No renewal found Free in the US since 1 January 1982, on the registry's reading: registration LP2463 of 1953 by RKO Radio Pictures, Inc was not renewed in the volumes searched. Record.
314 shots over 1:10:47, read from the Internet Archive copy Hitch_Hiker (Hitch-Hiker.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Hitch-Hiker No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 314 shots judged colour), average shot 13.5s long, a frontal face detected in 43% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1953 (Internet Archive).
143 beats in 86 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 143 of 143 beats annotated, 141 passed the checks, 2 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
2:33Model synopsis: A man in a cowboy hat and dark shirt with a star badge is shown in a close-up. The transcript includes dialogue about going to Mexicali, remembering someone named Florabel, and mentioning babies and a natural.
1 person observed.
“Help!” 1:33 · “Well, that was the idea, wasn't it? Yeah, I guess so. We might just pick up a drink in Mexicali. Remember Florabel at the Alhambra club? …” 4:03
5:07Model synopsis: A group of people stands outside a venue named 'Cabaret Mexicana' at night. The scene is lit by neon signs and appears to be on a street or sidewalk.
2 people observed.
Model synopsis: A man drives a car at night while a neon sign for the 'Silver Slipper' bar is visible outside. The transcript mentions welcoming guests to Mexico and a fan dance, suggesting the location is a bar near the border.
2 people observed.
Flagged: visible event not seen (The man in the car looks ahead while driving.)
7:52Model synopsis: A man named Emmett Myers takes control of a car at gunpoint, forcing the driver and passenger to comply with his demands while driving. He orders them to stop, exit the vehicle, and open the trunk while keeping their hands visible.
Named: Emmett Myers (t:7:09). 3 people observed.
“Sure, I'm Emmett Myers.” 7:09 · “From now on, while you're driving, keep both hands high on that wheel.” 7:21
Model synopsis: A man in a vehicle identifies himself as Gilbert Bowen while another man holds a revolver. The scene takes place inside a car during daylight, with one man driving and the other seated beside him.
Named: Gilbert Bowen (t:10:18). 3 people observed.
“I told you my name. What's yours? Mine's Gilbert Bowen.” 10:18
Model synopsis: Three men are inside a vehicle; one holds a gun and speaks to the others. The transcript identifies one man as Roy Collins and mentions a garage and a draftsman.
Named: Roy Collins (t:10:39). 3 people observed.
“He's Roy Collins. What do you do for a living? I'm a draftsman. He runs a garage. That makes you smarter.” 10:39 · “Or does it?” 10:49
Model synopsis: A man inside a vehicle holds a gun while looking forward. An aerial shot shows a car driving on a dirt road through scrubland. No names are spoken in the transcript for this beat.
1 person observed.
“I'm sorry.” 11:03
Model synopsis: Two men are in a vehicle; one speaks about returning home to wives and children. A third man, visible in later frames, holds a gun and looks forward.
3 people observed.
“No particular time.” 11:35 · “Yeah, we told our wives to expect us home when we got there. You got wives, huh? Any kids? I have. Just keep thinking how nice it'll be …” 11:38
11:51Model synopsis: Two men sit in a vehicle interior; one looks forward, the other glances sideways. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man in a leather jacket holds a gun while seated in a car; two other men are in the front, one driving. The transcript indicates they are approaching a checkpoint and have been instructed to remain silent and be ready to accelerate.
3 people observed.
“There's the checkpoint. Slow down. No talking. If I give you the word, step on it.” 11:55
Model synopsis: A man stands beside a road near a small shelter as a car approaches; the driver is seen from inside the vehicle looking out. The car then drives away through a rocky desert landscape.
2 people observed.
Model synopsis: Two men are in a car driving through a desert landscape; one speaks about selling something and getting a road map, while the other is addressed in a tense exchange at a gas station. The scene ends with the word 'Loco' spoken as they leave.
3 people observed.
“If I get where I'm going, I think I'll sell it. Where are we going?” 12:33 · “Pull in the next pump. We'll fill up with gas and get a road map. I got an idea. Pretty good one.” 12:40
Model synopsis: Two men are in a car; one is driving while the other sits in the front passenger seat. A third man is visible in the back seat, and dialogue indicates they are navigating using a map and planning to take a side road.
3 people observed.
“Give me the map” 13:27 · “Take the first side road we come to” 13:44
Model synopsis: A car is parked on a desert road near rocky terrain. Inside, a man holds a gun while another man is told to get out of the vehicle.
3 people observed.
