Public Reel

Texas Terror (1935)

No renewal found Free in the US since 1 January 1964, on the registry's reading: registration LP5367 of 1935 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy texas_terror_1935
Copy
texas_terror_1935 on the Internet Archive; released 1935
Read
575 shots over 51:41 · 326 beats in 189 sequences · 613 transcript lines · JSON
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Texas Terror No renewal found
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Lands on the beat covering that second.
189 sequences; each is also a heading below.
How this page was made

575 shots over 51:41, read from the Internet Archive copy texas_terror_1935 (texas_terror_1935.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Texas Terror No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 575 shots judged colour), average shot 5.4s long, a frontal face detected in 24% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1935 (Internet Archive).

326 beats in 189 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 326 of 326 beats annotated, 322 passed the checks, 4 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Sequence 2 from 0:08

Frame at 0:20, shot 10:20
1 of 1 shots sampled

2. Beat 2

0:08–0:33 Machine checks passed

Model synopsis: The beat displays a static credit title card from the 1935 film TEXAS TERROR, listing production roles and names. No people, actions, or environments are depicted beyond the text and its background design.

Evidence, details and a link to share

Sequence 3 from 0:33

Frame at 0:41, shot 20:41
1 of 1 shots sampled

3. Beat 3

0:33–0:48 Machine checks passed

Model synopsis: A single frame shows a cast list on a textured circular background with a star motif. No people, actions, or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 4 from 0:48

Frame at 0:52, shot 30:52Frame at 0:58, shot 40:58Frame at 1:02, shot 51:02Frame at 1:05, shot 61:05
4 of 4 shots sampled

4. Town square

0:48–1:07 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is greeted by name outside a sheriff's office; another man is seated inside at a desk. The setting is a town street with storefronts and a brick building marked 'SHERIFF'S OFFICE'.

  • A man is seated at a desk inside a building. [frame:4]
  • Two men stand near the door of the sheriff's office. [frame:3]
  • An older man walks past the sheriff's office door. [frame:2]

Named: Dan (t:1:06). 4 people observed.

“Hello, Dan.” 1:06

Evidence, details and a link to share

Frame at 1:47, shot 131:47Frame at 1:53, shot 141:53Frame at 1:59, shot 151:59Frame at 2:04, shot 162:04
4 of 4 shots sampled

7. Private office

1:43–2:04 Machine checks passed (partial)

Model synopsis: A man in a suit and hat speaks about preparing a place for Bess, while a younger man in a cowboy hat listens and expresses gratitude. The setting appears to be an interior room with filing cabinets and wooden walls.

  • The older man holds papers and speaks about preparing the old place for Bess. [frame:1]
  • The older man continues speaking, looking earnest. [frame:2]
  • The younger man listens, looking downcast. [frame:3]
  • 1 more under Evidence and details.

Named: Dad (t:1:55), John (t:1:49). 2 people observed.

“I want the old place to look tip top before Bess gets home next year.” 1:44 · “She's all I got, John.” 1:49

Evidence, details and a link to share

Frame at 2:08, shot 172:08Frame at 2:14, shot 182:14Frame at 2:20, shot 192:20
3 of 3 shots sampled

8. Post office

2:04–2:24 Machine checks passed

Model synopsis: A man in a suit and hat speaks to another man in a cowboy outfit inside a room with mailboxes; the first man mentions being proud of the second's election as Sherrod and prepares to leave. The second man reassures him he will be fine.

Named: Sherrod (t:2:12). 2 people observed.

“Shucks, son, you don't owe me nothing.” 2:05 · “You don't know how proud I was when you got elected Sherrod.” 2:12

Evidence, details and a link to share

Frame at 2:24, shot 202:24Frame at 2:29, shot 212:29Frame at 2:37, shot 222:37
3 of 3 shots sampled

9. Sheriff's office

2:24–2:41 Machine checks flagged: visible event not seen

Model synopsis: Two men in Western attire converse near a sheriff's office; one leaves while the other remains standing. The dialogue references a horse tied at the express office and a meeting planned for the next night.

  • One man exits through a doorway while the other stands in front of the sheriff's office. [frame:2]
  • The cowboy stands alone in front of the sheriff's office door. [frame:3]

2 people observed.

“Where's your horse?” 2:28 · “Got him tied back at the express office. Oh, no.” 2:29

Flagged: visible event not seen (The cowboy stands alone in front of the sheriff's office door.)

Evidence, details and a link to share

Sequence 5 from 2:41

Frame at 2:44, shot 232:44
1 of 1 shots sampled

10. Town square

2:41–2:47 Machine checks passed

Model synopsis: A man in a cowboy hat leads a saddled horse past a wooden building in a dusty outdoor setting. The scene is shot in black and white with bright, even lighting.

  • A man leads a saddled horse past a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 6 from 2:47

Frame at 2:48, shot 242:48
1 of 1 shots sampled

11. Field

2:47–2:49 Machine checks passed

Model synopsis: Three men in cowboy hats stand among bushes; one holds a rifle. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 7 from 2:49

Frame at 2:51, shot 252:51
1 of 1 shots sampled

12. Town square

2:49–2:52 Machine checks passed (partial)

Model synopsis: A man on horseback rides past a wooden building in an open area. The setting appears to be a rural or frontier town with mountains in the background.

  • A man rides a horse past a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 2:55, shot 262:55Frame at 2:59, shot 272:59Frame at 3:04, shot 283:04
3 of 3 shots sampled

13. Town square

2:52–3:07 Machine checks passed (partial)

Model synopsis: Three men in cowboy hats are seen outdoors near brush and a wooden building; they discuss waiting for someone named Dan to leave town before entering a location by the back way. The setting appears to be a rural or frontier town with wooden structures and open land.

  • Three men stand together outdoors near brush. [frame:1]
  • A wooden building with a porch and distant hills is shown. [frame:2]
  • The three men are shown again, closer, still standing together. [frame:3]

3 people observed.

“There goes old Dan.” 2:56 · “We'll wait till he's well out of town.” 3:01

Evidence, details and a link to share

Sequence 8 from 3:07

Frame at 3:08, shot 293:08
1 of 1 shots sampled

14. Forest

3:07–3:09 Machine checks passed

Model synopsis: A person rides a horse along a dirt path in a wooded area. The scene is outdoors and appears to be in daylight.

  • A person rides a horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 9 from 3:09

Sequence 10 from 3:17

Frame at 3:18, shot 313:18
1 of 1 shots sampled

16. Field

3:17–3:20 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, tree-dotted landscape. The rider is visible in a single frame at 199s, and a line of dialogue 'What?' is spoken at 3:18.

  • A person rides a horse across a field. [frame:1]

1 person observed.

“- What?” 3:18

Evidence, details and a link to share

Frame at 3:21, shot 323:21
1 of 1 shots sampled

17. Road

3:20–3:23 Machine checks passed (partial)

Model synopsis: A person in a wide-brimmed hat rides a dark horse along a dirt path with trees in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse along a dirt road. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 3:24, shot 333:24
1 of 1 shots sampled

18. Road

3:23–3:26 Machine checks passed (partial)

Model synopsis: A person in a wide-brimmed hat and dark coat rides a horse along a road. No dialogue or on-screen text is present in this beat.

  • A person rides a horse along a road. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 11 from 3:26

Sequence 12 from 3:31

Frame at 3:33, shot 353:33
1 of 1 shots sampled

20. Private office

3:31–3:34 Machine checks passed (partial)

Model synopsis: A man in cowboy attire stands in the doorway of a brick building labeled 'SHERIFF OFFICE'. No dialogue or additional actions are visible or audible in this beat.

  • A man in cowboy attire stands in the doorway of a building labeled 'SHERIFF OFFICE'. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 13 from 3:34

Frame at 3:37, shot 363:37
1 of 1 shots sampled

21. Street

3:34–3:40 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest runs from a wooden building's doorway into a dusty street while another man in a hat follows. Horses are visible near the building, and the scene is shot in daylight.

  • A man in a cowboy hat runs from a doorway into the street. [frame:1]
  • Another man in a hat runs after him. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 14 from 3:40

Frame at 3:45, shot 373:45Frame at 3:52, shot 383:52
2 of 2 shots sampled

22. Street

3:40–3:56 Machine checks passed (partial)

Model synopsis: A group of men in cowboy hats surrounds an injured man; one man stands up holding a gun and prepares to leave. The transcript indicates masked attackers came in the back way, injured someone in the shoulder, and others are told to get Pete to a doctor while one tries to round up the attackers.

  • A man kneels beside an injured man on the ground while others stand around. [frame:1]
  • A man stands up holding a gun and begins to walk away from the group. [frame:2]

Named: Pete (t:3:49). 6 people observed.

“There was three of them, John.” 3:41 · “They came in the back way.” 3:45

Evidence, details and a link to share

Sequence 15 from 3:56

Frame at 3:59, shot 393:59
1 of 1 shots sampled

23. Street

3:56–4:02 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest kneels beside an injured man on a dusty street in front of a saloon. Another man with a gun stands nearby, preparing to leave, while a fourth man stands behind him.

  • A man kneels beside an injured man on the street. [frame:1]
  • A man with a gun stands nearby, preparing to leave. [frame:1]
  • A fourth man stands behind the gunman. [frame:1]
  • 1 more under Evidence and details.

4 people observed.

“Ah!” 3:57

Evidence, details and a link to share

Sequence 16 from 4:02

Frame at 4:04, shot 404:04
1 of 1 shots sampled

24. Forest

4:02–4:06 Machine checks passed (partial)

Model synopsis: Two riders on horseback are shown in a wooded outdoor setting; one horse rears while the other remains calm. No dialogue or on-screen text is present in this beat.

  • One horse rears up while the rider holds on; the other horse stands still. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 4:21, shot 424:21Frame at 4:28, shot 444:28Frame at 4:32, shot 454:32Frame at 4:36, shot 474:36
4 of 6 shots sampled

26. Road

4:19–4:37 Machine checks passed (partial)

Model synopsis: A person prepares a horse near a wooden building, then rides away on a dirt road through a wooded area, followed by others on horseback. The scene transitions from a stationary preparation to a group riding at speed along a trail.

  • Person p1 stands next to a saddled horse near a wooden building. [frame:1]
  • Group of riders on horseback moves along a dirt road through trees. [frame:2]
  • Person p2 rides alone on a horse along a dirt road. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“I'm going to go.” 4:22

Evidence, details and a link to share

Frame at 4:38, shot 484:38Frame at 4:42, shot 494:42Frame at 4:48, shot 504:48
3 of 3 shots sampled

27. Road

4:37–4:50 Machine checks passed (partial)

Model synopsis: A person on horseback rides away from the camera along a dirt road lined with trees. The rider, wearing a cowboy hat and vest, is shown in medium and close-up shots while holding the reins.

  • A person on horseback rides away from the camera along a dirt road. [frame:1]
  • The rider is shown in a medium shot, turning slightly toward the camera. [frame:2]
  • The rider is shown in a close-up, looking forward while holding the reins. [frame:3]

1 person observed.

“I'm going to go.” 4:38

Evidence, details and a link to share

Frame at 4:53, shot 514:53
1 of 1 shots sampled

28. Forest

4:50–4:56 Machine checks passed

Model synopsis: Two riders on horseback move along a dirt road through a wooded area, kicking up dust. The scene is shot in black and white with no visible dialogue or on-screen text.

  • Two riders on horseback travel along a dirt road, kicking up dust. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 17 from 4:56

Sequence 18 from 4:58

Frame at 5:00, shot 535:00Frame at 5:04, shot 545:04
2 of 2 shots sampled

30. Road

4:58–5:06 Machine checks passed (partial)

Model synopsis: A rider on horseback moves along a dirt road in a wooded area, followed by a scene showing a wooden bridge with several people and horses nearby. No names or dialogue are provided in the transcript for this beat.

  • A rider on horseback moves along a dirt road. [frame:1]
  • Several people and horses are visible near a wooden bridge. [frame:2]

2 people observed.

“*thud*” 4:58

Evidence, details and a link to share

Sequence 19 from 5:06

Frame at 5:10, shot 555:10
1 of 1 shots sampled

31. Wooden building exterior

5:06–5:13 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and dark suit stands in front of a wooden building, adjusting his belt or holster. The scene is outdoors, with a wooden bench and scattered rocks visible.

  • man adjusts his belt or holster [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 20 from 5:13

Frame at 5:14, shot 565:14
1 of 1 shots sampled

32. Open dusty area

5:13–5:14 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and dark suit rides a horse at speed across an open, dusty area. The background is blurred, suggesting motion and an outdoor setting.

  • A man rides a horse at speed across a dusty area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 5:16, shot 575:16
1 of 1 shots sampled

33. Forest

5:14–5:18 Machine checks passed

Model synopsis: Two riders on horseback move along a dusty path near trees; a person lies on the ground nearby. The scene is outdoors in daylight with no dialogue or on-screen text.

  • Two people ride horses along a dirt path while another person lies on the ground nearby. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 21 from 5:18

Frame at 5:19, shot 585:19
1 of 1 shots sampled

34. Other

5:18–5:19 Machine checks passed

Model synopsis: A person in a white hat and dark clothing stands inside a wooden structure, facing away. The setting appears to be a rustic interior with wooden walls and simple furniture.

1 person observed.

Evidence, details and a link to share

Sequence 22 from 5:19

Frame at 5:21, shot 595:21
1 of 1 shots sampled

35. Forest

5:19–5:22 Machine checks passed

Model synopsis: A horse stands in a wooded outdoor area with trees and sunlight visible. No people are visible in the frame, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Sequence 23 from 5:22

Frame at 5:23, shot 605:23
1 of 1 shots sampled

36. Wooden building exterior

5:22–5:24 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats are seen near a wooden building; one is entering or exiting a doorway while the other stands on the porch. No dialogue or on-screen text is present in this beat.

  • One man enters or exits a doorway while another stands on the porch. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 24 from 5:24

Frame at 5:25, shot 615:25
1 of 1 shots sampled

37. Forest

5:24–5:27 Machine checks passed

Model synopsis: A person in dark clothing runs across a dusty outdoor path near a wooden fence, with trees in the background. No dialogue or on-screen text is present in this beat.

  • A person runs across a dusty path near a wooden fence. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 25 from 5:27

Frame at 5:28, shot 625:28
1 of 1 shots sampled

38. Forest

5:27–5:29 Machine checks passed (partial)

Model synopsis: A person in a hat and dark clothing runs toward a wooden building in a forest. No dialogue or on-screen text is present in this beat.

  • A person runs toward a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 5:30, shot 635:30
1 of 1 shots sampled

39. Private office

5:29–5:31 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and coat peers around a wooden door in an interior setting. No dialogue or on-screen text is present in this beat.

  • A man in a cowboy hat peers around a wooden door. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 5:32, shot 645:32Frame at 5:34, shot 655:34Frame at 5:37, shot 665:37Frame at 5:40, shot 675:40
4 of 4 shots sampled

40. Private office

5:31–5:43 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is ordered to drop a money bag inside a wooden building; he turns and moves toward a window as another man approaches him from behind. The scene takes place indoors with wooden walls and simple furniture visible.

  • Martin turns toward a window while holding his coat. [frame:2]
  • Another man approaches Martin from behind near the doorway. [frame:3]
  • Martin raises his arm as if to throw or defend himself near the window. [frame:4]

Named: Martin (t:5:31). 2 people observed.

“Drop that money bag, Martin.” 5:31 · “Come on!” 5:37

Evidence, details and a link to share

Frame at 5:44, shot 685:44
1 of 1 shots sampled

41. Wooden building exterior

5:43–5:45 Machine checks passed

Model synopsis: Two men in cowboy attire are shown outside a wooden building; one is stepping down from a porch while the other stands facing him. No dialogue or on-screen text is present in this beat.

  • One man steps down from a wooden porch while another stands facing him. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 26 from 5:45

Frame at 5:46, shot 695:46
1 of 1 shots sampled

42. Forest

5:45–5:48 Machine checks passed (partial)

Model synopsis: A person rides a horse along a rocky trail in a wooded area. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse along a rocky trail. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 27 from 5:48

Frame at 5:56, shot 705:56
1 of 1 shots sampled

43. Private office

5:48–6:04 Machine checks passed (partial)

Model synopsis: A man in a white hat sits in a wooden room while another man bends over a body on the floor; a third man stands nearby. A voice requests a bag.

  • A man in a white hat sits while another bends over a body on the floor. [frame:1]

4 people observed.

“Hand me that bag.” 5:54

Evidence, details and a link to share

Frame at 6:08, shot 716:08Frame at 6:16, shot 726:16
2 of 2 shots sampled

44. Private office

6:04–6:19 Machine checks passed (partial)

Model synopsis: A man in a white hat sits while another man stands nearby; a third man bends over a person lying on the floor. One man speaks about ditching items and plugging an arm before returning to town.

  • A man in a white hat sits while another man stands nearby and a third bends over a person on the floor. [frame:1]
  • The standing man moves slightly while the seated man remains still and the bent man continues over the person on the floor. [frame:2]

Named: Joe (t:6:12). 4 people observed.

“Work your way down the creek back to town, ditch that stuff.” 6:09 · “I've got to plug an arm, Joe. We'll take care of that one and get back to town.” 6:12

Evidence, details and a link to share

Sequence 28 from 6:19

Frame at 6:21, shot 736:21Frame at 6:23, shot 746:23Frame at 6:27, shot 766:27Frame at 6:29, shot 776:29
4 of 5 shots sampled

45. Vehicle interior

6:19–6:31 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat fires a gun from inside a wooden room, where another man lies on the floor. Outside, a figure in a hat is seen in bushes, and later runs away after the shot.

  • A man fires a gun from inside a room. [frame:2]
  • The man points the gun out the window. [frame:3]
  • A figure runs away through brush. [frame:4]

3 people observed.

“Come on.” 6:23 · “BANG!” 6:28

Evidence, details and a link to share

Sequence 29 from 6:31

Sequence 30 from 6:35

Frame at 6:46, shot 806:46
1 of 1 shots sampled

48. Field

6:42–6:50 Machine checks passed

Model synopsis: A person in a hat stands among bushes in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 6:51, shot 816:51
1 of 1 shots sampled

49. Field

6:50–6:52 Machine checks passed

Model synopsis: A person in a wide-brimmed hat and dark clothing walks through a field with dense shrubbery. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 31 from 6:52

Frame at 7:04, shot 837:04
1 of 1 shots sampled

51. Private office

7:00–7:08 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest walks into a wooden room with a chair and a shelf. No dialogue or on-screen text is present in this beat.

  • A man walks into a wooden room. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 7:09, shot 847:09
1 of 1 shots sampled

52. Other

7:08–7:09 Machine checks passed

Model synopsis: A man in a cowboy hat kneels beside a person lying on the floor in a wooden room. A rocking chair and a door are visible in the background.

2 people observed.

Evidence, details and a link to share

Frame at 7:29, shot 877:29
1 of 1 shots sampled

55. Other

7:26–7:32 Machine checks passed

Model synopsis: A man in a cowboy hat and vest sits indoors, looking down at his hands. The setting appears to be a rustic interior with wooden walls and furniture.

1 person observed.

