Public Reel

West of the Divide (1934)

No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4689 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Poster for West of the Divide
Copy
west_of_the_divide on the Internet Archive; released 1934
Read
361 shots over 53:24 · 233 beats in 153 sequences · 621 transcript lines · JSON
Record
West of the Divide No renewal found
Poster
Wikimedia Commons, public domain
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Lands on the beat covering that second.
153 sequences; each is also a heading below.
How this page was made

361 shots over 53:24, read from the Internet Archive copy west_of_the_divide (west_of_the_divide.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: West of the Divide No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 361 shots judged colour), average shot 8.9s long, a frontal face detected in 19% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1934 (Internet Archive).

233 beats in 153 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 233 of 233 beats annotated, 230 passed the checks, 3 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:30, shot 00:30
1 of 1 shots sampled

1. Beat 1

0:00–1:00 Machine checks passed

Model synopsis: The beat shows a title card for a Paul Malvern production, listing credits for story, photography, technical direction, recording, and editing. No people, actions, or dialogue are present.

Evidence, details and a link to share

Sequence 2 from 1:00

Frame at 1:05, shot 11:05
1 of 1 shots sampled

2. Field

1:00–1:11 Machine checks passed

Model synopsis: A person sits on the ground under a tree with a horse nearby in an open field. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 3 from 1:11

Frame at 1:24, shot 21:24
1 of 1 shots sampled

3. Forest

1:11–1:37 Machine checks passed (partial)

Model synopsis: Two men sit outdoors at night, one holding a bottle, as they recall a violent event from twelve years earlier. The dialogue references a ridge, a gap, and a night of gunshots and shouts.

  • Two men sit together outdoors at night. [frame:1]

Named: Dusty (t:1:35). 2 people observed.

“I remember that ridge over there. Yeah.” 1:20 · “That one lies right over there in that big gap.” 1:24

Evidence, details and a link to share

Sequence 4 from 1:37

Frame at 2:50, shot 102:50Frame at 3:00, shot 113:00Frame at 3:15, shot 123:15Frame at 3:28, shot 133:28
4 of 4 shots sampled

7. Field

2:47–3:34 Machine checks passed (partial)

Model synopsis: Two men are seated outdoors discussing a past event involving a hired man, his wife, and a child named Jim. One man, wearing a cowboy hat, recounts family history while the other listens; they plan to investigate in town the next day.

  • Two men are seated together outdoors, engaged in conversation. [frame:4]

2 people observed.

“We did learn, however, that your dad had a hired man and his wife. I remember.” 2:50 · “My mother died when Jim was born.” 3:00

Evidence, details and a link to share

Sequence 5 from 3:34

Frame at 3:37, shot 143:37
1 of 1 shots sampled

8. Field

3:34–3:40 Machine checks passed (partial)

Model synopsis: A person walks through a field with hills and trees in the background. The scene is outdoors in natural daylight, with foliage framing the shot.

  • A person walks through a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 3:41, shot 153:41Frame at 3:45, shot 163:45
2 of 2 shots sampled

9. Field

3:40–3:49 Machine checks passed (partial)

Model synopsis: Two men sit outdoors as one speaks to another named Dusty; a third man walks across a field in daylight. No names are assigned to the seated men beyond what is spoken.

  • A man walks across a field toward the camera. [frame:2]

Named: Dusty (t:3:41). 3 people observed.

“Hey, Dusty.” 3:41

Evidence, details and a link to share

Sequence 6 from 3:49

Frame at 3:50, shot 173:50
1 of 1 shots sampled

10. Forest

3:49–3:51 Machine checks passed

Model synopsis: Two men are on the ground in a wooded outdoor area; one is reaching out while the other kneels beside him. A horse is visible behind them.

2 people observed.

Evidence, details and a link to share

Sequence 7 from 3:51

Frame at 3:52, shot 183:52
1 of 1 shots sampled

11. Field

3:51–3:53 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats and dark clothing walk side by side outdoors in a natural setting with trees and grass. One man gestures with his right hand while walking.

  • two men walk side by side outdoors [frame:1]
  • one man gestures with his right hand [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 8 from 3:53

Frame at 4:12, shot 204:12
1 of 1 shots sampled

13. Field

4:08–4:15 Machine checks passed (partial)

Model synopsis: A person lies face down on dry ground, wearing a cowboy hat and a belt with cartridges. The scene is outdoors, with another person's boots visible nearby.

  • A person lies motionless on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 9 from 4:15

Frame at 4:23, shot 214:23
1 of 1 shots sampled

14. Field

4:15–4:32 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats kneel beside a third man lying on the ground in an open field. No dialogue or on-screen text is present in this beat.

  • Two men kneel beside a third man lying on the ground. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 4:35, shot 224:35
1 of 1 shots sampled

15. Field

4:32–4:38 Machine checks passed

Model synopsis: Two men in cowboy hats stand facing each other in a grassy field with trees and hills in the background. One man has a holster on his hip; the other wears a vest and a bandana.

2 people observed.

Evidence, details and a link to share

Sequence 10 from 5:20

Frame at 5:28, shot 245:28
1 of 1 shots sampled

17. Other

5:20–5:36 Machine checks passed

Model synopsis: A wanted poster for Gat Ganns is displayed, offering a $5,000 reward for his capture dead or alive for the murder of John Ogilvie. The poster includes a photograph and physical description of Ganns and is issued by Sheriff Parsons.

Evidence, details and a link to share

Sequence 11 from 5:36

Sequence 12 from 5:48

Frame at 5:59, shot 265:59
1 of 1 shots sampled

19. Other

5:48–6:11 Machine checks passed

Model synopsis: A man in a cowboy hat speaks outdoors, declaring himself 'Gat Gann, murderer' while another character addresses 'Mr. Gentry' about rejecting a ranch offer. The setting appears to be outdoors with trees in the background.

Named: Gat Gann (t:5:57), Mr. Gentry (t:6:05). 2 people observed.

“I'm Gat Gann.” 5:57 · “Murderer.” 5:59

Evidence, details and a link to share

Sequence 13 from 6:11

Sequence 14 from 6:36

Frame at 6:41, shot 296:41
1 of 1 shots sampled

21. Living room

6:36–6:45 Machine checks passed

Model synopsis: A man and a woman stand near a table in a rustic room with a stone fireplace; another man sits in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 15 from 6:45

Frame at 6:47, shot 306:47
1 of 1 shots sampled

22. Private office

6:45–6:50 Machine checks passed (partial)

Model synopsis: A seated man in a suit speaks to a standing older man in suspenders inside a rustic wooden room; the standing man responds. The setting appears to be a private interior space with simple furnishings.

  • A man seated at a table speaks to a standing man. [frame:1]

Named: Mr. Gentry (t:6:45). 2 people observed.

“Excuse me just a moment, Mr. Gentry.” 6:45 · “Go ahead.” 6:47

Evidence, details and a link to share

Sequence 16 from 6:50

Frame at 6:55, shot 316:55
1 of 1 shots sampled

23. Private office

6:50–6:59 Machine checks passed (partial)

Model synopsis: Two men stand in a wooden room while a woman sits at a desk; one man is addressed as Mr. Murphy. The transcript confirms they are discussing that 'they're on their way.'

  • Two men stand facing each other while a woman sits at a desk writing. [frame:1]

Named: Mr. Murphy (t:6:55). 3 people observed.

“Everything, Jacob, all right, Mr. Murphy? Everything's right. They're on their way.” 6:55

Evidence, details and a link to share

Frame at 7:05, shot 327:05
1 of 1 shots sampled

24. Private office

6:59–7:10 Machine checks passed

Model synopsis: A man in a suit speaks to a seated woman at a desk while an older man stands nearby in a room with bookshelves. The transcript includes a line addressed to 'Miss Wendish'.

  • A man in a suit speaks to a seated woman at a desk while an older man stands nearby. [frame:1]

Named: Miss Wendish (t:7:05). 3 people observed.

“I think you'll find that's right, Miss Wendish.” 7:05

Evidence, details and a link to share

Sequence 17 from 7:10

Frame at 7:11, shot 337:11Frame at 7:15, shot 347:15Frame at 7:18, shot 357:18Frame at 7:25, shot 367:25
4 of 4 shots sampled

25. Private office

7:10–7:31 Machine checks passed (partial)

Model synopsis: A woman in a checkered dress and a man in a suit are shown in an interior room with wooden furniture; the woman is handling papers and later reaches into a bookcase. Dialogue mentions Mr. Hornby, Mr. Jansman, and Miss Winters, and references a bank and two-year-olds.

  • A woman looks down at papers in her hands. [frame:1]
  • A man in a suit gestures with his right hand. [frame:2]
  • The woman looks up and speaks. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“That's quite right. Thank you so much, Mr. Hornby.” 7:13 · “Too late for the bank now, Dad. I'll have to deposit this first thing in the morning.” 7:16

Evidence, details and a link to share

Sequence 18 from 7:57

Frame at 8:04, shot 388:04
1 of 1 shots sampled

27. Field

7:57–8:11 Machine checks passed

Model synopsis: A person stands beside a horse at a wooden fence in an outdoor setting. The scene is shot in black and white with natural lighting and includes trees and a fence.

1 person observed.

Evidence, details and a link to share

Frame at 8:18, shot 398:18
1 of 1 shots sampled

28. Field

8:11–8:25 Machine checks passed

Model synopsis: A horse stands near a wooden fence in an outdoor setting with trees. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 19 from 8:25

Frame at 8:27, shot 408:27Frame at 8:34, shot 418:34Frame at 8:42, shot 428:42Frame at 8:55, shot 438:55
4 of 4 shots sampled

29. Porch

8:25–9:05 Machine checks passed (partial)

Model synopsis: A group of men on a wooden porch discuss forcing a sale of a ranch and plan to intercept a woman carrying money. One man, addressed as Chief, gives orders while another, Beth, is seen briefly in a darkened interior.

  • Men gather on a porch and greet each other. [frame:1]
  • A man leans on a railing while speaking to others. [frame:2]
  • A man in a cowboy hat is shown in close-up. [frame:3]
  • 1 more under Evidence and details.

Named: Chief (t:8:27), Beth (t:8:58). 5 people observed.

“- See them to the boys. - Hello, Chief. - Hi, Chief. - All right, boys.” 8:27 · “Winters refuses to sell.” 8:32

Evidence, details and a link to share

Sequence 20 from 9:05

Frame at 9:06, shot 449:06Frame at 9:09, shot 459:09Frame at 9:12, shot 469:12
3 of 3 shots sampled

30. Field

9:05–9:14 Machine checks passed (partial)

Model synopsis: Two men on horseback are shown in conversation, followed by one man riding away across open terrain. The transcript contains only hesitant dialogue with no names or specific events mentioned.

  • Two men on horseback are facing each other in conversation. [frame:1]
  • One man rides a horse across open ground. [frame:2]
  • The same man continues riding away from the camera across terrain with trees and hills. [frame:3]

3 people observed.

“Okay.” 9:07 · “I'm not sure.” 9:07

Evidence, details and a link to share

Frame at 9:18, shot 479:18Frame at 9:24, shot 489:24Frame at 9:26, shot 499:26Frame at 9:31, shot 509:31
4 of 4 shots sampled

31. Field

9:14–9:34 Machine checks passed (partial)

Model synopsis: Two riders on horseback are shown moving across an open, dusty field with trees and hills in the background. One rider speaks about leaving, while another expresses uncertainty.

  • A rider on horseback moves across a dusty field. [frame:1]
  • A rider in a light shirt and hat rides a horse at a gallop. [frame:2]
  • Two riders on horseback are shown close together in a field. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“I'm going to go.” 9:18 · “I'm not sure.” 9:32

Evidence, details and a link to share

Frame at 9:36, shot 519:36Frame at 9:42, shot 549:42Frame at 9:49, shot 579:49Frame at 9:55, shot 609:55
4 of 10 shots sampled

32. Field

9:34–9:56 Machine checks passed (partial)

Model synopsis: A person on horseback is shown in a field with hills in the background, followed by two riders on a dusty trail. The transcript contains a single line indicating an intention to leave.

  • A person on horseback is shown in a field. [frame:1]
  • Two riders are shown on a dusty trail. [frame:3]

3 people observed.

“I'm going to go.” 9:34

Evidence, details and a link to share

Frame at 10:00, shot 6110:00Frame at 10:07, shot 6310:07Frame at 10:12, shot 6410:12Frame at 10:17, shot 6610:17
4 of 6 shots sampled

33. Road

9:56–10:18 Machine checks flagged: visible event not seen

Model synopsis: Two men on horseback ride along a dirt road in a rural landscape; one man reaches toward the other as they ride. The scene ends with a shot of the empty road after they have passed, kicking up dust.

  • Two men on horseback ride along a dirt road. [frame:1]
  • The two men ride side by side, close together. [frame:2]
  • One man reaches out toward the other while riding. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“I don't know.” 10:00

Flagged: visible event not seen (The two men ride side by side, close together.)

Evidence, details and a link to share

Frame at 10:19, shot 6710:19Frame at 10:23, shot 6810:23
2 of 2 shots sampled

34. Field

10:18–10:25 Machine checks passed (partial)

Model synopsis: A person on horseback rides across open terrain while another person kneels on the ground near a standing man in a cowboy hat. The transcript suggests a missed opportunity to capture someone, with the speaker asserting it is not too late.

  • A person rides a horse across open terrain. [frame:1]
  • A man in a cowboy hat stands over a kneeling person. [frame:2]

3 people observed.

“If you hadn't a missed her, I'd have got her. Well, it ain't too late yet.” 10:21

Evidence, details and a link to share

Frame at 10:28, shot 6910:28
1 of 1 shots sampled

35. Field

10:25–10:31 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across an open field with hills and trees in the background. No dialogue or on-screen text is present in this beat.

  • A rider on horseback moves across a field, kicking up dust. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 10:34, shot 7010:34
1 of 1 shots sampled

36. Field

10:31–10:37 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat stands beside a saddled horse in an open field. The background shows distant hills and sparse trees under bright daylight.

  • A person stands next to a saddled horse in a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 10:38, shot 7110:38Frame at 10:42, shot 7210:42Frame at 10:48, shot 7310:48
3 of 3 shots sampled

37. Field

10:37–10:51 Machine checks passed (partial)

Model synopsis: A person rides a horse across a hilly, wooded landscape. The rider is seen from multiple angles as they move through the terrain, and the transcript indicates they are announcing their departure.

  • A person on horseback begins to ride away. [frame:1]
  • The rider continues moving through a wooded area. [frame:2]
  • The rider gallops across open terrain with hills in the background. [frame:3]

1 person observed.

“I'm going to go.” 10:38 · “I'm going to go.” 10:41

Evidence, details and a link to share

Frame at 10:54, shot 7410:54
1 of 1 shots sampled

38. Field

10:51–10:57 Machine checks passed (partial)

Model synopsis: A person rides a horse past a large tree in an open landscape. No dialogue or on-screen text is present in this beat.

  • A person rides a horse past a large tree. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 11:01, shot 7511:01
1 of 1 shots sampled

39. Field

10:57–11:05 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across an open, dusty field with trees and hills in the background. No dialogue or on-screen text is present in this beat.

  • Two riders on horseback gallop across a dusty field. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 11:06, shot 7611:06Frame at 11:10, shot 7711:10
2 of 2 shots sampled

40. Field

11:05–11:11 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, dusty landscape. The rider is visible in two frames, moving from left to right across the scene.

