The Green Glove (1952)

Model synopsis: The opening credits roll over a black screen, listing crew roles and production details. The voiceover introduces the protagonist Michael Blake, a former paratrooper, and sets the scene in Saint-Elzayar, France, at summer dawn.

1 person observed.

“This is the story of Michael Blake, former paratrooper. One of the many ex-GIs who have found themselves drawn back to those places they ha…” 1:27 · “Summer dawn comes quietly to the village perched here on the edge of the precipice. Father Gauron, the village priest, always the first awa…” 1:57

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Model synopsis: A person in dark clothing walks along a stone wall overlooking a village; the scene cuts to stone buildings and a narrow street. The transcript mentions bells ringing again after the disappearance of a famous green glove, which had drawn pilgrims to the village.

• A person walks along a stone wall overlooking a village. [frame:1]
• The person turns to look over the wall. [frame:2]
• The camera shows stone buildings with windows. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“The bells were ringing. The bells that had been silent ever since the disappearance of the gauntlet of St. Elzear.” 2:11 · “The famous green glove which had made this village an object of pilgrimage to the sick, the maimed, and the faithful for nearly a thousand y…” 2:11

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Model synopsis: A figure moves through a dimly lit stone interior with stairs and religious statuary; the transcript questions who is ringing a bell that should not ring again. No names are spoken, and no objects beyond architectural features and statuary are visible.

• A robed figure walks through a stone room with religious statuary. [frame:1]
• A silhouetted figure stands on stone stairs in a dimly lit interior. [frame:2]

2 people observed.

“To Father Goron it meant that the gauntlet had come home, for the vow had been made that the bell should never ring again until it returned.” 2:27 · “But it wasn't there in the niche which had been empty so long.” 2:27

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Model synopsis: A dark, shadowy interior scene shows a silhouetted figure near industrial machinery. No dialogue or on-screen text is present in this beat.

• A silhouetted figure stands near large industrial machinery in a dark space. [frame:1]

1 person observed.

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Model synopsis: A man in dark clothing and a hat crouches in a dim, wooden interior with machinery visible on a raised platform. No dialogue or on-screen text is present in this beat.

• A man crouches in a dim warehouse interior. [frame:1]

1 person observed.

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Model synopsis: A person in dark clothing stands beside a large mechanical device in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

• A person stands beside a large mechanical device. [frame:1]

1 person observed.

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Model synopsis: A person in dark robes stands in a dim interior while another man in a light shirt runs through a stone alley. A third figure is partially visible behind wooden beams in a dark space.

3 people observed.

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Model synopsis: A group of people runs through a narrow stone alleyway; a man in dark clothing is seen from behind in a dim interior; a close-up shows a gloved hand holding a jeweled object. No names or dialogue are provided in this segment.

• Several people run through a stone alleyway. [frame:1]
• A man in dark clothing stands with his back to the camera in a dim interior. [frame:2]
• A gloved hand holds a jeweled object. [frame:3]

3 people observed.

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Model synopsis: A dark, shadowy interior shows a figure in silhouette near a large bell; the transcript describes a gauntlet returning home and a bell ringing with no one present. The setting is identified as Los Angeles, California, in the dialogue.

• A silhouetted figure is visible near a large bell in a dark interior. [frame:1]
• A silhouetted figure is bent over in a dark doorway. [frame:2]

1 person observed.

“Gauntlet! He has come home! Who brought it, Father? Nobody. There was nobody there. Only the dead man.” 3:57 · “Who is he? Did he ring the bell to say the gauntlet had come home? He was Dennis' ring. Nobody was up there.” 4:30

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Model synopsis: The beat shows a sequence of four black-and-white frames: a bell tower, a body in a coat with a patch, barbed wire at night, and an aerial view of a town under bombardment. The transcript mentions a dead man and sets the story's beginning to August 1944.

• A bell tower is shown in shadow. [frame:1]
• A body lies on the ground wearing a coat with a patch. [frame:2]
• Barbed wire is stretched across a dark landscape. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“And of course, the mystery of the dead man. That was the end of the story.” 4:57 · “But this story had really begun many years earlier. August, 1944.” 5:04

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Model synopsis: A person runs with a rifle in a dark, outdoor setting, followed by a view of a town under attack with smoke, and then a high-angle shot of parachutes descending. The transcript mentions the Allied liberation of the south of France.

• A person runs with a rifle across uneven ground. [frame:1]
• A person stands overlooking a town with smoke rising and explosions visible. [frame:2]
• Parachutes descend over a field from a high angle. [frame:3]

2 people observed.

“The Allied liberation of the south of France.” 5:13

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Model synopsis: A single figure is seen falling through the sky in a frame at 330s. A voiceover at 5:31 states that one survivor reached the ground behind German lines.

• A figure is falling through the sky. [frame:1]

1 person observed.

“One survivor reached the ground behind the German lines.” 5:31

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Model synopsis: A figure runs through smoke in a dark, outdoor setting. No dialogue or on-screen text is present in this beat.

• a figure runs through smoke [frame:1]

1 person observed.

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Model synopsis: A person stands in a dimly lit cave holding a rifle, while dialogue suggests someone is being summoned and sketches are being identified. No named characters appear, and the setting is underground with no visible time of day.

1 person observed.

“Hold it.” 5:55 · “Come here.” 5:57

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Model synopsis: A man identifies himself as Paul Rona, a newspaper correspondent who draws battle scenes, and speaks with Lieutenant Blake in a dim, enclosed space. Blake’s name tag is visible on his uniform as they discuss the war and prepare to move out.

• Blake’s name tag is shown on his uniform. [frame:2]

Named: Paul Rona (t:6:27), Blake (t:6:32). 2 people observed.

“You see, I'm a newspaper correspondent. I draw for the papers.” 6:23 · “battle scenes, impressions. My name's Paul Rona.” 6:27

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Model synopsis: Two men are in a dark, rocky space; one holds a green glove and speaks about it. The other man is present and reacts to the object being shown.

• A man in uniform holds a small object and speaks. [frame:1]
• The man in uniform looks down at the object in his hands. [frame:2]
• The second man looks at the object with a serious expression. [frame:3]

2 people observed.

“Open it.” 7:16 · “I told you I sketched.” 7:29

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Model synopsis: A man in a military-style uniform speaks while holding a jeweled glove, claiming it is valuable and that he is an art dealer with shops in major cities. He urges someone named Blake to let him go, offering the glove in exchange.

• A man holds up a jeweled glove and speaks to someone named Blake. [frame:1]

Named: Blake (t:7:44). 1 person observed.

“Listen, Blake. If you let me go, it's yours. It's worth enough to make you rich for the rest of your life. Look at those gems.” 7:44 · “I told you I sketched. That's merely a sideline.” 7:53

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Model synopsis: A single dark frame shows an indistinct, shadowy environment with no visible people or objects. No dialogue or on-screen text is present.

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Model synopsis: A man in a dark, rocky space is addressed by unseen speakers who identify themselves as allies from the underground and ask about a German. The man appears weary and is holding a rifle, suggesting he is a soldier or resistance member.

• A man is seen crouching in a rocky space, holding a rifle. [frame:1]
• The same man is seen sitting against a rock wall, looking up. [frame:2]

2 people observed.

“Don't shoot. We're friends.” 8:27 · “We were looking for you. Ever since we saw you drop from that plane. Don't worry. The underground has helped many others before you. The…” 8:41

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Model synopsis: A man in a military-style jacket is shown in distress in a ruined stone structure while others urge him to hurry and send a message. A woman and an older man are also present, with one line indicating someone named Pierre is to assist.

• A woman and an older man stand near a ruined stone wall. [frame:1]
• A man in a military jacket sits against a stone wall, looking distressed. [frame:2]
• A young woman, an older man, and another woman stand together in the ruins. [frame:3]
• 1 more under Evidence and details.

Named: Pierre (t:8:57). 4 people observed.

“Hurry, please, hurry.” 8:57 · “Jums are counter-attacking 19th Army. I gotta get a message through.” 8:57

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Model synopsis: A server offers champagne to a man and a woman. The scene is dark, with only faint points of light visible.

3 people observed.

“Champagne, madame. Monsieur.” 9:19

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Model synopsis: A man and a woman stand in a dimly lit room with stone walls and a long table; they raise glasses as part of a toast. The transcript indicates they are celebrating Robert, described as 'the American'.

• A man stands in a shadowed stone room. [frame:1]
• A man and a woman stand at a long table in a stone-walled room with candles. [frame:2]
• A man and a woman raise glasses in a toast. [frame:3]

Named: Robert (t:9:45). 2 people observed.

“You, my dear.” 9:41 · “First, we drink tour of beer.” 9:43

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Model synopsis: A man in a dark coat is shown in a stone interior with stairs; he is addressed as 'monsieur' and toasted with champagne. The transcript mentions Germans retreating, American guns, and drinking to allies and a husband named Robert.

• A man in a dark coat walks down stone stairs. [frame:1]
• The man turns his head to the side. [frame:2]
• The man looks upward with a concerned expression. [frame:3]
• 1 more under Evidence and details.

