link to share

Model synopsis: A man in a suit stands near a window while another man lies in bed; dialogue references hunting in Spain and a broken Holy Grail. No named characters are identified in the transcript, and the setting appears to be an interior room with ornate decor.

2 people observed.

“What is this, a catalogue of old books?” 80:16 · “Harry.” 80:19

Evidence, details and a link to share

Model synopsis: A man lies in bed speaking about killing someone, while another man in a suit stands nearby. The dialogue suggests guilt and confusion.

2 people observed.

“The Grail.” 80:37 · “Why should I blame them? I killed her.” 80:39

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside a bed where another man lies, holding papers and speaking. The dialogue suggests a farewell and the transfer of a legacy, with references to writing, royalties, and failure.

• A man in a suit stands beside a bed holding papers and speaking to the man lying down. [frame:1]

Named: Harry (t:80:48). 2 people observed.

“Well, Harry, in your absence...” 80:48 · “I love everything. You're right, Harry.” 80:57

Evidence, details and a link to share

Model synopsis: A man lies in bed speaking about leaving something behind, while another man in a suit listens. The speaker mentions writing a riddle and addresses the listener as Rudy.

Named: Rudy (t:81:50). 2 people observed.

“It isn't anything...” 81:33 · “material.” 81:35

Evidence, details and a link to share

Model synopsis: A man in a striped shirt lies in bed speaking, while another man in a suit listens. The dialogue suggests a serious conversation about an unknown answer that could be salvific.

2 people observed.

“Because you might ask me the answer.” 81:57 · “I don't know the answer.” 82:00

Evidence, details and a link to share

Model synopsis: A man in a dark suit and polka-dot tie is shown in a medium close-up, looking downward with a serious expression. The background suggests an interior room with curtains and paneling, but no specific activity or dialogue is visible or audible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand rests on a book titled 'Paris Street' in a close-up; a neon sign reading 'LES RATS' is visible above a doorway where figures stand; a circular sign with the name 'Emile' is shown. A voice says 'Oh, no, no, no, no.'

• A neon sign reading 'LES RATS' is visible above a doorway where figures stand. [frame:2]
• A circular sign with the name 'Emile' is shown. [frame:3]
• A hand rests on a book titled 'Paris Street'. [frame:1]

2 people observed.

“Oh, no, no, no, no.” 82:14

Evidence, details and a link to share

Model synopsis: A man in a suit is seen in a dimly lit, cluttered interior with a jukebox and ornate decor; another man in a dark coat stands near a doorway while a woman in a black dress is visible in the background. Dialogue from the transcript suggests concern about someone named Harry, addressed to a Mr. Jake.

• A man in a dark coat stands near a doorway while a woman in a black dress is visible in the background. [frame:1]
• A man in a suit stands near a jukebox. [frame:2]
• A man in a suit walks through the bar area. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Jake (t:82:44). 4 people observed.

“- What? - Oh, fine, Mr. Jake. - What? - What's wrong, Mr.” 82:44 · “- Is it... Harry?” 82:51

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit, cluttered interior space with artwork on the walls; one speaks about the place remaining unchanged while the other objects to alterations. The dialogue references preservation and resistance to change.

• Two men stand in a bar with artwork on the walls. [frame:1]

2 people observed.

“- Oh, young Harry. - This place is just the same. The same dirty, smoothing, it's the same wonderful place.” 82:58 · “- This new abomination. - No, no, no, no, leave it. Why do you let him change it out there? Who gave him the right to spoil it like that? -…” 83:14

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Model synopsis: Three people are at a bar counter; one man speaks while two women listen. A bartender stands nearby, and the setting includes bar equipment and dim lighting.

• The man continues speaking while seated at the bar with two women. [frame:1]
• The bartender is shown in close-up, listening. [frame:2]
• The group at the bar continues their conversation. [frame:3]

4 people observed.

“You know, I knew it might be a pretty good idea for us, too. Formerly, when you came here, you were not bitter.” 83:33 · “Poor Maria.” 83:41

Evidence, details and a link to share

Model synopsis: A dimly lit interior room with murals on the walls and empty tables and chairs is shown. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man in a patterned suit jacket is shown in a close-up, looking off-camera with a serious expression. The background is out of focus with blue and dark tones.

1 person observed.

Evidence, details and a link to share

Model synopsis: An interior room with murals and furniture is shown. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and patterned jacket is shown in a close-up, looking off-camera with a serious expression. The background is softly lit and out of focus, with a circular blue object visible behind him.

1 person observed.

Evidence, details and a link to share

Model synopsis: Four people are at a bar, one man reads a document while others look on; a voice mentions Kilimanjaro and a frozen leopard. No names are spoken that identify any person in the frames.

• Four people stand at a bar; one man holds a document and a bottle. [frame:1]
• The man in the pinstripe suit looks down at a document with a serious expression. [frame:2]
• The man continues reading the document while the two women look at him. [frame:3]

4 people observed.

“You're right, Emile. You look behind you and what do you see? Only a black side.” 84:30 · “We must think of the future. I have been left a legacy.” 84:36

Evidence, details and a link to share

Model synopsis: Three people are seated at a bar, engaged in a conversation about a leopard and an unsatisfactory story. The setting is dimly lit with decorative wall elements and a bottle on the counter.

6 people observed.

“All that snow...” 85:17 · “- What is guilty, Mr. - Some lousy cat got cold feet.” 85:22

Evidence, details and a link to share

Model synopsis: Two men are seated at a table in a dimly lit interior, speaking to each other. One man gestures while the other listens, and a bottle and glass are visible on the table.