  • a person rides a horse across a dusty field [frame:1]
  • the horse and rider continue moving right across the field [frame:2]

1 person observed.

Evidence, details and a link to share

Frame at 11:16, shot 7811:16Frame at 11:20, shot 7911:20Frame at 11:22, shot 8011:22
3 of 3 shots sampled

41. Field

11:11–11:23 Machine checks passed (partial)

Model synopsis: A person in cowboy attire is shown kneeling and then standing on a dirt path in a brushy, open landscape. No names, dialogue, or specific events are mentioned in the transcript for this beat.

  • person is kneeling on one knee on a dirt path [frame:1]
  • person is standing upright on the dirt path [frame:3]

1 person observed.

“*thud*” 11:20

Evidence, details and a link to share

Sequence 21 from 11:23

Frame at 11:26, shot 8111:26
1 of 1 shots sampled

42. Other

11:23–11:28 Machine checks passed

Model synopsis: A person stands beside a wooden building under a tree, casting shadows. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 22 from 11:28

Frame at 11:30, shot 8211:30
1 of 1 shots sampled

43. Other

11:28–11:32 Machine checks passed

Model synopsis: A person in a hat and shirt stands in a dimly lit wooden interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 23 from 11:32

Sequence 24 from 11:55

Frame at 12:00, shot 8412:00
1 of 1 shots sampled

45. Other

11:55–12:04 Machine checks passed

Model synopsis: A single dark frame shows a shadowy interior with indistinct shapes and a faintly visible object on a shelf. No people, text, or clear actions are visible in this beat.

Evidence, details and a link to share

Frame at 12:07, shot 8512:07Frame at 12:11, shot 8612:11Frame at 12:15, shot 8712:15Frame at 12:19, shot 8812:19
4 of 4 shots sampled

46. Field

12:04–12:20 Machine checks passed (partial)

Model synopsis: A man is seen lying on the ground outdoors holding a gun, while another man lies motionless on a bed inside a wooden room. A voice shouts for the man with the gun to drop it, and he responds that he is not sure.

  • A man lies on the ground outdoors holding a gun. [frame:1]
  • A man lies motionless on a bed in a wooden room. [frame:2]
  • The man on the ground raises the gun slightly. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Drop that gun! Are you going crazy?” 12:08 · “I'm not sure.” 12:17

Evidence, details and a link to share

Sequence 25 from 12:20

Sequence 26 from 12:22

Frame at 12:24, shot 9012:24
1 of 1 shots sampled

48. Wooden room

12:22–12:26 Machine checks passed (partial)

Model synopsis: A person lies face down on a mattress in a wooden-walled room. The scene is dimly lit and appears to be indoors.

  • a person lies motionless face down on a mattress [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 27 from 12:26

Frame at 12:30, shot 9112:30Frame at 12:39, shot 9212:39
2 of 2 shots sampled

49. Field

12:26–12:43 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat stands over another man who is sitting on the ground, then both stand facing each other holding guns. The transcript includes dialogue urging someone to calm down and to get in a saddle to tell the chiefs.

  • A man in a cowboy hat stands over another man sitting on the ground. [frame:1]
  • Both men are standing, facing each other, each holding a gun. [frame:2]

2 people observed.

“Cool down now before I stop here.” 12:31 · “Go on, try it, you pink-eyed weasel.” 12:33

Evidence, details and a link to share

Sequence 28 from 12:43

Frame at 12:48, shot 9312:48
1 of 1 shots sampled

50. Other

12:43–12:52 Machine checks passed (partial)

Model synopsis: A man stands near a horse in a dusty outdoor setting with trees and a wooden structure. The scene is lit from behind, creating silhouettes and dust motes in the air.

  • A man stands beside a horse in a dusty outdoor area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 12:54, shot 9412:54
1 of 1 shots sampled

51. Field

12:52–12:56 Machine checks passed (partial)

Model synopsis: Two riders on horseback are seen outdoors with a pack animal nearby. The setting is rural with trees and open ground, captured in a single shot.

  • Two people ride horses across open ground with a pack animal nearby. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 12:58, shot 9512:58
1 of 1 shots sampled

52. Field

12:56–12:59 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across an open field with trees and mountains in the background. No dialogue or on-screen text is present in this beat.

  • Two people ride horses across a field. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 13:00, shot 9613:00Frame at 13:03, shot 9713:03Frame at 13:07, shot 9813:07
3 of 3 shots sampled

53. Field

12:59–13:10 Machine checks passed (partial)

Model synopsis: Two riders on horseback move quickly across an open, hilly landscape; one rider trails a rope attached to a second horse. A line of dialogue notes their haste, followed by a sound effect of a thud.

  • Two riders on horseback are moving across a field. [frame:1]
  • The riders continue moving quickly, with one trailing a rope attached to a second horse. [frame:2]
  • The rider on the dark horse holds a long rope attached to a white horse. [frame:3]

2 people observed.

“Them fellas are sure in a hurry.” 13:00 · “*thud*” 13:02

Evidence, details and a link to share

Frame at 13:12, shot 9913:12
1 of 1 shots sampled

54. Field

13:10–13:13 Machine checks passed

Model synopsis: A person rides a horse at speed across an open, dusty terrain. The rider wears a wide-brimmed hat and dark clothing, and the horse kicks up dust as it moves.

  • A person rides a horse at speed across dusty ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 29 from 13:13

Sequence 30 from 13:34

Frame at 13:37, shot 10113:37
1 of 1 shots sampled

56. Private office

13:34–13:41 Machine checks passed

Model synopsis: Two men in cowboy hats stand inside a wooden structure; one faces the camera while the other has his back turned. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 31 from 13:56

Frame at 13:57, shot 10313:57
1 of 1 shots sampled

58. Other

13:56–13:57 Machine checks passed

Model synopsis: A dark, irregularly shaped hole is visible in a light-colored, textured surface. No people, objects, or text are identifiable in the frame.

Evidence, details and a link to share

Sequence 32 from 13:57

Frame at 14:09, shot 10414:09
1 of 1 shots sampled

59. Private office

13:57–14:20 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and dark shirt stands inside a wooden structure, looking upward. Someone off-screen calls out 'Nathan!' and urges him to come up quickly.

  • A man in a cowboy hat stands inside a wooden room, looking up. [frame:1]

Named: Nathan (t:14:07). 2 people observed.

“Right.” 14:00 · “Nathan!” 14:07

Evidence, details and a link to share

Sequence 33 from 14:20

Frame at 14:47, shot 10514:47
1 of 1 shots sampled

60. Private office

14:20–15:14 Machine checks passed (partial)

Model synopsis: A woman lies injured on a bed while two men and a doctor attend to her; dialogue indicates she was found outside of town after a fall from her horse. One man is addressed as Sean, and another as Tuffy; the doctor assesses a bullet hole and a severed artery but deems the injury not very serious.

  • A woman lies injured on a bed while two men and a doctor attend to her. [frame:1]

Named: Sean (t:14:22), Tuffy (t:14:35). 4 people observed.

“Hey, Sean.” 14:22 · “Bullet hole.” 14:24

Evidence, details and a link to share

Sequence 34 from 15:14

Frame at 15:20, shot 10615:20
1 of 1 shots sampled

61. Other

15:14–15:27 Machine checks passed

Model synopsis: Two men in cowboy attire stand outside a wooden building; one hands money to the other while speaking about depositing it and meeting at a shack. No names are spoken, and no on-screen text is visible.

  • One man hands money to another. [frame:1]

2 people observed.

“Listen, I hadn't better be seen around here, so you take this money down and deposit it for her.” 15:18 · “And I'll meet you at the shack.” 15:22

Evidence, details and a link to share

Sequence 35 from 15:41

Sequence 36 from 15:55

Frame at 15:56, shot 10915:56
1 of 1 shots sampled

64. Switchboard room

15:55–15:57 Machine checks passed (partial)

Model synopsis: An older man with white hair is shown in profile, operating a large, vintage telephone switchboard. The setting appears to be an interior room with wooden walls and equipment.

  • A man operates a switchboard by inserting a plug into a jack. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 37 from 15:57

Frame at 16:14, shot 11016:14
1 of 1 shots sampled

65. Private office

15:57–16:32 Machine checks passed (partial)

Model synopsis: A man lies injured on a bed while another man, identified as Dr. Shillsby, tends to him. The injured man expresses gratitude but notes that $3,000 he was carrying has disappeared.

  • Dr. Shillsby tends to an injured man lying on a bed. [frame:1]

Named: Dr. Shillsby (t:16:02). 2 people observed.

“the men that brought me in, Dr. Shillsby.” 16:02 · “They said they were prospectors.” 16:05

Evidence, details and a link to share

Sequence 38 from 16:32

Frame at 16:37, shot 11116:37Frame at 16:47, shot 11216:47
2 of 2 shots sampled

66. Sidewalk

16:32–16:51 Machine checks passed (partial)

Model synopsis: Two men in cowboy attire speak with a man in a suit outdoors; one of the cowboys identifies himself as Jandry and mentions being sent by Phil. The setting appears to be a shaded outdoor area with trees and a paved surface.

  • Two men in cowboy attire stand facing a man in a suit. [frame:1]
  • The man in the suit holds a paper and speaks to the cowboys. [frame:2]

Named: Jandry (t:16:40). 3 people observed.

“Your name is Entry?” 16:38 · “Yeah, I'm Jandry.” 16:40

Evidence, details and a link to share

Sequence 39 from 16:51

Frame at 16:54, shot 11316:54
1 of 1 shots sampled

67. Other

16:51–16:56 Machine checks passed (partial)

Model synopsis: A wanted poster for Gat Ganns is displayed, offering a $5,000 reward for his capture dead or alive. The poster states he is wanted for the murder of John Ogden in Rio Blanca on October 19th.

  • A wanted poster for Gat Ganns is shown, offering a $5,000 reward for his capture. [frame:1]

Named: Gat Ganns (frame:1). 1 person observed.

Evidence, details and a link to share

Sequence 40 from 16:56

Frame at 17:00, shot 11417:00Frame at 17:08, shot 11517:08Frame at 17:26, shot 11617:26
3 of 3 shots sampled

68. Outdoor shaded area

16:56–17:39 Machine checks passed (partial)

Model synopsis: Three men stand outdoors discussing a job involving gun-throwing and making someone disappear; one man introduces his friend Dusty while another holds papers. The setting appears to be a shaded outdoor area with trees and stone walls.

  • Three men stand together outdoors, one holding papers. [frame:1]
  • Two men in cowboy hats smile and speak to each other. [frame:2]
  • The man in the suit crosses his arms while listening. [frame:3]

Named: Dusty (t:17:07). 3 people observed.

“So you've got guns, huh?” 17:02 · “This is my friend Dusty.” 17:07

Evidence, details and a link to share

Sequence 41 from 17:39

Frame at 17:51, shot 11717:51
1 of 1 shots sampled

69. Farm

17:39–18:02 Machine checks passed

Model synopsis: A man in a cowboy hat stands beside a dark horse near a wooden fence, with a white horse nearby. The scene is outdoors in daylight, with trees and fencing visible.

2 people observed.

Evidence, details and a link to share

Sequence 42 from 18:02

Frame at 18:10, shot 11818:10Frame at 18:20, shot 11918:20
2 of 2 shots sampled

70. Farm

18:02–18:24 Machine checks passed

Model synopsis: A group of men in cowboy attire interact near a wooden fence and corral; one man is addressed as 'Mr. Gentry' and another as 'boss'. A man in a plaid shirt and vest stands near a wooden structure, responding to off-screen calls to work.

Named: Mr. Gentry (t:18:05), boss (t:18:21). 5 people observed.

“Hello, Mr. Gentry. Hello, Spud.” 18:05 · “Where's your dad? He's getting stuff ready for dinner.” 18:07

Evidence, details and a link to share

Frame at 18:30, shot 12018:30
1 of 1 shots sampled

71. Field

18:24–18:35 Machine checks passed

Model synopsis: A group of men in Western attire, including one with a gun belt, stand outdoors and are introduced by someone off-screen. The speaker names two individuals, Gat Gans and Dusty, and states they have joined the group temporarily.

Named: Gat Gans (t:18:25), Dusty (t:18:25). 6 people observed.

“Hey, Butch.” 18:24 · “I want you to meet Gat Gans and his friend Dusty.” 18:25

Evidence, details and a link to share

Sequence 43 from 18:35

Frame at 18:36, shot 12118:36
1 of 1 shots sampled

72. Other

18:35–18:37 Machine checks passed

Model synopsis: A man in a cowboy hat and dark shirt is shown in a close-up. No other people, objects, or on-screen text are visible in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 44 from 18:37

Frame at 18:39, shot 12218:39
1 of 1 shots sampled

73. Other

18:37–18:40 Machine checks passed

Model synopsis: A man in a plaid shirt and vest stands outdoors with a neutral expression. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 45 from 18:40

Sequence 46 from 18:42

Sequence 47 from 18:56

Frame at 19:00, shot 12619:00Frame at 19:18, shot 12719:18Frame at 19:36, shot 12819:36
3 of 3 shots sampled

77. Private office

18:56–19:41 Machine checks passed (partial)

Model synopsis: A group of men in cowboy hats and period clothing gather inside a wooden building, discussing a plan to steal cattle and ambush someone named Winters. One man gives instructions while others listen, and they prepare to leave around midnight.

  • Men stand in a wooden room, some holding guns. [frame:1]
  • A man in a suit holds a telephone receiver while others look on. [frame:2]
  • Men begin to move, one stepping forward with a gun visible. [frame:3]

5 people observed.

“Hey, boys.” 18:57 · “- Grandusty. - Howdy.” 19:00

Evidence, details and a link to share

Sequence 48 from 19:41

Frame at 19:46, shot 12919:46Frame at 19:57, shot 13019:57
2 of 2 shots sampled

78. Field

19:41–20:03 Machine checks passed

Model synopsis: Two men speak near a horse and fence; one is mounted, the other standing. They discuss provisions and a planned cattle drive for the next night.

  • A man on horseback speaks to a man standing beside him. [frame:2]
  • The standing man responds to the mounted man. [frame:2]

Named: Chief (t:19:52), Butch (t:19:56). 2 people observed.

“We're all out of provisions, Chief. Yeah.” 19:52 · “Well, here's Pesky Barks.” 19:54

Evidence, details and a link to share

Frame at 20:14, shot 13220:14
1 of 1 shots sampled

80. Ranch yard

20:11–20:17 Machine checks passed (partial)

Model synopsis: Two men on horseback are seen from behind, moving away from a wooden fence in an outdoor setting. Dust is kicked up by the horses' hooves, suggesting movement on unpaved ground.

  • Two men on horseback ride away from a wooden fence. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 49 from 20:17

Sequence 50 from 20:28

Sequence 51 from 21:01

Frame at 21:11, shot 13521:11
1 of 1 shots sampled

83. Other

21:01–21:21 Machine checks passed

Model synopsis: A man in a hat sits on a wooden wagon near a rustic wooden structure while being ordered to leave. The dialogue indicates urgency and a threat if he does not return to a dock.

  • A man named Tony sits on a wooden wagon near a wooden structure. [frame:1]

Named: Tony (t:21:06). 1 person observed.