Named: monsieur (t:9:58), Robert (t:10:15). 2 people observed.

“Oh, it is bad to leave your bed, monsieur. You send the message like you promised.” 9:58 · “He does not know. The attack will not come. It won't come. It's coming right now. No, no. Not now or ever. The Germans are retreating.…” 10:05

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Model synopsis: A man in military attire is shown in close-up, followed by a woman speaking to a man in a suit, then a group gathered around a person lying down, and finally the man in military attire again. The transcript reveals a conversation about a pre-war tune, a German patrol encounter, and a man's death after delivering a message.

• A group of people gather around a person lying down. [frame:3]

5 people observed.

“We would play it together, he and I. It was before the war. It is catchy, is it not? You remember, Doctor, this tune which Robert loved so …” 10:42 · “What is it?” 10:54

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Model synopsis: A man in a dark suit stands beside another man who leans forward; a third man in a coat is seen near a staircase; a fourth man appears on a stone balcony. A voice speaks of someone dying for nothing and a German attack, followed by a question addressed to 'Monsieur' and a call to 'Countess.'

• A bald man in a suit stands beside a man leaning forward. [frame:1]
• A man in a coat stands near a staircase inside a stone building. [frame:2]
• A man stands on a stone balcony with carved railings. [frame:3]

5 people observed.

“Thought he was doing something for his country. He died for nothing. That man swore the Germans would attack. Don't you see, I... Words cann…” 11:27 · “Are you ready, Monsieur?” 11:48

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Model synopsis: A man in a dark coat stands near a woman in a light blouse and another man in uniform; one man speaks to the first man about forgetting his bag. The setting appears to be an interior stone room with arches and curtains.

3 people observed.

“The Countess. She has not spoken since.” 12:00 · “Her reason is quite gone. You're forgetting your bag, monsieur.” 12:04

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Model synopsis: Two men stand in a stone interior with a staircase; one speaks about keeping an object for another until after the war. The transcript ends with a narrator stating the story paused for years after they went to the woods.

2 people observed.

“- You found it? - Yes, in the ruins. Oh, the road is hard. It'll be better to carry nothing. Then I'll keep it for you.” 12:10 · “Someday you can come back for it after the war.” 12:16

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Model synopsis: A man stands on a high observation platform overlooking Paris, as a guide describes the view and height. The transcript mentions Michael Blake’s return to Paris and a valuable glove in southern France.

• People stand on a high platform overlooking Paris. [frame:1]

3 people observed.

“It started again one fine August morning in Paris. The years had been tough for Michael Blake. Everything had gone wrong. So Michael came ba…” 12:44 · “But someone had been waiting for Michael Blake's return.” 13:07

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Model synopsis: A man in a dark suit faces another person wearing a light hat and coat, viewed from behind, on a balcony or elevated structure overlooking a city. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man and a woman converse in a dimly lit interior space; the woman, wearing a hat and coat, speaks while holding a cigarette. The man, seen from behind or in profile, responds as they stand near a window or doorway with light coming from outside.

• The woman speaks to the man while holding a cigarette. [frame:1]
• The man responds to the woman, standing close to her. [frame:2]
• The woman looks at the man while speaking. [frame:3]

2 people observed.

“Thank you. Look over your shoulder and tell me what the little man in the gray suit's doing.” 13:51 · “Please. You coming this way?” 13:55

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Model synopsis: A man in a suit speaks to a woman in a hat, instructing her to delay someone while he catches an elevator. The second frame shows a dark, curved metal structure, possibly part of a staircase or balcony railing.

• A man in a suit faces a woman in a hat indoors. [frame:1]
• A dark, curved metal structure is shown, possibly part of a staircase or balcony. [frame:2]

2 people observed.

“Yes. Yes. Now, look, I'm going to catch that elevator. If he tries to follow me, stop him. Ask him the time. Anything to delay him. Who are …” 14:01

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Model synopsis: A person in a coat asks for the time and is told it is ten minutes to twelve; another person in uniform gestures toward an elevator. The scene appears to be set in a dimly lit interior with a visible elevator mechanism.

• The person in uniform gestures toward an elevator. [frame:1]

2 people observed.

“Oh, please, please, can you tell me the time? Oh, it's ten minutes to twelve. Oh, sorry I'm making this a elevator.” 14:17 · “There, but you can walk down.” 14:25

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Model synopsis: A tour guide speaks to a group overlooking Paris, pointing out the River Seine and the Arc de Triomphe. The view from a high vantage point shows the cityscape with buildings and trees below.

• A group of people stands on a high viewpoint overlooking Paris. [frame:1]

3 people observed.

“Excuse me, please, I'm very sorry. By now, of course, you've all seen the River Seine, which flows through Paris. If you look to your left…” 14:33

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Model synopsis: A man named Jimmy is urged to drink more alcohol, specifically scotch and bourbon, while in a dimly lit interior space. Another man, Chuck, is addressed as an old buddy.

• Jimmy is seen in silhouette near a bar area. [frame:1]

Named: Jimmy (t:14:44), Chuck (t:15:19). 2 people observed.

“The trouble with you is, Jimmy, you don't drink enough. I ought to take liquor seriously or not take it at all. I want another nightcap. You…” 14:44 · “Oh, Jimmy.” 15:14

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Model synopsis: Two men are introduced at a bar; one is named Mike, the other Chris Kennedy. A bartender serves drinks and mentions a price while background music plays and a dance is suggested.

Named: Mike (t:15:26), Chris (t:15:26). 4 people observed.

“Mike. That's right, Mike. You've heard me talk of Mike. Ohio State together. Mike, this is Chris. Chris Kennedy.” 15:26 · “Chris Kennedy did me a big favor today.” 15:34

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Model synopsis: A man and a woman converse closely in a dimly lit interior, discussing a mysterious man who was following her and a potential tour of Paris. The woman questions his motives while he denies being a criminal or spy.

2 people observed.

“Why were you in such a hurry to go away? Oh, you'd probably ask a lot of questions I wouldn't want to answer. I guess so, Rob. What was i…” 16:26 · “What are you doing tomorrow? Tourists? Sites of Paris? Oh, I'm a stranger in town. How about giving me a guided tour? Official or unoffici…” 16:44

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Model synopsis: A man in a light shirt speaks to a seated man and woman at a table; the seated man holds a glass. The setting appears to be an interior space with dim lighting and wooden walls.

• A man in a light shirt speaks to two seated people at a table. [frame:1]

3 people observed.

“I appreciate it.” 17:44

Evidence, details and a link to share

Model synopsis: A man and a woman stand close together in dim lighting, speaking intimately. The dialogue suggests a romantic or flirtatious exchange, with references to future plans, past connections, and a shared night.

• The man and woman stand close, speaking in low tones. [frame:1]

2 people observed.

“When we grow old, I'll get you a guitar player. He'll play for us all the time. We? Is that a firm offer?” 17:53 · “Did anyone ever tell you you weren't bad looking? Why aren't you married and done for?” 18:08

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Model synopsis: A man and a woman stand in a dimly lit, ornate interior space with heavy drapery and a candelabra. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man in a suit is confronted by police officers in an ornate interior. The officers identify themselves and ask him to return to his hotel regarding a dead man found in his room.

• Police officers confront Michael Blake in a hotel lobby. [frame:1]
• Inspector Chauvet identifies himself and asks Blake to return to his hotel. [frame:2]

Named: Michael Blake (t:19:36), Inspector Chauvet (t:19:44). 4 people observed.

“You Michael Blake? Yeah? This porter from your hotel said you might come here. Yeah, what about it? Will you please return with us to your h…” 19:36 · “Why? What is all this? I'm Inspector Chauvet of the Paris Police Department. I desire information regarding the man who lies dead in your…” 19:44

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Model synopsis: A group of people stand in a dimly lit interior as one man asks another if he knows a third man. A second frame shows a man falling or being pushed to the ground.

• Several people stand in a room, one man facing another. [frame:1]
• A man is on the ground, being held or falling. [frame:2]

5 people observed.

“Wait, please.” 19:59 · “You know this man?” 20:12

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Model synopsis: A man and a woman are questioned about having seen a dead person on the Eiffel Tower; neither can recall why they noticed him. The scene takes place indoors with several other people present, including a uniformed officer.

6 people observed.

“Yeah, I've seen him before. Some from the middle of the Eiffel Tower. Why do you recall having seen him?” 20:17 · “Once. Also on the Eiffel Tower. Yes, that's where I saw it.” 20:35

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Model synopsis: A man confesses to killing someone and leaving the body in his bedroom, while a woman and uniformed officers are present in a dimly lit interior. The speaker is not arrested but placed in protective custody due to a witness statement and his inaction after the crime.

• A group of people stand in a dimly lit room, including a woman and uniformed officers. [frame:1]

4 people observed.

“I came here to kill a guy. I left his body in my bedroom for the maid to find.” 21:35 · “But you will be transferred to another room. One of my men will be on hand. We'll call it protective custody.” 21:42

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Model synopsis: A man in a suit holds a piece of paper while speaking to another man in a crowded room; a woman stands between them. The dialogue suggests suspicion about a dead man's drawing and a connection to the speaker's presence in France.

