Blood on the Sun (1945)

Model synopsis: The beat displays on-screen text introducing Baron Giichi Tanaka as an 'Oriental Hitler' in contrast to Hitler's 'Mein Kampf'. No people, actions, or settings are visible beyond the text.

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Model synopsis: The scene shows a crowded street with pedestrians and a car, followed by an interior view through glass doors into an office or shop. No dialogue or named characters are present in this beat.

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Model synopsis: Three men are in an office; one in uniform stands while two in suits talk, one reading a newspaper. A man named Nick is addressed by another who claims ignorance of an article's publication and offers to fire his managing editor if regulations were broken.

• A man in uniform stands beside two men in suits in an office. [frame:1]
• A man in glasses reads a newspaper while seated. [frame:2]

Named: Nick (t:3:15). 3 people observed.

“But, gentlemen, I know nothing about this article being printed. I was out of town.” 3:03 · “Then let me read what is printed here in your paper. If Japan wants to control China...” 3:03

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Model synopsis: A man in uniform and two civilians are in an office; one civilian is summoned urgently. A woman and a man stand in a doorway in a separate shot.

7 people observed.

“Nick Condon. Somebody dig up Nick Condon. He's out. Something important. Said he wasn't to be disturbed. I don't care if he's interviewing t…” 3:45

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Model synopsis: A man stands beside a desk while another sits at it; dialogue indicates a phone call is being arranged. The setting appears to be an office with papers, a telephone, and wall maps.

• A man stands beside a desk while another sits at it. [frame:1]

Named: Kinchan (t:4:01). 2 people observed.

“Get him on the phone, Kinchan.” 4:01 · “Okay, Mr. Sprague, but he's not going to like it.” 4:01

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Model synopsis: A group of people in white uniforms kneel in a circle around a central figure in dark robes; two others kneel in the foreground with their backs to the camera. A voice says 'Watch the money!' and then 'I'm sorry.'

• People in white uniforms kneel in a circle around a central figure in dark robes. [frame:1]

5 people observed.

“Watch the money!” 4:15 · “I'm sorry.” 4:45

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Model synopsis: A man is in a bathtub while another man sits on a bench in a steamy room with shoji screens. Dialogue indicates an official matter is to be discussed, and one man asks for a towel.

• A man sits on a bench in a steamy room with shoji screens. [frame:1]
• A man is seen relaxing in a bathtub. [frame:2]

Named: Oshma (t:5:26). 2 people observed.

“Hello, Oshma. What's on your mind? Nick, I... There's a matter to discuss, if you please. Shoot. It is an official matter of great impor…” 5:26 · “Oh, great. Come on in. We'll talk it over. Nick, will you please get... Oh, all right, all right. Hand me that towel, will you?” 5:36

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Model synopsis: A man in a suit stands holding a hat while another man in uniform confronts him; a seated man looks up. The transcript includes accusations of lying and identifies the American press as a traitor.

• A man in uniform confronts a man in a suit who is holding a hat. [frame:1]
• A seated man looks up at the standing men. [frame:2]

4 people observed.

“Lies, lies. It is all one big lie. Every word is untrue.” 5:47 · “You must disclose the source of your information.” 5:47

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Model synopsis: Two men stand side by side in a dimly lit interior; one wears a dark uniform with cap, the other a suit and glasses. No dialogue or action is visible in the single frame provided.

2 people observed.

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Model synopsis: A man in a shirt and suspenders stands in a room with two other men; one is reflected in a circular mirror. The setting appears to be an interior space with paneled walls.

3 people observed.

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Model synopsis: A man in a light shirt and suspenders stands near a doorway while another man in a dark suit bows deeply; a third man in uniform stands nearby. The setting appears to be an interior room with traditional Japanese-style sliding doors.

4 people observed.

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Model synopsis: Two men argue in an office about a newspaper article; one insists on printing rumors despite risks, while the other demands a retraction. The speaker identifies himself as the article's author.

• Two men are engaged in a heated argument in an office. [frame:1]

Named: Nick (t:6:35). 2 people observed.

“You can't do this to me, Nick. My blood pressure won't stand it.” 6:35 · “But, Nick, lots of Japs read English, too.” 7:05

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Model synopsis: A man sits at a bar while three others stand nearby in conversation. One man mentions Ollie Miller is not present and must be sick.

• Four men are gathered at a bar, one seated, three standing. [frame:1]

Named: Ollie Miller (t:8:05). 4 people observed.

“And Ollie Miller is not at this bar. He must be sick. See you later. Sure.” 8:05

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Model synopsis: A man seated at a desk greets another man who has just arrived, introducing him as Joe Cassell from Shanghai. They order three Scotch and sodas while seated in what appears to be an office or bar setting.

• A man seated at a desk gestures toward a standing man in a fedora. [frame:1]

Named: Joe Cassell (t:8:23). 3 people observed.

“Oh, there you are, Nick. Meet Joe Cassell. Just pulled in from Shanghai. Ah. Glad to know you. Now sit down. Yeah.” 8:23 · “Have a drink? Scotch and soda. Me too. Three Scotch and sodas.” 8:31

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Model synopsis: Three men are seated at a table in an indoor setting, conversing. One man speaks about his past work in journalism and mentions leaving the foreign office, while another asks about the source of a story.

