No renewal found Free in the US since 1 January 1961, on the registry's reading: registration LP3249 of 1932 by RKO Radio Pictures, Inc was not renewed in the volumes searched. Record.
471 shots over 1:02:33, read from the Internet Archive copy TheMostDangerousGame (TheMostDangerousGame.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Most Dangerous Game No renewal found. JSON
Measurements: black-and-white film on its keyframes (63 of 471 shots judged colour), average shot 8.0s long, a frontal face detected in 35% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1932 (Internet Archive).
219 beats in 116 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 219 of 219 beats annotated, 219 passed the checks, 0 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:55Model synopsis: The beat shows a title card with credits for the film and includes audio of a phone ringing, humming, and two people saying 'Amen,' followed by a conversation about chart channels and marking lights.
1:53Model synopsis: A person in a cap stands at a window looking out over water at night. The transcript mentions two light boys and a safe channel, suggesting navigation or maritime context.
1 person observed.
Model synopsis: In a dimly lit, wood-paneled interior, several men discuss the captain's absence and nervousness while one man reclines and another stands holding a drink. The conversation suggests unease about navigating dangerous waters and the captain's behavior since receiving orders to enter them.
4 people observed.
“Safe between the world over doesn't go in these waters.” 1:57 · “Have any of you seen the captain today? No, he wasn't down for dinner. No, and he wasn't down for lunch.” 2:08
3:07Model synopsis: In a ship's interior, a man in uniform speaks with others about navigation near Brank Island; another man is called up from below. The setting includes a table with bottles and a mounted fish on the wall.
Named: Bob (t:3:12). 5 people observed.
“We're heading straight for the channel between Brank Island and the mainland.” 2:55 · “But the lights are just a bit off, according to the chart. But charts are never up to date in this far of the Pacific. You know that.” 2:59
Model synopsis: A man in a captain's uniform stands in a wood-paneled room while others sit or stand around tables with cards and drinks. Dialogue references past hunting trips, photography, and sea stories, suggesting a group of men recounting adventures.
5 people observed.
“What's bothering you, Captain? There are no more coral reef, shark infested waters in the whole world than these. Oi! Just take a look at …” 3:27 · “You didn't turn out so hot as a hunter, Doc, but oh, what a photographer.” 3:37
Model synopsis: Two men in formal attire discuss navigation in a wood-paneled room; one insists on proceeding despite a warning about channel lights. A third man, seated and smoking, observes as another stands nearby holding papers.
4 people observed.
“Well, I think that Mr. Rainford should know that the channel lights aren't just in the position given on the chart.” 3:57 · “I think we should turn back and take the outside course.” 4:04
Model synopsis: A man in a shirt and tie speaks urgently in a wood-paneled room while others stand or sit nearby; a second frame shows the same room with more men present, one seated in a chair, another standing near a table with bottles. No names are spoken, and no time of day or period is established.
5 people observed.
“Now, wait a minute, fellas. Let's talk this over. There's no use taking any chances. Chances? That's fine talk coming from a fellow who jus…” 4:23 · “Here, get a knife on this.” 4:31
Model synopsis: Three men in a wood-paneled room discuss the nature of hunting and civilization while holding drinks; one man recounts a tiger hunt where he felt mutual admiration with the animal. A photograph of a jungle scene is shown, and the men debate whether the tiger was hunting for sport as humans do.
Named: Doc (t:4:34). 3 people observed.
“And he talks about taking chances. Here's the Doc charging the enemy with an unloaded camera. Get the expression on Doc's face, Bill. He loo…” 4:34 · “I was thinking of the inconsistency of civilization. The beast of the jungle killing just for his existence is called savage.” 4:50
Model synopsis: A man in a shirt and tie sits at a table with playing cards, speaking about being a hunter. Later, three men stand and sit in a room with mounted fish on the wall, continuing a conversation about hunting.
5 people observed.
“Mmm, here comes that bad luck lady again.” 5:31 · “Here, let me shuffle them. Wait a minute. Don't evade the issue. I asked you a question.” 5:37
6:07Model synopsis: A small boat is visible on dark water under a cloudy sky. No people or dialogue are present in this beat.
6:10Model synopsis: Two men are in a wood-paneled room; one stands near a table while the other leans over a sideboard. No dialogue or on-screen text is present in this beat.
2 people observed.
6:13Model synopsis: A man in a suit is on the floor while two others stand over him in a cluttered room with ornate decor. A fourth man is visible in the background near a lamp.
4 people observed.
6:19Model synopsis: Two sailors in uniform are visible in a dark, confined space, likely a ship's engine room, as someone calls out for pilots and warns of water reaching hot boilers. No names are spoken, and the setting is dimly lit with no visible windows or clocks.
3 people observed.
6:23Model synopsis: A dark, narrow passage is shown with turbulent white water rushing through it. No people or distinct objects are visible in the frame.
6:24Model synopsis: A man stands in a smoky, industrial interior while another crouches nearby. The scene is dimly lit and appears to be set in a factory or warehouse.
2 people observed.
6:26Model synopsis: A single frame shows a dark, indistinct, grainy texture with no identifiable objects or people. No transcript lines are provided for this beat.
6:27Model synopsis: A single frame shows a dense, gray, smoky or misty effect obscuring most of the scene. No people, objects, or readable text are visible, and no audio is provided for this beat.
6:28Model synopsis: A close-up of a pressure gauge labeled 'Consolidated Boiler Co.' and 'New York City' is shown. No people, dialogue, or actions are visible in this beat.
6:30Model synopsis: A dark, turbulent scene shows churning water and mist under a structure, with no people visible. The setting appears to be outdoors at night or in low light, with no identifiable objects or text.
Model synopsis: A person cries for help as a ship explodes in the water. The scene is dark and chaotic, with smoke and debris visible around the vessel.
1 person observed.
“Help!” 6:32
6:39Model synopsis: A person is seen floating or struggling in dark water. No dialogue or on-screen text is present in this beat.
1 person observed.
6:40Model synopsis: A dark, narrow staircase is shown from a high angle. No people or objects are visible beyond the steps and surrounding shadow.
6:42Model synopsis: A white spherical object is visible in turbulent dark water. No people, dialogue, or identifiable location are present in this single frame.
6:43Model synopsis: A dark, turbulent mass of water or mist fills the frame, with no clear objects or people visible. No dialogue or on-screen text is present in this beat.
6:46Model synopsis: A ship is shown listing heavily on a beach or shore at night, with smoke rising and figures visible on deck. No dialogue or on-screen text is present in this beat.
6:53Model synopsis: A person is seen struggling in dark, turbulent water. No dialogue or on-screen text is present in this beat.
1 person observed.