• A man in a suit holds a piece of paper and speaks to another man. [frame:1]
• A woman stands between two men in a crowded room. [frame:1]
• A man in a plaid jacket turns toward the man in the suit. [frame:2]

Named: Claude (t:22:03). 5 people observed.

“Claude, you seem to be a reasonably intelligent person. If you'd kill this man, I believe you would have destroyed this drawing.” 22:03 · “It was in a dead man's pocket.” 22:10

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Model synopsis: A man in a suit is seen indoors on the phone, then the scene cuts to two men in suits talking on a street outside a building with a sign. The transcript reveals a phone call to a police inspector's office, which is unanswered, and a conversation about a missing policeman.

• A man in a suit holds a phone to his ear. [frame:1]
• Two men in suits stand on a street and talk. [frame:2]

Named: Inspector Fulbert's secretary (t:23:13). 5 people observed.

“Lieutenant of United States Airborne Infantry.” 22:30 · “I'm sorry, monsieur. You've only got one there. What about one for my friend outside? Monsieur? My watchdog, the policeman, who's wearing th…” 22:35

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Model synopsis: A street scene with vintage automobiles and pedestrians is shown. No dialogue or on-screen text is present in the frames.

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Model synopsis: A group of men in suits are standing inside a crowded public transit vehicle. The interior is dimly lit with overhead lights and features metal poles and windows showing reflections.

4 people observed.

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Model synopsis: Two men in hats sit on a train; one reads a newspaper while the other smokes. Other passengers are visible in the background through windows and reflections.

5 people observed.

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Model synopsis: A man in a hat stands inside a train car, facing another man near the doors. Passengers sit and stand in the dimly lit interior, with one woman looking toward the front. The scene is static, with no visible movement or dialogue beyond a single exclamation.

• A man in a hat stands facing another man near the train doors. [frame:1]
• A woman seated in the train looks toward the front of the car. [frame:2]

4 people observed.

“Oh.” 26:11

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Model synopsis: A man speaks in a dimly lit setting, discussing being followed, his destination Saint Denis, and his plan to go to Calais and then England, mentioning the Hotel Strand. A sign reading 'DEFENSE DE FUMER' is visible in the frame.

• A sign reading 'DEFENSE DE FUMER' is visible. [frame:1]

1 person observed.

“Not much you don't. He spoke it when he bumped into me this morning. Who hired you to follow me?” 26:41 · “Follow, sir? Yeah. I'm the little guy that was killed. Do you have the same boss?” 26:41

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Model synopsis: Two men in hats and suits are shown in close proximity during a conversation; one is told to leave and wish a nice trip. The setting appears to be a dimly lit interior with other people present.

• Two men face each other closely in conversation. [frame:1]
• The man on the right looks directly at the camera while the other man is in profile. [frame:2]
• The man on the right holds a folded paper or pamphlet while looking at the other man. [frame:3]

3 people observed.

“But if you would wish to stay at the hotel of the mother of my wife... Now get out of here. Have a nice trip. Au revoir, monsieur.” 27:11

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Model synopsis: A man in a coat walks through a public square with other pedestrians and large buildings in the background. A voice asks about baggage, and another replies they are traveling light.

• A man in a coat walks through a town square. [frame:1]

3 people observed.

“Good afternoon. Good afternoon.” 27:49 · “Seat 4, per past 9. Deporter, where's your baggage? I'm travelling light. Of course I forgot. Forgot what? Let it have a light.” 27:55

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Model synopsis: A man and a woman speak urgently inside a train car; the woman is frightened after her room was ransacked. A second woman is visible seated nearby.

• A man in a hat stands in the aisle of a train car, speaking to someone seated. [frame:1]
• A man and a woman stand close, facing each other in the train car aisle, engaged in a tense conversation. [frame:2]
• A woman in a robe speaks with alarm while seated next to another woman in a dark dress. [frame:3]

Named: Chris (t:28:11). 3 people observed.

“Your seat is opposite to madame. It was madame who said you would be covering lights. What are you doing here? Please get up. You're going t…” 28:11 · “Oh, it's very nice of you to come down to see me, Chris, but the train's about to leave.” 28:11

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Model synopsis: A man in a fedora asks a woman if she speaks English; she replies no. A second woman is present in the scene, and all three are seated indoors.

• A third woman is visible seated at the table with the others. [frame:2]

3 people observed.

“Excuse me. Do you speak English? No, monsieur.” 28:52

Evidence, details and a link to share

Model synopsis: A man in a fedora and a woman in a robe argue in a dimly lit interior; another woman in a floral hat sits nearby. The dialogue references a dead man, a drawing, and blame for entangling the speaker in danger.

• A man and a woman face each other in a tense conversation. [frame:1]
• A third woman sits in the background while the first woman speaks to the man. [frame:2]
• The man turns his head slightly while speaking to the woman. [frame:3]

3 people observed.

“You could have done that. That's what I'm asking you. You got me into all of this. I was leading a nice, quiet, safe life until you came alo…” 29:01 · “I don't know who it was who messed up you, Roman. I don't know who the little guy was who ended up on his face in my bedroom. You don't know…” 29:11

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Model synopsis: A man in a suit and hat speaks to a woman seated on a train while a uniformed conductor checks her ticket. The transcript indicates a dispute over the necessity of a ticket for travel, with the conductor stating a fee of $5,799.

• Conductor writes in a book while looking at the woman. [frame:4]

3 people observed.

“Monsieur, madame, ticket please.” 29:25 · “Madam hasn't got a ticket. Hasn't got a ticket? No. But it's necessary to have a ticket. It's provident to board a train to travel witho…” 29:29

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Model synopsis: A man in a suit and fedora sits facing a woman whose back is to the camera inside a vehicle. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man in uniform gestures while holding a book inside a vehicle; a woman looks up at him. No dialogue is provided for this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light robe looks up at a man whose face is obscured in shadow. The setting appears to be an interior room with dim lighting and a framed picture on the wall.

2 people observed.

Evidence, details and a link to share

Model synopsis: A uniformed officer speaks to a seated woman inside a vehicle; the woman reacts with a gesture. The transcript includes dialogue about a ticket, a missing policeman, and keeping someone awake.

• A uniformed officer stands facing a seated woman inside a vehicle. [frame:1]
• The woman raises her hand to her chest and appears to speak or react. [frame:2]

2 people observed.

“Thank you very much. I write your ticket immediately. That's fine.” 30:11 · “How can such a little dame be such a big nuisance? What really happened to that policeman who was guarding me? Look, he went out on a date…” 30:17

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Model synopsis: A close-up shows a French police pass with text authorizing the holder to pass and circulate freely. No people are visible or audible in this beat.

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Model synopsis: Two people are in a train car, one man and one woman, having a tense conversation about fleeing France and being pursued by police. The man insists on staying with the woman despite her refusal, and she calls him by the name Mike.

• A man walks down the aisle of a train car. [frame:1]
• The man sits and speaks to the woman. [frame:2]
• The woman looks at the man with a serious expression. [frame:3]
• 1 more under Evidence and details.

Named: Mike (t:31:24). 2 people observed.

“The police walked out on me. But you can't run away like this. They'll catch up with you anyhow within two days.” 30:50 · “In two days, in two days, I'll be out of France.” 30:50

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Model synopsis: A woman wearing a floral headpiece and dark clothing is visible in a dimly lit interior. She is audible saying 'L'amour. Toujours l'amour.' at 31:31.

• A woman stands in a doorway, smiling slightly. [frame:1]

1 person observed.

“L'amour. Toujours l'amour.” 31:31

Evidence, details and a link to share

Model synopsis: A person wearing a hat peers through a window or doorway in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• A person leans forward to look through a window or doorway. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: The frame is entirely black with no visible content. No events, people, or objects can be identified from the supplied material.

Evidence, details and a link to share

Model synopsis: Two people are in a train compartment, discussing police presence and a plan to evade them. One person is told to exit the train while the other distracts a police officer nearby.

• A woman wakes a man named Mike in a train compartment. [frame:1]
• The man and woman stand facing each other, speaking urgently. [frame:2]

Named: Mike (t:31:54), Chris (t:31:54). 2 people observed.

“Wake up, Mike. Wake up. What? Where are we? We're in the south of France.” 31:54 · “There's one just two compartments away. The man that I saw was Foba after he left you last night.” 32:11

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat sits in a train compartment and is approached by another man who gestures while speaking. The first man is addressed as 'Mr. Powell' in the transcript.

• A man in a dark coat and hat sits alone in a train compartment. [frame:1]
• Another man approaches and gestures while speaking to the seated man. [frame:2]

Named: Mr. Powell (t:32:42). 2 people observed.

“Mr. Powell.” 32:42

Evidence, details and a link to share

Model synopsis: A man and a woman stand close together outdoors; the man wears a hat and coat, the woman a belted coat. A transcript line mentions safety and rest for walking.

• A man and a woman stand facing each other closely outdoors. [frame:1]

2 people observed.