• Three men are seated at a table in conversation. [frame:1]
• Two men lean in toward each other, smiling, during conversation. [frame:2]
• The group remains seated at the table; a man in the background stands near the bar. [frame:3]

4 people observed.

“Covered the criminal courts for the old telly in New York, then went to Russia and in Peking, and worked for the American Press Association …” 8:40 · “I left the foreign office this morning.” 8:40

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Model synopsis: A man in a suit and fedora speaks in a crowded indoor setting. He discusses Chinese public opinion and internal disorders, referencing his own four-year stay there.

1 person observed.

“Of course, there's not a grain of truth, as you know that. I don't know anything, do you? Quite a bit. Our Chinese cousins are trying des…” 9:05 · “What for? To take attention off their own internal disorders. And believe me, disorder is a clean name for it. Having just spent four yea…” 9:16

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Model synopsis: A man in a suit speaks while seated at a table; another man in a bow tie serves drinks to a group. The setting appears to be an indoor establishment with patrons and a waiter.

• A waiter pours drinks for men seated at a table. [frame:2]

4 people observed.

“I see. Some of my best friends are Chinese, huh?” 9:31 · “Well, at last.” 9:35

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Model synopsis: Men in suits and hats gather at a bar and table, ordering drinks while one man announces Mr. Miller's arrival. The setting is an indoor bar with patrons seated and standing.

• Men are seated and standing at a bar and table. [frame:1]
• A man in a suit drinks at a table while others stand around. [frame:2]

Named: Mr. Miller (t:10:10). 5 people observed.

“Hi, fellas. Hiya, Begala. Hey, Johnson, get on that front page of Nick's this morning.” 9:40 · “Dying on by you, huh? Hey, come on, how about a little drink? Set him up on me.” 9:45

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Model synopsis: A man in a suit stands and speaks to seated men at a table with drinks; one seated man gestures while another listens. The transcript includes dialogue about quitting, money, and tickets, and a character named Nick is addressed.

• A man stands at a table and speaks to seated men while holding papers or money. [frame:2]

Named: Nick (t:10:40). 6 people observed.

“Oh, yes, sir. I'm quitting. What, again? Ever see these things before? Thank you. Keep it changed. Two tickets for home and the first boat I…” 10:15 · “Pleasure, a pleasure. And here's the tin that you wouldn't loan me, stinker. Buy around at rake. Excuse me, we'll continue this now next. I'…” 10:40

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Model synopsis: A group of men in suits and hats are gathered in a dimly lit interior, exchanging money and speaking about quitting a job, writing a book, and a payment of 220. One man asks where another got the money.

• Men exchange money at a bar. [frame:1]

5 people observed.

“Yes, sir, I'm quitting this job for sake and land. What's it got? Cherry blossoms, but no cherries. What kind of cherries for you, sir?” 10:53 · “I'll probably settle down Connecticut and write a book. If I don't write a book, I'll...” 11:03

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Model synopsis: Two men are seated and speaking in a dimly lit interior space. One man, wearing a pinstripe suit and hat, addresses the other, who is in a dark suit, while referencing past employment and jealousy.

2 people observed.

“I came into it.” 11:38 · “Come on, make sense. What's up? I might well take offense at the skepticism in your town. But I prefer to be generous and remember you as …” 11:40

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Model synopsis: Two men are in a tense conversation in a public indoor space; one man leans over a table toward the other while speaking. The transcript includes dialogue about leaving, money, and danger, with a reference to 'blood on the streets' and a farewell.

• Two men sit at a table in a restaurant, one holding a pen. [frame:1]
• A man in a hat leans over the table toward the seated man. [frame:2]

3 people observed.

“Former employer? I'm leaving. Tonight, me and Edith, and I got her in my room. Where did you get that money? Nick, take a tip from me.” 11:57 · “States. This place is getting hotter than the inside of Fujiyama. Get out. There was blood on the streets this morning. It'll be flowing …” 12:10

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Model synopsis: A man in a dark suit and hat stands in a doorway, reaching toward a glass-paneled door. The scene is lit with high-contrast studio lighting and includes a potted plant to the left.

• A man reaches toward a glass-paneled door. [frame:1]

1 person observed.

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Model synopsis: A man in a suit is visible in profile, holding a hat indoors. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A man in a suit and hat is seen inside an office and then walking outside past a building labeled 'TOKYO CHRONICLE'. He speaks on the phone and then says he is going to leave.

• man is on the phone in an office [frame:1]
• man walks outside past a building labeled 'TOKYO CHRONICLE' [frame:2]

1 person observed.

“you know what come by another model that I want” 13:00 · “I'm going to go.” 13:10

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Model synopsis: A man in a suit sits in a room while a woman stands with her back to the camera; they discuss a sudden windfall tied to a book contract. The dialogue suggests surprise and vague explanations from a character named Ollie.

• The man sits facing the woman, who stands with her back to the camera. [frame:1]

Named: Iris Hilliard (t:13:40). 2 people observed.