6:59Model synopsis: A shipwreck is visible in rough seas under a dark, cloudy sky. No people or dialogue are present in this beat.
Model synopsis: Two people are in the water near floating debris; a distant ship is visible under a dark sky. A voice commands 'Take him!' during this interval.
1 person observed.
“Take him!” 7:02
Model synopsis: A person struggles in dark water near floating debris while another person reaches out to them from a small boat. The dialogue suggests they are the last survivors and are searching for others.
2 people observed.
“Try to drown me!” 7:11 · “Where are the others? See anybody?” 7:15
7:29Model synopsis: A man is in dark water next to a wooden door. He is visible in one frame and appears to be struggling or treading water.
1 person observed.
7:31Model synopsis: A dark, indistinct shape is visible against a gray background in a single frame. No people, objects, or events can be identified from the visual or transcript data.
Model synopsis: A man is seen shouting in the water while another person is nearby; the scene is dark and appears to be at night. No names are spoken that can be linked to the individuals visible.
2 people observed.
7:44Model synopsis: A man in a white shirt is in dark water, holding a pole, and a voice says 'Oh! He got me!' at 7:41. The setting is unclear beyond being outdoors at night or in low light.
1 person observed.
“Oh! He got me!” 7:41
7:50Model synopsis: A man is in dark water next to a boat, reaching toward it. The scene is shot in black and white with high contrast lighting.
1 person observed.
8:04Model synopsis: A dark, turbulent sea is shown at night with waves crashing against rocks. No people or objects are visible in the frame.
8:42Model synopsis: A man in a white shirt and dark tie is seen sitting on the ground in a dark, outdoor setting. The transcript contains only the word 'Look.' spoken at 8:37.
1 person observed.
“Look.” 8:37
9:12Model synopsis: A dark, stormy seascape is shown with waves crashing on rocks under a cloudy sky. No people or man-made structures are visible in the frame.
9:26Model synopsis: A single dark frame shows indistinct shapes in near-total darkness. No people, objects, or text are visible, and no events are described in the transcript for this beat.
Model synopsis: A man in a light shirt and dark tie is partially hidden by dense foliage in a dark, outdoor setting. In the background, a dimly lit structure is visible through hanging vines.
1 person observed.
Model synopsis: A man in light-colored clothing walks up stone steps toward a large arched doorway in a dimly lit stone structure. The scene is accompanied by loud music, and the man approaches a heavy door with a small window.
1 person observed.
“*Loud music*” 9:53
10:11Model synopsis: A hand reaches toward a dark, textured wall in a dimly lit interior. No people are named, no dialogue is present, and no time of day is established.
1 person observed.
10:24Model synopsis: A man in light-colored trousers and shirt stands in a stone archway, facing a large wooden door. The scene is dimly lit with wall-mounted torches, suggesting an interior stone structure.
1 person observed.
10:38Model synopsis: A person calls out in a large, dimly lit interior space with a grand staircase and furniture. No other individuals are visible in the single frame provided.
1 person observed.
“Hello, anybody here?” 10:40
Model synopsis: A man in light clothing stands at a stone doorway and calls out; another man in a robe appears inside and responds. The first man explains he was in a wreck and is not trying to break in.
2 people observed.
“Anybody around, I say?” 10:52 · “Oh, hello.” 10:58
11:13Model synopsis: A man in a light shirt and loosened tie speaks indoors, describing his yacht sinking and arriving at the location by accident. The setting appears to be a dimly lit interior space with no visible windows or clocks.
1 person observed.
“Our yacht just sunk with all hands.” 11:10 · “I got ashore and found your place here by accident.” 11:13
Model synopsis: A man in a white shirt speaks to a large, silent man in a loose garment; the setting appears to be an interior with stone architecture. The speaker asks if the other is the owner, after noting the silent man does not speak any language.
2 people observed.
“I'm not trying to intrude, but I'm in sort of a jam.” 11:19 · “Don't you understand any English?” 11:25
11:46Model synopsis: Two men meet in a stone-walled interior; one identifies himself as Count Zaroff and mentions restoring a Portuguese fortress, while the other introduces himself as Robert Rainsford. The setting appears to be a large, dimly lit room with stone architecture and stairs.
Named: Count Zaroff (t:11:49), Robert Rainsford (t:11:52). 2 people observed.
“Welcome to my poor fortress.” 11:37 · “It once was, built by the Portuguese centuries ago.” 11:41
Model synopsis: Two men converse in a stone-walled room while a third man, identified as Ivan, stands with arms crossed. The dialogue references Ivan's Cossack background and perceived savagery.
Named: Ivan (t:11:59). 3 people observed.
“Ivan is a Cossack.” 11:59 · “I am afraid, like all my fellow countrymen, he is a bit of a savage.” 12:01
12:14Model synopsis: A man with a beard and dark hair stands with arms crossed in a dimly lit stone interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men converse in a dimly lit interior; one in formal wear speaks while the other, in light-colored attire, listens. The dialogue reveals a shipwreck and the speaker's claim to be the sole survivor.
2 people observed.
“I was trying to make him understand there had been a shipwreck in the channel.” 12:18 · “It was me!” 12:21
Model synopsis: Two men converse in a stone-walled room; one offers hospitality and clothing to the other, who appears damp and weary. A third man, Ivan, is summoned to escort the guest to a room where a drink awaits.
Named: Zaroff (t:12:54), Rainsford (t:12:36), Ivan (t:13:32). 3 people observed.
“It's incredible. Such things are always incredible. Death is for others, not for ourselves.” 12:42 · “You mean this has happened before? My dear fellow, we have several survivors from the last wreck still in the house.” 12:54
13:47Model synopsis: A man in a sleeveless shirt stands in profile next to another man with a beard, both indoors. The setting appears to be a dimly lit room with ornate wall decor.
2 people observed.
13:51Model synopsis: Two men stand on a stone staircase in front of a large mural; one is in a light uniform, the other in a robe holding a candlestick. The scene is dimly lit and appears to be indoors.
2 people observed.
13:54Model synopsis: A monstrous, hairy figure carries a limp human body through a dark, wooded area. The scene is rendered in high-contrast black and white with no visible text or dialogue.
2 people observed.
13:59Model synopsis: A man in light-colored clothing stands on a staircase near a large mural depicting a mythological scene. The setting appears to be an interior space with decorative wall art.
1 person observed.
14:13Model synopsis: A man stands in a dimly lit room with a large bed and stone walls, as someone off-screen says 'Come in' and asks 'Ready, Raceford? All set.' The room appears to be a private chamber with heavy drapes and a window.
1 person observed.
