Captain Kidd (1945)

Model synopsis: The beat shows end credits over a static frame, listing production roles and names. A voiceover describes Madagascar as a historic pirate stronghold.

“Madagascar. For centuries, the bloodiest cockpit of all the seas. Where the infamous Brotherhood of the Damned waited to plunder the trea…” 1:02

Evidence, details and a link to share

Model synopsis: A naval battle unfolds on water, showing ships firing cannons and one vessel ablaze. The transcript describes Captain Kidd attacking the Twelve Apostles, reducing it to a burning wreck by nightfall in a Madagascar lagoon.

• Cannons fire from a ship, producing smoke. [frame:2]
• A ship is shown damaged and listing. [frame:3]
• The Twelve Apostles is ablaze. [frame:4]

Named: Captain William Kidd (t:1:32), Admiral Lord Blaine (t:1:32). 2 people observed.

“of all was Captain William Kidd. He encountered the great London Galleon, the Twelve Apostles, commanded by Admiral Lord Blaine, and approac…” 1:32 · “By a sudden, treacherous salvo, he reduced her to a burning hulk.” 1:44

Evidence, details and a link to share

Model synopsis: A group of men on a ship at night watch an explosion in the distance; one man speaks about the fire reaching a magazine and the inevitability of death. The scene is lit by firelight and features a dark sky with clouds.

• An explosion erupts in the distance, illuminating figures on a ship. [frame:1]
• Men on deck watch the fire; one smokes a pipe. [frame:2]
• A group of men sit together under a dark, cloudy sky; one stands to the left. [frame:3]

Named: Mr. Boyle (t:1:57). 6 people observed.

“that me there's a pretty sight we produce do when the fire reaches the magazine” 1:57 · “capital really long lots of stout semen among them they've been with us a long time” 1:57

Evidence, details and a link to share

Model synopsis: Men are digging a grave at night; one man is lowered into it while others watch. A captain gives orders and is addressed as such.

• A man is lowered into a grave. [frame:1]

Named: Captain (t:3:27). 6 people observed.

“There. And dig fast. If the tide catches there, it'll save the King's hangman some rough.” 2:57 · “There you are. Deep enough to bury a man in. Give us a hand, man.” 3:21

Evidence, details and a link to share

Model synopsis: A group of men confront a captain in a dimly lit, rocky interior, demanding to open a chest that has been in his cabin. The captain is shown in close-up, reacting to their demand.

• A group of men stand in a rocky interior, confronting the captain. [frame:1]
• The man in the bandana and the captain face each other in a tense conversation. [frame:2]
• The captain is shown in close-up, reacting to the demand to open the chest. [frame:3]

4 people observed.

“What are you waiting for?” 3:37 · “Well, Captain, that chest's been in your cabin a longish time.” 3:37

Evidence, details and a link to share

Model synopsis: A man in a tricorne hat speaks to two others in a rocky setting, referencing past plundered items. Another man in a bandana reacts, and a third man in a hat sits alone on a rock.

• The man in the tricorne hat gestures while speaking to the man in the bandana. [frame:2]
• The man in the dark shirt looks upward with a serious expression. [frame:3]
• The man in the tricorne hat sits alone on a rock, looking off-camera. [frame:4]

4 people observed.

“I remember an emerald necklace that came off that porticase ship, El Vengar. And all those pearls that we took from the big ship, the Virgi…” 3:51 · “I remember a diamond medaglia we got from that Moorish canyon off Madagascar.” 3:51

Evidence, details and a link to share

Model synopsis: A dimly lit, rocky interior space is shown with two figures standing near a crate. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows three figures gathered around a central dark shape; one wears a head covering and leans forward. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a metallic coat of arms above a pile of ornate jewelry. No people, dialogue, or movement are visible in this beat.

Evidence, details and a link to share

Model synopsis: Three men are gathered around a wooden box in a stone-walled room; one man in a hat speaks while another leans over the box. The transcript includes commands about gallows, meat, and lowering something.

• A man leans over a wooden box while another man stands nearby holding an object. [frame:1]

3 people observed.

“Satisfied? Gallows? Meat? Put them back. Come on.” 4:33 · “Lower away.” 4:39

Evidence, details and a link to share

Model synopsis: Three men are in a rocky, dimly lit space; one kneels in a pit while another gestures. A voice asks what is wanted now, noting only half an hour remains before the tide traps them.

• A man gestures while speaking to another who is crouching. [frame:1]
• A man kneels in a pit, facing away from the camera. [frame:1]

3 people observed.

“What's the matter? Wait a minute, Captain. There's something else you've forgotten. What do you want now? We've got but half an hour before …” 5:10

Evidence, details and a link to share

Model synopsis: Two men in period pirate-style clothing stand in a rocky, dimly lit interior; one gestures with a knife while speaking. The transcript indicates a tense negotiation over shares and a key, with threats of violence if questioned further.

• p2 gestures with a knife while speaking [frame:3]
• p1 and p3 stand facing p2 [frame:1]

3 people observed.

“We're all equal in this, I take it.” 5:19 · “A cool shares, yes. Well, that key, then, what you put back in your belt.” 5:20

Evidence, details and a link to share

Model synopsis: A man in period costume holds a pistol in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• A man holds a pistol pointed forward. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men stand in a smoky, dimly lit interior. One is shirtless with a bandana; the other wears a dark coat and has a beard.

2 people observed.

Evidence, details and a link to share

Model synopsis: Three men are present in a dimly lit, rocky interior space; one stands holding a sword, another crouches, and a third stands behind holding a shovel. No dialogue or on-screen text is visible in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark hat and period costume is shown in a close-up. No dialogue or action is visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men stand in a dim, rocky outdoor setting; one holds a rifle. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of men stand in a dimly lit cave-like setting; one speaks about not leaving a dead comrade without a ritual. No names are spoken, and no objects or time indicators are visible.

3 people observed.

“Come on.” 5:51 · “I'll see you next time.” 5:54

Evidence, details and a link to share

Model synopsis: Four men stand in a dimly lit, rocky setting as a voice recites a condemnation over a grave, followed by a command to leave. The scene ends with the group preparing to depart.

• Four men stand together in a cave-like setting. [frame:1]

5 people observed.

“Here lieth one who through treachery,” 6:13 · “would have placed in jeopardy the lives of honest men.” 6:18

Evidence, details and a link to share

Model synopsis: Two men are in a room with a fireplace and a table; one sits while the other stands near a window. Dialogue suggests a discussion about social class and personal improvement, with one man requesting help from the other.

2 people observed.

“The gentleman's a gentleman, he's a gentleman. That's all there is to it, sir.” 6:58 · “I'm one of nature's gentlemen, but I need polish, my good men.” 7:02

Evidence, details and a link to share

Model synopsis: Two men in period attire are shown in an interior setting; one speaks about wages and social standing while the other listens. The dialogue references payment of a hundred quid a year and social ruin from minor behaviors.

2 people observed.

“The gentleman never sucks his teeth, sir.” 7:20 · “You seem to know your business.” 7:25

Evidence, details and a link to share

Model synopsis: Two men in period costume converse in an interior setting; one seated, one standing. The dialogue references ships, adventure, and continental travel.

• A seated man speaks while gesturing with his hands. [frame:1]
• A standing man listens, then speaks. [frame:2]
• The seated man continues speaking, hands clasped. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Don't say so. Merely an idiosyncrasy of good breeding, sir.” 7:38 · “You realize I've never been on board a ship before, sir.” 7:47

Evidence, details and a link to share

Model synopsis: A document is shown ordering Captain Kidd to meet at Hampton Court, followed by a scene with three men in period dress in a formal room, one seated and two standing. A close-up shows one man smiling. The transcript includes dialogue about a bargain and a proposal involving Captain Kidd and Lord Falsworth.

• A document is shown ordering Captain Kidd to attend at Hampton Court on November 13. [frame:1]
• Three men in period dress are present in a formal room; one is seated, two are standing. [frame:2]
• A close-up shows one man smiling. [frame:3]

3 people observed.

“It should be quite educational, son. Yes.” 8:00 · “Is it a bargain then?” 8:04

Evidence, details and a link to share

Model synopsis: A man in period costume gestures toward a seated figure in a richly decorated room while dialogue refers to 'Captain Pid' and 'Captain William Gates.' The scene is set in an ornate interior with a large chandelier and a table holding objects.

• A man in costume gestures toward a seated figure in a decorated room. [frame:1]

Named: Captain Pid (t:9:22), Captain William Gates (t:9:30). 4 people observed.

“May I please your majesty? Yes.” 9:14 · “That needs a bold and adventurous man.” 9:18

Evidence, details and a link to share

Model synopsis: A man bows deeply at a table while another man in formal attire stands behind him in a richly decorated room. The transcript includes a salutation to 'Your Royal Majesty' and a reference to 'The Noble Road.'

• A man bows deeply at a table. [frame:1]

2 people observed.

“Your Royal Majesty.” 9:41 · “The Noble Road.” 9:44

Evidence, details and a link to share

Model synopsis: A man in 18th-century attire speaks while two other men in period costume are visible in the same room. The dialogue references a character named Belmont and describes a shipmaster's involvement with pirates.

• A man in a wig and glasses looks directly at the camera. [frame:1]
• A man with curly hair and an ornate coat appears surprised. [frame:2]
• A man in a dark coat gestures while speaking, with another man visible behind him. [frame:3]

3 people observed.

“Belmont.” 9:48 · “Is this your roaring killer of Spanish buccaneers? Me, my lad.” 9:49

Evidence, details and a link to share

Model synopsis: A man in ornate 17th-century attire sits in a throne-like chair while others stand around him in a richly decorated room; dialogue references Madagascar waters, an admiral named Lord Blaine, and fear of traitors. The setting appears to be a formal court or palace interior.

Named: Your Grace (t:10:06), Lord Blaine (t:10:22). 4 people observed.

“In Madagascar waters? I have never been in Madagascar waters, Your Grace. It was off the southern tip of Africa where I had gone to trade …” 10:06 · “Who commanded her?” 10:17

Evidence, details and a link to share

Model synopsis: A man in period costume speaks to a seated figure in an ornate room, asking about rewards and the status of Lord Blaine's lands. The seated figure, wearing a wig and formal attire, listens and responds affirmatively.

Named: your majesty (t:10:38). 4 people observed.

“And if you are successful in this voyage, Captain...” 10:33 · “may it please your majesty having forfeited me honor in that i was forced to strike me colors to a pirate” 10:38

Evidence, details and a link to share

Model synopsis: A man in period costume speaks while holding a hat; another man stands in the background. The speaker references a 'renegade nobleman' and asks to be honored with land and a castle.

• A man holds a hat while speaking; another man stands behind him. [frame:1]

2 people observed.

“All I ask is that if I lay this renegade nobleman by the heels...” 10:58 · “is that you honor” 11:04

Evidence, details and a link to share

Model synopsis: Three men in period costumes are in a richly decorated room; one seated, two standing. A voice refers to 'Captain Kidd' and speaks of a pardon and noble blood.

• Three men are present in a decorated room; one seated, two standing. [frame:1]
• The man on the right holds a hat and looks toward the seated man. [frame:2]
• The seated man looks up and to his right, smiling slightly. [frame:3]

Named: Captain Kidd (t:11:15). 3 people observed.

“Is that all you want?” 11:13 · “Captain Kidd.” 11:15

Evidence, details and a link to share

Model synopsis: Three men in 17th-18th century nobleman costumes are present in a richly decorated room; one seated, two standing. Dialogue references judging by appearance and a captain of the Kingsguard.