Evidence, details and a link to share

Sequence 32 from 7:32

Frame at 7:32, shot 887:32
1 of 1 shots sampled

56. Other

7:32–7:32 Machine checks passed

Model synopsis: A single figure wearing a wide-brimmed hat is visible in a dark, smoky environment. No dialogue or clear location is established in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 33 from 7:32

Frame at 7:37, shot 897:37Frame at 7:42, shot 907:42
2 of 2 shots sampled

57. Private office

7:32–7:42 Machine checks passed (partial)

Model synopsis: A group of men in cowboy hats sits facing a man who stands at a table in a room with a portrait on the wall. A line from the transcript states that no clue has been left.

  • A man stands at a table addressing seated men in cowboy hats. [frame:1]
  • The standing man gestures with papers while speaking to the seated group. [frame:2]

5 people observed.

“and it's left absolutely no clue.” 7:33

Evidence, details and a link to share

Sequence 34 from 7:42

Frame at 7:47, shot 917:47Frame at 7:55, shot 927:55
2 of 2 shots sampled

58. Private office

7:42–7:58 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest stands in a stone-walled room, speaking about resigning as sheriff after killing his best friend. The scene is shot in black and white with static framing.

  • Man is visible adjusting his vest. [frame:1]
  • Man is visible looking down, hand near neck. [frame:2]

1 person observed.

“Gentlemen.” 7:43 · “You'll be needing a new sheriff.” 7:45

Evidence, details and a link to share

Frame at 8:25, shot 978:25Frame at 8:33, shot 988:33
2 of 2 shots sampled

60. Private office

8:21–8:37 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest stands in a doorway while a group of men in hats sit inside a room; one man speaks about circumstantial evidence and Dan Matthews's innocence. The speaker invites Mr. Williams to the office, who agrees to come over.

  • A man in a cowboy hat stands in a doorway looking serious. [frame:1]
  • A group of men in cowboy hats sit in a room while one man stands in the doorway. [frame:2]

Named: John (t:8:31), Dexan (t:8:24), Mr. Williams (t:8:31). 6 people observed.

“Circumstantial evidence has convicted many a man” 8:21 · “Dexan.” 8:24

Evidence, details and a link to share

Frame at 8:41, shot 998:41Frame at 8:51, shot 1008:51
2 of 2 shots sampled

61. Private office

8:37–8:57 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats sit at a table; one offers the other a job back, which the second man accepts conditionally. The setting appears to be an interior room with plain walls and a table holding papers and bottles.

  • One man extends his hand toward the other across the table. [frame:1]
  • Both men sit at the table, hands clasped or resting. [frame:2]

Named: Williams (t:8:38). 2 people observed.

“Williams?” 8:38 · “I guess you get your old job back.” 8:40

Evidence, details and a link to share

Sequence 35 from 8:57

Sequence 36 from 9:03

Frame at 9:08, shot 1039:08Frame at 9:16, shot 1049:16Frame at 9:24, shot 1059:24Frame at 9:33, shot 1069:33
4 of 4 shots sampled

63. Outdoor table

9:03–9:37 Machine checks passed

Model synopsis: Two men in cowboy hats sit at a table outdoors and discuss money belonging to Dan Matthews' daughter. One man, Ed, is instructed to hold the money for her, and promises to keep it secret.

Named: Ed (t:9:04), John (t:9:33). 2 people observed.

“Sit down, Ed.” 9:04 · “They're going to restock his ranch and get it in shape for his daughter, who's coming out this next year.” 9:15

Evidence, details and a link to share

Frame at 9:39, shot 1079:39
1 of 1 shots sampled

64. Outdoor table

9:37–9:40 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats sit at a wooden table outdoors; one reaches toward a basket of food while the other holds a cup. No dialogue or named characters are present in this beat.

  • One man reaches toward a basket of food on the table. [frame:1]
  • The other man holds a cup and looks at his companion. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 37 from 9:40

Frame at 9:49, shot 1089:49Frame at 10:01, shot 10910:01Frame at 10:10, shot 11010:10
3 of 3 shots sampled

65. Other

9:40–10:14 Machine checks passed (partial)

Model synopsis: Two men sit side by side in a wooden structure, discussing a third man named Tiggins who left town and became a 'desert rat' after a traumatic event. One man mentions Dan's daughter and suggests she would be better off back east.

  • Two men are seated and talking. [frame:1]

2 people observed.

“It's been about a year since...” 9:42 · “town cashing in some nuggets.” 9:47

Evidence, details and a link to share

Frame at 10:22, shot 11310:22
1 of 1 shots sampled

67. Other

10:21–10:22 Machine checks passed

Model synopsis: Two men sit side by side against a wooden structure; one wears a cowboy hat and vest, the other a collared shirt. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 38 from 10:22

Frame at 10:31, shot 11510:31
1 of 1 shots sampled

69. Forest

10:29–10:32 Machine checks passed

Model synopsis: A person stands near a log cabin while a saddled horse stands nearby under trees. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 39 from 10:32

Frame at 10:34, shot 11610:34
1 of 1 shots sampled

70. Forest

10:32–10:37 Machine checks passed

Model synopsis: A man in Western attire stands outdoors near a tree and rocks. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 40 from 10:37

Frame at 10:47, shot 11810:47
1 of 1 shots sampled

72. Wooded area with cabin

10:45–10:49 Machine checks passed (partial)

Model synopsis: A rider on horseback moves past a small wooden cabin in a wooded area. The scene is shot in black and white with natural lighting and trees framing the cabin.

  • A person on horseback rides past a wooden cabin. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 41 from 10:49

Frame at 10:53, shot 11910:53
1 of 1 shots sampled

73. Field

10:49–10:56 Machine checks passed (partial)

Model synopsis: A person is lying prone on dry, uneven ground in a single shot. No dialogue or on-screen text is present in this beat.

  • A person lies prone on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 42 from 10:56

Frame at 10:58, shot 12010:58
1 of 1 shots sampled

74. Forest

10:56–11:00 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across a dusty, tree-lined path. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse along a dirt path through trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 11:02, shot 12111:02Frame at 11:04, shot 12211:04Frame at 11:06, shot 12311:06Frame at 11:09, shot 12411:09
4 of 4 shots sampled

75. Field

11:00–11:10 Machine checks flagged: visible event not seen

Model synopsis: A person is seen on the ground in a dusty outdoor area while another person rides a horse nearby. The transcript includes a call to 'Mr. Johnny' and a statement about leaving.

  • Person p1 is on the ground. [frame:1]
  • Person p2 rides a horse past p1. [frame:2]
  • Person p1 remains seated on the ground. [frame:3]
  • 1 more under Evidence and details.

Named: Johnny (t:11:01). 2 people observed.

“Mr. Johnny!” 11:01 · “A nun wire for your doors.” 11:05

Flagged: visible event not seen (Person p2 rides the horse directly toward the camera.)

Evidence, details and a link to share

Frame at 11:15, shot 12511:15
1 of 1 shots sampled

76. Field

11:10–11:20 Machine checks passed (partial)

Model synopsis: A person on horseback rides across an open, dusty area with trees in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across an open field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 43 from 11:20

Frame at 11:24, shot 12611:24Frame at 11:36, shot 12711:36
2 of 2 shots sampled

77. Field

11:20–11:44 Machine checks passed (partial)

Model synopsis: A man kneels beside a person lying on the ground in an open field, then a man is seen riding a horse through trees. The transcript includes dialogue about not talking and being taken to camp, and a shouted name 'Black Eagle!'.

  • A man kneels beside a person lying on the ground. [frame:1]
  • A man rides a horse through trees. [frame:2]

Named: Black Eagle (t:11:36). 3 people observed.

“No broken leg, eh?” 11:23 · “Well, don't try to talk, son. I'll have you in camp before night.” 11:26

Evidence, details and a link to share

Sequence 44 from 11:44

Frame at 11:46, shot 12811:46
1 of 1 shots sampled

78. Other

11:44–11:48 Machine checks passed (partial)

Model synopsis: Two men carry a third man on a stretcher outdoors near a wooden building. One man wears a cowboy hat and gun belt; the other wears a bandana and vest.

  • Two men carry a third man on a stretcher. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 45 from 11:48

Sequence 46 from 11:59

Frame at 12:02, shot 13012:02
1 of 1 shots sampled

80. Other

11:59–12:05 Machine checks passed

Model synopsis: Three men are shown outdoors near a wooden structure; one embraces another while a third stands nearby. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 47 from 12:05

Frame at 12:24, shot 13212:24
1 of 1 shots sampled

82. Other

12:22–12:26 Machine checks passed

Model synopsis: A man in a cowboy hat and vest walks away from the camera with another person beside him, in front of a wooden building. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 48 from 12:26

Frame at 12:28, shot 13312:28
1 of 1 shots sampled

83. Other

12:26–12:30 Machine checks passed

Model synopsis: A close-up shows a hand wearing a large, ornate ring. No other actions, people, or locations are visible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 49 from 12:30

Sequence 50 from 12:45

Frame at 12:49, shot 13612:49
1 of 1 shots sampled

85. Forest

12:45–12:53 Machine checks passed (partial)

Model synopsis: A man in a wide-brimmed hat mounts a horse while another man in a feathered headdress stands nearby in a wooded outdoor area. No dialogue or on-screen text is present in this beat.

  • A man mounts a horse [frame:1]
  • Another man stands nearby watching [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 51 from 12:53

Sequence 52 from 12:55

Frame at 12:59, shot 13812:59
1 of 1 shots sampled

87. Desert

12:55–13:04 Machine checks passed (partial)

Model synopsis: A person drives an open-top vehicle across a sandy, open area with a dark, rocky backdrop. No dialogue or on-screen text is present in this beat.

  • A person drives a vehicle across a sandy area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 13:08, shot 13913:08
1 of 1 shots sampled

88. Desert

13:04–13:12 Machine checks passed (partial)

Model synopsis: A man stands beside an open-top car parked on dusty ground near a rocky cliff. No dialogue or on-screen text is present in the frames.

  • A man stands beside a parked car in a desert setting. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 53 from 13:12

Frame at 13:15, shot 14013:15
1 of 1 shots sampled

89. Field

13:12–13:17 Machine checks passed (partial)

Model synopsis: A person is crouched on the ground in a rocky, grassy outdoor setting. The transcript contains only the word 'Yes.'

  • A person crouches on the ground in a rocky, grassy area. [frame:1]

1 person observed.

“Yes.” 13:14

Evidence, details and a link to share

Sequence 54 from 13:17

Frame at 13:18, shot 14113:18
1 of 1 shots sampled

90. Road

13:17–13:19 Machine checks passed

Model synopsis: A person sits in an old car while another stands beside it on a dirt road. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 55 from 13:19

Frame at 13:25, shot 14213:25Frame at 13:32, shot 14313:32Frame at 13:37, shot 14413:37
3 of 3 shots sampled

91. Field

13:19–13:40 Machine checks passed

Model synopsis: A woman introduces herself as Beth Matthews and describes her large ranch with cattle and cowboys. She and a man in cowboy attire are outdoors, with the woman pointing out wildflowers.

  • The man holds a canteen and looks at Beth. [frame:2]

Named: Beth Matthews (t:13:22). 2 people observed.

“See, I'm Beth Matthews.” 13:22 · “And I own the lazy young ranch.” 13:24

Evidence, details and a link to share

Frame at 13:41, shot 14513:41Frame at 13:50, shot 14613:50
2 of 2 shots sampled

92. Desert

13:40–13:59 Machine checks passed (partial)

Model synopsis: A man in a hat stands beside an old car in a desert-like landscape. A woman in a long skirt walks up a steep, eroded slope nearby.

  • A man stands beside an old car in a desert. [frame:1]
  • A woman walks up a steep, eroded slope. [frame:2]

2 people observed.

Evidence, details and a link to share

Frame at 13:59, shot 14713:59Frame at 14:03, shot 14814:03
2 of 2 shots sampled

93. Field

13:59–14:06 Machine checks passed (partial)

Model synopsis: A person in dark clothing is seen near a cave entrance in a rocky landscape, followed by a shot of two people on horseback moving along a dirt path near trees. No dialogue or on-screen text is present in these frames.

  • A person stands near a cave entrance in a rocky area. [frame:1]
  • Two people on horseback ride along a dirt path near trees. [frame:2]

3 people observed.

Evidence, details and a link to share

Frame at 14:07, shot 14914:07Frame at 14:14, shot 15114:14Frame at 14:19, shot 15314:19Frame at 14:25, shot 15514:25
4 of 7 shots sampled

94. Road

14:06–14:26 Machine checks passed (partial)

Model synopsis: A vehicle labeled 'STATE' is shown on a dirt road near a wooded embankment, with people around it; one person is on horseback. The transcript contains only the word 'Oh,' spoken at 14:17.

  • A vehicle labeled 'STATE' is seen driving on a dirt road. [frame:1]
  • A person on horseback is visible among trees. [frame:2]
  • A person on horseback moves quickly past a rocky surface. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Oh,” 14:17

Evidence, details and a link to share

Frame at 14:28, shot 15614:28
1 of 1 shots sampled

95. Forest

14:26–14:29 Machine checks passed (partial)

Model synopsis: A person rides a horse uphill through a wooded area. The scene is outdoors and appears to be in a forested or rural setting.

  • A person rides a horse uphill through trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 56 from 14:29

Frame at 14:31, shot 15714:31
1 of 1 shots sampled

96. Road

14:29–14:33 Machine checks passed

Model synopsis: A group of riders on horseback pulls a wagon along a dirt road beside a steep embankment. The scene is outdoors in daylight, with trees visible in the background.

  • Riders on horseback pull a wagon along a dirt road. [frame:1]

Evidence, details and a link to share

Sequence 57 from 14:33

Frame at 14:34, shot 15814:34
1 of 1 shots sampled

97. Road

14:33–14:35 Machine checks passed

Model synopsis: A black-and-white scene shows a vintage car labeled 'STAGE' on a dirt road with two riders on horseback nearby. One person is visible driving the car, and another is seated in the back.

4 people observed.

Evidence, details and a link to share

Sequence 58 from 14:35

Frame at 14:38, shot 15914:38Frame at 14:44, shot 16114:44Frame at 14:51, shot 16314:51Frame at 14:55, shot 16514:55
4 of 7 shots sampled

98. Forest

14:35–14:56 Machine checks passed (partial)

Model synopsis: A person on horseback rides through a dusty, wooded area and then dismounts near a rocky embankment. The person is later seen standing on the slope with arms outstretched, near a cave-like opening in the rock face.

  • A person rides a horse through a dusty, wooded area. [frame:2]
  • A person is seen near a cave-like opening in a rocky embankment. [frame:3]
  • A person stands on a rocky slope with arms outstretched. [frame:4]

1 person observed.

Evidence, details and a link to share

Frame at 14:58, shot 16614:58Frame at 15:04, shot 16715:04Frame at 15:10, shot 16815:10
3 of 3 shots sampled

99. Road

14:56–15:11 Machine checks passed (partial)

Model synopsis: A man in a hat and coat stands beside a vintage stagecoach on a dirt road; later, riders on horseback gallop away down the same road, kicking up dust. The setting is outdoors, with trees and a dirt path visible.

  • A man stands beside a stagecoach on a dirt road. [frame:1]
  • Riders on horseback gallop away down a dirt road, kicking up dust. [frame:2]
  • Dust from galloping horses obscures the road and riders. [frame:3]

3 people observed.

Evidence, details and a link to share

Frame at 15:18, shot 16915:18Frame at 15:28, shot 17015:28
2 of 2 shots sampled

100. Road

15:11–15:31 Machine checks passed (partial)

Model synopsis: A person walks away from a stagecoach on a dirt road while a group of riders on horseback moves along a forested path. No names or specific time of day are established in the frames or transcript.

  • A person walks away from a stagecoach. [frame:1]
  • Riders on horseback move along a forested path. [frame:2]

2 people observed.

“I'm going to go.” 15:26

Evidence, details and a link to share

Frame at 15:33, shot 17115:33Frame at 15:39, shot 17315:39Frame at 15:42, shot 17415:42Frame at 15:48, shot 17615:48
4 of 6 shots sampled

101. Field

15:31–15:50 Machine checks passed (partial)

Model synopsis: Two men on horseback are shown in a rugged outdoor setting; one dismounts near a fallen man while another remains mounted. The scene includes horses, a rocky slope, and dust, suggesting movement and conflict.

  • A man dismounts from a horse near a rocky slope. [frame:1]
  • Two men ride horses across a dusty field. [frame:2]
  • A man stands beside a horse while another lies on the ground nearby. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Frame at 15:52, shot 17715:52Frame at 15:56, shot 17815:56Frame at 15:59, shot 17915:59Frame at 16:04, shot 18016:04
4 of 4 shots sampled

102. Field

15:50–16:09 Machine checks passed (partial)

Model synopsis: A person rides a horse across open terrain, followed by a group of riders. Another person works on an early automobile near a dirt bank, while a lone rider approaches on a dusty path lined with trees.

  • A person rides a horse across open ground. [frame:1]
  • A group of riders gallops across the terrain. [frame:2]
  • A person crouches beside an early automobile, working on its front. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

Evidence, details and a link to share

Frame at 16:11, shot 18116:11Frame at 16:16, shot 18316:16Frame at 16:19, shot 18416:19Frame at 16:25, shot 18616:25
4 of 6 shots sampled

103. Field

16:09–16:26 Machine checks passed (partial)

Model synopsis: A group of riders on horseback gallop across an open field, followed by a shot of a person walking up a rocky slope. No dialogue or on-screen text is present in these frames.

  • A cloud of dust rises in a field with trees in the background. [frame:1]
  • A person rides a dark horse at full gallop across an open area. [frame:2]
  • Three riders on horseback gallop across a field with trees in the background. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

Evidence, details and a link to share

Frame at 16:29, shot 18716:29Frame at 16:35, shot 18816:35Frame at 16:42, shot 18916:42
3 of 3 shots sampled

104. Field

16:26–16:45 Machine checks passed (partial)

Model synopsis: A person in period attire climbs a steep, eroded dirt embankment. The individual is seen ascending the slope in three separate shots, with dust rising around them.

  • A person climbs a dirt embankment, kicking up dust. [frame:1]
  • The person stands at the base of the embankment, holding a rifle. [frame:2]
  • The person continues climbing the steep, eroded slope. [frame:3]

1 person observed.

Evidence, details and a link to share

Frame at 16:48, shot 19016:48Frame at 16:50, shot 19116:50Frame at 16:52, shot 19316:52Frame at 16:57, shot 19416:57
4 of 5 shots sampled

105. Field

16:45–17:01 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat fires a pistol from a prone position in a dusty, wooded area; another man and a woman are seen near a rocky outcrop. No dialogue or on-screen text is present in the frames.

  • A man fires a pistol, producing a puff of smoke. [frame:1]
  • A man in a cowboy hat aims a pistol while lying in the dirt. [frame:2]
  • A man and a woman stand near a rocky embankment. [frame:4]

3 people observed.

Evidence, details and a link to share

Sequence 59 from 17:01

Sequence 60 from 17:15

Frame at 17:18, shot 20117:18
1 of 1 shots sampled

107. Field

17:15–17:20 Machine checks passed

Model synopsis: A man in cowboy attire carries a woman through a rocky outdoor setting. No dialogue or on-screen text is present in this beat.

  • A man carries a woman through a rocky area. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 61 from 17:20

Frame at 17:21, shot 20217:21Frame at 17:24, shot 20317:24Frame at 17:33, shot 20417:33
3 of 3 shots sampled

108. Forest

17:20–17:40 Machine checks passed (partial)

Model synopsis: A man carries another person up a rocky slope, then a group of riders is seen in a wooded area, and finally a man in a cowboy hat approaches a stagecoach with a driver inside. No dialogue or on-screen text is present in these frames.