“Come in.” 14:15 · “Ready, Raceford? All set.” 14:19
14:31Model synopsis: Two men walk side by side in a dimly lit interior space; one is dressed in a shirt and tie, the other in a tuxedo. Dialogue suggests a dinner has ended and coffee is being offered, though one man declines food.
2 people observed.
“I'm afraid we have finished dinner.” 14:23 · “But I have ordered something for you. Thanks. I don't feel like eating.” 14:27
14:42Model synopsis: A group of people sit in a dimly lit, cavernous room with stone walls and heavy drapes. A globe and candelabras are visible, and one person stands near a seated group.
4 people observed.
14:53Model synopsis: Two men walk through a dimly lit interior space; one speaks about maintaining cheerfulness for a female guest. No names are spoken or visible in the frames or transcript.
2 people observed.
“It is hard to forget your comrade's fate, I know.” 14:44 · “But our feminine guest is easily perturbed.” 14:47
15:04Model synopsis: A man stands holding a glass while addressing two seated people in a dimly lit room with candelabras. The setting includes dark curtains and a table with glassware.
3 people observed.
Model synopsis: A man in a tuxedo introduces another man to a seated woman in a dimly lit room. The woman looks up as the men stand nearby.
Named: Robert Rainsford (t:15:08), Eve Trowbridge (t:15:08). 3 people observed.
“Miss Trowbridge, may I present Mr. Robert Rainsford, Miss Eve Trowbridge.” 15:08 · “How'd you do?” 15:12
15:16Model synopsis: Three men stand in a dimly lit room with stone walls and candlelight; one man in a light shirt faces two others in dark suits. No dialogue is present in this beat.
4 people observed.
Model synopsis: Two men and a woman are in a stone-walled room; one man offers coffee and vodka while another holds a glass. The transcript includes dialogue about coffee and vodka, with one man saying 'Valka, that's the stuff.'
Named: Mr. Rainsford (t:15:25). 4 people observed.
“Don't we? Indeed we do.” 15:21 · “Perhaps Mr. Rainsford would like some hot coffee.” 15:25
Model synopsis: A group of people are gathered in a dimly lit, ornate room, discussing their shipwreck and current predicament. One woman speaks about circumstances and liquor while seated with a man, and another man stands nearby; a servant is also present.
Named: Count (t:15:52). 5 people observed.
“Now, Martin, you don't have to drink at all tonight, do you? Don't be ridiculous, sis.” 15:40 · “We are victims of circumstances.” 15:44
Model synopsis: In a dimly lit room with stone walls and heavy drapes, a man in a tuxedo stands while others sit around a table with drinks; one seated man speaks about patience and borrowed time, while another identifies the standing man as a celebrity. No names are spoken that can be attached to the visible individuals.
5 people observed.
“Russians are not the best mechanics.” 16:19 · “I'm afraid we'll have to be patient a few days longer.” 16:23
Model synopsis: A man in a tuxedo stands and speaks to seated men in a stone-walled room; one seated man gestures while speaking. A woman is mentioned but not visible. The transcript includes references to hunting books and a character named Robert Rainsford.
Named: Robert Rainsford (t:17:00). 5 people observed.
“If I am not mistaken, this is Mr. Robert Rainsford.” 17:00 · “Who hunts big games so adventurously.” 17:03
17:23Model synopsis: Two men in formal attire stand in a stone-walled room; one bends over a table while the other observes. No names are spoken, and no time of day or period is established.
2 people observed.
“Only in yours have I found a sane point of view. What do you mean, sane?” 17:18 · “You do not excuse what needs no excuse. And at MPC, how did you put it?” 17:25
Model synopsis: In a stone-walled room, a man in a tuxedo speaks while others listen; the transcript reveals a conversation about hunting and nocturnal activity. No names are assigned to individuals based on the dialogue or visuals alone.
4 people observed.
“Hunting is as much a game as stud poker, only the limits are higher.” 17:30 · “- Well, then you're a hunter yourself. - We are kindred spirits.” 17:38
Model synopsis: A man in a suit sits in a chair and speaks about inventing a new sensation; another man in a tuxedo listens; a third man in a suit holds a glass and a cigar. No names are spoken in the transcript.
3 people observed.
“But what are you on here?” 18:04 · “You will be amused, I know.” 18:09
Model synopsis: A man in a shirt and tie sits in a chair while another man in a tuxedo stands nearby; a woman sits at a table with drinks. A hand reaches for a glass on a table with a cigarette holder and ashtray. A bearded man in dark robes and a cap stands in a stone room. A voice speaks about being made a hunter and owning land in the Crimea.
Named: Mr. Rainsford (t:18:21). 5 people observed.
“Mr. Rainsford.” 18:21 · “Me he made a hunter.” 18:28
Model synopsis: A woman apologizes while seated with a man in a dimly lit room; a man in a tuxedo stands nearby. The woman mentions Count Zarif and not realizing danger.
Named: Count Zarif (t:19:04). 3 people observed.
“Oh, I'm so sorry.” 19:01 · “Count Zarif was so interesting I didn't realize the danger.” 19:04
Model synopsis: A man in a shirt and tie sits in a chair while another man in a tuxedo speaks about his hunting adventures. The conversation includes references to escaping a revolution, hunting in Africa and the Amazons, and a scar from a Cape Buffalo.
Named: Count (t:19:12). 2 people observed.
“What were you saying about the revolution, Count?” 19:12 · “Oh, merely that I escaped.” 19:14
Model synopsis: A man in a tuxedo sits in a chair and speaks about boredom with hunting. The setting appears to be an interior room with stone walls and dim lighting.
1 person observed.
“Well, conditions are bad everywhere these days.” 19:43 · “One night as I lay in my tent with this...” 19:46
Model synopsis: A woman sits in a chair while a man in formal wear stands near a globe and speaks. The dialogue suggests a conversation about hunting and its emotional impact on the man.
2 people observed.
“Is that such a terrible thought, Count?” 20:00 · “It is, my dear lady, when hunting has been the whip for all other passions.” 20:02
Model synopsis: A man in a tuxedo speaks while another man reclines on a couch holding a bottle; a bow is mounted on a stone wall. The dialogue references a 'tartar wobble' and a person named Tucker.
2 people observed.
“Well, you seem to have stood it pretty well. I even tried to sink myself to the level of the savage.” 20:18 · “I made myself perfect in the use of the tartar wobble.” 20:24
Model synopsis: A man in a tuxedo speaks to two others in a dimly lit room; one person reclines while smoking, and a woman sits at a table. The dialogue suggests a discussion about hunting and seeking a new animal for sport.
Named: Mr. Killett (t:20:38). 3 people observed.
