0:301. Beat 1
Model synopsis: The beat shows a title card for a Paul Malvern production, listing credits for story, photography, technical direction, recording, and editing. No people, actions, or dialogue are present.
No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4689 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.
361 shots over 53:24, read from the Internet Archive copy west_of_the_divide (west_of_the_divide.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: West of the Divide No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 361 shots judged colour), average shot 8.9s long, a frontal face detected in 19% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1934 (Internet Archive).
233 beats in 153 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 233 of 233 beats annotated, 230 passed the checks, 3 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:30Model synopsis: The beat shows a title card for a Paul Malvern production, listing credits for story, photography, technical direction, recording, and editing. No people, actions, or dialogue are present.
1:05Model synopsis: A person sits on the ground under a tree with a horse nearby in an open field. No dialogue or on-screen text is present in this beat.
1 person observed.
1:24Model synopsis: Two men sit outdoors at night, one holding a bottle, as they recall a violent event from twelve years earlier. The dialogue references a ridge, a gap, and a night of gunshots and shouts.
Named: Dusty (t:1:35). 2 people observed.
“I remember that ridge over there. Yeah.” 1:20 · “That one lies right over there in that big gap.” 1:24
1:48Model synopsis: A man in dark clothing is shown in a close-up against a leafy background. The transcript describes a father shielding his son during a shootout, being shot, and telling the boy to pretend to be dead.
1 person observed.
“courage in my dad.” 1:43 · “fighting a hopeless fight.” 1:47
Model synopsis: A man in a hat recounts being shot and left for dead, while another man listens intently. The speaker describes hearing a laugh and a command to kill someone before waking up in the listener's arms.
Named: Dusty (t:2:18). 2 people observed.
“He didn't know I had a slug through my lungs.” 1:58 · “I'll never forget that laugh, Dusty.” 2:18
Model synopsis: Two men are shown in close-up shots outdoors, one wearing a hat and bandana, the other in a dark shirt. Dialogue references carrying someone to Big Bend, a two-year period of uncertainty about survival, and searching for Mike's kid brother.
2 people observed.
“Yep.” 2:33 · “I carried you all the way to Big Bend.” 2:35
Model synopsis: Two men are seated outdoors discussing a past event involving a hired man, his wife, and a child named Jim. One man, wearing a cowboy hat, recounts family history while the other listens; they plan to investigate in town the next day.
2 people observed.
“We did learn, however, that your dad had a hired man and his wife. I remember.” 2:50 · “My mother died when Jim was born.” 3:00
3:37Model synopsis: A person walks through a field with hills and trees in the background. The scene is outdoors in natural daylight, with foliage framing the shot.
1 person observed.
Model synopsis: Two men sit outdoors as one speaks to another named Dusty; a third man walks across a field in daylight. No names are assigned to the seated men beyond what is spoken.
Named: Dusty (t:3:41). 3 people observed.
“Hey, Dusty.” 3:41
3:50Model synopsis: Two men are on the ground in a wooded outdoor area; one is reaching out while the other kneels beside him. A horse is visible behind them.
2 people observed.
3:52Model synopsis: Two men in cowboy hats and dark clothing walk side by side outdoors in a natural setting with trees and grass. One man gestures with his right hand while walking.
2 people observed.
4:01Model synopsis: A man lies on the ground outdoors, holding his throat. He speaks the words 'poison' and 'Waterhole' and says he didn't know.
1 person observed.
“poison” 3:58 · “Waterhole.” 4:00
4:12Model synopsis: A person lies face down on dry ground, wearing a cowboy hat and a belt with cartridges. The scene is outdoors, with another person's boots visible nearby.
2 people observed.
4:23Model synopsis: Two men in cowboy hats kneel beside a third man lying on the ground in an open field. No dialogue or on-screen text is present in this beat.
3 people observed.
4:35Model synopsis: Two men in cowboy hats stand facing each other in a grassy field with trees and hills in the background. One man has a holster on his hip; the other wears a vest and a bandana.
2 people observed.
4:59Model synopsis: Two men in cowboy hats examine papers outdoors; one reads aloud from a letter while the other listens. The transcript indicates they are discussing a man named Gad Gan and a ranch, with one man declining to help due to being pursued.
2 people observed.
“This will introduce Gad Gan.” 4:54 · “Sorry I can't do it, but I got a couple of Star Packers on my trail.” 5:00
5:28Model synopsis: A wanted poster for Gat Ganns is displayed, offering a $5,000 reward for his capture dead or alive for the murder of John Ogilvie. The poster includes a photograph and physical description of Ganns and is issued by Sheriff Parsons.
5:42Model synopsis: Two men in cowboy hats examine papers outdoors. One speaks to the other, calling him 'Dusty' and suggesting fate is involved.
Named: Dusty (t:5:43). 2 people observed.
“Certainly is funny, but you sure do resemble this bozo.” 5:36 · “Maybe fate's kind of taken a hand in this deal, Dusty.” 5:43
5:59Model synopsis: A man in a cowboy hat speaks outdoors, declaring himself 'Gat Gann, murderer' while another character addresses 'Mr. Gentry' about rejecting a ranch offer. The setting appears to be outdoors with trees in the background.
Named: Gat Gann (t:5:57), Mr. Gentry (t:6:05). 2 people observed.
“I'm Gat Gann.” 5:57 · “Murderer.” 5:59
Model synopsis: Two men sit at a table in a rustic wooden room, discussing ranching and water rights. One man admits he is after the water and mentions selling cattle due to rustlers.
2 people observed.
“We've developed the best spring in the country.” 6:11 · “and someday hope to make this a fine ranch.” 6:14
6:41Model synopsis: A man and a woman stand near a table in a rustic room with a stone fireplace; another man sits in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
6:47Model synopsis: A seated man in a suit speaks to a standing older man in suspenders inside a rustic wooden room; the standing man responds. The setting appears to be a private interior space with simple furnishings.
Named: Mr. Gentry (t:6:45). 2 people observed.
“Excuse me just a moment, Mr. Gentry.” 6:45 · “Go ahead.” 6:47
6:55Model synopsis: Two men stand in a wooden room while a woman sits at a desk; one man is addressed as Mr. Murphy. The transcript confirms they are discussing that 'they're on their way.'
Named: Mr. Murphy (t:6:55). 3 people observed.
“Everything, Jacob, all right, Mr. Murphy? Everything's right. They're on their way.” 6:55
7:05Model synopsis: A man in a suit speaks to a seated woman at a desk while an older man stands nearby in a room with bookshelves. The transcript includes a line addressed to 'Miss Wendish'.
Named: Miss Wendish (t:7:05). 3 people observed.
Model synopsis: A woman in a checkered dress and a man in a suit are shown in an interior room with wooden furniture; the woman is handling papers and later reaches into a bookcase. Dialogue mentions Mr. Hornby, Mr. Jansman, and Miss Winters, and references a bank and two-year-olds.