3 people observed.

“Aye, sir. You can no more judge of a man by his appearance than you can judge the extent of a nobleman's brains by the expensiveness of his …” 11:27 · “Am I to suppose that the captain of the Kingsguard would deign defense” 11:38

Evidence, details and a link to share

Model synopsis: A group of men in period costumes are gathered in a richly decorated room; one man sits in a chair while others stand around him. A close-up shows a man in a dark coat holding a sword hilt, with another man in a wig standing behind him near a door.

5 people observed.

Evidence, details and a link to share

Model synopsis: A group of six people in 18th-century attire are gathered in a richly decorated room; one man sits in a chair while others stand around him. No dialogue or on-screen text is present in this beat.

6 people observed.

Evidence, details and a link to share

Model synopsis: A man in period costume is shown standing, then lying on the ground, then seated in a chair. Dialogue suggests a confrontation or duel that ends with an apology and a claim of demonstration.

• A man stands with one arm extended. [frame:1]
• The man is shown in a similar pose, smiling. [frame:2]
• The man is lying on the ground, eyes closed. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“Come, Captain.” 11:50 · “Is your courage less than your wit?” 11:51

Evidence, details and a link to share

Model synopsis: A group of people in period costumes are gathered in a room with ornate decor; one man and one woman are shaking hands while others observe. The setting appears to be an interior space with furniture and wall decorations visible.

6 people observed.

Evidence, details and a link to share

Model synopsis: A man in 18th-century court attire speaks while seated in an ornate room; another man in clerical robes stands nearby. The dialogue confirms approval of a chosen captain.

2 people observed.

“Your Majesty is satisfied with the captain of our choosing?” 12:21 · “I can think of none better.” 12:25

Evidence, details and a link to share

Model synopsis: A man in period costume speaks about a mission to escort a merchant ship past pirate waters. Another man in similar attire is visible in the background during the same scene.

• A man in ornate costume is seated in a decorated room. [frame:1]
• A standing man in dark coat speaks while another man is visible behind him. [frame:2]

3 people observed.

“And now, Captain.” 12:31 · “The main mission of your cruise will be to meet a great ship.” 12:33

Evidence, details and a link to share

Model synopsis: A man in period costume speaks to a seated group in a richly decorated room; another man in dark robes reacts with a serious expression. The transcript includes dialogue about letters of mark, protection, and crew, suggesting a formal negotiation or command.

• A man in formal attire addresses a seated group in a decorated room. [frame:1]
• A man in dark robes looks forward with a serious expression. [frame:2]

6 people observed.

“But your majesty, will her commander accept me letter of mark as sufficient authority to... You shall have a letter to our ambassador, Lord …” 12:47 · “But he is to accept your protection.” 12:56

Evidence, details and a link to share

Model synopsis: A man in 18th-century attire speaks about recruiting condemned pirates for a voyage, promising them a royal pardon. Another man, also in period costume, listens and responds affirmatively to the plan.

3 people observed.

“Captain Kidd wishes to recruit a crew from the Pirates” 13:12 · “There's none would be so loyal.” 13:25

Evidence, details and a link to share

Model synopsis: A man in dark formal attire speaks to a seated figure in a richly decorated room while others observe; he bows and departs. The transcript includes a farewell and a self-deprecating remark.

• The man bows deeply before the seated figure. [frame:2]
• The man stands upright again, appearing to conclude his speech. [frame:3]

4 people observed.

“Between their conduct and mine, Your Majesty.” 13:43 · “There will be little to choose.” 13:45

Evidence, details and a link to share

Model synopsis: A single frame shows a view through heavy bars at a dimly lit, multi-level stone interior. No people, objects, or text are clearly visible, and no events occur in the supplied frame.

Evidence, details and a link to share

Model synopsis: Two men in a crowded jail cell argue over the quality of their food rations while other inmates look on. One man, identified as Mercy, complains about the meal, prompting another inmate to challenge him to smell it.

• Mercy and another man stand facing each other, holding bowls, surrounded by other inmates. [frame:1]
• Mercy looks upward while the man beside him speaks to him. [frame:2]
• Mercy holds his bowl and looks forward as the man beside him gestures with his own bowl. [frame:3]
• 1 more under Evidence and details.

Named: Mercy (t:14:56). 4 people observed.

“I'd rather eat the billed scum from an African slaver. Madam, don't let that temper get you the mash again. If I must hang, I'll hang. But I…” 14:27 · “Making trouble again, eh, Mercy? I'm asking only what the man's legally entitled to.” 14:56

Evidence, details and a link to share

Model synopsis: A group of men in period clothing are gathered around a barred window or gate; one figure is visible behind the bars. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Three men are shown in a stone-walled interior, one with a bandana and another in a tricorn hat, appearing to confront or restrain a central figure. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in period costume stands on a wooden structure resembling a ship's deck, with other figures visible behind him. The scene is shot in black and white with high-contrast lighting, suggesting a studio set.

3 people observed.

Evidence, details and a link to share

Model synopsis: Three men are shown in a dim interior, one restrained by two others; a separate shot shows two figures at a wooden railing. Dialogue references a governor, a kingdom, and a man taken by a frigate named Wasp who is kept in chains for escaping.

• A man is restrained by two others in a dim interior. [frame:1]
• Two men stand at a wooden railing, one speaking to the other. [frame:2]

5 people observed.

“Hey, your governor!” 15:21 · “What sort of a kingdom is this?” 15:22

Evidence, details and a link to share

Model synopsis: A man in period costume speaks on a wooden balcony while others stand nearby; dialogue references officers and Spanish blood. The setting appears to be an outdoor wooden structure, possibly a ship or fort, with no clear time of day established.

• A man in a hat speaks on a balcony. [frame:1]
• Several men stand on a wooden balcony. [frame:2]

4 people observed.

“He's got a lacing of tiger's blood in him.” 15:37 · “There's not exactly a flower garden, is there?” 15:44

Evidence, details and a link to share

Model synopsis: Two men in period attire speak to a group of men in a dimly lit interior; one man threatens the group with punishment if they speak. The transcript includes dialogue about being recognized and a demand for silence.

• Two men are shown in close-up, one stern, one smiling. [frame:1]
• Two men stand behind a wooden railing, looking down. [frame:2]
• A group of men in rough clothing look up, some with serious expressions. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Do you think that he's anyone down there knows us?” 16:00 · “I hope not. Governor, would you be good enough to tell them what we're here for?” 16:03

Evidence, details and a link to share

Model synopsis: Two men in period costume speak to a large group of men in a stone-walled interior; one speaker mentions a ship named Adventure Gary and refers to himself as a commissioned sailor. The group of men reacts with visible attention and some movement.

• Two men stand facing each other across a wooden barrier. [frame:1]
• A large group of men stands in a stone-walled room, looking toward the speaker. [frame:2]
• The group of men shifts slightly, some turning heads or adjusting stance. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Governor...” 16:28 · “Now then, me bullies...” 16:34

Evidence, details and a link to share

Model synopsis: A man in a wide-brimmed hat speaks about a royal pardon and Madagascar; another man in chains is identified as knowing the waters; a third man in formal attire orders him unlocked. The scene takes place indoors with wooden walls visible.

• A chained man raises his hand and says he knows the waters. [frame:3]

Named: governor (t:17:12). 3 people observed.

“And for those who show a loyal and a stout heart,” 16:57 · “There's a royal pardon in the offing.” 17:01

Evidence, details and a link to share

Model synopsis: A man in period costume addresses a group, demanding men with 'iron in their blood' while another man, called 'Governor,' is instructed to lower ropes. The scene takes place on a wooden platform with several men in 17th-century attire present.

• A man gestures while speaking to a group. [frame:1]
• A man in a wide-brimmed hat shouts an order. [frame:2]
• Four men stand on a wooden platform, one holding a rope. [frame:3]

Named: Governor (t:17:30). 5 people observed.

“I want men with iron in their blood” 17:23 · “and stealing their sinews.” 17:25

Evidence, details and a link to share

Model synopsis: A crowded, dimly lit interior space with people seated on tiered benches, viewed through a railing. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A group of men in period clothing stand on a ship's deck as ropes and a cannon are visible; one man speaks a line about preparing for something. The scene is shot in black and white with no visible modern elements.

• Men are standing on a ship's deck with ropes and a cannon visible. [frame:1]

2 people observed.

“Here they come. Make ready, lads.” 17:52

Evidence, details and a link to share

Model synopsis: A stone-walled outdoor area with several people in period costumes, some seated and others standing or moving on steps. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A group of men in period costume are gathered on a wooden deck, some standing and one bent over a barrel. One man gestures while speaking, and another responds affirmatively. The setting appears to be a ship or dockside area with water and distant structures visible.

• A man gestures while speaking to others on deck. [frame:1]
• One man is bent over a barrel. [frame:1]
• A man gestures with his right hand while speaking. [frame:2]

5 people observed.

“Another one now.” 18:05 · “Excellent.” 18:14

Evidence, details and a link to share

Model synopsis: A close-up shows hands manipulating a chain attached to a wooden block on a sandy surface, with legs of people in period costume visible. No names or dialogue are provided in this beat.

• Hands manipulate a chain attached to a wooden block on a sandy surface. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cap and overalls stands near seated figures on a ship deck; one seated figure holds a rifle. A voice says 'Excellent. Come on.'

4 people observed.

“Excellent. Come on.” 18:28

Evidence, details and a link to share

Model synopsis: A man in period costume stands at a table on a ship while others, including a captain, observe. A sailor addresses the captain as 'sir' after being corrected, and another man asks for location confirmation.

Named: Dame Adam (t:18:55). 5 people observed.

“He's a shaft, though. He's a shaft. Regardless of the fact that I'm your captain, you will always address a gentleman as sirs. Come. Aye, si…” 18:35 · “On board.” 18:53

Evidence, details and a link to share

Model synopsis: A man with a beard speaks while seated at a table; two other men stand behind him in period attire. The transcript includes dialogue about mercy and a past role as master gunner to Captain Avery.

• A bearded man sits at a table writing or signing a document. [frame:1]
• The bearded man looks up and speaks. [frame:2]
• The bearded man continues speaking while the two men behind him remain standing. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Mercy, that's a comical handle for a blade of fortune. Mercy.” 19:01 · “It's also something the world needs more of. Fire and death of philosopher, you speak culture. Were you by any chance stable boy to a nobl…” 19:05

Evidence, details and a link to share

Model synopsis: Three men in period naval attire are shown on a ship deck; one seated man speaks while two others stand. A bearded man is shown in close-up, with other crew visible in the background.

• A bearded man is shown in close-up, with crew visible behind him. [frame:2]

Named: Avery (t:19:21). 4 people observed.

“Avery's master gunner.” 19:21 · “We've need of a master gunner, Mr. Boyle, and from what I've heard, Avery was a shrewd hand at picking them.” 19:26

Evidence, details and a link to share

Model synopsis: A man signs a document at a table while others watch; a name is spoken and confirmed. The setting appears to be aboard a ship with period clothing and a waterfront visible in the background.

• A man signs a document at a table. [frame:1]
• The man at the table holds a quill pen over the document. [frame:3]

Named: Bartholomew Blivens (t:19:50). 5 people observed.

“Make your mark.” 19:44 · “And you can write.” 19:49

Evidence, details and a link to share

Model synopsis: A man in a cloak stands at a table on a ship deck with others nearby; the background shows water and distant structures. No dialogue is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cloak sits at a table while two others stand behind him; another man is seen on a ship's deck. A voice warns to watch someone, and a man is called to come below.

