No renewal found Free in the US since 1 January 1961, on the registry's reading: registration LP3357 of 1932 by United Artists Corp was not renewed in the volumes searched. Record.
483 shots over 1:05:19, read from the Internet Archive copy white_zombie (white_zombie.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: White Zombie No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 483 shots judged colour), average shot 8.1s long, a frontal face detected in 36% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1932 (Internet Archive).
264 beats in 158 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 264 of 264 beats annotated, 260 passed the checks, 4 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:41Model synopsis: The beat shows a title card listing credits for story, dialogue, and art/technical roles against a dark background with indistinct figures. No characters or actions are visible; only text and a static image are present.
“*Painful music*” 0:00
1:24Model synopsis: A dark, outdoor scene shows a group of figures near a large, gnarled tree at night. No dialogue or on-screen text is present in this beat.
1:29Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. No dialogue or on-screen text is present in this beat.
2 people observed.
1:38Model synopsis: A group of people in long robes stand in a dark, outdoor setting with a large, arched structure behind them. No dialogue or on-screen text is present in this beat.
1 person observed.
1:45Model synopsis: A man in a top hat and coat is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
1:50Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior; the woman wears a decorative headpiece. A transcript line mentions 'barium' and 'flow' but does not clarify context or location.
2 people observed.
1:55Model synopsis: A group of people gathers outdoors at night around a horse-drawn carriage. Some individuals wear hats and long dresses, and one person holds a flag.
1 person observed.
Model synopsis: A woman and a man in a top hat are shown in alternating close-ups inside a vehicle at night; the man holds a lantern. The transcript includes fragmented dialogue about fear, graves, and people, but no names are spoken.
2 people observed.
“Driver?” 1:57 · “What is it? It's the plural of them, sir.” 1:58
2:14Model synopsis: A woman is shown in a dimly lit interior, looking off-camera with a concerned expression. No dialogue or other actions are visible in this single frame.
1 person observed.
2:16Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. The woman wears a decorative headpiece and looks away with a concerned expression while the man looks at her.
2 people observed.
2:19Model synopsis: A group of people in period clothing gathers around a raised platform at night. One figure stands on the platform holding a staff, while others look up from below.
3 people observed.
2:26Model synopsis: A man and a woman are shown in a close-up, smiling at each other. The transcript mentions a 'cheerful introduction' to the West Indies, suggesting a setting or context for the scene.
2 people observed.
“Well, that's a cheerful introduction for you to our West Indies.” 2:22
2:33Model synopsis: A group of people is gathered outdoors at night around a central figure, with some bending over. The scene is dimly lit, suggesting a nocturnal setting.
1 person observed.
2:45Model synopsis: A close-up of two glowing eyes in darkness is shown. No people, dialogue, or identifiable location are visible in the frame.
2:58Model synopsis: A cloaked figure stands near a horse-drawn cart in a wooded area at night. The scene is dimly lit, with trees and underbrush visible around them.
1 person observed.
3:03Model synopsis: A man in a hat and coat is visible in a dark setting. He is addressed by the name Beaumont in the transcript.
Named: Beaumont (t:3:03). 1 person observed.
“You know where is the outcome?” 3:01 · “here, Beaumont.” 3:03
3:06Model synopsis: A group of figures stands near a horse-drawn carriage in a wooded area at night. The scene is dimly lit, with trees and foliage surrounding the group.
3 people observed.
3:09Model synopsis: A man in a dark coat and hat is shown in a close-up, looking off-camera with a startled expression. The background is dark and indistinct, with a curved object visible behind his shoulder.
1 person observed.
3:11Model synopsis: A group of figures in dark cloaks stand near a horse-drawn carriage in a wooded area at night. One figure holds a lantern while others appear to be conversing or waiting.
3 people observed.
3:14Model synopsis: A man in a wide-brimmed hat and a woman are seen in a dimly lit interior, separated by vertical bars. The man gestures with his hand while looking toward the woman.
2 people observed.
3:17Model synopsis: A close-up shot focuses on a person's wide, staring eyes and furrowed brow. No dialogue or environmental context is provided in this beat.
1 person observed.
3:19Model synopsis: A man and a woman are shown in a close-up, both looking upward with expressions of alarm; the woman covers her mouth with her hand. The scene is dimly lit with high contrast, typical of early horror films.
2 people observed.
3:22Model synopsis: A hand grips a piece of fabric in a dark setting. No other actions or context are visible in this beat.
1 person observed.
3:24Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. The woman has a startled expression and is looking off-camera; the man is partially visible behind her.
2 people observed.
3:25Model synopsis: A man walks forward at night, followed by two others, on uneven ground. No dialogue or on-screen text is present in this beat.
3 people observed.
3:27Model synopsis: A man and a woman are shown in close-up, both looking off-camera with expressions of alarm. The woman covers her mouth with her hand.
2 people observed.
Model synopsis: A man in a hat reacts with alarm at night; a couple appears tense nearby; a group of men stand behind another man in a hat; a wagon with lanterns is shown at night. No names are spoken, and no specific events are described beyond the visual reactions and presence of people and a wagon.
5 people observed.
“Zombie!” 3:29 · “All right.” 3:30
Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior; the scene then cuts to a wide shot of a large, dark room with many figures and windows. A line of dialogue states an intention to leave.
2 people observed.
“I'm going to go.” 4:18
Model synopsis: A man in light clothing gestures near a vehicle while speaking to another man in dark clothing; a couple stands nearby. The dialogue suggests a tense situation involving danger and an airport, with one character claiming others are not men.
4 people observed.
“Why did you drive like that to me?” 4:32 · “We might have been killed. We're going to bring back to him to the airport.” 4:34
Model synopsis: A man and a woman stand together in a dimly lit interior while another man speaks nearby. The dialogue includes references to zombies and the living dead, and one character compliments another's appearance.
3 people observed.
“Zombies.” 4:51 · “The living dead.” 4:52
Model synopsis: A man and a woman stand together outdoors at night as a figure points off-screen. A separate shot shows a dark hillside with silhouettes. A man in a hat reacts with alarm.
3 people observed.
“Look!” 5:07 · “Here they come.” 5:09
5:12Model synopsis: A dark, silhouetted hillside is shown with a few small figures visible on its slope. No people are clearly identifiable, and no dialogue or on-screen text is present.
5:15Model synopsis: A man and a woman stand close together outdoors at night near a vehicle. The scene is dimly lit, with foliage visible in the background.
2 people observed.
5:17Model synopsis: A dimly lit, cluttered interior space filled with statues, plants, and artifacts is shown. No people or movement are visible in the single frame provided.
Model synopsis: A man and a woman are in a vehicle at night; the man speaks apologetically while the woman looks alarmed. They discuss being frightened by something on the road, which the driver claims were not men.
2 people observed.