2 people observed.
“That's quite right. Thank you so much, Mr. Hornby.” 7:13 · “Too late for the bank now, Dad. I'll have to deposit this first thing in the morning.” 7:16
7:44Model synopsis: A man and a woman stand inside a rustic wooden structure, conversing. The dialogue suggests a discussion about staying in place and a neighborly invitation to visit.
2 people observed.
“Your father told me that you decided not to sell.” 7:32 · “We're quite happy here.” 7:36
8:04Model synopsis: A person stands beside a horse at a wooden fence in an outdoor setting. The scene is shot in black and white with natural lighting and includes trees and a fence.
1 person observed.
8:18Model synopsis: A horse stands near a wooden fence in an outdoor setting with trees. No people or spoken dialogue are visible or audible in this beat.
Model synopsis: A group of men on a wooden porch discuss forcing a sale of a ranch and plan to intercept a woman carrying money. One man, addressed as Chief, gives orders while another, Beth, is seen briefly in a darkened interior.
Named: Chief (t:8:27), Beth (t:8:58). 5 people observed.
“- See them to the boys. - Hello, Chief. - Hi, Chief. - All right, boys.” 8:27 · “Winters refuses to sell.” 8:32
Model synopsis: Two men on horseback are shown in conversation, followed by one man riding away across open terrain. The transcript contains only hesitant dialogue with no names or specific events mentioned.
3 people observed.
“Okay.” 9:07 · “I'm not sure.” 9:07
Model synopsis: Two riders on horseback are shown moving across an open, dusty field with trees and hills in the background. One rider speaks about leaving, while another expresses uncertainty.
2 people observed.
“I'm going to go.” 9:18 · “I'm not sure.” 9:32
Model synopsis: A person on horseback is shown in a field with hills in the background, followed by two riders on a dusty trail. The transcript contains a single line indicating an intention to leave.
3 people observed.
“I'm going to go.” 9:34
Model synopsis: Two men on horseback ride along a dirt road in a rural landscape; one man reaches toward the other as they ride. The scene ends with a shot of the empty road after they have passed, kicking up dust.
2 people observed.
“I don't know.” 10:00
Flagged: visible event not seen (The two men ride side by side, close together.)
Model synopsis: A person on horseback rides across open terrain while another person kneels on the ground near a standing man in a cowboy hat. The transcript suggests a missed opportunity to capture someone, with the speaker asserting it is not too late.
3 people observed.
“If you hadn't a missed her, I'd have got her. Well, it ain't too late yet.” 10:21
10:28Model synopsis: A lone rider on horseback moves across an open field with hills and trees in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
10:34Model synopsis: A person in a cowboy hat stands beside a saddled horse in an open field. The background shows distant hills and sparse trees under bright daylight.
1 person observed.
Model synopsis: A person rides a horse across a hilly, wooded landscape. The rider is seen from multiple angles as they move through the terrain, and the transcript indicates they are announcing their departure.
1 person observed.
“I'm going to go.” 10:38 · “I'm going to go.” 10:41
10:54Model synopsis: A person rides a horse past a large tree in an open landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
11:01Model synopsis: Two riders on horseback move across an open, dusty field with trees and hills in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A person rides a horse across an open, dusty landscape. The rider is visible in two frames, moving from left to right across the scene.
1 person observed.
Model synopsis: A person in cowboy attire is shown kneeling and then standing on a dirt path in a brushy, open landscape. No names, dialogue, or specific events are mentioned in the transcript for this beat.
1 person observed.
“*thud*” 11:20
11:26Model synopsis: A person stands beside a wooden building under a tree, casting shadows. No dialogue or on-screen text is present in this beat.
1 person observed.
11:30Model synopsis: A person in a hat and shirt stands in a dimly lit wooden interior. No dialogue or on-screen text is present in this beat.
1 person observed.
11:44Model synopsis: Two men on horseback converse in a dusty outdoor setting. One man accuses the other of failing to keep someone, while the other denies ever having her.
2 people observed.
“Can I get her now?” 11:46 · “Why didn't you keep her when you had her?” 11:47
12:00Model synopsis: A single dark frame shows a shadowy interior with indistinct shapes and a faintly visible object on a shelf. No people, text, or clear actions are visible in this beat.
Model synopsis: A man is seen lying on the ground outdoors holding a gun, while another man lies motionless on a bed inside a wooden room. A voice shouts for the man with the gun to drop it, and he responds that he is not sure.
3 people observed.
“Drop that gun! Are you going crazy?” 12:08 · “I'm not sure.” 12:17
12:21Model synopsis: A single frame shows a dark, irregular hole in a weathered wooden surface. No people, actions, or text are visible in this beat.
12:24Model synopsis: A person lies face down on a mattress in a wooden-walled room. The scene is dimly lit and appears to be indoors.
1 person observed.
Model synopsis: A man in a cowboy hat stands over another man who is sitting on the ground, then both stand facing each other holding guns. The transcript includes dialogue urging someone to calm down and to get in a saddle to tell the chiefs.
2 people observed.
“Cool down now before I stop here.” 12:31 · “Go on, try it, you pink-eyed weasel.” 12:33
12:48Model synopsis: A man stands near a horse in a dusty outdoor setting with trees and a wooden structure. The scene is lit from behind, creating silhouettes and dust motes in the air.
1 person observed.
12:54Model synopsis: Two riders on horseback are seen outdoors with a pack animal nearby. The setting is rural with trees and open ground, captured in a single shot.
2 people observed.
12:58Model synopsis: Two riders on horseback move across an open field with trees and mountains in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two riders on horseback move quickly across an open, hilly landscape; one rider trails a rope attached to a second horse. A line of dialogue notes their haste, followed by a sound effect of a thud.
2 people observed.
“Them fellas are sure in a hurry.” 13:00 · “*thud*” 13:02
13:12Model synopsis: A person rides a horse at speed across an open, dusty terrain. The rider wears a wide-brimmed hat and dark clothing, and the horse kicks up dust as it moves.
1 person observed.
13:24Model synopsis: Two men stand near horses beside a wooden structure at night; one suggests camping temporarily. The scene is dimly lit, with trees and a building visible.
2 people observed.
“Well, I reckon it's deserted.” 13:25 · “We can camp here temporarily.” 13:29
13:37Model synopsis: Two men in cowboy hats stand inside a wooden structure; one faces the camera while the other has his back turned. No dialogue or on-screen text is present in this beat.
2 people observed.
13:49Model synopsis: A man in a cowboy hat and dark coat stands in profile inside a wooden room, gesturing with his hand. He speaks two short lines, calling someone over.
1 person observed.
“That's it.” 13:51 · “Come here.” 13:51
13:57Model synopsis: A dark, irregularly shaped hole is visible in a light-colored, textured surface. No people, objects, or text are identifiable in the frame.