“Never been early in my life. What's it all about? Oh, Nick, you've got me. All of a sudden, everything's wonderful. Rags to riches.” 13:40 · “Well, how does Ollie explain it? Oh, like he does everything else. Excuse me, he dismisses it. Can you say anything? Oh, vague. Very vague. …” 13:40

Flagged: name not grounded (Iris Hilliard)

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Model synopsis: A man and a woman have a conversation in an interior setting; the woman speaks about leaving a place and mentions someone named Nick. The dialogue suggests concern about another person's actions and plans to meet at a boat with champagne.

Named: Iris Hilliard (t:14:10). 2 people observed.

“care where he got it. Maybe he stole the Emperor's treasures. All I know is we're going home. This place is slowly killing him. And me too.” 14:10 · “Well, that's what has me worried. He hasn't...” 14:30

Flagged: name not grounded (Iris Hilliard)

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Model synopsis: A man in a suit walks past a fence with signage at night; a woman is audible but not visible. The scene includes a spoken farewell and an exclamation.

• A man in a suit walks past a fence with signage at night. [frame:1]

2 people observed.

“All right, see you at the boat, beautiful.” 14:57 · “Oh, my God.” 15:02

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Model synopsis: A man in a suit confronts uniformed officers at a checkpoint, claiming he is a Thought Control Officer and demanding to see Mr. and Mrs. Miller in State Room 23. The officers question him, and he mentions being tailed by someone named Susie Carter.

• A man in a suit confronts uniformed officers at a checkpoint. [frame:1]

Named: Susie Carter (t:15:32). 4 people observed.

“Oh, no. You're too anxious to get rid of me. I'm just going to see a couple of friends of mine off on the boat.” 15:32 · “Your name, please? Name? Well, uh, there's Susie Carter here. He's been tailing me all day.” 15:32

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Model synopsis: A man in a suit and fedora is addressed by name as Armstrong while interacting with uniformed men on a ship. A second man in uniform shouts for a door to be shut.

Named: Armstrong (t:16:02). 5 people observed.

“Come on, Jack. Sorry. Not permitted tonight. Excuse me, please. Armstrong. Armstrong, come on, dear.” 16:02 · “Oi! Oi! Shut the door! Hey!” 16:10

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Model synopsis: A man in a hat stands with another person near a window at night; a round light is visible outside. A voice says 'He's playing.'

• A man in a hat stands beside another person near a window. [frame:1]

2 people observed.

“He's playing.” 16:15

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Model synopsis: A dark, low-visibility scene shows two figures in a vehicle interior, one wearing a hat and seen from behind. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man in a suit and hat is seen entering a room, holding a box, and standing over a pile of clothes. A voice calls out 'Edie' during this sequence.

• A man enters a room through a doorway. [frame:1]
• The man stands holding a box under his arm. [frame:2]
• The man stands over a pile of clothes holding a box. [frame:3]

1 person observed.

“Edie.” 16:32

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Model synopsis: A man in a fedora and suit is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A single dark frame shows a dimly lit interior with a faint vertical light source and a barely visible figure on the left. No dialogue or clear objects are present.

1 person observed.

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Model synopsis: A person in a top hat and a circular badge is partially visible in shadow next to a gloved hand holding a door frame. No dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A man in a fedora walks down a dim hallway and later interacts with a uniformed officer while holding a folder. A woman is seen in shadow, and a line is spoken about refusing to believe police.

• A woman is seen in shadow, looking off-camera. [frame:1]
• A man in a fedora walks down a dim hallway. [frame:2]
• The man in the fedora stands in a doorway, facing forward. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Too bad. You refuse to believe police.” 17:02

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Model synopsis: A dark, foggy street scene at night shows a vintage car parked near a building with a lit sign, behind a picket fence. No people are visible or audible in this beat.

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Model synopsis: Two men in formal attire stand facing each other in a dimly lit interior. One wears a fedora and suit; the other wears a white cap and dark uniform. A transcript line says 'Now you know.'

• Two men stand facing each other in a dim interior. [frame:1]

2 people observed.

“Now you know.” 17:31 · “food has been told. You saw for yourself. Friends have not yet a life.” 17:32

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Model synopsis: A man in a suit and hat is visible in a dim interior, speaking into a telephone receiver. The transcript includes greetings and a name, Charlie Sprague, spoken during the beat.

• A man speaks into a telephone receiver. [frame:1]

Named: Charlie Sprague (t:17:50). 1 person observed.

“Hey!” 17:41 · “Hello. Tokyo Chronicle, please.” 17:45

Evidence, details and a link to share

Model synopsis: A man in a suit is on the phone at a cluttered desk while another man in a hat and coat is also on the phone in a dimly lit room. The transcript indicates a conversation about urgent trouble and locating the ambassador.

• Man in suit picks up telephone receiver at desk. [frame:1]
• Man in hat and coat holds telephone receiver to ear. [frame:2]
• Man in suit speaks into telephone receiver while looking off-camera. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Charlie. Charlie. There's trouble. Big trouble.” 17:54 · “Look, I can't tell you about it now. I'm coming right down.” 17:54

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Model synopsis: A man in a fedora and overcoat stands in a dimly lit interior while another man is seated at a desk. A voice exclaims 'Oh, my God.' during the beat.