“I'm going to go.” 13:58 · “Pull up” 14:06
14:27Model synopsis: Two men stand beside a car in a desert landscape; one holds a map and is told to spread it on the car's hood while being ordered to raise his hands. They are instructed to look for a town named Santa Rosalia.
2 people observed.
“Hey, you're the smart guy spread the map out on the hood” 14:22 · “Get your hands up in the car.” 14:30
Model synopsis: Three men are seen around a car in a desert landscape; one points at a map while another holds a gun. Dialogue references distance, the Gulf of California, and a ferry, suggesting travel plans.
3 people observed.
“How far is it?” 14:38 · “About 500 miles. Is it on the Gulf of California? Yeah. Say anything in there about a ferry across the Gulf?” 14:41
Model synopsis: Three men stand near a car in a rocky desert landscape; one man in a leather jacket speaks while the others listen. The dialogue suggests a threat and a reference to a missed opportunity for food.
3 people observed.
“After that, I won't be needing you guys anymore.” 15:03 · “Well, I guess we won't be having a rabbit for dinner.” 15:10
15:28Model synopsis: Two men stand beside a car in a rocky outdoor setting; one holds a gun and demands a map while the other is told to place a can near rocks. No names are established for the individuals beyond the spoken word 'Collins' which is not clearly assigned to a visible person.
2 people observed.
“Collins.” 15:22 · “Put the can out in that rock there.” 15:23
Model synopsis: Two men stand near a car in a rocky outdoor area; one directs the other to place a can on a rock. A third man, wearing a cap, is seen leaning against boulders nearby.
3 people observed.
“Not that one!” 15:41 · “The other one.” 15:43
16:00Model synopsis: Two men stand beside a car in a rocky outdoor setting; one holds a gun and warns the other that it is loaded. The dialogue suggests a tense confrontation over the gun's use.
2 people observed.
“Don't forget, this is loaded, too.” 16:00 · “I see you try it.” 16:02
16:07Model synopsis: A man stands on large rocks in a barren, rocky landscape under a cloudy sky. No dialogue or on-screen text is present in this beat.
1 person observed.
16:10Model synopsis: A man holds a rifle outdoors in a rocky landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
16:11Model synopsis: A man in a leather jacket stands beside a car holding a gun. He is audible saying 'Go ahead.'
1 person observed.
“Go ahead.” 16:11
16:14Model synopsis: Two men stand in a rocky desert landscape; one holds a rifle. No dialogue or on-screen text is present in this beat.
2 people observed.
16:18Model synopsis: A man stands on a large rock in a rocky, arid landscape under a partly cloudy sky. No dialogue or other people are visible or audible in this beat.
1 person observed.
Model synopsis: Two men are in a vehicle interior; one holds a gun and gives orders while the other looks on. The setting is outdoors during the day, with rocky terrain visible in the background.
2 people observed.
“Collins! Pick up the can! Take it out on that point there. If you don't, I'll let Bowen have it. Out on the point, that's right. Further! No…” 16:21 · “You won't get hurt. Your buddy's good with guns.” 16:46
Model synopsis: Two men are in a confrontation outdoors with a third man holding a gun; one of the men is told to hold the gun closer. The setting is rocky and barren, and the interaction is tense, with one man appearing to taunt the other.
3 people observed.
“You're crazy. I won't do it. That's just a game. Go ahead. Collins! Hold it closer to you.” 16:50 · “What's the matter? Are you scared? Hold it closer. You want me to try it again? I might miss this time.” 16:58
17:08Model synopsis: A man in a cap and jacket holds up a small object outdoors against a rocky background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men stand beside a car in a rocky outdoor setting; one holds a revolver and speaks, urging the other to act. The second man aims the revolver forward while the first holds a smaller pistol.
2 people observed.
“Shoot.” 17:11 · “Come on, Gil, get going.” 17:16
Model synopsis: A man in a hat gestures near rocks while another man aims a revolver; two men then stand by a car, one holding a gun. The transcript includes dialogue addressing someone named Collins and commenting on the group's exertion.
Named: Collins (t:17:54). 4 people observed.
“Nervous? Relax.” 17:46 · “All right, Collins, come on in. Fun's over.” 17:54
18:04Model synopsis: A man in a dark jacket stands outdoors with rocky terrain behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
18:08Model synopsis: A man stands in a rocky, arid landscape with large boulders and distant mountains. No dialogue or on-screen text is present in this beat.
1 person observed.
18:12Model synopsis: A man is visible in a close-up shot inside a vehicle. No dialogue or additional context is provided in this beat.
1 person observed.
Model synopsis: A car drives along a desert road with three men inside; one man is driving while the other two sit in the back. One man is addressed by the name Collins and is told to turn on the radio.