4 people observed.

“There's no mask for a treacherous heart like an honest face. You keep an eye on him.” 20:17 · “Come below.” 20:25

Evidence, details and a link to share

Model synopsis: A man in a cloak walks across a ship deck while another man is attended to at a table; dialogue indicates a compliment is being given and acknowledged. The setting is a ship interior or deck with crew and passengers visible.

• A man in a cloak walks across a ship deck. [frame:3]
• A man touches another man's shoulder while seated at a table. [frame:2]

6 people observed.

“- Thanks, man. That's all, sir. Our compliment's full.” 21:04 · “- Is it?” 21:04

Evidence, details and a link to share

Model synopsis: Two men face each other outdoors near a wooden building; one speaks, believing the other was dead. The scene is lit by studio lighting and shot in black and white.

• A man in a hat speaks to another man outdoors. [frame:1]

2 people observed.

“Oh, man.” 21:12 · “I thought you... Yes, you thought I was dead.” 21:14

Evidence, details and a link to share

Model synopsis: Two men in period outerwear stand near a table outdoors; one leans over the table while another sits behind it. The setting is not clearly identifiable beyond being outdoors near a wooden structure.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in period costume confront each other on a wooden deck; one accuses the other of abandoning him at Hamer Reef. The confrontation ends with a threat that the voyage is over.

Named: Mr. Povey (t:21:31). 2 people observed.

“I can hardly believe my eyes. You mean you don't want to believe? Come, come, Mr. Povey. Is that kind or is that fair?” 21:31 · “As fair as what you did that day you abandoned me under the Hamer Reef.” 21:31

Evidence, details and a link to share

Model synopsis: A man in a cloak and hat addresses others on a ship's deck, assigning duties and summoning someone to his cabin. The scene includes several men in period attire and a table with papers.

• A man in a cloak addresses others on deck. [frame:1]

Named: Mr. Boyle (t:21:54), Mr. Lorenzo (t:21:54). 4 people observed.

“Now, now, now, now, Povey. Mr. Boyle, would you take over, please? Mr. Lorenzo, take the deck watch. Come to my cabin.” 21:54

Evidence, details and a link to share

Model synopsis: Two people stand indoors near a pillar; one wipes their face with a cloth. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person stands on the deck of a ship near a railing and rigging. No dialogue or named characters are present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men argue in a dimly lit interior; one accuses the other of marooning him to reduce the share of treasure. The standing man, wearing a hat and coat, is addressed as 'Captain' and 'Mr. Povey' in dialogue.

• Mr. Bowman sits and gestures while speaking to Mr. Povey, who stands facing him. [frame:1]

Named: Mr. Bowman (t:22:38), Mr. Povey (t:22:58). 2 people observed.

“My heart bleeds when I think of one of your delicate constitution having to fend for yourself on a coral reef, Mr. Bowman. Come on, sir, Ca…” 22:38 · “I know why you marooned me.” 22:51

Evidence, details and a link to share

Model synopsis: Two men are shown in conversation in an interior setting; one speaks about peace and sinful spending. The transcript includes a name, 'Boylan Lorenzo Del Clodds', and a line about being 'two'.

• Two men are seated at a table, engaged in conversation. [frame:2]

Named: Boylan Lorenzo Del Clodds (t:23:22). 2 people observed.

“Now that we are a fort again, what then?” 23:13 · “We're two.” 23:20

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior, speaking about ambition and violence. One man, with a beard, states he is not violent but will remove obstacles; the other, wrapped in a shawl, declares he will become a lord.

Named: Mr. Povey (t:23:40). 2 people observed.

“I'm not a violent man, Mr. Povey. I detest violence. People have such an awkward habit of getting in my way.” 23:40 · “An ambitious man, if he be bold enough, can carve himself a...” 23:52

Evidence, details and a link to share

Model synopsis: Two men are seated at a table in an interior room, engaged in a conversation. One man, wearing a knitted shawl, speaks while the other, in dark clothing, listens and responds; a name, Mr. Palvin, is spoken during the exchange.

• A man in a knitted shawl speaks to another man seated across a table. [frame:1]
• The man in the shawl is shown in close-up, speaking with an expressive face. [frame:2]
• The two men continue their conversation at the table. [frame:3]

Named: Mr. Palvin (t:24:23). 2 people observed.

“And that for a commoner like myself takes a deal of money.” 24:01 · “Oh, I'm glad you're back again, Mr. Palvin.” 24:23

Flagged: quote not verbatim (Oh, I'm glad you're back again, Mr. Palvin.)

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior; one speaks of leaving a sealed letter with a trusted friend in London to be opened only if he does not return. The other responds with agreement and wishes him a happy voyage.

• The two men face each other in conversation. [frame:1]

2 people observed.

“I have left with a trusted friend in London, a sealed letter containing an exact and complete account of certain previous happenings.” 24:38 · “You should happen to return to England without me.” 24:50

Evidence, details and a link to share

Model synopsis: A man in a cloak sits at a table while another man in a hat stands nearby in a dimly lit interior. One man speaks about looking up his quarters.

2 people observed.

“Oh.” 25:15 · “I look up me quarters.” 25:16

Evidence, details and a link to share

Model synopsis: A man in a shawl is shown in close-up, then seen from behind walking away in a dimly lit room with furniture. The transcript contains fragmented speech: 'I' and 'Come on.'

• A man in a shawl looks toward the camera. [frame:1]
• The man turns and walks away from the camera toward a door. [frame:2]

1 person observed.

“I” 25:30 · “Come on.” 25:35

Evidence, details and a link to share

Model synopsis: A person in period costume stands with their back to the camera in a dimly lit interior room with wooden furniture. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a hand turning a ship's wheel in a dark interior. No dialogue or other context is provided in this beat.

• a hand turns a ship's wheel [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a long skirt and blouse is seen from behind, leaning over a desk in an interior room with wooden furniture and a fan. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in heavy clothing sits at a desk in a dimly lit interior, looking down at papers. He is audible saying 'Come on.'

• A man sits at a desk and looks at papers. [frame:1]

1 person observed.

“Come on.” 26:03

Evidence, details and a link to share

Model synopsis: A map showing Europe, Africa, and the North Atlantic is visible. No people, objects, or events beyond the map are shown or mentioned in the transcript.

“*Humming*” 26:29

Evidence, details and a link to share

Model synopsis: A man in period costume speaks aboard a ship at night. The transcript indicates they are sailing from Madagascar waters to resume a search.

• A large sailing ship is visible at night, its masts and rigging silhouetted against a dark sky. [frame:1]
• A man in 17th-century attire is shown in close-up, speaking. [frame:2]

1 person observed.

“We are two of the luckiest men alive. Just think. We're sailing from Madagascar waters. We'll pick up the search where we left off.” 26:41

Evidence, details and a link to share

Model synopsis: Two men in period costume converse in an interior setting; one identifies himself as a 'gentleman's gentleman' and offers to show the other to his place. The dialogue references sea life, minuets, and social rank.

Named: Shadwell (t:27:12). 2 people observed.

“Every officer on board has a servant. I'll request the captain to assign you to me, then we can be together.” 26:51 · “Now if my lady will join me in a minuet. My lady sir, not my lady. Blast me Shadwell.” 27:12

Evidence, details and a link to share

Model synopsis: A group of men in 17th-century naval attire are seated around a table in a ship's cabin; one man speaks about manners and starvation while others listen or eat. The scene is lit by a hanging lantern and features period costumes and a formal table setting.

• Men are seated around a table in a ship's cabin, eating and drinking. [frame:1]
• Mr. Boyle looks upward while holding a glass, listening. [frame:2]

Named: Mr. Boyle (t:28:07). 5 people observed.

“Captain, what's all this mommery? You can forget your bilge-water manners for the time, Mr. Boyle. You are now officers on a king's ship. …” 28:07

Evidence, details and a link to share

Model synopsis: A man in ornate 18th-century naval attire sits at a table while two other men stand behind him; one of the standing men speaks about officers rising for a captain. No names are spoken that identify any person in the scene.

• A man in ornate naval attire sits at a table while two men stand behind him. [frame:1]

3 people observed.

“I'm going to take a time to do this.” 28:19 · “I know, I know.” 28:24

Evidence, details and a link to share

Model synopsis: A group of men in period attire gather around a table in an interior setting; one man gestures while another speaks, prompting others to sit. No names are spoken, and the scene appears to be a formal meeting or negotiation.

• A man gestures toward a table while others stand around it. [frame:1]

5 people observed.

“Come on.” 28:40 · “That's better.” 28:43

Evidence, details and a link to share

Model synopsis: A man in ornate 17th-century attire sits at a table holding a goblet while another man in a dark robe stands behind him; a third person is partially visible to the left. The transcript includes an exclamation and a rhetorical question suggesting surprise at the scene.

• A man seated at a table holds a goblet while another man stands behind him. [frame:1]
• A third person is partially visible holding a silver vessel. [frame:1]

3 people observed.

“Oh.” 28:52 · “Well, well, well, what have we here?” 28:54

Evidence, details and a link to share

Model synopsis: A man in 18th-century costume sits at a table with a silver goblet visible; another person leans over him. The transcript contains two short lines spoken during this beat.

• A man in period costume sits at a table while another leans over him. [frame:1]

2 people observed.

“I don't know.” 29:05 · “Of course, but don't press me.” 29:07

Evidence, details and a link to share

Model synopsis: A group of men in period attire sit around a table in a dimly lit interior space. One man gestures while others look on, with a lantern hanging above.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in period attire holds a bowl to his face while another person's hands are visible nearby. The transcript contains brief spoken lines but no named individuals or clear events.

• A man holds a bowl to his face. [frame:1]

2 people observed.

“Oh, dear.” 29:21 · “I know.” 29:24

Evidence, details and a link to share

Model synopsis: A group of men in 18th-century attire are seated around a table in a ship's cabin; one man speaks to another, asking him to tell something about himself. The setting includes period costumes and a formally set table, with one man holding a glass.

Named: Mr. Mercy (t:29:42). 4 people observed.

“Come, Mr. Mercy.” 29:42 · “Tell us something about yourself.” 29:44

Evidence, details and a link to share

Model synopsis: A man in period attire speaks at a table while another listens; dialogue reveals a confession of guilt related to piracy. The setting appears to be an interior room with formal decor.

2 people observed.

“You already know what I was of consequence.” 29:47 · “While under Avery, I was taken by King's ship and brought to London.” 29:51

Evidence, details and a link to share

Model synopsis: Two men in period attire converse in an interior setting; one is addressed as 'Mr. Mercy' and references being in Newgate's condemned hold. The dialogue suggests themes of adventure, disillusionment, and impending fate.

Named: Mr. Mercy (t:30:22). 2 people observed.

“Call it love of adventure?” 30:06 · “Crossed in love, a scandal, perhaps a mixing of all three.” 30:09

Evidence, details and a link to share

Model synopsis: A group of people are seated around a table in a dimly lit interior space; one person speaks about keeping another from dinner. The scene is static, captured in a single shot.

6 people observed.

“But I'm keeping you from your dinner.” 30:28 · “Oh” 30:33

Evidence, details and a link to share

Model synopsis: A man in a dark coat with a white cravat sits at a table, smiling slightly. The setting appears to be an interior room with draped curtains and a glass on the table.

1 person observed.

Evidence, details and a link to share

Model synopsis: Four men in period formalwear sit around a table in a dimly lit room with heavy drapes; one stands to propose a toast. The transcript indicates the toast is to the king and that Mr. Mercy, the youngest present, has the privilege of proposing it.