“Mr. Killett.” 20:38 · “Even to this day I prefer to hunt with it. But alas, even that was too deadly. What I needed was not a new weapon.” 20:42
Model synopsis: A man in a tuxedo speaks about hunting the most dangerous game while holding a small object; another man in a shirt and tie reacts. A close-up shows a hand holding an animal skull.
2 people observed.
“Yes.” 21:00 · “I hunt the most dangerous game.” 21:06
Model synopsis: A man in a shirt and tie sits with arms crossed while another man in a tuxedo stands and gestures. A voice mentions hearing a strange beast howling near water.
2 people observed.
“I heard some queer beast howling back there along the water.” 21:25 · “Was that it?” 21:28
Model synopsis: A man in a tuxedo sits on a couch and gestures while speaking; another man stands nearby holding a glass. A woman sits in an armchair in a dimly lit room with a piano and bottles visible. Dialogue references a hunt, a trophy room, and playing the piano.
3 people observed.
“It's no use, Frenchman.” 21:37 · “He won't even let you see his trophy room.” 21:41
23:27Model synopsis: Two men sit in a dimly lit room with a large globe between them; one smokes while the other speaks. The dialogue references hunting, civilization, and passion, but no names are spoken.
2 people observed.
“Now, there you go, sis. Throw in cold water. Now, leave me alone. I know what a pianist. I'm perfectly sober.” 22:57 · “Completely civilized, did you say? He talks of waning women as a prelude to the hunt.” 23:07
Model synopsis: A man in formal wear stands near a grand piano while a woman in a light dress stands beside him; another man in a tuxedo approaches. The setting includes stone walls, a staircase, and candelabras. Dialogue references 'Zaroff' and a 'Branca Island Hour'.
Named: Zaroff (t:24:02). 4 people observed.
“Oh, Martin. Martin.” 23:58 · “introducing Zaroff, the keyboard king.” 24:02
24:33Model synopsis: A man and a woman stand facing each other in a dimly lit, ornate room with a large globe between them. The man holds the globe while the woman looks at him; no dialogue is present in this beat.
2 people observed.
Model synopsis: A man and a woman sit indoors and speak about being kept from returning to the mainland, while a separate shot shows hunting dogs lying on a paved area. The dialogue implies deception about a launch and suggests someone is enjoying their company.
2 people observed.
“Oh, it's hunting dogs. Keep your voice low and listen.” 24:42 · “It isn't true about the launch needing repairs. I had it leave the boat house last night.” 24:48
Model synopsis: A woman and a man discuss the disappearance of two sailors after being taken to a stone structure with an iron door. The setting includes a stone archway and a suit of armor, suggesting a castle interior.
3 people observed.
“There were four of us a week ago.” 25:03 · “The other two have disappeared. What do you mean?” 25:05
Model synopsis: A man and a woman sit together in a dimly lit stone room while a pianist plays in the background; off-screen dialogue suggests tension and surveillance. The woman is asked to smile, and the man insists she is mistaken about something.
3 people observed.
“Have you asked him about them? He says they've gone hunting. Oh, be careful.” 25:27 · “Will you smile as if I've said something funny?” 25:33
Model synopsis: A man in formal wear speaks to a woman and another man in a dimly lit room with stone walls and a piano. The transcript includes dialogue about attention, concentration, and being sent to bed like children.
Named: Rainsford (t:25:48). 3 people observed.
“Thank you. What did I tell you? It smacks the main ivory, eh, Rinsford? It was splendid. Don't stop, please. No, you're afraid we are..…” 25:48 · “I expect it's rather difficult for Mr. Rainsford to concentrate on anything after all he's been through. Oh, my dear lady, you are pleading…” 25:59
Model synopsis: In a stone-walled room with a piano, four people exchange goodbyes; one man is told he will be shown to his room by Ivan. The scene ends with a man in a tuxedo speaking to another man in a shirt and trousers.
Named: Mr. Rainsford (t:26:37), sis (t:26:28). 4 people observed.
“There. You hear that, sis? Now try along upstairs and don't bother us grown-ups anymore.” 26:28 · “Good night, Mr. Rainsford. Good night. We'll be seeing each other at breakfast.” 26:37
Model synopsis: A man in a robe holds a candle while speaking; a woman in a nightgown stands near a doorway with a servant behind her; three men in formal wear stand together in a room with a piano. The dialogue indicates someone is being excused and another is told to turn in early, while a Count offers to take care of someone.
Named: Count (t:27:10). 6 people observed.
“Oh, excuse your comitre.” 27:01 · “Oh, Martin, turn in early, please. No way. Come on.” 27:05
27:21Model synopsis: Two men stand in a dimly lit room with ornate furniture; one wears a suit and the other a shirt and tie. No dialogue or on-screen text is present in this beat.
2 people observed.
27:28Model synopsis: A woman in a light dress stands in a dim interior with two men behind her; one man wears a dark robe and hat. The setting appears to be a stone-walled room with minimal furnishings.
3 people observed.
27:36Model synopsis: A man in a suit walks through a dimly lit room with stone walls and furniture as two people exchange goodnight greetings. The scene ends with the man moving toward a piano.
2 people observed.
“Well, good night.” 27:33 · “Good night, sir.” 27:34
Model synopsis: Two men in formal wear converse in a dimly lit, ornate room; one gestures while speaking. Later, two men in different attire stand on a staircase, one holding a weapon.
Named: Rainsford (t:28:03), Mr. Trowbridge (t:27:54). 4 people observed.
“Oh, ha.” 27:47 · “Tell me, Mr. Trowbridge, Are you also fatigued? Tired? Me? You know I'm not.” 27:57
28:45Model synopsis: Two men in formal attire walk through a dimly lit stone interior; one gestures expansively while speaking. The transcript reveals a conversation about visiting a trophy room, with one man agreeing enthusiastically.
Named: Mr. Trowbridge (t:28:38). 2 people observed.
“What are we gonna do, huh?” 28:13 · “You would like to see my trophy room?” 28:26
29:23Model synopsis: A close-up of a heavy, bolted metal door latch on a stone wall is shown. No people, dialogue, or movement occurs in this beat.
30:00Model synopsis: A woman holding a candle speaks urgently to a man in a dim room, asking for help to find her missing brother, whom she fears is in danger from Count Zaref. The man agrees to assist, and they plan to meet downstairs after she mentions an iron door.
2 people observed.
“- What was it, those dogs? - My brother. I've been listening for hours for him to come upstairs.” 29:45 · “Count Zaref is planning something.” 29:55
30:38
30:43Model synopsis: A metallic object lies on a patterned rug near furniture in a dimly lit interior. No people or dialogue are visible or audible in this beat.
30:50Model synopsis: A man and a woman stand in a dark interior, holding candles; the man notes the door is unlocked. The scene is lit by candlelight and appears to be a single shot.