“touch you think he went to sleep right now I'm not thinking it” 33:12 · “It's all part of our service. It's safe and rest for walking.” 33:19

Evidence, details and a link to share

Model synopsis: Two people sit at a table in a dimly lit cafe, speaking about coffee and prisoners. One person, a woman, is shown in close-up as she speaks to the other.

• Two people are seated at a table in a cafe. [frame:1]
• A woman speaks to a man while seated at a table. [frame:2]

2 people observed.

“Hey, there's a little cafe. Think we can risk some coffee? No, but we will.” 33:29 · “Well, prisoner ate a hearty breakfast. Both prisoners.” 33:37

Evidence, details and a link to share

Model synopsis: A man and a woman have a conversation in a dimly lit interior. The man explains he will search for an old ruined farmhouse near a chateau, mentioning he had to bail out during a war, while the woman questions his motive.

2 people observed.

“All right, I'll tell you.” 33:51 · “I'm going to try to find an old ruined farmhouse near the chateau. It's on a field that's shaped like a boomerang. At least it looks like …” 33:55

Evidence, details and a link to share

Model synopsis: A woman in a light blouse speaks with a man whose back is to the camera, discussing being followed in Paris and a man's death. The dialogue suggests suspicion and uncertainty about who is responsible.

2 people observed.

“You're not? No.” 34:19 · “You want to call the police? Oh, I don't know. I don't know anything anymore.” 34:22

Evidence, details and a link to share

Model synopsis: A plaque for 'RONA PARIS LONDRES NEW YORK OBJETS D'ART' is shown. A transcript line mentions an American leaving Paris at six o'clock the previous night.

“Phony Count to talk too much. Kind of a nod dealer. At least he said he was a nod dealer.” 34:40 · “Good morning, Mr. Paul.” 34:49

Evidence, details and a link to share

Model synopsis: A woman in a dress is visible in an interior setting while dialogue references travel, business deals, and a character named Paul. The conversation mentions Monte Carlo, a train arrival, and a party involving Mr. Perrin.

• A woman stands smiling in an interior room. [frame:1]

Named: Paul (t:35:19), Gabby (t:35:19), Mr. Perrin (t:35:19), Nina Howard (t:35:19), Mr. Hatt (t:35:19). 6 people observed.

“The American left Paris in the six o'clock last night.” 35:06 · “Peppi's on a train, too. It arrives here in Monte Carlo at 11. Hello, darling. Curvy!” 35:10

Evidence, details and a link to share

Model synopsis: A man and a woman converse indoors; the woman speaks of wanting to see St. Alvear, which she describes as both a saint and a place 20 miles away. The man listens and responds with visible expressions.

• The woman smiles up at the man while speaking. [frame:1]
• The man turns his head slightly and speaks with a concerned expression. [frame:2]

2 people observed.

“No, I've changed my mind. I want to see St. Alvear.” 35:49 · “Who is St. Alvear? He's a saint.” 35:49

Evidence, details and a link to share

Model synopsis: A woman and a man face each other in a dimly lit interior; the man then turns away as the woman follows him. No dialogue or on-screen text is present in this beat.

• A woman and a man face each other in a dimly lit room. [frame:1]
• The man turns away from the woman, who follows him. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A vehicle is seen driving along a winding road beside a rocky cliff. No people are visible, and no dialogue or on-screen text appears in this beat.

• A vehicle drives along a road beside a rocky cliff. [frame:1]

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands outdoors near a stone wall and later points toward a distant mountain while speaking. The transcript identifies the location as 'Sharp Point,' a historic battle site, and mentions a saint named Athen Elvia.

• A man in a dark suit stands outdoors near a stone wall. [frame:1]
• The man points toward a distant mountain while standing beside a woman. [frame:2]

Named: Athen Elvia (t:36:49). 1 person observed.

“That's the village up there. How are we going through that, old place? Come over here.” 36:39 · “legend. It's called the Sharp Point. Because it's sharp, as you can see. This is where Athen Elvia won his battle over the Moors. I thought…” 36:49

Evidence, details and a link to share

Model synopsis: A man and a woman stand on a rocky cliffside overlooking a distant village perched on a mountain. The transcript describes a dangerous goat track leading to the village and questions its historical significance.

• A man and a woman stand together on a rocky outcrop, looking out over a valley. [frame:1]
• A distant view shows a village built on a steep, rocky mountain slope under a cloudy sky. [frame:2]
• The man and woman are shown in a closer shot, looking at each other with serious expressions. [frame:3]

2 people observed.

“You can see the goat track over there. It starts from the village, clings to the precipice, and takes a very dangerous course down the fa…” 37:19 · “You can see the track clearly as it reaches the valley and zigzags across rough country to a point directly below us.” 37:19

Evidence, details and a link to share

Model synopsis: Two frames show a rocky terrain and a man and woman in formal attire. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands near a stone fountain in a courtyard while another person lies on the ground nearby. The transcript mentions a stolen gourd and a portrait with a sword, suggesting a discussion about missing items.

• A man stands near a stone fountain while another person lies on the ground. [frame:1]

2 people observed.

“Well... in the past.” 37:46 · “I'm going to go.” 37:49

Evidence, details and a link to share

Model synopsis: A man speaks with a priest inside a dimly lit shrine, referencing a historical gauntlet and lost artifacts. The shrine is quiet now, though once crowded.

2 people observed.

“Good morning, Father. Can I be of help to you?” 38:49 · “Your shrine is very beautiful.” 38:49

Evidence, details and a link to share

Model synopsis: A man in clerical attire speaks in a dimly lit interior with religious statuary and candles; the dialogue references a stolen vase, a $100,000 ransom, and a bell. No names are spoken, and no other people are visible or audible.

• A man in clerical attire speaks about a stolen Chilini vase and a $100,000 ransom. [frame:1]

1 person observed.

“Thanks to a stolen Chilini vase. For the gauntlet, that same collection would pay upwards of $100,000.” 39:19 · “$100,000? So you see, Father, perhaps it's done quite a bit of traveling. Or perhaps it will.” 39:19

Evidence, details and a link to share

Model synopsis: A woman departs in a convertible car while a man in a hat watches from the curb; another man stands nearby. An inspector is mentioned as having flown to Monte Carlo for serious business, expecting to meet at the casino.

• A woman walks away from a car toward a building entrance. [frame:1]
• A convertible car drives away from a grand building with a man in uniform standing nearby. [frame:2]

Named: Inspector Foubert (t:40:13). 5 people observed.

“Goodbye, darling.” 40:03 · “They call me later. Yes.” 40:09

Evidence, details and a link to share

Model synopsis: A wide shot shows a large, ornate building with classical architecture, palm trees, and a few people and vehicles in front. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora stands in a dimly lit room with ornate decor as a voice mentions a telegram from Pepe. The setting appears to be an interior space with heavy drapery and framed art.

1 person observed.

“Mr. Paul. This telegram arrived for you from Pepe. I decoded it.” 40:40

Evidence, details and a link to share

Model synopsis: A vehicle drives on a dark, unpaved road at night, its headlights illuminating the path. A man speaks about having driven up 14 roads since the moon, mentioning his wife who prepares supper.

• A vehicle drives on a dark road with headlights on. [frame:1]

1 person observed.

“Madame, this is the 14th road we've driven up since the moon.” 41:00 · “Now, I am an understanding man.” 41:00

Evidence, details and a link to share

Model synopsis: A man and a woman are seated at a table in a dark setting, speaking. The man says he has a feeling the road is different, addressing the woman as 'Madame.'

Named: Madame (t:41:30). 2 people observed.

“But I have a feeling this road is different. Madame.” 41:30

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows two people in conversation, one speaking about bad luck and war's destruction. No names are spoken that can be linked to visible individuals, and no objects or on-screen text are discernible.

2 people observed.

“There it is.” 41:40 · “Mike, wait.” 42:01

Evidence, details and a link to share

Model synopsis: Two people talk in a dark alley at night; one identifies himself as Count Paul Rona. A third person is visible in the background of a wider shot.

• p1 and p2 stand close in an alley, talking. [frame:1]
• p1 and p2 continue talking; p2 places a hand on p1's arm. [frame:2]
• p1 and p2 are seen from a distance in the alley; p3 stands nearby. [frame:3]

Named: Count Paul Rona (t:43:17). 3 people observed.

“You know, when I walked out of that door years ago, things... Well, they went from bad to worse. I thought that... Well, maybe if I came …” 42:39 · “I don't know, it might... It might help all of us.” 42:49

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit stone-walled space; the man speaks about past events, a murder, and a valuable glove. The woman appears tense and is told not to touch the man.

• A man and a woman stand close together in a dark, stone-walled room. [frame:1]
• The man in the fedora turns slightly while speaking. [frame:2]
• A third man in glasses stands facing the other two in the same stone-walled space. [frame:3]

3 people observed.

“Just to clarify matters, I've been keeping a tab on you since the war through my New York office. I must say you've had a difficult time. Wh…” 43:29 · “make a deal behind somebody's back. So you killed him. My dear young lady, I've never killed anyone in my life. Not even during the war. The…” 43:52

Evidence, details and a link to share

Model synopsis: A man and a woman are confronted in a dimly lit, stone-walled space; the man is told he is wanted for murder and offered money for a green glove. A third man, Pepe, is introduced as a rough customer.