14:09Model synopsis: A man in a cowboy hat and dark shirt stands inside a wooden structure, looking upward. Someone off-screen calls out 'Nathan!' and urges him to come up quickly.
Named: Nathan (t:14:07). 2 people observed.
14:47Model synopsis: A woman lies injured on a bed while two men and a doctor attend to her; dialogue indicates she was found outside of town after a fall from her horse. One man is addressed as Sean, and another as Tuffy; the doctor assesses a bullet hole and a severed artery but deems the injury not very serious.
Named: Sean (t:14:22), Tuffy (t:14:35). 4 people observed.
“Hey, Sean.” 14:22 · “Bullet hole.” 14:24
15:20Model synopsis: Two men in cowboy attire stand outside a wooden building; one hands money to the other while speaking about depositing it and meeting at a shack. No names are spoken, and no on-screen text is visible.
2 people observed.
“Listen, I hadn't better be seen around here, so you take this money down and deposit it for her.” 15:18 · “And I'll meet you at the shack.” 15:22
15:34Model synopsis: Three men in Western attire converse outdoors near a thatched structure; one suggests returning to a hideout. No names are spoken, and no time of day or period is established.
3 people observed.
“Tell you, Mark, we couldn't catch her.” 15:27 · “She just out-wrote us, that's all.” 15:29
15:48Model synopsis: A man in a vest and shirt is on the phone in a dimly lit room with a wall-mounted telephone and a framed picture. He speaks to someone off-screen, relaying a message about a daughter who had a minor accident and will be brought to the ranch later.
Named: Dr. Silsby (t:15:43). 1 person observed.
“Hello, winners.” 15:41 · “This is Dr. Silsby.” 15:43
15:56Model synopsis: An older man with white hair is shown in profile, operating a large, vintage telephone switchboard. The setting appears to be an interior room with wooden walls and equipment.
1 person observed.
16:14Model synopsis: A man lies injured on a bed while another man, identified as Dr. Shillsby, tends to him. The injured man expresses gratitude but notes that $3,000 he was carrying has disappeared.
Named: Dr. Shillsby (t:16:02). 2 people observed.
“the men that brought me in, Dr. Shillsby.” 16:02 · “They said they were prospectors.” 16:05
Model synopsis: Two men in cowboy attire speak with a man in a suit outdoors; one of the cowboys identifies himself as Jandry and mentions being sent by Phil. The setting appears to be a shaded outdoor area with trees and a paved surface.
Named: Jandry (t:16:40). 3 people observed.
“Your name is Entry?” 16:38 · “Yeah, I'm Jandry.” 16:40
16:54Model synopsis: A wanted poster for Gat Ganns is displayed, offering a $5,000 reward for his capture dead or alive. The poster states he is wanted for the murder of John Ogden in Rio Blanca on October 19th.
Named: Gat Ganns (frame:1). 1 person observed.
Model synopsis: Three men stand outdoors discussing a job involving gun-throwing and making someone disappear; one man introduces his friend Dusty while another holds papers. The setting appears to be a shaded outdoor area with trees and stone walls.
Named: Dusty (t:17:07). 3 people observed.
“So you've got guns, huh?” 17:02 · “This is my friend Dusty.” 17:07
17:51Model synopsis: A man in a cowboy hat stands beside a dark horse near a wooden fence, with a white horse nearby. The scene is outdoors in daylight, with trees and fencing visible.
2 people observed.
Model synopsis: A group of men in cowboy attire interact near a wooden fence and corral; one man is addressed as 'Mr. Gentry' and another as 'boss'. A man in a plaid shirt and vest stands near a wooden structure, responding to off-screen calls to work.
Named: Mr. Gentry (t:18:05), boss (t:18:21). 5 people observed.
“Hello, Mr. Gentry. Hello, Spud.” 18:05 · “Where's your dad? He's getting stuff ready for dinner.” 18:07
18:30Model synopsis: A group of men in Western attire, including one with a gun belt, stand outdoors and are introduced by someone off-screen. The speaker names two individuals, Gat Gans and Dusty, and states they have joined the group temporarily.
Named: Gat Gans (t:18:25), Dusty (t:18:25). 6 people observed.
“Hey, Butch.” 18:24 · “I want you to meet Gat Gans and his friend Dusty.” 18:25
18:36Model synopsis: A man in a cowboy hat and dark shirt is shown in a close-up. No other people, objects, or on-screen text are visible in the single frame.
1 person observed.
18:39Model synopsis: A man in a plaid shirt and vest stands outdoors with a neutral expression. No dialogue or on-screen text is present in this beat.
1 person observed.
18:41Model synopsis: A man in a cowboy hat and dark shirt is shown in a close-up. No dialogue or other actions are visible in this beat.
1 person observed.
18:45Model synopsis: A man in a cowboy hat and vest stands near a horse while another man in a cowboy hat is behind him; a third person is partially visible on the right. A voice says they will meet the rest of the boys.
3 people observed.
18:53Model synopsis: A man is seen handling a horse outdoors. He speaks, asking if he got to work, after being told to get in there.
1 person observed.
“Get in there.” 18:51 · “Did I get to work?” 18:52
Model synopsis: A group of men in cowboy hats and period clothing gather inside a wooden building, discussing a plan to steal cattle and ambush someone named Winters. One man gives instructions while others listen, and they prepare to leave around midnight.
5 people observed.
“Hey, boys.” 18:57 · “- Grandusty. - Howdy.” 19:00
Model synopsis: Two men speak near a horse and fence; one is mounted, the other standing. They discuss provisions and a planned cattle drive for the next night.
Named: Chief (t:19:52), Butch (t:19:56). 2 people observed.
“We're all out of provisions, Chief. Yeah.” 19:52 · “Well, here's Pesky Barks.” 19:54
20:07Model synopsis: A man on horseback speaks to another man standing beside a wooden fence; the rider says he is riding back with the other to get his pack. The second man agrees.
Named: Denty (t:20:04). 2 people observed.
“I'm riding back with you, Denty, to get my pack.” 20:04 · “Okay.” 20:06
20:14Model synopsis: Two men on horseback are seen from behind, moving away from a wooden fence in an outdoor setting. Dust is kicked up by the horses' hooves, suggesting movement on unpaved ground.
2 people observed.
20:22Model synopsis: Two men stand outside a wooden structure; one calls out to someone off-screen while the other listens. The transcript indicates they are discussing others driving to town for revision.
2 people observed.
“Hey, bud!” 20:18 · “Come out here.” 20:21
20:45Model synopsis: Two men on horseback discuss acquiring a ranch and its owner's daughter, with one stating he will take both. The conversation implies a scheme involving marriage to gain control of the property.
2 people observed.