2 people observed.
“That's queer. It's unlocked.” 30:50 · “Oh.” 30:48
Model synopsis: A man and a woman stand together in a dimly lit stone room; a close-up shows a grotesque skull mounted on a wall. The woman speaks, saying "Ah!".
2 people observed.
“Ah!” 31:32
Model synopsis: Two people move through a dark stone passage; one is seen from behind holding a light, while another frame shows a wider view of the passage with distant lights. Dialogue indicates urgency and coordination among unseen characters.
Named: Master Rojno (t:31:45). 3 people observed.
“Master Rojno, you can't say this.” 31:45 · “There! He's coming down!” 31:48
32:15Model synopsis: A man and a woman are shown in close proximity in a dimly lit stone-walled space. No dialogue or action is visible or audible in this beat.
2 people observed.
32:26Model synopsis: Three figures are in a dimly lit interior with a covered object on a table; one person is speaking about their brother. The scene is from a 1932 film and uses low-key lighting with visible candles.
3 people observed.
Model synopsis: A woman confronts a man holding a candelabra in a dim room; others gather around a body on a table. A man is questioned about killing someone's brother, and another man is seen being restrained by two others.
7 people observed.
“You killed him!” 32:48 · “You're... Killed my brother!” 32:51
33:11Model synopsis: A figure is seen ascending stone stairs in a dimly lit, arched stone structure. The only audible sound is an exclamation 'Woo!' at 33:13.
1 person observed.
“Woo!” 33:13
33:20Model synopsis: Three men stand in a dimly lit interior space; one speaks to another, identifying them both as hunters. The setting includes a candelabra and stone walls, suggesting a private or formal room.
Named: Rainsford (t:33:18). 3 people observed.
“Come, come, my dear Rainsford.” 33:18 · “I don't want to treat you like my other guests.” 33:20
Model synopsis: A man in a shirt and tie speaks in a stone-walled room while another man in dark clothing holds a candelabra; a third man in a loose robe stands between them. The dialogue refers to hunting a person and an escape attempt through Fog Hollow.
Named: Zaroff (t:33:31). 3 people observed.
“So that's your most dangerous game.” 33:28 · “Yes, my dear fellow, I intended to tell you last night. But you know Miss, Miss Thrawbridge... You hunted him like an animal. I know what yo…” 33:31
34:17Model synopsis: Three men stand in a dimly lit room with a candelabra; one man in dark clothing speaks while holding a glass. The transcript reveals the speaker describes luring guests to his island using manipulated buoys and a trophy room to intimidate them before a hunt.
3 people observed.
“You see, when I first began stalking my island, many of my guests thought I was joking.” 33:57 · “So I established this trophy room.” 34:03
Model synopsis: A man in a dark tunic holds a candelabra while speaking to two other men in a stone-walled room; one of them wears a light shirt and belt, the other a tunic with a beard. The speaker describes giving hunted men food, clothes, a knife, and a head start before hunting them at midnight.
3 people observed.
“You take half-drowned men from ships, you've wrecked.” 34:37 · “I give them every consideration.” 34:41
Model synopsis: A man in a light shirt and dark tie stands against a stone wall; another scene shows three men in a dim room with candles, one holding a weapon. The transcript mentions refusal to be hunted and Ivan's skill with weapons.
4 people observed.
“Suppose he refuses to be hunted.” 35:11 · “Ivan is such an artist with these.” 35:17
35:31Model synopsis: A man in a light shirt and dark tie is shown in a close-up, looking off-camera with a serious expression. The background is dark and indistinct, suggesting an interior setting with low lighting.
1 person observed.
Model synopsis: Two men confront each other in a dimly lit stone room; one pressures the other to join a hunt. The transcript reveals the hunt involves hunting men, and one man identifies himself as a hunter, not an assassin.
Named: Rainsford (t:35:37). 2 people observed.
“Oh, Rainsford, you'll find this game worth playing. When the next ship arrives, we'll have gorgeous sport together.” 35:37 · “You murdering rat, I'm a hunter.” 35:46
35:59Model synopsis: A close-up of a man's face is shown in a dimly lit interior. No dialogue or action is visible or audible in this beat.
1 person observed.
Model synopsis: A man speaks in a dimly lit interior, reacting to an off-screen voice. The scene cuts between two close-ups of men, one with a stern expression and the other appearing surprised or defensive.
2 people observed.
“No.” 36:03 · “What do you think I am?” 36:05
36:16Model synopsis: Two men are in a dimly lit interior, one holding a candelabra, as they speak about following convictions. One man asks for clarification after being told he may have to follow his convictions.
Named: Mr. Rainsford (t:36:14). 2 people observed.
“One I fear who dare not follow his own convictions to their logical conclusion.” 36:08 · “I'm afraid in this instance, Mr. Rainsford.” 36:14
36:39Model synopsis: Three men stand in a dimly lit stone room; one speaks to another named Rainsford, urging haste as the sun rises. The setting appears to be a cellar or dungeon with candelabras providing light.
Named: Rainsford (t:36:37). 4 people observed.
“I shall not wait for the next ship.” 36:25 · “Four o'clock. The sun is just rising. What's the technique in the ridge-linking?” 36:29
Model synopsis: Four men stand in a stone courtyard; one holds a book and speaks to another. A woman in a light dress runs up a stone staircase in the same location. The transcript includes shouted names and a command.
Named: Raisman (t:37:00). 5 people observed.
Model synopsis: A man in a dark turtleneck speaks to a woman and another man in a room with stone walls; the transcript reveals a conversation about being hunted and a 'prize' after a kill. No names are spoken that can be linked to the visible individuals.
5 people observed.
“I'm going to be hunted. - No, no. No, Miss Troubridge.” 37:25 · “outdoor chess.” 37:28
Model synopsis: A man and a woman stand together as another man addresses them; a fourth man in dark clothing stands apart on stone steps. The dialogue suggests a hunting game with stakes of freedom and survival, to be played between midnight and sunrise.
Named: Mr. Rainford (t:38:28). 4 people observed.
“Suppose you lose.” 37:50 · “Freedom for both of you. I'm going with you. No.” 38:02
38:35Model synopsis: Three figures walk through a dark, rocky gorge with hanging vines. The scene is dimly lit and appears to be outdoors at dusk or night.
3 people observed.
38:46Model synopsis: Three people stand outdoors at night; one man is being restrained by another while a woman looks on. A voice says they will beat 'this thing' and asks if the restrained man's name is 'Diablo'.
Named: Diablo (t:38:48). 3 people observed.