• Four men sit around a table; one stands behind them. [frame:1]
• The standing man addresses the seated men at the table. [frame:2]

Named: Mr. Mercy (t:30:57). 5 people observed.

“And now, gentlemen...” 30:49 · “Toast to the king.” 30:52

Evidence, details and a link to share

Model synopsis: Three men in 18th-century formal attire are in a room with ornate wood paneling; one man, identified as Mr. Mercy, refuses to toast the king. The dialogue indicates a tense confrontation over loyalty and punishment, with a reference to hanging at Whoppies.

• Three men stand in a room; one holds a glass and speaks to another. [frame:1]
• Mr. Mercy is shown seated, listening or responding. [frame:2]
• Mr. Mercy maintains his seated position, expression unchanged. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Mercy (t:31:04). 3 people observed.

“Mr. Mercy, we're waiting.” 31:04 · “Since I've little love for the king, I'll neither propose his health nor drink it.” 31:07

Evidence, details and a link to share

Model synopsis: A man in 18th-century naval officer attire speaks to another man, demanding a toast to the king's health under threat of being sent back to Newgate. The setting appears to be an interior room with heavy drapery and formal decor.

2 people observed.

“I owe my reprieve to you, Captain. So to you, I'll drink in gladly, but not to William.” 31:26 · “You stand up and drink to his majesty's health as a king's officer should or by fire and flame I'll have you shipped back to Newgate on the …” 31:31

Evidence, details and a link to share

Model synopsis: A man in period costume sits holding a glass. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Four men in 18th-century formal attire stand around a table in an interior room; one man speaks while others listen. The transcript includes fragmented lines about 'the king' and a blessing.

• Four men stand around a table in a formal interior setting. [frame:1]
• A man in ornate 18th-century attire looks upward with a serious expression. [frame:2]

4 people observed.

“Just the king” 31:48 · “The thing about life, I'll bless him.” 31:50

Evidence, details and a link to share

Model synopsis: A group of men in 18th-century naval uniforms stand around a table in a dimly lit interior. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal 18th-century attire stands in a doorway, then joins two others at a table in a paneled room; dialogue suggests suspicion of espionage and references a serpent metaphor. No named characters are identified in the dialogue or frames.

• A man stands in a doorway, looking toward the camera. [frame:1]
• Three men are seated at a table; one stands behind them in ornate attire. [frame:2]
• A man in a light coat speaks while seated at a table. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“it's curious do you suppose his majesty put him on board to spy us out we found him chained to a pillar in huget” 32:05 · “It wouldn't be too hard for the king to plant in there.” 32:22

Evidence, details and a link to share

Model synopsis: Two men in period costume converse in an interior setting; one asks the other to investigate a person named Mr. Mercy. The dialogue references courtly status and a voyage, suggesting a narrative set among the elite.

• Two men stand facing each other in conversation. [frame:1]
• The man on the right speaks with an open mouth while the other listens. [frame:2]

Named: Shadwell (t:32:47). 2 people observed.

“You have a range of high-born people and those at the court, Shadwell. Have you ever seen Mr. Mercy before? Not before this voyage, sir.” 32:47 · “He's as high of spirit as a gentleman of quality. I like him. Would you find out who he is, where he comes from? As you wish, sir. Thank…” 32:55

Evidence, details and a link to share

Model synopsis: Two men in 18th-century attire converse aboard a ship at night; one identifies himself as employed by the captain to make him socially acceptable, while the other questions his identity and role. The dialogue suggests suspicion about the man’s true purpose, with references to spying and social status.

• Two men in period clothing stand face-to-face on a ship, engaged in conversation. [frame:1]

2 people observed.

“Excuse me, sir, but you seafaring men always seem to be looking at something that I never can see. We are looking for something just over t…” 33:31 · “The captain employed me to make him socially acceptable, sir.” 33:47

Evidence, details and a link to share

Model synopsis: The frame shows a choppy sea surface with whitecaps, no people or vessels visible. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A close-up of a ship's mast and rigging is shown. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Model synopsis: A group of sailors in striped shirts stands on a ship's deck near a cannon as one man gestures while speaking. The transcript discusses firing a cannon during a ship's roll to hit an enemy.

• A man gestures while speaking to sailors on a ship's deck. [frame:1]

4 people observed.

“It's a matter of judgment. If you fire on the up roll, the shot will go over his yard. But if you wait for the down roll, the enemy is com…” 35:35

Evidence, details and a link to share

Model synopsis: A dark object floats in choppy water under an overcast sky. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A group of men in striped shirts stand on a ship's deck near a cannon; one man is told to finish up. The scene is set on a ship with rigging visible, and the dialogue suggests preparation for an action.

Named: Mr. Mercy (t:35:57). 4 people observed.

“Get ready.” 35:53 · “Finish up, Mr. Mercy.” 35:57

Evidence, details and a link to share

Model synopsis: Two men converse on a ship's deck while others stand nearby; one speaks of naval combat and navigation. The dialogue references specific locations and ship operations, suggesting a maritime command scene.

• Men stand on a ship's deck, conversing; one gestures while speaking. [frame:1]
• The conversation continues; the younger man faces the older one directly. [frame:2]

4 people observed.

“Can you do as well with a 74 throwing grape and canister at you? I've done it, sir.” 36:08 · “reload and secure and pick up your practice on the lobber quarter swivel gun mr mercy you've sailed with Avery you must know these waters if…” 36:15

Evidence, details and a link to share

Model synopsis: Three men stand on a wooden deck; one is addressed as Mr. Boyle. The setting appears to be aboard a ship, with ropes and rigging visible in the background.

• Three men stand on a wooden deck. [frame:1]
• Three men stand near ropes and rigging on a ship. [frame:2]

Named: Mr. Boyle (t:36:40). 3 people observed.

“Poverty Bay. Aye, sir. Thank you, Mr. Mercer. Come along, Mr. Boyle.” 36:40

Evidence, details and a link to share

Model synopsis: Two men face each other on a ship; one tells the other his presence is irksome and orders him below. No names are spoken in this beat to identify either person.

2 people observed.

“Good blundering ass.” 36:51 · “Your presence is becoming increasingly irksome to me. Get you below.” 36:55

Evidence, details and a link to share

Model synopsis: A single frame shows a map of Africa and the South Atlantic with two exclamations in the transcript. No people are visible or named in this beat.

“Oh.” 37:12 · “Oh.” 37:31

Evidence, details and a link to share

Model synopsis: A man in a coat stands while addressing seated men around a table; he requests a chart and discusses buried treasure and a larger prize. The scene is set indoors with nautical maps and a table, and dialogue references Madagascar and Caligas.

• A man in a coat stands and speaks to seated men at a table. [frame:1]

Named: Mr. Boyle (t:37:37). 4 people observed.

“Hand me that chart, Mr. Boyle.” 37:37 · “What about that denaro that we buried in the cave? What good is it there? Let's get it and get it back where we can spend it.” 37:46

Evidence, details and a link to share

Model synopsis: A close-up shows a hand pointing at a map labeled 'Asia' with a ship illustration, while the transcript mentions a galleon sailing from Calicut to England. No people are clearly visible or named, and the setting is not established beyond the map.

• A hand points at a map showing Asia and a ship illustration. [frame:1]

“In June, the great galleon, the Quida merchant.” 38:07 · “sales from Calicut to England. We should meet a...” 38:11

Evidence, details and a link to share

Model synopsis: Four men in period costumes gather around a table with metal cups; one man in ornate clothing speaks while others listen. The transcript mentions treasure and safe passage through pirate waters.

• Four men stand or sit around a table with metal cups. [frame:1]
• The man in ornate clothing speaks while looking to his left. [frame:2]

4 people observed.

“She's stuck from keel to gunnels with treasure to the value of half a million pounds. And we are to give her safe...” 38:19 · “Passage through the pirate” 38:27

Evidence, details and a link to share

Model synopsis: Two men in period costume discuss dividing plunder while seated at a table; a third man joins them. The dialogue suggests a plan to share loot with the king while appearing lawful.

• p1 gestures with his hand while speaking [frame:1]
• p2 speaks with a stern expression [frame:2]
• p3 and p4 lean over the table toward p2 [frame:3]
• 1 more under Evidence and details.

Named: Mr. Povey (t:38:34). 4 people observed.

“By safe passage, you mean where to take her, Captain?” 38:31 · “Now, now, now, don't be greedy, Mr. Povey. I grant that most of what's in it may find its way into our pockets, but let's be fair, the kin…” 38:34

Evidence, details and a link to share

Model synopsis: Four men are in a cabin, one seated at a table speaking while others stand or sit nearby. A man in ornate clothing speaks emphatically about Lord Blaine being dead and his name not to be mentioned.

• A man in ornate clothing speaks emphatically at a table while others listen. [frame:1]

Named: Mr. Covey (t:39:01). 4 people observed.

“Why, you pucks rattled, Bill, and I can be as honest as any man if I have the incentive. Who? Yes.” 38:53 · “We launched Lane.” 38:58

Evidence, details and a link to share

Model synopsis: A man in an ornate coat speaks to three other men in a dimly lit room; one man raises a glass. The transcript includes a toast to a 'Quida merchant' and a blessing in Spanish.

• A man in an ornate coat addresses three other men. [frame:1]
• One man raises a glass in a toast. [frame:1]

Named: Mr. Covey (t:39:01). 4 people observed.

“And if you all enjoy living,” 39:12 · “You will remember that.” 39:14

Evidence, details and a link to share

Model synopsis: A man in period costume examines a detailed model ship in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• man leans over a model ship, examining it closely [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a white shirt and dark trousers stands in profile on a ship deck at night, with a woman in a striped top visible behind him. The setting includes ship rigging and a lantern, suggesting a maritime scene.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing leans over a detailed model ship in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men stand inside a ship’s interior, one in a light shirt and the other in a dark uniform; dialogue indicates they are discussing wind direction and course at night. The setting is dimly lit with visible ship equipment, and the conversation references navigational conditions.

Named: Mr. Mercy (t:40:22). 2 people observed.

“Wind fresh from west-northwest, sir.” 40:19 · “Course, no east by east. Night dark but clear. Very well, Mr. Mercy.” 40:22

Evidence, details and a link to share

Model synopsis: A man in a dark coat is shown with a ship model and later holding a sword inside a dimly lit interior; another man in a striped shirt stands nearby. The transcript includes repeated lines of 'I'm going to go' and an unclear phrase.

• A man looks at a model ship. [frame:1]
• A dark, indistinct ship interior is shown. [frame:2]
• Two men stand in a ship cabin; one wears a striped shirt. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I'm going to go.” 40:33 · “hurry space are faces” 40:39

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a person standing near a doorway and a large framed painting on the wall. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies on the deck of a ship surrounded by crew members; one man in formal attire stands over him while others look on. A voice declares someone dead and vows to hang the responsible party.

• A man is lying motionless on the deck of a ship. [frame:1]
• Crew members gather around the man on the deck. [frame:1]
• A man in formal attire stands over the fallen man. [frame:1]

4 people observed.

“He's dead.” 41:27 · “If I find the man that's responsible for this, I'll hang him. Fish the yard and reset it.” 41:28

Evidence, details and a link to share

Model synopsis: A man in a dark coat is seen at a desk, then a group of sailors gathers around a body on a ship's deck. A speaker mentions tampering with lines and a farewell to a seaman.