“I've tried to buy the ranch for two years. Now I'm taking it.” 20:41 · “I'm taking her along with the ranch. Oh, I see.” 20:47
21:11Model synopsis: A man in a hat sits on a wooden wagon near a rustic wooden structure while being ordered to leave. The dialogue indicates urgency and a threat if he does not return to a dock.
Named: Tony (t:21:06). 1 person observed.
“Go the way you always go.” 21:02 · “Don't ask any questions and don't answer any.” 21:03
Model synopsis: A man in a car speaks with a boy standing beside the vehicle near a wooden fence; the man declines an invitation to enter. The setting is outdoors, with trees and open land visible.
Named: Dr. Shilsey (t:21:34). 2 people observed.
“Won't you come in, Dr. Shilsey?” 21:34 · “I got to be getting back.” 21:37
21:58Model synopsis: An older man and a younger person in a hat stand outdoors near a wooden structure; the transcript reveals concern over lost money and an attack by two men. The younger person recounts being followed and losing memory, while the older man questions how they were found.
Named: Faye (t:21:56). 2 people observed.
“I lost the money. Never mind the money, dear.” 21:47 · “It's you I was worried about.” 21:50
Model synopsis: Two frames show a rural outdoor setting with trees and a dirt path. A person on horseback is visible in the second frame, while the first frame shows a group of horses and riders in the distance.
1 person observed.
22:35Model synopsis: A man drives a two-horse wagon along a dirt road bordered by trees. The scene is shot in black and white with natural daylight.
1 person observed.
22:39Model synopsis: A dark, low-lit exterior shot shows a wooden structure with a wagon wheel in the foreground. No people or actions are visible in this single frame.
Model synopsis: A dog runs across a dirt area near a horse and a fence. The scene is outdoors and appears to be part of a rural or ranch setting.
Model synopsis: A horse-drawn carriage travels along a dusty road, viewed from behind as it moves away from the camera. The setting is an open, rural landscape with hills and sparse trees under a bright sky.
Model synopsis: Two horses are shown in profile and from behind on a dirt road near trees and hills. No people are visible in the frames, and no dialogue or on-screen text is present.
Model synopsis: A man in a cowboy hat rides a white horse along a dirt road in a rural landscape. In the final frame, a horse-drawn wagon is seen in silhouette, kicking up dust, with a distant figure standing in the background.
2 people observed.
Model synopsis: A man in a cowboy hat and dark shirt rides a white horse across an open landscape with hills in the background. The sequence includes a close-up of the horse's head and a shot of the rider from the side as he moves through the terrain.
1 person observed.
Model synopsis: A horse-drawn carriage travels along a dirt road in a rural landscape. A man in a cowboy hat is visible driving the carriage, and another person is seated beside him.
2 people observed.
24:13Model synopsis: A man rides a horse-drawn vehicle across an open landscape. The scene is shot in black and white with strong backlighting creating silhouettes.
1 person observed.
24:15Model synopsis: A horse-drawn vehicle moves rapidly past trees on a dirt road, with a rider visible on horseback nearby. The scene is outdoors in a rural setting with hills in the background.
1 person observed.
24:23Model synopsis: A man in a dark cowboy hat and shirt sits beside another person in a light hat, outdoors. The transcript includes a line spoken at 24:19 referring to shared rides.
2 people observed.
24:35Model synopsis: A man in a cowboy hat embraces a child outdoors. The man speaks to the child, suggesting they sit down and compose themselves.
2 people observed.
“Come on, son, let's go sit down and kind of pull ourselves together.” 24:32
25:07Model synopsis: Two men in cowboy hats are outdoors in a grassy area; one reassures the other about safety and returning home. One man mentions being beaten by 'Butch' and insists no one can stop him.
Named: Spuds (t:24:48). 2 people observed.
“Oh, don't worry, Spuds. We're all right.” 24:48 · “I'm thinking of what's gonna happen to me when I get back.” 24:56
25:47Model synopsis: Four men in Western attire stand outdoors near horses and a wrecked buckboard; one man speaks about the wreck and provisions while another tells him to get in the house. The scene takes place during daylight with no interior visible.
4 people observed.
“I was beginning to think I'd have to come in after you.” 25:35 · “What happened? The horses got scared. I managed to stop them, but the buckboard's wrecked.” 25:43
26:05Model synopsis: Two men in cowboy hats are shown outdoors; one leans on a vehicle while the other holds a paper. One man is addressed by the name Dusty in the dialogue.
Named: Dusty (t:26:03). 2 people observed.
“I told him that kid couldn't hold them horses.” 26:00 · “I've seen that fella someplace before, Dusty.” 26:03
Model synopsis: Two men in cowboy attire are seen near horses outside a wooden building; one man descends steps while another runs toward the horses. Dialogue includes a plea for help and a mention of money and children, followed by whistling and a warning.
4 people observed.
“I couldn't help it, more dollars! I couldn't have a child!” 26:12 · “*whistling*” 26:15
Flagged: visible event not seen (Two men run toward horses in a fenced area.)
26:29Model synopsis: Three men in Western attire are positioned near a wooden building; one aims a pistol while another crouches and a third stands with a rifle. No dialogue or on-screen text is present in this beat.
3 people observed.
26:36Model synopsis: A man in a vest and plaid shirt is visible in a dimly lit interior setting. He speaks about someone named Victor Westham and suggests it is now another person's turn.
Named: Victor Westham (t:26:36). 1 person observed.
“I've had Victor Westham...” 26:36 · “Now I reckon it's your turn.” 26:38
26:42Model synopsis: A man in a cowboy hat and dark shirt stands outdoors with wooden buildings and trees behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
26:46Model synopsis: Two men are engaged in a physical altercation outside a wooden building. One man is seen raising his arm as if to strike, while the other appears to be recoiling or defending himself.
2 people observed.
26:49Model synopsis: A man in a cowboy hat and bandana is visible in a medium close-up. The setting appears to be outdoors near a wooden structure with a wire fence.
1 person observed.
26:53Model synopsis: A person lies on the ground while another stands over them near a wooden building. No dialogue or on-screen text is present in this beat.
2 people observed.
26:56Model synopsis: A man in a wide-brimmed hat and bandana is shown in a medium close-up. The background suggests an outdoor wooden structure, possibly a fence or porch.
1 person observed.
27:00Model synopsis: A man in a cowboy hat runs toward three others near a wooden building; one man faces away, another holds a rifle, and a third stands with hands up. The scene is outdoors in daylight, with no visible text or spoken dialogue.
4 people observed.
Model synopsis: A boy smiles near a wooden structure while two men fight in front of a cabin. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A young person urges someone named Ted in an outdoor wooden setting. A man in a cowboy hat and bandana is shown in a separate shot.
Named: Ted (t:27:04). 2 people observed.
“Come on, Ted!” 27:04
27:11Model synopsis: A man in a hat and shirt is bent over on a dusty ground near wooden steps, while another person's legs and boots are visible standing nearby. No dialogue or on-screen text is present in this beat.