Named: Collins (t:18:16). 3 people observed.
“Collins.” 18:16 · “Collins! What do you want? Turn on the radio. Why bother? All you get is Mexican commercials. Never mind. Turn it on.” 18:32
18:42Model synopsis: A man in a denim jacket sits inside a vehicle, looking forward with a serious expression. The scene is shot in black and white with bright lighting on his face.
1 person observed.
18:44Model synopsis: A man in a cap and jacket sits in the driver's seat of a vehicle, gripping the steering wheel. No dialogue or other actions are visible or audible in this beat.
1 person observed.
Model synopsis: Two men are in a vehicle; one drives while the other sits in the passenger seat. A hand adjusts a car radio dial during the scene.
2 people observed.
“Get something else. Like what? One of those news guys from the States.” 18:46
19:03Model synopsis: Three men are inside a vehicle; one drives while the other two sit in the front passenger and rear seats. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Three men are shown inside a vehicle, with one speaking about a killer named Myers who has been reported in multiple cities and whose latest victim was found in California. The victim's car, possibly containing Myers, remains missing.
3 people observed.
“Myers. Reports have placed the killer in Florida, Detroit, and Seattle within the last 24 hours, although most of these tips have been disc…” 19:16 · “His latest victim, William Johnson, a salesman from Portland, Oregon, was found late yesterday in Imperial County, California.” 19:16
Model synopsis: A man drives a car while two other men sit in the back seat; one of them speaks about the United Nations and being put in the car. The scene is shot in black and white from inside the vehicle.
3 people observed.
“United Nations passed all important resolutions by near unanimous... They're not even close. You guys don't have to worry. Not yet.” 19:39 · “You can start sweating when they put me in this car. If they ever do.” 19:52
Model synopsis: A news reporter delivers a bulletin about a fugitive hitchhiker murderer named Emmett Myers, who has killed another victim. The police have established roadblocks across western states in response.
Named: Sam Hayes (t:20:02). 2 people observed.
“And a good good evening, ladies and gentlemen. This is Sam Hayes reporting your news final. At the top of the news tonight is the report tha…” 20:02 · “Yesterday, the devil thumbed another eye, and William Johnson of Portland asked him to hop in.” 20:10
22:01Model synopsis: A man with a paralyzed right eyelid is described in a police bulletin and later seen in a tense confrontation at night, where he threatens others while seated in a vehicle. The group is ordered to camp for the night near Santa Rosalia, with the man warning them they will die if they betray him.
1 person observed.
“and all border stations are being closely watched. Myers is slight, 28 years of age. He's wearing a dark shirt, dark gray trousers, and a …” 20:22 · “I know what you're thinking, Collins.” 21:54
24:06Model synopsis: Three men are in a car; one speaks authoritatively while the others listen. They are about to enter a store, and the speaker gives instructions about payment and keeping his hand in his pocket.
3 people observed.
“We're getting out here and buy some grub.” 23:49 · “You guys go in a store ahead of me.” 23:53
Model synopsis: Three men are in a shop where one man, behind a counter, interacts with two others; one of the customers is handed cans after a discussion about prices and items. The shop contains shelves with goods and a cash register, and the interaction involves handing over items.
4 people observed.
“Good morning, gentlemen. I have a great supply of fruits and vegetables, clothes, and clothes, at the same price as Tijuana.” 24:35 · “And tomato soup. I like that. Got four cans.” 24:55
Model synopsis: A man in a leather jacket stands in a shop while another man behind a counter handles goods and speaks. A third man is seen holding a box of items. The transcript includes dialogue about paying 15 pesos and loading up.
3 people observed.
“I can take some more.” 25:24 · “I'm sorry.” 25:28
25:47Model synopsis: A man in a leather jacket sits inside a dimly lit room with shelves and a patterned door visible. No dialogue or on-screen text is present in this beat.
1 person observed.
25:50Model synopsis: A man stands indoors holding a box with bottles inside, surrounded by shelves of goods. No dialogue or on-screen text is present in this beat.
1 person observed.
25:54Model synopsis: A man in a leather jacket stands indoors, holding a small child. The setting appears to be a cluttered room with shelves and patterned wallpaper.
2 people observed.
25:56Model synopsis: A child looks up at an adult whose hand is visible in frame. The setting is dimly lit and indistinct, suggesting an interior space.
2 people observed.
25:58Model synopsis: A man in a collared shirt holds a can in a dimly lit interior with shelves behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a leather jacket speaks to others in a shop while a child is held. The transcript includes a command to put the child down and a farewell in Spanish.