“Don't lose your nerve.” 38:45 · “We beat this thing.” 38:47
38:55Model synopsis: A group of people stands in a dark, rocky outdoor setting with hanging vines and a distant structure. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A man and a woman stand close together in a dark, leafy outdoor setting; the man appears to be guiding or holding the woman. The scene cuts to black after a brief moment.
2 people observed.
“Come on, let's get going.” 38:59 · “*whistling*” 39:22
Model synopsis: Two people stand in a dense jungle, discussing their progress and the cost of travel. They then move forward through the undergrowth.
2 people observed.
“It seems as though we've come miles.” 39:31 · “Three dollars doesn't take you far in this jungle.” 39:35
39:50Model synopsis: A man and a woman are in a dense, leafy environment; the man appears to be helping the woman climb or navigate. The transcript suggests they are nearing safety after a difficult part of their journey.
2 people observed.
“Just a little more of this.” 39:46 · “Then, easy downhill going.” 39:50
40:01Model synopsis: Two figures move through dense, overgrown vegetation on a slope. One figure is ahead and higher on the incline, while the other follows below.
2 people observed.
40:10Model synopsis: A man and a woman stand side by side on a rocky shore, looking out at the water. The scene is shot in black and white with no visible text or dialogue.
2 people observed.
40:15Model synopsis: A wide shot shows a coastal landscape with dense vegetation in the foreground and a body of water with distant landforms. No people, objects, or on-screen text are visible in the frame.
40:31Model synopsis: A man and a woman stand on a rocky shore near water, speaking urgently. The woman expresses regret for coming and suggests the man might have a better chance alone, but he refuses to leave her with the 'savage'.
2 people observed.
“This island is no bigger than a deer park.” 40:21 · “Oh, Ben!” 40:24
40:59Model synopsis: Two people stand on a rocky shore discussing a trap involving a leaning tree. One explains how cutting a branch would turn it into a deadfall, while the other questions the term 'melee deadfall'.
2 people observed.
“Now, we've got to think of something to worry him.” 40:48 · “Weapons aren't everything in the jungle.” 40:54
41:27Model synopsis: A man and a woman are in a jungle setting, preparing to build something with vines while discussing a deadline until midnight. The man is giving instructions and the woman is assisting.
2 people observed.
“Stop that madman, all right.” 41:18 · “Trouble is, it takes quite a few hours to build.” 41:20
Model synopsis: A man and a woman are in a jungle setting; the man demonstrates a trap involving a trip line and a heavy log while the woman watches. The transcript explains the trap's mechanism and lethal potential.
2 people observed.
“Don't touch that trip line, you'll have a two-ton tree down on your back. Junglewood's as heavy as iron.” 41:44 · “Will it really work? I've never known a living thing to get by one yet. Look here. You touch that trip line.” 41:49
42:13Model synopsis: A person is visible in a dense jungle environment, surrounded by thick foliage and tree trunks. No dialogue or on-screen text is present in this beat.
1 person observed.
42:17Model synopsis: A man and a woman crouch in a dark, leafy outdoor setting, appearing alert. The transcript indicates they are prepared for an approaching threat.
2 people observed.
42:24Model synopsis: Two figures are visible in a dark, rocky cave entrance. No dialogue or on-screen text is present in this beat.
2 people observed.
42:36Model synopsis: A man and a woman are shown in a dark setting; the man speaks, demanding a knife. The scene is dimly lit, with only their faces partially visible.
2 people observed.
“Give me that knife.” 42:36
42:48Model synopsis: A person is seen from behind, silhouetted against a bright, chaotic scene visible through a cave or tunnel entrance. No dialogue or on-screen text is present in this beat.
1 person observed.
43:01Model synopsis: A man in dark clothing holds a bow and arrow in a dense, shadowed jungle. No dialogue or on-screen text is present in this beat.
1 person observed.
43:09Model synopsis: A low-angle shot shows a person's legs and feet walking across uneven, grassy terrain at night. No dialogue or on-screen text is present in this beat.
1 person observed.
43:12Model synopsis: A man in dark clothing is visible in a forested area, holding a knife in a ready stance. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two people are shown in a dark, outdoor setting, reacting with alarm. One frame shows a close-up of a dark hole in the ground with a stick nearby, suggesting a trap or pitfall.
2 people observed.
“Oh, my God.” 43:14
Model synopsis: A man walks through a dark jungle at night, carrying a rifle. Another man is shown in a close-up, holding a gun and speaking, though his words are fragmented and unclear.
Named: Rainsford (t:43:39). 2 people observed.
“Come out, Rainsford. Michael Longing.” 43:39 · “I am the bungalow shop.” 43:43
Model synopsis: A man in dark clothing speaks outdoors at night while a man and woman huddle together in fear. The dialogue indicates a hunting game is being proposed between the speaker and another person.
3 people observed.
“But surely you don't think that anyone who has hunted leopards would follow you into that ambush?” 43:47 · “Oh, very well. If you choose to play the leopard, I shall hunt you like a leopard.” 43:59
Model synopsis: A person is visible in darkness holding a long object, possibly a spear or arrow, near a rocky or vegetated structure. The transcript contains a single line suggesting deception.
1 person observed.
“And it's a trick.” 44:28
44:40Model synopsis: A single frame shows dense jungle foliage at night. No people, objects, or text are visible, and no dialogue is present.
44:47Model synopsis: A man walks away from the camera through dense jungle foliage. The scene is shot in black and white with high contrast lighting.
1 person observed.
44:55Model synopsis: A man stands in a dense jungle holding a rifle. The scene is shot in black and white with heavy foliage surrounding him.
1 person observed.
45:11Model synopsis: A man and a woman stand in a jungle at night, alarmed, as dialogue reveals they are being hunted with a rifle. The woman urges escape while the man calls after her.
2 people observed.
“Where did it go?” 45:06 · “He's playing with us. Like a cat with a mouse.” 45:08
Model synopsis: A person moves through dense jungle foliage in darkness. The setting is thick with vegetation and appears to be at night or in deep shadow.
1 person observed.
Model synopsis: Two people are in a dense, dark outdoor setting at night, discussing a trap to stop a pursuer named Mr. Zaro. They gather materials and prepare a pitfall while referencing Fog Hollow and the approaching dawn.
Named: Mr. Zaro (t:46:10). 2 people observed.
“No, I tell you, no! Don't stop!” 45:42 · “No! Wait! That's Fog Hollow ahead. Fog Hollow? The swamp where he caught the others.” 45:45
46:40Model synopsis: A single frame shows a dark, cloudy sky with silhouetted trees and birds in flight. No people, objects, or on-screen text are visible, and no dialogue occurs.
46:46Model synopsis: A man and a woman stand together in a dense, dark outdoor setting. The woman is in front, looking over her shoulder, while the man stands behind her with one hand on his hip.