“Go the way you always go.” 21:02 · “Don't ask any questions and don't answer any.” 21:03

Evidence, details and a link to share

Sequence 52 from 21:21

Frame at 21:28, shot 13621:28Frame at 21:38, shot 13721:38
2 of 2 shots sampled

84. Road

21:21–21:43 Machine checks passed (partial)

Model synopsis: A man in a car speaks with a boy standing beside the vehicle near a wooden fence; the man declines an invitation to enter. The setting is outdoors, with trees and open land visible.

  • A man sits in a car parked beside a wooden fence. [frame:1]
  • A boy stands beside the car talking to the man inside. [frame:2]

Named: Dr. Shilsey (t:21:34). 2 people observed.

“Won't you come in, Dr. Shilsey?” 21:34 · “I got to be getting back.” 21:37

Evidence, details and a link to share

Frame at 21:58, shot 13821:58
1 of 1 shots sampled

85. Other

21:43–22:12 Machine checks passed (partial)

Model synopsis: An older man and a younger person in a hat stand outdoors near a wooden structure; the transcript reveals concern over lost money and an attack by two men. The younger person recounts being followed and losing memory, while the older man questions how they were found.

  • An older man holds the arms of a younger person in a hat, standing outdoors. [frame:1]

Named: Faye (t:21:56). 2 people observed.

“I lost the money. Never mind the money, dear.” 21:47 · “It's you I was worried about.” 21:50

Evidence, details and a link to share

Sequence 53 from 22:12

Frame at 22:16, shot 13922:16Frame at 22:26, shot 14022:26
2 of 2 shots sampled

86. Field

22:12–22:31 Machine checks passed

Model synopsis: Two frames show a rural outdoor setting with trees and a dirt path. A person on horseback is visible in the second frame, while the first frame shows a group of horses and riders in the distance.

  • A group of horses and riders are visible in the distance near trees. [frame:1]
  • A person on horseback rides along a dirt path. [frame:2]

1 person observed.

Evidence, details and a link to share

Frame at 22:35, shot 14122:35
1 of 1 shots sampled

87. Road

22:31–22:38 Machine checks passed

Model synopsis: A man drives a two-horse wagon along a dirt road bordered by trees. The scene is shot in black and white with natural daylight.

  • A man drives a two-horse wagon along a dirt road. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 54 from 22:38

Sequence 55 from 22:39

Frame at 22:41, shot 14322:41Frame at 22:45, shot 14522:45Frame at 22:50, shot 14822:50Frame at 22:53, shot 15022:53
4 of 8 shots sampled

89. Field

22:39–22:54 Machine checks passed (partial)

Model synopsis: A dog runs across a dirt area near a horse and a fence. The scene is outdoors and appears to be part of a rural or ranch setting.

  • A dog runs across a dirt area. [frame:1]
  • A horse stands near trees in the background while the dog runs past. [frame:2]
  • The dog runs near a wooden fence with a horse visible to the right. [frame:3]
  • 1 more under Evidence and details.

Evidence, details and a link to share

Frame at 22:59, shot 15122:59Frame at 23:05, shot 15223:05
2 of 2 shots sampled

90. Road

22:54–23:07 Machine checks passed

Model synopsis: A horse-drawn carriage travels along a dusty road, viewed from behind as it moves away from the camera. The setting is an open, rural landscape with hills and sparse trees under a bright sky.

  • A horse is shown in profile, harnessed to a carriage. [frame:1]
  • A horse-drawn carriage moves away from the camera down a dusty road. [frame:2]

Evidence, details and a link to share

Frame at 23:14, shot 15323:14Frame at 23:24, shot 15423:24
2 of 2 shots sampled

91. Road

23:07–23:27 Machine checks passed (partial)

Model synopsis: Two horses are shown in profile and from behind on a dirt road near trees and hills. No people are visible in the frames, and no dialogue or on-screen text is present.

  • A horse's head is shown in close-up profile. [frame:1]
  • Two horses are seen from behind walking down a dirt road. [frame:2]

Evidence, details and a link to share

Frame at 23:28, shot 15523:28Frame at 23:32, shot 15623:32Frame at 23:38, shot 15723:38
3 of 3 shots sampled

92. Road

23:27–23:42 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat rides a white horse along a dirt road in a rural landscape. In the final frame, a horse-drawn wagon is seen in silhouette, kicking up dust, with a distant figure standing in the background.

  • A man in a cowboy hat looks over his shoulder while mounted on a white horse. [frame:1]
  • The man rides the horse down a dirt road with hills and trees in the background. [frame:2]
  • A horse-drawn wagon moves through dust in the foreground, with a distant figure visible in the background. [frame:3]

2 people observed.

Evidence, details and a link to share

Frame at 23:43, shot 15823:43Frame at 23:45, shot 15923:45Frame at 23:48, shot 16023:48Frame at 23:51, shot 16123:51
4 of 4 shots sampled

93. Field

23:42–23:52 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and dark shirt rides a white horse across an open landscape with hills in the background. The sequence includes a close-up of the horse's head and a shot of the rider from the side as he moves through the terrain.

  • A man in a cowboy hat is seen lying back on a horse-drawn cart or wagon. [frame:1]
  • A man in a cowboy hat rides a white horse across an open field with hills in the background. [frame:2]
  • Close-up of a horse's head, showing its bridle and ears against a blurred background. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Frame at 23:55, shot 16223:55Frame at 23:58, shot 16323:58Frame at 24:07, shot 16524:07Frame at 24:10, shot 16624:10
4 of 5 shots sampled

94. Road

23:52–24:11 Machine checks passed (partial)

Model synopsis: A horse-drawn carriage travels along a dirt road in a rural landscape. A man in a cowboy hat is visible driving the carriage, and another person is seated beside him.

  • A horse-drawn carriage is seen traveling on a dirt road. [frame:1]
  • A man in a cowboy hat leans forward while driving the carriage. [frame:2]
  • The driver adjusts his hat while holding the reins. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Frame at 24:13, shot 16724:13
1 of 1 shots sampled

95. Field

24:11–24:14 Machine checks passed (partial)

Model synopsis: A man rides a horse-drawn vehicle across an open landscape. The scene is shot in black and white with strong backlighting creating silhouettes.

  • A man drives a horse-drawn vehicle across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 24:15, shot 16824:15
1 of 1 shots sampled

96. Dirt road

24:14–24:15 Machine checks passed (partial)

Model synopsis: A horse-drawn vehicle moves rapidly past trees on a dirt road, with a rider visible on horseback nearby. The scene is outdoors in a rural setting with hills in the background.

  • A horse-drawn vehicle moves rapidly past trees on a dirt road. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 56 from 24:15

Sequence 57 from 24:38

Frame at 25:07, shot 17125:07
1 of 1 shots sampled

99. Field

24:38–25:35 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats are outdoors in a grassy area; one reassures the other about safety and returning home. One man mentions being beaten by 'Butch' and insists no one can stop him.

  • Two men in cowboy hats sit outdoors in a grassy area. [frame:1]

Named: Spuds (t:24:48). 2 people observed.

“Oh, don't worry, Spuds. We're all right.” 24:48 · “I'm thinking of what's gonna happen to me when I get back.” 24:56

Evidence, details and a link to share

Frame at 25:47, shot 17225:47
1 of 1 shots sampled

100. Sidewalk

25:35–25:59 Machine checks passed

Model synopsis: Four men in Western attire stand outdoors near horses and a wrecked buckboard; one man speaks about the wreck and provisions while another tells him to get in the house. The scene takes place during daylight with no interior visible.

4 people observed.

“I was beginning to think I'd have to come in after you.” 25:35 · “What happened? The horses got scared. I managed to stop them, but the buckboard's wrecked.” 25:43

Evidence, details and a link to share

Sequence 58 from 26:12

Frame at 26:13, shot 17426:13Frame at 26:16, shot 17526:16Frame at 26:20, shot 17626:20Frame at 26:24, shot 17726:24
4 of 4 shots sampled

102. Town square

26:12–26:26 Machine checks flagged: visible event not seen

Model synopsis: Two men in cowboy attire are seen near horses outside a wooden building; one man descends steps while another runs toward the horses. Dialogue includes a plea for help and a mention of money and children, followed by whistling and a warning.

  • A man descends wooden steps from a porch. [frame:1]
  • Two men stand near horses in a fenced area. [frame:2]
  • A man walks down steps from a porch. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“I couldn't help it, more dollars! I couldn't have a child!” 26:12 · “*whistling*” 26:15

Flagged: visible event not seen (Two men run toward horses in a fenced area.)

Evidence, details and a link to share

Frame at 26:29, shot 17826:29
1 of 1 shots sampled

103. Wooden building exterior

26:26–26:31 Machine checks passed (partial)

Model synopsis: Three men in Western attire are positioned near a wooden building; one aims a pistol while another crouches and a third stands with a rifle. No dialogue or on-screen text is present in this beat.

  • A man aims a pistol forward while another crouches and a third stands holding a rifle. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 59 from 26:31

Sequence 60 from 26:40

Frame at 26:42, shot 18026:42
1 of 1 shots sampled

105. Farm

26:40–26:44 Machine checks passed

Model synopsis: A man in a cowboy hat and dark shirt stands outdoors with wooden buildings and trees behind him. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 61 from 26:44

Frame at 26:46, shot 18126:46
1 of 1 shots sampled

106. Sidewalk

26:44–26:48 Machine checks passed (partial)

Model synopsis: Two men are engaged in a physical altercation outside a wooden building. One man is seen raising his arm as if to strike, while the other appears to be recoiling or defending himself.

  • Two men are fighting outside a wooden building. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 62 from 26:48

Sequence 63 from 26:51

Frame at 26:53, shot 18326:53
1 of 1 shots sampled

108. Other

26:51–26:55 Machine checks passed (partial)

Model synopsis: A person lies on the ground while another stands over them near a wooden building. No dialogue or on-screen text is present in this beat.

  • A person lies on the ground near a wooden building. [frame:1]
  • Another person stands over them. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 64 from 26:55

Frame at 26:56, shot 18426:56
1 of 1 shots sampled

109. Other

26:55–26:58 Machine checks passed

Model synopsis: A man in a wide-brimmed hat and bandana is shown in a medium close-up. The background suggests an outdoor wooden structure, possibly a fence or porch.

1 person observed.

Evidence, details and a link to share

Sequence 65 from 26:58

Frame at 27:00, shot 18527:00
1 of 1 shots sampled

110. Town square

26:58–27:01 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat runs toward three others near a wooden building; one man faces away, another holds a rifle, and a third stands with hands up. The scene is outdoors in daylight, with no visible text or spoken dialogue.

  • A man in a cowboy hat runs toward three others near a wooden building. [frame:1]
  • One man faces away with arms extended, another holds a rifle, and a third has hands raised. [frame:1]

4 people observed.

Evidence, details and a link to share

Frame at 27:02, shot 18627:02Frame at 27:03, shot 18727:03
2 of 2 shots sampled

111. Cabin exterior

27:01–27:04 Machine checks passed (partial)

Model synopsis: A boy smiles near a wooden structure while two men fight in front of a cabin. No dialogue or on-screen text is present in this beat.

  • A boy smiles while standing near a wooden structure. [frame:1]
  • Two men are engaged in a physical struggle in front of a wooden cabin. [frame:2]

3 people observed.

Evidence, details and a link to share

Sequence 66 from 27:07

Frame at 27:11, shot 19027:11
1 of 1 shots sampled

113. Outdoor set

27:07–27:14 Machine checks passed

Model synopsis: A man in a hat and shirt is bent over on a dusty ground near wooden steps, while another person's legs and boots are visible standing nearby. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 67 from 27:14

Frame at 27:14, shot 19127:14
1 of 1 shots sampled

114. Other

27:14–27:15 Machine checks passed

Model synopsis: A man in a vest and shirt is visible in a medium close-up, looking over his shoulder with a startled expression. The background includes wooden shelves or a rustic interior structure.

1 person observed.

Evidence, details and a link to share

Sequence 68 from 27:15

Frame at 27:16, shot 19227:16
1 of 1 shots sampled

115. Other

27:15–27:17 Machine checks passed

Model synopsis: A man with wet, disheveled hair and a dark coat is shown in a close-up. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 69 from 27:17

Frame at 27:19, shot 19327:19
1 of 1 shots sampled

116. Other

27:17–27:22 Machine checks passed

Model synopsis: A man in a cowboy hat and plaid shirt is visible in a single frame, touching his chin. No spoken dialogue or additional context is provided in this beat.

  • man touches his chin [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 70 from 27:22

Frame at 27:25, shot 19427:25
1 of 1 shots sampled

117. Other

27:22–27:28 Machine checks passed (partial)

Model synopsis: A man runs away from a wooden building while another man stands on a porch holding a rifle. The scene is outdoors in daylight, with no spoken dialogue in this beat.

  • A man runs away from a wooden building. [frame:1]
  • A man stands on a porch holding a rifle. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 71 from 27:28

Frame at 27:28, shot 19527:28
1 of 1 shots sampled

118. Other

27:28–27:29 Machine checks passed

Model synopsis: A young person with short hair and a light shirt is visible in a close-up, smiling. The background includes wooden structures, suggesting an outdoor or rustic setting.

1 person observed.

Evidence, details and a link to share

Sequence 72 from 27:29

Sequence 73 from 27:30

Frame at 27:36, shot 19727:36
1 of 1 shots sampled

120. Porch

27:30–27:41 Machine checks passed

Model synopsis: A man in a vest stands on a wooden porch as another man in dark clothing moves toward him; a third man sits on the porch steps. No dialogue is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 74 from 27:41

Frame at 27:42, shot 19827:42
1 of 1 shots sampled

121. Other

27:41–27:42 Machine checks passed

Model synopsis: A young boy with light hair and a light shirt is visible in a close-up, standing in front of a wooden structure. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 75 from 27:42

Frame at 27:48, shot 19927:48
1 of 1 shots sampled

122. Porch

27:42–27:54 Machine checks flagged: visible event not seen

Model synopsis: A man in a dark shirt grabs a seated boy by the collar while another man in a hat watches. A voice threatens to break bones if the boy is whipped again.

  • A man grabs a boy by the collar. [frame:1]
  • A man in a hat stands nearby watching. [frame:1]

3 people observed.

“If you ever whip that kid again, I'll break every bone in your carpet.” 27:43 · “Huh?” 27:46

Flagged: visible event not seen (A man grabs a boy by the collar.)

Evidence, details and a link to share

Sequence 76 from 27:54

Frame at 28:15, shot 20028:15
1 of 1 shots sampled

123. Field

27:54–28:36 Machine checks passed

Model synopsis: Two men in cowboy attire sit on a wooden fence and speak; one reassures the other about fighting and mentions a ranch and a plan to warn someone. The dialogue references Gentry, a girl mistaken for a man, and starting a drive.

  • Two men sit on a wooden fence and talk. [frame:1]

2 people observed.

“He won't whip you again, Spud.” 27:57 · “Here you can fight.” 28:01

Evidence, details and a link to share

Sequence 77 from 28:36

Sequence 78 from 29:05

Frame at 29:10, shot 20229:10
1 of 1 shots sampled

125. Field

29:05–29:15 Machine checks passed

Model synopsis: A person is visible on horseback near a herd of cattle in an outdoor setting at dusk or night. No names are spoken, and no specific events beyond the presence of the person and animals are described.

  • A person on horseback is visible near a herd of cattle. [frame:1]

1 person observed.