• A man in a fedora confronts another man in a dim room. [frame:1]
• The man in the fedora leans forward, speaking intently. [frame:2]
• The man in the fedora stands beside the woman, looking toward the camera. [frame:3]

Named: Pepe (t:44:52). 3 people observed.

“But it isn't the first time blood's been shed for the gauntlet of St. Elsie. What? The green glove. It's the same thing.” 44:32 · “You won't get far without my help. Your help? A warrant's finished for your arrest. And Miss Kenneth for murder.” 44:32

Evidence, details and a link to share

Model synopsis: Two men are shown in dimly lit interior settings; one stands beside another who is seated, and a second shot shows a man in a suit among other figures in hats. No dialogue or on-screen text is present in these frames.

4 people observed.

Evidence, details and a link to share

Model synopsis: A dark interior scene shows two figures, one in a hat, as someone calls out 'Mike!' on the soundtrack. The lighting is low-key and the setting is indistinct.

Named: Mike (t:45:52). 2 people observed.

“Come on.” 45:22 · “Mike!” 45:52

Evidence, details and a link to share

Model synopsis: A dark, indistinct scene shows silhouetted figures in a dimly lit interior. No dialogue or clear actions are visible in the single frame provided.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dark, tense scene unfolds with multiple men in formal attire visible in low light. Dialogue indicates a pursuit is underway, with someone ordering men to surround a location and another person being praised for their handling of a situation.

6 people observed.

“Don't kill him!” 46:20 · “I think I heard the American. The girl, too. Get him. Get two men. Go around to the bank.” 46:22

Evidence, details and a link to share

Model synopsis: A single dark silhouette is visible against a rough, textured wall in near-total darkness. No dialogue, text, or identifiable objects are present in the frame.

• A dark silhouette stands against a rough wall in near-total darkness. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible in a dark, rocky environment, partially obscured, while a voice speaks about someone's face and position. The scene is dimly lit, with no clear time of day or period indicated.

• A person is lying or crouching in a dark, rocky space. [frame:1]

1 person observed.

“I know your face. The most ridiculous young man. When he's not lying in the room, then he's halfway down. Oh, yes. Oh, a half yard more, and…” 47:22

Evidence, details and a link to share

Model synopsis: Three dark, low-resolution frames show figures in an outdoor night setting. The transcript includes dialogue mentioning Pierre and Mike, an apology, and a comment about someone running away from two older people.

• A figure crouches or kneels on the ground in darkness. [frame:1]
• A man in a suit and tie looks forward with a serious expression. [frame:2]
• A figure stands holding a small light, illuminating part of the dark scene. [frame:3]

3 people observed.

“Pierre! Mike! She's here. Please.” 47:52 · “How did she get away?” 47:52

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. The man is visible from the chest up, looking toward the woman, who is seen from behind.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman is visible in a dimly lit interior, speaking about bringing someone to a nearly empty village. The transcript mentions a cat and instructing to 'clutch them.'

• A woman gestures while speaking in a dark interior. [frame:1]

1 person observed.

“With man.” 48:22 · “Oh, bring him to the village. An empty village. No more than 50 people. Including the cat. Clutch them.” 48:24

Evidence, details and a link to share

Model synopsis: A person speaks about waiting for their son to return from delivering a message through German lines, while another offers to get water. The scene is dimly lit and appears to be indoors.

• A person is seen in a dimly lit space, gesturing with their hands. [frame:1]

2 people observed.

“Good night.” 48:36 · “This is my new home. It is poor. But it is a good enough place to wait. Until the chateau's result? The chateau, child. It is to burn for th…” 48:52

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space; the man speaks about leaving and facing things while the woman appears unaware of events. No named characters or specific time of day are established.

2 people observed.

“Let's get out of here. No, no. You said you were ready to face things. Yeah, I know, but she doesn't even know what's happened.” 49:22

Evidence, details and a link to share

Model synopsis: A man and two women are confronted by unseen intruders at night; one woman identifies the man as Pierre-Laurent while another points toward something off-screen. The intruders, who mention searching for a murder suspect, leave after confirming no one else is present.

4 people observed.

“What, we'll be quick. And our ma must come soon. Surely about two. Oh, he will be shocked to see the bruises on your face.” 49:32 · “That is our ma. Didn't I tell you he would come?” 49:45

Evidence, details and a link to share

Model synopsis: A man in a military uniform and a woman face each other in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Three people are in a dim interior; one man speaks about a bag he retrieved from a burning chateau, which contains drawings and a green glove. Another man asks about St. Elvia, a mountain village known for a healing gauntlet.

3 people observed.

“Monsieur, are you not forgetting something? That little bag you left?” 50:31 · “I think she has the right to see it, Mike. I think you owe it to her. There's nothing in it, but a lot of drawings. Green glove.” 51:01

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a table in a dimly lit interior. One person speaks, directing attention to a woman.

Named: Mike (t:51:45). 5 people observed.

“Look at her, Mike.” 51:45

Evidence, details and a link to share

Model synopsis: A person in dark clothing is visible in a dimly lit interior space with furniture. The transcript includes a character addressing someone as 'Mr. Fogg' and mentions pilgrims touching a gauntlet at an old church.

1 person observed.

“I'm sweet, Mr. Fogg.” 51:51 · “When I went to the old church with Hermes, the pilgrims would come in their phones to touch the gauntlet. Just to touch it.” 51:53

Evidence, details and a link to share

Model synopsis: An elderly man speaks to two women in a dimly lit interior. One woman listens intently while the other looks on; the dialogue references a past death.

• An elderly man speaks to two women. [frame:1]

3 people observed.

“I remember... you were here when Armand died.” 52:33

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a dim interior while a woman leans over another person lying down. The transcript contains two fragmented lines suggesting finality about someone's state.

• A man stands with his hand on a dark object, looking down. [frame:1]
• A woman leans over a person lying down, looking distressed. [frame:2]

3 people observed.

“But now I know he will never go.” 52:46 · “Ever be.” 52:50

Evidence, details and a link to share

Model synopsis: A single dark silhouette is visible against a dimly lit, textured background. No dialogue or identifiable objects are present in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, wooded area with indistinct figures. Sad music plays during this beat, but no dialogue or clear actions are visible or audible.

“*sad music*” 53:10

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors in a natural setting, discussing their situation and the implications of a glove. The woman gestures while speaking, and the man listens; they mention police, miracles, and a fainting incident.

• A woman gestures with her hand while speaking to a man outdoors. [frame:1]

Named: Chris (t:53:52). 2 people observed.

“Nobody around. I still think we should have taken the road.” 53:19 · “But you know, I almost believe in miracles.” 53:46

Evidence, details and a link to share

Model synopsis: Two people are outdoors at night; one speaks about past feelings and a proposed marriage, then points to an inn. The scene is dark and lit only by ambient light, with no clear interior or daytime indicators.

Named: Mike (t:54:05). 2 people observed.

“You know, Mike, three nights ago I was in love with you.” 54:05 · “I even wanted to marry.” 54:12

Evidence, details and a link to share

Model synopsis: A couple arrives at a house, soaked and seeking shelter from someone named Raphael; they are offered a room and help drying clothes. A woman, addressed as 'Mama', gives instructions and offers hospitality.

• The woman gestures while speaking to the man in dark coat. [frame:4]

Named: Mama (t:55:16). 4 people observed.

“Good evening. Good evening, monsieur and madame. You are so wet like fishes. Stand by the fire and warm yourself. Thank you.” 55:06 · “Take it, Jacques. Yes, Mama. You'll set your dry clothes from the car. Oh, we have no car, ma'am. We were hiding from Raphael. We thought ma…” 55:16

Evidence, details and a link to share

Model synopsis: A man and a woman are at a hotel register, pretending to be married to avoid police attention. The hotel clerk offers them robes and directs them to their room, acknowledging their newlywed status.

3 people observed.

“She thinks we're married. We are. Yes, we're Mr. and Mrs. Smith, Mr. and Mrs. John Smith. Why? Because, because of the police, because of th…” 55:38 · “Yes. Well, would you like to sign for his darling?” 55:49

Evidence, details and a link to share

Model synopsis: A woman and a man are shown together in a dimly lit interior, followed by a shot of a woman and a man in a plaid shirt smiling. The transcript includes dialogue about changing in the kitchen and saying goodbye to 'Mama.'

• A woman and a man are standing close together in a kitchen. [frame:1]
• A woman and a man in a plaid shirt are smiling at each other. [frame:2]
• The same woman and man from frame 1 are shown again, smiling. [frame:3]

4 people observed.

“won't catch cold. You can change in the kitchen. Come. I'll see you later, Mama. Mama. Here” 56:28

Evidence, details and a link to share

Model synopsis: A woman in dark clothing walks up a staircase while another woman watches from below; a third woman in an apron stands nearby. The setting is an interior space with a staircase and wall decor.