2 people observed.
27:14Model synopsis: A man in a vest and shirt is visible in a medium close-up, looking over his shoulder with a startled expression. The background includes wooden shelves or a rustic interior structure.
1 person observed.
27:16Model synopsis: A man with wet, disheveled hair and a dark coat is shown in a close-up. No dialogue or additional context is provided in this beat.
1 person observed.
27:19Model synopsis: A man in a cowboy hat and plaid shirt is visible in a single frame, touching his chin. No spoken dialogue or additional context is provided in this beat.
1 person observed.
27:25Model synopsis: A man runs away from a wooden building while another man stands on a porch holding a rifle. The scene is outdoors in daylight, with no spoken dialogue in this beat.
2 people observed.
27:28Model synopsis: A young person with short hair and a light shirt is visible in a close-up, smiling. The background includes wooden structures, suggesting an outdoor or rustic setting.
1 person observed.
27:30Model synopsis: A man in a hat and plaid shirt leans against a wooden structure outdoors. No dialogue or on-screen text is present in this beat.
1 person observed.
27:36Model synopsis: A man in a vest stands on a wooden porch as another man in dark clothing moves toward him; a third man sits on the porch steps. No dialogue is present in this beat.
3 people observed.
27:42Model synopsis: A young boy with light hair and a light shirt is visible in a close-up, standing in front of a wooden structure. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
27:48Model synopsis: A man in a dark shirt grabs a seated boy by the collar while another man in a hat watches. A voice threatens to break bones if the boy is whipped again.
3 people observed.
“If you ever whip that kid again, I'll break every bone in your carpet.” 27:43 · “Huh?” 27:46
Flagged: visible event not seen (A man grabs a boy by the collar.)
28:15Model synopsis: Two men in cowboy attire sit on a wooden fence and speak; one reassures the other about fighting and mentions a ranch and a plan to warn someone. The dialogue references Gentry, a girl mistaken for a man, and starting a drive.
2 people observed.
“He won't whip you again, Spud.” 27:57 · “Here you can fight.” 28:01
28:51Model synopsis: Two men in cowboy hats are outdoors near a horse; one asks the other for a knife. The scene is set in natural daylight with trees visible.
Named: Dusty (t:28:38). 2 people observed.
29:10Model synopsis: A person is visible on horseback near a herd of cattle in an outdoor setting at dusk or night. No names are spoken, and no specific events beyond the presence of the person and animals are described.
1 person observed.
“Come on.” 29:10 · “Mmm.” 29:12
29:16Model synopsis: A dark, low-resolution frame shows indistinct figures and animals in motion, likely outdoors at night or in a poorly lit space. No clear actions, objects, or people can be identified from the visual alone.
29:28Model synopsis: A group of cattle is herded through a gate in a rural setting while off-screen voices say 'Cheers,' 'Amen,' and 'Yeah.' No named individuals are visible or identified by voice.
1 person observed.
29:50Model synopsis: A person is visible in a dark outdoor setting near a wooden structure; two short lines are spoken. No names are mentioned, and no objects beyond the structure and foliage are identifiable.
1 person observed.
“No.” 29:48 · “All right.” 29:59
30:09Model synopsis: A dark interior is shown with light coming through a multi-paned window with curtains. No people or objects are clearly visible, and no dialogue or on-screen text is present.
30:18Model synopsis: A woman in a light-colored collared shirt is shown in a dimly lit interior. No actions, dialogue, or objects are visible beyond her presence.
1 person observed.
30:23Model synopsis: A person in light-colored clothing is visible in a dimly lit interior, holding a pistol. No dialogue or on-screen text is present in this beat.
1 person observed.
30:49Model synopsis: An older woman stands beside a younger man seated on a bed in a dimly lit room; they discuss stolen cattle and a threat to his life. The transcript indicates urgency and fear, with warnings not to go outside and references to lost money and waiting gunmen.
Named: Dad (t:30:29). 2 people observed.
“What's wrong, Faye? Come here, Dad.” 30:29 · “They're waiting to shoot you down.” 30:55
31:13Model synopsis: A dark, indistinct outdoor scene is shown with silhouetted posts or trees against a black sky. No people, objects, or text are clearly visible in the single frame.
Model synopsis: A man in a hat stands beside a horse in a dark outdoor setting. The transcript includes exclamations and short commands, but no names or clear events are established.
1 person observed.
“Ah!” 31:18 · “I'm not going to.” 31:25
31:59Model synopsis: A close-up of a pocket watch is shown. No people, dialogue, or location context is visible.
32:06Model synopsis: A man in a wide-brimmed hat is shown in profile against a dark outdoor background. The scene is lit to suggest dusk or night, with no visible interior elements.
1 person observed.
32:14Model synopsis: Two men on horseback are visible in a dim outdoor setting; one speaks of seeing a light flash and believes a note was received. No names, time of day, or period are established beyond the film's 1934 release.
2 people observed.
“I saw the flash of a light.” 32:10 · “I'm sure they got the note.” 32:12
32:26Model synopsis: Three men on horseback are seen in silhouette under trees, with one stating they have the cattle and suggesting they leave. No interior or specific time of day is established, and no names are spoken.
3 people observed.
“I don't think there's anybody home.” 32:23 · “Well, that's mighty strange.” 32:26
32:56Model synopsis: Three men in cowboy hats converse outdoors; one suggests going to Winters for a job to trail stolen cattle. A speaker named Gentry is praised for a smart idea, and someone named Dusty is urged to act.
Named: Gentry (t:33:05), Dusty (t:33:10). 3 people observed.
“Go over to Winters and ask him for a job.” 32:50 · “That's a mighty smart idea, gentry.” 33:05
33:24Model synopsis: A person sits on a white horse near a wooden fence and tree, with a second horse standing nearby. The scene is outdoors and appears to be in a rural setting.
1 person observed.
33:36Model synopsis: Two riders on horseback are seen near a wooden fence with a brush-covered hill in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Three men in cowboy attire discuss cattle rustling near a white horse and hay bales; one agrees to saddle up and join the others to track the stolen herd. The conversation includes a proposal to recover the cattle in exchange for employment.
3 people observed.
“Oh, how are you?” 33:45 · “I reckon you're the owner here.” 33:46
34:36Model synopsis: A man and a woman greet each other near a white picket fence; the woman tells the man her father is at the barn. The man then says he would like to see him.
Named: Mr. Danby (t:34:34), Miss Winters (t:34:32). 2 people observed.
“Oh, Miss Winters.” 34:32 · “Oh, good morning, Mr. Danby. Good morning.” 34:34
Model synopsis: A man reports cattle stolen and hires two boys to trail them, while a woman objects to the danger. The group stands outdoors near a fence, with one man in a cowboy hat and another in a suit, and a woman in a checkered dress.