“Come on.” 29:10 · “Mmm.” 29:12

Evidence, details and a link to share

Sequence 79 from 29:15

Frame at 29:16, shot 20329:16
1 of 1 shots sampled

126. Beat 126

29:15–29:17 Machine checks passed

Model synopsis: A dark, low-resolution frame shows indistinct figures and animals in motion, likely outdoors at night or in a poorly lit space. No clear actions, objects, or people can be identified from the visual alone.

Evidence, details and a link to share

Sequence 80 from 29:17

Frame at 29:28, shot 20429:28
1 of 1 shots sampled

127. Field

29:17–29:38 Machine checks passed (partial)

Model synopsis: A group of cattle is herded through a gate in a rural setting while off-screen voices say 'Cheers,' 'Amen,' and 'Yeah.' No named individuals are visible or identified by voice.

  • Cattle are herded through a wooden gate. [frame:1]

1 person observed.

“Cheers.” 29:21 · “Amen.” 29:27

Evidence, details and a link to share

Sequence 81 from 29:38

Frame at 29:50, shot 20529:50
1 of 1 shots sampled

128. Forest

29:38–30:01 Machine checks passed (partial)

Model synopsis: A person is visible in a dark outdoor setting near a wooden structure; two short lines are spoken. No names are mentioned, and no objects beyond the structure and foliage are identifiable.

  • A person is visible near a wooden structure in darkness. [frame:1]

1 person observed.

“No.” 29:48 · “All right.” 29:59

Evidence, details and a link to share

Sequence 82 from 30:01

Frame at 30:09, shot 20630:09
1 of 1 shots sampled

129. Other

30:01–30:17 Machine checks passed

Model synopsis: A dark interior is shown with light coming through a multi-paned window with curtains. No people or objects are clearly visible, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Sequence 83 from 30:17

Frame at 30:18, shot 20730:18
1 of 1 shots sampled

130. Other

30:17–30:18 Machine checks passed

Model synopsis: A woman in a light-colored collared shirt is shown in a dimly lit interior. No actions, dialogue, or objects are visible beyond her presence.

1 person observed.

Evidence, details and a link to share

Sequence 84 from 30:18

Frame at 30:23, shot 20830:23
1 of 1 shots sampled

131. Other

30:18–30:27 Machine checks passed (partial)

Model synopsis: A person in light-colored clothing is visible in a dimly lit interior, holding a pistol. No dialogue or on-screen text is present in this beat.

  • A person in light clothing holds a pistol while standing in a dark room. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 85 from 30:27

Frame at 30:49, shot 20930:49
1 of 1 shots sampled

132. Bedroom

30:27–31:12 Machine checks passed

Model synopsis: An older woman stands beside a younger man seated on a bed in a dimly lit room; they discuss stolen cattle and a threat to his life. The transcript indicates urgency and fear, with warnings not to go outside and references to lost money and waiting gunmen.

  • An older woman stands beside a seated man in a bedroom. [frame:1]

Named: Dad (t:30:29). 2 people observed.

“What's wrong, Faye? Come here, Dad.” 30:29 · “They're waiting to shoot you down.” 30:55

Evidence, details and a link to share

Sequence 86 from 31:12

Frame at 31:13, shot 21031:13
1 of 1 shots sampled

133. Field

31:12–31:14 Machine checks passed

Model synopsis: A dark, indistinct outdoor scene is shown with silhouetted posts or trees against a black sky. No people, objects, or text are clearly visible in the single frame.

Evidence, details and a link to share

Frame at 31:33, shot 21131:33Frame at 31:54, shot 21231:54
2 of 2 shots sampled

134. Field

31:14–31:56 Machine checks passed (partial)

Model synopsis: A man in a hat stands beside a horse in a dark outdoor setting. The transcript includes exclamations and short commands, but no names or clear events are established.

  • A man stands beside a horse in a dark outdoor setting. [frame:1]
  • The man remains beside the horse, partially silhouetted against trees. [frame:2]

1 person observed.

“Ah!” 31:18 · “I'm not going to.” 31:25

Evidence, details and a link to share

Sequence 87 from 31:56

Sequence 88 from 32:02

Frame at 32:06, shot 21432:06
1 of 1 shots sampled

136. Field

32:02–32:10 Machine checks passed

Model synopsis: A man in a wide-brimmed hat is shown in profile against a dark outdoor background. The scene is lit to suggest dusk or night, with no visible interior elements.

1 person observed.

Evidence, details and a link to share

Sequence 89 from 32:10

Frame at 32:26, shot 21632:26
1 of 1 shots sampled

138. Forest

32:18–32:34 Machine checks passed (partial)

Model synopsis: Three men on horseback are seen in silhouette under trees, with one stating they have the cattle and suggesting they leave. No interior or specific time of day is established, and no names are spoken.

  • Three men on horseback are visible under trees. [frame:1]

3 people observed.

“I don't think there's anybody home.” 32:23 · “Well, that's mighty strange.” 32:26

Evidence, details and a link to share

Frame at 32:56, shot 21732:56
1 of 1 shots sampled

139. Field

32:34–33:17 Machine checks passed (partial)

Model synopsis: Three men in cowboy hats converse outdoors; one suggests going to Winters for a job to trail stolen cattle. A speaker named Gentry is praised for a smart idea, and someone named Dusty is urged to act.

  • Three men in cowboy hats stand and sit outdoors talking. [frame:1]

Named: Gentry (t:33:05), Dusty (t:33:10). 3 people observed.

“Go over to Winters and ask him for a job.” 32:50 · “That's a mighty smart idea, gentry.” 33:05

Evidence, details and a link to share

Sequence 90 from 33:17

Frame at 33:24, shot 21833:24
1 of 1 shots sampled

140. Rural yard

33:17–33:31 Machine checks passed (partial)

Model synopsis: A person sits on a white horse near a wooden fence and tree, with a second horse standing nearby. The scene is outdoors and appears to be in a rural setting.

  • A person sits atop a white horse near a fence and tree. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 91 from 33:31

Frame at 33:36, shot 21933:36
1 of 1 shots sampled

141. Field

33:31–33:40 Machine checks passed

Model synopsis: Two riders on horseback are seen near a wooden fence with a brush-covered hill in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 92 from 33:40

Frame at 33:42, shot 22033:42Frame at 34:07, shot 22134:07
2 of 2 shots sampled

142. Ranch

33:40–34:29 Machine checks passed (partial)

Model synopsis: Three men in cowboy attire discuss cattle rustling near a white horse and hay bales; one agrees to saddle up and join the others to track the stolen herd. The conversation includes a proposal to recover the cattle in exchange for employment.

  • A man in cowboy attire walks beside a white horse near a wooden fence. [frame:1]
  • Three men in cowboy attire stand near hay bales, talking. [frame:2]

3 people observed.

“Oh, how are you?” 33:45 · “I reckon you're the owner here.” 33:46

Evidence, details and a link to share

Sequence 93 from 34:29

Frame at 34:47, shot 22334:47Frame at 34:56, shot 22434:56Frame at 35:04, shot 22535:04Frame at 35:10, shot 22635:10
4 of 4 shots sampled

144. Field

34:43–35:12 Machine checks passed (partial)

Model synopsis: A man reports cattle stolen and hires two boys to trail them, while a woman objects to the danger. The group stands outdoors near a fence, with one man in a cowboy hat and another in a suit, and a woman in a checkered dress.

  • A group stands outdoors near a wooden fence and tree. [frame:1]
  • Three people converse: a man in a suit, a woman in a checkered dress, and a man in a cowboy hat. [frame:2]
  • A man in a dark cowboy hat looks down thoughtfully. [frame:3]
  • 1 more under Evidence and details.

Named: Miss Corners (t:34:51). 4 people observed.

“Good morning, Gentry. Good morning, Miss Corners.” 34:51 · “Rustler's run off my cattle last night. I've just hired these two boys to help trail 'em.” 34:53

Evidence, details and a link to share

Sequence 94 from 35:12

Frame at 35:14, shot 22735:14
1 of 1 shots sampled

145. Other

35:12–35:16 Machine checks passed

Model synopsis: A man in a wide-brimmed hat and suit is shown in a medium close-up. The background is out of focus but suggests an outdoor setting with distant structures.

1 person observed.

Evidence, details and a link to share

Sequence 95 from 35:16

Frame at 35:18, shot 22835:18
1 of 1 shots sampled

146. Outdoor

35:16–35:19 Machine checks passed

Model synopsis: A man in a cowboy hat and dark clothing is shown in a close-up against a blurred outdoor background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 35:21, shot 22935:21Frame at 35:29, shot 23035:29
2 of 2 shots sampled

147. Field

35:19–35:36 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat speaks to someone off-screen while standing near a fence; another man on horseback and a woman are visible nearby. The transcript includes reassurance about returning and a hope that cattle are found.

  • A man on horseback stands near a woman and another man by a fence. [frame:2]

3 people observed.

“Don't worry, dear. I may be late getting back.” 35:22 · “But I'll be here...” 35:25

Evidence, details and a link to share

Sequence 96 from 35:36

Frame at 35:46, shot 23135:46
1 of 1 shots sampled

148. Other

35:36–35:56 Machine checks passed (partial)

Model synopsis: A man and a woman stand facing each other in an outdoor wooden setting; the man offers to keep the woman company if her father is late. The woman says she is not afraid and would not like Lincoln to leave, and the man responds that it would not be an inconvenience and would be a pleasure.

  • A man and a woman stand facing each other in conversation. [frame:1]

Named: Lincoln (t:35:47), Miss Werrius (t:35:49). 2 people observed.

“In case your dad is late getting back, I'd be very happy to keep you company this evening until his return.” 35:39 · “But I'm not afraid.” 35:46

Evidence, details and a link to share

Sequence 97 from 35:56

Frame at 36:32, shot 23236:32
1 of 1 shots sampled

149. Field

35:56–37:09 Machine checks passed

Model synopsis: Three men in cowboy attire stand outdoors in a field with horses nearby; one holds a letter and speaks about Gans and a job, while another threatens to shoot if they don't leave. The conversation references a poster, a character named Gentry, and a resolved situation involving 'Mr. Winters'.

Named: George Smith (t:36:20), Gentry (t:36:03), Chuck (t:36:25). 3 people observed.

“Hello, gentry.” 36:03 · “George Smith.” 36:20

Evidence, details and a link to share

Sequence 98 from 37:09

Frame at 37:11, shot 23337:11Frame at 37:19, shot 23437:19
2 of 2 shots sampled

150. Field

37:09–37:26 Machine checks passed

Model synopsis: A man stands near a wooden fence and wagon in a sunlit outdoor setting with trees and hills. Another man sits on a wagon bed, holding a pistol.

2 people observed.

Evidence, details and a link to share

Sequence 99 from 37:26

Frame at 37:45, shot 23537:45
1 of 1 shots sampled

151. Other

37:26–38:05 Machine checks passed

Model synopsis: A pair of hands manipulates small metal objects on a wooden surface, surrounded by tools. No people are named, no dialogue is present, and the setting is not identifiable beyond the immediate workspace.

1 person observed.

Evidence, details and a link to share

Sequence 100 from 38:05

Frame at 38:09, shot 23638:09Frame at 38:19, shot 23738:19
2 of 2 shots sampled

152. Farm

38:05–38:26 Machine checks passed (partial)

Model synopsis: A boy works on a wooden cart in a fenced outdoor area, then is seen inside a dimly lit wooden structure. No dialogue or on-screen text is present in these frames.

  • Boy leans over a wooden cart, working with a tool. [frame:1]
  • Boy is inside a wooden structure, reaching through a gate. [frame:2]

1 person observed.

Evidence, details and a link to share

Sequence 101 from 38:26

Frame at 38:40, shot 23838:40
1 of 1 shots sampled

153. Sidewalk

38:26–38:54 Machine checks passed

Model synopsis: Two men in hats converse outdoors; one mentions a shovel, a partner, and a bank, while the other agrees to wait for money at a hideout and plans to stay at the Winters' place. No names are spoken, and no objects beyond clothing and trees are visible.

  • Two men stand facing each other outdoors, talking. [frame:1]

2 people observed.

“Dusty's taken the shovel, but I guess I-- Never mind that.” 38:27 · “Where is your partner?” 38:30

Evidence, details and a link to share

Sequence 102 from 38:54

Frame at 39:00, shot 23939:00
1 of 1 shots sampled

154. Field

38:54–39:06 Machine checks passed (partial)

Model synopsis: A man stands near a pile of rocks under trees with a horse nearby. No dialogue or on-screen text is present in this beat.

  • A man stands near a pile of rocks under trees with a horse nearby. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 103 from 39:06

Frame at 39:08, shot 24039:08
1 of 1 shots sampled

155. Field

39:06–39:09 Machine checks passed

Model synopsis: A person rides a horse through brushland with hills in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse through brushland. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 104 from 39:09

Frame at 39:17, shot 24139:17
1 of 1 shots sampled

156. Field

39:09–39:24 Machine checks passed (partial)

Model synopsis: A man on horseback greets two men standing near a wooden fence; one of the men responds and announces he has good news. The scene is outdoors under daylight, with trees and a fence visible.

  • A man on horseback greets two men standing near a fence. [frame:1]

3 people observed.

“- Hello, boys. - Hi, boys.” 39:19 · “Well, I got some good news for you.” 39:21

Evidence, details and a link to share

Sequence 105 from 39:24

Frame at 39:39, shot 24339:39Frame at 39:44, shot 24439:44Frame at 39:49, shot 24539:49Frame at 39:57, shot 24639:57
4 of 4 shots sampled

158. Ranch

39:37–40:02 Machine checks passed (partial)

Model synopsis: A man in a hat peers from a wooden structure while a group of men in cowboy hats discuss a $5,000 reward for Gats Gans, who is reportedly at the Winters Ranch. One man states his job is to ensure the task is done, regardless of the method.

  • A man in a hat peers out from a wooden structure. [frame:1]
  • A group of men in cowboy hats stand outdoors discussing a reward. [frame:2]
  • The man in the hat is again seen leaning on the wooden structure. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“And now we're going to collect $5,000 reward.” 39:42 · “Gats Gans is at the Winters Ranch, but he'll be over here in the morning.” 39:47

Evidence, details and a link to share

Frame at 40:05, shot 24740:05
1 of 1 shots sampled

159. Other

40:02–40:07 Machine checks passed (partial)

Model synopsis: A man in a hat and shirt stands beside a wooden wall, pressing his hand against it. No dialogue or on-screen text is present in this beat.

  • A man presses his hand against a wooden wall. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 106 from 40:07

Sequence 107 from 40:23

Frame at 40:29, shot 24940:29
1 of 1 shots sampled

161. Other

40:23–40:34 Machine checks passed (partial)

Model synopsis: A man in a hat and light shirt leans over a wooden trough filled with hay inside a wooden-walled structure. No dialogue or on-screen text is present in this beat.

  • A man leans over a wooden trough filled with hay. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 108 from 40:34

Frame at 40:40, shot 25040:40
1 of 1 shots sampled

162. Corral

40:34–40:46 Machine checks passed (partial)

Model synopsis: A horse stands in a fenced enclosure with a person partially visible beside it. The setting appears to be an outdoor corral or paddock with wooden fencing and trees in the background.