4 people observed.
“get her away from me.” 26:00 · “Put the kid down. Let's get out of here. Come on, Collins. Hasta luego, señores. Muchas gracias.” 26:05
Model synopsis: A man in a dark jacket holds a small child while speaking to another man in a leather jacket; the dialogue includes a blessing in Spanish. The setting appears to be an interior room with wooden furniture and a barred window.
3 people observed.
“Buena usted con Dios. What'd you say to her?” 26:15 · “You wouldn't understand what did you say to her?” 26:18
26:27Model synopsis: A man in a leather jacket is shown in a medium close-up inside a dimly lit room. No dialogue or action is visible in this single frame.
1 person observed.
26:29Model synopsis: A man stands behind a counter in a shop with shelves of goods behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
26:32Model synopsis: Two men stand inside a cluttered shop; one gestures while the other looks on. A third person is visible in the background behind a counter.
3 people observed.
26:59Model synopsis: A man in a car is asked if he lives in El Centro; he replies that he lives there sometimes and calls it a nice place. The car is parked near a building with a sign for wines and liquors.
2 people observed.
“Hey, mister. You live in El Centro?” 26:47 · “I live there sometime. Nice place, huh?” 26:50
27:27Model synopsis: A man is shown in profile inside a vehicle, looking forward. No dialogue or other actions are visible in this beat.
1 person observed.
27:34Model synopsis: A man grips a steering wheel inside a vehicle. No dialogue or on-screen text is present in this beat.
1 person observed.
27:38Model synopsis: A man is visible inside a vehicle, looking to his right with a serious expression. No dialogue or other events are recorded in this beat.
1 person observed.
27:42Model synopsis: A man in a leather jacket sits in a vehicle, holding a gun and looking out the window. The scene is shot in black and white with high-contrast lighting.
1 person observed.
30:04Model synopsis: Three men are seated outdoors at night, one holding a gun; one man recounts his past thefts and philosophy while another plans to sabotage a car radio. A news report reveals they are being sought in the Chocolate Mountains of Arizona.
Named: Bowen (t:28:05). 3 people observed.
“Where'd you get the watch, Bowen?” 28:05 · “Broken-down jewelry store in a little jerk town outside of Tulsa.” 28:49
32:34Model synopsis: Three men are inside a vehicle; one is driving while the others appear tense. A radio is being discussed, and one man insists on pulling over due to being disconnected.
3 people observed.
“I told you to turn the radio on. I did. Takes time to warm up.” 32:24 · “Try another station.” 32:32
Model synopsis: Two men stand by a car with its hood open in a rocky, mountainous area; one holds a gun while the other works under the hood. A third man is visible inside the car, and instructions are given to pull a radio wire.
Named: Collins (t:33:01). 3 people observed.
“Or raise the hood. Keep your hands on it.” 32:54 · “All right, Collins, get to work. Get the right one the first time.” 33:01
33:11Model synopsis: Three men are gathered around the open hood of a car in a rocky outdoor setting. One man holds the car's hood up while another leans into the engine compartment, and a third stands nearby observing.
3 people observed.
33:15Model synopsis: Two figures walk away from the camera on a dirt road flanked by large boulders and scrub brush. The sky is overcast, and no structures or vehicles are visible.
1 person observed.
Model synopsis: A man in a leather jacket works under the hood of a car while another man holds the hood up; a third man is visible nearby. Later, a man leads a horse along a rocky dirt road.
4 people observed.
“Faster, faster. I thought you were a mechanic.” 33:18 · “I'm going as fast as I can. The threads are frozen.” 33:18
33:28Model synopsis: A man in a leather jacket stands beside a car with its hood open, holding a pistol, with mountains in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Three men are gathered around a car with its hood open in a rocky, arid landscape; one man holds a gun while another watches. A third man walks away from the group toward a rocky outcrop.
4 people observed.
33:45Model synopsis: A man in a leather jacket stands beside a car in a desert landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
33:49Model synopsis: A man stands beside a parked car in a barren, mountainous landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
33:54Model synopsis: A man in a leather jacket stands beside a car in a barren, mountainous landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
34:06Model synopsis: A man stands beside a car with its door open in a rocky, mountainous area while another man is inside; a line is spoken about throwing tools in the back. The scene is outdoors with no indication of time of day or specific period.
2 people observed.
“Throw the tools in the back.” 34:00 · “*knock*” 34:07
Model synopsis: Three men are inside a vehicle; one attempts to operate the radio while another drives. The transcript indicates a request to make the radio work and a refusal to pull up.