“Have you got the knife?” 5:35 · “Did I frighten you? I'm sorry. I'm ugly enough I suppose.” 5:38
Model synopsis: A man in a dark suit and hat speaks outdoors at night while another man and a woman stand nearby; later, a man in a dark suit enters a room from a doorway. The group then gathers outside again, with one man placing his hand on another's shoulder.
Named: Tony (t:6:12). 4 people observed.
“What?” 5:57 · “Surely you don't believe it, do you? No.” 5:59
Model synopsis: Three people stand in a dimly lit room with ornate decor; one man in a dark suit speaks while another in a white suit listens, and a woman sits nearby. The transcript includes dialogue about Dr. Brunner, Mr. Beaumont, and events in Port-au-Prince and New York.
Named: Dr. Brunner (t:6:36), Mr. Beaumont (t:6:57), Madeline (t:6:57). 3 people observed.
“You're respected, Dr. Brunner.” 6:36 · “How long is it that you know Mr. Beaumont? For only a few days. Madeline introduced him on the dock in Port-au-Prince.” 6:57
Model synopsis: An older man in formal wear speaks to a younger man in a white suit in a candlelit room; a woman sits nearby. The older man is later shown alone, looking toward the camera.
4 people observed.
“Very strange.” 7:24 · “I'll tell Mr. Beaumont, sir, here.” 7:33
Flagged: visible event not seen (The older man stands alone, looking directly at the camera.)
Model synopsis: Three people are in a formal room; one man stands while two others sit and speak. The transcript includes dialogue about a Mr. Beaumont and a 'fairy doctor,' suggesting a discussion about character or motive.
Named: Mr. Beaumont (t:7:51). 3 people observed.
“I've only met Mr. Beaumont once or twice.” 7:51 · “But he never struck me when a man would take the drugs to play a fairy doctor. He would get a couple like you.” 7:54
8:12Model synopsis: A man in a tuxedo stands in a doorway, looking over his shoulder. The setting appears to be an interior room with paneled walls and a doorway leading to another space.
1 person observed.
8:24Model synopsis: An older man in formal attire stands holding a hat while addressing a seated couple in a dimly lit, ornate room. The transcript indicates he is telling someone named Mr. Bowden to leave after a marriage.
3 people observed.
“I told you I'm a mess with an old fool, but...” 8:22 · “You know, I'd feel a good and better if you'd clear out of this place after your marriage, and have nothing more to do, Mr. Bowden.” 8:25
Model synopsis: Two men are in a dimly lit, ornate room; one stands while the other sits. The transcript indicates they are discussing the arrival of guests and Dr. Brunner, and one man mentions starting a recipe.
Named: Dr. Brunner (t:8:36). 2 people observed.
“Young people have arrived, sir, and Dr. Brunner.” 8:36 · “Show them to their room and fill them my mouth. No wait.” 8:42
Model synopsis: A group of people stand in a grand interior as one is directed to a room; a horse-drawn carriage is shown outdoors at night. A man in a suit stands near a clock and tapestry indoors.
5 people observed.
“Yes, yes indeed. Oh yes of course. I'm sure he will make a very good agent. But you must be tired after your drive. You'll get them ready. S…” 9:11 · “Silver will show you to your room. This way, please.” 9:23
9:44Model synopsis: A man in a suit stands in a dimly lit interior, looking toward a mirror and a potted plant. No dialogue or on-screen text is present in this beat.
1 person observed.
9:59Model synopsis: A person in white stands with their back to the camera in a dimly lit room with heavy curtains and period furniture. No dialogue or on-screen text is present in this beat.
1 person observed.
10:13Model synopsis: A man in a light-colored suit stands indoors near a window with vertical blinds. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A horse-drawn carriage moves through a dark, overgrown path at night; a man in a hat is shown in profile, then a close-up of hands holding a cross-shaped object, followed by a hooded figure looking upward. No names are spoken, and no on-screen text is visible.
2 people observed.
10:36Model synopsis: A horse-drawn carriage with two occupants moves along a dirt path at night, surrounded by dense foliage. The scene is shot from a high angle in black and white, with no dialogue or on-screen text.
2 people observed.
Model synopsis: A man in a light suit stands near a window; a large, dimly lit room with multiple levels and figures is shown; two figures in dark cloaks approach a stone doorway. No names are spoken, and no time of day or period is established.
3 people observed.
Model synopsis: A multi-level wooden structure is shown with figures moving on different floors and balconies. A person is seen looking out from behind a leaded glass window, and another figure is visible on a lower balcony.
3 people observed.
Model synopsis: A man in a hat and coat stands in a doorway. Figures carry baskets on their heads in a dimly lit space. A close-up shows a metallic, star-shaped object with blades among debris. The same object is shown again with slight movement or smoke.
2 people observed.
Model synopsis: Two frames show a dimly lit, rustic interior with wooden structures and a large vat. A figure is partially visible near the vat, and another person stands in the background holding an object.
2 people observed.
Model synopsis: A man in a hat and coat walks past a stone wall, then stands with another figure on a staircase, before a group is seen in a dim interior with one person seated at a table. The transcript includes a line spoken at 12:30 saying 'I'd like to see you again.'
5 people observed.
“So, let's go.” 12:00 · “I'd like to see you again.” 12:30
Model synopsis: A man in a fedora and coat stands in a dim, cluttered interior space; another man appears behind a counter as the first man turns toward him. The setting includes wooden structures and barrels, suggesting a rustic or industrial location.
2 people observed.
Model synopsis: A man in dark clothing is shown in close-up and medium shots, holding an object in one frame and standing near equipment in another. The transcript includes a line about being on a journey, spoken during this beat.
1 person observed.
13:41Model synopsis: Two men sit at a desk in a dimly lit interior, one speaking while the other listens. The transcript contains fragmented, possibly mis-transcribed lines that do not clearly describe the scene.
2 people observed.
Model synopsis: A man in a dark suit sits at a desk and speaks; another man in a hat and cloak appears in a separate shot. The transcript indicates a conversation about seeing someone on the road tonight.
2 people observed.
“You've seen her? Where?” 14:00 · “The road. Tonight.” 14:05
14:10Model synopsis: Two men in dark clothing sit at a table in a dimly lit room with bottles and a box on the table. One man wears a bowler hat and faces the other, who leans forward over the table.
2 people observed.
Model synopsis: Two men are seated at a table in a dimly lit room, speaking. One man, wearing a hat and dark coat, appears to be confronting the other, who is seated behind the table with papers and a typewriter.
2 people observed.
“There was a young man.” 14:19 · “They have to be married. Tonight. You've waited too long to do anything. What do you want me to do?” 14:23
Model synopsis: Two men are in a dimly lit interior, one in a hat and cloak speaking, the other seated at a desk responding. The dialogue suggests a negotiation over a woman’s disappearance and its consequences.
2 people observed.
“If she was a disappear, what am I? What do you hope to gain by her disappearance?” 14:30 · “Everything. Heaven.” 14:30
Model synopsis: A man in a dark suit sits at a desk in a dim room while another man in a hat and cloak appears in a separate shot. The transcript mentions a woman in love, a Duke, and a recent wedding.