Named: Miss Corners (t:34:51). 4 people observed.
“Good morning, Gentry. Good morning, Miss Corners.” 34:51 · “Rustler's run off my cattle last night. I've just hired these two boys to help trail 'em.” 34:53
35:14Model synopsis: A man in a wide-brimmed hat and suit is shown in a medium close-up. The background is out of focus but suggests an outdoor setting with distant structures.
1 person observed.
35:18Model synopsis: A man in a cowboy hat and dark clothing is shown in a close-up against a blurred outdoor background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a cowboy hat speaks to someone off-screen while standing near a fence; another man on horseback and a woman are visible nearby. The transcript includes reassurance about returning and a hope that cattle are found.
3 people observed.
“Don't worry, dear. I may be late getting back.” 35:22 · “But I'll be here...” 35:25
35:46Model synopsis: A man and a woman stand facing each other in an outdoor wooden setting; the man offers to keep the woman company if her father is late. The woman says she is not afraid and would not like Lincoln to leave, and the man responds that it would not be an inconvenience and would be a pleasure.
Named: Lincoln (t:35:47), Miss Werrius (t:35:49). 2 people observed.
“In case your dad is late getting back, I'd be very happy to keep you company this evening until his return.” 35:39 · “But I'm not afraid.” 35:46
36:32Model synopsis: Three men in cowboy attire stand outdoors in a field with horses nearby; one holds a letter and speaks about Gans and a job, while another threatens to shoot if they don't leave. The conversation references a poster, a character named Gentry, and a resolved situation involving 'Mr. Winters'.
Named: George Smith (t:36:20), Gentry (t:36:03), Chuck (t:36:25). 3 people observed.
“Hello, gentry.” 36:03 · “George Smith.” 36:20
Model synopsis: A man stands near a wooden fence and wagon in a sunlit outdoor setting with trees and hills. Another man sits on a wagon bed, holding a pistol.
2 people observed.
37:45Model synopsis: A pair of hands manipulates small metal objects on a wooden surface, surrounded by tools. No people are named, no dialogue is present, and the setting is not identifiable beyond the immediate workspace.
1 person observed.
Model synopsis: A boy works on a wooden cart in a fenced outdoor area, then is seen inside a dimly lit wooden structure. No dialogue or on-screen text is present in these frames.
1 person observed.
38:40Model synopsis: Two men in hats converse outdoors; one mentions a shovel, a partner, and a bank, while the other agrees to wait for money at a hideout and plans to stay at the Winters' place. No names are spoken, and no objects beyond clothing and trees are visible.
2 people observed.
“Dusty's taken the shovel, but I guess I-- Never mind that.” 38:27 · “Where is your partner?” 38:30
39:00Model synopsis: A man stands near a pile of rocks under trees with a horse nearby. No dialogue or on-screen text is present in this beat.
1 person observed.
39:08Model synopsis: A person rides a horse through brushland with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
39:17Model synopsis: A man on horseback greets two men standing near a wooden fence; one of the men responds and announces he has good news. The scene is outdoors under daylight, with trees and a fence visible.
3 people observed.
“- Hello, boys. - Hi, boys.” 39:19 · “Well, I got some good news for you.” 39:21
39:31Model synopsis: A group of men in cowboy hats stand outdoors near a wooden structure; one man speaks about the death of Old Man Winters and the inheritance of his ranch. The dialogue suggests a plot development involving ownership and mystery about missing people.
4 people observed.
“The winter's ranch will soon be mine.” 39:24 · “dead.” 39:29
Model synopsis: A man in a hat peers from a wooden structure while a group of men in cowboy hats discuss a $5,000 reward for Gats Gans, who is reportedly at the Winters Ranch. One man states his job is to ensure the task is done, regardless of the method.
5 people observed.
“And now we're going to collect $5,000 reward.” 39:42 · “Gats Gans is at the Winters Ranch, but he'll be over here in the morning.” 39:47
40:05Model synopsis: A man in a hat and shirt stands beside a wooden wall, pressing his hand against it. No dialogue or on-screen text is present in this beat.
1 person observed.
40:15Model synopsis: A man in a hat stands beside a saddled horse in an outdoor enclosure. A voice asks about 'Pee-wee' and warns that 'they're gonna flag your tin out of here,' suggesting an impending threat.
1 person observed.
“Pee-wee?” 40:08 · “They're gonna flag your tin out of here.” 40:09
40:29Model synopsis: A man in a hat and light shirt leans over a wooden trough filled with hay inside a wooden-walled structure. No dialogue or on-screen text is present in this beat.
1 person observed.
40:40Model synopsis: A horse stands in a fenced enclosure with a person partially visible beside it. The setting appears to be an outdoor corral or paddock with wooden fencing and trees in the background.
1 person observed.
40:48Model synopsis: A person rides a horse across an open, tree-lined area. The scene is shot in black and white with motion blur indicating speed.
1 person observed.
40:55Model synopsis: A man on horseback is near a wooden fence in an outdoor setting. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men in cowboy hats sit on a bench outdoors and speak; one warns the other he will be shot at a hideout, and the other denies being wanted. The setting is a wooded area with a wooden fence and trees.
Named: Spuds (t:41:05). 2 people observed.
“Why, Spuds, what are you doing over here? I've come to tell you, they're going to shoot you as soon as you come to the hideout.” 41:05 · “The entry says there's a reward for you, and he's going to get it.” 41:11
Model synopsis: A boy and a man in cowboy hats talk outdoors near a tree; the man mentions Martha, Butch's wife, and that they worked for the boy's father. The boy reacts with recognition and asks if Martha ever told him about his father.
2 people observed.
“that you gave it to me once you died.” 41:26 · “She was Butch's wife.” 41:31
Model synopsis: A boy and a man sit outdoors near a tree; the boy holds a letter revealing his true identity as Jim Hayden, whose father and brother were killed by Gentry's gang. The man, called 'Cutie' and later 'bud', reacts emotionally as the letter is read.
Named: Cutie (t:42:00). 2 people observed.
“Daddy was dead and that witch wasn't my real dad.” 41:45 · “I'm gonna open this, bud.” 42:03
42:38Model synopsis: Two men stand close outdoors near a tree and fence; one calls the other 'Jim' and declares him his brother. The scene is set in daylight with no interior visible.
Named: Jim (t:42:32). 2 people observed.
“Jim.” 42:32 · “Jim, do you know what that means?” 42:35
42:46Model synopsis: Three men are in a room with barred windows and a desk; one sits in a chair with legs crossed, another stands holding a hat, and the third sits on a chair facing them. The setting appears to be an office or jail cell interior.
3 people observed.
43:03Model synopsis: A man in a suit sits in a chair and speaks about suspecting someone named Gentry of being involved in Hayden's death. He references a letter that confirms his suspicion, though no proof was found years earlier.
1 person observed.