• A man in a light shirt stands at a desk with papers and a pen. [frame:1]
• A man in a dark coat sits at a desk writing. [frame:2]
• The man in the dark coat continues writing at the desk. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“What do you suppose happened? Someone's been tampering with these lines.” 41:48 · “Come on.” 41:53

Evidence, details and a link to share

Model synopsis: Four men in period naval attire are shown in close-up shots on a ship deck; a voiceover describes a departed shipmate's generosity and fate. No names are spoken, and no specific location beyond a ship is established.

4 people observed.

“Here was a man's shipmate whose heart the flinty mountains could not match.” 42:26 · “Who always took better than he gave. Whose benevolence was such...” 42:33

Evidence, details and a link to share

Model synopsis: A man in period naval attire speaks solemnly on a ship while crew members stand nearby; a body wrapped in a flag is prepared for burial at sea. The transcript indicates a funeral rite and the appointment of a new master to replace the deceased Mr. Boyle.

• A man speaks solemnly while standing on a ship's deck. [frame:1]
• The man continues speaking as two other men stand behind him. [frame:2]
• A body wrapped in a flag is laid on a plank at the ship's rail, surrounded by crew. [frame:3]

Named: Mr. Mercy (t:42:57), Mr. Boyle (t:42:57). 5 people observed.

“And I esteem it a privilege to commit his body to the deep.” 42:49 · “We shall all mourn him.” 42:54

Evidence, details and a link to share

Model synopsis: A man in period costume stands against a cloudy sky, speaking the line 'As master.' Another voice replies 'Aye, sir.' The setting appears to be outdoors on a ship or deck.

• A man in period costume stands outdoors, speaking. [frame:1]

Named: master (t:43:20). 2 people observed.

“As master.” 43:20 · “Aye, sir.” 43:23

Evidence, details and a link to share

Model synopsis: Two men are on a ship's deck at night; one confronts the other about a coat of arms he claims belongs to a Dorsetshire family. The speaker expresses physical discomfort due to the perceived presumption.

• Two men stand on a ship's deck at night; one holds a cup. [frame:1]

Named: Shadwell (t:43:56). 2 people observed.

“Why, Shadwell.” 43:56 · “Don't tell me after all this time at sea... My inward revolt is not from the movement of the vessel, sir. It's occasioned by a company ide…” 44:00

Evidence, details and a link to share

Model synopsis: Two men are shown in alternating close-ups during a conversation; one wears formal attire with a white cravat, the other a light shirt. The transcript indicates they are discussing the captain inspecting pickled eels with Mr. Lorenzo.

• A man in formal attire speaks while looking off-camera. [frame:1]
• A younger man in a light shirt looks upward while speaking. [frame:2]
• The younger man continues speaking, now looking slightly to his right. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“he copy credited or not sir the Blaincrest you certain perfectly sir pardon me sir I must join the captain is inspecting cast pickled eels …” 44:24

Evidence, details and a link to share

Model synopsis: A man is seen in profile at a desk, handling an object. No names, events, or place details are established beyond the immediate setting.

• A man is seated at a desk, handling an object with both hands. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single shadowy figure is visible near a pillar and a doorway in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark trousers stands indoors, handling a dark garment. The setting includes a window with panes and a piece of furniture, suggesting a room with period decor.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt holds an object while another man in a dark coat and ruffled collar looks on. No location, time, or names are established in this beat.

• A man in a light shirt holds a small object in his hand. [frame:1]
• A man in a dark coat and ruffled collar looks toward the first man. [frame:2]

2 people observed.

“Hmm.” 45:52

Evidence, details and a link to share

Model synopsis: A man in a light shirt stands near a desk while another man in a dark coat enters holding a pistol. The man in the coat is addressed as 'Mr. Mercy' in the dialogue.

• A man in a light shirt stands near a desk, looking down at papers. [frame:1]
• A man in a dark coat enters through a doorway holding a pistol. [frame:2]
• The man in the light shirt turns his head toward the man with the pistol. [frame:3]

Named: Mr. Mercy (t:46:11). 2 people observed.

“What?” 46:07 · “Well, Mr. Mercy.” 46:11

Evidence, details and a link to share

Model synopsis: Two men confront each other in a dimly lit interior; one holds a pistol and invokes royal authority while accusing the other of piracy and murder. The transcript references Boyle's death and the Twelve Apostles.

• A man in a dark coat points a pistol at a seated man. [frame:1]

2 people observed.

“Do your new duties include robbing my desk? Shoot me, Captain, and your head goes with it.” 46:15 · “I'm here by the King's orders. So he did plant you on board.” 46:15

Evidence, details and a link to share

Model synopsis: A man in period clothing speaks while holding a pistol, confronting another seated man. The dialogue references 'the Twelve Apostles' and a ring belonging to 'Blaine', with a threat about returning to London.

• A man in a dark coat holds a pistol and speaks to a seated man. [frame:2]

2 people observed.

“Why the Twelve Apostles, Mr. Mercy?” 46:44 · “As Blaine's ring, his name's on it, and he commanded the Twelve Apostles. That'll make interesting telling in London when we get back, Capta…” 46:49

Evidence, details and a link to share

Model synopsis: Two men are in a tense negotiation inside a dimly lit room; one demands an equal share of buried treasure, threatening hanging if refused. A third man is partially visible in the background during a wider shot.

• A man in a light shirt sits with arms crossed while another man in a dark coat stands and gestures angrily. [frame:1]
• A wider shot reveals a third man standing near a table as the two men continue their confrontation. [frame:2]

3 people observed.

“On the other hand... On the other hand, what? Since a man doesn't exactly grow rich in the king's pay... Oh.” 47:02 · “a crooked rogue. So you have your price. How much? An equal share in what's buried here. Share that with you. I'll be hanged if I do. Y…” 47:11

Evidence, details and a link to share

Model synopsis: Two men are in a tense conversation inside a dimly lit interior space; one man speaks about shared guilt and the risk of hanging if caught, while the other listens. No names are spoken that identify either speaker.

• A man shouts while leaning forward in a dark room. [frame:1]
• A man listens with a calm expression. [frame:2]

2 people observed.

“And if you do share Mr. King's informer, what guarantee is there that you won't still turn evidence from the crown? If I go in with you, I'm…” 47:30 · “caught, we hang together, but I can keep you from being caught. What more could you ask?” 47:41

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior room, one seated and one standing, engaged in a tense conversation. One man, dressed in dark period clothing, speaks to the other, who is in lighter attire, before they shake hands and the second man announces he is leaving.

• Man in dark coat speaks with intense expression. [frame:1]
• Two men face each other in a room with a desk and candle. [frame:2]
• Man in dark coat gestures while speaking. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Mercy (t:47:50). 2 people observed.

“You know, Mr. Mercy, I've wondered sometimes if ever I'd meet a more unscrupulous blackguard than myself. And I have. Well, let's be sensibl…” 47:50 · “You've forgotten something by rain so I have I” 48:11

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, speaking about being caught robbing a desk and lying about being a King's informer. The man is seated, the woman stands facing him; neither is named in the dialogue.

• A man and a woman face each other in a dim cabin aboard a ship. [frame:1]

2 people observed.

“Listen in carefully, because I want you to tell it in London if anything happens to me.” 48:31 · “Kid caught me in his cabin robbing his desk.” 48:36

Evidence, details and a link to share

Model synopsis: Three men are seated around a table in a ship's interior, discussing a man who was not shot and who showed suspicious interest in the Twelve Apostles. One man, Mr. Lorenzo, is addressed; another, Mr. Povey, is warned against impetuous action.

• Three men sit around a table in a ship's cabin discussing a man who was not shot. [frame:1]

Named: Mr. Lorenzo (t:48:48), Mr. Povey (t:48:59). 3 people observed.

“Oh, why didn't you shoot him?” 48:44 · “Then he will give us no more trouble.” 48:46

Evidence, details and a link to share

Model synopsis: A man in period costume speaks while seated at a desk; another man is visible in a close-up. The transcript includes dialogue about leaving someone named Mr. Mercy to the speaker.

2 people observed.

“It would be rather amusing to find out what he does. You rest easy. Leave Mr. Mercy to me.” 49:10

Evidence, details and a link to share

Model synopsis: A hand writes cursive script on a piece of paper. The writing includes phrases such as 'Red Sea' and 'Orange Bay'.

• A hand writes cursive script on paper. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a hand-drawn map of Africa and the Indian Ocean. No people, events, or on-screen text are visible in the frame.

Evidence, details and a link to share

Model synopsis: A ship's mast and rigging are visible in a single frame. No people, dialogue, or on-screen text are present.

Evidence, details and a link to share

Model synopsis: A man on a ship's deck calls for the boatswain and orders a pipe to quarter. Another man in a dark coat walks past him on the deck.

• A man in a light shirt stands on the deck of a ship. [frame:1]
• A view through a circular lens shows a large sailing ship on the water. [frame:2]
• A man in a dark coat walks past the man in the light shirt on the deck. [frame:3]

3 people observed.

“Have the boatswain. Pipe to quarter. Pipe to quarter!” 49:59

Evidence, details and a link to share

Model synopsis: A group of men in striped shirts and light trousers are on the deck of a ship, with one man ascending a staircase toward a higher deck. The setting is clearly a ship, with rigging and masts visible.

• A man walks up a staircase on a ship's deck. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A sailing ship is viewed through a circular frame, likely a telescope, on open water. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: On a ship, men in period naval attire observe another vessel through a telescope and prepare for action. Orders are given to ready the longboat and aim a cannon, while one man comments the observed ship looks more like a merchantman than a pirate.

• Men stand on a ship's deck, one holding a telescope. [frame:1]
• A man in a tricorn hat speaks while others stand nearby. [frame:2]
• A ship is viewed through a telescope. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“The Queen and Merchant, sure enough.” 50:29 · “Can you make a round Captain Rossi?” 50:34

Evidence, details and a link to share

Model synopsis: A man in a dark robe commands crew members on a ship's deck, ordering the longboat prepared and gun crews readied for action. Crewmen in striped shirts and sailors respond to orders while standing on the deck and stairs of the vessel.

• Crew members respond to orders on deck. [frame:2]

Named: Mr. Mercy (t:50:50). 5 people observed.

“Have the longboat ready and man.” 50:50 · “Longboat, stay forward!” 50:50

Evidence, details and a link to share

Model synopsis: On a ship deck, officers and crew prepare for possible conflict as they spot a vessel flying English colors; an order is given to fire a cannon. The scene shows period naval attire and shipboard equipment under daylight conditions.

• Officers and a woman stand on deck observing. [frame:1]
• Crewmen are positioned around a cannon, preparing to fire. [frame:2]

8 people observed.

“She's flying the English colors. Perhaps she's our escort ship. It was about here we were to meet, wasn't it? Well, we'll make dead certa…” 51:13 · “Mr. Hilliard, see that all hands are at the station? Very good, sir. Very good, sir.” 51:24

Evidence, details and a link to share

Model synopsis: A scene on a ship shows three men in period attire; one speaks while another holds a weapon. A wide shot shows a large sailing vessel on open water. The transcript includes a line addressing 'Mr. Mersey' and mentions a 'convert'.

• A man in a striped shirt stands holding a weapon on a ship deck. [frame:1]
• A large sailing ship is shown on open water. [frame:2]
• A man in a dark coat leans forward while another man stands behind him holding a weapon. [frame:3]

Named: Mr. Mersey (t:51:39). 4 people observed.

“Well, first, Mr. Mersey...” 51:39 · “I'm a Sabbath. I've got a convert. Avert is there.” 51:40

Evidence, details and a link to share

Model synopsis: A group of men in striped shirts and breeches are on a wooden ship deck; one stands upright while others bend or kneel. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two men converse on a ship deck; one gives orders about a long boat and officers' attire. Other crew members are visible in the background near a cannon.