2 people observed.
46:56Model synopsis: Two figures move through dense jungle foliage at night. One figure follows closely behind the other, both partially obscured by plants.
2 people observed.
47:02Model synopsis: A man in a light shirt is crouched among dense foliage, reaching forward with his right hand. The scene is shot in black and white with high contrast lighting.
1 person observed.
Model synopsis: A person moves through dense jungle foliage at night. No dialogue or on-screen text is present in the frames.
1 person observed.
Model synopsis: A man in dark clothing moves through dense jungle foliage, holding a rifle; another man is seen crawling on the ground. A gunshot is heard off-screen.
2 people observed.
“I'll be right back.” 47:21 · “*gunshot*” 47:42
47:46Model synopsis: A man in dark clothing holds a rifle in a dense jungle at night. No dialogue or on-screen text is present in this beat.
1 person observed.
47:49Model synopsis: A dark, low-angle shot shows a narrow, rocky ravine or gully at night. No people, objects, or text are visible in the frame.
47:52Model synopsis: A person moves through dense jungle foliage at night. No dialogue or on-screen text is present in this beat.
1 person observed.
47:55Model synopsis: A narrow, rocky ravine is shown in a black-and-white shot. No people or objects are visible, and no dialogue or on-screen text is present.
48:00Model synopsis: A man in dark clothing walks through dense jungle foliage. The scene is shot in black and white with high contrast lighting.
1 person observed.
48:05Model synopsis: A silhouetted figure stands in a foggy, wooded area. No dialogue or on-screen text is present in this beat.
1 person observed.
48:10Model synopsis: A silhouetted figure stands in dense foliage under low visibility conditions. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in dark clothing holds a pistol in a wooded area at night. Another person is briefly visible in a dim interior scene. A voice tells Rainsford he has not won yet and to look at his watch.
Named: Rainsford (t:48:15). 3 people observed.
“Very good, Rainsford. Very good. You have not won yet.” 48:15 · “Look at your watch.” 48:22
Model synopsis: A man and a woman are shown in a foggy outdoor setting at night; a wristwatch shows the time is late. A man in dark clothing holds a rifle in a wooded area. The transcript indicates they are discussing evading pursuers before sunrise.
3 people observed.
“Are you looking at it?” 48:28 · “Still half an hour till sunrise.” 48:30
Model synopsis: A man plays a brass horn in foliage; a stone archway with a wooden door is shown. Piano music plays during this segment.
1 person observed.
“*Piano music*” 48:51
Model synopsis: A man and a woman stand close together in a dim, misty setting; a separate shot shows a dark, overgrown structure with hanging vines and a distant light. No dialogue or on-screen text is present in these frames.
2 people observed.
Model synopsis: Two people move through a foggy, overgrown outdoor area; a third person in dark clothing is seen drinking from a horn. No dialogue or on-screen text is present in this segment.
3 people observed.
Model synopsis: A person moves through dense jungle foliage holding a rifle, then stands in a misty, dimly lit area. No dialogue or on-screen text is present in these frames.
1 person observed.
Model synopsis: Two dark, grainy frames show a dense, shadowed forest at night. No people, objects, or on-screen text are visible, and no events are described in the transcript for this beat.
Model synopsis: Two frames show a dark, silhouetted outdoor scene with foliage and water, followed by a close-up of a person's face partially obscured by leaves. No dialogue or clear actions are visible.
1 person observed.
Model synopsis: Two figures are seen moving through dense, dark jungle foliage at night. The environment is thick with plants and shadows, and no artificial light or structures are visible.
2 people observed.
Model synopsis: Two men move through a dense, foggy jungle at night, one carrying a rifle. The environment is dark and obscured, with tall grass and thick foliage visible.
2 people observed.
Model synopsis: A figure moves through a foggy, overgrown area with tall reeds and bare trees. The scene is dimly lit and obscured by mist, showing no clear time of day or identifiable individuals.
1 person observed.
51:46Model synopsis: A silhouetted figure stands over a prone body in a dark, misty outdoor setting. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two figures are visible in a dark, outdoor setting with bare trees; one figure appears to be reaching toward the other. The scene is dimly lit and obscured by fog or smoke, with no visible text or identifiable objects.
2 people observed.
Model synopsis: A man runs through a dense, dark forest and crosses a fallen log bridge over a ravine. The scene is shot in black and white with high contrast lighting, emphasizing shadows and foliage.
1 person observed.
Model synopsis: Two people move through a dark, dense jungle environment, appearing to flee or hide. One person speaks an apology and a reflection on understanding others' feelings.
2 people observed.
“I'm sorry.” 52:30 · “Now I know how they felt.” 53:01
Model synopsis: A woman hides among dense foliage while dogs move through a dark, wooded area; a man is seen climbing or moving through trees in the same environment. No dialogue or on-screen text is present in these frames.
2 people observed.
Model synopsis: Two men move through dense jungle terrain, one leading the other by the hand. A dog is visible near them in the first frame, and one man is seen climbing over rocks in later frames.
4 people observed.
Model synopsis: A man in a dark shirt moves through dense jungle foliage, holding a rifle. He is seen crouching and advancing cautiously in a wooded area.
1 person observed.
Model synopsis: A man is shown in a dark, dense jungle environment, moving through thick foliage. His face is visible in a close-up, showing an expression of alarm or intensity.
1 person observed.
Model synopsis: Two figures are shown in a dark, outdoor setting with foliage; one frame shows them close together, another shows silhouettes against a bright background. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: Two figures are seen near a waterfall and rapids in a rocky, forested area; one figure falls or jumps into the water, creating a large splash, while another stands on a cliff edge. The scene is shot in black and white with high contrast lighting and dramatic framing.
2 people observed.
Model synopsis: Two silhouetted figures move along a rocky cliff edge above a turbulent river at night. The scene is dark and high-contrast, with the figures seen against the white water and shadowed rock formations.
2 people observed.
Model synopsis: A man and a woman are shown in close proximity in a dark, rocky environment. Other figures are visible in the background near a large waterfall or misty cliff face.
3 people observed.
Model synopsis: A woman in a dark dress stands in shadow; two men with rifles and a dog move through a rocky area; a distant figure stands near a waterfall; a man wrestles a large animal in mist. No dialogue or on-screen text is present in these frames.
5 people observed.
Model synopsis: A person is shown in distress in a dark, rocky environment, with another figure visible in the background. The setting appears to be outdoors at night or in a dimly lit cave-like area.
3 people observed.
Model synopsis: A man in dark clothing holds a rifle while smoking. A pocket watch is shown, followed by a wide shot of a rocky cliffside with figures. A woman in a light dress runs through a dark, rocky area.
