Public Reel

White Zombie · Beat 148 · permalink

Private office

40:29–41:02 Registered 1932

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 40:3240:32Frame at 40:4240:42Frame at 40:5540:55

Play from 40:29 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 88 · shots 253–255. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:2
People
  • man with curly hair, wearing a dark suit and white shirt visible, audible
  • man in formal attire, possibly a tuxedo, standing near a table visible
  • Mr. Brown (named at t:40:38): bald man in a dark suit and bow tie visible
Also said
“Bring wine.” 40:52 · “We have a coast to bring.” 40:54
Seen
stone staircase, candelabra, table with glassware, arched stone doorway
Interpretation
Model opinion, not evidence: mood: tense and theatrical; themes: power dynamics, ritualistic dialogue, formal social setting; style notes: high-contrast lighting, static framing, gothic architecture, formal costumes

A man in formal attire speaks in a stone-walled room with a staircase; another man in a tuxedo stands near a table. Dialogue mentions dinner, wine, and a coast, with one speaker addressing 'Mr. Brown'.

“It is a pity to destroy it, but to love it, Mr. Brown.” 40:38 · “Let's bring to the future.” 40:44 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from White Zombie (1932) at 40:32 (passage 40:29–41:02); US record: No renewal found

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