4 people observed.

“You will come across with the long boat first.” 51:55 · “convey my compliments to all officers who will dress as befitting a king ship I said” 51:59

Evidence, details and a link to share

Model synopsis: A group of men in 17th-18th century naval and formal attire stand on a ship's deck, introducing themselves to Captain Russell and Lord Falls. The setting is clearly aboard a sailing vessel, with rigging and masts visible in the background.

Named: Captain Russell (t:52:30), Lord Falls (t:52:32), William (t:52:18), Mr. Povey (t:52:23), Mr. Mercy (t:52:25), Mr. Lorenzo Minnabek (t:52:27). 6 people observed.

“William kid of his majesty's private here adventure at your service sir I” 52:18 · “Mr. Povey, uh, Miss Urgent,” 52:23

Evidence, details and a link to share

Model synopsis: Two men in period naval attire speak on a ship's deck; one requests supplies after a recent battle. The conversation references pirate activity and a need for haste in dangerous waters.

5 people observed.

“I've been sent to give you convoy and we'd better make haste with our business. These are unhealthy waters for ships to be hoved to.” 52:40 · “You mean you cited some of the Pirate Brotherhood? More than that, sir.” 52:49

Evidence, details and a link to share

Model synopsis: A group of men in 17th-century naval attire stand on a ship's deck; one is addressed as Mr. Lorenzo and another as Mr. Hilliard. An order is given to take Mr. Lorenzo below deck.

Named: Mr. Lorenzo (t:53:07), Mr. Hilliard (t:53:07). 5 people observed.

“Mr. Lorenzo here could attend to that then. Oh, Mr. Hilliard.” 53:07 · “Take Mr. Lorenzo below and see that he gets what he wants. Aye aye, sir. Captain. Oh, sir.” 53:11

Evidence, details and a link to share

Model synopsis: Two men in period naval attire converse in a dimly lit interior space, one facing away, the other holding a document. One man is instructed to report to the master gunner for provisions.

• A man in uniform speaks to another man holding a lantern. [frame:1]

2 people observed.

“Sent to the master gunner. He'll take care of all your needs. Uh-huh.” 53:33

Evidence, details and a link to share

Model synopsis: A person in striped clothing and a cap is visible in a dim interior, reacting to off-screen dialogue that includes instructions about powder and a longbow. The scene includes an apology and a call to 'Mr. Lorenzo.'

1 person observed.

“Come on.” 53:58 · “Mr. Lorenzo!” 54:05

Evidence, details and a link to share

Model synopsis: A scene on a ship shows a group gathered around a table with a woman in a dark gown standing nearby. A man introduces the woman as Anne Dunstan and addresses Captain Kidd and others by name.

• A group is gathered around a table on a ship with a woman standing nearby. [frame:1]
• A woman in a dark gown stands holding a rope, looking off-camera. [frame:2]

Named: Anne Dunstan (t:54:28), Captain Kidd (t:54:33), Mr. Fovey (t:54:34), Mr. Mercy (t:54:34). 5 people observed.

“The gentleman, my daughter, the lady Anne Dunstan.” 54:28 · “Captain Kidd.” 54:33

Evidence, details and a link to share

Model synopsis: A man and a woman in period costume stand facing each other and speak. The woman suggests they may have met before, but the man denies it.

2 people observed.

“Haven't we met before? I...” 54:42 · “I think not my lady.” 54:45

Evidence, details and a link to share

Model synopsis: Two men in period naval attire discuss protection and danger aboard a ship; one man, addressed as Captain, speaks of sailing in company and the threat of Avery. The setting is clearly a ship's deck with rigging visible.

Named: Captain (t:54:58). 3 people observed.

“How do we proceed now, Captain?” 54:58 · “Well, I'm instructed to give you protection past Matakaska.” 55:00

Evidence, details and a link to share

Model synopsis: A man in ornate 17th-century attire speaks on a ship's deck; a second shot shows him seated at a table with others, including a woman in period dress, while discussing a silver chest of gems bound for Madagascar. No names are spoken that can be assigned to visible individuals.

• A man in ornate coat gestures while speaking on a ship's deck. [frame:1]
• Several people are seated or standing around a table laden with silverware on a ship's deck. [frame:2]

4 people observed.

“I suppose we could take Lord Falsworth and Lady Anne aboard the adventure to Madagascar's Astern, and then if we are separated and this,” 55:18 · “Vessels should be taken. What about the treasure on board? Oh.” 55:26

Evidence, details and a link to share

Model synopsis: A man in a tricorne hat speaks on a ship while another man in ornate 17th-century clothing reacts. The dialogue suggests a plan to move a treasure chest and mentions Lady Anne and a kingship.

• A man in a tricorne hat is visible on deck. [frame:1]
• A heavyset man in ornate 17th-century clothing reacts with his mouth open. [frame:2]

2 people observed.

“May I suggest Your Excellency?” 55:40 · “Now, why not transfer the treasure chest?” 55:44

Evidence, details and a link to share

Model synopsis: A man in 18th-century naval attire speaks on a ship deck while others stand nearby; a table with silverware and a decanter is visible. The transcript includes dialogue about trusting someone, inspecting chests, and hoisting them into boats.

5 people observed.

“And although my instructions are that you are to trust me in all matters, I don't know if I could go so far as to. What else can we do?” 55:56 · “We could have them slung into our boats along with the gear of Lord Palsworth and Lady Anne. Why, certainly.” 56:17

Evidence, details and a link to share

Model synopsis: A close-up of ornate, carved wooden panels is shown. No people, actions, or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: Two men in period costume speak in an interior setting; one is addressed as Mr. Lorenzo and the other as Capitan Roswell. A third man is present but not named in the dialogue.

Named: Mr. Lorenzo (t:56:51), Capitan Roswell (t:56:51). 3 people observed.

“Mr. Lovie. I sent for the manifest, Captain.” 56:41 · “You may take it against the contents of this chest and...” 56:45

Evidence, details and a link to share

Model synopsis: Three men are in a dimly lit interior space; one speaks about finishing up and leaving within the hour, another is addressed as 'Capitan' and asked to attend to a manifest. A man in a tricorn hat and coat is visible in all frames, while another man in an ornate coat appears in the first two frames.

Named: Mr. Lorenzo (t:56:51), Capitan Roswell (t:56:51). 3 people observed.

“It will not take a minute. Finished up then, we must be gone within the hour.” 57:04 · “Yes, Capitan.” 57:09

Evidence, details and a link to share

Model synopsis: A person in period costume stands behind a wooden counter in a dim interior, then a group of men in hats and cloaks gather around a woman in a long gown outdoors. No names are spoken, and no time of day or period is established by the frames or transcript.

• A person is standing behind a counter in a dim interior. [frame:1]
• A group of men and a woman in period clothing are gathered outdoors. [frame:2]

3 people observed.

“Oh, my God.” 57:47

Evidence, details and a link to share

Model synopsis: A man in a tricorne hat speaks to a woman in period dress while another man looks on; later, the group moves toward a boat on a ship's deck. The dialogue indicates preparations to depart, with instructions given to escort passengers.

• Group moves toward a boat on deck [frame:2]

Named: Captain (t:58:07), Lady Anne (t:58:07), Mr. Mercy (t:58:07). 5 people observed.

“Come Mr. Lorenzo you've seen a lovely lady before this a” 57:55 · “Tribute to your beautiful” 58:01

Evidence, details and a link to share

Model synopsis: A group of men in striped shirts are in a small boat near a larger ship. One man stands on the larger ship's deck while others in the boat appear to be handling ropes or equipment.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in period dress is greeted aboard a ship by a man who introduces himself as Barrett Shadwell; crew members are visible on deck. The scene then cuts to an interior cabin where the same woman stands with two men in formal attire.

• The woman is shown standing in a ship's cabin with two men. [frame:2]

Named: Barrett Shadwell (t:59:10). 5 people observed.

“You will have the loading mr. Lorenzo” 59:06 · “I apologize, my lady, for our poor accommodations, but me, Barrett Shadwell will see that you'll make comfortable. Pleasure to have your l…” 59:10

Evidence, details and a link to share

Model synopsis: A group of sailors on a ship deck watches a cargo net being hoisted. No dialogue or on-screen text is present in this beat.

• A cargo net is being hoisted aboard a ship. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in period naval attire converse on a ship's deck while crew members work in the background; the scene ends with a blank frame. No names are spoken, and no time of day or period is established beyond the historical costume.

• Two men stand facing each other on a ship's deck. [frame:1]
• The man in the tricorn hat speaks to the man with curly hair. [frame:2]
• Crew members are active on the ship's deck and rigging. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Why hasn't it happened” 59:33

Evidence, details and a link to share

Model synopsis: Two men in period naval uniforms stand side by side on what appears to be a ship deck. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A ship is shown on water with smoke rising near its stern. No people, dialogue, or on-screen text are visible in the frame.

Evidence, details and a link to share

Model synopsis: Three men in 18th-century naval or pirate attire stand on a ship's deck. One man gestures while speaking, though no dialogue is provided for this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of sailors stands on the deck of a ship under a cloudy sky. One sailor in a striped shirt faces away, while others gather near rigging and a ladder.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in 17th-century naval attire stand on a ship's deck; one walks toward the other. A man in a tricorn hat stands on a raised platform as crew members look on.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a period dress stands in a doorway inside a ship's interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a period dress stands on a ship's deck next to a man in a wide-brimmed hat and dark coat. The sky is overcast, and rigging is visible behind them.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in striped shirts and hats are visible on a wooden structure, possibly a ship's deck, at night. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of men stands on the deck of a ship, with rigging and sails visible. One man wears a wide-brimmed hat and a coat with a white collar, while another wears a striped shirt.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men stand on a ship deck; one wears a wide-brimmed hat and formal coat, the other a striped shirt and bandana. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of people stands on the deck of a ship, with one man in a wide-brimmed hat and another in a striped shirt visible. The sky is overcast, and rigging is visible above them.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in period costume with a hooded cloak is visible in a single frame. No other people, objects, or events are discernible in the supplied frame or transcript.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, cloudy sky over water with a silhouette of a tall ship. No people, dialogue, or on-screen text are visible.

Evidence, details and a link to share

Model synopsis: A woman in period dress expresses fear and confusion to a male servant in a ship's cabin, mentioning pirates and a man named Lorenzo. The servant insists on following the captain's orders for her to dine in the main cabin.

• A man and a woman stand facing each other in a ship's cabin. [frame:1]
• The woman looks distressed while speaking. [frame:2]

Named: Shadwell (t:60:49), m'lady (t:60:53). 2 people observed.

“The captain has requested that you take your meals in the main cabin.” 60:45 · “Oh, no, Shadwell, I can't bear to face those men.” 60:49

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up inside a ship's cabin. The man speaks about pirates and his father, while the woman listens.

2 people observed.

“Pirates, Mulaney.” 61:37 · “We fought no pirates.” 61:40

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, engaged in a tense conversation. The woman speaks of her father's death and her inability to face the man, whom she implies she suspects.

2 people observed.

“Shadwell, what manner of ship is this?” 61:50 · “My father was killed deliberately, I'm sure of it.” 61:58

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks to a woman in a period gown inside a room; he refers to a man named Mercy whom the woman recalls meeting. The woman appears to be listening intently, and the man confirms the name.