2 people observed.
“I have looked at her eyes. She is deep in love.” 14:55 · “But that's the Duke. She's been married within an hour.” 14:55
15:13Model synopsis: A man in dark clothing sits at a desk in a dimly lit interior, looking off-camera. No dialogue or on-screen text is present in this beat.
1 person observed.
15:15Model synopsis: A man in a dark hat and coat is visible in a dimly lit interior. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
15:30Model synopsis: Two men stand facing each other in a dimly lit interior; one holds a small object toward the other. A line spoken during this beat references calling the past and a conditional exchange.
2 people observed.
“Oh” 15:28 · “I call the past. You give me what I want, and you may ask anything.” 15:30
15:49Model synopsis: A close-up shows a person's torso bound with rope. No location, time, or named individuals are established in this beat.
1 person observed.
16:01Model synopsis: A man in a dark coat and hat is grabbed by the throat by another man in a dimly lit interior. The transcript contains a shouted command to stop.
2 people observed.
“No! Stop that!” 16:02
Model synopsis: Two men are in a dimly lit interior; one holds an open box with a small object. A voice speaks of being a king and sharing help.
3 people observed.
Model synopsis: Two men are in a dimly lit interior space; one speaks while gesturing, the other listens with a concerned expression. The speaker holds an object and appears to be offering it, as indicated by the transcript line 'Keep it. Keep it. You may change your mind.'
2 people observed.
17:06Model synopsis: A man in dark clothing is shown in a close-up, looking upward with a tense expression. No dialogue or environmental context is provided in this beat.
1 person observed.
17:10Model synopsis: A man in a wide-brimmed hat and dark coat is visible in a dimly lit interior. No dialogue or other events are shown or heard in this beat.
1 person observed.
17:17Model synopsis: A man in dark clothing is shown in a close-up, speaking a line about sending word when something is used. The setting is indistinct, with no visible objects or on-screen text.
1 person observed.
17:22Model synopsis: A man in a dark coat and hat is visible in a dimly lit interior. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
17:29Model synopsis: A man in a dark suit and hat stands indoors, looking off-camera with a startled expression. The scene is dimly lit with a strong backlight from a window or lamp behind him.
1 person observed.
Model synopsis: A man in a hat and coat stands behind a decorative gate in a dimly lit interior, then the scene cuts to a dark room where another man in formal attire is visible. No names are spoken, and no time of day or period is established.
2 people observed.
“I'll find another way.” 17:34 · “Oh, my God.” 17:36
17:47Model synopsis: A woman in a dark dress with a white apron stands at a doorway, facing away from the camera. The room contains a large mirror and heavy drapes, suggesting an interior setting.
1 person observed.
17:52Model synopsis: A woman in a light-colored, sheer dress stands in a dimly lit room with ornate furniture and a chandelier. She holds an object in her right hand and looks toward the left side of the frame.
1 person observed.
17:54Model synopsis: A woman in a white gown and veil stands beside a table in a dimly lit room with heavy drapes and a chandelier. No dialogue or on-screen text is present in this beat.
1 person observed.
17:57Model synopsis: A woman in a dark dress with a white apron stands indoors near a doorway and a decorative screen. No dialogue or on-screen text is present in this beat.
1 person observed.
18:00Model synopsis: A woman in a white gown and veil stands beside a seated figure in a dimly lit room with heavy drapes and ornate furniture. No dialogue or on-screen text is present in this beat.
2 people observed.
18:01Model synopsis: A woman in a dark dress with a white collar stands at a door, reaching for the handle. The room contains heavy drapes and a carved wooden chair, suggesting an interior setting.
1 person observed.
Model synopsis: Two figures are shown in a dimly lit, ornate interior; one in a long gown and the other in a suit. A man in a suit is later seen near a candelabra and doorway, looking downward.
2 people observed.
18:32Model synopsis: A man in formal wear and a woman in a wedding dress stand on a staircase. The transcript contains fragmented, possibly mis-transcribed lines spoken during this moment.
2 people observed.
“I can make you the end of it every morning. I'll still ride with my finger to you, sir.” 18:36
18:57Model synopsis: A man and a woman stand on a staircase in formal attire; the man speaks urgently while the woman holds a bouquet. The transcript indicates a plea to leave before it is too late and mentions a midnight boat.
2 people observed.
“I'll just be there before it's too late. Joe, please. Don't go there, I'll be. We can be in quarter place in half an hour. There's a boat…” 18:43 · “All right.” 19:06
19:15Model synopsis: A man in formal wear stands beside a candelabra in a dimly lit room. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in formal wear stands near a woman in a wedding veil holding a rose; another man in a suit sits beside tropical plants. The transcript includes an exclamation of alarm.
3 people observed.
“Oh, my God.” 19:36
Model synopsis: A wedding ceremony is depicted in a dimly lit, ornate room with floral decorations. A man in formal attire and a woman in a white gown are present, with guests visible in the background.
3 people observed.
“We are gathered together here in the sight of God and in the face of this company.” 19:52 · “To join together.” 19:58
Model synopsis: A man in a dark coat stands at a gated entrance at night, then turns to touch a lantern. The setting is outdoors, with heavy foliage and two lit lanterns flanking the gate.
1 person observed.
20:39Model synopsis: A person in dark clothing holds a white cloth or object in a dimly lit interior. No dialogue or identifiable names are present in this beat.
1 person observed.
20:46Model synopsis: A person in dark clothing holds a small, pale object wrapped in cloth, manipulating it with both hands in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
20:54Model synopsis: A dimly lit interior space with large windows and dense foliage is shown. No people or actions are visible in this beat.
Model synopsis: A man in dark clothing appears in close-up shots with a serious expression. A bird is shown in close-up, and a lit lantern is visible in a dimly lit setting.
1 person observed.
21:14Model synopsis: A close-up shows hands manipulating a small, pale object with a knife in a dark, indistinct setting. No dialogue or identifiable location is present in this beat.
1 person observed.
21:24Model synopsis: A man stands in a dim doorway holding a cloth, flanked by lanterns. The scene is dark and static, with no visible movement or dialogue.
1 person observed.
Model synopsis: A man in formal wear raises a glass in a lavishly decorated room with other guests seated at a table. The transcript includes a toast to a bride and fragmented speech suggesting a dramatic or unsettling moment.
2 people observed.
“- Thank you. - Hi, Mr.” 21:33 · “A toast to the bride, to the beauty queen. Gladly, my lord. Leave for your chance. So give me life. Leave my fortune.” 21:37
Model synopsis: A woman in a wedding dress stands at a table with two men seated; she speaks hesitantly, then looks down at a glass. A close-up shows a man's face inside a circular frame with glowing eyes. The setting is ornate and dimly lit.
Named: Beth (t:22:41). 4 people observed.