  • A man carries another person up a rocky slope. [frame:1]
  • A group of riders on horseback is visible in a wooded area. [frame:2]
  • A man in a cowboy hat approaches a stagecoach with a driver inside. [frame:3]

5 people observed.

Evidence, details and a link to share

Frame at 17:42, shot 20517:42Frame at 17:45, shot 20617:45Frame at 17:47, shot 20717:47
3 of 3 shots sampled

109. Forest

17:40–17:48 Machine checks passed (partial)

Model synopsis: Men on horseback move through a wooded area while one man in a stagecoach holds a rifle. A voice warns to keep down, suggesting danger.

  • Men on horseback ride through a wooded area. [frame:1]
  • A rider fires a rifle while on horseback. [frame:2]
  • Two men sit in a stagecoach; one holds a rifle. [frame:3]

3 people observed.

“I value your life.” 17:46 · “Keep down.” 17:47

Evidence, details and a link to share

Frame at 17:48, shot 20817:48
1 of 1 shots sampled

110. Field

17:48–17:49 Machine checks passed (partial)

Model synopsis: Three riders on horseback are seen moving across a ridge in a natural, outdoor setting. The scene is shot in black and white with no visible text or dialogue.

  • Three riders on horseback move across a ridge. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 62 from 17:49

Frame at 17:49, shot 20917:49
1 of 1 shots sampled

111. Vehicle interior

17:49–17:50 Machine checks passed

Model synopsis: Two men are seated in a vehicle; one wears a cowboy hat and holds a rifle, while the other is in a helmet and appears to be shielding himself. The scene is shot in black and white with high contrast lighting.

2 people observed.

Evidence, details and a link to share

Sequence 63 from 17:50

Frame at 17:50, shot 21017:50
1 of 1 shots sampled

112. Road

17:50–17:51 Machine checks passed

Model synopsis: Two people ride in an open-top vintage automobile on a dirt road. The vehicle is moving through a natural, hilly landscape.

  • Two people are riding in a moving automobile. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 64 from 17:51

Frame at 17:52, shot 21117:52
1 of 1 shots sampled

113. Hillside

17:51–17:53 Machine checks passed

Model synopsis: A group of figures on horseback are silhouetted on a steep, barren hillside under an overcast sky. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Sequence 65 from 17:53

Frame at 17:53, shot 21217:53
1 of 1 shots sampled

114. Stagecoach

17:53–17:54 Machine checks passed

Model synopsis: A man in a hat sits in a stagecoach while another man stands behind him, holding a hat aloft. The side of the vehicle displays the word 'STAGE'.

2 people observed.

Evidence, details and a link to share

Sequence 66 from 17:54

Frame at 17:55, shot 21317:55
1 of 1 shots sampled

115. Rocky terrain

17:54–17:56 Machine checks passed (partial)

Model synopsis: A person on horseback rides through a rocky, brushy terrain. Dust is kicked up as the horse moves across the uneven ground.

  • A person on horseback rides through rocky terrain, kicking up dust. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 67 from 17:56

Frame at 17:57, shot 21417:57
1 of 1 shots sampled

116. Vehicle interior

17:56–17:58 Machine checks passed

Model synopsis: Two men are in a small boat labeled 'STAGE'. One man steers while the other sits behind him, holding his head.

  • Two men are seated in a small boat labeled 'STAGE'. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 68 from 17:58

Frame at 17:58, shot 21517:58
1 of 1 shots sampled

117. Field

17:58–17:59 Machine checks passed

Model synopsis: Three riders on horseback are visible on a ridge, silhouetted against a bright sky. The scene is outdoors, with trees and uneven terrain.

3 people observed.

Evidence, details and a link to share

Sequence 69 from 17:59

Frame at 18:08, shot 21618:08
1 of 1 shots sampled

118. Forest

17:59–18:16 Machine checks passed (partial)

Model synopsis: Three riders on horseback are visible near a broken wooden fence in a wooded area. No dialogue or on-screen text is present in this beat.

  • Three riders on horseback are positioned near a broken wooden fence in a wooded area. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 70 from 18:16

Frame at 18:19, shot 21718:19
1 of 1 shots sampled

119. Road

18:16–18:22 Machine checks passed (partial)

Model synopsis: A man in a hat drives a vintage open-top car labeled 'STAGE' along a dirt road with a horse in the back. The scene is outdoors in daylight with no dialogue or on-screen text provided.

  • A man drives a car labeled 'STAGE' along a dirt road with a horse in the back. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 71 from 18:22

Frame at 18:24, shot 21818:24Frame at 18:27, shot 21918:27Frame at 18:31, shot 22018:31
3 of 3 shots sampled

120. Road

18:22–18:35 Machine checks passed (partial)

Model synopsis: Two men are in a vehicle on a road; one is driving while the other stands beside the vehicle and speaks to him. The dialogue indicates the driver is being released by the standing man, who calls him an outlaw and killer.

  • Two men are in a vehicle on a road. [frame:1]
  • A hand rests on a leather bag with a ring visible on the finger. [frame:2]
  • The standing man speaks to the driver while gesturing. [frame:3]

2 people observed.

“Can you drive?” 18:23 · “The town's about three miles ahead. Just stay on this road. All right.” 18:26

Evidence, details and a link to share

Sequence 72 from 18:35

Frame at 18:36, shot 22118:36
1 of 1 shots sampled

121. Dusty road

18:35–18:37 Machine checks passed

Model synopsis: A man stands beside a horse-drawn wagon in a dusty outdoor setting. The scene is shot in black and white with no visible text or spoken dialogue.

2 people observed.

Evidence, details and a link to share

Sequence 73 from 18:37

Frame at 18:41, shot 22218:41
1 of 1 shots sampled

122. Field

18:37–18:44 Machine checks passed

Model synopsis: A man in Western attire stands outdoors in a natural setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 74 from 18:44

Frame at 18:47, shot 22318:47Frame at 18:52, shot 22418:52Frame at 18:58, shot 22518:58Frame at 19:04, shot 22619:04
4 of 4 shots sampled

123. Private office

18:44–19:06 Machine checks passed (partial)

Model synopsis: A woman describes a man she saw on the road, while seated across from a man in a room with filing cabinets. The man has a beard and wears a slouch hat; the woman wears a hat and scarf.

  • A woman sits across from a man at a desk in an office. [frame:1]
  • The man gestures while speaking. [frame:2]
  • The woman continues speaking, her expression serious. [frame:4]

2 people observed.

“He was standing in the middle of the road watching me drive away.” 18:47 · “Batman?” 18:53

Evidence, details and a link to share

Frame at 19:09, shot 22719:09Frame at 19:14, shot 22819:14Frame at 19:27, shot 23019:27Frame at 19:34, shot 23119:34
4 of 5 shots sampled

124. Private office

19:06–19:38 Machine checks passed

Model synopsis: A man and a woman converse in an office-like interior; the man mentions taking the woman to a ranch after her meal and refers to pursuing someone named Blake. The woman, addressed as Miss Bess, agrees to go home after the meal.

Named: Sherry (t:19:30), Miss Bess (t:19:16). 2 people observed.

“He was the most horrible creature I've ever seen.” 19:07 · “Well, Miss Bess, you certainly have had an experience.” 19:16

Evidence, details and a link to share

Sequence 75 from 19:38

Frame at 19:40, shot 23219:40
1 of 1 shots sampled

125. Private office

19:38–19:42 Machine checks passed (partial)

Model synopsis: A man in a vest operates a wall-mounted device in a room with a wooden cabinet and a framed object on the wall. No dialogue or on-screen text is present in this beat.

  • man presses buttons on a wall-mounted device [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 76 from 19:42

Sequence 77 from 19:46

Frame at 19:47, shot 23419:47
1 of 1 shots sampled

127. Private office

19:46–19:48 Machine checks passed (partial)

Model synopsis: A man stands indoors next to a wall-mounted telephone, holding the receiver to his ear. The setting includes a wooden cabinet and a framed item on the wall.

  • man holds telephone receiver to ear [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 78 from 19:48

Frame at 19:50, shot 23519:50Frame at 20:01, shot 23620:01
2 of 2 shots sampled

128. Private office

19:48–20:09 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat enters a room and greets another man; they shake hands while a 'WANTED' poster is visible on the wall. The dialogue indicates the arrival of someone named John and the delivery of express money.

  • A man in a cowboy hat enters a room. [frame:1]
  • The two men shake hands. [frame:2]

Named: Jay (t:19:50), John (t:19:55). 2 people observed.

“Hello, Sheriff.” 19:48 · “Kind of surprised, Jay.” 19:50

Evidence, details and a link to share

Frame at 20:13, shot 23720:13Frame at 20:21, shot 23820:21Frame at 20:27, shot 23920:27
3 of 3 shots sampled

129. Private office

20:09–20:29 Machine checks passed (partial)

Model synopsis: Two men are in a room with a cabinet and a table; one stands while the other sits. A conversation occurs where one man accuses the other of involvement with a young lady who recently left.

  • Two men face each other across a table in a room with a cabinet. [frame:1]
  • The standing man leans forward slightly while the seated man looks up at him. [frame:2]
  • The standing man places his hands on the table, leaning toward the seated man. [frame:3]

2 people observed.

“I might have known it was you.” 20:10 · “That young lady whose life was in your hands just left here.” 20:12

Evidence, details and a link to share

Frame at 20:33, shot 24020:33Frame at 20:38, shot 24120:38Frame at 20:47, shot 24220:47
3 of 3 shots sampled

130. Private office

20:29–20:55 Machine checks passed

Model synopsis: A man with a beard and vest is shown in close-up, then a second man in a cowboy hat and bandana is seen sitting across from him in what appears to be an office. The dialogue refers to a woman named Bess Matthews and a ranch, and assigns John the task of managing money.

  • A man in a cowboy hat is visible sitting across a table from John. [frame:3]

Named: John (t:20:29). 2 people observed.

“John?” 20:29 · “That young lady is none other than Bess Matthews.” 20:30

Evidence, details and a link to share

Frame at 20:59, shot 24320:59Frame at 21:04, shot 24421:04Frame at 21:14, shot 24621:14Frame at 21:15, shot 24721:15
4 of 5 shots sampled

131. Private office

20:55–21:15 Machine checks passed (partial)

Model synopsis: A man with a beard and vest speaks to another man in a hat across a table; the dialogue suggests a plan to restore something with the approval of 'old Dan' and the Sheriff. The setting appears to be an interior room with wooden furniture.

  • p1 speaks to p2 across a table [frame:1]
  • p1 continues speaking, looking earnest [frame:2]
  • p2 and p1 are seated at a table, p2 wears a hat and bandana [frame:3]
  • 1 more under Evidence and details.

Named: Sheriff (t:21:13). 2 people observed.

“She knows I... Who's gonna tell her?” 20:55 · “Let's put the old lazy end back on its feet.” 21:02

Evidence, details and a link to share

Frame at 21:20, shot 24821:20Frame at 21:28, shot 24921:28Frame at 21:33, shot 25021:33
3 of 3 shots sampled

132. Private office

21:15–21:34 Machine checks passed (partial)

Model synopsis: Two men converse at a desk in a room with a cabinet and papers; one man, wearing a hat and vest, agrees to meet at a ranch at eight o'clock. The dialogue indicates he is being instructed to clean up and change clothes before the meeting.

  • Two men sit at a desk talking. [frame:1]
  • The man in the hat leans forward slightly while speaking. [frame:2]
  • The man in the hat stands up from the desk. [frame:3]

Named: Ed (t:21:29). 2 people observed.

“There's your room, clothes and everything just as you left them.” 21:16 · “After you shave and clean up...” 21:20

Evidence, details and a link to share

Frame at 21:38, shot 25121:38Frame at 21:50, shot 25221:50
2 of 2 shots sampled

133. Living room

21:34–21:58 Machine checks passed (partial)

Model synopsis: Two people sit in a room with patterned furniture while a man in a vest approaches a wall-mounted telephone. A conversation references John Higgins' foreman and a sheriff greeting someone named John.

  • A woman and a man sit on a patterned sofa in a room. [frame:1]
  • A man stands by a wall-mounted telephone, reaching toward it. [frame:2]

Named: John (t:21:53). 3 people observed.

“Got the finest springs.” 21:35 · “Best grazing ground in the valley.” 21:37

Evidence, details and a link to share

Sequence 79 from 21:58

Frame at 21:59, shot 25321:59
1 of 1 shots sampled

134. Living room

21:58–22:00 Machine checks passed

Model synopsis: A woman in a floral dress is seated indoors, looking off-camera with a concerned expression. The background includes a wooden cabinet with glass doors and a framed picture on the wall.

1 person observed.

Evidence, details and a link to share

Sequence 80 from 22:00

Frame at 22:06, shot 25422:06
1 of 1 shots sampled

135. Living room

22:00–22:12 Machine checks passed

Model synopsis: A woman greets a man named John Higgins in a room with another man present. The scene includes dialogue introducing the characters and an invitation to sit.

  • The woman shakes hands with John Higgins while another man looks on. [frame:1]

Named: John Higgins (t:22:02). 3 people observed.

“I want you to meet my friend, John Higgins.” 22:02 · “I'm glad to know you, Mr. Higgins.” 22:04

Evidence, details and a link to share

Frame at 22:17, shot 25522:17Frame at 22:25, shot 25622:25Frame at 22:33, shot 25722:33
3 of 3 shots sampled

136. Living room

22:12–22:37 Machine checks flagged: visible event not seen

Model synopsis: Three people sit indoors and talk; one man holds a hat. A woman is identified in dialogue as Aunt Martha, described as the best cook in the country.

  • The woman is seated and listening to the men. [frame:1]
  • The man with the hat speaks while looking at the other man. [frame:2]
  • The man with the beard speaks while looking at the woman. [frame:3]

Named: Aunt Martha (t:22:29). 3 people observed.

“The sheriff's been telling me about your thrilling experience. Thrilling?” 22:13 · “That bandit was the most hideous, the most horrible creature that ever was born. You don't say.” 22:18

Flagged: visible event not seen (The man with the beard speaks while looking at the woman.)

Evidence, details and a link to share

Frame at 23:14, shot 26423:14Frame at 23:24, shot 26523:24
2 of 2 shots sampled

138. Kitchen

23:10–23:31 Machine checks passed

Model synopsis: Two women speak in a kitchen while a man stands nearby; one woman walks toward a counter as the other follows. The transcript mentions coffee and broken chairs, suggesting a casual domestic scene.

  • Two women stand facing each other in a kitchen. [frame:1]
  • One woman walks toward a counter while another follows; a man stands nearby. [frame:2]

3 people observed.

“Oh, there you go. Always flattering.” 23:10 · “He leans back and breaks every chair in the kitchen.” 23:13

Evidence, details and a link to share

Sequence 81 from 23:31

Sequence 82 from 23:41

Frame at 23:47, shot 26823:47
1 of 1 shots sampled

141. Forest

23:41–23:52 Machine checks passed (partial)

Model synopsis: Two figures on horseback are seen in a wooded area with mountains in the background. The scene is shot in black and white with natural lighting and framed between tree trunks.

  • Two figures ride horses through a forest clearing. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 23:55, shot 26923:55Frame at 24:01, shot 27024:01
2 of 2 shots sampled

142. Field

23:52–24:04 Machine checks passed (partial)

Model synopsis: A man and a woman on horseback are shown in a rural landscape; the man speaks about the end of the south pasture and rents. The second frame shows a wide view of a field with trees and mountains in the background.

  • The man and woman are visible on horseback in an outdoor setting. [frame:1]
  • The camera shows a wide view of a field with trees and mountains. [frame:2]

Named: Miss Matthews (t:23:53), Miss Matthews (t:23:53). 2 people observed.

“There's the end of the south pasture, Miss Matthews.” 23:53 · “Now I guess you've seen about all the rents.” 23:55

Evidence, details and a link to share

Frame at 24:17, shot 27224:17Frame at 24:25, shot 27324:25Frame at 24:32, shot 27424:32
3 of 3 shots sampled

144. Field

24:13–24:35 Machine checks passed (partial)

Model synopsis: A man and a woman on horseback converse outdoors; the woman laughs while the man speaks. The dialogue references a character called 'Mr. Bluebeard' and includes a line about changing a voice.

  • The woman looks downcast while seated on a horse. [frame:1]
  • The woman laughs while looking at the man. [frame:2]
  • The man smiles while looking at the woman. [frame:3]

Named: Mr. Bluebeard (t:24:17). 2 people observed.

“I've met your blue beard.” 24:17 · “A lion.” 24:19

Evidence, details and a link to share

Sequence 83 from 24:35

Frame at 24:39, shot 27524:39
1 of 1 shots sampled

145. Forest

24:35–24:42 Machine checks passed

Model synopsis: A person rides a horse through a wooded area with mountains visible in the background. The scene is framed between two large tree trunks, suggesting an outdoor, natural setting.

  • A person rides a horse between two large trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 84 from 24:42

Frame at 24:47, shot 27624:47Frame at 24:59, shot 27724:59
2 of 2 shots sampled

146. Ranch

24:42–25:06 Machine checks passed

Model synopsis: Two men converse outdoors near a wooden fence; one is identified as Bob, an ex-sheriff who plans to raise horses for the government. The dialogue mentions Miss Beth, Gordon, and Martha, and references life at Lacey Ells.

Named: Bob (t:24:45). 2 people observed.

“- Where is it? - Hello, Bob.” 24:45 · “that three months and he's worked out a deal with the government. Uh-huh.” 24:52

Evidence, details and a link to share

Sequence 85 from 25:06

Frame at 25:10, shot 27825:10Frame at 25:19, shot 27925:19Frame at 25:27, shot 28025:27
3 of 3 shots sampled

147. Field

25:06–25:31 Machine checks passed

Model synopsis: A man and a woman stand outdoors near a horse, discussing plans for a Halloween dance at Bolter's bar and reflecting on time spent together. The woman mentions she hasn't been lonesome and has enjoyed being with him, while the man notes it's the first time she's said so.

Named: John (t:25:07). 2 people observed.

“Tomorrow night's Halloween.” 25:08 · “Aunt Martha says they're having the biggest dance of the year as Bolter's bar.” 25:09

Evidence, details and a link to share

Frame at 25:49, shot 28325:49
1 of 1 shots sampled

149. Field

25:48–25:50 Machine checks passed

Model synopsis: A woman in a striped dress stands beside a man in a cowboy hat and a dark horse in an outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 86 from 25:50

Frame at 25:56, shot 28425:56
1 of 1 shots sampled

150. Field

25:50–26:03 Machine checks passed

Model synopsis: A woman in a light dress stands outdoors near trees in a natural setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 87 from 26:03

Frame at 26:07, shot 28526:07Frame at 26:18, shot 28726:18Frame at 26:31, shot 28826:31Frame at 26:51, shot 29026:51
4 of 6 shots sampled

151. Living room

26:03–26:55 Machine checks passed (partial)

Model synopsis: A woman in a striped dress speaks with an older woman on a couch; later, a group including a man in a hat gathers in a room with corn stalks. The dialogue reveals concern over a man named John and an upcoming dance.

  • A woman in a striped dress stands at a door with a wall-mounted telephone. [frame:1]
  • Two women sit on a couch; one speaks while the other listens. [frame:2]
  • The older woman gestures while speaking to the younger woman on the couch. [frame:3]
  • 1 more under Evidence and details.