  • A horse stands still in a fenced area with a person beside it. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 109 from 40:46

Frame at 40:48, shot 25140:48
1 of 1 shots sampled

163. Field

40:46–40:49 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, tree-lined area. The scene is shot in black and white with motion blur indicating speed.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 40:55, shot 25240:55
1 of 1 shots sampled

164. Field

40:49–41:00 Machine checks passed (partial)

Model synopsis: A man on horseback is near a wooden fence in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A man on horseback is positioned near a wooden fence while another man stands beside it. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 110 from 41:00

Frame at 41:12, shot 25341:12Frame at 41:24, shot 25441:24
2 of 2 shots sampled

165. Wooded area with fence

41:00–41:25 Machine checks passed

Model synopsis: Two men in cowboy hats sit on a bench outdoors and speak; one warns the other he will be shot at a hideout, and the other denies being wanted. The setting is a wooded area with a wooden fence and trees.

Named: Spuds (t:41:05). 2 people observed.

“Why, Spuds, what are you doing over here? I've come to tell you, they're going to shoot you as soon as you come to the hideout.” 41:05 · “The entry says there's a reward for you, and he's going to get it.” 41:11

Evidence, details and a link to share

Frame at 41:27, shot 25541:27Frame at 41:29, shot 25641:29Frame at 41:37, shot 25741:37
3 of 3 shots sampled

166. Field

41:25–41:45 Machine checks passed (partial)

Model synopsis: A boy and a man in cowboy hats talk outdoors near a tree; the man mentions Martha, Butch's wife, and that they worked for the boy's father. The boy reacts with recognition and asks if Martha ever told him about his father.

  • The boy looks downcast, standing near a tree. [frame:1]
  • The man looks concerned, speaking. [frame:2]
  • The man and boy stand facing each other near a tree, engaged in conversation. [frame:3]

2 people observed.

“that you gave it to me once you died.” 41:26 · “She was Butch's wife.” 41:31

Evidence, details and a link to share

Frame at 41:48, shot 25841:48Frame at 42:04, shot 25942:04Frame at 42:24, shot 26042:24
3 of 3 shots sampled

167. Field

41:45–42:31 Machine checks passed (partial)

Model synopsis: A boy and a man sit outdoors near a tree; the boy holds a letter revealing his true identity as Jim Hayden, whose father and brother were killed by Gentry's gang. The man, called 'Cutie' and later 'bud', reacts emotionally as the letter is read.

  • The boy and man sit near a tree, the boy holding a letter. [frame:2]
  • The man looks down with a pained expression. [frame:3]

Named: Cutie (t:42:00). 2 people observed.

“Daddy was dead and that witch wasn't my real dad.” 41:45 · “I'm gonna open this, bud.” 42:03

Evidence, details and a link to share

Frame at 42:46, shot 26242:46
1 of 1 shots sampled

169. Private office

42:45–42:46 Machine checks passed

Model synopsis: Three men are in a room with barred windows and a desk; one sits in a chair with legs crossed, another stands holding a hat, and the third sits on a chair facing them. The setting appears to be an office or jail cell interior.

3 people observed.

Evidence, details and a link to share

Sequence 111 from 42:46

Sequence 112 from 43:19

Frame at 43:23, shot 26443:23
1 of 1 shots sampled

171. Jail

43:19–43:28 Machine checks passed (partial)

Model synopsis: Three men are in a room with barred windows; one seated man speaks while another stands and a third sits nearby. The transcript indicates they are discussing whether to act against someone named Gentry and to let Ted proceed.

  • Three men are in a room with barred windows; one seated man speaks while another stands and a third sits nearby. [frame:1]

3 people observed.

“We've got enough on gentry now.” 43:20 · “Why should we wait?” 43:22

Evidence, details and a link to share

Sequence 113 from 43:28

Frame at 43:30, shot 26543:30
1 of 1 shots sampled

172. Field

43:28–43:32 Machine checks passed (partial)

Model synopsis: A person on horseback is visible behind a picket fence in an outdoor rural setting. No dialogue or on-screen text is present in this beat.

  • A person on horseback is visible behind a picket fence. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 114 from 43:32

Sequence 115 from 43:35

Frame at 43:40, shot 26743:40
1 of 1 shots sampled

174. Field

43:35–43:45 Machine checks passed

Model synopsis: A man stands beside a saddled horse near a wooden fence in an outdoor setting. The scene is shot in black and white with natural lighting and includes a dog and a trough in the foreground.

1 person observed.

Evidence, details and a link to share

Sequence 116 from 43:45

Sequence 117 from 43:47

Frame at 43:49, shot 26943:49
1 of 1 shots sampled

176. Cabin exterior

43:47–43:52 Machine checks passed (partial)

Model synopsis: A man in a hat walks toward a wooden cabin at night. The scene is lit by artificial light, showing a tree and steps leading to the cabin door.

  • A man walks toward a wooden cabin. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 118 from 43:52

Frame at 43:56, shot 27043:56
1 of 1 shots sampled

177. Field

43:52–44:00 Machine checks passed

Model synopsis: A man in a cowboy hat stands beside a seated boy near a tree and a wooden structure; the man speaks to the boy, telling him to stay put regardless of what happens. The scene is outdoors in daylight, with hills visible in the background.

  • Man stands beside seated boy near tree [frame:1]

2 people observed.

“No matter what happens, son.” 43:52 · “Stay right here.” 43:54

Evidence, details and a link to share

Sequence 119 from 44:00

Frame at 44:04, shot 27144:04Frame at 44:11, shot 27244:11
2 of 2 shots sampled

178. Private office

44:00–44:15 Machine checks passed (partial)

Model synopsis: A man in a suit and hat approaches a seated woman in a checkered dress inside a wooden-walled room; he hands her a poster while speaking. The woman looks at the poster as he speaks to her.

  • A man walks toward a seated woman in a wooden room. [frame:1]
  • The man hands a poster to the woman while speaking to her. [frame:2]

Named: Miss Winters (t:44:01). 2 people observed.

“Miss Winters.” 44:01 · “I hardly know how to tell you, but...” 44:07

Evidence, details and a link to share

Sequence 120 from 44:15

Frame at 44:16, shot 27344:16
1 of 1 shots sampled

179. Other

44:15–44:17 Machine checks passed

Model synopsis: A wanted poster for Gat Ganns, a murderer, is shown. The poster offers a $5,000 reward for his capture, dead or alive, for the murder of John Quigley on October 15th in Rio Blanca.

Evidence, details and a link to share

Sequence 121 from 44:17

Frame at 44:32, shot 27444:32Frame at 44:49, shot 27544:49Frame at 44:52, shot 27644:52
3 of 3 shots sampled

180. Private office

44:17–44:53 Machine checks passed (partial)

Model synopsis: A man and a woman are in a wooden room; the man embraces the woman as another man enters. The transcript reveals the woman is distressed over news about her father and the man proposes marriage, which she resists.

  • A man in a suit stands beside a woman who covers her face with her hands. [frame:1]
  • A man in a cowboy hat looks forward with a serious expression. [frame:2]
  • The man in the suit embraces the woman as the man in the cowboy hat stands in the doorway. [frame:3]

Named: Mr. Gentry (t:44:39). 3 people observed.

“That's the man that went with Dad.” 44:19 · “And he's a killer. That isn't the worst of it.” 44:21

Evidence, details and a link to share

Frame at 44:56, shot 27744:56Frame at 45:01, shot 27845:01Frame at 45:05, shot 27945:05
3 of 3 shots sampled

181. Private office

44:53–45:06 Machine checks passed (partial)

Model synopsis: A man and a woman stand in a wooden room; the woman asks what happened to her father, and the man says he saved Miss Winters. Another man in a cowboy hat appears, and someone calls for the sheriff, accusing a man of murder.

  • Woman holds a small object and looks alarmed. [frame:1]
  • Man in cowboy hat looks forward with neutral expression. [frame:2]
  • Woman looks shocked while standing beside the man in the suit. [frame:3]

3 people observed.

“What have you done with my father?” 44:56 · “Your father saved Miss Winters.” 44:58

Evidence, details and a link to share

Frame at 45:12, shot 28045:12Frame at 45:20, shot 28145:20Frame at 45:24, shot 28245:24
3 of 3 shots sampled

182. Private office

45:06–45:25 Machine checks passed

Model synopsis: A man named Pat Hayden confronts another man and a woman, identifying himself as the son of a man murdered 12 years ago and stating his intent to settle the score. The woman, addressed as Miss Winters, is told to call the sheriff.

Named: Pat Hayden (t:45:07), Miss Winters (t:45:22). 3 people observed.

“My name's Hayden.” 45:06 · “Son of the man you and your gang murdered 12 years ago.” 45:08

Evidence, details and a link to share

Sequence 122 from 45:25

Frame at 45:30, shot 28345:30
1 of 1 shots sampled

183. Private office

45:25–45:34 Machine checks passed

Model synopsis: A man and a woman stand inside a wooden-walled room; the man gestures while the woman looks forward. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 123 from 45:34

Frame at 45:38, shot 28445:38Frame at 45:48, shot 28545:48
2 of 2 shots sampled

184. Private office

45:34–45:54 Machine checks passed (partial)

Model synopsis: A woman is on the phone in a room with wooden walls and shelves; a man in a suit stands nearby holding a glass. The transcript includes a call to the sheriff's office and an accusation directed at someone named Gentry.

  • A woman picks up a wall-mounted telephone receiver. [frame:1]
  • A man in a suit stands holding a glass near a floral-patterned sofa. [frame:2]

Named: Gentry (t:45:51). 2 people observed.

“Hello?” 45:39 · “Hello, give me the sheriff's office.” 45:39

Evidence, details and a link to share

Frame at 46:00, shot 28646:00Frame at 46:07, shot 28746:07Frame at 46:16, shot 28846:16
3 of 3 shots sampled

185. Sheriff's office

45:54–46:23 Machine checks passed

Model synopsis: A woman answers a phone call at what appears to be a sheriff's office, speaking with someone off-screen while two men stand nearby. The conversation suggests urgency, as one man is told to get his daughter and they must hurry.

Named: Miss Winters (t:46:07). 4 people observed.

“Hello, is this the sheriff's office?” 46:03 · “This is Miss Winters.” 46:07

Evidence, details and a link to share

Frame at 46:25, shot 28946:25Frame at 46:28, shot 29046:28Frame at 46:31, shot 29146:31
3 of 3 shots sampled

186. Living room

46:23–46:32 Machine checks passed (partial)

Model synopsis: A woman in a checkered dress is shown in a wooden interior, first at a wall-mounted telephone, then entering a room with a man near a trunk, and finally standing in a doorway. No dialogue or on-screen text is present in the frames.

  • A woman reaches for a wall-mounted telephone receiver. [frame:1]
  • A man and a woman stand near a trunk in a room with a stone fireplace. [frame:2]
  • The woman stands in a doorway, looking off-camera. [frame:3]

2 people observed.

Evidence, details and a link to share

Frame at 46:42, shot 29246:42
1 of 1 shots sampled

187. Living room

46:32–46:52 Machine checks passed (partial)

Model synopsis: Two men are in a rustic interior room; one stands near a cabinet while the other moves toward him. No dialogue or on-screen text is present in this beat.

  • Two men are present in a room; one is moving toward the other. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 124 from 46:52

Sequence 125 from 46:53

Frame at 47:00, shot 29447:00
1 of 1 shots sampled

189. Living room

46:53–47:06 Machine checks passed (partial)

Model synopsis: A person is visible in a room with patterned curtains and furniture, engaged in physical movement. No names, time of day, or period are established from the frames or transcript.

  • A person is moving dynamically in a room with furniture and curtains. [frame:1]

1 person observed.

“I'm” 46:55

Evidence, details and a link to share

Sequence 126 from 47:06

Frame at 47:07, shot 29547:07
1 of 1 shots sampled

190. Private office

47:06–47:08 Machine checks passed (partial)

Model synopsis: A woman in a patterned dress and dark belt leans against a wooden wall, pressing her ear to it. The scene is indoors, with wooden paneling visible.

  • A woman presses her ear against a wooden wall. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 127 from 47:08

Frame at 47:11, shot 29647:11
1 of 1 shots sampled

191. Living room

47:08–47:14 Machine checks passed

Model synopsis: Two men are in a rustic room with patterned curtains and furniture; one stands holding an object while the other sits at a table. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 128 from 47:14

Frame at 47:16, shot 29747:16
1 of 1 shots sampled

192. Sheriff's office exterior

47:14–47:18 Machine checks passed

Model synopsis: Two men on horseback are shown in front of a building with a sign reading 'SHERIFF' at night. The scene is lit by artificial light, suggesting an outdoor setting with law enforcement presence.

2 people observed.

Evidence, details and a link to share

Sequence 129 from 47:18

Frame at 47:19, shot 29847:19Frame at 47:22, shot 29947:22Frame at 47:28, shot 30047:28
3 of 3 shots sampled

193. Road

47:18–47:33 Machine checks passed (partial)

Model synopsis: Three frames show riders on horseback on a dusty road, then two men in a physical altercation inside a rustic room, and finally a man crouching near a fireplace in the same room. No dialogue or on-screen text is present in this beat.

  • Riders on horseback move along a dusty road. [frame:1]
  • A man in a dark suit pushes another man in a rustic room. [frame:2]
  • A man crouches near a fireplace in a rustic room. [frame:3]

5 people observed.

Evidence, details and a link to share

Frame at 47:37, shot 30147:37Frame at 47:43, shot 30247:43Frame at 47:49, shot 30347:49
3 of 3 shots sampled

194. Field

47:33–47:52 Machine checks passed (partial)

Model synopsis: A person on horseback is seen riding away on a dirt path through a hilly, grassy landscape, while another scene shows a person falling backward over a chair indoors. The transcript contains a repeated line stating an intention to leave.

  • A person on horseback rides away on a dirt path. [frame:1]
  • A person falls backward over a chair indoors. [frame:2]
  • Two people on horseback ride away on a dirt path. [frame:3]

2 people observed.

“I'm going to go.” 47:36 · “I'm going to go.” 47:46

Evidence, details and a link to share

Sequence 130 from 47:52

Frame at 47:56, shot 30447:56
1 of 1 shots sampled

195. Living room

47:52–48:00 Machine checks passed (partial)

Model synopsis: A man in a suit is seen grappling with another man against a wooden wall inside a rustic room. The room contains a patterned armchair and a stone fireplace with mounted antlers.

  • A man in a suit grabs another man by the collar and pins him against a wooden wall. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 131 from 48:00

Frame at 48:01, shot 30548:01
1 of 1 shots sampled

196. Field

48:00–48:02 Machine checks passed (partial)

Model synopsis: A rider on horseback gallops through a dusty, open landscape with hills in the background. No dialogue or on-screen text is present in this beat.

  • A rider on horseback gallops through a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 132 from 48:02

Frame at 48:02, shot 30648:02
1 of 1 shots sampled

197. Living room

48:02–48:03 Machine checks passed

Model synopsis: A person in heavy clothing stands near a floral-patterned armchair in a rustic interior with a stone fireplace. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 133 from 48:03

Frame at 48:04, shot 30748:04Frame at 48:08, shot 30848:08
2 of 2 shots sampled

198. Private office

48:03–48:11 Machine checks passed (partial)

Model synopsis: A man in a suit stands in a room with bookshelves while another person lies face down on the floor. The transcript contains only the word 'Yeah.'

  • A person lies face down on the floor. [frame:1]
  • A man in a suit stands in a room with bookshelves. [frame:2]

2 people observed.

