Hotel lobby
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:05:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 131 · shots 315–315. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- hotel_lobby (hotel lobby, interior) evidence: frame:1
- People
- woman, dark hair in a bun, wearing a blue dress visible
- Harry de Bond (named at t:65:28): man, middle-aged, wearing a dark suit and tie visible, audible
- man, wearing a light-colored shirt and dark trousers, back to camera visible, audible
- Seen happening
- A woman and two men stand near a reception desk in a hotel lobby. [frame:1]
- Also said
- “On the Avenue prison it was... Harry de Bond. I'll walk out, will you? Thank you.” 65:28 · “I'll find the door. I imagine you're wanted in there. Why the devil happens to the grace to tell me the truth?” 65:36
- Seen
- reception desk [frame:1], curtains [frame:1], wall sconce [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and theatrical; themes: social class, departure, truth and deception; style notes: medium shot, studio lighting, ornate set design, formal attire
A woman in a blue dress and two men stand near a reception desk in an ornate interior; one man speaks about settling down and a museum, while another mentions walking out and finding a door. The dialogue includes references to Paris, a museum, and a person named Harry de Bond.
“I've decided to settle down and take over that museum. That's wonderful, Muse. Does that mean we'll see you often, darling? When you're in Paris.” 65:15 · “My bones will be on display amongst the other antiquities every day except Thursday.” 65:24 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/Kilimanjaro/b190.png
- Figure for a newsletter or page
- Cite