Public Reel

The Green Glove · Beat 73 · permalink

Private office

35:06–35:27 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 3 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 35:1635:16

Play from 35:06 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 35 · shots 147–147. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, blonde, wearing a sleeveless dress, smiling visible
  • Paul (named at t:35:19): not visible audible, mentioned
  • Gabby (named at t:35:19): not visible audible, mentioned
  • Mr. Perrin (named at t:35:19): not visible audible, mentioned
  • Nina Howard (named at t:35:19): not visible audible, mentioned
  • Mr. Hatt (named at t:35:19): not visible audible, mentioned
Seen happening
  • A woman stands smiling in an interior room. [frame:1]
Also said
“Mr. Hatt. My dear. Good morning. We'll buy the picture. You'll make the deal. Paul. Paul, I just met Nina Howard. Why aren't we joining your party tonight? You know Mr. Perrin would be there. I have business, Gabby. Well, his party is business to make. If I'm to get into one of his new players. Ah, but my business would be worth more than a hundred thousand dollars. Tax-free? Well, that's it. I promise you'll meet Mr. Perrin before he goes. You're wonderful, Paul. Shall we go?” 35:19
Seen
dress, furniture, doorway
Interpretation
Model opinion, not evidence: mood: formal and transactional, with undertones of flirtation; themes: business negotiation, social maneuvering, romantic or personal entanglement in professional context; style notes: black-and-white, medium shot, studio-lit interior, static framing

A woman in a dress is visible in an interior setting while dialogue references travel, business deals, and a character named Paul. The conversation mentions Monte Carlo, a train arrival, and a party involving Mr. Perrin.

“The American left Paris in the six o'clock last night.” 35:06 · “Peppi's on a train, too. It arrives here in Monte Carlo at 11. Hello, darling. Curvy!” 35:10 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Green Glove (1952) at 35:16 (passage 35:06–35:27); US record: No renewal found

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