“I... I...” 22:27 · “What is it?” 22:32
Model synopsis: A woman in a wedding dress stands beside a man in formal attire at a table with flowers and candles; another man in a dark suit approaches them. The scene shifts to a close-up of the bride and groom, then to the man in the dark suit touching a statue in a dimly lit room.
Named: Beth (t:22:45). 3 people observed.
“Beth.” 22:45 · “Beth, what's wrong? I've been right here.” 22:50
Model synopsis: A man in a dark suit holds a woman in a light dress in a dimly lit interior; another man stands nearby. A hand reaches toward a decorative lantern in a separate shot.
4 people observed.
“Oh.” 23:02
23:17Model synopsis: A man in formal attire holds a woman lying back in his arms inside a dimly lit room. No dialogue or on-screen text is present in the frames.
2 people observed.
23:22Model synopsis: A man in a dark coat holds up a white cloth near a lit lantern. The scene is dimly lit and appears to be indoors.
1 person observed.
23:27Model synopsis: A hand holds a small object over a decorated box containing a doll-like figure. The scene is dimly lit and appears to be indoors.
1 person observed.
23:35Model synopsis: A man in formal attire holds a woman in a floral dress in a dimly lit interior. The transcript contains an incomplete line starting with 'my'.
2 people observed.
“my” 23:32
23:41Model synopsis: A close-up of two glowing eyes in darkness is shown. No people, dialogue, or identifiable location are visible.
Model synopsis: A woman in bridal attire and a man with an intense expression are shown in close-up. A prayer is spoken during this segment.
2 people observed.
“and” 23:48 · “The praise of our Lord and Savior, and the love of God, and the fellowship of His angels, even of evermore. Amen.” 23:57
24:32Model synopsis: A person speaks while two men are visible in a dimly lit interior space. The scene is framed from behind silhouetted figures, suggesting an audience or observers.
4 people observed.
“I'm going to go.” 24:27
25:00Model synopsis: A woman in a veil sits beside a small dog and a bottle in a dimly lit, circular space. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man sits at a table with bottles while a woman in a veil appears; they are later shown together at the table. The transcript includes the lines 'I'm going to go' and 'Nego. Nego.'
2 people observed.
“I'm going to go.” 25:10 · “Nego. Nego.” 25:40
26:00Model synopsis: A man in a light shirt is visible in a dimly lit interior, holding his head with both hands while a dark silhouette sits in front of him. He speaks the line 'I'm going to go.'
2 people observed.
“I'm going to go.” 26:10
26:42Model synopsis: A dark, crowded outdoor scene with multiple figures visible under low lighting. A voice speaks lines including 'Oh, my God' and 'Come,' while another mentions a 'rich master' who 'fed me.'
2 people observed.
“Oh, my God.” 26:34 · “Come.” 26:49
Model synopsis: A bearded man is shown in close-up, followed by a group scene with several figures in dim lighting. The transcript includes fragmented phrases and titles like 'Darcia, brigand chief' and 'Marquis, captain of gendarmeries', suggesting character introductions or incantations.
2 people observed.
“I talked about a few. Wang Elder the swine, fallen in the future. He fought against my spells unto the land. He left as a struggle, I think.” 27:12 · “Electro-Empirica! Van Finistras Imperia!” 27:26
28:03Model synopsis: Two men stand facing each other in a dark, leafy outdoor setting. One speaks about execution and souls while the other responds briefly.
2 people observed.
“I executioner. You are most executioner of me. I think so.” 27:45 · “Just as we change.” 27:58
28:25Model synopsis: A close-up shows a hand with a ring, and a voice says they are going to leave. No other people, objects, or location details are visible.
1 person observed.
“I'm going to go.” 28:24
28:34Model synopsis: A dark, low-contrast scene shows several indistinct figures standing in shadow. No dialogue or on-screen text is present in this beat.
3 people observed.
28:50Model synopsis: A person in a hat stands in a dimly lit doorway, visible in one frame. A voice says they are going to leave.
1 person observed.
“I'm going to go.” 28:59
Model synopsis: A man in a wide-brimmed hat is shown in close-up, followed by a wider shot of a coffin in a dimly lit space with several figures standing around it. No dialogue or on-screen text is present in these frames.
4 people observed.
29:21Model synopsis: A dimly lit interior shows a bed with patterned bedding and indistinct figures in the background. No names, events, or objects beyond the bed and shadows are identifiable from the frame or transcript.
1 person observed.
29:26Model synopsis: A woman with a beaded headband and choker lies still against a textured backdrop. No dialogue or action occurs in this beat.
1 person observed.
29:28Model synopsis: A man in a wide-brimmed hat is shown in a close-up, looking downward with a serious expression. The lighting is high-contrast, with shadows across his face.
1 person observed.
Model synopsis: A man in a top hat and bow tie speaks urgently in an interior setting; the scene cuts to a group gathered around a coffin, then to a figure running through a dark, rocky outdoor area. The transcript includes a question and a name being called.
Named: Donnelly (t:29:35). 4 people observed.
“What's the matter?” 29:30 · “Donnelly!” 29:35
Flagged: period without evidence (1770s to 1780s)
29:41Model synopsis: A man in a wide-brimmed hat and dark coat is shown in a close-up. No other people, objects, or text are visible in the frame.
1 person observed.
29:44Model synopsis: A man in a dark suit and bow tie looks directly at the camera with a startled expression. The background is dimly lit and indistinct, with vertical decorative elements visible behind him.
1 person observed.
30:04Model synopsis: A single frame shows a dark, silhouetted outdoor scene with gnarled trees and indistinct shapes under a dim sky. No people are visible, and the transcript contains only fragmented, unrelated speech.
“I'm going to go to the next one.” 29:55 · “so” 30:15
30:26Model synopsis: A dark, silhouetted outdoor scene with gnarled trees and indistinct figures is shown. No people are clearly visible, and no dialogue or on-screen text appears.
Model synopsis: A man in light-colored clothing is visible in a dark, outdoor setting with tombstones and trees. He gestures toward a grave marker while standing among headstones, as described in the transcript line at 30:28.
1 person observed.
“So” 30:28
31:57Model synopsis: Two men are in a dimly lit room; one sits at a desk while the other stands near a cabinet. The transcript includes dialogue about a woman's death, superstitions, and a possible theft of her body, with one man insisting she is not dead.
2 people observed.
“Either the body was stolen by members of a death card.” 31:15 · “He's not dead.” 31:24
33:46Model synopsis: A man in a patterned robe stands in a dimly lit room with a fireplace, speaking about a dead man walking. The dialogue suggests confusion and disbelief among characters regarding supernatural events.
1 person observed.
“You don't believe that, do you?” 33:19 · “Say, there's been lots of people that've been for a mounshead that came alive again in this year. Now, if nature can play pranks like that.…” 33:23
34:50Model synopsis: A man in a light suit stands over a seated older person at a desk in a dimly lit room with arched windows and wall-mounted portraits. The transcript includes fragmented dialogue about murder, burial, and drugs, with no named characters.
2 people observed.
