Scrooge (1935)

Model synopsis: The beat shows a title card listing cast names. No people, actions, or settings are depicted beyond the text on the card.

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Model synopsis: A man sits at a desk with a candle, appearing to write or read. He speaks briefly, expressing apology and urgency.

• man is seated at desk with candle [frame:1]

1 person observed.

“I'm going to go.” 2:43 · “Oh, my God.” 3:10

Evidence, details and a link to share

Model synopsis: A man in dark clothing is visible in a dimly lit room, bending over near a desk and chair. No names, events, or objects beyond basic furniture are established in this beat.

• A man bends over near a desk and chair. [frame:1]

1 person observed.

“Oh” 3:37

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat greets another man at a doorway, asking if he can speak with a member of the firm. The setting appears to be an office entrance at night, with dim lighting and period costumes.

• Three men in top hats and coats stand at a doorway; one gestures toward the interior. [frame:1]

3 people observed.

“Merry Christmas to you. Will you step in peace, sir?” 3:44 · “the scrooge and marley's i believe yes” 3:53

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Model synopsis: Three men visit a man identified as Mr. Scrooge in an interior setting; they ask for charity for the poor, and he responds by asking if there are no prisons. The scene includes dialogue establishing that Marley has been dead for seven years.

Named: Mr. Scrooge (t:4:09). 3 people observed.

“Have I the pleasure of addressing Mr. Scrooge or Mr. Marley?” 4:09 · “Dumbali's been dead these seven years.” 4:12

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Model synopsis: A man in a dark coat and scarf speaks to another man seated at a desk, while a third man stands nearby; the seated man refuses to donate to a Christmas charity, citing support for workhouses and calling the poor who refuse them 'surplus population'. The scene takes place indoors, likely in an office or counting house, with dim lighting and period costumes.

3 people observed.

“What shall I put you down for?” 5:34 · “Nothing.” 5:38

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Model synopsis: A man in a coat is seen from behind in a dimly lit interior, speaking as he prepares to leave. He apologizes for any offense and laughs at the end.

• The man is visible from behind in a dim room. [frame:1]

1 person observed.

“Besides, excuse me, sir, I don't know that. But you should know it. It's not my business, sir. A man's got enough to do in this world to …” 6:14 · “Good evening, sir.” 6:28

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Model synopsis: A man with white hair sits with his back to the camera, looking at a mirror where his reflection is visible. The room has stone walls and a dark frame around the mirror.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing is seen bending over a box in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• A man bends over a box, reaching inside with both hands. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat speaks to another man at a desk about coal for a fire; the speaker accuses the other of being reckless with resources and orders him to work. The scene takes place in an office where one man is seated and the other stands over him.

• p1 leans over desk, head in hand, appearing weary or cold [frame:1]
• p2 stands facing p1, who is seated at a desk; p1 gestures toward desk [frame:2]

Named: Mr. Cratchit (t:7:08). 2 people observed.

“May I inquire, Mr. Cratchit, what you're doing with that shovel full of coal?” 7:08 · “But the outer office is intensely cold.” 7:16

Evidence, details and a link to share

Model synopsis: Two men are in a private office; one seated at a desk asks the other about family and wages. The standing man answers questions about children and pay, and is told to prove his worth.

2 people observed.

“You... you have a wife and family to support, I understand.” 8:21 · “Yes, sir. How many children have you got? Around half dozen, sir. Three boys and three girls.” 8:26

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat stands in a dimly lit interior, holding a box. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit room; one stands while the other sits at a desk writing. The standing man speaks about Christmas and its meaning, while the seated man, called 'Uncle,' responds with bitterness about the holiday.

• The uncle is seen writing at his desk. [frame:2]

Named: Uncle (t:9:25), Humbert (t:9:25). 2 people observed.

“Merry Christmas to you, Uncle. And God save you.” 9:21 · “- Humbert! - Christmas, sir, how bad? You can't mean there, I'm sure. I do mean it, sir. What right have you to be married? What reason hav…” 9:25

Evidence, details and a link to share

Model synopsis: A man in a dark coat speaks at a desk with a candle while an older man with white hair listens; later, a younger man stands beside the older man. The dialogue includes references to Christmas, marriage, and a quarrel.

• A man speaks at a desk with a candle. [frame:1]
• An older man with white hair listens intently. [frame:2]
• The man at the desk continues speaking. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“If I hear another word from you, you'll keep your Christmas by losing your situation. Dear, dear, dear, dear.” 10:40 · “Quite a powerful speaker, sir. I wonder you don't go into Parliament. Don't be angry, uncle. Come, dine with us tomorrow. I'll see you. …” 10:47

Evidence, details and a link to share

Model synopsis: A man with white hair is bent over a desk, writing. The scene is dimly lit and appears to be indoors.

• A man writes at a desk. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: An elderly man is seen writing at a desk in a dimly lit room; children are visible outside a snow-covered window. The transcript contains fragmented lines that do not clearly connect to the visuals.

• An elderly man writes at a desk, viewed through a window from outside. [frame:1]
• The elderly man is shown in close-up, writing with a quill pen. [frame:2]
• Children's faces are visible through a snow-covered window pane. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I'll be on such a show far.” 11:47 · “On the fields of heroes” 11:50

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Model synopsis: A man in a dark interior speaks to another person off-screen about Christmas leave and wages, ending with a 'Bah! Humbug!' as he dismisses them. The scene is dimly lit and appears to take place in an office or similar workspace.

2 people observed.

“Always ready and willing to quit your work, I notice.” 12:24 · “It only happens once a year, sir.” 12:56

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Model synopsis: A man is addressed as 'sir' and responds to a Christmas greeting. The visual is too dark to identify details, but the exchange suggests a formal or hierarchical relationship.

Named: Umber (t:14:05). 2 people observed.

