Public Reel

The Green Glove · Beat 23 · permalink

Private office

9:55–10:17 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 9:579:57Frame at 10:0410:04Frame at 10:1010:10Frame at 10:1610:16

Play from 9:55 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 8 · shots 51–56. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • monsieur (named at t:9:58): man, mid-30s, medium build, dark hair, wearing a dark coat visible, audible
  • Robert (named at t:10:15): woman, voice only, not visible audible
Seen happening
  • A man in a dark coat walks down stone stairs. [frame:1]
  • The man turns his head to the side. [frame:2]
  • The man looks upward with a concerned expression. [frame:3]
  • The man continues to look upward, face in shadow. [frame:4]
Also said
“Pierre champagne for the Monsieur. We drink. Yes, we drink to you. Our first American since the war came. And we drink to the English and to the French. And to Robert, my husband. Listen to the music. Robert's favorite tune. It is sad but gay too.” 10:15
Seen
stone stairs [frame:1], dark coat [frame:1], champagne [t:10:15]
Interpretation
Model opinion, not evidence: mood: tense and somber; themes: war aftermath, celebration under tension, foreign presence; style notes: low-key lighting, tight framing on faces, high contrast black-and-white, static camera

A man in a dark coat is shown in a stone interior with stairs; he is addressed as 'monsieur' and toasted with champagne. The transcript mentions Germans retreating, American guns, and drinking to allies and a husband named Robert.

“Oh, it is bad to leave your bed, monsieur. You send the message like you promised.” 9:58 · “He does not know. The attack will not come. It won't come. It's coming right now. No, no. Not now or ever. The Germans are retreating. That's why we drink. Those are American guns.” 10:05 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Green Glove (1952) at 9:57 (passage 9:55–10:17); US record: No renewal found

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