3 people observed.
“The radio, remember? Make it work.” 34:18 · “I can't. Pull up.” 34:21
Model synopsis: Two men are inside a vehicle discussing radio static and a location, while another scene shows a man in uniform reviewing a map with a civilian. The transcript mentions a past event in Punta Prieta involving three Americans and a store owner named Jose Andrade.
4 people observed.
“So you did bust it, Collins.” 34:32 · “Cut it out! He didn't do it. It's the static in the hills.” 34:35
Model synopsis: Two men examine a map in an office; one in uniform points to a location while the other listens. A transcript mentions a green sedan, suspects named Collins and Bowen, and a route heading south away from highways.
2 people observed.
“Another witness stated that three men came out of the store and drove away in a green sedan” 35:02 · “bearing the same plate. This confirms our theory that Collins and Bowen are with them.” 35:09
35:44Model synopsis: A man crouches behind rocks in a desert landscape while another person is visible in the distance near a vehicle. Commands are given to extinguish a fire, retrieve coffee, and inspect a car with a flat tire.
2 people observed.
“Santa Rosalia, then Guamas.” 35:27 · “Make sure that fire's out. Pull the coffee out.” 35:34
36:05Model synopsis: Three men are shown outdoors near a rocky wall; one man is falling or being pushed while another reaches toward him. No dialogue or on-screen text is present in this beat.
3 people observed.
36:13Model synopsis: A rocky desert landscape is shown with a dirt path winding through it. No people or vehicles are visible in the single frame provided.
36:30Model synopsis: A man in a dark jacket walks through a narrow rock passage while another person follows; a voice commands urgency in driving. No names or specific locations are established.
3 people observed.
“Get a move on what are you trying to do record drive like I tell you I” 36:34
36:43Model synopsis: A car is parked on a dirt road in a rocky, arid landscape. No people are visible in the frame.
36:48Model synopsis: Three men are seated in a vehicle, viewed from behind, with a bright, indistinct landscape visible through the windshield. No dialogue or on-screen text is present in this beat.
3 people observed.
36:51Model synopsis: Three men are inside a vehicle; one drives, one sits in the front passenger seat, and one is in the back. The interior is dimly lit, and all three men appear tense.
3 people observed.
37:08Model synopsis: Three men stand beside a car in a desert landscape; one orders another to retrieve a spare tire and begin work. No names are spoken, and no interior or time-of-day cues are visible.
3 people observed.
“Out!” 36:59 · “What did I tell you? Shut up! Get that spare tire out and go to work. Move!” 37:05
37:27Model synopsis: A desert landscape with rocky outcrops and sparse shrubs is shown. No people or vehicles are visible in the frame.
Model synopsis: Three men are working on a car in a desert-like setting; one man stands over them while another approaches in a second vehicle. A voice instructs them to keep working and watching, and one man apologizes before a stranger greets them in English and asks if they are Americans.
7 people observed.
“You keep working.” 37:29 · “Keep your traps set no matter what. I'll be watching.” 37:30
38:19Model synopsis: A man stands beside a car near a 'STOP ENTERING' sign while a news report describes a manhunt for Gilbert Bowen, Roy Collins, and Emmett Myers. Helicopters and Mexican police are involved in the search from El Centro South to the Gulf of California.
1 person observed.
“The search for Gilbert Bowen and Roy Collins, now believed to have been last seen with Emmett Myers, mass killer, is being stepped up by the…” 38:03 · “Helicopters are working in ships, scouring the entire area from El Centro South to the Gulf of California. The planes are maintaining close…” 38:10
Model synopsis: Three men in uniform interact with two men in a car on a desert road; one uniformed man points to a map while another speaks with the driver. The transcript suggests they are investigating a sighting of two men on the road, possibly connected to a green or yellow car.
6 people observed.
“Did you see someone on the road?” 38:43 · “Yes, sir. We have a car. What's the name?” 38:44
Model synopsis: A man holds a photo of a man with a name tag; two men in uniform speak to a civilian near a police car in a rocky outdoor area. The dialogue includes questions about distance and permission to stay.
4 people observed.
“How many kilometers from here are you?” 39:17 · “Well, you will see.” 39:19
Model synopsis: A car is parked on a dusty road near a large rock formation. A person exits the vehicle, walks away, and is seen standing in the open landscape. A hand touches the ground near a dark patch.
1 person observed.
“I'm going to go.” 39:56
41:07Model synopsis: Three men are present at night near a vehicle; one is ordered to hold position, another breaks a lock, and a third reacts with distress after a dog is killed. The scene includes a street sign indicating 'E PELL' and a thud followed by cries for help.