“Merry Christmas, sir. Umber.” 14:05 · “Umber.” 14:33

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Model synopsis: A man in period costume stands in a dim interior while another man sits at a desk; a crowd chants 'Good evening' and 'Give us a penny' before being told to leave. No named characters appear, and the setting is not clearly identifiable beyond being indoors.

• A man in period costume stands in a dim room while another sits at a desk. [frame:1]

3 people observed.

“Good evening. Good evening. Good evening. Good evening. Good evening. Good evening. Good evening. Good evening. Good evening. Good evening. …” 15:10 · “Give us a penny. Give us a penny.” 15:10

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Model synopsis: A group of men in formal attire are gathered in a dimly lit interior space, while another scene shows workers in white uniforms preparing food in a large kitchen. No names are spoken, and no time of day or period is established.

• Workers in white uniforms prepare food at tables in a large kitchen. [frame:2]

5 people observed.

“The train? You call this train?” 15:34 · “Yes!” 15:34

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Model synopsis: Two men in chef uniforms stand behind a counter with bottles; one man hands a bottle to the other. In a wider shot, several people in chef uniforms are seen in a kitchen setting.

• One man in chef uniform hands a bottle to another man in chef uniform. [frame:3]
• Several men in chef uniforms are visible in a kitchen setting. [frame:4]

4 people observed.

Evidence, details and a link to share

Model synopsis: A kitchen scene shows chefs preparing food and drink, followed by a view of people behind bars. One chef is audible speaking at 16:04.

• A chef tends to meat roasting on a spit. [frame:1]
• Two chefs stand among bottles; one holds a bottle and glass. [frame:2]
• A chef holds a tray and gestures toward a large wheel mechanism. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Hi, hi. Don't stop that noise. My lord.” 16:04

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Model synopsis: A formal banquet scene unfolds with a speaker addressing guests at a long table; the transcript indicates a toast to the Lord Mayor and the Queen. No names are spoken that identify individuals beyond their titles, and the setting is an opulent dining hall with candlelight and formal attire.

• Guests are seated at a long table with silverware and decanters. [frame:1]

3 people observed.

“Call silence for the loyal toast.” 16:40 · “Ladies and gentlemen...” 16:53

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Model synopsis: A group of silhouetted figures is seen against a bright background, followed by a wide shot of a large, formally dressed crowd seated at a long table in a grand hall. The transcript includes fragmented lines about the day and being free, with no named individuals.

• Silhouetted figures are visible against a bright background. [frame:1]
• A large crowd is seated at a long table in a grand hall. [frame:2]

2 people observed.

“The day of the day.” 17:51 · “We are going to be free!” 17:59

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Model synopsis: Two men are in a dimly lit interior space; one stands at a table while the other sits with his head down. A line of dialogue is spoken during this beat.

2 people observed.

“Come on.” 18:12

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Model synopsis: A dark, shadowy exterior scene shows a figure moving near a spiked iron fence and a stone bench. No dialogue or identifiable characters are present in this beat.

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Model synopsis: A figure in a long coat and hat walks away down a dimly lit street at night. A voice asks what they are doing and accuses them of frightening people.

• A figure walks away down a dim street. [frame:1]

2 people observed.

“What the devil are you doing? Frighten you people out of their wits.” 18:38

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Model synopsis: A figure in a long coat and hat stands in a doorway holding a cane. The scene is dimly lit with heavy shadows and appears to be an interior space.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure in a top hat moves through a dimly lit interior space while off-screen voices urge action and apologize. The figure exits, leaving the space empty as a thud is heard and a promise to return is spoken.

• A silhouetted figure in a top hat walks through a dim room. [frame:1]

1 person observed.

“Come on.” 19:18 · “Come on.” 19:48

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat holds a lit candlestick while standing near a door in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• man holds lit candlestick near door [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat stands in a dim doorway, holding a small object. He speaks briefly before announcing he is leaving.

• Man stands in doorway holding object [frame:1]

1 person observed.

“Oh.” 20:49 · “Ah, a murder.” 20:52

Evidence, details and a link to share

Model synopsis: An elderly man with white hair is shown in a dimly lit room, holding a cup and looking around. A door knocker is visible on a textured wall in two frames.

• A door knocker is shown on a textured wall. [frame:1]
• An elderly man is seen holding a cup in a dim room. [frame:2]
• The door knocker is shown again on the wall. [frame:3]
• 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up of a textured wall with a decorative sconce and ornate molding. No people, actions, or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man with white hair is visible in a dimly lit interior, leaning forward near a candle. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, indistinct outdoor scene is shown with a metal fence in the foreground. No people, objects, or text are clearly visible, and no dialogue occurs.

Evidence, details and a link to share

Model synopsis: An elderly man in dark clothing stands near a window with shutters, looking out. The scene is dimly lit with high contrast, suggesting an interior setting at night or in shadow.

1 person observed.

Evidence, details and a link to share

Model synopsis: An elderly man in dark clothing holds a dark object while speaking. The setting appears to be dimly lit indoors, with patterned wallpaper visible behind him.

• man holds dark object and speaks [frame:1]

1 person observed.

“Come on.” 23:45

Evidence, details and a link to share

Model synopsis: Ebenezer Scrooge confronts the ghost of his deceased partner Jacob Marley, who warns him of impending spectral visits to prevent his own afterlife fate. Marley explains his eternal punishment and the three spirits who will visit Scrooge.

Named: Jacob Marley (t:24:09), Ebenezer Scrooge (t:23:55). 2 people observed.

“Look well, Ebenezer Scrooge, for only you can see me. Don't you want with me here?” 23:55 · “In life, I was your partner, Jacob Marley.” 24:09

Evidence, details and a link to share

Model synopsis: A man holding a candlestick speaks the line 'Come on.' The scene is dimly lit and appears to be indoors.

• A man holding a candlestick speaks. [frame:1]

1 person observed.

“Come on.” 27:07

Evidence, details and a link to share

Model synopsis: A dark, foggy outdoor scene is shown with no visible people or objects. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A single figure stands in a dimly lit, shadowy interior space. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person stands near an ornate door in dim lighting. The transcript contains fragmented phrases that do not establish context or identity.

• A person stands near a large ornate door in shadow. [frame:1]

1 person observed.

“And all the way...” 27:50 · “Well, we're talking.” 27:55

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Model synopsis: A man lies in bed under dim lighting, looking upward. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A spectral figure addresses a man from behind, followed by a scene with three people in formal attire conversing, and then a woman in a fur coat standing alone in a dim room. The transcript includes dialogue from a spirit and a business dispute over unpaid money.

• A ghostly figure appears behind a man. [frame:1]
• Three people stand in conversation in a dim room with candles. [frame:2]
• A woman in a fur coat stands alone in a shadowy room. [frame:3]

6 people observed.

“I am the spirit of Christmas past. I am here to show you the things that have been.” 28:24 · “Look back.” 28:33

Evidence, details and a link to share

Model synopsis: A man in a dark coat speaks to two others in a dim room; one woman pleads with him while another woman in a fur coat looks on. The man turns away and sits at a desk as the others remain standing.

• Mr. Scrooge turns away from the group and walks toward a desk. [frame:2]
• A woman in a fur coat looks on with concern. [frame:3]
• Mr. Scrooge sits at a desk while the two women stand nearby. [frame:4]

Named: Mr. Scrooge (t:29:05). 3 people observed.

“You don't mean... sell us up? That is precisely what I do mean.” 28:56 · “I couldn't work in the hospital. Mr. Scrooge, I beg of you. Good day.” 29:05

Evidence, details and a link to share

Model synopsis: A person in a fur-trimmed coat sits with arms crossed while another figure in a dark cloak stands near a window. The scene is dimly lit with strong backlighting from the window, creating silhouettes.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man sits at a desk in a dim room while a woman in a fur coat stands nearby; later, the man leans toward the woman as she sits. The transcript includes dialogue accusing the man of being without pity and prioritizing profit.

• A man sits at a desk writing while a woman stands nearby. [frame:1]
• The man leans toward the seated woman. [frame:2]

2 people observed.

“Oh, dear. I didn't hear you come in.” 29:52 · “Amen.” 29:55

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks to a woman in a fur-trimmed hooded coat in a dimly lit interior. The dialogue indicates a dispute over money owed by a third party, with the man accusing the woman of being associated with worthless individuals.

2 people observed.

“That's let couple of just gone out.” 30:18 · “Set your mind at risk about them. Worthless, shitless pair. Had my good money.” 30:21

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in an interior setting; the woman, wearing a fur coat and bonnet, appears distressed as the man speaks. The dialogue reveals a breakup, with the woman accusing the man of being consumed by greed.

• The man and woman stand facing each other in a dimly lit room with bookshelves. [frame:1]
• The woman looks at the man with a distressed expression, a candlestick visible behind her. [frame:2]
• The woman turns away, appearing sorrowful, with a bookshelf and candlestick in the background. [frame:3]

2 people observed.

“But I must ask you to leave my business affairs alone. When you marry me, I shall insist.” 30:44 · “I will take leave of your services. I've tried hard not to believe what they've said about you. I'd give you anything not to believe it no…” 30:53

Evidence, details and a link to share

Model synopsis: A woman speaks to a man in a dimly lit interior, referencing a past contract and expressing a wish for his happiness in solitude. The scene is static, with the woman seated and the man standing in shadow.

• A woman speaks to a man in a dimly lit room. [frame:1]

2 people observed.

“You are changed. Changed in every way. You're not the man. Our contract's an old one. Made when we were poor.” 31:14 · “and content to be so.” 31:24

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Model synopsis: A man with disheveled hair and dark clothing is shown in a close-up, looking upward with a startled expression. The transcript suggests he is being shown something he has missed, related to happiness.

• A man looks upward with a startled expression. [frame:1]

1 person observed.

“Now look.” 31:48 · “and see the happiness.” 31:50

Flagged: period without evidence (1905s to 1920s)

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Model synopsis: A group of people gathers around a decorated Christmas tree in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a table in a dimly lit room; one person is holding a white object above the table. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows an interior room with ornate furniture and a darkened doorway. No people, spoken dialogue, or on-screen text are visible.

Evidence, details and a link to share

Model synopsis: A man in dark formal wear embraces a woman in a light dress while a child stands nearby; the setting appears to be an indoor gathering. No dialogue or on-screen text is present in this beat.

• A man and woman embrace while a child stands nearby. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks to a seated woman in a decorated room while children are present; the transcript mentions Mr. Scrooge and his partner's impending death. The scene includes a group around a table and a man leaning toward a woman, with no visible outdoor light or clock to establish time.

• A man in formal attire stands near a table where children and adults are gathered. [frame:1]
• A man leans toward a seated woman, speaking to her while a child looks on. [frame:2]

Named: Belle (t:32:26). 6 people observed.

“Oh, by the way, Belle, I saw an old friend of yours this afternoon.” 32:26 · “It wasn't Mr. Scrooge. Mr. Scrooge it was. I passed his office window. And as it was not shut up and there was a candle inside, I could scar…” 32:48

Evidence, details and a link to share

Model synopsis: A man in a dark room speaks to a spirit, pleading to be taken back after hearing a clock strike 12. He is later seen lying in bed, appearing distressed.

• A man stands in a dimly lit room, speaking to someone off-screen. [frame:1]
• The same man is lying in bed, looking distressed. [frame:2]

1 person observed.

“Spirit, I cannot bear it.” 33:16 · “Halt me no more! I told you these were the shadows of the things that have been, that they are what they are.” 33:18

Evidence, details and a link to share

Model synopsis: A man in a dark room speaks to someone off-screen while another man in a festive setting holds a turkey. The transcript includes a greeting and a fragmented line.

• A man in a dark coat holds a turkey in a decorated room. [frame:1]
• A man in a striped shirt stands in a doorway and speaks. [frame:2]

2 people observed.

“Come in!” 34:19 · “And no me, better man.” 34:21

Evidence, details and a link to share

Model synopsis: A ghost in a fur-trimmed robe introduces itself to a man in a nightshirt; the man, visibly distressed, agrees to be led. The ghost claims to be young and part of a vast family of over 1800 brothers.

• The ghost sits near a fire while the man stands before it, hands clasped. [frame:1]
• The man is shown in close-up, looking upward with a fearful expression. [frame:2]

Named: Ghost of Christmas Present (t:34:27). 2 people observed.

“I am the ghost of Christmas present.” 34:27 · “You have never seen the like of me before. Never? I've never walked forth with the younger members of my family. Meaning, I am very young. M…” 34:38

Evidence, details and a link to share

Model synopsis: A man in a robe with a leafy crown speaks while another man in a nightshirt looks on. The speaker mentions Clark and his wages, and the word 'Dutch' is spoken.

2 people observed.

“Touch my robe.” 35:35 · “And you shall see how you are poor Clark, with his 43-15 shillings a week, which you so grudgingly dole out to him.” 35:39

Evidence, details and a link to share

Model synopsis: A man in a fur-trimmed robe and crown is shown in a close-up. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: An elderly man with wild hair and a rumpled shirt is visible in a close-up, holding an object and looking upward with an expression of surprise. No dialogue or on-screen text is present in this beat.

• An elderly man looks upward with a surprised expression while holding an object. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a robe sits beside a fireplace while a woman stands nearby; later, people exit a building into snow. One line of dialogue is spoken during the beat.

• A man sits beside a fireplace while a woman stands nearby. [frame:1]
• People exit a building onto steps. [frame:2]
• A man carries a child on his shoulders outside in snow. [frame:3]

5 people observed.

“Up if you get tiny, Tim!” 36:03 · “Let's go.” 36:20

Evidence, details and a link to share

Model synopsis: A snowy street scene with people in period winter clothing, including top hats and coats, moving through a crowded area. One man holds a shovel, another carries a tray with items, and a child in a white dress is visible among the crowd.

• People are walking through a snowy street with carts and stalls. [frame:1]
• A child in a white dress walks away from the camera while others move around. [frame:2]
• A man holds a tray with items while another holds a shovel; people are gathered under an archway. [frame:3]

4 people observed.

“Let's go.” 36:20

Evidence, details and a link to share

Model synopsis: A family gathers in a dimly lit room decorated for Christmas, with a woman greeting arrivals and a man entering from a snowy street. The dialogue references past Christmases, a baker's shop, and family members including Martha and Tiny Tim.

• A woman stands in a decorated room near a table with a candle. [frame:1]
• A man and a child enter a snowy street doorway. [frame:2]

Named: Martha (t:37:19), Peter (t:37:19), Tiny Tim (t:37:02). 6 people observed.

“Thank you, sir.” 36:50 · “Yes, and we're sure as far as. Yes, the last me goes, the last me goes, the last me goes. Oh, what has ever got your precious father, then…” 37:02

Evidence, details and a link to share

Model synopsis: A man in a dark coat gestures while speaking to a group in a dimly lit room; a woman in a light dress and another man stand nearby. The transcript includes a question about someone's absence and a reply confirming they are not coming.

• A man in a dark coat gestures with his hand on his head while speaking. [frame:1]
• A woman in a light dress and others stand listening in a room. [frame:1]

5 people observed.

“And where's our mouth, huh?” 37:44 · “She's, um, not coming.” 37:47

Evidence, details and a link to share

Model synopsis: A man is embraced by a woman while others look on; a second frame shows him being led toward a window. The transcript includes lines spoken during this interaction, including an exclamation of surprise.

• A woman embraces a man while others watch. [frame:1]
• The man is led toward a window by a woman. [frame:2]

4 people observed.

“Not coming upon Christmas Day.” 37:55 · “Yes, Father, may I? Here I am.” 37:59

Evidence, details and a link to share

Model synopsis: A woman in a dark dress stands in a dimly lit room while another person sits at a table; a voice says a goose was seen. The scene is interior and appears to be a domestic setting.

• A woman stands smiling in a dim room while others sit at a table. [frame:1]

3 people observed.

“- What was that? - That was a goose! I'll catch it in.” 38:14

Evidence, details and a link to share

Model synopsis: A man sits while a woman stands beside him in a dim interior; she speaks about Tiny Tim and his thoughts on being seen in church. The dialogue references disability and Christmas, and ends with an unrelated line about Begley's wolf.

• A woman stands beside a seated man and speaks about Tiny Tim. [frame:1]

2 people observed.

“Oh, but you're cool. I'm gonna sit down and warm a bit.” 38:26 · “And how did tiny Tim behave? As good as gold. And better.” 38:29

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in separate close-ups during a conversation about someone growing stronger and heartless. The woman expresses doubt and fear while addressing someone named Bob.

• A man is shown in profile, looking downward. [frame:1]
• A woman is shown in profile, looking toward the left. [frame:2]

Named: Bob (t:39:21). 2 people observed.

“But he's growing stronger.” 39:15 · “Yes. Growing strong and heartless.” 39:17

Evidence, details and a link to share

Model synopsis: Two figures stand near a window in a dimly lit interior; one places a hand on the other's shoulder. No dialogue or on-screen text is present in this beat.

• One figure places a hand on the shoulder of another figure near a window. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: Three figures are in a dimly lit interior; one holds a hat over another's head while a third reaches toward them. No dialogue or on-screen text is present in this beat.

• A person holds a hat over another person's head while a third reaches toward them. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A family gathers around a table as a woman serves food; a man and a boy react with delight to the meal. The dialogue includes thanks, praise for the food, and a comment about overeating despite not having started.

• The woman serves food from a platter at the table. [frame:1]

3 people observed.

“For what we are about to receive, may the Lord make us truly thankful.” 39:46 · “...with the mashed potatoes and the apple sauce. It will, I am sure, present a delightful combination that we shall remember until our dyin…” 40:00

Evidence, details and a link to share

Model synopsis: A group of people gather around a table in a dimly lit room as one person expresses anxiety over a pudding. Someone offers to fetch the pudding while others volunteer to help, repeating phrases like 'Allow me, buddy' and 'I'll pay you, buddy.'

4 people observed.

“You laugh. Laugh? I envy them.” 40:32 · “Come on, my dear. My dear, regarding the momentous question, pudding. Pudding! Pudding! Pudding! Pudding! Pudding! Pudding! Pudding!” 40:38

Evidence, details and a link to share

Model synopsis: A woman in a bonnet and shawl stands behind a counter, handing something to a seated child. The setting is dimly lit with a window and hanging items visible in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a table in a dimly lit room, reacting to concerns about a pudding. In a separate shot, a woman in a bonnet serves food to a child at a counter.

• A woman serves food to a child at a counter. [frame:2]

6 people observed.

“You know, your mother's been gone a long time.” 41:26 · “Supposing the pudding has broken and turning it out. What?” 41:29

Evidence, details and a link to share

Model synopsis: A woman holding a lit candle and a tray stands in a doorway while a child looks on. The woman speaks a Christmas greeting.

• A woman stands in a doorway holding a lit candle and a tray. [frame:1]

2 people observed.

“A Merry Christmas to it all, my dear. A Merry Christmas to it all.” 42:09

Evidence, details and a link to share

Model synopsis: A man in a dark room speaks with a figure wearing horns and a fur collar; the dialogue concerns Tiny Tim's fate and the concept of surplus population. The setting appears to be a dimly lit interior with a window visible in the background.

• A man looks toward a horned figure in a dim room. [frame:1]
• The horned figure speaks with a stern expression. [frame:2]
• The older man turns his head, appearing distressed. [frame:3]

2 people observed.

“Tell me that Tiny Tim will live.” 42:28 · “I see a vacant seat.” 42:33

Evidence, details and a link to share

Model synopsis: Two men are shown in a dim interior; one speaks critically of Mr. Scrooge while the other listens. The dialogue references Scrooge’s character and a Christmas gathering.

• A man places his hand on another man’s shoulder in a dim room. [frame:1]

Named: Robert (t:43:41). 2 people observed.

“Toast, I give you Mr. Scrooge, the founder of the feast.” 43:33 · “I wish I had him here.” 43:40

Evidence, details and a link to share

Model synopsis: A man in formal attire stands near a fireplace while others, including a woman holding a cup, raise a toast to Mr. Scrooge. The scene occurs indoors, with dialogue referencing Christmas Day and Scrooge’s health.

4 people observed.

“Nobody knows he's better than you do, poor fellow. My dear Christmas Day.” 43:56 · “Well, I'll drink his health for your sake and the day's, not his.” 44:00

Evidence, details and a link to share

Model synopsis: A close-up shows an older man with disheveled hair in profile, his face partially lit, as a hand rests on his shoulder. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A child in a plaid shirt drinks from a cup while another person holds a round object nearby. The setting is dimly lit and appears to be indoors.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands among a seated group in a dimly lit room as a child sings a Christmas carol. The child, seated and holding a crutch, is prompted to sing and begins a verse about herald angels and the newborn king.

• A man stands among a group seated in a room. [frame:1]
• Tiny Tim is shown seated, holding a crutch, singing. [frame:2]

Named: Tiny Tim (t:44:26). 5 people observed.

“And now, tiny Tim will sing to us.” 44:26 · “Yes, honey. Do, do, do.” 44:29

Evidence, details and a link to share

Model synopsis: Two men are shown in a dim interior; one places a hand on the other's shoulder. A second frame shows a dark, high-angle view of rooftops at night. The transcript contains fragmented lines about fire and business.

• A man places his hand on another man's shoulder. [frame:1]
• A high-angle view of rooftops at night is shown. [frame:2]

2 people observed.

“By the fire of the fire,” 45:00 · “I'm not a business to you. I ain't got a business to you.” 45:30

Evidence, details and a link to share

Model synopsis: A man in a dark coat stands at a table with a woman in a light dress and another man behind him; they are in a decorated room with a Christmas tree. The dialogue discusses Scrooge’s wealth and behavior, and a riddle game begins.

3 people observed.

“Merry Christmas!” 46:00 · “And he said Christmas was a humbug.” 46:25

Evidence, details and a link to share

Model synopsis: A man is shown in bed, appearing to wake up suddenly with a startled expression. No other people, objects, or locations are visible in the frame.

• A man in bed opens his mouth wide and clenches his fists, appearing startled. [frame:1]

1 person observed.

“Well!” 48:01

Evidence, details and a link to share

Model synopsis: A man in shadowed profile speaks to an unseen presence, acknowledging fear and readiness to witness future events. The scene is dimly lit, with only his face and shoulder faintly illuminated against darkness.

• The man is shown in profile, seated, in dim light, looking upward. [frame:1]

1 person observed.

“Ghost of the future.” 48:23 · “I fear you more than the inspector I have seen.” 48:26

Evidence, details and a link to share

Model synopsis: A silhouetted figure is seen from behind in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in coats and hats discuss the death of a man and his money in a dimly lit interior. One man is shown in silhouette against a window, suggesting he is listening or reflecting.

4 people observed.

“I don't know much about it either way. I only know he's dead. When did he die?” 49:08 · “Last night, I believe. Why, what was the matter with him?” 49:13

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior; one wears a top hat and scarf, the other a tall hat and patterned vest. The dialogue references cold weather and skating, with one man declining to skate due to other concerns.

2 people observed.

“How are you? Very well. How are you? So old Nick has got his own at last.” 49:29 · “Yes, so I'm told. Cold, isn't it? Please, a little bit of a crystal star.” 49:29

Evidence, details and a link to share

Model synopsis: A dark, indistinct interior is shown while a voice expresses confusion about not being in a customary place. No identifiable people, objects, or text are visible in the single frame.

1 person observed.

“I do not see myself in my accustomed place.” 49:41 · “Where am I?” 49:46

Evidence, details and a link to share

Model synopsis: Three individuals examine a bundle of items taken from a deceased man's room, discussing their value and the man's lonely death. One person expresses moral discomfort while another dismisses sentimentality, and the scene ends with a reference to a child and a father's return.

• A man shines a light on a woman who is looking down at a bundle. [frame:1]

3 people observed.

“let the charwoman alone to be the first let the laundress alone to be the second and let the undertaker's man alone to be the third look her…” 51:03 · “Open this bundle, old Joe, and let me know the value of it. I ain't afraid to be the first, nor afraid for them to see it.” 52:00

Evidence, details and a link to share

Model synopsis: A woman in a bonnet sits in a dim interior while a voice speaks about a man carrying Tiny Tim. The scene cuts to a dark, cluttered room with a figure moving near a window.

• A woman sits in a chair, looking down. [frame:1]
• A figure moves near a window in a dark room. [frame:2]

3 people observed.

“I think he walks a little slower than he used these last few evenings, Mother. Yes. I've known him walk with...” 56:49 · “I've known him walk with tiny Tim upon his shoulder very fast indeed.” 56:58

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, speaking about a grave site and Sunday visits. The man mentions seeing where 'tiny Tim' is to rest and promises walks there, while the woman reacts emotionally.

• A man and a woman stand close together in a dim room, speaking. [frame:1]

2 people observed.

“I've seen where our tiny Tim is to rest.” 57:44 · “I promised him that we would walk there for Sundays.” 58:00

Evidence, details and a link to share

Model synopsis: A man in formal attire stands in a dimly lit room with patterned wallpaper, holding a candlestick. He speaks lines including 'Oh, my God,' 'I'm good,' 'Amen,' and 'My little child.'

1 person observed.

“Oh, my God.” 58:37 · “I'm good.” 58:41

Evidence, details and a link to share

Model synopsis: An elderly man with wild white hair is shown in a close-up, looking upward with a startled expression. The background is dark with a patterned wall visible behind him.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a figure standing over a person lying in bed. The transcript contains only the word 'Oh.'

• A figure stands over a person lying in bed. [frame:1]

2 people observed.

“Oh.” 59:53

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in a dimly lit interior; the man holds a candle and speaks while the woman listens. The transcript reveals dialogue about Tiny Tim, Mr. Scrooge’s nephew, and the Cratchit family’s gratitude and resolve not to quarrel.

• A man holds a candle and speaks to a seated woman. [frame:1]

2 people observed.

“Tiny Tim.” 60:18 · “I'm heartily sorry for you, Mr. Cratchit.” 60:37

Evidence, details and a link to share

Model synopsis: A man speaks in distress while looking at a dark, indistinct scene, asking a spirit about a dead man and expressing regret. He pleads not to become the man he was, as shown in two dimly lit close-ups.

• A man looks distressed and speaks to a spirit about a dead man. [frame:1]
• The man continues to speak with a pained expression. [frame:2]

Named: Ebenezer Scrooge (t:62:51). 1 person observed.

“Now, Spirit, tell me...” 61:56 · “Are these the shadows of the things that wilt me need?” 62:39

Evidence, details and a link to share

Model synopsis: A man speaks in a dark, shadowed interior, expressing a desire to change his ways and honor Christmas. The scene includes a blurry, indistinct image that may represent a vision or memory.

1 person observed.

“Tell me I may sponge away the writing on this stone. I will honor Christmas in my heart and try to keep it all the year.” 63:17 · “I will live in the past.” 63:27

Evidence, details and a link to share

Model synopsis: A single dark frame shows a small, bright, irregular patch in the upper right corner. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Model synopsis: A man in nightclothes sits up in bed, looking off-camera with a startled expression. The room is dimly lit and contains a small table with a candlestick.

• A man sits up in bed, looking startled. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a multi-paned window with snow visible outside; the interior is dark. No people or events are visible or mentioned in this beat.

Evidence, details and a link to share

Model synopsis: A man in nightclothes is shown in a dimly lit room, reacting with shock and relief while speaking about Jacob Marley and Christmas. He denies that something has been torn down.

Named: Jacob Marley (t:64:14). 1 person observed.

“Oh!” 64:04 · “Oh, my God.” 64:10

Evidence, details and a link to share

Model synopsis: An elderly man in nightclothes is seen in a dim bedroom, bending over a bag near a bed; the scene cuts to a dark wooden door. A voice speaks of 'things that would have been' and urges 'Come on.'

• A dark wooden door is shown. [frame:1]
• An elderly man in nightclothes bends over a bag beside a bed. [frame:2]
• The dark wooden door is shown again. [frame:3]

1 person observed.

“Ah! There are no things that would have been. Maybe this hell. They will. They will. Yeah, they will. They will.” 64:50 · “Come on.” 65:08

Evidence, details and a link to share

Model synopsis: A man in a robe stands in a dimly lit room, speaking joyfully about Christmas and affirming that events he experienced were real. He mentions Marley's ghost and expresses giddy happiness.

• A man in a robe stands in a room, hands clasped, speaking joyfully. [frame:1]

1 person observed.

“Merry Christmas!” 65:16 · “God bless you. Oh, I don't know what to do. I'm as happy as a sad boy. I'm as merry as an angel. I'm as giddy as a drunken man. Oh.” 65:18

Evidence, details and a link to share

Model synopsis: A man in a nightcap carries a tray indoors, then looks out a window at a snowy street where a boy runs past. He leans on the windowsill, reacting to the scene outside. The transcript includes exclamations about Christmas and the spirits' work.

• man carries tray with cups and candle [frame:1]
• man looks out window at snowy street [frame:2]
• boy runs on snow-covered street past iron gate [frame:3]
• 1 more under Evidence and details.

2 people observed.

“No.” 66:05 · “Glorious, glorious!” 66:05

Evidence, details and a link to share

Model synopsis: A boy stands outside in snow near steps and a railing while an older woman in a headscarf and apron stands indoors. An older man leans on a windowsill looking out, repeating the action in two frames. The transcript includes dialogue about buying a turkey and addressing someone named Walker.

• Boy stands in snow near steps and railing. [frame:1]
• Woman stands indoors wearing headscarf and apron. [frame:2]
• Man leans on windowsill looking out. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Hey, do you know the poster at the corner of the street next but one? I shall hope I did. An intelligent boy, you're a mockable boy.” 66:23 · “Do you know if they've sold the price turkey that they had hanging there? It'll be hanging there now. Well, you go and buy it. Walker! N…” 66:33

Evidence, details and a link to share

Model synopsis: A boy stands in snow outside a building while an older man leans from a window above; a third person stands near a gate in the snow. The transcript includes instructions to buy something and return quickly for payment, and an exclamation about rain.

• A boy stands in snow looking up at a building. [frame:1]
• An older man leans out of a window with snow on the sill. [frame:2]
• A person stands near a snow-covered gate and steps. [frame:3]

3 people observed.

“You go and buy it and bring it back here.” 66:42 · “And I'll tell you where to take it. And you come back with a man and I'll give you a shill in. You come back in less than five minutes and…” 66:44

Evidence, details and a link to share

Model synopsis: A man gestures toward a window while speaking; a woman stands nearby in a dim room with a table set for tea. The dialogue mentions sending something to Bob Cratchet and references Tiny Tim.

• Man points out window while speaking [frame:1]
• Man and woman stand near a table with tea service [frame:2]
• Woman stands with hands on hips, looking surprised [frame:3]
• 1 more under Evidence and details.

Named: Bob Cratchet (t:66:58). 2 people observed.

“Go on, hurry up, hurry up!” 66:55 · “I'm going to send it to my clout, Bob Crackett.” 66:58

Evidence, details and a link to share

Model synopsis: An elderly man with a beard stands in a dimly lit room, holding a cloth near a table with a mirror on the wall. He exclaims 'Ah!' as captured in the transcript.

• An elderly man stands near a table and mirror, holding a cloth. [frame:1]

1 person observed.

“Ah!” 67:24

Evidence, details and a link to share

Model synopsis: A snowy street scene is shown behind a metal railing, with a building facade and a sign partially visible. No people or spoken dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark coat stands indoors near a table with a bowl and cloth, touching his face. The setting includes a wall-mounted mirror and a doorway.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person stands behind a metal railing in a snowy street scene. Snow covers the ground, rooftops, and railings, and a shop sign is partially visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: An older man with white hair is seen indoors near a basin and mirror, then outdoors on snowy steps, then back indoors wiping his face. A voice calls out 'Yeah, Peter!' during this sequence.

• An older man leans over a basin indoors. [frame:1]
• The same man walks outdoors on snowy steps. [frame:2]
• The man returns indoors and wipes his face with a cloth. [frame:3]

Named: Peter (t:68:04). 1 person observed.

“Yeah, Peter!” 68:04

Evidence, details and a link to share

Model synopsis: A man in a dim interior looks out a window while speaking urgently about needing a turkey. The scene is lit by natural light from the window and appears to be a private room.

• A man looks out a window while speaking urgently. [frame:1]

1 person observed.

“What is it? What is it?” 68:15 · “Doctor, you can't make anyone here.” 68:15

Evidence, details and a link to share

Model synopsis: An older man in a nightshirt and robe stands at a table while a woman in a shawl leans toward him; he speaks to her, instructing her to fetch his overcoat and hat and then go to the box room. The setting is a dimly lit interior room with a table holding teacups and a kettle.

2 people observed.

“You go get me my overcoat and hat.” 68:28 · “I can't be done.” 68:33

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat stands on snowy steps beside a bare tree while another man in a coat walks away. The scene is outdoors at night or in low light, with snow on the ground and steps.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a coat and hat stands near a doorway in a dim interior while another person is visible in the background. A second shot shows the same man from the side, pointing at something outside a window or door.

• A man stands in a doorway inside a room. [frame:1]
• The same man points toward something outside a window or door. [frame:2]

2 people observed.

“I'm sorry.” 69:04 · “- You see people over the shop? - Yes, sir.” 69:06

Evidence, details and a link to share

Model synopsis: A single frame shows a snow-covered window with a diamond-paned lattice set in a rough stone wall. No people or actions are visible, and no dialogue is present.

Evidence, details and a link to share

Model synopsis: A man in a top hat speaks to someone inside a building through a snowy window; another man in a vest appears at the window and later stands outside with a boy. The dialogue indicates a request for a large turkey to be delivered.

• A man in a top hat stands at a snowy window and speaks. [frame:1]
• A man in a vest appears at the window, listening. [frame:2]
• The man in the top hat turns away from the window. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Merry Christmas!” 69:19 · “Have you sold that price turkey of yours yet?” 69:21

Evidence, details and a link to share

Model synopsis: A person in a hooded robe stands indoors holding a hat. The setting includes a bed and a wooden door, suggesting a private room.

• A person stands holding a hat. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat stands at a snow-dusted door, speaking to someone named Molly. The scene is outdoors, with snow visible on the ground and doorframe.

• A man in a top hat and coat stands at a door and speaks. [frame:1]

Named: Molly (t:69:51). 1 person observed.

“Hello, Molly. And Merry Christmas.” 69:51

Evidence, details and a link to share

Model synopsis: Two men are shown indoors, one in a top hat and coat, the other in a patterned robe; a woman and boy appear outside a door; an older man with a cane stands in a bedroom. A voice calls out about needing a cab to carry something to the cratchets.

6 people observed.

“Ah, that's right.” 70:04 · “A Merry Christmas! Oh!” 70:08

Evidence, details and a link to share

Model synopsis: A man in a top hat hands an envelope to another man while a woman looks on; the dialogue indicates money and an address are being given. The setting is an interior with a large door and iron railing.

• A man in a top hat hands an envelope to another man. [frame:1]
• A woman observes the exchange. [frame:1]

3 people observed.

“Here you are, my boy. There's the address. There's the money. And there's the money to you.” 70:56 · “Very kind of you to have brought it round.” 71:02

Evidence, details and a link to share

Model synopsis: A man and a woman exchange Christmas greetings outside a building entrance at night. Snow is visible on the ground and the man wears a top hat and coat.

• A man and a woman stand facing each other outside a building entrance. [frame:1]

2 people observed.

“Ah, Merry Christmas, my dear.” 71:07 · “Thank you, sir. Same to you.” 71:07

Evidence, details and a link to share

Model synopsis: Three men in top hats speak outdoors; one identifies himself as Mr. Scrooge. The scene cuts to a crowded indoor gathering where people are seated and standing around tables with drinks. A line mentions 'Uncle Scrooge' will not come to dinner.

• Three men in top hats stand together outdoors and speak. [frame:1]
• A group of people are gathered indoors around tables with drinks. [frame:2]

Named: Mr. Scrooge (t:71:31). 7 people observed.

“Ah, good day, gentlemen. Ah, Merry Christmas to you.” 71:14 · “Oh, bless my soul, my dear Mr. Scroogey. You're serious.” 71:31

Evidence, details and a link to share

Model synopsis: A man in a top hat and cloak stands at a doorway with a cane; a servant inside responds to his request to see the master. The man is told the master is in the dining room and will be shown in.

• Man in top hat and cloak approaches doorway. [frame:1]

2 people observed.

“Is your master in, my dear? Yes, sir.” 72:30 · “Can I see him, my love?” 72:33

Evidence, details and a link to share

Model synopsis: A group of people stands in a dimly lit room with a chandelier; one person is seated at a table while others stand around. The scene is shot in black and white with no visible text or spoken dialogue in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: An older man enters a room and announces himself as Uncle Scrooge, stating he has come to dinner. The scene takes place indoors, with another man visible in the room.

• An older man enters through a doorway. [frame:1]
• A younger man stands near a table, looking toward the entrance. [frame:2]

Named: Scrooge (t:73:03). 2 people observed.

“bless my soul who's this” 72:56 · “It is I.” 73:01

Evidence, details and a link to share

Model synopsis: An older man with white hair, identified as Uncle Scrooge, is welcomed into a room by a younger man named Fred and others who greet him with Christmas wishes. The scene takes place indoors, with festive decorations visible.

• Uncle Scrooge stands at a doorway, asking to be let in. [frame:1]

Named: Uncle Scrooge (t:73:10), Fred (t:73:10). 3 people observed.

“Why, it's Uncle Scrooge. It can't be.” 73:10 · “A merry Christmas to you, uncle.” 73:15

Evidence, details and a link to share

Model synopsis: A man stands beside a decorated Christmas tree, speaking lines that include a call for help and a reference to a newborn king. The scene is indoors and appears to be during a holiday setting.

• Man stands beside Christmas tree, speaking. [frame:1]

1 person observed.

“That's everything.” 73:44 · “Help me.” 73:46

Evidence, details and a link to share

Model synopsis: An older man in dark clothing bows his head while a younger man in a coat stands behind him; a woman is visible in the background. The setting appears to be an interior room with curtains and hanging plants.

3 people observed.

Evidence, details and a link to share

Model synopsis: A person carves a large, round, frosted cake on a silver platter at a table. No dialogue or names are provided in the transcript for this beat.

• A person carves a cake with a knife. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a plaid jacket is seen indoors, moving quickly as others react. A voice mentions someone being late for the office and nearly nine o'clock.

• A man in a plaid jacket moves quickly through a room while others look on. [frame:1]

Named: Bob (t:74:18). 4 people observed.

“He's late for the office, Bob.” 74:18 · “It's nearly nine o'clock. You promised Mr. Scrooge you'll be earlier than usual this morning.” 74:19

Evidence, details and a link to share

Model synopsis: A street scene with several figures in period winter clothing walking or standing on a snow-covered street at night. One figure in the center appears to be walking toward the camera while others are positioned around a doorway and streetlamp.

5 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior room is shown with a window and a silhouette visible. A voice says they are going to leave.

1 person observed.

“I'm going to go.” 75:02

Evidence, details and a link to share

Model synopsis: A person in dark clothing is seen from behind, standing near a window with panes. The scene is dimly lit and appears to be indoors.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person with white hair, seen from behind, leans over a desk in a dimly lit room with a candlestick visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing is seen from the side, leaning over a desk or shelf inside a dimly lit room. The transcript contains the single word 'Geppellature!' spoken at 75:18.

1 person observed.

“Geppellature!” 75:18

Evidence, details and a link to share

Model synopsis: A man in dark formal wear sits at a desk, holding a telephone receiver to his ear. The setting appears to be an interior room with bookshelves and a lamp visible.

• A man holds a telephone receiver to his ear while seated at a desk. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat speaks to another man at a desk; later, the first man is seen among a crowd of people. The transcript includes dialogue about raising a salary and wishing a Merry Christmas.

Named: Bob (t:75:54), Scrooge (t:75:54). 4 people observed.

“Therefore, I'm going to raise your salary. Sir, you must be joking. There's no more serious in all my life, Bob. I'm going to raise your sal…” 75:54 · “A merry Christmas.” 76:20

Evidence, details and a link to share