3 people observed.
56:26Model synopsis: A close-up of a woman's face shows wide eyes and an open mouth, suggesting alarm. No other context is visible in the single frame.
1 person observed.
56:27Model synopsis: A close-up of a man with a goatee and intense eyes is shown. No dialogue or additional context is provided in this beat.
1 person observed.
56:29Model synopsis: A close-up of a woman's face shows her looking upward with an expression of alarm. No dialogue, setting, or other context is visible in this single frame.
1 person observed.
56:57Model synopsis: A man drinks from a glass while another man stands nearby; a voice calls out a name and gives an order. No named characters are identified in the dialogue or visuals.
Named: Ahmed (t:57:01). 2 people observed.
“Ahmed!” 57:01 · “Miss Trowbridge.” 57:03
57:27Model synopsis: A man in a dark jacket and white shirt is seated in a dimly lit interior space. No dialogue or on-screen text is present in this beat.
1 person observed.
57:44Model synopsis: A man sits at a piano in a stone-walled room while another man stands near a large arched doorway in the background. The setting appears to be an interior space with heavy architectural features.
2 people observed.
58:01Model synopsis: A man in a light shirt and trousers stands in front of a heavy wooden door. The scene is dimly lit and appears to be indoors.
1 person observed.
58:11Model synopsis: A man in a dark robe stands in a dimly lit room with patterned wallpaper and furniture; he is addressed by someone off-screen who congratulates him for beating them. No names are spoken that identify the visible person.
2 people observed.
“My dear Rainsford, I congratulate you.” 58:06 · “You have beaten me.” 58:17
Model synopsis: A man in a light shirt and trousers stands in a stone-walled room; another man in a dark robe stands in a similar room. The transcript includes the lines 'Not yet.' and 'Oh, but of course I insist...'.
2 people observed.
“Not yet.” 58:21 · “Oh, but of course I insist...” 58:23
58:27Model synopsis: A man in a light shirt and trousers stands in front of a heavy wooden door. The scene is lit with studio lighting and appears to be an interior set.
1 person observed.
Model synopsis: Two men are in a stone-walled room with a fireplace; one admits defeat after the other reveals he was not wounded. The transcript indicates a conversation about a trick involving a dog and a missed shot.
Named: Rainsford (t:58:43). 2 people observed.
“You're not even wounded.” 58:34 · “You hit the dog, not me.” 58:37
Model synopsis: A man in a shirt and trousers stands in a stone room; a hand retrieves keys from a drawer; dogs are shown on a paved area; a pistol lies on stone steps. A voice says the key is for the boathouse and that the door is in the trophy room, telling two people they may leave, then says 'No!'.
2 people observed.
“Here's the key of the boathouse.” 58:51 · “The door is in the trophy room.” 58:55
Model synopsis: Two men fight in a large stone room; one is thrown to the floor. The room contains furniture and a fireplace.
2 people observed.
59:36Model synopsis: Two men are engaged in a physical struggle inside a large, dimly lit room with scattered furniture. The setting appears to be a grand interior space, possibly a mansion or estate, with no visible windows or clocks to indicate time.
2 people observed.
59:43Model synopsis: A man lies on a patterned rug holding a rifle, with a table leg visible above him. No dialogue or on-screen text is present in this beat.
1 person observed.
59:50Model synopsis: A person lies motionless on a patterned rug in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a dark cloak is shown aiming a bow, then grappling with another man, who is later seen lying on the floor while a third man stands over him. One character cries out 'Mom!' as the scene ends.
Named: Mom (t:60:31). 3 people observed.
“Oh, my God.” 59:57 · “Oh, God!” 60:07
Model synopsis: A man and a woman are in a stone-walled interior with stairs; the man runs toward a doorway while the woman watches, then they embrace on the stairs. A voice shouts about a boat.
2 people observed.
“E!” 60:35 · “The boat, quick!” 60:44
1:00:49Model synopsis: Two people stand near a large stone fireplace in a dimly lit room. One person holds an object while the other looks on; no dialogue or on-screen text is present.
2 people observed.
1:00:53Model synopsis: A dark, low-angle shot shows a figure lying on a patterned floor, partially obscured by shadows and debris. No dialogue or on-screen text is present in this beat.
1 person observed.
1:00:59Model synopsis: A man and a woman are in a stone-walled room with arches; the man bends over a table while the woman stands behind him. The setting appears to be an old, dimly lit interior with a large wheel visible in the background.
2 people observed.
1:01:05Model synopsis: A man in a dark, stone-walled interior runs while holding a knife, shouting for help. The scene is lit with high-contrast studio lighting, suggesting a staged, dramatic moment.
1 person observed.
“Help!” 61:05
1:01:10Model synopsis: A man and a woman are in a stone-walled room with arched doorways; the man bends over a table while the woman stands near a doorway. No dialogue or on-screen text is present in this beat.
2 people observed.
1:01:15Model synopsis: A person sits near a large window with diamond-paned glass, looking out at a foggy or overcast exterior. The interior is dimly lit, and the person appears to be holding an object in their hands.
1 person observed.
1:01:18Model synopsis: Two people are inside a vehicle with stone walls visible outside; one person reaches upward while the other faces forward. No dialogue or on-screen text is present in this beat.
2 people observed.
1:01:21Model synopsis: A man in dark clothing stands at a leaded window, looking out. The scene is interior and dimly lit, with no visible text or spoken dialogue.
1 person observed.
1:01:25Model synopsis: Two people are seated in a vehicle interior; one is driving while the other raises an arm. The setting is a stone-walled tunnel or passage.
2 people observed.
1:01:28Model synopsis: A motorboat is shown on water, viewed from behind, with two figures visible in the stern. The scene is in black and white and appears to be shot at night or under low light.
2 people observed.
1:01:31Model synopsis: A man in dark clothing sits near a window with a diamond-paned frame, looking out over water where a small boat floats. The scene is lit by artificial light, suggesting an interior space at an unspecified time.
1 person observed.
Model synopsis: A man and a woman are in a boat on water; a man in formal attire stands near a stone staircase; dogs are shown climbing a stone wall and running through brush. No names are spoken in the transcript for this beat.
3 people observed.
“Impossible.” 61:35
1:02:14Model synopsis: The final frame of the film displays the Radio Pictures logo and the words 'THE END' within a stone archway. No people, actions, or dialogue are present in this beat.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 593 segments kept, 180 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1932 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
White Zombie 
Mr. Robinson Crusoe 
Bird of Paradise 
Meet John Doe 
The Hitch-Hiker 
Love Affair 
The Green Glove 
Danger Flight 
Angel and the Badman