• A woman walks up a staircase. [frame:1]
• A woman at the top of the stairs looks down at another person. [frame:2]
• A woman in an apron stands near a seated woman. [frame:3]

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a cardigan and blouse stands indoors, facing another person whose back is to the camera. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman speaks to a man in a dimly lit room while another man drinks alone. The dialogue suggests tension over arrangements for dinner and sleeping accommodations.

• A woman smiles at a man in a dim room. [frame:1]
• The woman and man stand facing each other; she places her hand on his arm. [frame:2]
• A man sits alone holding a bottle. [frame:3]

Named: Charles (t:57:04). 3 people observed.

“We thought only the English did such things.” 56:58 · “We'll both be so comfortable here. And we'll serve dinner by the farm with our best wine to warm the cockles of your husband. They won't n…” 57:04

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior; one offers brandy while discussing the bride's early retirement to bed. The seated man reacts with a smile after being told she did not kiss her husband goodnight.

• A man offers brandy to another man. [frame:1]
• The seated man smiles after hearing the bride did not kiss her husband goodnight. [frame:3]

2 people observed.

“Would you like another brandy, monsieur? It's good for lining the stomach.” 57:58 · “Well, my stomach is very well lined already.” 57:58

Evidence, details and a link to share

Model synopsis: Two men greet each other in a dim interior; one is seated and appears weary while the other stands and speaks. They order brandy, and one man thanks the other for lifting his spirits.

• Chuck sits and appears weary. [frame:1]
• Arthur and Chuck stand at the bar with a bartender. [frame:4]

Named: Arthur (t:58:27), Chuck (t:58:28). 3 people observed.

“Arthur!” 58:27 · “Chuck, old friend! How goes it? But it was said you drove into Saint-Maxime. I came back a night for a duck. A road like a river, but it imp…” 58:28

Evidence, details and a link to share

Model synopsis: A man in a dark coat sits reading a newspaper while another man speaks to him off-screen about Madame Bertrand. In a separate shot, the same man is seen in a kitchen area with another person standing nearby.

• A man in a dark coat sits holding a newspaper and a bottle. [frame:1]
• The man reads the newspaper, holding it close to his face. [frame:2]
• The man continues reading the newspaper, now holding it with both hands. [frame:3]
• 1 more under Evidence and details.

Named: Alphonse (t:58:58). 4 people observed.

“Alphonse, there's something I wanted to tell you. Madame Bertrand asked for you tonight. You know that Rito, she views you with an amiable e…” 58:58

Evidence, details and a link to share

Model synopsis: Two men stand in a dimly lit interior space with rustic decor; one wears a dark coat and hat, the other a checkered shirt. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person in dark clothing is visible in a dimly lit interior, reaching toward a vertical structure. No dialogue or on-screen text is present in this beat.

• A person reaches toward a vertical structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand together indoors; the woman speaks about someone named Jack being shy, comparing him to his behavior on their wedding night. The scene is lit with studio lighting and appears to be a domestic interior.

• A man and a woman stand together indoors, the woman speaking. [frame:1]

2 people observed.

“Jack, he's so shy and embarrassed.” 59:28 · “Just like he is on our wedding night.” 59:34

Evidence, details and a link to share

Model synopsis: A person in a striped robe stands in a dim room as another person gestures toward a chair. The dialogue indicates sleeping arrangements are being discussed.

2 people observed.

“You're sleeping in here.” 59:48 · “There's a chair.” 59:51

Evidence, details and a link to share

Model synopsis: A person leans over another in a dimly lit interior; dialogue reveals a farewell, a mention of gloves, and a plan to leave by bus. No names are established for the visible individuals beyond what is spoken in the transcript.

• A person leans over another person in a dimly lit room. [frame:1]

Named: Christine McKenna (t:60:00). 2 people observed.

“Jane. I'm... Amanda?” 59:58 · “What is brunette? His name is Christine McKenna. You're drunk!” 60:00

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in a dimly lit interior; the man says he is going to Monte Carlo to make a deal with Faubare and leaves a bag with her. The woman asks him to go to another room and take the bag, but he refuses, saying he does not need it where he is going.

Named: Michael (t:60:34). 2 people observed.

“Say, you know something? I'd like you to be my wife.” 60:29 · “Look, Michael, will you go in the other room?” 60:34

Evidence, details and a link to share

Model synopsis: A man and a woman are in a tense conversation in a dimly lit interior. The man speaks of being taken if the woman is left alone, and the woman calls him crazy before he exits and she calls after him.

2 people observed.

“He can have me, but he's got to leave you alone.” 60:58 · “You're crazy.” 61:03

Evidence, details and a link to share

Model synopsis: A man and a woman embrace closely in a dimly lit interior; the woman speaks of being unable to breathe and needing to sit down, while the man insists on helping her by confessing to a murder he did not commit. They discuss the need to find a way out before getting deeper into trouble.

• A man and a woman are embracing closely in a dimly lit room. [frame:1]

Named: Mike (t:61:48). 2 people observed.

“Do you mind if I kiss you? What? Don't say I have to ask twice.” 61:33 · “I can't breathe.” 61:42

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior; the man holds the woman's head and speaks to her, then moves away as she turns toward a door. The woman is wearing a striped robe and the man is in dark clothing; their interaction is tense.

• The man holds the woman's head with his hand. [frame:1]
• The woman turns toward a door while the man stands behind her. [frame:2]

2 people observed.

“You will. After you've had some sleep.” 62:11 · “Where are you going? Downstairs. Oh, that's with that bottle again. You are not. Open this.” 62:18

Evidence, details and a link to share

Model synopsis: A man and a woman stand close in a dim interior; the man speaks about being locked in, and the woman hands him something. No names are spoken, and the setting is not identified beyond being indoors.

• The woman hands the man an object. [frame:1]

Named: Mike (t:62:34). 2 people observed.

“The door's locked, Mike. Can't get out.” 62:34 · “You know, this is the first time in my life that a woman's locked me inside her apartment. Life is full of surprises. Get to see.” 62:38

Evidence, details and a link to share

Model synopsis: A person in dark clothing stands in a dimly lit interior, holding a white object near a carved wooden door. No dialogue or on-screen text is present in this beat.

• A person stands holding a white object near a wooden door. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a striped robe stands in a dim interior, reaching toward a dark doorway. No dialogue or on-screen text is present in this beat.

• A person in a striped robe reaches toward a dark doorway. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single dark frame shows a shadowy interior with a barred or gridded structure. No people, objects, or text are clearly visible, and no dialogue is present.

Evidence, details and a link to share

Model synopsis: A woman lies in bed while a man stands beside her in a dimly lit room; they discuss traveling to Monte Carlo and avoiding someone named Fulgar. The man suggests splitting up and meeting later, which the woman accepts.

• A woman lies in bed while a man stands beside her. [frame:1]
• The man leans slightly toward the woman in bed. [frame:2]

Named: Mike (t:63:18). 2 people observed.

“Mike! You know, I think we better both go to Monte Carlo. You stay here. I can handle Fulgar myself. Oh, no, I don't mean that. We should tr…” 63:18 · “No, there's nothing.” 63:48

Evidence, details and a link to share

Model synopsis: A man and a woman stand near a bus stop; the man gives the woman instructions and money before she boards a bus. The woman is told to remember a hotel name and to use the alias 'Smith'.

• A man and a woman stand near a bus stop as a bus approaches. [frame:1]
• The man and woman look at a guidebook together. [frame:2]
• The man and woman face each other and speak. [frame:3]

Named: Chris (t:64:18). 2 people observed.

“There's my bus now. There's another one that comes in half an hour. You take that one. All right. You remember the name of the hotel I told …” 64:18 · “Keep your fingers crossed.” 64:48

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a doorway looking out onto a sunlit town square with a bus and distant figures. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman answers a phone call in a room while a man speaks from a garage. The man instructs her to distract the Count at a casino until three o'clock so he can return a glove to St. LZR.

• A woman answers a phone call. [frame:1]
• A man speaks from a garage while holding a phone. [frame:2]

Named: Mike (t:65:41), Chris (t:65:48), the Count (t:65:48). 4 people observed.

“Hello? There's a call for you, madam. Hello? Hello? Mike?” 65:41 · “room? I'm in a garage at La Tourbe. Yeah, it's a little town above you on the mountain. Well, when are you coming here? I want you to do so…” 65:48

Evidence, details and a link to share

Model synopsis: A man in dark clothing is shown in a dimly lit interior, holding a telephone receiver to his ear. The setting appears confined, with a wall-mounted phone visible beside him.

• man holds telephone receiver to his ear [frame:1]
• man continues to hold telephone receiver, slight shift in posture [frame:2]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman and a man are on separate phone calls, discussing a plan involving police and a glove. The plan is to trap someone at a village at five o'clock.

• Woman p1 is on the phone, speaking urgently. [frame:1]
• Man p2 is on the phone, listening intently with his hand near his mouth. [frame:2]
• Woman p1 continues her phone call, looking serious. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Now listen very carefully, Chris. At three o'clock, tell them where I'm going.” 66:18 · “But Mike, he'll come after you right away. Yeah, what's the idea?” 66:18

Evidence, details and a link to share

Model synopsis: A woman and a man are on separate phone calls during a tense moment; the woman hangs up after being called by name. The transcript indicates a plan involving a casino cabaret and police, and a farewell to someone named Chris.