3 people observed.
“I'm going to go.” 40:34 · “Hold it right there” 40:43
43:29Model synopsis: Three men are in a car at night; one is driving while the other two argue about splitting up. A radio broadcast is playing, discussing a man named Myers and two other men seen near El Arco, with authorities issuing false information to mislead him.
3 people observed.
“I found this ring with the gas pump and it has an inscription inside.” 42:11 · “When interrogated at the roadblock, the man and his wife were very definite in their statement that they only saw two men.” 42:31
45:23Model synopsis: A close-up of a man's face shows his eye and forehead; he appears distressed. The transcript includes exclamations and a line about trees across a runway.
1 person observed.
45:59Model synopsis: A close-up shows a person's foot in a dark shoe stepping on a paved surface. No other people, objects, or events are visible in this beat.
1 person observed.
46:23Model synopsis: A man forces another man into a car at night while shouting at him. The aggressor accuses the other of thinking he was asleep and says he dislikes his growing ideas.
2 people observed.
“Keep going!” 46:01 · “You guys are really dumb. Why, you dirty... Thought I was asleep, huh?” 46:17
46:50Model synopsis: A desert landscape with rocky formations and dust or smoke rising near the ground. No people or vehicles are visible in the single frame provided.
46:54Model synopsis: Three men are inside a vehicle; one drives, one sleeps in the front passenger seat, and one sits in the back. The scene is shot in black and white with tight framing on the occupants.
3 people observed.
47:05Model synopsis: A car is parked in a desert landscape. A voice commands someone to move over there.
“over there. Move.” 47:11
47:30Model synopsis: Two men stand near a wooden structure in a rocky, desert-like landscape. One is instructed to throw a rock down a shaft.
Named: Collins (t:47:39). 2 people observed.
47:49Model synopsis: Two men stand side by side in a barren outdoor setting. One wears a light jacket and looks down; the other, in a dark denim jacket, stares forward.
2 people observed.
47:55Model synopsis: A man in a leather jacket sits outdoors holding a pistol, with rocks and a wooden structure behind him. He speaks the line 'nice and deep.'
1 person observed.
“nice and deep.” 47:55
Model synopsis: Three men are in a rocky desert landscape; one is seen from behind, another speaks while holding a gun, and two stand together. One man is told to retrieve canned goods from a car.
4 people observed.
“This is fine.” 48:07 · “Cut it out if you're going to kill a steward and get it over with.” 48:09
Model synopsis: A man in a leather jacket stands in a rocky desert, holding a pistol. He speaks about having a meal, then looks down at the gun.
1 person observed.
“We'll have a real good meal.” 48:19 · “I'm” 48:31
48:47Model synopsis: Three men are in a desert landscape near a vehicle and a wooden structure; one says he is going to leave. No names are spoken, and the setting is outdoors with bright lighting.
3 people observed.
“Oh, my God.” 48:40 · “I'm going to go.” 48:50
48:58Model synopsis: A man sits on a wooden structure in a rocky, arid landscape holding a small object and a pistol. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men sit outdoors in a rocky, arid landscape; one speaks while holding a small object and a gun. The dialogue suggests a tense interaction about items being saved for another person.
2 people observed.
“Save them for the next guy that picks you up.” 49:00 · “Anything you say.” 49:05
Model synopsis: Two men are seated outdoors in a rocky, arid landscape while a radio broadcast reports that police have changed their theory about a fugitive. One man reacts to the news by altering his plans and suggesting they go fishing.
2 people observed.
“We interrupt this hour of music to bring you a flash full of...” 49:08 · “They have been missing since last Sunday night. Supposedly on a fishing trip.” 49:18
Model synopsis: Two men are in a desert landscape near a vehicle; one holds a gun and orders the other to stand, while the other reacts to a damaged car engine. The transcript indicates a confrontation over the car's condition, with one man discovering a hole in the crankcase.
2 people observed.
“On your feet.” 49:52 · “We're not going anyplace.” 49:57
Flagged: visible event not seen (Man p1 looks sternly while holding the gun.)
Model synopsis: Two men are shown in a desert setting near a vehicle; one holds a gun and speaks to the other, who is seated against a wall. The dialogue suggests a forced walk is being ordered due to an injury.
Named: Collins (t:50:25). 2 people observed.
“All right?” 50:21 · “We'll walk.” 50:22
Model synopsis: A man holding a pistol stands in a desert while two other men sit on the ground nearby. One of the seated men is told to get up, and another says he is going to leave.
3 people observed.