“Attemptive murder. Attemptive murder. Yes, I say that. Right. Right. If the person has been buried alive,” 34:51 · “The act should be considered murderous, no matter what result follows.” 34:59
35:32Model synopsis: A man in a light suit stands in a room with barred windows while another person, seen from behind, faces him. The transcript includes fragmented lines about authorities and medicine, suggesting a discussion about local governance or medical practices.
2 people observed.
“The authorities help.” 35:27 · “I thought.” 35:31
35:48Model synopsis: A man in a patterned robe stands indoors, holding an object, while transcript lines suggest he is speaking about being perceived as a preacher and uncovering dark truths. No names, time of day, or period are established from the frames or transcript.
1 person observed.
“They'll tell me things are better to get out of here.” 35:40 · “Because I'm a preacher, they think I'm a matrician.” 35:43
36:13Model synopsis: A single frame shows a ruined stone structure on a rocky coast under a cloudy sky. No people, dialogue, or on-screen text are visible in this beat.
36:28Model synopsis: A person sits in a high-backed chair in a dim, ornate interior space with stone architecture and scattered furniture. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in formal attire sits in an ornate chair in a dimly lit interior space. The transcript contains a line about moving to the next item, but no names or events are established in this beat.
1 person observed.
36:57Model synopsis: A man in formal attire stands beside an ornate cabinet with candelabras. The setting appears to be an interior room with heavy, dark decor.
1 person observed.
Model synopsis: A woman with short, wavy hair is shown in two close-up shots with a hazy, indistinct background. No actions or dialogue occur in the frames.
1 person observed.
Model synopsis: A man and a woman are in a dimly lit room with a grand piano; the man speaks urgently while the woman looks on with a blank expression. The transcript includes fragmented lines suggesting distress and loss, with no clear names or time established.
2 people observed.
“Oh, my God.” 38:02 · “I was mad.” 38:21
Model synopsis: A man in formal wear pleads with a woman in a dimly lit room; he speaks of taking her back to the grave and demands lights be restored to her eyes. The woman stands motionless beside a piano as the man gestures toward her.
Named: Magdalene (t:38:48). 2 people observed.
“Oh, forgive me, Magdalene, forgive me.” 38:48 · “I can't bear it any longer.” 38:53
Model synopsis: A man in a suit is shown on a stone staircase, first standing and then in a closer view looking upward. The transcript includes fragmented lines that do not clearly refer to the visual content or name the person.
1 person observed.
“See what's this day and happen with him.” 39:12 · “He paints a charming picture for this.” 39:15
39:23Model synopsis: A man in a tuxedo and a woman in a light dress stand in a dimly lit interior space. No dialogue or action is visible in the single frame.
2 people observed.
39:26Model synopsis: A man in a suit walks forward through a dark, tunnel-like space. The shot is framed through a circular aperture, showing only the man and the immediate background.
1 person observed.
39:29Model synopsis: A man in a dark suit and a woman in a light gown stand in a dimly lit room with heavy furniture and a candlestick visible. No dialogue or action is recorded in this beat.
2 people observed.
39:31Model synopsis: A person stands on a stone staircase in a dimly lit, gothic-style interior with candelabras and skulls visible. No dialogue or on-screen text is present in this beat.
1 person observed.
39:35Model synopsis: A man in formal attire and a woman in a light gown stand together in a dimly lit interior. The setting includes heavy furniture and a candlestick, suggesting a period room.
2 people observed.
39:43Model synopsis: A woman stands between two men in a dimly lit interior with stone architecture; one man speaks about bringing someone back. The scene is static and framed to emphasize the triangular arrangement of the characters.
3 people observed.
“You must bring her back.” 39:44 · “I'm just right.” 39:46
Model synopsis: A man in a tuxedo appears in two shots, looking alarmed, while a second shot shows him with a woman in a close-up. The transcript includes a rhetorical question about eyes and a comment on brain function, followed by a note of bad music.
2 people observed.
“How do you suppose those eyes will regard you?” 39:50 · “and the brain is able to understand.” 39:54
40:09Model synopsis: A man and a woman stand close together in a dimly lit interior; the man holds the woman's hand and looks down at it while she gazes at him. No dialogue or on-screen text is present in this beat.
2 people observed.
40:13Model synopsis: A man in a dark suit and white shirt is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
40:17Model synopsis: A man and a woman stand side by side in a dimly lit interior. No action occurs beyond their presence and gaze.
2 people observed.
“so” 40:15
40:25Model synopsis: Two men stand in a dimly lit, gothic-style interior with a stone staircase and ornate railings. One man faces the other, who is partially turned away, near a table with objects on it.
2 people observed.
Model synopsis: A man in formal attire speaks in a stone-walled room with a staircase; another man in a tuxedo stands near a table. Dialogue mentions dinner, wine, and a coast, with one speaker addressing 'Mr. Brown'.
Named: Mr. Brown (t:40:38). 3 people observed.
“It is a pity to destroy it, but to love it, Mr. Brown.” 40:38 · “Let's bring to the future.” 40:44
41:03Model synopsis: A man in a dark suit and tie is shown in a close-up, looking directly at the camera with a serious expression. No dialogue or additional context is provided in this beat.
1 person observed.
41:16Model synopsis: Two men in dark suits stand indoors near a carved wooden structure; one faces the other while speaking. The setting appears to be a dimly lit interior with ornate architectural details.
2 people observed.
“to the future.” 41:24
41:30Model synopsis: A man in a dark suit and white shirt is shown in a close-up, holding a small glass to his lips. The background is dark and indistinct, with no visible objects or text.
1 person observed.
41:34Model synopsis: A man in a suit holds a small glass. The setting appears to be an interior space with dim, dramatic lighting.
1 person observed.
Model synopsis: A man in a dark suit holds a small glass and reacts with wide eyes and an open mouth. Another man in a suit speaks while holding a similar glass, smiling slightly. The transcript includes brief utterances and a line about pouring wine.
2 people observed.
“Oh” 41:42 · “Hmm, quite.” 41:44
41:58Model synopsis: Two men stand in a dimly lit stone interior; one holds a rope. No dialogue is present in this beat.
2 people observed.
Model synopsis: A man in a tuxedo speaks urgently in a dimly lit, ornate room with stone pillars and a staircase; another man in a suit holds a glass and smiles. The transcript includes a plea, a threat about 'Mademoiselle,' and a shouted name 'Silver.'
Named: Silver (t:42:20). 3 people observed.
“Come on.” 42:01 · “What are you trying to do to me?” 42:02
Model synopsis: A man in a dark suit and bow tie gestures dramatically in a dimly lit room with heavy drapes and a fireplace. A second man with a goatee and dark suit is shown in a close-up, looking directly at the camera.
2 people observed.
42:39Model synopsis: A single blurry close-up of a man in a dark suit and tie is shown. No dialogue or environmental context is provided in this beat.
1 person observed.
42:46Model synopsis: A man in a dark suit stands indoors with one arm raised. No dialogue or on-screen text is present in this beat.