• A woman is on the phone, smiling slightly. [frame:1]
• A man is on the phone, looking serious. [frame:2]
• The woman hangs up the phone, looking downcast. [frame:3]

Named: Chris (t:66:48), Mike (t:66:54). 4 people observed.

“I think so. Cabaret at the casino. Tell the count at three o'clock. Have the police up there at five.” 66:39 · “I can't really talk this out. There isn't time. Goodbye, Chris.” 66:48

Evidence, details and a link to share

Model synopsis: A crowded room with many people seated at tables and others standing or moving, under draped ceilings and wall sconces. No dialogue or named individuals are present in this beat.

Evidence, details and a link to share

Model synopsis: A woman in a light dress descends a grand staircase in a dimly lit interior space with ornate railings and wall-mounted lamps. Several other figures are visible on the upper landing and stairs, but no dialogue or on-screen text is present.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other in a crowded, formally dressed room with chandeliers and wall sconces. The room appears to be a large dining or ballroom with many seated guests.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman speaks with a bartender at a bar; a clock is shown; she then speaks with a man in a white jacket. The transcript includes dialogue about sending a message to someone named Quanto and mentions Rona being present.

• A woman stands at a bar counter facing a bartender. [frame:1]
• The woman turns to face a man in a light shirt; behind them, other patrons are seated at tables. [frame:2]
• A close-up of a round analog clock on a table. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Madame?” 67:38 · “Quanto, please. Right away.” 67:40

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a crowded venue while speaking; a waiter named Felix serves brandy. The woman is addressed as 'Miss Kenneth' and the man comments on her appearance and the risk they are taking.

• A man and a woman sit at a table in a crowded restaurant while speaking. [frame:1]

Named: Felix (t:68:19), Miss Kenneth (t:68:29). 3 people observed.

“Package of American cigarettes, please. This is fine. I'll join you both later. Right.” 68:03 · “My brandy piece, Felix. Yes, sir.” 68:19

Evidence, details and a link to share

Model synopsis: A man and a woman converse in an interior setting; the man mentions leaving for Paris and references Mike, who is wanted for something he didn't do. The woman reacts to this information while facing him.

• The woman looks up at the man while he speaks about Mike. [frame:2]

2 people observed.

“What is Blake, by the way?” 68:45 · “daring. Why do you ask? Are you still interested in the glove? The glove? Believe it or not, no. I agree it's silly to give up so easily, bu…” 68:48

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a woman in a dimly lit interior. No dialogue or on-screen text is provided for this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman speaks urgently to a man in a dimly lit interior. She asks him to go to someone at the station within ten minutes, but he refuses.

2 people observed.

“Won't you even talk to him? Why not?” 69:48 · “If he'll see me at the station in the next ten minutes...” 69:48

Evidence, details and a link to share

Model synopsis: A man and a woman have a brief, tense conversation in an interior setting; the man mentions a train and a glove being taken to San Elzia, and the woman is addressed as Miss Kenneth before he says goodbye. No names are established for the characters beyond 'Miss Kenneth' as spoken in the dialogue.

Named: Miss Kenneth (t:70:18). 2 people observed.

“You sound as if you want me to go to him. Well, you know why. Oh, why discuss it? I have a train to catch the train with weight, and real…” 69:56 · “Taking the glove back to San Elzia?” 70:07

Evidence, details and a link to share

Model synopsis: A woman with dark hair and a polka-dot blouse is shown in a close-up. No dialogue or action is visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows several men gathered around a table with a cake; one man is visible in profile on the right. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman sits at a table in a crowded room, speaking with a man whose back is to the camera. She mentions Count Rona and a train arriving in ten minutes, and notes that he has already paid her house.

2 people observed.

“Madame, you're not ill, are you? Is Count Rona really going to take that train? Unless he changes his mind.” 70:36 · “How do I find out? You can see for yourself. The train comes in in ten minutes.” 70:36

Evidence, details and a link to share

Model synopsis: Two figures walk along a lit sidewalk at night under a sign reading 'MONTE-CARLO'. The scene is dark, with streetlights illuminating the path and storefronts.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light dress walks toward a train conductor on a station platform at night. The conductor confirms the train stops at Nice in 30 minutes.

• A woman walks toward a man in uniform on a station platform. [frame:1]

2 people observed.

“Tell me quickly, does this tray stop at Nice?” 71:18 · “Well, of course, madame. In 30 minutes.” 71:18

Evidence, details and a link to share

Model synopsis: A woman in a dress walks through a dark corridor holding a pole, then a woman in a patterned blouse speaks with two men in a dimly lit room. The transcript indicates introductions and a question about someone named Paul being on a train.

• A woman walks through a dark corridor holding a pole. [frame:1]
• A woman in a patterned blouse speaks with two men in a dim room. [frame:2]

Named: Miss Doris (t:71:40), Mr. Duran (t:71:43). 4 people observed.

“Miss Doris!” 71:40 · “You remember me, Mrs. Johnson? Yes, yes, of course. My friend, Mr. Duran.” 71:43

Evidence, details and a link to share

Model synopsis: A person in a dark train compartment speaks about forgetting their compartment number and confirms it is next to Count Ronald, number seven. The person then says 'I'm here' as they are visible in the dimly lit space.

Named: Count Ronald (t:72:10). 1 person observed.

“I've forgotten my compartment number. I think it's next to Count Ronald. Is that the sound of it? That's right. It is next to the count.…” 72:10 · “I'm here.” 72:18

Evidence, details and a link to share

Model synopsis: A man in a suit and hat stands in a dimly lit train compartment while a seated woman speaks to him. The dialogue references Catriona, Mike, and Monsieur Blake, indicating a confrontation about someone who has left the train.

2 people observed.

“I'm here.” 72:18 · “I have been expecting you, madame. Where is Catriona?” 72:25

Evidence, details and a link to share

Model synopsis: A person stands on a dark, winding road beside a cliff at night. A line is spoken about getting more of something.

• A person stands on a dark road beside a cliff. [frame:1]
• The cliff face is shown in darkness. [frame:2]

1 person observed.

“I'm going to go ahead and get some more.” 72:59

Evidence, details and a link to share

Model synopsis: A group of people are outdoors at night; one person speaks about splitting up, sending three to walk to a village while another waits for someone named the count. A car is visible on a road, and figures are seen walking away.

• A car is seen on a road at night. [frame:2]
• A group of people walks away from the camera along a road. [frame:3]
• Three figures walk away, one in a light jacket and hat. [frame:4]

4 people observed.

“I'm sorry.” 73:10 · “The man Blake will be ahead of us. The car would warn him of our approach. So you three will walk to the village. And I'll wait here for …” 73:48

Evidence, details and a link to share

Model synopsis: A dark, rocky outdoor scene is shown with no visible people. Two lines of dialogue are spoken: one mentions a man named Blake being ahead, and the other is an apology.

• A dark, rocky outdoor scene is visible. [frame:1]

Named: Blake (t:74:05). 2 people observed.

“The man Blake will be ahead of us.” 74:05 · “I'm sorry.” 74:39

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands against a dark, cloudy sky with distant vehicle lights visible. The transcript indicates two others have followed an American on foot to a village.

• A silhouetted figure stands on a road at night with vehicle lights in the distance. [frame:1]

1 person observed.

“The two others have followed the American on foot to the village.” 75:09

Evidence, details and a link to share

Model synopsis: Two men in hats are seen in a dark, outdoor setting near a precipice and a stone structure, discussing a pursuit on a goat track. One man plans to take the goat track to close a trap, while the other is instructed to watch from castle walls.

• Two men in hats stand silhouetted against a cloudy sky [frame:1]
• A man is seen near a stone structure, possibly a wall or castle [frame:2]
• A man is seen in shadow near rocky terrain [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Who's there?” 75:24 · “Who's there?” 75:41

Evidence, details and a link to share

Model synopsis: A single dark silhouette of a jagged structure against a pale sky is shown. No people, objects, or text are visible, and no dialogue occurs.

Evidence, details and a link to share

Model synopsis: A single dark frame shows an indistinct rocky or craggy surface in near-total darkness. No people, objects, or text are visible, and no transcript is provided for this beat.

Evidence, details and a link to share

Model synopsis: A dark, rocky terrain is shown in a single frame. No people, objects, or text are visible, and no events are described in the transcript.

Evidence, details and a link to share

Model synopsis: A lone figure is silhouetted on a dark, rocky slope under a night sky with a crescent moon. No dialogue or on-screen text is present in this beat.

• A silhouetted figure stands on a dark, rocky slope. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single dark frame shows a rocky, uneven surface under low light. No people, objects, or text are visible, and no events are described in the transcript for this beat.

Evidence, details and a link to share

Model synopsis: A rocky, dark outdoor setting is shown across two frames. A voice calls out the name 'Blake' at 78:05.