“You know, boys...” 42:51 · “I've suspicioned gentry for a long time.” 42:55
43:23Model synopsis: Three men are in a room with barred windows; one seated man speaks while another stands and a third sits nearby. The transcript indicates they are discussing whether to act against someone named Gentry and to let Ted proceed.
3 people observed.
“We've got enough on gentry now.” 43:20 · “Why should we wait?” 43:22
43:30Model synopsis: A person on horseback is visible behind a picket fence in an outdoor rural setting. No dialogue or on-screen text is present in this beat.
1 person observed.
43:34Model synopsis: Two men sit on a bench outdoors near a wooden structure; one speaks gently to the other. The setting appears rural with trees and fencing visible.
2 people observed.
“That's gently now.” 43:33
43:40Model synopsis: A man stands beside a saddled horse near a wooden fence in an outdoor setting. The scene is shot in black and white with natural lighting and includes a dog and a trough in the foreground.
1 person observed.
43:46Model synopsis: Two people sit on a wooden bench outdoors near a tree and a wooden structure. One wears a dark outfit and hat; the other wears lighter clothes and a hat.
2 people observed.
43:49Model synopsis: A man in a hat walks toward a wooden cabin at night. The scene is lit by artificial light, showing a tree and steps leading to the cabin door.
1 person observed.
43:56Model synopsis: A man in a cowboy hat stands beside a seated boy near a tree and a wooden structure; the man speaks to the boy, telling him to stay put regardless of what happens. The scene is outdoors in daylight, with hills visible in the background.
2 people observed.
“No matter what happens, son.” 43:52 · “Stay right here.” 43:54
Model synopsis: A man in a suit and hat approaches a seated woman in a checkered dress inside a wooden-walled room; he hands her a poster while speaking. The woman looks at the poster as he speaks to her.
Named: Miss Winters (t:44:01). 2 people observed.
“Miss Winters.” 44:01 · “I hardly know how to tell you, but...” 44:07
44:16Model synopsis: A wanted poster for Gat Ganns, a murderer, is shown. The poster offers a $5,000 reward for his capture, dead or alive, for the murder of John Quigley on October 15th in Rio Blanca.
Model synopsis: A man and a woman are in a wooden room; the man embraces the woman as another man enters. The transcript reveals the woman is distressed over news about her father and the man proposes marriage, which she resists.
Named: Mr. Gentry (t:44:39). 3 people observed.
“That's the man that went with Dad.” 44:19 · “And he's a killer. That isn't the worst of it.” 44:21
Model synopsis: A man and a woman stand in a wooden room; the woman asks what happened to her father, and the man says he saved Miss Winters. Another man in a cowboy hat appears, and someone calls for the sheriff, accusing a man of murder.
3 people observed.
“What have you done with my father?” 44:56 · “Your father saved Miss Winters.” 44:58
Model synopsis: A man named Pat Hayden confronts another man and a woman, identifying himself as the son of a man murdered 12 years ago and stating his intent to settle the score. The woman, addressed as Miss Winters, is told to call the sheriff.
Named: Pat Hayden (t:45:07), Miss Winters (t:45:22). 3 people observed.
“My name's Hayden.” 45:06 · “Son of the man you and your gang murdered 12 years ago.” 45:08
45:30Model synopsis: A man and a woman stand inside a wooden-walled room; the man gestures while the woman looks forward. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman is on the phone in a room with wooden walls and shelves; a man in a suit stands nearby holding a glass. The transcript includes a call to the sheriff's office and an accusation directed at someone named Gentry.
Named: Gentry (t:45:51). 2 people observed.
“Hello?” 45:39 · “Hello, give me the sheriff's office.” 45:39
Model synopsis: A woman answers a phone call at what appears to be a sheriff's office, speaking with someone off-screen while two men stand nearby. The conversation suggests urgency, as one man is told to get his daughter and they must hurry.
Named: Miss Winters (t:46:07). 4 people observed.
“Hello, is this the sheriff's office?” 46:03 · “This is Miss Winters.” 46:07
Model synopsis: A woman in a checkered dress is shown in a wooden interior, first at a wall-mounted telephone, then entering a room with a man near a trunk, and finally standing in a doorway. No dialogue or on-screen text is present in the frames.
2 people observed.
46:42Model synopsis: Two men are in a rustic interior room; one stands near a cabinet while the other moves toward him. No dialogue or on-screen text is present in this beat.
2 people observed.
46:52Model synopsis: A woman in a patterned dress stands inside a wooden structure, leaning against a door frame. No dialogue or on-screen text is present in this beat.
1 person observed.
47:00Model synopsis: A person is visible in a room with patterned curtains and furniture, engaged in physical movement. No names, time of day, or period are established from the frames or transcript.
1 person observed.
“I'm” 46:55
47:07Model synopsis: A woman in a patterned dress and dark belt leans against a wooden wall, pressing her ear to it. The scene is indoors, with wooden paneling visible.
1 person observed.
47:11Model synopsis: Two men are in a rustic room with patterned curtains and furniture; one stands holding an object while the other sits at a table. No dialogue or on-screen text is present in this beat.
2 people observed.
47:16Model synopsis: Two men on horseback are shown in front of a building with a sign reading 'SHERIFF' at night. The scene is lit by artificial light, suggesting an outdoor setting with law enforcement presence.
2 people observed.
Model synopsis: Three frames show riders on horseback on a dusty road, then two men in a physical altercation inside a rustic room, and finally a man crouching near a fireplace in the same room. No dialogue or on-screen text is present in this beat.
5 people observed.
Model synopsis: A person on horseback is seen riding away on a dirt path through a hilly, grassy landscape, while another scene shows a person falling backward over a chair indoors. The transcript contains a repeated line stating an intention to leave.
2 people observed.
“I'm going to go.” 47:36 · “I'm going to go.” 47:46
47:56Model synopsis: A man in a suit is seen grappling with another man against a wooden wall inside a rustic room. The room contains a patterned armchair and a stone fireplace with mounted antlers.
2 people observed.
48:01Model synopsis: A rider on horseback gallops through a dusty, open landscape with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
48:02Model synopsis: A person in heavy clothing stands near a floral-patterned armchair in a rustic interior with a stone fireplace. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a suit stands in a room with bookshelves while another person lies face down on the floor. The transcript contains only the word 'Yeah.'
2 people observed.
“Yeah.” 48:05
48:12Model synopsis: A man in dark clothing is on the ground in a low-angle shot, reaching forward. The setting appears to be an interior space with rough walls, lit by a single strong light source.
1 person observed.
48:15Model synopsis: A man in dark clothing leans over a patterned couch in a stone-walled room with a fireplace. No dialogue or on-screen text is present in this beat.
1 person observed.
48:19Model synopsis: A man in a suit is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
48:22Model synopsis: Two men are in a rustic log cabin interior; one stands near a window, the other near a fireplace. No names or events are spoken in the supplied transcript.