1 person observed.
42:48Model synopsis: A man stands in a dimly lit, ornate room next to a carved wooden desk and a heavy door. No dialogue or on-screen text is present in this beat.
1 person observed.
42:51Model synopsis: A man in a dark cloak stands in a dimly lit room with a carved wooden desk and a doorway behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
42:55Model synopsis: An elderly man with a white beard, wearing dark robes and a beaded necklace, stands in a dimly lit room with murals on the walls. No dialogue or on-screen text is present in this beat.
1 person observed.
42:59Model synopsis: A man with a beard and suspenders is visible in a dimly lit interior with candelabras in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
43:03Model synopsis: Two men stand in a dimly lit interior; one in a suit gestures while the other, in a vest, holds a tray. No dialogue or on-screen text is present in this beat.
2 people observed.
43:05Model synopsis: A man in a formal suit stands in a dimly lit interior with patterned drapery. No dialogue or on-screen text is present in this beat.
1 person observed.
43:16Model synopsis: A group of men in dark clothing stand in a dimly lit interior with stone pillars and a staircase. One man stands apart near a table with candles, while others gather near steps.
6 people observed.
43:33Model synopsis: Two men stand in a dimly lit interior with stone walls and a staircase; one gestures while speaking the name 'Charlie'. No other events or objects are clearly visible or mentioned in the supplied frames and transcript.
Named: Charlie (t:43:32). 2 people observed.
“Charlie!” 43:32
43:43Model synopsis: A group of silhouetted figures stands in a dimly lit, stone-walled interior space. The scene is shot in high-contrast black and white with deep shadows obscuring details.
1 person observed.
43:52Model synopsis: The frame shows churning, foamy water at night. No people, objects, or text are visible, and no events are described in the transcript.
Model synopsis: Two men in formal attire are seen in a dimly lit interior; one stands near a throne-like chair while the other faces him. A large, indistinct figure is visible behind a multi-paned window.
3 people observed.
“I'm going to go to the next one.” 44:02 · “I'm going to go.” 44:17
Model synopsis: Two men stand in a dimly lit interior with stone walls; one gestures while speaking. A large bird is seen behind a window grille in the next shot. No names are spoken, and no time of day or period is established.
2 people observed.
44:44Model synopsis: Two men stand in a dimly lit, ornate interior with stone walls and a large chair. One man is in a suit with hands clasped; the other, in a dark coat, walks past him.
2 people observed.
44:57Model synopsis: Two people ride horses along a narrow path through dense vegetation. One person speaks, rejecting an unspecified suggestion and then affirming a different course of action.
2 people observed.
“No, not that. Not that.” 44:46 · “- There you go.” 44:53
45:18Model synopsis: A black-and-white outdoor scene shows a cart in a wooded area with figures in the background. No dialogue or on-screen text is present in the frames.
45:30Model synopsis: Three men are outdoors near horses; one speaks the line 'I love you.' The setting appears to be a wooded path or trail.
3 people observed.
“What is that?” 45:27 · “I love you.” 45:29
Model synopsis: Two men in hats are shown in a wooded area; one adjusts his hat while the other watches. A wider shot reveals several men on horseback and one leading cattle. One man remains on horseback, looking off-camera. No names are spoken.
5 people observed.
“I need to do it.” 45:34 · “I don't know.” 45:35
46:01Model synopsis: Three people on horseback are shown in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.
3 people observed.
46:29Model synopsis: Two men stand outdoors in a wooded area, one holding a bundle; dialogue references people going to the sea and mountain, and the dying of the living dead. No names are spoken, and no on-screen text is visible.
2 people observed.
“to see old people all the way to the sea.” 46:29 · “- Did somebody go here? - People all the way to the mountain. - Why? - Because” 46:36
Model synopsis: Two men converse outdoors in a wooded area; one is seated on a horse, the other stands beside him. The dialogue suggests a tense exchange about a man associated with murder and crime.
2 people observed.
“- Do you think this is good?” 46:52 · “I am the only man that ever claims him there in life.” 46:54
Model synopsis: A figure in light clothing kneels beside a prone person on a rocky slope near a ruined tower under a cloudy sky. No names or dialogue are spoken in the supplied transcript lines.
2 people observed.
“so” 47:22
Model synopsis: A vulture perches on a branch above a rocky slope where a person lies on the ground near another standing figure. A second vulture is visible on a branch in a later frame. The transcript contains the spoken line "Watch it."
2 people observed.
“Watch it.” 48:12
Model synopsis: A man in light clothing stands near a rocky slope where another man lies on the ground; a third man leans over him. The transcript includes fragmented, urgent speech, including a plea for help and a reference to water.
3 people observed.
“Just towards the air set.” 48:24 · “Now the water always comes over the house of the living day. Madeline, is she there? I must go. No, no, no, no. You, my boy, please, please,…” 48:27
48:59Model synopsis: A person in light clothing bends over another person lying on rocky ground, while a third figure stands nearby holding a staff. The scene is outdoors on a rocky slope, and a line is spoken about going up to see what can be done.
3 people observed.
49:10Model synopsis: A lone figure stands before a towering, ruined stone structure under a cloudy sky. No dialogue or on-screen text is present in this beat.
1 person observed.
49:20Model synopsis: A person in a white robe stands on a stone balcony of a Gothic-style building. No dialogue or action is visible in the single frame provided.
1 person observed.
Model synopsis: Two women in maid uniforms stand in a dimly lit room with furniture; a separate shot shows a dark, rocky cliffside with a distant structure. One woman is addressed as 'Sam' in the transcript, and the speaker expresses happiness.
Named: Sam (t:49:27). 2 people observed.
“You're absolutely wonderful, Sam.” 49:27 · “I never remember anything in my life that you know because I'm happy.” 49:31
50:04Model synopsis: A woman in a light dress sits on a rocky outcrop at night, with a dark castle visible on a hill behind her. The scene is lit by a bright, diffuse light source from the left, creating high contrast.
1 person observed.
50:12Model synopsis: A man in a light shirt holds a long object near a dark, draped background. No dialogue or on-screen text is present in this beat.
1 person observed.
50:19Model synopsis: A person in a white robe stands on a stone balcony under an arched doorway. The setting appears to be a castle or old stone building, with no visible modern elements.
1 person observed.
50:31Model synopsis: A man in light clothing stands on a rocky slope at night, holding a rope or whip; the name 'Bradley' is spoken. The scene is outdoors, with no interior elements visible.
Named: Bradley (t:50:28). 1 person observed.
“Bradley. Bradley.” 50:28
50:39Model synopsis: A person in a white garment stands on a stone balcony with Gothic arches. The setting appears to be an old stone building with ornate ironwork and a large arched window.
1 person observed.
50:44Model synopsis: A lone figure walks along a rocky shore beneath a dark, cloudy sky and a towering, ruined structure. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A woman in a white gown sits while two maids in dark uniforms and white aprons stand nearby in a dimly lit room with arched architecture and candelabras. One maid speaks, and the seated woman reacts with distress, saying she cannot do something because of the other's hand.