• A man in a fedora and overcoat stands in a dimly lit room while another man sits at a desk. [frame:1]

2 people observed.

“Oh, my God.” 18:47

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Model synopsis: A person is seen from behind, bent over in a dark room. A man in a suit and hat is shown crouching near a window with wooden slats.

2 people observed.

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Model synopsis: A dimly lit interior scene shows two figures in close physical contact on the floor, with one appearing to restrain the other. The transcript contains only the word 'Easy.'

• Two figures are on the floor in a physical struggle or embrace. [frame:1]
• One figure appears to be restraining the other. [frame:1]

2 people observed.

“Easy.” 19:17

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Model synopsis: A man leans over another man lying on a bed in a dimly lit room. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man in a suit is seen moving quickly in a dimly lit interior space, with a shadow cast on the wall. A voice says, "I'm going to go."

• A man in a suit moves quickly toward a doorway. [frame:2]

1 person observed.

“I'm going to go.” 19:47

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Model synopsis: A man in a suit holds another man's chin while speaking to him in a dimly lit interior. A woman is mentioned but not visible, and a man named William is greeted at the end.

• A man in a suit holds another man's chin while leaning over him. [frame:1]

Named: Miss Moody (t:20:30), Nick (t:20:30), William (t:21:00). 5 people observed.

“Hey, Rolly. Rolly, take a sip of this. Here you are. Easy, easy. Up, up, up.” 20:07 · “Alright. Rolly, you want to tell me what happened?” 20:17

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Model synopsis: A dark, silhouetted interior scene shows a figure near a window with vertical blinds. No people are clearly visible, and no dialogue or on-screen text is present in this beat.

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Model synopsis: A man in a dark suit stands in a dimly lit interior holding papers. No dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A man in a tuxedo and hat confronts two uniformed officers at a doorway, refusing their request to search the premises. The transcript indicates the officers claim to be searching for a criminal and offer protection, which the man dismisses.

• A man in a tuxedo stands at a doorway facing two uniformed officers. [frame:1]

3 people observed.

“What is it? Very sorry to disturb. So am I. Beat it.” 21:55 · “A desperate criminal escaped police. Maybe he is hiding here. Sorry, we must search. We wish to protect you.” 22:00

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Model synopsis: A man lies on a bed while others, including uniformed officers, stand around him; one man in a suit speaks as another bends over the body. A voice requests to search the house, and someone announces they are leaving.

• A man in a dark coat bends over a body on a bed while others stand nearby. [frame:1]

6 people observed.

“Ah, here it's criminal. Don't you mean victim?” 22:18 · “We must search house, please.” 22:28

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Model synopsis: A man in uniform stands in profile, looking at a framed portrait on a wall. The scene is dimly lit and appears to be indoors.

• A man in uniform stands looking at a framed portrait on the wall. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dimly lit room while another figure is bent over in the foreground. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A person in dark clothing is seen from behind, looking at a framed portrait on a wall. The portrait depicts a man in formal military attire with medals, and a decorative screen is visible to the right.

2 people observed.

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Model synopsis: A man in a suit argues with another man in a fedora while uniformed officers stand by; a body lies on the floor. The man in the suit is then grabbed from behind as he tries to leave.

• A man in a suit gestures while speaking to a man in a fedora, with two uniformed officers nearby and a body on the floor. [frame:1]
• The man in the suit speaks with an urgent expression, one officer visible behind him. [frame:2]
• The man in the suit is grabbed from behind by the man in the fedora as he turns to leave. [frame:4]

Named: Oshma (t:23:16). 5 people observed.

“Yes, but you come with us and make report. All right, all right. That's exactly what I ought to do.” 23:00 · “Now, if you'll just give me a chance to phone my office while... Uh, not permitting, Taraphone.” 23:09

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Model synopsis: A man in a suit lunges at another man seated in a chair while a third man stands nearby; one person is on the floor. The scene is indoors in a room with framed pictures and a small table.

• A man in a suit lunges toward a seated man while another man stands nearby and a fourth person lies on the floor. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark military uniform with a peaked cap stands in a dim interior. He is visible in one frame; no dialogue or on-screen text is present.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in uniform stands in a room while another person kneels on the floor near a fallen individual. The room contains furniture including a lamp, a cabinet, and a potted plant.

• A man in uniform stands while another person kneels near a fallen individual on the floor. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in uniform is seen in a dimly lit space, then two men interact in an office with one in uniform and another in a suit; a third man in uniform is later seen seated at a desk. A line addresses 'Kandong San' as an unexpected friend.

• A man reacts with alarm in a dark space. [frame:1]
• A man in uniform stands beside a man in a suit in an office. [frame:2]
• A dark, empty corridor or room is shown. [frame:3]
• 1 more under Evidence and details.

Named: Kandong San (t:24:09). 4 people observed.

“Oh, my God.” 23:39 · “Good morning, Kandong San. Did not expect to meet you here except as a friend.” 24:09

Evidence, details and a link to share

Model synopsis: A man in a suit is on the phone in an office while another man in uniform sits at a desk. The transcript includes a demand for explanation and a request to speak with someone named Charlie Spray.

