Public Reel

The Snows of Kilimanjaro · Beat 275 · permalink

Bedroom

1:29:55–1:30:22 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:30:031:30:03Frame at 1:30:141:30:14Frame at 1:30:181:30:18Frame at 1:30:211:30:21

Play from 1:29:55 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 198 · shots 464–467. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
bedroom (bedroom, interior) evidence: frame:1
People
  • man, mid-30s, dark hair, wearing dark shirt, lying down, appears distressed visible, audible
  • woman, mid-30s, dark curly hair, wearing light-colored robe, sitting up, looking concerned visible, audible
Seen happening
  • The man reacts with a sigh and touches his forehead, showing distress. [frame:2]
  • The woman looks at the man with a concerned expression. [frame:3]
  • The man lies back, looking upward with a pensive expression. [frame:4]
Also said
“It's really a Lulu.” 90:06 · “Why did you suddenly want to come here?” 90:19
Seen
pillow [frame:1], robe [frame:3], dark shirt [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and introspective; themes: relationship conflict, regret, emotional vulnerability; style notes: close-up shots, low-key lighting, intimate framing

A man and a woman are in a dimly lit interior, speaking about their past relationship. The man appears distressed while the woman looks at him with concern.

“What else did you think about you and me, Harry?” 89:57 · “We had a Lulu of the beginning.” 90:03 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Snows of Kilimanjaro (1952) at 1:30:03 (passage 1:29:55–1:30:22); US record: No renewal found

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