3 people observed.
“I'm going to go.” 50:47 · “So” 50:55
Model synopsis: A figure descends stone steps outdoors at night; inside, a woman in white stands before a mirror in a dimly lit room. No names or events are spoken in the transcript for this beat.
3 people observed.
“I” 51:43
Flagged: visible event not seen (?); visible event not seen (?)
51:49Model synopsis: A man in light-colored clothing walks away from the camera through a stone archway in a garden-like setting. The scene is shot in black and white with high contrast lighting.
1 person observed.
51:54Model synopsis: A single frame shows a dark, turbulent surface with white foam, likely water at night. No people, objects, or text are visible, and no audio is provided.
51:59Model synopsis: A person in light clothing runs through a rocky, dimly lit cavern. The scene is shot in black and white with high contrast lighting and no visible text or dialogue.
1 person observed.
52:04Model synopsis: A woman in a light dress stands on a stone balcony of a Gothic-style building. The scene is shot in black and white with no visible action or dialogue.
1 person observed.
52:08Model synopsis: A single shot shows a large, dimly lit interior with Gothic architecture, including tall arched windows and pillars. A man stands near a table in the center, with furniture and a staircase visible.
1 person observed.
52:12Model synopsis: A man in a light shirt sits at a table, leaning forward and writing or drawing with a pen. The setting appears to be an interior room with dark, ornate furniture visible in the background.
1 person observed.
52:30Model synopsis: A man in formal attire stands beside a table where a woman lies covered in white fabric; the setting is dimly lit with heavy drapery. A line is spoken asking if the woman can feel something, but no names are given.
2 people observed.
52:49Model synopsis: A man in a light shirt sits at a table with a goblet and a small object, gesturing with his hand. The setting appears to be an interior room with ornate furniture.
1 person observed.
52:57Model synopsis: Two men sit at a table in a dimly lit room with heavy drapes; one speaks about the other's inability to see. No names are mentioned in the dialogue.
2 people observed.
“It is unfortunate you are no longer able to see.” 52:53 · “I should be interested to hear you describe your symptoms.” 52:58
53:04Model synopsis: A man in a light shirt sits at a table with a carved chair behind him, gesturing with his right hand. The scene is dimly lit with high contrast, showing only the man and the table in focus.
1 person observed.
Model synopsis: A man in dark formal wear sits at a table with another person, holding a glass and speaking. The setting is dimly lit with ornate furniture, suggesting an interior room with heavy decor.
2 people observed.
“You see, you are the first man to know what is happening.” 53:10 · “You were a few to take that. Once. I remember. Well, well. We understand each other better now.” 53:38
54:17Model synopsis: A man in light-colored clothing is seen from behind, reaching toward a stone wall near a small window. The scene is dimly lit and appears to be set in a stone-walled interior space.
1 person observed.
54:32Model synopsis: A single frame shows a dark, rocky cavern with a wooden door set into the wall. No people, dialogue, or on-screen text are visible.
54:52Model synopsis: A single frame shows a dimly lit stone interior with a figure in white partially visible near a wall. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in dark formal wear sits at a table with a glass and a powder pile, while another man in a white suit reacts dramatically near a candelabra and painting. The setting is a large, dimly lit hall with Gothic architecture and a grand piano.
2 people observed.
Model synopsis: A man in formal attire speaks while seated at a table; another man stands beside him. The scene cuts to a large, gothic-style hall with a piano and then to a close-up of a man lying down with his eyes closed. No names are spoken in the transcript.
4 people observed.
“I'm going to go.” 55:17
Model synopsis: A man in formal wear is shown in a medium shot, followed by a close-up of his gloved hands holding a small object. No dialogue or on-screen text is present in this beat.
1 person observed.
56:17Model synopsis: A close-up of a man's face shows wide eyes and furrowed brows. No other people, objects, or locations are visible in the frame.
1 person observed.
Model synopsis: A person in a white robe is seen from behind, standing in a dimly lit interior space with a patterned window and a draped curtain. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man sits at a table in a stone-walled room with a staircase; a woman in a long dress stands in a stone corridor. No dialogue or on-screen text is present in these frames.
2 people observed.
Model synopsis: A figure in a white robe stands in shadow, then a woman in a white gown appears on a stone balcony, followed by a wide shot of a gothic hall with furniture and people. No dialogue or on-screen text is present in these frames.
3 people observed.
Model synopsis: A woman in a white gown stands in a dimly lit, cavernous space with stone walls and statues. The scene is framed through a circular vignette, suggesting a view through a peephole or lens.
1 person observed.
Model synopsis: Two men are in a dimly lit room with a table; one stands in formal wear while the other sits in a light shirt. A blurry, ghostly figure appears in a separate shot.
3 people observed.
Model synopsis: A man in a white shirt sits at a table holding a glass while another man in formal wear stands nearby; a woman in a white dress enters and approaches the table. The seated man later leans forward over the table as a hand reaches toward him.
3 people observed.
Model synopsis: A man in formal wear stands in a dim room; a woman in white confronts two men at a table; a body lies on a stone slab before a statue; a wide shot shows a large, ornate hall with arched windows and furniture. No dialogue or on-screen text is present in these frames.
5 people observed.
Model synopsis: A man in a light shirt sits at a table, then looks up in alarm as another man in formal wear appears. A figure in a white robe stands over a prone body in a dim, carved chamber. No dialogue is provided for this segment.
3 people observed.
Model synopsis: A close-up of a person's mouth is followed by a man in formal wear, a woman in a white dress raising her arm, and a man seated at a table. No dialogue or on-screen text is present in this sequence.
4 people observed.
Model synopsis: A woman in a light dress is shown in close-up, holding a dark object near her face; a subsequent frame shows a close-up of eyes in shadow; the final frame shows the woman again, holding the object to her mouth. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A woman in a white gown stands near a prone figure in a dim, stone-walled room; close-ups show her face and hands holding a small object. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman in a white robe stands with arms outstretched in a large, gothic hall while a man in a light shirt leans forward at a table. The hall contains a grand piano, chairs, and large windows, and another person is visible seated at a table in the background.
3 people observed.
“I don't know.” 59:41 · “Come on.” 60:00
Model synopsis: A woman in a white gown runs down stone steps toward the camera while a man follows her from above; she then turns away, facing a turbulent sea. The transcript includes a distressed voice saying 'I found you! I'm alive! I'm dying!' at 60:30.
2 people observed.
“I... I... I found you! I'm alive! I'm dying! I'm dying here!” 60:30
1:00:47Model synopsis: A man and a woman stand close together outdoors at night near stone steps. The scene is lit by a single strong light source, casting deep shadows.
2 people observed.
Model synopsis: A man and a woman stand close together in a dim, outdoor setting; the man leans toward the woman as if speaking urgently. The transcript includes the line 'What have they done to you?' spoken during this moment.