Named: Aunt Martha (t:26:16), John (t:26:17). 6 people observed.

“Well, for pity's sakes, child, what on earth's the matter with you?” 26:09 · “John says someday I'll hate him.” 26:17

Evidence, details and a link to share

Frame at 26:59, shot 29126:59Frame at 27:06, shot 29227:06Frame at 27:21, shot 29327:21
3 of 3 shots sampled

152. Other

26:55–27:33 Machine checks passed (partial)

Model synopsis: Three men interact near a wooden structure and barrel; one man shows a ring he received from 'old Black Eagle.' A woman in a light dress stands nearby as others observe.

  • A man in a dark shirt and tie holds a hat and smiles at the camera. [frame:1]
  • A man in a dark shirt and tie stands beside another man near a barrel. [frame:2]
  • A man in a wide-brimmed hat examines an object while another man looks on. [frame:3]

6 people observed.

“Where did you get that ring?” 27:26 · “That's a gift from old Black Eagle.” 27:28

Evidence, details and a link to share

Frame at 27:37, shot 29427:37Frame at 27:41, shot 29527:41
2 of 2 shots sampled

153. Other

27:33–27:43 Machine checks passed (partial)

Model synopsis: Two women greet each other in a crowded interior while a man in a cowboy hat speaks with another man nearby. The transcript includes introductions and a comment about someone being 'the bell of the ball.'

  • Two women are introduced and greet each other. [frame:1]
  • A man in a cowboy hat speaks to another man. [frame:2]

Named: Miss Matthews (t:27:34). 6 people observed.

“Miss Hawkins, meet Miss Matthews. I'm so glad to meet you, Miss Matthews. I must see Miss Jones. Yes.” 27:34 · “Sure is the bell of the ball, all right.” 27:40

Evidence, details and a link to share

Frame at 27:47, shot 29627:47Frame at 27:51, shot 29727:51Frame at 27:55, shot 29827:55Frame at 28:03, shot 29928:03
4 of 4 shots sampled

154. Other

27:43–28:08 Machine checks passed (partial)

Model synopsis: A man introduces another man to a woman in a social setting; the man asks for a dance, which is declined. The scene includes multiple people in a decorated interior with props like a barrel and lantern.

  • A man in a light suit holds his hat while standing next to another man near a barrel. [frame:1]
  • The man in the dark suit gestures toward the barrel. [frame:2]

Named: Mr. Dixon (t:27:54), Miss Matthews (t:27:58). 5 people observed.

“I want you to know Mr. Dixon.” 27:54 · “Miss Matthews is boss of the lazy M. Oh, it's a pleasure to know you, Miss Matthews.” 27:58

Evidence, details and a link to share

Frame at 28:10, shot 30028:10Frame at 28:16, shot 30128:16
2 of 2 shots sampled

155. Restaurant

28:08–28:20 Machine checks passed (partial)

Model synopsis: A man and a woman stand in a crowded interior space while another man speaks to them; the scene shifts to show the same man from behind as he walks through the crowd. The transcript includes a line about being lucky and a farewell.

  • A man in a light suit stands facing a woman in a light dress and another woman in dark clothing. [frame:1]
  • The same man walks away through a crowd, seen from behind. [frame:2]

4 people observed.

“I'm lucky. I should say so.” 28:09 · “I'll see you on the next day.” 28:12

Evidence, details and a link to share

Frame at 28:30, shot 30328:30Frame at 28:35, shot 30428:35Frame at 28:40, shot 30528:40Frame at 28:44, shot 30628:44
4 of 4 shots sampled

157. Hall

28:28–28:47 Machine checks passed (partial)

Model synopsis: A man and a woman prepare to dance in a crowded hall decorated with pumpkins, while a pianist and a singer perform nearby. The transcript includes dialogue about saving the first dance and repeated 'Amen' responses.

  • A man raises his arm in a crowded hall. [frame:1]
  • A man in a neckerchief talks to a woman and a man in a cowboy hat. [frame:2]
  • A man plays piano while another sings into a microphone. [frame:3]
  • 1 more under Evidence and details.

8 people observed.

“I saved this first dance for you.” 28:33 · “Well, I hope I don't disappoint you.” 28:33

Evidence, details and a link to share

Frame at 28:53, shot 30728:53Frame at 29:01, shot 30829:01Frame at 29:06, shot 30929:06
3 of 3 shots sampled

158. Other

28:47–29:10 Machine checks passed (partial)

Model synopsis: A man and a woman dance closely in a crowded room; another man in a hat observes nearby. The transcript includes fragmented lines about happiness and being in a crowd.

  • A man and woman dance closely in a crowded room. [frame:1]
  • A man in a hat stands observing others dancing. [frame:2]
  • The dancing couple kiss. [frame:3]

4 people observed.

“And terribly happy.” 28:47 · “I'm glad.” 28:49

Evidence, details and a link to share

Frame at 29:14, shot 31029:14Frame at 29:21, shot 31129:21Frame at 29:27, shot 31229:27
3 of 3 shots sampled

159. Other

29:10–29:32 Machine checks passed (partial)

Model synopsis: A man and a woman stand together in a rustic interior while another group of three men in cowboy hats converse nearby. The transcript includes fragmented dialogue about dancing, a foreman, and a killing, with names like 'Hamad' and 'Dollar feast' mentioned.

  • A man and a woman stand facing each other in conversation. [frame:1]
  • Three men in cowboy hats stand together, one looking at his hands. [frame:3]
  • The man and woman continue their conversation, both looking serious. [frame:2]

5 people observed.

“dancing with her foreman.” 29:11 · “the man what killed her father.” 29:14

Evidence, details and a link to share

Sequence 88 from 29:32

Frame at 29:38, shot 31329:38
1 of 1 shots sampled

160. Private office

29:32–29:44 Machine checks passed (partial)

Model synopsis: A man stands indoors holding papers, with a lantern visible on the wall. A voice calls out 'Hey, Baxter.'

  • A man stands holding papers in a room with a lantern on the wall. [frame:1]

Named: Baxter (t:29:38). 1 person observed.

“Hey, Baxter.” 29:38

Evidence, details and a link to share

Sequence 89 from 29:44

Frame at 29:47, shot 31429:47
1 of 1 shots sampled

161. Other

29:44–29:49 Machine checks passed

Model synopsis: A group of people are gathered inside a wooden building, some standing in pairs, others in small groups. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Frame at 29:51, shot 31529:51Frame at 29:54, shot 31629:54Frame at 29:57, shot 31729:57
3 of 3 shots sampled

162. Other

29:49–29:59 Machine checks passed (partial)

Model synopsis: A group of men and a woman are gathered in a wooden interior space resembling a barn or stable; one man is addressed as Sheriff and another as John, and a gun is mentioned. The scene includes visible props such as corn stalks, ropes, and a wagon wheel, and the dialogue indicates an urgent conversation is about to begin.

  • A man in a vest and shirt is visible in a wooden interior with corn stalks. [frame:1]
  • A group of people, including a woman and several men, stand in a wooden room with ropes and a wagon wheel. [frame:2]
  • Three men stand together, one wearing a wide-brimmed hat, another in a vest, and a third in a dark shirt. [frame:3]

Named: John (t:29:49), Sheriff (t:29:49). 8 people observed.

“Thanks, Sheriff. I want to see you and John right now.” 29:49 · “Gun.” 29:52

Evidence, details and a link to share

Frame at 30:08, shot 31830:08Frame at 30:20, shot 31930:20Frame at 30:28, shot 32030:28
3 of 3 shots sampled

163. Private office

29:59–30:32 Machine checks passed (partial)

Model synopsis: Three men in period Western attire examine a document inside a dimly lit wooden room; one man, addressed as Sheriff, reacts to a serial number matching bills linked to a past robbery. The group discusses surveillance of the Martin boys, treating the document as a new clue.

  • Three men stand in a wooden room; one holds a document. [frame:1]
  • The man in the hat (Sheriff) looks at the document while the others watch. [frame:2]
  • The Sheriff examines the document closely, holding it near his chest. [frame:3]

Named: Sheriff (t:30:03). 3 people observed.

“Sheriff.” 30:03 · “The Martin boys just came with this new bill. Let me see it.” 30:04

Evidence, details and a link to share

Sequence 90 from 30:32

Frame at 30:36, shot 32130:36Frame at 30:45, shot 32230:45
2 of 2 shots sampled

164. Outdoor night setting

30:32–30:49 Machine checks passed (partial)

Model synopsis: A man and a woman stand outdoors at night, engaged in a serious conversation. The woman asks the man about her father's death, and he agrees she should know the truth.

  • The two continue their conversation under dim lighting. [frame:2]

Named: Mr. Dixon (t:30:37), Miss Matthews (t:30:33). 2 people observed.

“Yes, indeed, Miss Matthews. Your father and I were very close friends.” 30:33 · “Mr. Dixon.” 30:37

Evidence, details and a link to share

Frame at 30:57, shot 32330:57Frame at 31:08, shot 32431:08Frame at 31:12, shot 32531:12Frame at 31:18, shot 32631:18
4 of 4 shots sampled

165. Outdoor garden

30:49–31:22 Machine checks passed (partial)

Model synopsis: A man and a woman have a tense conversation outdoors at night, during which he reveals that a foreman killed her father. The scene cuts to a crowded indoor gathering where people are celebrating or protesting.

  • A crowd of people is gathered indoors, some raising their arms. [frame:4]

Named: Miss Matthews (t:30:54). 4 people observed.

“foreman killed your father, Miss Matthews.” 30:54 · “Mr. Higgins kill my father?” 30:59

Evidence, details and a link to share

Frame at 31:26, shot 32731:26Frame at 31:32, shot 32831:32Frame at 31:38, shot 32931:38
3 of 3 shots sampled

166. Saloon or social hall

31:22–31:42 Machine checks passed (partial)

Model synopsis: A group of people, including a man in a suit and a woman in a light dress, are gathered in a cluttered indoor space with a piano and sacks. A man plays the violin while another plays the piano as the group watches or dances. No names are spoken in this beat, and the setting appears to be a social hall or saloon.

  • A group of people stand in a circle in a cluttered room. [frame:1]
  • A man in a plaid shirt plays piano while another man in a suit plays violin. [frame:2]
  • People begin to dance or move in the circle while the musicians play. [frame:3]

6 people observed.

“I salute your partners!” 31:25 · “Now fight loose!” 31:28

Evidence, details and a link to share

Frame at 31:48, shot 33031:48Frame at 31:57, shot 33131:57Frame at 32:02, shot 33232:02
3 of 3 shots sampled

167. Saloon

31:42–32:05 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats argue near a wooden structure while a crowd watches in a saloon-like interior. One man demands an object from the other, telling him he needs his wits for the job ahead.

  • A man in a cowboy hat gestures toward another man near a wooden bar. [frame:1]
  • Two men stand close, one in a uniform-style shirt and badge, speaking to the other. [frame:2]
  • The two men face each other, one speaking emphatically. [frame:3]

3 people observed.

“Give me that, you no-cold fool. You got to have your wits.” 31:56 · “Yeah, and a little courage.” 32:01

Evidence, details and a link to share

Frame at 32:07, shot 33332:07Frame at 32:13, shot 33432:13
2 of 2 shots sampled

168. Other

32:05–32:17 Machine checks passed (partial)

Model synopsis: Two men are seen near a wooden structure at night; one is partially hidden behind a post while the other, wearing a cowboy hat, stands nearby. The transcript indicates a plan to break in and steal money during a milking contest to avoid being seen.

  • A man is partially visible behind a wooden post. [frame:1]
  • A man in a cowboy hat stands near a wooden structure while another man emerges from behind it. [frame:2]

2 people observed.

“the dance goal we have to do is break in and” 32:05 · “Grab the money and feed it.” 32:08

Evidence, details and a link to share

Sequence 91 from 32:17

Frame at 32:21, shot 33532:21
1 of 1 shots sampled

169. Hall

32:17–32:26 Machine checks passed

Model synopsis: A man in a vest and trousers dances or stumbles in a rustic wooden hall while a crowd watches. The setting appears to be a public gathering space with wooden walls and simple furnishings.

2 people observed.

Evidence, details and a link to share

Frame at 32:30, shot 33632:30Frame at 32:36, shot 33732:36
2 of 2 shots sampled

170. Hall

32:26–32:38 Machine checks passed (partial)

Model synopsis: A group of people are dancing in a large hall; one man says he is going to leave. The setting appears to be a social gathering with wooden walls and hanging lights.

  • People are dancing in a group. [frame:1]
  • A man in a suit walks away from the dance floor. [frame:2]

4 people observed.

“I'm going to go.” 32:29

Evidence, details and a link to share

Frame at 32:43, shot 33832:43Frame at 32:50, shot 33932:50
2 of 2 shots sampled

171. Other

32:38–32:53 Machine checks passed (partial)

Model synopsis: A man introduces Jake Abernathy as the undefeated champion of Cow Slip Valley while addressing a crowd; a woman stands beside him as another man gestures toward them. The transcript mentions broken bones and repeats 'undefeated champions'.

  • A man gestures toward Jake Abernathy and a woman while addressing a crowd. [frame:1]
  • The same man continues gesturing as the crowd watches. [frame:2]

Named: Jake Abernathy (t:32:40), Aunt Martha Hubbard (t:32:48). 4 people observed.

“Now, folks.” 32:39 · “Jake Abernathy. Undefeated champion of Cow Slip Valley.” 32:40

Evidence, details and a link to share

Frame at 32:56, shot 34032:56
1 of 1 shots sampled

172. Warehouse

32:53–33:00 Machine checks passed

Model synopsis: A group of people are gathered in a large indoor space with industrial equipment, some dancing while others watch. The scene is lit with studio lighting and appears to be a staged social gathering.

6 people observed.

Evidence, details and a link to share

Sequence 92 from 33:00

Frame at 33:04, shot 34133:04Frame at 33:12, shot 34233:12
2 of 2 shots sampled

173. Other

33:00–33:16 Machine checks flagged: time_of_day without evidence

Model synopsis: A man and a woman stand together in a dimly lit, possibly outdoor setting; the man then appears alone, gesturing as if speaking. The transcript contains lines of emotional dialogue, including an apology.

  • A man and a woman stand side by side, facing each other. [frame:1]
  • The man stands alone, gesturing with his right hand as if speaking. [frame:2]

2 people observed.

“You're the only one who's ever told me the truth.” 33:00 · “They've all made a fool of me.” 33:03

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Frame at 33:17, shot 34333:17
1 of 1 shots sampled

174. Other

33:16–33:18 Machine checks passed

Model synopsis: A man in a suit and tie sits outdoors at night, visible in one frame. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 93 from 33:18

Frame at 33:23, shot 34433:23Frame at 33:31, shot 34533:31
2 of 2 shots sampled

175. Other

33:18–33:35 Machine checks passed (partial)

Model synopsis: Three men stand in a rustic interior; one holds a pen and paper while another speaks. A man in a hat faces the others, and dried corn stalks are visible in the background.

  • A man holds a pen and paper while standing with two others. [frame:1]
  • The man in the hat turns to face the man in the striped sweater. [frame:2]

3 people observed.

“Left chin.” 33:19 · “to 22.” 33:20

Evidence, details and a link to share

Sequence 94 from 33:35

Frame at 33:36, shot 34633:36
1 of 1 shots sampled

176. Field

33:35–33:37 Machine checks passed

Model synopsis: A woman in a light blouse and dark skirt stands beside a man in a dark coat and hat near a cornstalk structure. The scene is outdoors and appears to be set during the day.

2 people observed.

Evidence, details and a link to share

Frame at 33:41, shot 34733:41Frame at 33:47, shot 34833:47
2 of 2 shots sampled

177. Private office

33:37–33:49 Machine checks passed

Model synopsis: A man and a woman stand close in a dimly lit interior; the man speaks to the woman, who appears to be pleading with him. The man then turns away, saying he cannot see her now and will return later.

Named: John (t:33:37), Bess (t:33:42). 2 people observed.

“John!” 33:37 · “Hi.” 33:40

Evidence, details and a link to share

Sequence 95 from 33:49

Frame at 33:50, shot 34933:50
1 of 1 shots sampled

178. Other

33:49–33:51 Machine checks passed

Model synopsis: A woman in period attire is shown in profile next to a hand gripping a wooden post. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 33:52, shot 35033:52
1 of 1 shots sampled

179. Other

33:51–33:53 Machine checks passed

Model synopsis: A woman in a light blouse and dark skirt stands in profile beside a wooden door, her hand near the frame. The scene is lit with high-contrast studio lighting, showing no clear time of day or identifiable location.

1 person observed.

Evidence, details and a link to share

Sequence 96 from 33:53

Frame at 33:57, shot 35133:57
1 of 1 shots sampled

180. Other

33:53–34:01 Machine checks passed

Model synopsis: A woman with short blonde hair and pearl earrings is shown in a close-up. No actions or dialogue occur in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 34:04, shot 35234:04
1 of 1 shots sampled

181. Other

34:01–34:07 Machine checks passed

Model synopsis: A woman with blonde hair and a lace dress is shown in a close-up. The setting appears to be indoors with a dark, indistinct background.

1 person observed.

Evidence, details and a link to share

Sequence 97 from 34:07

Frame at 34:14, shot 35334:14
1 of 1 shots sampled

182. Other

34:07–34:21 Machine checks passed

Model synopsis: A single figure is partially visible in shadow near a vertical structure in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 98 from 34:21

Sequence 99 from 34:25

Frame at 34:28, shot 35534:28
1 of 1 shots sampled

184. Fargo Express Company office

34:25–34:31 Machine checks passed (partial)

Model synopsis: A man in a dark suit is visible in a dimly lit interior, reaching toward a door with 'FARGO EXPRESS COMPANY' written on it. No spoken dialogue or other events are recorded in this beat.

  • man reaches toward a door with lettering [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 100 from 34:31

Frame at 34:35, shot 35634:35
1 of 1 shots sampled

185. Jail

34:31–34:38 Machine checks passed

Model synopsis: A person is seen behind bars in a dimly lit interior. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 101 from 34:38

Frame at 34:42, shot 35734:42
1 of 1 shots sampled

186. Other

34:38–34:47 Machine checks passed

Model synopsis: A person in dark clothing is partially visible in shadow near a vertical structure. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 102 from 34:47

Frame at 34:51, shot 35834:51
1 of 1 shots sampled

187. Arena

34:47–34:56 Machine checks passed (partial)

Model synopsis: A group of people surrounds a bull in an indoor arena; one person is seated on a chair near the bull. A voice says 'All ready?', followed by 'Fist!' and 'Go!' indicating the start of an event.

  • People stand around a bull in an arena; one man is seated on a chair near the bull. [frame:1]

10 people observed.

“All ready?” 34:47 · “Fist!” 34:48

Evidence, details and a link to share

Sequence 103 from 34:56

Frame at 34:58, shot 35934:58
1 of 1 shots sampled

188. Farm

34:56–35:00 Machine checks passed (partial)

Model synopsis: A person milks a cow while a child stands nearby in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person milks a cow. [frame:1]
  • A child stands near a cow and a milking person. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 35:01, shot 36035:01Frame at 35:04, shot 36135:04Frame at 35:11, shot 36235:11
3 of 3 shots sampled

189. Barn

35:00–35:18 Machine checks passed (partial)

Model synopsis: A woman milks a cow while a man sits nearby; later, a group of people gather around the cow in what appears to be a barn or stable. No names are spoken, and no time of day or period is established.