• A man in a suit stands holding a telephone receiver in an office. [frame:1]
• The man in the suit is shown in close-up, still on the phone. [frame:2]

2 people observed.

“I heard your phone.” 24:37 · “Hello. Hello, Tokyo Chronicle, please.” 24:40

Evidence, details and a link to share

Model synopsis: A man in uniform reads a document in an office while another man in a suit is shown on the phone and then holding a receiver. The transcript mentions a police report about Nicholas Condon and a complaint about gaiety at his home.

• A man in uniform reads a document at a desk. [frame:1]
• The same man in uniform continues reading, looking up briefly. [frame:2]
• A man in a suit holds a telephone receiver to his ear. [frame:3]
• 1 more under Evidence and details.

Named: Nicholas Condon (t:25:09). 2 people observed.

“Japanese government would not do that to American condoms, sir. Here is charge.” 24:56 · “his own home. Gaiety intense and far-reaching, causing complaints from neighbors. Complaints ignored, forcing police to make polite request…” 25:09

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Model synopsis: A man in a military-style uniform reads a document at a desk. The transcript mentions Condon being overcome by drinks and placed in a city jail by police.

• Man in uniform reads a document at a desk. [frame:1]

1 person observed.

“Demand police read. Police demand two girls read. Condon attempt to throw police out. Condon overcome by drinks. Friendly police put him to …” 25:42

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Model synopsis: A man in a suit speaks on the phone while another man in uniform sits at a desk; a third man is also on the phone in a different office. The transcript indicates a request to contact an ambassador and bring a camera.

• A man in a suit speaks on the phone. [frame:1]
• A man in uniform gestures while seated at a desk. [frame:2]
• The man in the suit continues speaking on the phone with intensity. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Hello, hello. Hello. You've cut me off. Give me the Choco Chronicle again, please. Because holding you in much esteem, man of great pres…” 25:58 · “are angry with protective police, you are free to go. Thanks. Hello, Charlie. Oh, Nick, please. Go home and get a little sleep. He had…” 26:09

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Model synopsis: A man in a suit confronts a man in military uniform in an office, accusing him of killing two Americans. The accused denies being present at either location.

• A man in a suit stands and gestures while speaking to a seated man in military uniform. [frame:1]
• A man in a shirt and tie sits at a desk, listening. [frame:1]

Named: Sergeant Oshima (t:26:39), Kandon-san (t:26:39). 3 people observed.

“Sergeant Oshima, you know our good friend Kandon-san of Tokyo Chronicle? We have met many times. Great honor.” 26:39 · “It's not mutual. You killed two Americans last night, Oshima.” 26:39

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Model synopsis: Two men face each other in a dimly lit room; one wears a military uniform and the other a suit. A third man in a tuxedo stands behind them, and the scene includes a window with bars and a filing cabinet.

3 people observed.

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Model synopsis: Three men converse in a dimly lit interior; one in a military uniform speaks to a man in a suit, while a third man in a tuxedo stands behind them. The dialogue includes a reference to judo and a farewell, suggesting a tense but polite parting.

• Man in military uniform speaks to man in suit. [frame:1]
• Man in suit looks toward camera while man in uniform stands beside him. [frame:2]
• Man in military uniform continues speaking to man in suit. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“in moon and I most pleasure of our evening be better you forget bad dreams and go home to good” 27:09 · “street sayonara condon son and if I may try big joke I say hope I am not to see you here too soon” 27:09

Evidence, details and a link to share

Model synopsis: Two men stand in a dimly lit interior room with filing cabinets and a chair; one faces away, the other stands at attention. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in suits and hats walk through a covered entryway toward the camera; a vintage car is parked to the left. The setting appears to be an outdoor entrance with stone paving and wooden posts.

2 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a view through a multi-pane glass door into a dimly lit interior room with furniture and a lamp. No people, spoken dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Model synopsis: A dark, snowy alleyway is shown with indistinct figures moving among snow-covered branches. No dialogue or clear actions are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: Two men stand in a dimly lit room with a desk and lamp; one gestures toward a window while speaking about a replacement pane. The dialogue references a prior event involving someone named Ollie and mentions 'plant number one' and 'plant number two' in relation to lipstick.

2 people observed.

“You can put your camera away There's the window that Ollie plowed through last night. They've replaced it” 28:03 · “Plant number one. Even to the lipstick. Plant number two. Yeah, they don't miss a bit.” 28:09

Evidence, details and a link to share

Model synopsis: A man in a suit enters a room after being called to the door; the transcript mentions bloodstains being cleaned and identifies him as Mr. Condon. No other people or objects are clearly visible in the single frame.

• A man in a suit enters a room through a doorway. [frame:1]

Named: Mr. Condon (t:28:39). 1 person observed.

“They've even cleaned up the bloodstains. Yeah, very thorough.” 28:21 · “What is it, Nick?” 28:30

Evidence, details and a link to share

Model synopsis: Three men are present in an interior office setting. One man, identified as Mr. Condon, is spoken to by another who states he is from the foreign office and will escort him to an audience with Premier General Baron Tanaka.

Named: Mr. Condon (t:28:55), Premier General Baron Tanaka (t:29:09). 3 people observed.