2 people observed.
1:01:09Model synopsis: A man in formal attire stands outdoors at night, surrounded by dark foliage. No dialogue or on-screen text is present in this beat.
1 person observed.
1:01:18Model synopsis: A man stands facing a seated woman in a dim, rocky outdoor setting with figures on stairs in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
1:01:26Model synopsis: Two men stand facing each other in a dark, outdoor setting with foliage visible behind them. One man wears a dark coat and white cravat; the other wears a light shirt and is seen from the side.
2 people observed.
Model synopsis: Two men converse in a dimly lit, rocky outdoor setting while other figures stand on stairs in the background. A seated woman is visible to the side, and one man gestures during the exchange.
5 people observed.
1:01:36Model synopsis: A man in light clothing walks across a stone courtyard toward a staircase while another figure stands in the background. The setting appears to be an old, carved stone structure with steps and statues.
2 people observed.
1:01:38Model synopsis: A man in a light shirt is visible in a dimly lit, dark background. No dialogue or additional context is provided in this beat.
1 person observed.
1:01:40Model synopsis: A close-up shows a hairy-chested man in suspenders, his hand resting on his chest. No dialogue or other context is provided in this beat.
1 person observed.
1:01:41Model synopsis: A man in a light shirt is visible in a dark setting, holding an object. No dialogue or additional context is provided in this beat.
1 person observed.
1:01:42Model synopsis: A man in a light shirt is visible in a dark, smoky setting. No dialogue or on-screen text is present in this beat.
1 person observed.
1:01:43Model synopsis: A close-up shows a hairy male torso with a hand resting on the abdomen. No dialogue or other context is provided in this beat.
1 person observed.
1:01:45Model synopsis: A close-up of a man with a beard and intense expression is shown. No dialogue or environmental context is provided in this beat.
1 person observed.
1:01:47Model synopsis: A man in a light shirt is visible in a dark, smoky setting. No dialogue or on-screen text is present in this beat.
1 person observed.
1:01:49Model synopsis: A person in light trousers and dark boots walks over uneven, rocky ground. The scene is shot in black and white with low-angle framing focused on the feet and lower legs.
1 person observed.
1:01:50Model synopsis: A man in light clothing stands on stone steps facing another man in dark clothing; two other men are visible higher on the stairs. The setting appears to be an outdoor stone structure with trees or vines nearby.
4 people observed.
1:01:51Model synopsis: Three men stand on stone steps in a dimly lit, cavernous space with rock walls. One man in a light coat gestures while facing another man in dark clothing; a third man stands behind them on the stairs.
3 people observed.
1:01:52Model synopsis: A group of people stands in a dimly lit stone interior with stairs; one man in a light coat gestures while others watch. No dialogue or on-screen text is present in this beat.
4 people observed.
1:01:55Model synopsis: A dark, shadowy interior space is shown with rough stone walls and a small object on the floor. No people, dialogue, or on-screen text are visible in this beat.
Model synopsis: A group of people is gathered on stone steps in a rocky, outdoor setting at night; one person gestures dramatically while another stands near water. No names are spoken, and the scene is lit for dramatic effect without clear daylight cues.
4 people observed.
“Come on.” 62:00
Model synopsis: A woman in a white robe stands near stone steps at night; she is later seen close-up and then with two men in a dim, rocky setting. One man kneels beside her while another stands behind, and a line says 'So, let's go.'
3 people observed.
“so” 62:30 · “So, let's go.” 62:41
Model synopsis: A man and a woman are shown in close-up shots; the woman touches the man's face. No location, time of day, or period is established from the frames or transcript.
2 people observed.
“So,” 62:49
1:03:12Model synopsis: A man in formal attire is on the ground in a dim, rocky setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Flagged: visible event not seen (man is on hands and knees on rocky ground)
Model synopsis: A woman in a light dress and a man in a light shirt are shown in close proximity, with a third man in dark formal wear seated nearby. The transcript contains the spoken line 'Come on.'
3 people observed.
“Come on.” 63:17
Model synopsis: A man in a light shirt is shown in close-up, then a wider shot reveals him with a woman and another man placing a hand on his shoulder. The setting is dimly lit with indistinct background elements suggesting an interior space.
4 people observed.
1:03:37Model synopsis: A man in dark clothing stands beside stone steps and foliage. No dialogue or on-screen text is present in this beat.
1 person observed.
1:03:39Model synopsis: Two men are visible in a dimly lit interior setting; one wears a light shirt and tie, the other a light shirt with a bald head. No dialogue or on-screen text is present in this beat.
2 people observed.
1:03:40Model synopsis: A man in dark clothing runs up stone steps in a dimly lit, overgrown outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
1:03:42Model synopsis: A man in formal attire stands in a dimly lit, textured setting. No dialogue or action is recorded in this beat.
1 person observed.
1:03:44Model synopsis: A man in a dark suit stands on stone steps in a dimly lit, overgrown outdoor setting. The scene is static and shows no movement or dialogue.
1 person observed.
1:03:45Model synopsis: A single frame shows a diffuse, bright white cloud or mist against a dark background. No people, objects, or text are visible, and no events are described in the transcript for this beat.
1:03:46Model synopsis: A single frame shows a dark, smoky scene with no clearly identifiable people or objects. The setting is indistinct and no time of day or period is established.
Model synopsis: Two figures are shown in a dim interior, followed by a shot of a tree and then a rocky cliff face. The transcript contains only the spoken line "Come on."
2 people observed.
“Come on.” 63:47
1:04:18Model synopsis: A figure is partially visible in a swirling, cloudy mass. No dialogue or identifiable setting is present in this beat.
1 person observed.
1:04:19Model synopsis: A figure in white descends stone steps under an archway while two other figures stand below. The setting is dark and appears to be outdoors at night.
3 people observed.
1:04:21Model synopsis: A dark, rocky interior space is shown with no visible people or movement. The scene is lit with high-contrast shadows and appears to be a cave or ruin.
1:04:24Model synopsis: A man and a woman stand at the base of stone steps leading to an arched entrance in a rocky, overgrown setting. The scene is lit dramatically, with heavy shadows and a cloudy sky visible in the background.
2 people observed.
1:04:32Model synopsis: A man and a woman stand close together in a dimly lit, indistinct interior. The man speaks the line 'Oh, my darling' at 64:34.
2 people observed.
“Oh, my darling.” 64:34
1:04:47Model synopsis: A man is shown in a close-up, looking directly at the camera with a serious expression. The transcript contains only the word 'I do.' spoken at 64:51.
1 person observed.
“I do.” 64:51
1:05:07Model synopsis: A single frame at 3907s shows a black screen. The transcript contains a spoken line asking for a match. No people, objects, or place are visible or established.
1 person observed.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 305 segments kept, 406 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1932 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
The Most Dangerous Game 
Mr. Robinson Crusoe 
Bird of Paradise 
Scrooge 
Captain Kidd 
Abilene Town