“Yeah.” 48:05

Evidence, details and a link to share

Frame at 48:12, shot 30948:12
1 of 1 shots sampled

199. Other

48:11–48:13 Machine checks passed

Model synopsis: A man in dark clothing is on the ground in a low-angle shot, reaching forward. The setting appears to be an interior space with rough walls, lit by a single strong light source.

  • A man is on the ground reaching forward. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 134 from 48:13

Frame at 48:15, shot 31048:15
1 of 1 shots sampled

200. Living room

48:13–48:17 Machine checks passed (partial)

Model synopsis: A man in dark clothing leans over a patterned couch in a stone-walled room with a fireplace. No dialogue or on-screen text is present in this beat.

  • A man leans over a couch. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 135 from 48:17

Sequence 136 from 48:21

Frame at 48:22, shot 31248:22
1 of 1 shots sampled

202. Log cabin

48:21–48:23 Machine checks passed

Model synopsis: Two men are in a rustic log cabin interior; one stands near a window, the other near a fireplace. No names or events are spoken in the supplied transcript.

2 people observed.

Evidence, details and a link to share

Frame at 48:26, shot 31348:26
1 of 1 shots sampled

203. Other

48:23–48:28 Machine checks passed (partial)

Model synopsis: A man in dark clothing stands inside a rustic wooden structure, leaning forward near a doorway. The setting appears to be an interior space with rough-hewn walls and minimal furnishings.

  • A man leans forward inside a wooden structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 137 from 48:28

Frame at 48:30, shot 31448:30
1 of 1 shots sampled

204. Field

48:28–48:31 Machine checks passed (partial)

Model synopsis: A man runs toward a horse standing near a picket fence in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A man runs toward a horse near a picket fence. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 138 from 48:31

Frame at 48:34, shot 31548:34
1 of 1 shots sampled

205. Other

48:31–48:38 Machine checks passed

Model synopsis: A person stands in a dimly lit wooden interior, holding an object near a doorway. The setting appears rustic and enclosed, with wooden walls and a narrow passage visible behind.

1 person observed.

Evidence, details and a link to share

Sequence 139 from 48:38

Frame at 48:40, shot 31648:40
1 of 1 shots sampled

206. Rural field

48:38–48:42 Machine checks passed

Model synopsis: A person on horseback is seen from behind, passing through a wooden gate in a rural setting with trees and hills in the background. No dialogue or on-screen text is present in this beat.

  • A person on horseback rides through a wooden gate. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 48:46, shot 31748:46
1 of 1 shots sampled

207. Farm

48:42–48:50 Machine checks passed (partial)

Model synopsis: A boy in a cowboy hat walks toward a man holding a white horse near a barn; a voice instructs to lead 'Dusty' to the hideout. The scene is outdoors near a wooden structure with trees and a bench visible.

  • A boy walks toward a man holding a white horse near a barn. [frame:1]

Named: Ted (t:48:42). 2 people observed.

“When Dusty comes, lead him right to the hideout.” 48:42 · “Hi, Ted.” 48:42

Evidence, details and a link to share

Sequence 140 from 48:50

Frame at 48:53, shot 31848:53
1 of 1 shots sampled

208. Dirt path through wooded area

48:50–48:55 Machine checks passed

Model synopsis: A lone figure on horseback moves along a dirt path through a wooded area with hills in the background. No dialogue or on-screen text is present in this beat.

  • a figure on horseback rides along a dirt path [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 48:57, shot 31948:57Frame at 49:01, shot 32049:01Frame at 49:07, shot 32249:07Frame at 49:10, shot 32349:10
4 of 5 shots sampled

209. Field

48:55–49:12 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves through a hilly, grassy landscape. One rider on a dark horse and another on a white horse are shown in closer shots, with a line of riders visible in the distance.

  • Riders on horseback move across a grassy field with hills in the background. [frame:1]
  • A rider on a white horse emerges from behind trees onto a dirt path. [frame:2]
  • A rider on a dark horse gallops toward the camera. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm not sure.” 48:59

Evidence, details and a link to share

Frame at 49:15, shot 32449:15
1 of 1 shots sampled

210. Field

49:12–49:18 Machine checks passed (partial)

Model synopsis: Three riders on horseback approach a wooden gate in a rural setting with hills in the background. A fourth person stands near the gate, facing the riders.

  • Three riders on horseback approach a wooden gate while a fourth person stands nearby. [frame:1]

4 people observed.

Evidence, details and a link to share

Frame at 49:24, shot 32549:24
1 of 1 shots sampled

211. Field

49:18–49:31 Machine checks passed (partial)

Model synopsis: A group of riders on horseback are positioned near a white fence with hills in the background. One rider calls out to others, urging them to follow toward the center.

  • Riders on horseback are positioned near a white fence with hills in the background. [frame:1]

Named: Winters (t:49:23). 4 people observed.

“I'll be all right, dear. Don't you worry.” 49:18 · “Hey, Jockeys, head center, follow me! Come on, Winters!” 49:23

Evidence, details and a link to share

Sequence 141 from 49:31

Frame at 49:36, shot 32649:36
1 of 1 shots sampled

212. Field

49:31–49:41 Machine checks passed

Model synopsis: A person on horseback is visible in an outdoor setting with trees and hills. The transcript contains the spoken line 'Come on.'

  • A person on horseback is visible in a field with trees and hills. [frame:1]

1 person observed.

“Come on.” 49:32

Evidence, details and a link to share

Sequence 142 from 49:41

Frame at 49:43, shot 32749:43
1 of 1 shots sampled

213. Field

49:41–49:46 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, brushy field with trees and hills in the background. The scene is shot in black and white and appears to be outdoors in daylight.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:50, shot 32849:50
1 of 1 shots sampled

214. Field

49:46–49:53 Machine checks passed

Model synopsis: A person rides a horse past a wooden fence in an outdoor setting. Dust is kicked up by the horse's hooves as it moves.

  • A person rides a horse past a wooden fence. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 143 from 49:53

Frame at 49:58, shot 32949:58
1 of 1 shots sampled

215. Private office

49:53–50:02 Machine checks passed (partial)

Model synopsis: A man in a suit stands in a doorway inside a wooden structure, holding a rifle. The scene is lit with high-contrast studio lighting, showing shadows and wooden paneling.

  • A man stands in a doorway holding a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 144 from 50:02

Frame at 50:05, shot 33050:05Frame at 50:12, shot 33150:12
2 of 2 shots sampled

216. Farm

50:02–50:15 Machine checks passed (partial)

Model synopsis: A man fires a gun near a wooden fence while another person runs away in the background; a second shot shows a wooden shed and yard with a wheelbarrow. No names are spoken, and the setting appears to be a rural yard or farm.

  • A man fires a gun, producing smoke near a wooden fence. [frame:1]
  • A person runs away in the background. [frame:1]

2 people observed.

“*punch*” 50:03 · “I'm” 50:06

Evidence, details and a link to share

Frame at 50:17, shot 33250:17
1 of 1 shots sampled

217. Wooden doorway

50:15–50:18 Machine checks passed

Model synopsis: A person is partially visible at the left edge of a wooden doorway leading into a dark interior. The scene is static and shows no action or dialogue.

1 person observed.

Evidence, details and a link to share

Sequence 145 from 50:18

Frame at 50:20, shot 33350:20
1 of 1 shots sampled

218. Wooden building exterior

50:18–50:22 Machine checks passed

Model synopsis: A man in a suit and boots runs away from a wooden building. The scene is outdoors, shot in black and white, with no dialogue or on-screen text visible.

  • A man runs away from a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 50:24, shot 33450:24
1 of 1 shots sampled

219. Other

50:22–50:25 Machine checks passed (partial)

Model synopsis: A man in a suit and boots stands inside a rustic wooden room, reaching for a door handle. The room contains barrels, a workbench, and tools, suggesting a workshop or storage area.

  • A man reaches for a door handle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 146 from 50:25

Frame at 50:26, shot 33550:26
1 of 1 shots sampled

220. Farm

50:25–50:27 Machine checks passed

Model synopsis: Two men in cowboy hats walk out of a wooden building near a fence. The setting appears to be a rural area with unpaved ground and wooden structures.

  • Two men walk out of a wooden building. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 147 from 50:27

Frame at 50:29, shot 33650:29
1 of 1 shots sampled

221. Other

50:27–50:30 Machine checks passed (partial)

Model synopsis: A man in dark clothing runs past a wooden structure in a single shot. No dialogue or on-screen text is present in this beat.

  • A man runs past a wooden structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 148 from 50:30

Frame at 50:35, shot 33750:35Frame at 50:43, shot 33850:43
2 of 2 shots sampled

222. Workshop

50:30–50:47 Machine checks passed (partial)

Model synopsis: Two men struggle inside a cluttered workshop while three others stand outside near a wooden fence. One man inside is told to give up his gun, and another is called 'Ken' in the dialogue.

  • Two men struggle inside a workshop. [frame:1]
  • Three men stand outside near a wooden fence. [frame:2]

Named: Ken (t:50:39). 6 people observed.

“Yes, Ken.” 50:39 · “He's got himself in a trap. Give me that gun.” 50:40

Evidence, details and a link to share

Frame at 50:50, shot 33950:50Frame at 51:00, shot 34051:00
2 of 2 shots sampled

223. Field

50:47–51:08 Machine checks passed (partial)

Model synopsis: Two men are shown in a confrontation inside a wooden structure; one is seated and restrained while the other stands over him. Earlier in the beat, three riders on horseback are seen moving along a fenced path in a hilly, open landscape.

  • Three riders on horseback move along a fence in a hilly field. [frame:1]
  • One man restrains another inside a wooden structure. [frame:2]

3 people observed.

“Listen, Gensry, I'm going to go.” 50:48 · “Twelve years ago, you killed my father.” 50:54

Evidence, details and a link to share

Frame at 51:11, shot 34151:11Frame at 51:15, shot 34251:15Frame at 51:23, shot 34451:23Frame at 51:28, shot 34551:28
4 of 5 shots sampled

224. Field

51:08–51:30 Machine checks passed (partial)

Model synopsis: Four men in cowboy hats stand outdoors; one man inside a cluttered room steps over a body on the floor; the group is later seen on horseback riding away. A voice says 'Why, it's Gentry!' and another says 'I don't know.'

  • Four men in cowboy hats stand outdoors, one holding a gun. [frame:1]
  • A man steps over a body lying on the floor inside a cluttered room. [frame:2]
  • The group of four men stands together outdoors again, one holding a gun. [frame:3]
  • 1 more under Evidence and details.

Named: Gentry (t:51:21). 5 people observed.

“All right, boys, let's riddle them with bullets.” 51:10 · “I'm going to go.” 51:13

Evidence, details and a link to share

Frame at 51:33, shot 34651:33Frame at 51:40, shot 34751:40
2 of 2 shots sampled

225. Field

51:30–51:44 Machine checks passed (partial)

Model synopsis: A group of men on horseback approaches a wooden gate in a rural setting; three men in cowboy hats stand near the gate, one gesturing. A voice asks for a man named Gann, who is said to be inside.

  • Men on horseback approach a wooden gate in a field. [frame:1]
  • Three men in cowboy hats stand near the gate; one gestures toward the approaching riders. [frame:2]

Named: Gann (t:51:41). 6 people observed.

“Not those iron men.” 51:38 · “Where's the man called Gann?” 51:41

Evidence, details and a link to share

Sequence 149 from 51:44

Frame at 51:46, shot 34851:46
1 of 1 shots sampled

226. Workshop

51:44–51:47 Machine checks passed (partial)

Model synopsis: A person in dark clothing runs toward a wooden door inside a cluttered workshop. No dialogue or on-screen text is present in this beat.

  • A person runs toward a wooden door. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 51:48, shot 34951:48
1 of 1 shots sampled

227. Wooden building exterior

51:47–51:49 Machine checks passed (partial)

Model synopsis: A man stands in the doorway of a wooden building while another person lies motionless on the ground nearby. The scene is outdoors and appears to be from a Western film.

  • A man stands in the doorway of a wooden building. [frame:1]
  • A person lies motionless on the ground near the doorway. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 150 from 51:49

Sequence 151 from 51:55

Frame at 51:57, shot 35151:57
1 of 1 shots sampled

229. Other

51:55–51:59 Machine checks passed (partial)

Model synopsis: A man in dark clothing gestures toward a boy in overalls and a hat on wooden steps outside a wooden building. No dialogue or on-screen text is present in this beat.

  • A man gestures with his right hand toward a boy standing on steps. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 152 from 51:59

Frame at 52:15, shot 35252:15
1 of 1 shots sampled

230. Field

51:59–52:30 Machine checks passed

Model synopsis: A woman and a boy sit on a wagon in a fenced outdoor area, discussing marriage and a ranch. The dialogue suggests a proposal and future plans, with the boy named Jim and another person named Ted mentioned.

  • A woman and a boy sit on a wagon and talk. [frame:1]

Named: Jim (t:52:12). 2 people observed.

“What are you thinking about, Jim?” 52:12 · “You know, Ted and I are gonna get our ranch back.” 52:14

Evidence, details and a link to share

Frame at 52:32, shot 35352:32Frame at 52:37, shot 35452:37
2 of 2 shots sampled

231. Field

52:30–52:40 Machine checks passed (partial)

Model synopsis: A man in dark clothes stands beside a wagon while a woman and a boy sit on it; the boy later appears in a close-up looking downcast. The transcript includes dialogue about a 'little brother' and someone lacking nerve to say something.

  • A man stands beside a wagon while a woman and a boy sit on it. [frame:1]
  • A close-up shows the boy looking downcast. [frame:2]

Named: little brother (t:52:32). 3 people observed.

“What's my little brother been telling you?” 52:32 · “Well, I was telling them what you said you didn't have the nerve to.” 52:36

Evidence, details and a link to share

Frame at 52:42, shot 35552:42Frame at 52:47, shot 35652:47Frame at 52:53, shot 35852:53Frame at 52:58, shot 35952:58
4 of 5 shots sampled

232. Field

52:40–53:02 Machine checks passed (partial)

Model synopsis: A man and a woman stand near a wagon while a boy sits on it; the boy smiles and speaks. The transcript includes dialogue about a proposition and a lecture, ending with the word 'banking'.

  • A man and a woman stand near a wagon while a boy sits on it. [frame:1]
  • The boy smiles broadly. [frame:2]
  • The boy looks to his side, still smiling. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“All right.” 52:42 · “Is my face red? Well, don't I tend to be.” 52:43

Evidence, details and a link to share

Sequence 153 from 53:02

Frame at 53:13, shot 36053:13
1 of 1 shots sampled

233. Beat 233

53:02–53:24 Machine checks passed

Model synopsis: The final frame of the film displays 'The End' and 'A LONE STAR PICTURE' on a dark background. No people, actions, or settings are visible in this beat.