2 people observed.

“And if I can find the answer, I'm supposed to win the prize. Come on, let's put our fine minds together. Perhaps he took the wrong train an…” 85:56 · “And so he got lost in life.” 86:07

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Model synopsis: Three people are shown in a close-up shot; one woman speaks to a man named Emilio, another woman is present, and a man is addressed as William. The setting appears to be an interior space with dim, focused lighting.

Named: Emilio (t:86:14), William (t:86:18). 3 people observed.

“It's a very sensible solution, Emilio.” 86:14 · “William?” 86:18

Evidence, details and a link to share

Model synopsis: A single frame shows a dimly lit, blurry object against a dark background with scattered bright spots. No people, dialogue, or identifiable setting are visible in this beat.

Evidence, details and a link to share

Model synopsis: A man in silhouette is shown from a low angle against a dark, cloudy sky, next to a lit streetlamp. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, indistinct scene with a small, curved, glowing object against a dark blue and black background. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Model synopsis: A man is visible in silhouette against a dark, cloudy sky next to a lit streetlamp. He speaks the word 'Please.'

1 person observed.

“Please.” 87:11

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A person with dark hair is shown in a dimly lit outdoor setting, holding a cigarette to their lips. The background is dark with a cloudy sky visible above.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up against a dark, cloudy sky with church spires; the woman speaks the name 'Mary' and the man responds 'Sam?'. No named characters are established by dialogue beyond these two utterances.

Named: Mary (t:87:24), Sam (t:87:26). 2 people observed.

“Mary.” 87:24 · “Sam?” 87:26

Evidence, details and a link to share

Model synopsis: A man lies in bed while a woman in dark clothing stands near him; dialogue suggests they are reuniting after a prior meeting. The man is addressed as Mr. Street and expresses fatigue and need for rest.

• A woman stands near a man lying in bed. [frame:1]
• A man lies in bed, looking upward. [frame:2]

Named: Mr. Street (t:87:36). 2 people observed.

“Aren't you Mr. Harry Street, the author whom I met in the Place Vendôme?” 87:36 · “Yes, sir, Mr. Harriet Street.” 87:40

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Model synopsis: Two people are seated outdoors at night near a campfire; one asks the other if they want a drink and suggests asking Molo for it. The setting includes tents in the background, indicating a campsite.

2 people observed.

“Oh, my God.” 88:51 · “Would you like a drink?” 88:54

Evidence, details and a link to share

Model synopsis: A woman asks a man which of two women he has been thinking about; he asks for clarification. The man appears to be lying down while the woman speaks to him.

2 people observed.

“About which one have you been thinking, Harry?” 89:09 · “What do you mean about which one?” 89:12

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up, speaking in a dimly lit interior. The dialogue references a past meeting on a bridge near Notre Dame, suggesting a reflective or confrontational moment between them.

• A man lies in bed, looking thoughtful. [frame:1]
• A woman sits beside him, facing him, in a dimly lit room. [frame:2]
• The man turns his head slightly, maintaining a pensive expression. [frame:3]

2 people observed.

“That makes you think you know so much.” 89:19 · “Maybe I was thinking about you and me.” 89:23

Evidence, details and a link to share

Model synopsis: A woman and a man are shown in close-up in a dimly lit interior, speaking about a past misunderstanding involving someone named Cynthia. The dialogue suggests unresolved tension between them.

2 people observed.

“when you mistook me for your Cynthia.” 89:42 · “You've never been able to forgive me for not being her.” 89:46

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, speaking about their past relationship. The man appears distressed while the woman looks at him with concern.

• The man reacts with a sigh and touches his forehead, showing distress. [frame:2]
• The woman looks at the man with a concerned expression. [frame:3]
• The man lies back, looking upward with a pensive expression. [frame:4]

2 people observed.

“What else did you think about you and me, Harry?” 89:57 · “We had a Lulu of the beginning.” 90:03

Evidence, details and a link to share

Model synopsis: A woman in a light robe speaks to a man lying in bed in a dimly lit room; the dialogue suggests a personal confession about a past mistake and a desire to return to a former state. The setting appears to be a private interior space at night, with minimal props visible.

2 people observed.

“You owe me the courtesy of being honest.” 90:23 · “Guess why I wanted to come here is the point of the whole buddy joke.” 90:36

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Model synopsis: A woman and a man are shown in dimly lit interior shots, with the woman seated and the man lying down or reclining. The transcript includes a metaphor about a fighter going into the mountains and a reference to a thorn that had needled the speaker two weeks ago, followed by laughter.

• Woman is seated, looking off-camera with a serious expression. [frame:1]
• Man is lying down with eyes closed or nearly closed, appearing to rest or sleep. [frame:2]
• Man and woman are seated together, both looking forward, possibly at a screen or fire. [frame:3]

2 people observed.

“The way a fighter goes into the mountains to work the fat off his body.” 91:22 · “Might have made it to him.” 91:27

Evidence, details and a link to share

Model synopsis: A man lies in bed, viewed in a close-up shot. The lighting is dim and focused on his face, with the background dark.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored robe is shown in a close-up against a dark, indistinct background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies in bed in a dimly lit room while a voice speaks of a foul smell recurring nightly. No other people or objects are clearly visible in the frames.

• A man is lying in bed with eyes closed. [frame:1]
• The man remains in bed, eyes still closed, in dim lighting. [frame:2]

1 person observed.

“Amen.” 91:51 · “That foul smell crosses here every day.” 91:53

Evidence, details and a link to share