“This is Mr. Condon. Yes.” 28:55 · “Thank you. I'm from foreign office. Please permit me to escort you to audience with His Excellency.” 29:02

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in conversation in an interior setting; one is told to go to a home rather than an office. A third man is visible in the background in one frame.

Named: His Excellency (t:29:14). 4 people observed.

“Well, uh, I'm going to be busy for a couple of hours. Tell him I'll drop into his office sometime this afternoon. Please. Not to office. …” 29:14 · “Oh.” 29:26

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to another man indoors, then the scene cuts to an outdoor Japanese-style garden where people gather on a veranda. A woman in a dark dress with white shoulders stands apart, looking concerned. The transcript includes a request for privacy and a mention of 'Iris' being unhappy.

• A man in a suit speaks to another man indoors. [frame:1]
• The scene cuts to an outdoor garden with traditional Japanese architecture. [frame:2]
• People are seated and standing on a veranda in the garden. [frame:3]
• 1 more under Evidence and details.

Named: Iris (t:29:59). 5 people observed.

“An honor.” 29:32 · “Well, uh, a few minutes, please.” 29:34

Evidence, details and a link to share

Model synopsis: Two men in traditional and formal attire converse indoors while a woman in a dark uniform stands outdoors. The dialogue references a distasteful affair involving Colonel Tojo and Baron Tanaka, and a murdered woman.

• Baron Tanaka sips tea while seated with Prince Tatsuki. [frame:1]
• A woman in uniform stands outdoors, looking off-camera. [frame:2]
• Baron Tanaka smiles while holding a teacup. [frame:3]

Named: Baron Tanaka (t:30:18), Prince Tatsuki (t:30:18). 3 people observed.

“distasteful affair. Colonel Tojo advised it.” 30:12 · “Since when, Baron Tanaka, do you concede to Colonel Tojo's sordid wishes? I did not concede, Prince Tatsuki. I agreed.” 30:18

Evidence, details and a link to share

Model synopsis: Two men in formal attire converse in a room with traditional decor while a woman in a dark dress is shown separately. The dialogue references a woman of mixed parentage and political concerns about militarism.

• A woman in a dark dress looks downward with hands clasped. [frame:1]
• Two men sit facing each other in conversation, one in traditional robe, one in suit. [frame:2]
• The man in the traditional robe gestures while speaking. [frame:3]

3 people observed.

“An interesting woman. Yes.” 30:42 · “Mixed parentage? Yes. Her mother was... Chinese.” 30:50

Evidence, details and a link to share

Model synopsis: A man in a dark suit is seen from behind, walking toward a brightly lit doorway; his shadow is cast on the wall. A voice speaks of being esteemed as a liberal screen and a poet's scroll behind which samurai swords are sharpened.

• A man in a dark suit walks toward a lit doorway, casting a shadow on the wall. [frame:1]

1 person observed.

“Esteemed. Esteemed as a liberal screen. I am the scroll of the poet behind which samurai swords are being sharpened.” 31:30

Evidence, details and a link to share

Model synopsis: Two men in formal attire are shown in separate shots during a dialogue about national policy and personal sacrifice. One man is identified by speech as Baron Tanaka, and the conversation references a woman named Anna.

• A man in a robe gestures while speaking. [frame:1]
• Baron Tanaka is shown listening or reacting. [frame:2]

Named: Baron Tanaka (t:31:42). 2 people observed.

“We will perish. That is my view. Those fuels will lead Japan to disaster.” 31:42 · “To uphold my beliefs, I would die with Anna.” 31:42

Evidence, details and a link to share

Model synopsis: Two men are introduced in a room with traditional Japanese decor; one is identified as Colonel Tojo and another as Major Kajioka. The scene then cuts to two men walking outside near a building, followed by a shot of three men standing in a dimly lit interior with bookshelves and a lamp.

• Two men in hats walk outside near a building. [frame:2]
• Three men stand in a dimly lit room with bookshelves and a lamp. [frame:3]

6 people observed.

“Mr. Hayashi and Mr. Condon.” 32:12 · “It is a pleasure to see you again, Mr. Condon. A Colonel Tojo of the Imperial Army? And you know Major Kajioka, Imperial Secret Police?” 32:30

Evidence, details and a link to share

Model synopsis: Two men, one in civilian suit and one in military uniform, are present in a room with furniture and decor suggesting a private residence. A transcript line addresses someone as 'Mr. Nicholas Convin' and mentions meeting at home rather than the office, indicating the setting is a private dwelling.

• Two men stand facing each other in a room with chairs and a table. [frame:1]
• Several men are gathered in a room with furniture and decor; one man is seated in a chair. [frame:2]
• Two men are seated in chairs; one is smiling. [frame:3]

Named: Nicholas Convin (t:32:42). 5 people observed.

“Mr. Nicholas Convin. Please sit down.” 32:42 · “Thank you for coming to my home. It is more agreeable than meeting at the office. Here, we are not bothered with news paper, Ben.” 32:49

Evidence, details and a link to share

Model synopsis: A man in a suit sits in a chair while two other men, one in military uniform and one in civilian attire, sit together nearby. Dialogue references a front-page story and the impossibility of pleasing everyone.