“I'm going to go.” 50:32 · “Get up!” 50:36
50:55Model synopsis: Three men are outside a car in a desert landscape; one is leaning into the car while another stands behind him, and a third is visible further back. A voice commands someone to retrieve fishing gear from the back of the car.
3 people observed.
Model synopsis: Three men are shown in a desert landscape, one holding a rifle; later, one man is seated on the ground while two others lie prone. The transcript includes commands and a threat.
6 people observed.
“stay with it can never leave you out here alive yeah cut the gap” 51:18 · “Get down!” 51:31
51:52Model synopsis: Three men are in a desert landscape; one stands holding a rifle while two others attend to a seated man. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Three men are shown in a desert setting during a tense conversation. One man is told they may have to leave him behind, to which he responds with resignation.
3 people observed.
“Maybe we'll have to leave you here” 51:56 · “Too bad.” 52:00
Model synopsis: Two men are in a desert; one restrains the other from behind. The scene cuts to a shot of shadows on cracked earth. No names are spoken in the transcript for these frames.
2 people observed.
“Come on, Roy, try.” 52:06 · “I'm going to go.” 52:11
Model synopsis: Two men are shown in a rocky, outdoor setting; one is lying on the ground while the other is wedged between rocks. One man shouts for attention from above, as if trying to be seen from a distance.
2 people observed.
“There we are! Here we are! Can't you see us? Look, here we are! Down here! Oh, please,” 52:50
Model synopsis: A man runs through a rocky desert landscape, then collapses to the ground while holding a rifle. Another man is visible on a rock formation above, shouting for him to come back.
2 people observed.
“Hear me! Hear me!” 53:20 · “Come back! Come back!” 53:25
53:33Model synopsis: A man in a light shirt and dark trousers sits slumped against a rock in a desert-like environment. No dialogue or on-screen text is present in this beat.
1 person observed.
53:38Model synopsis: A man lies on rocky ground holding a pistol; a voice tells someone to leave him alone because he is praying. No named characters appear, and the setting is outdoors with no clear time of day.
2 people observed.
Model synopsis: A police officer stands beside a car in a desert landscape, holding a pistol. Another car is visible nearby, and the officer appears to be preparing to leave or take action.
1 person observed.
“Come on.” 53:50 · “I'm going to go.” 54:20
Model synopsis: A car drives through a desert landscape while a voice urges someone to get under a bridge. A wooden structure with a metal lever is shown next to a large rock.
1 person observed.
“Get under the bridge, quick!” 54:49 · “I'm going to go.” 54:50
Model synopsis: A man is seen under a wooden bridge near water, while a jeep with two men drives across the bridge. The transcript contains a single line: 'I'm going to go.'
3 people observed.
“I'm going to go.” 55:06
55:24Model synopsis: A man stands in shallow water under a wooden structure, holding a rifle. He speaks briefly, apologizing after an exclamation.
1 person observed.
Model synopsis: A man in a leather jacket sits against a wooden post in a rustic outdoor setting, holding a pistol. Another man is seen crouching nearby, washing his hands in a puddle, while dialogue suggests reluctance or discomfort.
2 people observed.
“Go ahead if you can stand the filthy.” 55:36 · “I'm not sure.” 55:40
Model synopsis: Two men are shown in alternating close-ups in a rustic wooden structure; one wears a plaid shirt under a jacket, the other a leather jacket. Dialogue references a person named Collins and a resemblance to Emmet Meyer, with a suggestion to change clothes.
2 people observed.
“You know Collins?” 55:55 · “Pushing a black shirt and dark pants.” 55:59
56:20Model synopsis: A man in a plaid shirt and jacket leans against a wooden structure, looking off-camera with a serious expression. No dialogue or other actions are visible or audible in this beat.
1 person observed.
56:22Model synopsis: A man in a dark jacket crouches behind a tree in a wooded area. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a plaid shirt and jacket is shown in a wooden structure, then holding a gun; two men are later seen walking away on a dirt path. A voice commands someone to get up and remove clothes, then says 'I'm going to go' and 'Come on get up'.
5 people observed.
“Get up in the bank and take your clothes off.” 56:25 · “I'm going to go.” 56:27
57:30Model synopsis: A man in a uniform is visible inside a vehicle, and a voice commands him to get out. The scene is shot from outside the car, focusing on the man through the window.
1 person observed.
“Get out of there!” 57:27
57:35Model synopsis: A wide shot shows a barren, shrub-filled landscape with distant hills and a few buildings on the horizon. No people or moving objects are visible in the single frame provided.