  • A woman milks a cow while seated on a stool. [frame:1]
  • A man milks a cow while seated on a stool. [frame:2]
  • A group of people gather around the cow in a barn-like setting. [frame:3]

3 people observed.

“Yes!” 35:00 · “Yeah, yeah.” 35:01

Evidence, details and a link to share

Sequence 104 from 35:18

Frame at 35:22, shot 36335:22Frame at 35:28, shot 36435:28
2 of 2 shots sampled

190. Other

35:18–35:31 Machine checks passed (partial)

Model synopsis: Three men in cowboy hats stand near a wooden structure; one speaks while another gestures. The scene is outdoors, with ropes and a dark garment hanging nearby.

  • A man in a dark shirt gestures with his hand. [frame:1]
  • A man in a dark shirt moves into the foreground, partially obscuring others. [frame:2]

3 people observed.

“Not from a missed contest, are you boys?” 35:22 · “- Come on!” 35:27

Evidence, details and a link to share

Sequence 105 from 35:31

Frame at 35:33, shot 36535:33
1 of 1 shots sampled

191. Barn

35:31–35:36 Machine checks passed

Model synopsis: A crowded indoor scene shows multiple people and cattle in a rustic setting. No dialogue or on-screen text is visible in the frame.

Evidence, details and a link to share

Sequence 106 from 35:36

Sequence 107 from 35:44

Frame at 35:45, shot 36735:45
1 of 1 shots sampled

193. Other

35:44–35:45 Machine checks passed

Model synopsis: A man in a striped shirt and neckerchief stands beside a wooden door with a glass panel, looking toward the right. The scene appears to be indoors, with a rough-textured wall or object visible to the right of the door.

1 person observed.

Evidence, details and a link to share

Frame at 35:49, shot 36835:49Frame at 35:58, shot 36935:58Frame at 36:06, shot 37036:06
3 of 3 shots sampled

194. Wooden shed

35:45–36:09 Machine checks passed (partial)

Model synopsis: A woman stands alone in a rustic wooden structure, then a man approaches and speaks with her while holding a coat; he helps her put it on. The dialogue includes a request to be taken home and an agreement.

  • A woman stands alone in a wooden structure. [frame:1]
  • A man approaches the woman and speaks to her while holding a coat. [frame:2]
  • The man helps the woman put on the coat. [frame:3]

Named: Miss Matthews (t:35:56), Mr. Dixon (t:35:59). 2 people observed.

“You will, Miss Matthews?” 35:56 · “Will you please take me home, Mr. Dixon?” 35:59

Evidence, details and a link to share

Sequence 108 from 36:09

Frame at 36:11, shot 37136:11
1 of 1 shots sampled

195. Other

36:09–36:12 Machine checks passed

Model synopsis: A group of people surrounds two horses in an indoor space with ropes and wooden structures visible. No dialogue or on-screen text is present in the frames.

1 person observed.

Evidence, details and a link to share

Frame at 36:13, shot 37236:13Frame at 36:15, shot 37336:15Frame at 36:20, shot 37436:20
3 of 3 shots sampled

196. Barn

36:12–36:24 Machine checks passed (partial)

Model synopsis: A man in a hat and suit stands near a wooden wall, then two men face each other in conversation. A crowd is visible in a barn-like space with cattle. The transcript includes the word 'Firehawk!' spoken at 36:15.

  • A man in a hat and suit stands near a wooden wall with hanging items. [frame:1]
  • Two men face each other in conversation inside a barn-like space. [frame:3]
  • A crowd gathers around cattle in a barn. [frame:2]

3 people observed.

“Yeah.” 36:14 · “Firehawk!” 36:15

Evidence, details and a link to share

Frame at 36:28, shot 37536:28Frame at 36:35, shot 37636:35Frame at 36:41, shot 37736:41
3 of 3 shots sampled

197. Other

36:24–36:42 Machine checks passed (partial)

Model synopsis: Three men in Western attire converse in a rustic interior with hanging hides; one man speaks about money from the sheriff's office and seeking truth about 'old Dan'. The scene includes a humming sound and dialogue indicating a plan to confront a third party.

  • Three men stand in a rustic interior with hanging hides. [frame:1]
  • Three men are shown in conversation, one seated, two standing. [frame:2]
  • The same three men continue their conversation. [frame:3]

4 people observed.

“All right.” 36:28 · “Money from the sheriff's office.” 36:32

Evidence, details and a link to share

Sequence 109 from 36:42

Frame at 36:45, shot 37836:45Frame at 36:55, shot 38036:55Frame at 36:58, shot 38136:58Frame at 37:04, shot 38337:04
4 of 6 shots sampled

198. Barn

36:42–37:06 Machine checks passed (partial)

Model synopsis: A group of people are gathered in a barn-like setting with cows; some are milking while others react to an off-screen emergency. A person shouts 'Fire!' and urges others to leave, prompting visible movement and alarm.

  • People are gathered around cows in a barn, some milking. [frame:1]
  • A woman milks a cow while others watch. [frame:2]
  • A boy milks a cow from a stool. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Fire!” 36:53 · “Come on, you're not going to be here!” 36:54

Evidence, details and a link to share

Sequence 110 from 37:06

Frame at 37:10, shot 38437:10Frame at 37:18, shot 38537:18
2 of 2 shots sampled

199. Other

37:06–37:22 Machine checks passed (partial)

Model synopsis: Two men shake hands while a woman and others watch; one man speaks aggressively about a future challenge. The setting appears to be an indoor public space with wooden paneling and spectators.

  • Two men shake hands while a woman and others watch. [frame:1]
  • The man in the vest reacts with surprise as the other man shouts. [frame:2]

Named: Jake Abernathy (t:37:15). 5 people observed.

“The champion! Hooray! Oh, you won by a foul, but by a cracky, I'll beat you.” 37:06 · “next year.” 37:13

Evidence, details and a link to share

Sequence 111 from 37:22

Sequence 112 from 37:29

Frame at 37:33, shot 38737:33Frame at 37:42, shot 38837:42
2 of 2 shots sampled

201. Living room

37:29–37:46 Machine checks passed (partial)

Model synopsis: A woman in dark clothing speaks to a man holding a hat while another woman stands nearby in a sparsely furnished room. The transcript indicates a request to speak privately with Mr. Higgins.

  • A woman in dark clothing stands facing a man holding a hat. [frame:2]
  • A second woman stands near a table while the first woman speaks to the man. [frame:2]

Named: Aunt Martha (t:37:38), Mr. Higgins (t:37:41). 3 people observed.

“All right, and that will be good.” 37:33 · “Aunt Martha.” 37:38

Evidence, details and a link to share

Frame at 37:47, shot 38937:47
1 of 1 shots sampled

202. Living room

37:46–37:49 Machine checks passed

Model synopsis: A man in Western attire stands holding a hat in a sparsely furnished room with a woman visible in the background. The room contains period furniture and wall decorations.

2 people observed.

Evidence, details and a link to share

Sequence 113 from 37:49

Frame at 37:53, shot 39037:53Frame at 37:58, shot 39137:58Frame at 38:00, shot 39238:00Frame at 38:06, shot 39338:06
4 of 4 shots sampled

203. Private office

37:49–38:09 Machine checks passed (partial)

Model synopsis: A woman speaks in a room while a man in Western attire enters through a doorway. The transcript indicates she is confronting him about his identity and a robbery he committed.

  • A woman stands in a room speaking. [frame:1]
  • A man enters the room through a doorway. [frame:3]
  • The woman continues speaking, looking toward the man. [frame:4]

Named: Mr. Road Agent (t:38:02). 2 people observed.

“I hardly know how to begin.” 37:49 · “But when I say I know who you really are...” 37:53

Evidence, details and a link to share

Frame at 38:13, shot 39438:13Frame at 38:20, shot 39538:20Frame at 38:24, shot 39638:24Frame at 38:28, shot 39738:28
4 of 4 shots sampled

204. Private office

38:09–38:32 Machine checks passed (partial)

Model synopsis: A man and a woman confront each other indoors; the woman accuses the man of being a bandit, robber, and murderer who killed her father. The man, identified as Blaine, asks to explain but she refuses to believe him.

  • A man stands in a doorway facing a woman. [frame:1]
  • The woman speaks with a stern expression. [frame:2]
  • The man remains in the doorway, listening. [frame:3]
  • 1 more under Evidence and details.

Named: Blaine (t:38:26). 2 people observed.

“And I found out that you're not only a bandit and a robber,” 38:12 · “but a murderer as well.” 38:15

Evidence, details and a link to share

Frame at 38:33, shot 39838:33Frame at 38:40, shot 39938:40Frame at 38:44, shot 40038:44
3 of 3 shots sampled

205. Living room

38:32–38:45 Machine checks passed (partial)

Model synopsis: A man and a woman are in a room; the woman speaks angrily and tells the man to leave. The man is visible in one frame, the woman in two, and their dialogue indicates a confrontation.

  • A man stands in a doorway, looking toward the camera. [frame:1]
  • A woman looks toward the man, her expression serious. [frame:2]
  • The woman remains in the same position, still looking toward the man. [frame:3]

2 people observed.

“You were right when you said...” 38:33 · “There aren't words vile enough to express my conviction.” 38:36

Evidence, details and a link to share

Sequence 114 from 38:45

Frame at 38:49, shot 40138:49
1 of 1 shots sampled

206. Private office

38:45–38:52 Machine checks passed (partial)

Model synopsis: A man in a dark shirt and scarf stands at a wooden door, turning the knob, while a woman with a braided updo faces away from the camera. No dialogue or on-screen text is present in this beat.

  • A man turns the knob of a wooden door. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 115 from 38:52

Frame at 38:57, shot 40238:57
1 of 1 shots sampled

207. Living room

38:52–39:01 Machine checks passed

Model synopsis: A woman with blonde hair in a lace dress is visible in an interior setting. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 116 from 39:01

Frame at 39:06, shot 40339:06
1 of 1 shots sampled

208. Private office

39:01–39:11 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and dark shirt walks away from the camera inside a room with a wooden cabinet and framed pictures. The transcript indicates the Martin boys entered Joe Dixon's place through the back way.

  • A man in a cowboy hat walks away from the camera inside a room. [frame:1]

1 person observed.

“Martin boys just went into Joe Dixon's” 39:07 · “They went in the back way.” 39:09

Evidence, details and a link to share

Frame at 39:13, shot 40439:13Frame at 39:19, shot 40539:19
2 of 2 shots sampled

209. Private office

39:11–39:23 Machine checks passed

Model synopsis: Two men in cowboy hats are shown in an interior room; one stands while the other sits at a desk. A third man is mentioned in the dialogue as Joe Higgins, who allegedly stole money three months ago.

  • A man stands beside a seated man at a desk. [frame:1]
  • Three men are seated in a room, one holding a hat. [frame:2]

Named: Joe Higgins (t:39:15). 4 people observed.

“I tell you, Joe Higgins was the fella who got that money away from us three months ago.” 39:15 · “gold.” 39:19

Evidence, details and a link to share

Frame at 39:28, shot 40639:28Frame at 39:36, shot 40739:36Frame at 39:41, shot 40839:41Frame at 39:45, shot 40939:45
4 of 4 shots sampled

210. Private office

39:23–39:49 Machine checks passed

Model synopsis: Three men in cowboy hats are seated indoors, discussing a woman and horses, with one man speaking about a financial gain. The setting appears to be a simple room with a window and basic furniture.

3 people observed.

“Well, anyhow, I cooked his goose last night.” 39:24 · “You know, I don't see any reason why I shouldn't step in and marry the both of the lazy ends.” 39:30

Evidence, details and a link to share

Frame at 39:53, shot 41039:53Frame at 40:02, shot 41140:02
2 of 2 shots sampled

211. Private office

39:49–40:06 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat sits indoors while two other men in cowboy hats join him; one suggests riding to get someone named Brokaw. The transcript mentions a ranch and marriage, implying a plot involving property and relationships.

  • A man in a suit and cowboy hat sits with hands clasped. [frame:1]
  • Two other men in cowboy hats sit with him, one speaking. [frame:2]

3 people observed.

“Lazy M probably will be glad to marry you well to do gently.” 39:53 · “I'll ride over and get Brokaw him.” 39:58

Evidence, details and a link to share

Frame at 40:07, shot 41240:07
1 of 1 shots sampled

212. Private office

40:06–40:09 Machine checks passed

Model synopsis: Two men in cowboy hats stand at a doorway; one holds the doorframe while the other looks on. The setting appears to be an interior room with a wooden door and brick wall visible.

2 people observed.

Evidence, details and a link to share

Sequence 117 from 40:09

Frame at 40:11, shot 41340:11
1 of 1 shots sampled

213. Street

40:09–40:12 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat adjusts a saddle on a donkey outside a building. The scene is outdoors in daylight, with another donkey visible nearby.

  • man adjusts saddle on donkey [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 118 from 40:12

Sequence 119 from 40:17

Frame at 40:20, shot 41540:20
1 of 1 shots sampled

215. Street

40:17–40:23 Machine checks passed

Model synopsis: A man in a cowboy hat rides a horse past a wooden building while two other men stand nearby. The scene is outdoors and appears to be set in a Western town.

  • A man on horseback rides past a wooden building. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 40:27, shot 41640:27
1 of 1 shots sampled

216. Street

40:23–40:30 Machine checks passed

Model synopsis: A man in a cowboy hat stands beside a horse near a building with a wooden fence. The scene is outdoors, with trees and a dirt ground visible.

1 person observed.

Evidence, details and a link to share

Sequence 120 from 40:30

Frame at 40:34, shot 41740:34
1 of 1 shots sampled

217. Road

40:30–40:38 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves along a dirt path under trees, with another rider visible in the distance. The scene is outdoors in a natural setting with hills in the background.

  • A rider on horseback moves along a dirt path under trees. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 40:40, shot 41840:40
1 of 1 shots sampled

218. Field

40:38–40:42 Machine checks passed

Model synopsis: A person stands near trees in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • a person stands near trees in an open area [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 121 from 40:42

Frame at 40:44, shot 41940:44
1 of 1 shots sampled

219. Field

40:42–40:46 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open field with trees in the background. The scene is outdoors and appears to be during the day.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 40:47, shot 42040:47
1 of 1 shots sampled

220. Field

40:46–40:48 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open field bordered by trees and a fence. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 40:50, shot 42140:50
1 of 1 shots sampled

221. Field

40:48–40:52 Machine checks passed

Model synopsis: A person wearing a hat rides a horse across a field. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 41:00, shot 42341:00
1 of 1 shots sampled

223. Forest

40:58–41:03 Machine checks passed

Model synopsis: A man in a hat rides a horse through a wooded area. The scene is shot in black and white with no visible dialogue or on-screen text.

  • A man rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 122 from 41:03

Frame at 41:07, shot 42441:07
1 of 1 shots sampled

224. Forest

41:03–41:11 Machine checks passed (partial)

Model synopsis: A person rides a horse through a wooded area. The scene is outdoors with trees and a fence visible.

  • A person rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 41:13, shot 42541:13
1 of 1 shots sampled

225. Forest

41:11–41:16 Machine checks passed (partial)

Model synopsis: A person stands beside a horse near trees in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person stands beside a horse near trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 123 from 41:25

Frame at 41:26, shot 42841:26
1 of 1 shots sampled

228. Shed exterior

41:25–41:27 Machine checks passed (partial)

Model synopsis: A person in dark clothing crouches beside a tree near a wooden shed in snow. No dialogue or on-screen text is present in this beat.

  • A person crouches beside a tree near a wooden shed. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 124 from 41:27

Frame at 41:32, shot 42941:32Frame at 41:39, shot 43041:39
2 of 2 shots sampled

229. Other

41:27–41:43 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and neckerchief is seated against a wooden wall, holding an object. The transcript discusses stealing a thousand horses to sell to Gomez for eight or ten dollars each, starting tomorrow.

  • The man is seated, holding an object, looking off to the side. [frame:1]
  • The man remains seated, still holding the object, now looking slightly more forward. [frame:2]

1 person observed.

“A thousand head of horses in the south pasture of the Lazy M.” 41:28 · “All we gotta do is to shoot 'em off down to Gomez.” 41:31

Evidence, details and a link to share

Sequence 125 from 41:43

Frame at 41:47, shot 43141:47
1 of 1 shots sampled

230. Forest

41:43–41:51 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat stands beside a saddled horse near a tree in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person stands next to a saddled horse near a tree. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 126 from 41:51

Frame at 41:52, shot 43241:52
1 of 1 shots sampled

231. Forest

41:51–41:52 Machine checks passed (partial)

Model synopsis: A person on horseback is visible in an outdoor setting with trees and wooden structures. No dialogue or on-screen text is present in this beat.

  • A person rides a horse through a wooded area with wooden structures nearby. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 41:56, shot 43341:56
1 of 1 shots sampled

232. Field

41:52–41:59 Machine checks passed

Model synopsis: A group of people is visible behind a spiked wooden fence in an outdoor setting with trees and hills. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 127 from 41:59

Frame at 42:01, shot 43442:01Frame at 42:07, shot 43542:07Frame at 42:18, shot 43642:18
3 of 3 shots sampled

233. Farm

41:59–42:25 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat speaks with a Native American man near a wooden fence; the transcript indicates a threat of horse theft at sunrise and a resolve to fight. No names are spoken, and the setting appears to be an outdoor rural area with rustic fencing and trees.

  • A man in a cowboy hat stands near a wooden gate. [frame:1]
  • The cowboy and Black Eagle face each other, speaking. [frame:2]
  • Black Eagle gestures while speaking to the cowboy. [frame:3]

Named: Black Eagle (t:42:04). 3 people observed.

“Black Eagle?” 42:04 · “Men come tomorrow morning at sunrise to steal all my horses.” 42:06

Evidence, details and a link to share

Sequence 128 from 42:25

Frame at 42:26, shot 43742:26
1 of 1 shots sampled

234. Beat 234

42:25–42:26 Machine checks passed

Model synopsis: A single dark frame shows a faint horizontal light streak against near-total blackness. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Sequence 129 from 42:26

Frame at 42:30, shot 43842:30
1 of 1 shots sampled

235. Field

42:26–42:35 Machine checks passed

Model synopsis: A wide shot shows a herd of cattle grazing on a grassy slope with distant mountains under a cloudy sky. No people or structures are visible in the frame.

Evidence, details and a link to share

Sequence 130 from 42:35

Frame at 42:40, shot 44042:40
1 of 1 shots sampled

237. Forest

42:38–42:42 Machine checks passed

Model synopsis: Three people on horseback are shown in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 131 from 42:42

Frame at 42:43, shot 44142:43
1 of 1 shots sampled

238. Forest

42:42–42:45 Machine checks passed

Model synopsis: A man in a cowboy hat is shown outdoors among trees; a voice identifies him as Brokaw. No other people, objects, or events are visible or mentioned in this beat.

  • A man in a cowboy hat is shown looking upward among tree branches. [frame:1]

Named: Brokaw (t:42:43). 1 person observed.

“Here comes Brokaw now.” 42:43

Evidence, details and a link to share

Sequence 132 from 42:45

Frame at 42:48, shot 44242:48
1 of 1 shots sampled

239. Field

42:45–42:52 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, sunlit field with mountains and trees in the background. The scene is outdoors and appears to be set in a rural or wilderness area.