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 621 segments kept, 273 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:17 Can't believe it, you know?
  2. 1:20 I remember that ridge over there. Yeah.
  3. 1:24 That one lies right over there in that big gap.
  4. 1:27 You know, it was right around here I picked you up twelve years ago.
  5. 1:31 He was more dead than alive.
  6. 1:35 I'll never forget that night, Dusty. Slash of guns. Shouts of murdering men.
  7. 1:43 courage in my dad.
  8. 1:45 shielding me and
  9. 1:47 fighting a hopeless fight.
  10. 1:49 Riddled with bullets, he fell across me whispering,
  11. 1:53 Lay still, Ted boy.
  12. 1:55 They'll think you're dead.
  13. 1:58 He didn't know I had a slug through my lungs.
  14. 2:02 Well, when they rode up, somebody lit a match.
  15. 2:06 And I laid still.
  16. 2:09 And I heard somebody say,
  17. 2:11 We got 'em both.
  18. 2:13 The Mets died out.
  19. 2:16 and sambarillah.
  20. 2:18 I'll never forget that laugh, Dusty.
601 more segments
  1. 2:20 It was the laugh of a crazy man.
  2. 2:23 Kill her.
  3. 2:27 Well, the next thing I knew, it was morning.
  4. 2:31 I was in your arms.
  5. 2:33 Yep.
  6. 2:35 I carried you all the way to Big Bend.
  7. 2:38 two years, I didn't know whether he was going to live or die.
  8. 2:42 You sure pulled through all right.
  9. 2:44 We could just find some trace of Mike's kid brother. Okay.
  10. 2:47 Oh, it's doubtful.
  11. 2:50 We did learn, however, that your dad had a hired man and his wife. I remember.
  12. 2:55 The woman did the cooking and took care of Jim.
  13. 2:58 See, Dusty.
  14. 3:00 My mother died when Jim was born.
  15. 3:03 And he's the only relative I have.
  16. 3:06 He's alive.
  17. 3:07 That hired man and his wife disappeared.
  18. 3:10 He couldn't find hiding her hair of him.
  19. 3:13 Finally there was a feller moved on the ranch by the name of uh...
  20. 3:18 See, what was his name?
  21. 3:21 Gentry, that's it, Gentry. But he didn't know nothing.
  22. 3:26 Anyway, it ain't gonna do you no good living this all over again.
  23. 3:30 We'll be in town tomorrow and we'll start our investigatin'.
  24. 3:41 Hey, Dusty.
  25. 3:58 poison
  26. 4:00 Waterhole.
  27. 4:03 I didn't know.
  28. 4:38 I wonder who he is.
  29. 4:40 Maybe we'd better open it.
  30. 4:51 Hello, gentry.
  31. 4:54 This will introduce Gad Gan.
  32. 4:56 He's just the man for the job you mentioned.
  33. 5:00 Sorry I can't do it, but I got a couple of Star Packers on my trail.
  34. 5:04 Gets plenty tough.
  35. 5:06 as this enclosed poster will prove.
  36. 5:09 Good luck.
  37. 5:09 Bill.
  38. 5:12 I'm going to go.
  39. 5:15 Gentsy.
  40. 5:16 He's evidently planning to kill him.
  41. 5:18 Well, that's the fellow that got your dad's ranch.
  42. 5:36 Certainly is funny, but you sure do resemble this bozo.
  43. 5:43 Maybe fate's kind of taken a hand in this deal, Dusty.
  44. 5:46 Let me show.
  45. 5:48 We don't know what this gentry's up to, but...
  46. 5:51 We're gonna find out.
  47. 5:52 What do you mean?
  48. 5:54 I mean that from now on,
  49. 5:57 I'm Gat Gann.
  50. 5:59 Murderer.
  51. 6:05 Mr. Gentry?
  52. 6:06 My daughter and I have considered your offer for the ranch.
  53. 6:09 and have decided not to sell,
  54. 6:11 We've developed the best spring in the country.
  55. 6:14 and someday hope to make this a fine ranch.
  56. 6:19 I'll admit it's the water I'm after, Mr. Winters, and I don't blame you for holding on to it.
  57. 6:23 However, this country is still wild and rustlers are pretty numerous.
  58. 6:28 That's why I've sold half the herd.
  59. 6:30 And we're going to sell the other half next week.
  60. 6:45 Excuse me just a moment, Mr. Gentry.
  61. 6:47 Go ahead.
  62. 6:55 Everything, Jacob, all right, Mr. Murphy? Everything's right. They're on their way.
  63. 7:05 I think you'll find that's right, Miss Wendish.
  64. 7:13 That's quite right. Thank you so much, Mr. Hornby.
  65. 7:16 Too late for the bank now, Dad. I'll have to deposit this first thing in the morning.
  66. 7:19 I've got some two-year-olds I'd like to have you take a look at.
  67. 7:22 All right.
  68. 7:28 How are you, Mr. Jansman? I'm very happy to see you, Miss Winters.
  69. 7:32 Your father told me that you decided not to sell.
  70. 7:34 That's right.
  71. 7:36 We're quite happy here.
  72. 7:37 the carnival, right? So dads always want
  73. 7:39 So why can't we?
  74. 7:41 Well...
  75. 7:42 If you're happy here, that's all that matters.
  76. 7:48 As your neighbor, may I be permitted to call sometime? Why, of course.
  77. 7:52 Damn nice, we'll be the light to the end.
  78. 8:27 - See them to the boys. - Hello, Chief. - Hi, Chief. - All right, boys.
  79. 8:31 Well?
  80. 8:32 Winters refuses to sell.
  81. 8:33 Oh, yeah? Yeah, but I'm going to force him.
  82. 8:36 I'll ruin him.
  83. 8:38 The Winters girl's leaving the ranch in the morning with a large sum of money.
  84. 8:42 Now, Joe and Hank...
  85. 8:44 I want you to get it.
  86. 8:46 But remember...
  87. 8:47 No harm has come to her.
  88. 8:48 I'm going to own that ranch no matter what it costs.
  89. 8:57 There you are, honey.
  90. 8:58 All right, Beth.
  91. 8:59 And I'll be right back.
  92. 9:02 Be careful.
  93. 9:07 Okay.
  94. 9:07 I'm not sure.
  95. 9:18 I'm going to go.
  96. 9:32 I'm not sure.
  97. 9:34 I'm going to go.
  98. 10:00 I don't know.
  99. 10:21 If you hadn't a missed her, I'd have got her. Well, it ain't too late yet.
  100. 10:38 I'm going to go.
  101. 10:41 I'm going to go.
  102. 11:08 I
  103. 11:20 *thud*
  104. 11:46 Can I get her now?
  105. 11:47 Why didn't you keep her when you had her?
  106. 11:49 We never had her, you low-code fool!
  107. 12:08 Drop that gun! Are you going crazy?
  108. 12:13 I
  109. 12:17 I'm not sure.
  110. 12:31 Cool down now before I stop here.
  111. 12:33 Go on, try it, you pink-eyed weasel.
  112. 12:37 Come on, get in your saddle. We've got to go tell the chiefs.
  113. 13:00 Them fellas are sure in a hurry.
  114. 13:02 *thud*
  115. 13:25 Well, I reckon it's deserted.
  116. 13:29 We can camp here temporarily.
  117. 13:51 That's it.
  118. 13:51 Come here.
  119. 14:00 Right.
  120. 14:07 Nathan!
  121. 14:08 Get up here, quick!
  122. 14:22 Hey, Sean.
  123. 14:24 Bullet hole.
  124. 14:33 Fred Winters.
  125. 14:35 Mighty curious, Tuffy.
  126. 14:37 We've got to hurry and get her to town. Let's take it easy now, son.
  127. 14:45 You got her here just in time.
  128. 14:47 A small artery's been severed.
  129. 14:49 However, I don't think it's very serious.
  130. 14:51 How did this happen?
  131. 14:53 Don't know. We found her just outside of town.
  132. 14:56 Her horse must have thrown her.
  133. 14:59 They left their pack running loose.
  134. 15:01 I reckon we better get going.
  135. 15:04 Yeah, we may be back later.
  136. 15:06 All right, boys.
  137. 15:07 I know the young lady will be very grateful.
  138. 15:09 You've probably saved your life.
  139. 15:18 Listen, I hadn't better be seen around here, so you take this money down and deposit it for her.
  140. 15:22 And I'll meet you at the shack.
  141. 15:24 Right.
  142. 15:27 Tell you, Mark, we couldn't catch her.
  143. 15:29 She just out-wrote us, that's all.
  144. 15:32 Well, I got another plan. Get back to the hideout. I'll see you tonight.
  145. 15:41 Hello, winners.
  146. 15:43 This is Dr. Silsby.
  147. 15:45 Your daughter wanted me to tell you she may be late getting home.
  148. 15:49 She's met with a slight accident.
  149. 15:51 No, not serious.
  150. 15:53 I'll bring her out to the ranch a little later.
  151. 16:02 the men that brought me in, Dr. Shillsby.
  152. 16:05 They said they were prospectors.
  153. 16:07 It's lucky they found you.
  154. 16:09 A small artery has been severed.
  155. 16:11 And eventually you may have bled to death.
  156. 16:13 As it is.
  157. 16:14 There you are. Nobody will ever know that you had a scratch.
  158. 16:18 I certainly am grateful, but...
  159. 16:21 Did they say anything about money?
  160. 16:22 Not a word.
  161. 16:25 I had $3,000 on me to deposit.
  162. 16:28 Gone.
  163. 16:29 Three thousand.
  164. 16:38 Your name is Entry?
  165. 16:40 Yeah, I'm Jandry.
  166. 16:41 We're from the border. Phil said to give you this.
  167. 16:45 He'd have come himself, but he had a couple of star packers on his tray.
  168. 17:02 So you've got guns, huh?
  169. 17:05 That's what they call me.
  170. 17:07 This is my friend Dusty.
  171. 17:08 All right.
  172. 17:09 Howdy.
  173. 17:10 We always work together.
  174. 17:12 Bill will tell you what I wanted.
  175. 17:14 No, he just said there was gonna be some gun-throwing.
  176. 17:18 How much do you want for the job?
  177. 17:20 What's the job?
  178. 17:22 There's a fellow I want to have disappear.
  179. 17:25 Well, whatever you're gonna give Phil will be okay with us.
  180. 17:29 Hey, Dusty.
  181. 17:30 Yeah.
  182. 17:31 All right.
  183. 17:34 I'll take you over to meet the boys.
  184. 18:05 Hello, Mr. Gentry. Hello, Spud.
  185. 18:07 Where's your dad? He's getting stuff ready for dinner.
  186. 18:10 Where are the boys?
  187. 18:12 Throw it at the corral. Hey, foot!
  188. 18:14 Fight!
  189. 18:15 Get in here and get to work.
  190. 18:17 Hey, push!
  191. 18:20 Oh.
  192. 18:21 Hello, boss.
  193. 18:24 Hey, Butch.
  194. 18:25 I want you to meet Gat Gans and his friend Dusty.
  195. 18:29 How are you, boys?
  196. 18:30 These boys have joined up with us for a while.
  197. 18:42 Come on, I want you to meet the rest of the boys.
  198. 18:51 Get in there.
  199. 18:52 Did I get to work?
  200. 18:57 Hey, boys.
  201. 18:59 This is got guns.
  202. 19:00 - Grandusty. - Howdy.
  203. 19:03 They're going to be with us for a while.
  204. 19:05 We got a little job to do tomorrow night.
  205. 19:07 You boys are taking all the winter's cattle.
  206. 19:09 Heard them through the pass into Round Valley.
  207. 19:12 Plenty of feed there.
  208. 19:14 We'll dispose of them later.
  209. 19:17 You boys can watch the house.
  210. 19:19 Winters will be sure to come out when he hears the racket.
  211. 19:22 He's the man you want, and...
  212. 19:25 You know what to do.
  213. 19:26 But be sure it isn't the girl.
  214. 19:29 We're leaving about midnight.
  215. 19:32 Show the boys to the sleeping quarters.
  216. 19:52 We're all out of provisions, Chief. Yeah.
  217. 19:54 Well, here's Pesky Barks.
  218. 19:56 And by the way, Butch,
  219. 19:57 We're taking Winter's cattle tomorrow night. You'd better get in on
  220. 20:00 Drive. I'll be there, Chief. Okay.
  221. 20:04 I'm riding back with you, Denty, to get my pack.
  222. 20:06 Okay.
  223. 20:18 Hey, bud!
  224. 20:21 Come out here.
  225. 20:22 Tell the boys they hit up the buck, boys. They're driving to town for revision.
  226. 20:37 Is that Winters a tough hombre?
  227. 20:40 Sovereign.
  228. 20:41 I've tried to buy the ranch for two years. Now I'm taking it.
  229. 20:44 Oh, hasn't he any relatives?
  230. 20:46 A daughter?
  231. 20:47 I'm taking her along with the ranch. Oh, I see.
  232. 20:51 Like a dime novel.
  233. 20:52 We eliminate the old Jets.
  234. 20:54 You marry the gal and get the ranch. Is that it? You guessed it. Huh.
  235. 21:02 Go the way you always go.
  236. 21:03 Don't ask any questions and don't answer any.
  237. 21:06 And if you ain't back to my dock, I'll turn you good. Get going. Get up, Tony.
  238. 21:34 Won't you come in, Dr. Shilsey?
  239. 21:37 I got to be getting back.
  240. 21:40 Oh, that's all right.
  241. 21:45 Yes.
  242. 21:47 I lost the money. Never mind the money, dear.
  243. 21:50 It's you I was worried about.
  244. 21:52 We've got the rest of the herd to sell. That'll carry us through till spring.
  245. 21:56 But tell me, Faye...
  246. 21:57 What in the world happens?
  247. 21:59 Well, you see, there were two men that followed me out of town.
  248. 22:03 And that's the last thing I remember.
  249. 22:05 But who could have found you in that shack?
  250. 22:07 I don't know.
  251. 22:08 Doc said there were a couple of prospectors.
  252. 24:19 Well, fellow, we sure had some rides, didn't we?
  253. 24:32 Come on, son, let's go sit down and kind of pull ourselves together.
  254. 24:45 I know what you was gonna give me.
  255. 24:46 When I passed you,
  256. 24:48 Oh, don't worry, Spuds. We're all right.
  257. 24:51 You're safe.
  258. 24:53 I know
  259. 24:54 But that's not what I'm thinking about.
  260. 24:56 I'm thinking of what's gonna happen to me when I get back.
  261. 24:59 Butch will beat me. Oh, I'll have something to say about that.
  262. 25:03 You can't stop me.
  263. 25:04 No one can. They've tried it.
  264. 25:06 Well, I'll get your provisions and go back with you and explain things.
  265. 25:10 Don't worry, your dad isn't gonna whip you.
  266. 25:34 Yeah.
  267. 25:35 I was beginning to think I'd have to come in after you.
  268. 25:42 Where are the buck boys?
  269. 25:43 What happened? The horses got scared. I managed to stop them, but the buckboard's wrecked.
  270. 25:48 What about the provisions?
  271. 25:50 They're in my pack.
  272. 25:53 It just changed.
  273. 25:55 Get in the house.
  274. 26:00 I told him that kid couldn't hold them horses.
  275. 26:03 I've seen that fella someplace before, Dusty.
  276. 26:07 But I can't think where.
  277. 26:12 I couldn't help it, more dollars! I couldn't have a child!
  278. 26:15 *whistling*
  279. 26:17 What?
  280. 26:20 - Help us! - You're good now. - Oh, please, bud! - I'll fix the video. Look out!
  281. 26:36 I've had Victor Westham...
  282. 26:38 Now I reckon it's your turn.
  283. 27:04 Come on, Ted!