Named: Blake (t:78:05). 1 person observed.

“Blake!” 78:05

Evidence, details and a link to share

Model synopsis: A dark, rocky outdoor scene is shown with no visible people or objects identifiable beyond terrain. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat is seen outdoors near rocks at night. He is addressed by someone off-screen who wants to make a deal for a glove.

• A man in a suit and hat stands near rocks at night. [frame:2]

2 people observed.

“Blake! I want to make a deal. I only want a glove.” 78:13

Evidence, details and a link to share

Model synopsis: A dark, grainy frame shows a rocky, uneven surface with a long, thin object lying across it. No people, text, or clear setting are visible.

Evidence, details and a link to share

Model synopsis: A single figure in a hat stands on a rocky, dark terrain at night. No dialogue or on-screen text is present in this beat.

• A figure in a hat stands on rocky ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person walks on a rocky, dark terrain at night. No dialogue or on-screen text is present in this beat.

• A person walks on rocky ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, rocky outdoor scene with a small waterfall is shown. No people, objects, or text are visible in the frame.

Evidence, details and a link to share

Model synopsis: The scene shows a dark, rocky mountain trail at night. A person speaks about knowing the mountains and the trail's shortcuts.

1 person observed.

“I know these mountains. I've used this trail before. I know the shortcuts.” 78:54

Evidence, details and a link to share

Model synopsis: Two dark, grainy frames show a rough, uneven surface with no identifiable objects or people. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, textured rock face. No people, objects, or text are visible, and no events are described in the transcript for this beat.

Evidence, details and a link to share

Model synopsis: A dark, rocky outdoor scene is shown with no visible people or objects. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, rocky landscape at an unknown time. No people, objects, or text are visible, and no events are described.

Evidence, details and a link to share

Model synopsis: A figure is silhouetted against a dimly lit rock face in two frames. A voice tells someone named Blake to give up.

• A silhouetted figure stands near rocks. [frame:1]
• The silhouetted figure remains in the dark space. [frame:2]

Named: Blake (t:80:00). 2 people observed.

“Better give up, Blake.” 80:00

Evidence, details and a link to share

Model synopsis: A man in a coat and hat stands in darkness, then crouches near rocks. He speaks of throwing a satchel and signaling friends to prevent shooting and to help someone leave France.

• A man in a coat and hat stands in darkness, looking upward. [frame:1]
• The man crouches near rocks in darkness. [frame:2]

1 person observed.

“Throw me the satchel, and I'll signal my friends above not to shoot you. I'll get you out of France.” 80:16

Evidence, details and a link to share

Model synopsis: A lone figure stands silhouetted on a rocky outcrop against a dark background. No dialogue or on-screen text is present in this beat.

• A silhouetted figure stands motionless on a rocky outcrop. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a hat is seen crouching on rocky terrain at night. A rock is thrown through the air, and a name is called out in the transcript.

• A person crouches on rocky ground. [frame:1]
• A wide shot shows a rocky cliff edge at night. [frame:2]
• A person is partially visible behind rocks. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“Come on.” 81:00 · “Crossley Blake!” 81:30

Evidence, details and a link to share

Model synopsis: A person in dark clothing moves across a rocky, uneven terrain at night. The scene is dimly lit, showing only silhouettes and rough textures of stone.

• A person is seen in profile against a dark, rocky background. [frame:1]
• A person climbs or moves over a large rock formation. [frame:2]
• A wide view of a jagged, rocky cliff face under low light. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in dark clothing climbs over a stone wall in a rocky, outdoor setting. The scene is shot in black and white with high contrast lighting, showing only the figure and the immediate stonework.

• A person climbs over a stone wall. [frame:1]
• The person is seen from above, moving along the top of the stone wall. [frame:2]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat walks along a stone wall on a mountainside. The terrain is rugged and the view shows a valley below.

• A man walks along a stone wall on a mountainside. [frame:1]
• The camera shows a view of the valley from the stone wall. [frame:2]
• The man continues walking along the wall, looking ahead. [frame:3]
• 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a narrow stone passage. The scene is dimly lit, showing only the outline of the person and the rough texture of the walls.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing runs along a stone wall, approaches a doorway, and then ascends a set of stairs inside a dimly lit structure. The scene is shot in black and white with high-contrast lighting, emphasizing shadows and movement.

• A man runs along a stone wall. [frame:1]
• The man runs toward a doorway in the stone wall. [frame:2]
• The man runs up a set of stairs inside a dim space. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a hat is visible in a dark, stone-walled space with wooden beams and a large bell. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat runs through a stone alleyway after being seen in a dimly lit interior with a large clock. The interior appears to be a stone-walled room with wooden beams and a large clock mechanism.

• A man is visible in a dimly lit stone room with a large clock mechanism. [frame:1]
• The man is seen from above, looking down from a wooden structure near the clock. [frame:2]
• The man runs through a stone alleyway. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat is seen inside a stone structure with a clock, while another man is visible above him; dialogue references a climb and a deal involving a glove. The setting includes a stone tower with a clock visible from outside.

• A stone tower with a clock is visible from outside. [frame:1]
• A man is seen above a wooden beam inside a stone structure. [frame:2]
• A man in a hat looks upward inside a stone structure. [frame:3]

2 people observed.

“Quite a climb wasn't it Blake?” 83:59 · “You wanna make that deal? What kind of a deal? The glove first. Bring it out.” 84:03

Evidence, details and a link to share

Model synopsis: A man in a suit and hat is seen in a dim, confined space with wooden beams and a clock; another man with a bandaged wrist appears. Dialogue suggests a confrontation about a murder and an impending arrival of more men.

• A man in a suit and hat is visible in a dim, wooden-beamed space. [frame:1]
• The same man looks upward, appearing tense. [frame:2]
• A shadowy figure moves in the dark space, suggesting movement or struggle. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Don't even get it. You wanna get a third murder?” 84:13 · “Where's Chris? Right now, he's on the train to parents. Peppy the crab. I think you're lying. Think what you like. Two of my men will join m…” 84:19

Evidence, details and a link to share

Model synopsis: A person is seen in a dim, stone-walled room with a large bell and wooden beams, moving near a table. The setting appears to be an old, possibly abandoned structure with debris and a ladder leaning against the wall.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a hat is seen from behind near a stone church tower with a clock. The scene cuts to an interior with machinery and then to a doorway where a figure is silhouetted against light.

• A person in a hat stands near a stone church tower with a clock. [frame:1]
• A dim interior with large gears and machinery is shown. [frame:2]
• A figure is silhouetted in a doorway against bright light. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and coat walks past a stone building. A figure stands on a bell tower as another person walks near a stone gate.

• A man in a hat and coat walks past a stone wall. [frame:1]
• A building with shuttered windows is shown from a low angle. [frame:2]
• A person in dark clothing walks toward a stone gate. [frame:3]
• 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two frames show a dimly lit, cluttered interior with wooden beams and a large bell. No people, spoken dialogue, or on-screen text are visible.

Evidence, details and a link to share

Model synopsis: A person in dark clothing is seen in a dim, wooden interior, interacting with a large, ornate wooden structure. The setting appears to be a workshop or storage area with exposed beams and scattered tools or materials.

• A person in dark clothing stands beside a large wooden structure. [frame:1]
• The camera shows a view through an arched opening, revealing a large circular object and a ladder. [frame:2]
• A man in a light shirt and dark vest leans over the wooden structure, appearing to adjust or examine something on it. [frame:3]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing is seen inside a dim, cluttered interior space with a large bell. A separate shot shows two people walking through a narrow stone alleyway. The interior space is shown again, now empty, and then the man is seen again near the bell.

• A man stands inside a dark, cluttered room with a large bell. [frame:1]
• A woman and a man walk through a narrow stone alleyway. [frame:2]
• The cluttered interior room is shown empty. [frame:3]
• 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside an ornate chair in a dimly lit room; another man in a light shirt runs across the same room. The setting appears to be an interior space with stairs and decorative furniture.

• A man in a suit stands beside an ornate chair, looking upward. [frame:1]
• A man in a light shirt runs across a room with stairs in the background. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark jacket runs down a narrow stone alleyway, followed by others. The transcript contains the word 'The conflict!' at 86:49.

• A man runs down a stone alley, touching the wall with his left hand. [frame:1]
• The man continues running; others are visible ahead and behind. [frame:2]

3 people observed.

“The conflict!” 86:49

Evidence, details and a link to share

Model synopsis: A scene in a dimly lit interior shows several people gathered around a figure lying on a table, with dialogue indicating the presence of a dead man. No named characters are identified in the dialogue or visuals.

• A group of people stand around a body on a table in a church. [frame:1]
• A man in a robe gestures toward the group. [frame:1]
• A woman reacts with hands to her face. [frame:1]

5 people observed.

“It has come home. It's too gross, Father. Nobody there.” 87:13 · “No one except the dead man.” 87:19

Evidence, details and a link to share

Model synopsis: A stone fountain stands in a sunlit courtyard with a dark vehicle parked nearby. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man stands beside a parked car on a road with palm trees and hills in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share