2 people observed.
48:26Model synopsis: A man in dark clothing stands inside a rustic wooden structure, leaning forward near a doorway. The setting appears to be an interior space with rough-hewn walls and minimal furnishings.
1 person observed.
48:30Model synopsis: A man runs toward a horse standing near a picket fence in an outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
48:34Model synopsis: A person stands in a dimly lit wooden interior, holding an object near a doorway. The setting appears rustic and enclosed, with wooden walls and a narrow passage visible behind.
1 person observed.
48:40Model synopsis: A person on horseback is seen from behind, passing through a wooden gate in a rural setting with trees and hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
48:46Model synopsis: A boy in a cowboy hat walks toward a man holding a white horse near a barn; a voice instructs to lead 'Dusty' to the hideout. The scene is outdoors near a wooden structure with trees and a bench visible.
Named: Ted (t:48:42). 2 people observed.
“When Dusty comes, lead him right to the hideout.” 48:42 · “Hi, Ted.” 48:42
48:53Model synopsis: A lone figure on horseback moves along a dirt path through a wooded area with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A group of riders on horseback moves through a hilly, grassy landscape. One rider on a dark horse and another on a white horse are shown in closer shots, with a line of riders visible in the distance.
3 people observed.
“I'm not sure.” 48:59
49:15Model synopsis: Three riders on horseback approach a wooden gate in a rural setting with hills in the background. A fourth person stands near the gate, facing the riders.
4 people observed.
49:24Model synopsis: A group of riders on horseback are positioned near a white fence with hills in the background. One rider calls out to others, urging them to follow toward the center.
Named: Winters (t:49:23). 4 people observed.
“I'll be all right, dear. Don't you worry.” 49:18 · “Hey, Jockeys, head center, follow me! Come on, Winters!” 49:23
49:36Model synopsis: A person on horseback is visible in an outdoor setting with trees and hills. The transcript contains the spoken line 'Come on.'
1 person observed.
“Come on.” 49:32
49:43Model synopsis: A person rides a horse across an open, brushy field with trees and hills in the background. The scene is shot in black and white and appears to be outdoors in daylight.
1 person observed.
49:50Model synopsis: A person rides a horse past a wooden fence in an outdoor setting. Dust is kicked up by the horse's hooves as it moves.
1 person observed.
49:58Model synopsis: A man in a suit stands in a doorway inside a wooden structure, holding a rifle. The scene is lit with high-contrast studio lighting, showing shadows and wooden paneling.
1 person observed.
Model synopsis: A man fires a gun near a wooden fence while another person runs away in the background; a second shot shows a wooden shed and yard with a wheelbarrow. No names are spoken, and the setting appears to be a rural yard or farm.
2 people observed.
50:17Model synopsis: A person is partially visible at the left edge of a wooden doorway leading into a dark interior. The scene is static and shows no action or dialogue.
1 person observed.
50:20Model synopsis: A man in a suit and boots runs away from a wooden building. The scene is outdoors, shot in black and white, with no dialogue or on-screen text visible.
1 person observed.
50:24Model synopsis: A man in a suit and boots stands inside a rustic wooden room, reaching for a door handle. The room contains barrels, a workbench, and tools, suggesting a workshop or storage area.
1 person observed.
50:26Model synopsis: Two men in cowboy hats walk out of a wooden building near a fence. The setting appears to be a rural area with unpaved ground and wooden structures.
2 people observed.
50:29Model synopsis: A man in dark clothing runs past a wooden structure in a single shot. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men struggle inside a cluttered workshop while three others stand outside near a wooden fence. One man inside is told to give up his gun, and another is called 'Ken' in the dialogue.
Named: Ken (t:50:39). 6 people observed.
“Yes, Ken.” 50:39 · “He's got himself in a trap. Give me that gun.” 50:40
Model synopsis: Two men are shown in a confrontation inside a wooden structure; one is seated and restrained while the other stands over him. Earlier in the beat, three riders on horseback are seen moving along a fenced path in a hilly, open landscape.
3 people observed.
“Listen, Gensry, I'm going to go.” 50:48 · “Twelve years ago, you killed my father.” 50:54
Model synopsis: Four men in cowboy hats stand outdoors; one man inside a cluttered room steps over a body on the floor; the group is later seen on horseback riding away. A voice says 'Why, it's Gentry!' and another says 'I don't know.'
Named: Gentry (t:51:21). 5 people observed.
“All right, boys, let's riddle them with bullets.” 51:10 · “I'm going to go.” 51:13
Model synopsis: A group of men on horseback approaches a wooden gate in a rural setting; three men in cowboy hats stand near the gate, one gesturing. A voice asks for a man named Gann, who is said to be inside.
Named: Gann (t:51:41). 6 people observed.
“Not those iron men.” 51:38 · “Where's the man called Gann?” 51:41
51:46Model synopsis: A person in dark clothing runs toward a wooden door inside a cluttered workshop. No dialogue or on-screen text is present in this beat.
1 person observed.
51:48Model synopsis: A man stands in the doorway of a wooden building while another person lies motionless on the ground nearby. The scene is outdoors and appears to be from a Western film.
2 people observed.
51:52Model synopsis: A man in a suit and hat sits on a horse outdoors. He speaks to someone off-screen, saying he has been trying to meet them for some time.
1 person observed.
“Well, boy...” 51:50 · “I've been trying to meet up with you for some time.” 51:52
51:57Model synopsis: A man in dark clothing gestures toward a boy in overalls and a hat on wooden steps outside a wooden building. No dialogue or on-screen text is present in this beat.
2 people observed.
52:15Model synopsis: A woman and a boy sit on a wagon in a fenced outdoor area, discussing marriage and a ranch. The dialogue suggests a proposal and future plans, with the boy named Jim and another person named Ted mentioned.
Named: Jim (t:52:12). 2 people observed.
“What are you thinking about, Jim?” 52:12 · “You know, Ted and I are gonna get our ranch back.” 52:14
Model synopsis: A man in dark clothes stands beside a wagon while a woman and a boy sit on it; the boy later appears in a close-up looking downcast. The transcript includes dialogue about a 'little brother' and someone lacking nerve to say something.
Named: little brother (t:52:32). 3 people observed.
“What's my little brother been telling you?” 52:32 · “Well, I was telling them what you said you didn't have the nerve to.” 52:36
Model synopsis: A man and a woman stand near a wagon while a boy sits on it; the boy smiles and speaks. The transcript includes dialogue about a proposition and a lecture, ending with the word 'banking'.
3 people observed.
“All right.” 52:42 · “Is my face red? Well, don't I tend to be.” 52:43
53:13Model synopsis: The final frame of the film displays 'The End' and 'A LONE STAR PICTURE' on a dark background. No people, actions, or settings are visible in this beat.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 621 segments kept, 273 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1934 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement