Kitchen
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 41:26 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 37 · shots 118–119. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- kitchen (kitchen, interior) evidence: frame:1, frame:2
- People
- man in dark suit and bow tie, seated at table visible
- woman in light dress, standing near table visible
- woman in dark dress with lace collar, holding plate visible
- man in dark coat, standing behind p3 visible
- woman in bonnet and shawl, serving food visible
- child in plaid jacket, standing at counter visible
- Seen happening
- A woman serves food to a child at a counter. [frame:2]
- Also said
- “Or supposing that somebody has got over the back wall and stolen it. What?” 41:33 · “I can't see you all tonight. Put the candles in. I'm beautiful. I'm beautiful. Oh, how beautiful. Oh, dear.” 41:39
- Seen
- candles, table, plates, bonnet, shawl, counter
- Interpretation
- Model opinion, not evidence: mood: anxious and domestic; themes: family gathering, domestic concern, holiday preparation; style notes: static medium shots, high-contrast lighting, period costumes
A group of people are gathered around a table in a dimly lit room, reacting to concerns about a pudding. In a separate shot, a woman in a bonnet serves food to a child at a counter.
“You know, your mother's been gone a long time.” 41:26 · “Supposing the pudding has broken and turning it out. What?” 41:29 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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