  • Riders on horseback move across an open field. [frame:1]

Evidence, details and a link to share

Sequence 133 from 42:52

Sequence 134 from 42:55

Frame at 42:57, shot 44442:57Frame at 43:00, shot 44543:00
2 of 2 shots sampled

241. Forest

42:55–43:01 Machine checks passed

Model synopsis: Two men on horseback are shown in a forest setting across two frames. One man wears a wide-brimmed cowboy hat and a dark shirt; the other wears a plaid shirt and a similar hat.

2 people observed.

Evidence, details and a link to share

Sequence 135 from 43:01

Sequence 136 from 43:06

Frame at 43:09, shot 44743:09
1 of 1 shots sampled

243. Forest

43:06–43:13 Machine checks passed

Model synopsis: A group of men on horseback is shown in a forested outdoor setting. One man wears a cowboy hat and neckerchief; others wear hats and period Western attire.

5 people observed.

Evidence, details and a link to share

Sequence 137 from 43:13

Sequence 138 from 43:20

Sequence 139 from 43:23

Frame at 43:26, shot 45143:26Frame at 43:31, shot 45343:31Frame at 43:32, shot 45443:32Frame at 43:37, shot 45643:37
4 of 6 shots sampled

246. Field

43:23–43:38 Machine checks passed

Model synopsis: A group of people and cattle are shown in an open, hilly landscape. The scene shifts from a wide view of cattle moving across terrain to a gathering of people seated near trees with mountains in the background.

Evidence, details and a link to share

Frame at 43:40, shot 45743:40Frame at 43:47, shot 45943:47Frame at 43:50, shot 46043:50Frame at 43:57, shot 46243:57
4 of 6 shots sampled

247. Field

43:38–43:57 Machine checks passed

Model synopsis: A group of riders on horseback moves across an open, dusty landscape with mountains in the background. The scene includes a wide shot of a herd and a closer view of riders near trees and in a sandy area.

Evidence, details and a link to share

Frame at 44:02, shot 46444:02
1 of 1 shots sampled

249. Forest

44:01–44:02 Machine checks passed

Model synopsis: A group of people on horseback moves through a wooded area with mountains in the background. No dialogue or on-screen text is present in this single frame.

Evidence, details and a link to share

Frame at 44:03, shot 46544:03
1 of 1 shots sampled

250. Field

44:02–44:05 Machine checks passed (partial)

Model synopsis: A group of riders on horseback is shown in a wide shot of an open, arid landscape with mountains in the background. No dialogue or on-screen text is present in this beat.

  • Riders on horseback are moving across an open field with mountains in the background. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 44:06, shot 46644:06
1 of 1 shots sampled

251. Forest

44:05–44:08 Machine checks passed

Model synopsis: A group of riders on horseback moves through a forested area. The scene is shot in black and white with tall trees and open ground visible.

  • A group of riders on horseback moves through a forested area. [frame:1]

Evidence, details and a link to share

Sequence 140 from 44:08

Frame at 44:10, shot 46744:10
1 of 1 shots sampled

252. Field

44:08–44:12 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, flat landscape with snow-covered mountains in the background. The scene is shot in black and white with no visible dialogue or on-screen text.

  • Riders on horseback move across a snowy field with mountains in the background. [frame:1]

4 people observed.

Evidence, details and a link to share

Frame at 44:12, shot 46844:12
1 of 1 shots sampled

253. Field

44:12–44:12 Machine checks passed

Model synopsis: A group of riders on horseback moves across an open, dusty field with mountains and trees in the background. No dialogue or on-screen text is present in this beat.

  • Riders on horseback gallop across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 141 from 44:12

Frame at 44:13, shot 46944:13
1 of 1 shots sampled

254. Field

44:12–44:14 Machine checks passed

Model synopsis: Two men on horseback are shown in a field with mountains in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 44:16, shot 47044:16
1 of 1 shots sampled

255. Field

44:14–44:17 Machine checks passed

Model synopsis: A group of riders on horseback moves across an open field with hills in the background. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 142 from 44:17

Frame at 44:18, shot 47144:18
1 of 1 shots sampled

256. Field

44:17–44:19 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across an open field under a bright sky. The scene is shot in black and white with visible film damage.

  • A rider on horseback is visible moving across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 143 from 44:19

Frame at 44:23, shot 47244:23Frame at 44:31, shot 47444:31Frame at 44:33, shot 47544:33Frame at 44:37, shot 47744:37
4 of 6 shots sampled

257. Field

44:19–44:38 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open landscape with mountains in the background, then crosses a shallow river. The riders wear hats and appear to be in motion, with dust and water kicked up by the horses.

  • Riders on horseback are seen in a field with mountains behind them. [frame:1]
  • A rider on a horse is shown in motion through tall grass. [frame:2]
  • Horses and riders move quickly, kicking up dust. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

Evidence, details and a link to share

Frame at 44:39, shot 47844:39Frame at 44:41, shot 47944:41Frame at 44:47, shot 48044:47
3 of 3 shots sampled

258. Field

44:38–44:52 Machine checks passed (partial)

Model synopsis: Two riders on horseback are seen in a wide landscape with mountains, followed by a closer shot of one rider aiming a rifle, then a group of riders galloping through a wooded area. A voice exclaims 'Oh, my God.' during the sequence.

  • Two riders on horseback are visible in a wide field with mountains in the background. [frame:1]
  • A rider aims a rifle while mounted on a horse. [frame:2]
  • A group of riders gallop through a wooded area. [frame:3]

3 people observed.

“Oh, my God.” 44:49

Evidence, details and a link to share

Frame at 44:53, shot 48144:53Frame at 45:01, shot 48345:01Frame at 45:03, shot 48445:03Frame at 45:08, shot 48645:08
4 of 6 shots sampled

259. Field

44:52–45:11 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, mountainous landscape. A gunshot is heard during the sequence, and one rider appears to fall from their horse.

  • A group of riders on horseback gallops across an open field with mountains in the background. [frame:1]
  • One rider is seen falling or dismounted in a rocky area with mountains behind. [frame:2]
  • The group of riders continues moving across the field, seen from a distance with trees framing the shot. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Come on.” 44:57 · “I'm” 44:59

Evidence, details and a link to share

Sequence 144 from 45:11

Frame at 45:12, shot 48745:12
1 of 1 shots sampled

260. Scrubland

45:11–45:12 Machine checks passed

Model synopsis: A single frame shows a desolate outdoor landscape with scrub brush and distant hills under an overcast sky. No people, vehicles, or structures are visible in this shot.

Evidence, details and a link to share

Sequence 145 from 45:12

Frame at 45:13, shot 48845:13
1 of 1 shots sampled

261. Mountain range

45:12–45:14 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open landscape with mountains in the background. The scene is outdoors and appears to be in a rural or wilderness area.

  • A person rides a horse across a landscape with mountains in the background. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 146 from 45:14

Frame at 45:17, shot 48945:17
1 of 1 shots sampled

262. Open field with mountains

45:14–45:20 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open field with mountains in the background. One rider is seen falling from a horse during the movement.

  • A rider falls from a horse while a group of horseback riders moves across a field. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 45:21, shot 49045:21
1 of 1 shots sampled

263. Field

45:20–45:22 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across an open, dusty plain with hills in the background. No dialogue or on-screen text is present in this beat.

  • Two people ride horses across a dusty plain. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 147 from 45:22

Frame at 45:23, shot 49145:23
1 of 1 shots sampled

264. Forest

45:22–45:23 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat rides a horse through a wooded area. The scene is shot in black and white with no visible text or dialogue.

  • A man rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 45:26, shot 49245:26
1 of 1 shots sampled

265. Field

45:23–45:29 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across an open, tree-lined field. The scene is shot in black and white with no visible dialogue or on-screen text.

  • Two riders on horseback gallop across a field. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 148 from 45:29

Frame at 45:32, shot 49345:32
1 of 1 shots sampled

266. Field

45:29–45:36 Machine checks passed

Model synopsis: Two riders on horseback are visible in a field with trees and mountains in the background; one rider speaks an apology. No names are spoken, and no objects beyond horses and natural scenery are visible.

2 people observed.

“I'm sorry.” 45:29

Evidence, details and a link to share

Frame at 45:37, shot 49445:37
1 of 1 shots sampled

267. Field

45:36–45:39 Machine checks passed

Model synopsis: A person in a cowboy hat rides a dark horse across an open field with trees in the background. The scene is outdoors and appears to be from a Western film.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 45:42, shot 49545:42
1 of 1 shots sampled

268. Field

45:39–45:45 Machine checks passed

Model synopsis: Three riders on horseback move across an open field with trees and hills in the background. No dialogue or on-screen text is visible in the frame.

  • Three people ride horses across a field. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 45:47, shot 49645:47
1 of 1 shots sampled

269. Field

45:45–45:48 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, tree-lined area. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 45:49, shot 49745:49
1 of 1 shots sampled

270. Forest

45:48–45:49 Machine checks passed

Model synopsis: A person rides a horse at speed across an outdoor setting with trees. No dialogue or on-screen text is present in this beat.

  • A person rides a horse at speed. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 149 from 45:49

Frame at 45:51, shot 49845:51
1 of 1 shots sampled

271. Field

45:49–45:53 Machine checks passed (partial)

Model synopsis: A lone rider on horseback is visible in a wide, open field with scattered trees and mountains in the background. The scene is outdoors in daylight, with no dialogue or on-screen text present.

  • A rider on horseback moves across an open field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 45:56, shot 49945:56
1 of 1 shots sampled

272. Field

45:53–45:59 Machine checks passed

Model synopsis: Three riders on horseback are visible in an open, dusty field with trees and hills in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 150 from 45:59

Frame at 46:01, shot 50046:01
1 of 1 shots sampled

273. Field

45:59–46:02 Machine checks passed (partial)

Model synopsis: Two men struggle in an open field while a third man lies on the ground nearby. The setting is outdoors with mountains and trees in the background.

  • Two men are engaged in a physical struggle in a field. [frame:1]
  • A third man lies motionless on the ground nearby. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 46:04, shot 50146:04
1 of 1 shots sampled

274. Field

46:02–46:05 Machine checks passed (partial)

Model synopsis: A man in dark clothing holds another man in a lighter shirt in an open field. A third man lies on the ground nearby.

  • A man in dark clothing holds another man in a lighter shirt. [frame:1]
  • A third man lies on the ground in the background. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 151 from 46:05

Frame at 46:06, shot 50246:06
1 of 1 shots sampled

275. Field

46:05–46:07 Machine checks passed (partial)

Model synopsis: A person lies on their back in an open outdoor area with trees and hills in the background. The person raises one arm into the air while lying down.

  • A person lies on their back with one arm raised. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 152 from 46:07

Frame at 46:11, shot 50346:11
1 of 1 shots sampled

276. Field

46:07–46:14 Machine checks passed

Model synopsis: A man in Western attire stands in a dusty outdoor area with trees in the background. No dialogue identifies him by name, and no other events or objects are visible in the single frame.

  • A man stands in a field with his back to the camera. [frame:1]

1 person observed.

“Oh.” 46:11

Evidence, details and a link to share

Sequence 153 from 46:14

Frame at 46:17, shot 50446:17
1 of 1 shots sampled

277. Desert

46:14–46:19 Machine checks passed

Model synopsis: A man lies prone on sandy ground with a hat and revolver nearby. No dialogue or additional context is provided in this beat.

  • A man lies prone on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 46:20, shot 50546:20Frame at 46:23, shot 50646:23
2 of 2 shots sampled

278. Desert

46:19–46:23 Machine checks passed (partial)

Model synopsis: A man stands over another man lying prone in a sandy area with trees in the background. One man speaks briefly, then exclaims as the prone man looks up.

  • A man stands over another man lying on the ground. [frame:1]
  • The prone man looks up, his hat and a small object lie beside him. [frame:2]

2 people observed.

“Yeah.” 46:20 · “- Ah!” 46:22

Evidence, details and a link to share

Frame at 46:24, shot 50746:24
1 of 1 shots sampled

279. Field

46:23–46:25 Machine checks passed

Model synopsis: Two men are engaged in a physical struggle outdoors on a sandy or dusty ground with trees and hills in the background. No dialogue or on-screen text is present in this beat.

  • Two men are grappling in an open field. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 154 from 46:25

Frame at 46:27, shot 50846:27
1 of 1 shots sampled

280. Field

46:25–46:28 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat mounts a horse in an open outdoor area with trees and hills in the background. The scene is shot in black and white with no visible text or dialogue.

  • man mounts a horse [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 155 from 46:28

Frame at 46:29, shot 50946:29
1 of 1 shots sampled

281. Sandy field

46:28–46:29 Machine checks passed (partial)

Model synopsis: A man in dark clothing is seen grappling with another man on the ground in an open, sandy area. The scene is outdoors with sparse trees in the background, captured in a single black-and-white frame.

  • A man in dark clothing grapples with another man on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 156 from 46:29

Frame at 46:30, shot 51046:30
1 of 1 shots sampled

282. Desert

46:29–46:31 Machine checks passed (partial)

Model synopsis: A man lies prone on sandy ground holding a revolver. No dialogue or on-screen text is present in this beat.

  • A man lies prone on sandy ground aiming a revolver. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 157 from 46:31

Frame at 46:31, shot 51146:31
1 of 1 shots sampled

283. Open sandy area with trees

46:31–46:32 Machine checks passed (partial)

Model synopsis: Two figures are engaged in a physical struggle in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

  • Two figures grapple in a sandy field. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 158 from 46:32

Frame at 46:33, shot 51246:33
1 of 1 shots sampled

284. Sandy ground

46:32–46:34 Machine checks passed

Model synopsis: A man in a long-sleeved shirt lies prone on sandy ground, aiming a pistol forward. The scene is outdoors on a bright, open patch of sand or dirt.

  • A man lies prone on the ground aiming a pistol. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 159 from 46:34

Frame at 46:36, shot 51346:36
1 of 1 shots sampled

285. Field

46:34–46:37 Machine checks passed (partial)

Model synopsis: A man kneels beside another man lying on the ground in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

  • A man kneels beside another man lying on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 46:39, shot 51446:39
1 of 1 shots sampled

286. Other

46:37–46:40 Machine checks passed

Model synopsis: A man lies on the ground looking up at another person standing over him. The standing person's legs and boots are visible, suggesting a confrontation or aftermath of a fall.

  • A man lies on the ground looking up at another person standing over him. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 160 from 46:40

Frame at 46:40, shot 51546:40
1 of 1 shots sampled

287. Other

46:40–46:41 Machine checks passed

Model synopsis: A man lies on sandy ground while another person stands nearby, visible only from the knees down. The setting is outdoors with trees in the background and no structures visible.

  • A man lies on the ground while another person stands nearby. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 46:42, shot 51646:42Frame at 46:43, shot 51746:43
2 of 2 shots sampled

288. Field

46:41–46:44 Machine checks passed (partial)

Model synopsis: A man lies prone on sandy ground aiming a pistol while another man in a cowboy hat stands nearby. No names are spoken, and the setting appears to be an open outdoor area with sparse trees.

  • A man lies on the ground aiming a pistol. [frame:1]
  • A man in a cowboy hat stands in the field. [frame:2]

2 people observed.

“Wow.” 46:42

Evidence, details and a link to share

Frame at 46:45, shot 51846:45
1 of 1 shots sampled

289. Desert

46:44–46:47 Machine checks passed

Model synopsis: A person lies face down on sandy ground with a hat nearby. No dialogue or visible movement occurs in this beat.

  • A person lies motionless on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 161 from 46:47

Frame at 47:00, shot 51947:00Frame at 47:16, shot 52047:16Frame at 47:22, shot 52147:22
3 of 3 shots sampled

290. Desert

46:47–47:24 Machine checks passed (partial)

Model synopsis: A man is seen holding another man down on the ground while speaking. The transcript reveals a confession about a robbery and a shooting, followed by instructions to a sheriff. No names are spoken that can be attached to visible individuals.

  • A man (p2) is holding another man (p1) down on the ground. [frame:1]
  • The man (p2) continues to hold the other man (p1) down. [frame:2]
  • The man (p2) remains in position over the man (p1). [frame:3]

2 people observed.

“Now tell me, Martin, or I'll break every bone in your body.” 46:47 · “Who killed Dan Matthews?” 46:51

Evidence, details and a link to share

Sequence 162 from 47:24

Frame at 47:25, shot 52247:25
1 of 1 shots sampled

291. Field

47:24–47:25 Machine checks passed

Model synopsis: A man in a cowboy hat and plaid shirt runs across an open, dusty field with trees in the background. No dialogue or on-screen text is present in this beat.

  • A man runs across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 163 from 47:25

Frame at 47:27, shot 52347:27
1 of 1 shots sampled

292. Field

47:25–47:30 Machine checks passed (partial)

Model synopsis: A man stands over another man lying on the ground in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

  • A man stands over another man lying on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 164 from 47:30

Frame at 47:31, shot 52447:31
1 of 1 shots sampled

293. Field

47:30–47:31 Machine checks passed

Model synopsis: A man lies on the ground while another man in a cowboy hat stands over him. The scene is outdoors on rough terrain, captured in black and white.

  • A man stands over another man lying on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 165 from 47:31

Frame at 47:35, shot 52547:35
1 of 1 shots sampled

294. Field

47:31–47:38 Machine checks passed (partial)

Model synopsis: A person rides a dark horse across an open, grassy area with trees in the background. The scene is outdoors and appears to be shot in daylight.

  • A person rides a horse across a grassy area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 166 from 47:38

Frame at 47:42, shot 52647:42
1 of 1 shots sampled

295. Field

47:38–47:46 Machine checks passed (partial)

Model synopsis: A person on horseback rides through an open gate into a field. The scene is outdoors, with trees and hills visible in the background.

  • A person on horseback rides through an open gate. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 47:48, shot 52747:48
1 of 1 shots sampled

296. Gate entrance

47:46–47:50 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat walks through an open gate while another person bends over near the gate. The setting is outdoors with trees and hills visible in the background.

  • A man in a cowboy hat walks through a gate. [frame:1]
  • Another person is bent over near the gate. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 167 from 47:50

Frame at 47:54, shot 52847:54Frame at 48:02, shot 52948:02Frame at 48:09, shot 53048:09
3 of 3 shots sampled

297. Private office

47:50–48:11 Machine checks passed (partial)

Model synopsis: A woman in a striped dress speaks with a man in a cowboy hat indoors, then a rider on horseback is seen outdoors. The dialogue mentions rustled horses and a request to use a phone.

  • Miss Matthews stands at a wall-mounted telephone. [frame:1]
  • Miss Matthews speaks with a man in a cowboy hat. [frame:2]
  • A rider on horseback gallops across an open area. [frame:3]

Named: Miss Matthews (t:47:55). 3 people observed.

“Miss Matthews.” 47:55 · “Higgins and his Indian renegade rustled your horses.” 47:57

Evidence, details and a link to share

Sequence 168 from 48:11

Frame at 48:16, shot 53148:16
1 of 1 shots sampled

298. Field

48:11–48:20 Machine checks passed

Model synopsis: A group of men on horseback and on foot are gathered in an open, tree-lined area. The scene is shot in black and white with no visible text or spoken dialogue.

Evidence, details and a link to share

Frame at 48:20, shot 53248:20
1 of 1 shots sampled

299. Field

48:20–48:20 Machine checks passed

Model synopsis: A group of men on horseback are gathered in an open, tree-lined area. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Sequence 169 from 48:20

Frame at 48:22, shot 53348:22Frame at 48:27, shot 53448:27
2 of 2 shots sampled

300. Private office

48:20–48:29 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat uses a wall-mounted telephone while a woman in a striped dress stands nearby; a separate shot shows a gate opening to a dirt path with riders approaching. The transcript notes no answer at the sheriff's office.