• A man in a suit sits in a chair. [frame:1]
• Two men sit together, one in military uniform, one in civilian attire. [frame:2]
• The man in the suit remains seated. [frame:3]

4 people observed.

“Your front page story yesterday, Mr. Convin, was somewhat embarrassing.” 33:01 · “Can't please everybody.” 33:10

Evidence, details and a link to share

Model synopsis: Two men in formal attire speak to a seated man in a suit inside a room with statues and dark furniture. The dialogue accuses the seated man of printing a malicious rumor tied to subversive factions.

• Two men sit facing each other in a formal room; one gestures while speaking. [frame:1]
• Mr. Condon sits alone, looking down, in a dimly lit room with a statue behind him. [frame:2]
• Mr. Condon looks up as two men stand over him; one in uniform, one in suit. [frame:3]

Named: Mr. Condon (t:33:19). 4 people observed.

“Of course. We realize you had no way of knowing it was an inopportune moment for such a story.” 33:12 · “Frankly, Mr. Condon, certain liberal subversive factions within our own country are seeking to create an incident to weaken the present gove…” 33:19

Evidence, details and a link to share

Model synopsis: A man in traditional Japanese attire speaks to a seated man in a suit; a group scene follows with a uniformed officer and others in a formal interior. The dialogue references a forged document and a potential international incident.

• A group of five men are shown in a formal interior, including a uniformed officer. [frame:3]

Named: Mr. Condon (t:33:33). 5 people observed.

“As I said, Mr. Condon, the story itself is unimportant.” 33:33 · “are ridiculous. But should this rumor be taken seriously by the wrong people, a blazing fire might be kindled which Japan would find costly…” 33:42

Evidence, details and a link to share

Model synopsis: A man in a suit sits while others, including a uniformed officer, stand nearby; a transcript line mentions the murder of Mr. and Mrs. Miller. The setting appears to be an interior room with formal seating and a window showing foliage.

• A man in a suit sits in a chair while another person stands beside him. [frame:1]
• A man in a robe sits in front of a window showing trees. [frame:2]
• The man in the suit is shown again, now with a slight smile. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“to recover the document from him by force if we chose. We would prefer that you persuade him to return it to us. It seems you haven't heard,…” 34:12

Evidence, details and a link to share

Model synopsis: A man in traditional Japanese robes stands indoors near a window with a garden view. The transcript mentions inquiries about Mr. Miller and references the captain of the Nagata Maru.

• A man in traditional robes stands indoors near a window. [frame:1]

1 person observed.

“You spoke of this unpleasant fantasy. As we were concerned with the fate of Mr. Miller even more than you, we immediately made inquiries. …” 34:42

Evidence, details and a link to share

Model synopsis: A man in a suit reads a typed note about Mr. and Mrs. Oliver Miller aboard the Nagata Maru. The note is signed by Captain T. Nogami and mentions their health and curiosity about an inquiry.

• A typed note is visible, stating Mr. and Mrs. Oliver Miller are on board the Nagata Maru in perfect health and expressed curiosity as to inquiry. [frame:1]
• A man in a suit holds and reads the note. [frame:2]

1 person observed.

“Isn't it clear to you now?” 35:04 · “Perfectly clear.” 35:10

Evidence, details and a link to share

Model synopsis: A man in a suit sits while others stand around him in a formal room; one man in traditional Japanese attire speaks. The transcript mentions sending a radiogram to Mr. Miller to retrieve a document.

• A man in a suit sits while others stand around him in a formal room. [frame:1]
• The seated man holds papers and looks forward. [frame:2]
• A man in traditional Japanese attire speaks. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Cullen (t:35:12). 6 people observed.

“detail, Mr. Cullen. Murder is an ugly and dishonorable act, and to prove it, someone must be accused. Bodies must be produced. Now, Mr. Cull…” 35:12

Evidence, details and a link to share

Model synopsis: A man in a suit stands and speaks to seated men in a formal room; one seated man wears a military uniform. The transcript mentions a forgery and payment.

• A man in a suit stands and gestures while speaking to seated men. [frame:1]

4 people observed.

“We will all lift the lab at the strange hallucination which you experienced last night.” 35:42 · “See. Well, you want this forgery returned. Yes. And you're willing to pay plenty for it.” 35:51

Evidence, details and a link to share

Model synopsis: A man in a suit stands before a group including a uniformed officer and a seated man, delivering a demand about prosecuting the real murderers of Olly Miller and his wife. The transcript mentions Oshman Hishikata and implies a conditional outcome if justice is served.

• A man in a suit addresses a group including a uniformed officer and a seated man. [frame:1]

5 people observed.

“All right. Here's my price.” 36:02 · “embassy is informed that the murderers of Olly Miller and his wife, I mean the real murderers, Oshman Hishikata, not a couple of sacrificia…” 36:12

Evidence, details and a link to share

Model synopsis: A man in a military uniform stands in a room with three other men in suits; one seated, two standing. A single line of dialogue is spoken: 'Here.'

• A man in a military uniform stands in a room with three other men. [frame:1]

4 people observed.