57:49Model synopsis: Three men walk across a desert landscape under bright daylight. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Three men stand in a desert landscape, then face forward with one holding a rifle. They are spoken to by someone off-screen who warns them about police and suggests buying beer at a roadside stop.
4 people observed.
“Looks great, doesn't it?” 58:05 · “You won't be there long. Collins!” 58:06
Model synopsis: Two men sit at a table in a dim interior while a third man, wearing a cap, speaks. One seated man is told to rest his foot; another is instructed to ask about a ferry, which is claimed to be burned and under repair. A fourth man is shown in close-up, looking tense.
4 people observed.
“Rest your sore foot.” 58:51 · “You can talk it now. Ask him about the ferry to Guimas.” 58:57
Model synopsis: Three men are in a bar; one speaks Spanish and directs two others to follow him to meet a cousin who speaks English. Later, they sit at a table where one man asks about fishing near Guaymas and whether anyone has a motorboat.
Named: José (t:59:44). 6 people observed.
“- You don't speak English? - No, but my first Jose is...” 59:44 · “Venga conmigo. He says he has a cousin who speaks English. Follow him.” 59:48
Model synopsis: A man in a striped shirt sits at a table with a glass; another man in a cap and jacket stands nearby; a third scene shows three men in a dim room, one seated at a table. The transcript contains Spanish dialogue mentioning a friend named Jaime and a boat, but no names are assigned to the visible individuals.
5 people observed.
“Mi amigo Jaime, tiene una.” 60:39 · “¿Cómo se ha llegado a este Jaime?” 60:42
Model synopsis: Two men are seated indoors, one with a glass and money on the table, the other holding a bottle. They are speaking in Spanish, discussing payment, a beer at 8:30, and a place called Estrella.
2 people observed.
“¡Chicos!” 61:09 · “¡Given los dos!” 61:10
Model synopsis: A man in a cap holds a weapon indoors while two men walk on a rocky beach outdoors. The transcript contains repeated Spanish phrases including 'Gracias' and '¡Alejame un minuto!'
3 people observed.
“¡Gracias!” 62:01 · “Gracias.” 62:03
Model synopsis: Two men are crouched among rocks in a dry riverbed; one speaks Spanish phrases and the other suggests going fishing. No names are spoken, and the setting appears to be outdoors during daylight.
2 people observed.
“Gracias.” 62:23 · “¡Gracias!” 62:24
Model synopsis: A man in light clothing sits on rocks holding a pistol while two other men crouch nearby on a rocky ground. The transcript includes Spanish dialogue and a call to subscribe, suggesting an edited or dubbed version of the film.
3 people observed.
“Eso es lo que te quedaste aquí, ¿no?” 62:52 · “Gracias.” 62:56
1:03:22Model synopsis: A man in a cap and jacket holds a pistol while speaking. He mentions going to Guaymas tomorrow and expresses regret that someone is not joining him for the whole trip.
1 person observed.
“Ya, mañana voy a Guaymas.” 63:17 · “Too bad you're not making the whole trip with me.” 63:21
Model synopsis: A man in a dark jacket crouches on a rocky shore while another man in a cap and collared shirt looks on. Spanish dialogue is spoken, including threats and references to clothing and a place called Guaymas.
2 people observed.
“¡No te lo pegas, Myers!” 63:33 · “¡Just like your clothes!” 63:37
Model synopsis: A man in a dark jacket is seen crouching on a rocky shore and later standing in darkness near a wooden structure. The transcript includes repeated thanks, a call to police, and references to a character named Carlos and a ship named Memiu Jaime.
2 people observed.
“¡Has mejor que se sienta!” 63:51 · “¡Pronto, llámenle a la policía! ¡Este hombre estaba en la cantina de mi primo!” 64:17
Model synopsis: A man in a uniform is shown in close-up, followed by a dark shot of another man, then the uniformed man facing a second person. The transcript includes Spanish commands and refusals.
3 people observed.
“and walk this way” 68:54 · “Lo que le dice, Myers.” 68:58
1:10:17Model synopsis: Two men stand close in a dimly lit interior, one speaking to the other. The transcript includes Spanish phrases and a mention of a church, but no names are spoken that can be assigned to the visible individuals.
2 people observed.
“I'm sorry” 70:00 · “¡Nos tenemos que tener un vuelo de barco!” 70:03
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as es. 650 segments kept, 252 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
By the average clip vector of the keyframes; a measurement, not a judgement
Meet John Doe 
The Most Dangerous Game 
Love Affair 
Bird of Paradise 
West of the Divide 
Quicksand 
Queen of the Amazons