• A man in formal attire speaks to a woman in a period gown. [frame:1]
• The woman listens with a focused expression. [frame:2]

Named: Mr. Mercy (t:62:14). 2 people observed.

“There is a man on board milady I” 62:08 · “A gentleman.” 62:10

Evidence, details and a link to share

Model synopsis: A man and a woman are in conversation in an interior setting; the man agrees to ask someone on the woman's behalf. The woman is seated and the man stands beside her, both dressed in period attire.

• The man and woman are conversing in an interior room. [frame:1]

2 people observed.

“All I really know is, milady, he's no friend of the captain's. Perhaps if I ask him, he'll...” 62:27 · “Shall I? Oh, yes, will you please?” 62:34

Evidence, details and a link to share

Model synopsis: Three men are in a ship's cabin discussing gold division and a bargain involving a woman. One man demands half his money now in exchange for letting another have the woman.

• Three men are seated or standing around a table in a ship's cabin. [frame:1]
• Mr. Lorenzo leans over p1, speaking intensely. [frame:2]

Named: Mr. Lorenzo (t:62:54). 3 people observed.

“Your fancy manners do not impress me, Mr. Lorenzo.” 62:54 · “When do we divide the gold?” 63:00

Evidence, details and a link to share

Model synopsis: Three men are seated around a table in a dimly lit interior; one speaks of taking a woman he desires. The setting appears to be a ship's cabin or similar enclosed space with wooden paneling and a lantern.

3 people observed.

“Fie on him.” 63:35 · “He smit with love again.” 63:38

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior space; one stands while the other sits, and they discuss the volatile state of a crew aboard a ship carrying treasure. The standing man is asked if he means the threat is near him.

• Two men face each other in a ship’s interior, one standing, one seated. [frame:1]

2 people observed.

“The crew is like a barrel of hot gunpowder.” 63:56 · “All that is needed is a word in the right ears.” 64:00

Evidence, details and a link to share

Model synopsis: Two men are in a ship's cabin; one stands while the other sits at a table. One man accuses the other of inciting mutiny and threatens him, while the seated man claims he was joking and asserts control over a girl.

• A standing man confronts a seated man at a table inside a ship's cabin. [frame:1]

2 people observed.

“You're a witness.” 64:06 · “He's inciting the crew to mutiny. No, no, no, no, no, it can't be done.” 64:09

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark trousers stands in a doorway, holding a railing. The scene is dimly lit with high contrast, suggesting an interior setting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space; the man is seen moving toward a doorway while the woman stands nearby. The transcript includes repeated lines of the man saying he is going to leave and the woman asking for Adam's location.

• Man is visible behind a railing, looking downward. [frame:1]
• Woman stands in a room with a lantern hanging overhead, looking toward the left. [frame:2]
• Man and woman are seen from behind, standing close together in the same room. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I'm going to go.” 64:56 · “Where is it?” 65:01

Evidence, details and a link to share

Model synopsis: A man introduces himself as Adam Green and speaks about his father's death and his own turn to piracy. A woman listens and reacts as he recounts his history with Lord Blaine and the king.

Named: Adam Green (t:65:30). 2 people observed.

“Thank you for coming, Mr. Mercy. I'm... My name's Adam Green.” 65:30 · “I knew it. I knew it. What were you doing on this ship? My father was killed and accused of piracy.” 65:39

Evidence, details and a link to share

Model synopsis: A woman and a man in period attire confront each other in an interior setting; the woman speaks of tracking down Captain Kidd for revenge over her father’s death. The man, wearing a bandana, listens intently as she declares she has him where she wants him.

2 people observed.

“- I need you in hell.” 65:55 · “Captain kid who killed your father one” 66:00

Evidence, details and a link to share

Model synopsis: A man and a woman face each other in an interior setting; the man wears a bandana and the woman a patterned dress. Dialogue suggests tension over hidden identities and a threat from a child named Lenny.

• A man and a woman stand facing each other in an interior space. [frame:1]

2 people observed.

“You mean he knows who you are?” 66:19 · “He knows something.” 66:21

Evidence, details and a link to share

Model synopsis: A man in a checkered bandana speaks to a woman in a patterned dress in an interior setting. He instructs her to forget what she saw on the ship, befriend him, and go to the lords of admiralty and the king if something happens to him.

2 people observed.

“Forget everything you've seen on the ship. Play up to him.” 66:38 · “Befriend me. That way you'll be safe. Now, when you get back to London...” 66:40

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior while a woman enters a room and approaches a door. The dialogue references political intrigue, a queen, and a character named Herb Parr, suggesting a plot involving betrayal or assassination.

• Two men sit facing each other in conversation. [frame:1]
• A woman enters a room and reaches for a door handle. [frame:2]

Named: Sarah (t:67:59). 3 people observed.

“You're going to have trouble with Lorenzo. The reading of the lambs is exciting the tiger. His blood's getting too rich for him. He'd be the…” 66:56 · “He said you had plans for her. Do they include... Mr. Povey, the little dears is psyched with me as if she was me daughter. Yes.” 67:19

Evidence, details and a link to share

Model synopsis: A person in striped clothing stands in a wooden-paneled room as another person in a head covering moves toward a doorway where others are visible. A third person is seen holding a weapon near a window, and two men are shown in close proximity in a dimly lit space. No names are spoken, and the setting appears to be the interior of a ship.

• A person in striped clothing stands in a room with wooden walls. [frame:1]
• A person in a white shirt moves toward a doorway where two others are visible. [frame:2]
• A person holds a weapon near a window. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Now that she knows who I am and the kind of a ship she's on, I think we can count on to keep ahead. You stay here till I come home. Watch.” 68:06 · “Help!” 68:17

Evidence, details and a link to share

Model synopsis: A man in profile wearing a turban-like head covering is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands near a doorway while a woman sits at a table in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in period costume is visible in a dimly lit interior, holding her hands near her chest. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in white shirts stand close, facing each other in a dim interior. One holds a dark object near the other's chest.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are visible in a dimly lit interior space; one stands holding an object while the other crouches. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in period costume appears distressed in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt is visible in a dimly lit interior, reaching forward with his right arm extended. No spoken dialogue or on-screen text is present in this beat.

• A man extends his right arm forward. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are shown in a struggle indoors, followed by a shot of a ship at night. A group of people, including a woman, are then seen gathered around a table. One character is addressed as Mr. Mercy for protecting someone.

• Two men are engaged in a physical struggle. [frame:1]
• A man leans over a table, holding a small object. [frame:2]
• A large ship is shown at night on water. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Mercy (t:69:41). 5 people observed.

“Oh, my God.” 69:20 · “Mr. Mercy, you did well to protect her.” 69:41

Evidence, details and a link to share

Model synopsis: A man and a woman are seated indoors in period costume. No dialogue or on-screen text is visible in the frame.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and light shirt is visible in profile, looking down. The setting appears to be an interior space with ornate architectural details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in period costume is shown in a close-up, looking off-camera with an open mouth. No dialogue or environmental context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a white shirt and another in formal attire are present in a wooden-paneled room; a woman in period dress stands nearby. Dialogue reveals concern for 'Lady Anne,' a refusal to marry, and the loss of a medallion.

Named: Blaine (t:70:35), Lady Anne (t:70:18). 3 people observed.

“You all right, sir? Yes, I'm all right. Look after Lady Anne.” 70:18 · “I don't want to marry.” 70:28

Evidence, details and a link to share

Model synopsis: Three people are in a wooden interior; one man in a bandana speaks to a woman while another man in formal attire looks on. The dialogue indicates a plan to protect the woman by having her deny knowing the man in the bandana, while the formally dressed man is assigned to watch over her.

• A man in a bandana speaks to a woman while another man in formal attire stands nearby. [frame:1]
• The man in the bandana and the woman face each other closely, appearing to have an intense conversation. [frame:2]
• The formally dressed man looks forward with a serious expression. [frame:3]

Named: Adam (t:70:38), Anne (t:70:38). 3 people observed.

“You must, Anne. This is serious. It involves you. Remember, no matter what tricks he tries, you've never seen me before and you don't kno…” 70:38 · “He never could get anything out of me, and he never will. It's the only way you'll be safe. Shadwell will watch out for you.” 70:56

Evidence, details and a link to share

Model synopsis: A man in a bandana speaks to a woman in a period dress; a third man in formal attire enters and speaks to the pair. The dialogue indicates concern for the woman's safety and a promise to protect her.

• A man in a bandana speaks to a woman in a period dress. [frame:1]
• A third man in formal attire enters and speaks to the pair. [frame:2]
• The man in the bandana and the woman look at each other closely. [frame:3]

Named: Adam (t:71:22), Anne (t:71:08), Shadwell (t:71:14). 3 people observed.

“Oh, Anne. Don't worry, Anne. I at least know what to expect. Go now.” 71:08 · “Shadwell, if anything does happen, remember you to stand by Lady Anne and see that she gets safely to London. I'll stake my life on it, s…” 71:14

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior room; one adjusts his hat while the other holds a small object. Dialogue suggests a plan to go to a cave and observe others' reactions.

• One man adjusts his hat while another holds a small object. [frame:1]

2 people observed.

“Come the lady” 71:28 · “He's now King's Man.” 71:45

Evidence, details and a link to share

Model synopsis: A close-up shot shows a handwritten list of names on paper. No people, dialogue, or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: Two men are visible in a dimly lit interior, one standing and holding a pistol, another crouched; a third man is mentioned in the transcript. The transcript includes a line addressing 'Mr. Messy' and a reference to someone asking too many questions.

• A man stands holding a pistol while another crouches nearby. [frame:1]
• The standing man remains in position, the crouching man is still, and a third figure is slumped. [frame:2]

Named: Mr. Messy (t:73:37). 5 people observed.

“Oh, my God.” 73:10 · “Big pass, Mr. Messy, you haven't got forever.” 73:37

Evidence, details and a link to share

Model synopsis: A man in a checkered cap is shown in close-up while another man, partially visible, stands behind two crouching figures. Dialogue references 'the Twelve Apostles' and a command to 'Open it up.'

• A man in a checkered cap looks upward. [frame:1]
• A man in dark clothing stands behind two crouching figures. [frame:2]

Named: Mr. Mercy (t:74:16). 3 people observed.

“So it was the Twelve Apostles, eh, Captain?” 74:16 · “Yes, it was, Mr. Mercy.” 74:18

Evidence, details and a link to share

Model synopsis: Two men are shown in a dimly lit interior, one seated and the other leaning forward. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A close-up shot shows an ornate shield emblem above a pile of jewels inside a dark case. No people or spoken dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a checkered cap is shown in a dimly lit interior; dialogue references a seaman, a ring, and Lord Blaine's betrayal. No names are spoken that identify the visible person.

1 person observed.

“He was a brave seaman, but foolish. Did you happen to know him, Mr. Persson? I'd heard of him. I thought perhaps you had.” 74:56 · “This is yours.” 75:08

Evidence, details and a link to share

Model synopsis: A man in a light shirt and headscarf stands in a dimly lit interior, with another figure partially visible behind him. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a white shirt and dark hat is visible in a dimly lit interior, arms outstretched. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are engaged in a physical struggle in a dimly lit interior space. One man wears a white shirt and dark hat; the other is partially obscured by smoke or dust.

• Two men are grappling in a cloud of smoke or dust. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are in a dark, outdoor setting at night; one speaks of danger on a long voyage home. The scene is dimly lit, suggesting concealment or tension.

• Two men stand close together in darkness, one facing the other. [frame:1]

Named: Mr. Povey (t:76:19), Captain (t:76:19). 2 people observed.