  • man in cowboy hat holds telephone receiver to ear [frame:1]
  • riders approach through open gate on dirt path [frame:2]

2 people observed.

“No answer at the sheriff's office.” 48:22

Evidence, details and a link to share

Sequence 170 from 48:34

Frame at 48:34, shot 53648:34
1 of 1 shots sampled

302. Living room

48:34–48:35 Machine checks passed

Model synopsis: A man in a cowboy hat and a woman in a striped dress stand inside a room with rustic decor. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 171 from 48:35

Frame at 48:37, shot 53748:37
1 of 1 shots sampled

303. Gate entrance

48:35–48:40 Machine checks passed

Model synopsis: A man in dark clothing walks through a wooden gate with a horse behind him. The setting is outdoors with trees and hills visible in the background.

  • A man walks through a wooden gate. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 172 from 48:40

Frame at 48:41, shot 53848:41
1 of 1 shots sampled

304. Living room

48:40–48:43 Machine checks passed

Model synopsis: A man in cowboy attire gestures toward a window while a woman in a striped dress stands behind him inside a room. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 173 from 48:43

Frame at 48:44, shot 53948:44
1 of 1 shots sampled

305. Field

48:43–48:45 Machine checks passed

Model synopsis: A man in dark clothing stands in a wide stance near a wooden gate with a field and trees behind him. The scene is outdoors and appears to be set in a rural area during daylight.

  • man stands in wide stance near wooden gate [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 174 from 48:45

Sequence 175 from 48:49

Frame at 48:50, shot 54148:50Frame at 48:52, shot 54248:52Frame at 48:57, shot 54348:57
3 of 3 shots sampled

307. Private office

48:49–49:00 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is confronted by a woman and another man holding a gun; the confrontation is interrupted by an arrest accusation. The setting is an interior room with rustic decor and a framed picture on the wall.

  • A woman and a man in a cowboy hat stand in a room with a door and a framed picture on the wall. [frame:1]
  • The woman and the cowboy-hatted man face each other; the man has his hands near his chest. [frame:2]
  • A man holding a revolver looks at his hands; he is standing in front of a cabinet with decorative items. [frame:3]

Named: Dixon (t:48:50). 3 people observed.

“Drop that gun, Dixon.” 48:50 · “I arrest you for the murder of Dan Matthews.” 48:55

Evidence, details and a link to share

Frame at 49:02, shot 54449:02
1 of 1 shots sampled

308. Living room

49:00–49:03 Machine checks passed

Model synopsis: A woman in a striped dress stands near a chair while a man in dark clothing leans forward against a wall-mounted object. The scene is indoors, with period decor including a patterned wall and a draped curtain.

2 people observed.

Evidence, details and a link to share

Sequence 176 from 49:03

Frame at 49:03, shot 54549:03
1 of 1 shots sampled

309. Private office

49:03–49:04 Machine checks passed (partial)

Model synopsis: A man in a dark shirt and neckerchief holds a pistol in an interior room with a cabinet and painting. No dialogue or on-screen text is present in this beat.

  • man holds pistol with both hands [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 177 from 49:04

Frame at 49:05, shot 54649:05Frame at 49:06, shot 54749:06Frame at 49:08, shot 54849:08
3 of 3 shots sampled

310. Living room

49:04–49:09 Machine checks passed (partial)

Model synopsis: A man in a dark jacket and a woman in a striped apron are indoors; the man gestures while speaking. Outside, a man in a cowboy hat mounts a horse at a gate. The man indoors then climbs onto a chair to reach something behind a curtain.

  • A man gestures toward a woman standing near a wall phone. [frame:1]
  • A man in a cowboy hat mounts a horse at a wooden gate. [frame:2]
  • The man indoors climbs onto a chair to reach behind a curtain. [frame:3]

3 people observed.

“Please.” 49:05

Evidence, details and a link to share

Frame at 49:10, shot 54949:10
1 of 1 shots sampled

311. Gate entrance

49:09–49:11 Machine checks passed (partial)

Model synopsis: A person on horseback passes through a wooden gate in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person on horseback rides through a wooden gate. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 178 from 49:11

Frame at 49:13, shot 55049:13
1 of 1 shots sampled

312. Road

49:11–49:16 Machine checks passed

Model synopsis: A person rides a horse across a dirt road in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across a dirt road. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:19, shot 55149:19
1 of 1 shots sampled

313. Field

49:16–49:22 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open, dusty area with trees in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 179 from 49:22

Frame at 49:26, shot 55249:26
1 of 1 shots sampled

314. Forest

49:22–49:30 Machine checks passed (partial)

Model synopsis: A person rides a horse along a dirt path in a wooded area. The scene is outdoors and appears to be during the day.

  • A person rides a horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:31, shot 55349:31
1 of 1 shots sampled

315. Forest

49:30–49:31 Machine checks passed (partial)

Model synopsis: A person on horseback rides along a dirt path in a wooded area. The scene is outdoors with trees and open ground visible.

  • A person rides a horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 180 from 49:31

Frame at 49:32, shot 55449:32
1 of 1 shots sampled

316. Road

49:31–49:34 Machine checks passed (partial)

Model synopsis: Two riders on horseback move along a dirt road bordered by trees and a wooden fence. Dust rises behind them as they ride away from the camera.

  • Two riders on horseback move along a dirt road, kicking up dust. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 181 from 49:34

Frame at 49:36, shot 55549:36
1 of 1 shots sampled

317. Forest

49:34–49:38 Machine checks passed (partial)

Model synopsis: Two men are seen near a wooden cabin in a wooded area; one approaches the cabin door while the other stands nearby. No dialogue or on-screen text is present in this beat.

  • A man runs toward the door of a wooden cabin. [frame:1]
  • Another man stands near a wooden fence, watching. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 182 from 49:38

Frame at 49:43, shot 55649:43Frame at 49:52, shot 55749:52
2 of 2 shots sampled

318. Other

49:38–49:56 Machine checks passed (partial)

Model synopsis: Two men struggle in a wooden room; one is pushed against a door while the other bends forward. The transcript contains short affirmations and a command to hurry.

  • Two men grapple in a wooden room. [frame:1]
  • One man is pushed against a door while the other bends forward. [frame:2]

2 people observed.

“Come on.” 49:44 · “Yeah.” 49:49

Evidence, details and a link to share

Sequence 183 from 49:56

Frame at 50:00, shot 55850:00
1 of 1 shots sampled

319. Other

49:56–50:03 Machine checks passed

Model synopsis: A man with curly hair and a neckerchief stands in front of a wooden wall. No dialogue or other actions are visible in this single frame.

1 person observed.

Evidence, details and a link to share

Sequence 184 from 50:03

Frame at 50:07, shot 55950:07Frame at 50:16, shot 56050:16
2 of 2 shots sampled

320. Living room

50:03–50:20 Machine checks passed

Model synopsis: Two women sit at a table in a dimly lit room, conversing while handling small objects; one mentions Chief Blackie as a person who might know John's whereabouts. No names are spoken that identify the women, and the setting appears to be a private interior space.

2 people observed.

“John's been gone nearly two months now.” 50:05 · “I wonder if he'll ever come back.” 50:08

Evidence, details and a link to share

Sequence 185 from 50:20

Frame at 50:22, shot 56150:22
1 of 1 shots sampled

321. Dirt path surrounded by trees

50:20–50:25 Machine checks passed (partial)

Model synopsis: Three people on horseback are shown outdoors on a dirt path surrounded by trees. No dialogue or on-screen text is present in this beat.

  • Three people on horseback are stationary or slowly moving on a dirt path. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 186 from 50:32

Frame at 50:39, shot 56350:39
1 of 1 shots sampled

323. Forest

50:32–50:45 Machine checks passed (partial)

Model synopsis: A person walks through a wooded area between large trees. The scene is shot in black and white with natural lighting and no visible text or dialogue.

  • A person walks between large trees in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 187 from 50:45

Frame at 50:46, shot 56450:46Frame at 50:50, shot 56550:50
2 of 2 shots sampled

324. Wooded area with cabin

50:45–50:53 Machine checks passed (partial)

Model synopsis: A person walks toward a wooden cabin in a wooded area across two frames. No dialogue or on-screen text is present in this beat.

  • A person walks toward a wooden cabin. [frame:1]
  • The person continues walking toward the cabin. [frame:2]

1 person observed.

Evidence, details and a link to share

Sequence 188 from 50:53

Frame at 50:57, shot 56650:57Frame at 51:09, shot 56751:09
2 of 2 shots sampled

325. Private office

50:53–51:18 Machine checks passed (partial)

Model synopsis: A man stands inside a wooden structure while two others on horseback converse outside. The dialogue suggests impatience and commentary on women's behavior.

  • A man stands inside a wooden structure looking toward the camera. [frame:1]
  • Two men on horseback converse outdoors. [frame:2]

3 people observed.

“There.” 50:58 · “She's been in there two hours already.” 51:01

Evidence, details and a link to share

Sequence 189 from 51:18

Frame at 51:20, shot 56851:20Frame at 51:30, shot 57051:30Frame at 51:40, shot 57251:40Frame at 51:41, shot 57451:41
4 of 7 shots sampled

326. Field

51:18–51:41 Machine checks passed (partial)

Model synopsis: Two men on horseback are shown in an outdoor setting before the film's end title card appears. One man speaks a line urging departure.

  • Two men are visible on horseback in an outdoor setting. [frame:1]
  • The outdoor scene is empty, showing trees and ground. [frame:2]
  • The end title card 'The End' appears on screen. [frame:3]

2 people observed.