  284. 27:43 If you ever whip that kid again, I'll break every bone in your carpet.
  285. 27:46 Huh?
  286. 27:47 All right, Jan.
  287. 27:48 Let me go.
  288. 27:57 He won't whip you again, Spud.
  289. 27:59 You're the only friend I got.
  290. 28:01 Here you can fight.
  291. 28:03 I'll bet you're busting his gizzard.
  292. 28:11 Gentry sent word that no one was to leave the ranch.
  293. 28:14 Tonight, tonight, we're supposed to get winners.
  294. 28:16 How are we going to warn him?
  295. 28:17 Well, the only chance we've got is when we get there.
  296. 28:24 You can cover the house from here.
  297. 28:25 But remember,
  298. 28:26 Don't mistake the girl for the man.
  299. 28:28 I'll get the boys started on the drive.
  300. 28:38 Give me your knife, Dusty.
  301. 29:10 Come on.
  302. 29:12 Mmm.
  303. 29:15 *sigh*
  304. 29:21 Cheers.
  305. 29:27 Amen.
  306. 29:31 - Yeah.
  307. 29:48 No.
  308. 29:59 All right.
  309. 30:29 What's wrong, Faye? Come here, Dad.
  310. 30:37 This stuff came through the window.
  311. 30:41 What?
  312. 30:42 Without bank books.
  313. 30:44 The lost money has been departed.
  314. 30:53 Don't come out.
  315. 30:54 Don't.
  316. 30:54 like a light.
  317. 30:55 They're waiting to shoot you down.
  318. 30:57 Your life's worth more than your cattle.
  319. 31:00 Let them take them.
  320. 31:01 A friend.
  321. 31:03 They're stealing our cattle.
  322. 31:05 I can't let you.
  323. 31:06 You understand?
  324. 31:07 - Mm-hmm.
  325. 31:08 They're waiting out there for you.
  326. 31:09 We wouldn't have a ten.
  327. 31:18 Ah!
  328. 31:25 I'm not going to.
  329. 31:26 Okay.
  330. 31:28 Come on.
  331. 31:47 Oh, my God.
  332. 31:50 Hey!
  333. 32:10 I saw the flash of a light.
  334. 32:12 I'm sure they got the note.
  335. 32:23 I don't think there's anybody home.
  336. 32:26 Well, that's mighty strange.
  337. 32:28 Well...
  338. 32:29 I've got the cattle anyway. Let's go.
  339. 32:35 They're gone.
  340. 32:37 and I'll cattle with them.
  341. 32:40 Don't worry, Dad.
  342. 32:42 Thank the someone, we've got enough in the bank to carry us through.
  343. 32:50 Go over to Winters and ask him for a job.
  344. 32:52 He'll tell you about the cattle being stolen.
  345. 32:55 Tell him you'll help trail them.
  346. 32:57 I'm sure he'll take you out.
  347. 32:59 When you got out of town,
  348. 33:02 Well, uh...
  349. 33:03 Accidents happen.
  350. 33:05 That's a mighty smart idea, gentry.
  351. 33:08 You sure know how to work things out.
  352. 33:10 Now, come on, Dusty. Let's get this over with.
  353. 33:45 Oh, how are you?
  354. 33:46 I reckon you're the owner here.
  355. 33:48 Yes, I am.
  356. 33:49 Did you use a couple of good cow hands?
  357. 33:52 Well, I could have used you last night.
  358. 33:54 Rustlers run off on my cattle.
  359. 33:58 Well, they couldn't have gone further.
  360. 34:01 cattle has to eat, you know.
  361. 34:02 Why don't you trade them?
  362. 34:04 I told him the sheriff...
  363. 34:05 But he won't be back till this afternoon.
  364. 34:08 We'll make you a little proposition.
  365. 34:10 If we bring your herd back...
  366. 34:12 Will you give us a job taking care of it?
  367. 34:14 I sure will. Well, that's fair enough.
  368. 34:17 You better go with us and we sight them.
  369. 34:20 And you can come back and get the sheriff.
  370. 34:22 We may lose your rustlers, but we'll sure get your cattle.
  371. 34:25 All right, I'll saddle up right away.
  372. 34:32 Oh, Miss Winters.
  373. 34:34 Oh, good morning, Mr. Danby. Good morning.
  374. 34:36 Is your dad around?
  375. 34:37 Why, yes.
  376. 34:38 I think he's over at the barn.
  377. 34:40 I'd like to.
  378. 34:40 - See you. - All right.
  379. 34:51 Good morning, Gentry. Good morning, Miss Corners.
  380. 34:53 Rustler's run off my cattle last night. I've just hired these two boys to help trail 'em.
  381. 34:58 But Dad...
  382. 34:59 That's too dangerous. I won't let you go. We'll take care of him, Miss Winters.
  383. 35:04 When we strike the cattle, he's coming back after the sheriff.
  384. 35:08 Oh.
  385. 35:09 Oh, I think.
  386. 35:22 Don't worry, dear. I may be late getting back.
  387. 35:25 But I'll be here...
  388. 35:29 Good luck.
  389. 35:35 Oh, I do hope they find our cattle.
  390. 35:39 In case your dad is late getting back, I'd be very happy to keep you company this evening until his return.
  391. 35:46 But I'm not afraid.
  392. 35:47 And I wouldn't like Lincoln leave.
  393. 35:49 Oh.
  394. 35:49 That wouldn't be an inconvenience, Miss Werrius.
  395. 35:52 In fact, it's going to be a real pleasure.
  396. 35:57 And here's the letter we got from Gans.
  397. 36:03 Hello, gentry.
  398. 36:04 This will introduce Gat Gans.
  399. 36:06 He's just the man for the job you mentioned.
  400. 36:08 Sorry, I can't do it, but I got a couple of star packers on my trails.
  401. 36:13 Mighty tough.
  402. 36:14 as the enclosed poster will prove. Good luck, Phil.
  403. 36:18 gentry.
  404. 36:20 George Smith.
  405. 36:22 I don't know how I can ever repay you boys.
  406. 36:25 I hate to think what would have happened if you hadn't taken a hand in this. Oh, Chuck, Mr. Winter, we're glad to help you.
  407. 36:30 The question is what to do next.
  408. 36:34 I got it.
  409. 36:35 You go tell Gentry that we've disposed of Mr. Winters here.
  410. 36:39 Does he want proof?
  411. 36:40 Take him out and show him again.
  412. 36:45 And then?
  413. 36:48 Go on, get out of here before I shoot the pants off of you.
  414. 38:27 Dusty's taken the shovel, but I guess I-- Never mind that.
  415. 38:30 Where is your partner?
  416. 38:32 Beat it for the border.
  417. 38:33 We figured that the sooner we got out of here, the better.
  418. 38:36 I suppose you want your dough.
  419. 38:38 That's all I'm waiting for.
  420. 38:40 Well, the bank's closed, but I'll have it for you at the hideout the first thing in the morning.
  421. 38:43 Fair enough.
  422. 38:45 I'll stay at the Winters' place tonight.
  423. 38:47 I got a few things I want to pick up.
  424. 38:49 All right, but don't let the girls see you. I won't let anyone see you.
  425. 38:53 Okay.
  426. 39:19 - Hello, boys. - Hi, boys.
  427. 39:21 Well, I got some good news for you.
  428. 39:24 The winter's ranch will soon be mine.
  429. 39:27 Old Man Winters is
  430. 39:29 dead.
  431. 39:31 - It's good, isn't it? - I say.
  432. 39:34 I wonder what happened to them.
  433. 39:42 And now we're going to collect $5,000 reward. - What do you mean? - Yeah.
  434. 39:47 Gats Gans is at the Winters Ranch, but he'll be over here in the morning.
  435. 39:50 There's a price on his head of $5,000 dead or alive.
  436. 39:55 dead men
  437. 39:56 tell no tales.
  438. 39:57 That's my job.
  439. 39:59 I don't care.
  440. 40:00 job.
  441. 40:01 Just so it's done.
  442. 40:08 Pee-wee?
  443. 40:09 They're gonna flag your tin out of here.
  444. 40:11 They're laying for our friends?
  445. 40:13 Up starts to tell him.
  446. 41:05 Why, Spuds, what are you doing over here? I've come to tell you, they're going to shoot you as soon as you come to the hideout.
  447. 41:11 The entry says there's a reward for you, and he's going to get it.
  448. 41:14 Double cross, eh?
  449. 41:17 You don't have to worry, bud. There's no reward out for me, and they're not gonna get me.
  450. 41:22 What's that?
  451. 41:23 That was at Martin's.
  452. 41:26 that you gave it to me once you died.
  453. 41:28 Martha?
  454. 41:30 Yeah.
  455. 41:31 She was Butch's wife.
  456. 41:32 He's the only friend I had until you come. Martha.
  457. 41:35 - Good luck.
  458. 41:36 Now I know where I've seen him.
  459. 41:38 He and his wife worked for my dad.
  460. 41:41 But...
  461. 41:42 Didn't Ann Martha ever tell you about your father?
  462. 41:45 Daddy was dead and that witch wasn't my real dad.
  463. 41:48 She left me a letter and told me not to open it until I was growing up.
  464. 41:51 Well, where is it?
  465. 41:52 I bought this with me because Butch said he was going to shoot me, and I ain't never going back there.
  466. 42:00 Cutie.
  467. 42:03 I'm gonna open this, bud.
  468. 42:05 It may mean a lot to both of us.
  469. 42:15 My dear boy...
  470. 42:16 Your real name is Jim Hayden.
  471. 42:20 Your dad and brother were killed by gentry and his gang when you were a babe.
  472. 42:24 Don't think hard of me, son. I...
  473. 42:26 Had no hand in there.
  474. 42:28 Aunt Martha.
  475. 42:32 Jim.
  476. 42:35 Jim, do you know what that means?
  477. 42:38 It means you're my brother.
  478. 42:41 my own little brother.
  479. 42:43 Mmm.
  480. 42:43 Ain't that swell?
  481. 42:51 You know, boys...
  482. 42:52 In a way, this isn't any great surprise to me.
  483. 42:55 I've suspicioned gentry for a long time.
  484. 42:59 but I've never been able to get anything on him.
  485. 43:02 Years ago, right after Hayden was killed,
  486. 43:05 We suspected him of being the secret leader of a band of wrestlers.
  487. 43:09 We were never able to prove it.
  488. 43:12 After reading that letter,
  489. 43:14 There isn't a doubt in my mind but that he was guilty of Hayden's death.
  490. 43:20 We've got enough on gentry now.
  491. 43:22 Why should we wait?
  492. 43:23 Well, give Ted a chance to play his hand, Sheriff.
  493. 43:26 He'll get word to us when he needs us.
  494. 43:33 That's gently now.
  495. 43:52 No matter what happens, son.
  496. 43:54 Stay right here.
  497. 44:01 Miss Winters.
  498. 44:07 I hardly know how to tell you, but...
  499. 44:09 This poster will speak for itself.
  500. 44:18 Why?
  501. 44:19 That's the man that went with Dad.
  502. 44:21 And he's a killer. That isn't the worst of it.
  503. 44:24 Word just came to town that they found...
  504. 44:27 Your father.
  505. 44:29 Don't say it!
  506. 44:30 Oh!
  507. 44:31 Don't cry, say.
  508. 44:32 I want you to know that I'll take care of you.
  509. 44:35 Why, I...
  510. 44:36 I've loved you since the first time I saw you.
  511. 44:39 Please, Mr. Gentry, I... Won't you understand, Thay? I'm crazy about you. I'll give you everything you want.
  512. 44:44 Please don't talk like that.
  513. 44:47 Fine.
  514. 44:47 I want you to be my wife. Oh, take your hands off me. Take your hands off, gentry.
  515. 44:54 Phew.
  516. 44:56 What have you done with my father?
  517. 44:58 Your father saved Miss Winters.
  518. 45:00 Call the sheriff.
  519. 45:01 I'm holding this man for murder.
  520. 45:04 Murder?
  521. 45:06 My name's Hayden.
  522. 45:07 Pat Hayden.
  523. 45:08 Son of the man you and your gang murdered 12 years ago.
  524. 45:12 You left me for dead too, gentry.
  525. 45:15 But I lived.
  526. 45:16 Live to even up the score.
  527. 45:18 Why?
  528. 45:19 He's crazy.
  529. 45:20 that poster prove who he is
  530. 45:22 Then call the sheriff, Miss Winters.
  531. 45:39 Hello?
  532. 45:39 Hello, give me the sheriff's office.
  533. 45:42 *thunk*
  534. 45:47 You're mighty brave behind a gun, aren't you?
  535. 45:50 Why?
  536. 45:51 Hanging or shooting is too good for you, Gentry.
  537. 45:58 *knock*
  538. 46:03 Hello, is this the sheriff's office?
  539. 46:07 This is Miss Winters.
  540. 46:08 - Is mine? - Yes.
  541. 46:10 - You're fine, sir.
  542. 46:11 He's all right.
  543. 46:14 What's that?
  544. 46:17 You'll be right over.
  545. 46:19 Get your daughter with her.
  546. 46:20 We'll have to hurry.
  547. 46:55 I'm
  548. 47:36 I'm going to go.
  549. 47:46 I'm going to go.
  550. 48:05 Yeah.
  551. 48:21 I
  552. 48:42 When Dusty comes, lead him right to the hideout. Hi, Ted.
  553. 48:59 I'm not sure.
  554. 49:18 I'll be all right, dear. Don't you worry.
  555. 49:23 Hey, Jockeys, head center, follow me! Come on, Winters!
  556. 49:32 Come on.
  557. 50:03 *punch*
  558. 50:06 I'm
  559. 50:09 I'm going to go.
  560. 50:39 Yes, Ken.
  561. 50:40 He's got himself in a trap. Give me that gun.
  562. 50:48 Listen, Gensry, I'm going to go.
  563. 50:54 Twelve years ago, you killed my father.
  564. 50:56 Separated me from my brother.
  565. 50:58 I took everything out of my life that a kid should have.
  566. 51:00 No, I ought to give you what you gave my dad.
  567. 51:03 But I'm keeping my hands clean, gentry.
  568. 51:06 I'm taking you to the law.
  569. 51:10 All right, boys, let's riddle them with bullets.
  570. 51:13 I'm going to go.
  571. 51:15 *gunshot*
  572. 51:21 Why, it's Gentry!
  573. 51:24 I don't know.
  574. 51:38 Not those iron men.
  575. 51:41 Where's the man called Gann?
  576. 51:43 He's in there.
  577. 51:50 Well, boy...
  578. 51:52 I've been trying to meet up with you for some time.
  579. 52:00 I reckon you got here just in time.
  580. 52:02 Brother?
  581. 52:05 Uh-huh.
  582. 52:12 What are you thinking about, Jim?
  583. 52:14 You know, Ted and I are gonna get our ranch back.
  584. 52:17 And he said when you married him,
  585. 52:19 It's going to be twice as big.
  586. 52:21 Oh!
  587. 52:22 He has it all worked out, has he?
  588. 52:24 Sure, and you better accept his propositions.
  589. 52:26 'cause it'll be the only one you'll ever get.
  590. 52:29 Well...
  591. 52:32 What's my little brother been telling you?
  592. 52:36 Well, I was telling them what you said you didn't have the nerve to.
  593. 52:42 All right.
  594. 52:43 Is my face red? Well, don't I tend to be.
  595. 52:46 'Cause faith says you'd accept your proposition.
  596. 52:50 Why, I...
  597. 52:51 Guys, now you're both burning up.
  598. 52:54 I think your brother needs a good lecture.
  599. 52:57 Lecture?
  600. 52:58 He needs a good...
  601. 52:59 banking

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