“He's made for the sharks now, Mr. Povey. Time closes this place in half an hour. We've nothing more to fear.” 76:19 · “Yes, you have, Captain. Really have. It's a long voyage home, Mr. Povey. And anything might happen.” 76:19

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior; one seated, one standing, both in period costume. One speaks of distress and death while the other responds emotionally.

• A seated man looks toward a standing man in a dim room. [frame:1]

Named: Shadwell (t:76:41). 2 people observed.

“Naturally, her ladyship is still very distressed. In the midst of life, we are in death, Shadwell.” 76:41 · “My heart bleeds. My heart, sir. My heart bleeds.” 76:48

Evidence, details and a link to share

Model synopsis: A man in period clothing speaks in a dimly lit room with candlelight; later, a group sits at a dining table in a ship's cabin while another man stands nearby. A transcript line mentions someone going overboard and being searched for, followed by a toast.

• A group sits at a dining table in a ship's cabin. [frame:2]

5 people observed.

“Confound you, Shadwell. You drove the thought right out of me, Ed. And it was an uncommon pretty one.” 76:58 · “Tell her she can't mourn forever and I shall expect her to take her meals in the main cabin with the rest of us.” 76:58

Evidence, details and a link to share

Model synopsis: A woman in period dress is shown in close-up, followed by a man in a cap handling an object near a cabinet. The transcript includes dialogue about a voyage, a warning to Adam, and instructions for Lady Anne to prepare to leave.

• A woman in period dress is shown in close-up. [frame:1]
• A man in a cap handles an object near a cabinet. [frame:2]

2 people observed.

“Yes, sir. I'll go to my cabin with your permission. If you wish, it's been quite a trying voyage. What with one little thing and another wou…” 77:34 · “I warned Adam not to go. No one could have stopped him. It was cold-blooded, planned, delivered. The same will happen to our ladyship unless…” 77:48

Evidence, details and a link to share

Model synopsis: Two figures handle a chest filled with jewels and coins in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• Two people handle a chest filled with jewels and coins. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are seen in a dimly lit interior, one in a pirate-style bandana and shirt, the other in formal attire; dialogue references Kidd, Shaggold, and a plan involving a small boat near Roar Shore. No names are spoken that can be assigned to the visible individuals.

• A man in a bandana speaks to a formally dressed man in a ship's interior. [frame:1]
• The man in the bandana gestures while speaking to the formally dressed man. [frame:2]

4 people observed.

“I'm Bowser!” 79:10 · “Aye, sir. Round out both watchers at daybreak. We're waiting on the morning tide.” 79:11

Evidence, details and a link to share

Model synopsis: Two characters discuss traveling to a lawless town called Last Hope to find a ship to England. The scene shifts from a close-up of their conversation to a wider shot showing them in a dimly lit interior space with another figure in the background.

• A man and a woman face each other closely in conversation. [frame:1]
• The two characters are seen from a distance in a room with another figure near a doorway. [frame:2]

3 people observed.

“Then where, Adam?” 79:44 · “Two days journey overland is the power town of last hope.” 79:45

Evidence, details and a link to share

Model synopsis: A person is seen in a small boat inside a dimly lit structure, followed by two men seated at a table in a room with wooden walls and a window. One man speaks while holding a cloth, and the other holds a glass.

• A man in a hat is visible in a small boat inside a ship. [frame:1]
• Two men sit at a table in a wooden room; one holds a cloth, the other a glass. [frame:2]

3 people observed.

“Get down on the bow.” 80:11 · “Goodbye, Freddy.” 80:21

Evidence, details and a link to share

Model synopsis: Two men in striped shirts are on a ship's deck at night, one bent over a barrel. The scene is lit by artificial light against a dark sky.

2 people observed.

Evidence, details and a link to share

Model synopsis: A scene on a ship at night shows men in striped shirts during a tense moment; one is held while others react. Dialogue includes commands and a farewell to someone named Jerry the mackerel.

Named: Jerry the mackerel (t:82:14). 4 people observed.

“Quiet!” 81:21 · “Handle on, Boots!” 81:25

Evidence, details and a link to share

Model synopsis: Two men are seated at a table in an interior setting; one speaks while the other reacts. A third man is partially visible in the background. The dialogue suggests a disagreement or refusal.

• p2 reacts with a surprised expression [frame:2]
• p1 gestures toward p2 while speaking [frame:3]

3 people observed.

“If you're thinking what I think you're thinking, my friend, forget it.” 82:50 · “There's a little matter of a litter I left in London.” 82:55

Evidence, details and a link to share

Model synopsis: A single frame shows a large, ornate gate with statues under a cloudy sky. Two lines of dialogue express shock, but no people are visible.

• A large ornate gate with statues is visible under a cloudy sky. [frame:1]

“Oh, my God.” 83:07 · “Oh, my God.” 83:08

Evidence, details and a link to share

Model synopsis: A person is visible in a grand hallway with ornate decor; the name 'Captain William Kidd' is spoken. The scene is indoors and features classical architecture and furnishings.

• A man in period costume stands in a doorway while another stands near a table. [frame:1]

Named: Captain William Kidd (t:83:57). 2 people observed.

“Captain William Kidd.” 83:57

Evidence, details and a link to share

Model synopsis: A man in naval uniform addresses a seated monarch in a formal chamber; the transcript reveals a discussion about a voyage and a personal matter involving Lady Anne Dunstan and Mr. Mercy. The setting is an ornate room with throne and courtiers, suggesting a royal audience.

• A man in uniform greets the seated monarch. [frame:1]

Named: Your Majesty (t:84:14). 4 people observed.

“Greetings, Captain.” 84:09 · “What news have you brought me from the Indian seas?” 84:11

Evidence, details and a link to share

Model synopsis: A man in 18th-century formal attire speaks in a grand hall while others stand behind him. The transcript references a 'poor impetuous fellow' and a 'bud of innocence' caught 'red-handed'.

• A man in formal 18th-century dress speaks with an expressive face while standing in a grand hall. [frame:1]

2 people observed.

“Oh, that poor impetuous fellow, sire. Enveigled that bud of innocence he did into running away with him.” 84:34 · “and catching them red-handed in defense in the very long.” 84:41

Evidence, details and a link to share

Model synopsis: A man in 18th-century costume sits in a large chair while another man in similar attire stands before a group. The transcript mentions a treasure, a merchant, and the twelve apostles, suggesting a discussion about past events.

• A man in a wig and robe is seated in a large chair. [frame:1]
• A man in a dark coat stands before a group in a room with ornate decor. [frame:2]

3 people observed.

“Tell me, Captain, about the treasure.” 84:52 · “and the Quida merchant. Unfortunate sire, most unfortunate.” 84:54

Evidence, details and a link to share

Model synopsis: A man in a wig and formal robe sits in a throne-like chair while another man in period costume stands before him; a third man speaks off-camera. The seated man is asked about a trace, and the standing man responds that sins may have sunk a ship, prompting the seated man to ask for an explanation.

• A man in a wig and robe sits in a throne-like chair. [frame:1]
• A man in period costume speaks with a slight smile. [frame:2]
• A man stands before a seated man on a dais, with others present. [frame:3]

3 people observed.

“You encounter any trace?” 85:15 · “Nay, sire. I can only hope that the weight of his sins sank both him and his ship.” 85:17

Evidence, details and a link to share

Model synopsis: A close-up shows an open chest filled with jewels and coins, with a heraldic shield emblem on its lid. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Model synopsis: Two men in period costume are shown in close-up, speaking in a formal setting. One man accuses the other of hiding an item bearing the Blaine crest, referencing a ship and a secret lazarette.

• A man in formal coat speaks to a man in a wig. [frame:1]
• The man in the wig listens with a serious expression. [frame:2]
• The man in the wig speaks with a surprised expression. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Who's market be your majesty?” 85:33 · “My opposite.” 85:35

Evidence, details and a link to share

Model synopsis: A man in a judge's wig and robe speaks in a formal room while another man in period costume reacts; a wider shot reveals a throne room with attendants and a chest. The transcript includes dialogue about a death, an oath, and a possible theft involving a valet and Madagascar.

5 people observed.

“Mr. Povey was killed three days ago defending it.” 85:54 · “With his dying oath, he swore it was not his.” 85:56

Evidence, details and a link to share

Model synopsis: A man and a woman in 18th-century formal attire stand in an ornate interior. A third person is partially visible behind them.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal 18th-century attire speaks in a courtroom setting while a woman and others look on. A speaker accuses someone of piracy and murder, referencing a headland and a person named Avery.

• A speaker accuses a man of piracy and murder while standing before a throne [frame:3]

Named: Avery (t:86:25), Your Majesty (t:86:25). 6 people observed.

“Nightmare!” 86:21 · “A pity you overlooked last hope, Captain.” 86:22

Evidence, details and a link to share

Model synopsis: A man in 18th-century naval uniform shouts in a formal hall while others react; a judge-like figure is shown in close-up; two men in tricorn hats restrain the shouting man. The transcript mentions holding someone for court and a shouted command.

• p1 shouts with mouth open in a formal hall [frame:1]
• p2 looks sternly forward in a judge's wig and robe [frame:2]
• p3 and p4 restrain p1 while he struggles [frame:3]

5 people observed.

“was ever a gentleman so misogynate lock him up in new girl” 86:34 · “He is to be held for the next session of the court of O'Yea and Terminer. They ought to be tried for his life.” 86:39

Evidence, details and a link to share

Model synopsis: A man in a vest and hat stands with two others on a set resembling an outdoor scene; one man speaks about credit to England and leaves a bequest about greed and hatred. The scene is lit for studio filming and includes a painted backdrop.

• A man in armor speaks passionately to two others on a studio set. [frame:2]

3 people observed.

“All I done was to the credit and for the honor and glory of England! Yes!” 86:50 · “So here's me bequest to them what hunts what I have hid, and to their suns suns down through the endless corridors of time. Greed that spawn…” 86:57

Evidence, details and a link to share

Model synopsis: A man in chains addresses a crowd from a scaffold; the crowd watches from a dock and boats. A man named Jack Kent is spoken to about selling rope, and the speaker offers it for free if someone will wear it.

• A crowd watches from a dock and boats. [frame:1]
• A man in chains smiles at the crowd. [frame:2]
• The man in chains shouts with his mouth open. [frame:3]
• 1 more under Evidence and details.

Named: Jack Kent (t:87:23). 2 people observed.

“ambition the foulest trumpet of all. Hey Jack, Jack Kent, sell me a bit of that rope for sixpence will ya?” 87:23 · “Save your money me lads. You can have it all for nothing if you only step up here and wear it.” 87:23

Evidence, details and a link to share

Model synopsis: A man in formal robes sits in a high-backed chair while others stand around him in a dimly lit room; dialogue references Captain Kidd's death and atonement for injustice. The scene ends with a close-up of the seated man listening.

Named: Lord Lane (t:87:53). 4 people observed.

“Captain Kidd is dead, my lord Lane.” 87:53 · “It can't explode. Now, what manner can I atone for the injustice I worked upon your father? Yes.” 87:55

Evidence, details and a link to share

Model synopsis: A man in period costume speaks in a formal room; a couple stands before a crowd; a man kneels before a seated figure; the film ends with a title card. No names are spoken that can be linked to the visible people.

• A man in a ruffled collar gestures while speaking. [frame:1]
• A man and woman stand side by side before a crowd. [frame:2]
• A man kneels before a seated figure on a dais. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“We've a fine trigger of 50 guns.” 88:05 · “Commission for American Water Science.” 88:08

Evidence, details and a link to share