“Let's get the heck out of here.” 51:21

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 613 segments kept, 341 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:06 Hello, Dan.
  2. 1:07 How are you, John?
  3. 1:09 Where you been hiding out?
  4. 1:10 Sit down and tell me all about you.
  5. 1:12 Yeah.
  6. 1:13 Well, ain't nothing much to tell, sir.
  7. 1:15 Been doing some repair work around the place.
  8. 1:18 I kind of expected you out.
  9. 1:20 Well, I was thinking on getting out tomorrow night.
  10. 1:24 Thought I'd try and even up that cribbage score.
  11. 1:27 Come ahead.
  12. 1:29 I've got to run over to King City tomorrow but I'll be back for dinner.
  13. 1:34 Just drawing out all my money.
  14. 1:37 I'm going to restock the ranch.
  15. 1:39 Now that you are sure if I reckon the rustlers won't be so active.
  16. 1:44 I want the old place to look tip top before Bess gets home next year.
  17. 1:49 She's all I got, John.
  18. 1:52 And I'm going to see she's comfortably fixed.
  19. 1:55 I understand, Dad.
  20. 1:57 I'll do all I can to help.
593 more segments
  1. 2:00 I owe you a lot.
  2. 2:02 been as close to me as my own father would have been.
  3. 2:05 Shucks, son, you don't owe me nothing.
  4. 2:07 It's been great to see you grow up into a real man.
  5. 2:12 You don't know how proud I was when you got elected Sherrod.
  6. 2:16 Reckon I'll be drifting along. Well, you better not wash that roll or you might not get home.
  7. 2:20 Oh, I'm all right.
  8. 2:22 Nobody's going to hold me up.
  9. 2:28 Where's your horse?
  10. 2:29 Got him tied back at the express office. Oh, no.
  11. 2:32 Well, don't forget tomorrow night. I'll be waiting for you.
  12. 2:35 Ha ha.
  13. 2:56 There goes old Dan.
  14. 3:01 We'll wait till he's well out of town.
  15. 3:04 We'll slip in the back way when Pete's alone.
  16. 3:18 - What?
  17. 3:28 *thud*
  18. 3:41 There was three of them, John.
  19. 3:43 Did you recognize any of them? They were masked.
  20. 3:45 They came in the back way.
  21. 3:47 surprise me.
  22. 3:48 It's got me in the shoulder.
  23. 3:49 Boys get Pete to a doctor.
  24. 3:51 I'll try and round them up.
  25. 3:57 Ah!
  26. 4:22 I'm going to go.
  27. 4:38 I'm going to go.
  28. 4:58 *thud*
  29. 5:31 Drop that money bag, Martin.
  30. 5:37 Come on!
  31. 5:54 Hand me that bag.
  32. 6:09 Work your way down the creek back to town, ditch that stuff.
  33. 6:12 I've got to plug an arm, Joe. We'll take care of that one and get back to town.
  34. 6:23 Come on.
  35. 6:28 BANG!
  36. 6:36 *BANG*
  37. 7:10 Damn.
  38. 7:33 ...and it's left absolutely no clue.
  39. 7:43 Gentlemen.
  40. 7:45 You'll be needing a new sheriff.
  41. 7:48 I'm through.
  42. 7:51 This job has brought me the greatest sorrow a man can ever know.
  43. 7:56 I killed my best friend.
  44. 7:59 You were only doing your duty, Higgins.
  45. 8:02 Why take it so to heart.
  46. 8:04 And duty makes it necessary to take the life of a man like old Dan Matthews
  47. 8:09 I'll then end through with duty.
  48. 8:12 Well, there is positive proof that he was one of the gang.
  49. 8:15 Clem here saw him tie his horse behind Wells Fargo.
  50. 8:19 The evidence is...
  51. 8:19 too strongly against them.
  52. 8:21 Circumstantial evidence has convicted many a man
  53. 8:24 Dexan.
  54. 8:26 And I still believe that Dan Matthews is innocent.
  55. 8:31 I'd like to see you at the office, Mr. Williams.
  56. 8:34 Be right over, John.
  57. 8:38 Williams?
  58. 8:40 I guess you get your old job back.
  59. 8:42 Well...
  60. 8:44 My eyes are not as good.
  61. 8:45 Hands are not as fast.
  62. 8:48 I'll take the job until you can get a better man.
  63. 8:58 All right.
  64. 9:04 Sit down, Ed.
  65. 9:05 I'd like to explain something.
  66. 9:10 When Dan Matthews left here, he'd
  67. 9:12 Jeff's drawn all his money out of the bank.
  68. 9:15 They're going to restock his ranch and get it in shape for his daughter, who's coming out this next year.
  69. 9:22 This money was
  70. 9:24 On, Dan, when I...
  71. 9:26 Found it.
  72. 9:28 I wish you'd see that his daughter gets it.
  73. 9:32 It's rightfully hers.
  74. 9:33 I'll keep it for her, John.
  75. 9:35 No one will ever know.
  76. 9:42 It's been about a year since...
  77. 9:43 Tiggins left town now.
  78. 9:45 So, and about six months ago,
  79. 9:47 town cashing in some nuggets.
  80. 9:49 Turned desert rat, you know.
  81. 9:50 Must have hit him pretty hard.
  82. 9:53 shooting old dad
  83. 9:55 Never saw anything like it.
  84. 9:57 He's like a dead man.
  85. 9:59 walking around with the weight of the world
  86. 10:01 What about Dan's daughter?
  87. 10:03 I hadn't met her from her a few weeks ago.
  88. 10:05 Says she's figuring on coming out here soon.
  89. 10:07 Huh?
  90. 10:08 I think she'd be better off back east with her aunt.
  91. 10:11 famous, I think John's better off out yonder.
  92. 10:15 A strange fellow...
  93. 10:16 It's outlawed.
  94. 10:18 They're there to blame for him shooting old Dan.
  95. 11:01 Mr. Johnny!
  96. 11:05 A nun wire for your doors.
  97. 11:08 I'm going to go.
  98. 11:23 No broken leg, eh?
  99. 11:26 Well, don't try to talk, son. I'll have you in camp before night.
  100. 11:36 Black Eagle!
  101. 11:49 It's a little bit of a cage.
  102. 11:51 To loo for yacht landers.
  103. 11:53 Show who the
  104. 11:56 I'm a man.
  105. 12:05 Big stuff.
  106. 12:06 Come, come.
  107. 12:08 three, four,
  108. 12:09 Kill them all.
  109. 12:11 Boy.
  110. 12:12 - Oh, it's a blessing. - Oh, I see.
  111. 12:15 Son, go quick.
  112. 12:16 You stay.
  113. 12:18 Oui.
  114. 12:18 Oh. All right, Black Eagle. I don't know any place I'd rather be.
  115. 12:31 Mighty nice of you to give me this ring, Black Eagle.
  116. 12:35 Keep...
  117. 12:37 Me.
  118. 12:38 My people...
  119. 12:39 Your friend.
  120. 12:42 I won't forget.
  121. 13:14 Yes.
  122. 13:19 I'll be awfully glad to get home.
  123. 13:22 See, I'm Beth Matthews.
  124. 13:24 And I own the lazy young ranch.
  125. 13:26 There must be thousands of cattle.
  126. 13:28 And at least a hundred cowboys.
  127. 13:30 And just big.
  128. 13:32 I'm going to be born.
  129. 13:36 Oh!
  130. 13:37 Look at those wildflowers.
  131. 14:17 Oh,
  132. 15:26 I'm going to go.
  133. 17:46 I value your life.
  134. 17:47 Keep down.
  135. 18:23 Can you drive?
  136. 18:26 The town's about three miles ahead. Just stay on this road. All right.
  137. 18:29 I don't understand.
  138. 18:29 Yeah.
  139. 18:30 You're an outlaw and killer.
  140. 18:32 You're letting me go. Yes, and you'd better hurry.
  141. 18:46 And the last I saw of him,
  142. 18:47 He was standing in the middle of the road watching me drive away.
  143. 18:51 And you described this, uh,
  144. 18:53 Batman?
  145. 18:54 Well, I couldn't see much of his face, it was so dirty.
  146. 18:58 Only a pair of steel gray eyes had seemed to look right through me.
  147. 19:02 He had a heavy beard, a slouch hat, and faded overalls.
  148. 19:07 He was the most horrible creature I've ever seen.
  149. 19:09 - I'm sorry.
  150. 19:10 Do you remember it?
  151. 19:12 Well, he only spoke a few times and I was so excited.
  152. 19:15 I don't know.
  153. 19:16 Well, Miss Bess, you certainly have had an experience.
  154. 19:19 But you must be hungry.
  155. 19:22 eating house down the street.
  156. 19:24 After you've finished your meal, I'll take you out to the ranch.
  157. 19:27 I've got to get my boys started after Blake, the...
  158. 19:30 All right, Sherry.
  159. 19:31 I'll be glad to get home.
  160. 19:48 Hello, Sheriff.
  161. 19:50 Kind of surprised, Jay.
  162. 19:55 John!
  163. 19:57 I'm sure glad to see you.
  164. 20:02 I just brought Blake in.
  165. 20:04 The boys are taking care of me.
  166. 20:07 There's your express money.
  167. 20:10 I might have known it was you.
  168. 20:12 That young lady whose life was in your hands just left here.
  169. 20:16 She told me everything.
  170. 20:18 Jan?
  171. 20:20 You and I are going to have a very serious talk.
  172. 20:25 Sit down.
  173. 20:29 John?
  174. 20:30 That young lady is none other than Bess Matthews.
  175. 20:34 He's coming back here shortly.
  176. 20:37 want to drive her out to the lazy end.
  177. 20:39 She thinks there's an income from the ranch.
  178. 20:43 The money that we've got here...
  179. 20:45 We'll need a cool head to spend it.
  180. 20:49 John, that's your job.
  181. 20:52 I don't know.
  182. 20:54 I never get away with it.
  183. 20:55 She knows I... Who's gonna tell her?
  184. 20:58 You'll find out sometime, yes.
  185. 21:00 But in the meantime...
  186. 21:02 Let's put the old lazy end back on its feet.
  187. 21:05 just the way old Dan would like.
  188. 21:09 What do you say?
  189. 21:13 I'll try, Sheriff.
  190. 21:14 Good.
  191. 21:16 There's your room, clothes and everything just as you left them.
  192. 21:20 After you shave and clean up...
  193. 21:22 No one will ever know you.
  194. 21:25 Come out at the ranch tonight about...
  195. 21:26 Eight o'clock.
  196. 21:29 All right, Ed.
  197. 21:30 I'll be there.
  198. 21:35 Got the finest springs.
  199. 21:37 Best grazing ground in the valley.
  200. 21:39 John Higgins' foreman?
  201. 21:41 You have the old lazy M back on its feet in six months time.
  202. 21:46 That's him now.
  203. 21:51 Good evening, Sheriff.
  204. 21:53 Well, hello, John.
  205. 22:01 Matthews
  206. 22:02 I want you to meet my friend, John Higgins.
  207. 22:04 I'm glad to know you, Mr. Higgins.
  208. 22:06 Won't you sit out?
  209. 22:13 The sheriff's been telling me about your thrilling experience. Thrilling?
  210. 22:16 It was terrific.
  211. 22:18 That bandit was the most hideous, the most horrible creature that ever was born. You don't say.
  212. 22:24 A regular Bluebeard, eh?
  213. 22:26 Right.
  214. 22:29 That's Aunt Martha.
  215. 22:30 best cook in the country.
  216. 22:32 Oh, I remember Aunt Martha. Sure you do.
  217. 22:34 She just about raised you.
  218. 22:39 Aunt Martha!
  219. 22:41 Best Matthews.
  220. 22:44 How you have grown.
  221. 22:46 and you didn't forget me.
  222. 22:47 Certainly not.
  223. 22:49 Well, you shouldn't.
  224. 22:50 I spanked you a plenty when you was a brat.
  225. 22:55 John Higgins?
  226. 22:56 I might have known I'd have to cook for you.
  227. 22:59 this
  228. 23:00 You're getting the best foreman in the country, but the worst eater.
  229. 23:04 He's got an appetite like a camel. What do you mean, my appetite? It's the swell way you cook.
  230. 23:10 Oh, there you go. Always flattering.
  231. 23:12 And what's more,
  232. 23:13 He leans back and breaks every chair in the kitchen.
  233. 23:18 My goodness, you boys are sitting there without a thing to drink.
  234. 23:21 Come on, Bess, we'll fix 'em.
  235. 23:23 Coffee.
  236. 23:31 See?
  237. 23:32 Everything's working out fine.
  238. 23:34 Yeah, so far.
  239. 23:37 How's it all going to end?
  240. 23:53 There's the end of the south pasture, Miss Matthews.
  241. 23:55 Now I guess you've seen about all the rents.
  242. 24:05 It's certain he is big enough.
  243. 24:07 I'll pick up a couple of boys and...
  244. 24:08 Start repairing the fences and
  245. 24:10 See if I can develop some new water holes.
  246. 24:14 your voice keeps reminding me of
  247. 24:17 I've met your blue beard.
  248. 24:19 A lion.
  249. 24:21 Sorry, I might change it.
  250. 24:23 I can talk up here like this. Then don't be silly.
  251. 24:27 You know...
  252. 24:28 That was the only thing about Mr. Bluebeard that was halfway human.
  253. 24:32 Shall we go back to
  254. 24:33 Thank you very much.
  255. 24:34 If you wish.
  256. 24:45 - Where is it? - Hello, Bob.
  257. 24:47 How's the ex-sheriff making out at Lacey Ells?
  258. 24:50 All right, I guess.
  259. 24:52 that three months and he's worked out a deal with the government. Uh-huh.
  260. 24:55 I'm going to raise horses and sell them to them.
  261. 24:57 and dandy buys, too. And Miss Beth,
  262. 25:00 How does she like country and ranch life?
  263. 25:02 crazy about it. Gordon and Martha.
  264. 25:05 Well, that's right.
  265. 25:07 John.
  266. 25:08 Tomorrow night's Halloween.
  267. 25:09 Aunt Martha says they're having the biggest dance of the year as Bolter's bar.
  268. 25:13 Let's go.
  269. 25:14 I guess it has been kind of lonesome for you.
  270. 25:17 Three months now and you haven't been off the ranch.
  271. 25:19 Oh, I haven't been lonesome exactly.
  272. 25:22 I've enjoyed being with you.
  273. 25:23 I'll ride some evenings later.
  274. 25:25 Fire.
  275. 25:27 the first time you've said so.
  276. 25:29 You've always been so strong.
  277. 25:31 strange.
  278. 25:32 Don't you like me?
  279. 25:33 That's just it, Vessi.
  280. 25:36 Well, someday you're going to hate me.
  281. 25:39 It's inevitable.
  282. 25:41 When that time comes, I'm leaving this part of the country for good.
  283. 25:45 You tell Aunt Martha that I'm taking you two to the dance.
  284. 26:09 Well, for pity's sakes, child, what on earth's the matter with you?
  285. 26:12 You're as pale as a ghost.
  286. 26:14 I'm all right.
  287. 26:16 But Aunt Martha...
  288. 26:17 John says someday I'll hate him.
  289. 26:19 What's the matter with
  290. 26:20 Why will I hate him?
  291. 26:22 Now listen, honey.
  292. 26:23 All men act like jackasses when they're in love.
  293. 26:26 That's exactly what's the matter with John Higgins.
  294. 26:28 He's head over heels in love with you.
  295. 26:30 But don't worry.
  296. 26:31 We'll just let matters take their own course.
  297. 26:34 Like this fella Spearshake says.
  298. 26:36 All's well that ends well.
  299. 26:39 Oh, uh...
  300. 26:40 John says he's taking us to the dance tonight.
  301. 26:42 Yes, I know. He told me this morning.
  302. 26:45 He did?
  303. 26:46 Mm-hmm.
  304. 27:00 He's on it.
  305. 27:03 Oh my God.
  306. 27:07 It's starting off like they all gonna have a good time big night
  307. 27:13 Good evening, Ed.
  308. 27:15 Quite a crowd looks like whole country is going to be here.
  309. 27:18 Got him, I see ya.
  310. 27:19 happen.
  311. 27:26 Where did you get that ring?
  312. 27:28 That's a gift from old Black Eagle.
  313. 27:30 I thought I'd lost it.
  314. 27:34 Miss Hawkins, meet Miss Matthews. I'm so glad to meet you, Miss Matthews. I must see Miss Jones. Yes.
  315. 27:40 Sure is the bell of the ball, all right.
  316. 27:51 - All right, all right.
  317. 27:52 Oh!
  318. 27:54 There.
  319. 27:54 I want you to know Mr. Dixon.
  320. 27:56 How do you do?
  321. 27:58 Miss Matthews is boss of the lazy M. Oh, it's a pleasure to know you, Miss Matthews.
  322. 28:02 May I have the honor of the first dance?
  323. 28:04 I'm sorry, but that's spoken for.
  324. 28:09 I'm lucky. I should say so.
  325. 28:12 I'll see you on the next day.
  326. 28:20 Yes, a minute.
  327. 28:23 Now we're going to start this dance off with a nice...
  328. 28:27 Dreamy Waltz.
  329. 28:33 I saved this first dance for you. Well, I hope I don't disappoint you. I'm not much of a dancer.
  330. 28:40 Amen.
  331. 28:42 Amen.
  332. 28:44 Amen.
  333. 28:47 And terribly happy.
  334. 28:49 I'm glad.
  335. 28:50 Being in a crowd must make a difference.
  336. 28:54 crowd.
  337. 28:58 Because I'm your...
  338. 29:02 It could only be like that.
  339. 29:11 dancing with her foreman.
  340. 29:14 the man what killed her father.
  341. 29:16 Yeah.
  342. 29:17 - Yeah.
  343. 29:17 - You know it?
  344. 29:21 No, that is funny.
  345. 29:23 Bigger.
  346. 29:24 Hamad.
  347. 29:26 Dollar feast.
  348. 29:38 Hey, Baxter.
  349. 29:49 Thanks, Sheriff. I want to see you and John right now.
  350. 29:52 Gun.
  351. 29:55 Pete wants to talk to us a minute.
  352. 30:00 Yes.
  353. 30:03 Sheriff.
  354. 30:04 The Martin boys just came with this new bill. Let me see it.
  355. 30:07 We've been on the lookout for these, John.
  356. 30:16 That's got the same serial number.
  357. 30:18 Those that were found when old Dan was killed.
  358. 30:20 No.
  359. 30:22 Act like nothing's happened.
  360. 30:23 This is the first clue we've had since the robbery.
  361. 30:26 I'll watch every move those Martins make.
  362. 30:33 Yes, indeed, Miss Matthews. Your father and I were very close friends.
  363. 30:37 Mr. Dixon.
  364. 30:39 I've asked so many people about my father
  365. 30:42 They've all evaded my questions.
  366. 30:44 Won't you tell me how he was killed?
  367. 30:46 Well, I really think you ought to know.
  368. 30:49 You won't hold it against me if I tell you.
  369. 30:51 Certainly not.
  370. 30:53 Well, you're...
  371. 30:54 foreman killed your father, Miss Matthews.
  372. 30:57 My...
  373. 30:59 You mean...
  374. 31:01 Mr. Higgins kill my father?
  375. 31:03 You see, he was sheriff at the time.
  376. 31:06 He had the law behind him.
  377. 31:08 They fought it out alone.
  378. 31:10 there were no witnesses so no one ever learned the truth about the
  379. 31:13 Killing.
  380. 31:14 Hump! Hump!
  381. 31:16 Now get your pardons!
  382. 31:17 for the Virginia Radio.
  383. 31:19 Oh!
  384. 31:25 I salute your partners!
  385. 31:28 Now fight loose!
  386. 31:30 I'm.
  387. 31:38 Oh.
  388. 31:44 Yeah!
  389. 31:47 Oh, my God.
  390. 31:49 Come on.
  391. 31:51 Come on.
  392. 31:53 Hey!
  393. 31:56 Give me that, you no-cold fool. You got to have your wits.
  394. 31:59 Tonight...
  395. 32:01 Yeah, and a little courage.
  396. 32:03 You don't need any courage.
  397. 32:04 this job.
  398. 32:05 the dance goal we have to do is break in and
  399. 32:08 Grab the money and feed it.
  400. 32:09 The chief said wait till the milking contest's on.
  401. 32:12 There won't be anybody leaving, we won't be seen.
  402. 32:14 Come on.
  403. 32:29 I'm going to go.
  404. 32:39 Now, folks.
  405. 32:40 Jake Abernathy. Undefeated champion of Cow Slip Valley.
  406. 32:45 Wilcante!
  407. 32:47 Again?
  408. 32:48 Aunt Martha Hubbard!
  409. 32:50 undefeated champions
  410. 32:51 All broken bones.
  411. 33:00 You're the only one who's ever told me the truth.
  412. 33:03 They've all made a fool of me.
  413. 33:08 Please excuse me.
  414. 33:19 Left chin.
  415. 33:20 to 22.
  416. 33:21 Turn right.
  417. 33:25 I'll keep the Martins here until I get back.
  418. 33:37 John!
  419. 33:40 Hi.
  420. 33:40 I must see you alone.
  421. 33:42 I'm sorry, Bess. I can't see you right now.
  422. 33:47 Please excuse me. I'll be back later.
  423. 34:47 All ready?
  424. 34:48 Fist!
  425. 34:49 Go!
  426. 35:00 Yes!
  427. 35:01 Yeah, yeah.
  428. 35:03 All right.
  429. 35:05 All right.
  430. 35:07 - I'll give it.
  431. 35:19 Yeah, man.
  432. 35:21 Yeah.
  433. 35:22 Not from a missed contest, are you boys?
  434. 35:27 - Come on!
  435. 35:38 - Why is it?
  436. 35:38 in the Gossets, are you boys?
  437. 35:49 I'm out.
  438. 35:51 Go!
  439. 35:56 You will, Miss Matthews?
  440. 35:59 - Four!
  441. 35:59 Will you please take me home, Mr. Dixon?
  442. 36:01 Oh, I certainly think.
  443. 36:04 Go ahead.
  444. 36:06 - All right.
  445. 36:14 Yeah.
  446. 36:15 Firehawk!
  447. 36:28 All right.
  448. 36:30 Hey.
  449. 36:32 Money from the sheriff's office.
  450. 36:35 All right.
  451. 36:36 Oh to a soon lead me to the third party.
  452. 36:39 And then I'll ring the truth out of them about old Dan.
  453. 36:42 *Humming*
  454. 36:47 Yes.
  455. 36:51 R.S.
  456. 36:53 Fire!
  457. 36:54 Come on, you're not going to be here!
  458. 36:56 Come on! Come on!
  459. 37:01 Oh, my God!
  460. 37:06 The champion! Hooray! Oh, you won by a foul, but by a cracky, I'll beat you.
  461. 37:13 next year.
  462. 37:15 All right, Jake Abernathy. I'll be waiting for you. Oh, I'll try it on the trail.
  463. 37:33 All right, and that will be good.
  464. 37:38 Aunt Martha.
  465. 37:38 Will you please excuse us?
  466. 37:41 I want to speak to Mr. Higgins alone.
  467. 37:49 I hardly know how to begin.
  468. 37:53 But when I say I know who you really are...
  469. 37:55 What you are.
  470. 37:57 Perhaps you'll understand.
  471. 37:59 Why did you wait months to wear that ring?
  472. 38:02 Mr. Road Agent.
  473. 38:05 tonight with my own eyes.
  474. 38:07 I saw you rob the Wells Fargo.
  475. 38:09 Followed me?
  476. 38:11 I followed you.
  477. 38:12 And I found out that you're not only a bandit and a robber,
  478. 38:15 but a murderer as well.
  479. 38:17 You killed my father.
  480. 38:19 You can't deny it.
  481. 38:21 The whole town knows me.
  482. 38:23 I'm not trying to deny it, but won't you let me explain?
  483. 38:26 Blaine.
  484. 38:27 I wouldn't believe anything you said.
  485. 38:30 You've lived a lie ever since you've been here.
  486. 38:33 You were right when you said...
  487. 38:34 said I'd
  488. 38:36 There aren't words vile enough to express my conviction.
  489. 38:39 employees.
  490. 38:40 Now get out of here.
  491. 38:43 I never want to see you again.
  492. 39:07 Martin boys just went into Joe Dixon's
  493. 39:09 They went in the back way.
  494. 39:14 I am wondering.
  495. 39:15 I tell you, Joe Higgins was the fella who got that money away from us three months ago.
  496. 39:19 gold.
  497. 39:20 He had a beard and other clothes, but I knew Dink with the way he rode.
  498. 39:24 Well, anyhow, I cooked his goose last night.
  499. 39:27 He's out of a job by now.
  500. 39:30 You know, I don't see any reason why I shouldn't step in and marry the both of the lazy ends.
  501. 39:34 She's sure a swell looking gal.
  502. 39:37 Yeah, and she's got about a thousand head of slick-lipping horses in that top patch here.
  503. 39:42 Oh, that is new.
  504. 39:45 Making a quick turnover, we ought to get about
  505. 39:47 Eight or ten bucks ahead.
  506. 39:51 no stock on the ranch, the boss of the
  507. 39:53 Lazy M probably will be glad to marry you well to do gently.
  508. 39:58 I'll ride over and get Brokaw him.
  509. 40:00 drive.
  510. 40:01 Yeah, that's a good one.
  511. 40:02 Good idea.
  512. 40:13 Texans leaving town.
  513. 40:15 I reckon I'll just follow you.
  514. 40:54 I'm going to go.
  515. 41:28 A thousand head of horses in the south pasture of the Lazy M.
  516. 41:31 All we gotta do is to shoot 'em off down to Gomez.
  517. 41:35 He'll give us eight or ten bucks a head without a squawk.
  518. 41:38 When do we start?
  519. 41:39 Dong tomorrow.
  520. 41:41 No one will even see us.
  521. 42:03 Oh.
  522. 42:04 Black Eagle?
  523. 42:05 I'm in great trouble.
  524. 42:06 Men come tomorrow morning at sunrise to steal all my horses.
  525. 42:10 Man no steel on him.
  526. 42:13 me.
  527. 42:14 My people.
  528. 42:15 Your friend.
  529. 42:17 We fight.
  530. 42:19 Good.
  531. 42:43 Here comes Brokaw now.
  532. 42:52 Take it easy and when you get them running,
  533. 42:54 Push him through.
  534. 43:01 Here they come.
  535. 43:03 Boy, what a surprise they're going to get.
  536. 43:21 Starting the first band out of the corral.
  537. 44:49 Oh, my God.
  538. 44:57 Come on.
  539. 44:59 I'm
  540. 45:02 *gunshot*
  541. 45:29 I'm sorry.
  542. 45:41 I
  543. 46:11 Oh.
  544. 46:20 Yeah.
  545. 46:22 - Ah!
  546. 46:42 Wow.
  547. 46:47 Now tell me, Martin, or I'll break every bone in your body.
  548. 46:51 Who killed Dan Matthews?
  549. 46:53 Ease up, huh, Carol?
  550. 46:55 All right.
  551. 46:58 Dixon and me held up the express office.
  552. 47:02 You chased us.
  553. 47:04 Shot me off my horse.
  554. 47:06 I'll run into the cabin.
  555. 47:08 Old Dan was there.
  556. 47:10 He threw down on me and made me drop the money bag.
  557. 47:14 Dixon saw him through the wind and...
  558. 47:16 Killed it.
  559. 47:18 Texan?
  560. 47:21 Take care of him, Sheriff.
  561. 47:22 I'm heading for a town.
  562. 47:55 Miss Matthews.
  563. 47:56 I've got to tell you.
  564. 47:57 Higgins and his Indian renegade rustled your horses.
  565. 47:59 Me and my friends tried to stop them, but...
  566. 48:01 There were too many of them.
  567. 48:02 - May I use your phone? - Why, certainly.
  568. 48:06 I'm going to go.
  569. 48:22 No answer at the sheriff's office.
  570. 48:50 Drop that gun, Dixon.
  571. 48:55 I arrest you for the murder of Dan Matthews.
  572. 48:59 Blackie Martin just confessed.
  573. 49:05 Please.
  574. 49:24 I
  575. 49:44 Come on.
  576. 49:49 Yeah.
  577. 49:51 Yes.
  578. 50:05 John's been gone nearly two months now.
  579. 50:08 I wonder if he'll ever come back.
  580. 50:11 Why don't you ask him?
  581. 50:12 There's one fella that might be able to tell you where to find him, and that's Chief Blackie.
  582. 50:17 Squibbs, your new farm, and can
  583. 50:18 take you to him.
  584. 50:25 His place over there.
  585. 50:29 I won't be long.
  586. 50:58 There.
  587. 51:01 She's been in there two hours already.
  588. 51:04 Maybe she gonna live there.
  589. 51:07 Yeah?
  590. 51:09 Women are sure queer critters.
  591. 51:14 Me too.
  592. 51:16 Say, what's the sense in a fella starving his cells to death for some low-code female?
  593. 51:21 Let's get the heck out of here.

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