“Here.” 36:32

Evidence, details and a link to share

Model synopsis: Three men are seated at a table in a dimly lit interior, discussing a resignation and a trip to Washington. One man pours whiskey while another mentions 'Bright Eyes' and references Tonika and the embassy.

• Three men are seated at a table with whiskey bottles and glasses. [frame:1]
• One man pours whiskey into a glass while another watches. [frame:2]

3 people observed.

“All right, sit down. Drink? Whiskey.” 36:38 · “For the love of Mike, what's this about you're quitting the paper? Trying to give you a break. You want my job, don't you? Oh, come on, don'…” 36:45

Evidence, details and a link to share

Model synopsis: A man in a fedora speaks with another man at a bar while a waiter stands nearby; the transcript mentions being tailed, embassy interest in departure, and a planned newspaper story. No names are spoken that identify the visible people.

• A man in a fedora stands at a bar counter. [frame:1]
• The man in the fedora sits across from another man at a table while a waiter stands behind them. [frame:2]

3 people observed.

“And he's been tailing me all day. They know you're leaving. They might have other plans for you, Ollie Miller style.” 37:18 · “the embassy has expressed a very definite interest in my safe departure. Polite, but official. Oh, yeah, and one more for me. After you f…” 37:24

Evidence, details and a link to share

Model synopsis: Two men in suits and hats converse in a crowded indoor setting. One man warns the other against an action, referencing a document and a sailing plan.

• A man in a suit speaks to another man wearing a fedora. [frame:1]
• The man in the fedora leans forward and speaks to the other man. [frame:2]

3 people observed.

“My lunch was right, Charlie. The police did not get that document. So it must have been the people who want to get it out of Japan. Now, …” 37:42

Evidence, details and a link to share

Model synopsis: Two men in suits sit at a table in an office, one pointing at a photograph while the other listens. A third man is visible in the background. The speaker requests a specific photo to be published with a story on the front page.

• A man in a light suit points at a photograph on a table while speaking to another man. [frame:1]
• A third man stands in the background with his back to the camera. [frame:1]

3 people observed.

“Look, there's a one-column cut of me in the files, three-quarter face. Very flattering. Run that with the story, front page.” 37:55

Evidence, details and a link to share

Model synopsis: Two men in hats converse in a crowded public space; one asks another named Katie to watch a friend. A third man stands in the background with his back to the camera.

Named: Katie (t:38:13). 3 people observed.

“Hey, Katie. Do me a favor, will you? Yes, please. Keep an eye on my friend over there. Yes, yes.” 38:13

Evidence, details and a link to share

Model synopsis: A woman and two men are in a crowded bar; one man introduces the woman as Miss Iris Xavier, though the transcript later refers to her as Miss Hilliard. The group converses while seated, with a waiter taking their orders.

• A woman and two men approach a table in a crowded bar. [frame:1]
• The group is seated; one man leans toward the woman as they talk. [frame:2]

Named: Iris Xavier (t:38:38), Nick Condon (t:38:38). 6 people observed.

“I say, Condon, may we join you? It looks as if every table's taken.” 38:24 · “I arrange it that way. This is Nick Condon, Tokyo Chronicle. Miss Iris Xavier just arrived from Shanghai. I hope you'll enjoy Tokyo. I t…” 38:38

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior, conversing. The woman wears an ornate dress and feathered hat; the man is in a suit and holds a small object while speaking.

2 people observed.

“You arrived last night? Yes.” 39:20 · “I went down to see a couple of friends of mine off on the Naga Tamaru last night.” 39:28

Evidence, details and a link to share

Model synopsis: A man in a suit gestures while speaking at a bar table; another man sits listening, and a woman is seated between them. A hand with a ring is shown near a glass, and a man in a tuxedo stands behind the bar.

• A man in a suit gestures with his hands while speaking. [frame:2]
• A man in a suit sits with a stern expression. [frame:3]
• Three people sit at a table in a bar; a bartender stands behind them. [frame:4]
• 1 more under Evidence and details.

5 people observed.

“Look here, Condon. You have a reputation for bad manners, but this is going too far.” 39:38 · “It's all right, Mr. Giselle. Perhaps Mr. Condon can explain.” 39:38

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a bar, speaking privately. The man admits he came to meet her and comments on her judo skills, while she questions his intentions.

2 people observed.

“I'm sorry. Sorry.” 39:58 · “I had kind of a rough night last night, and I'm not quite myself today. I read about it in this morning's paper. Well, that story, not tru…” 40:00

Evidence, details and a link to share

Model synopsis: A woman with red hair and an elaborate hat speaks to a man in a suit; they are seated at a table in an interior setting. The dialogue includes remarks about her appearance and a comment about leveling soon.

• Woman and man sit at a table, facing each other. [frame:4]

2 people observed.

“I've always liked red hair. I grew it for you. And the ears? Two of those. Isn't that good? More will be vulgar.” 41:00 · “Keep on, keep on. Pretty soon we'll level.” 41:13

Evidence, details and a link to share

Model synopsis: A woman in an ornate jacket speaks to someone off-screen, referencing a meeting arranged by a friend in Shanghai. The dialogue suggests a tense or serious conversation about trust or identity.

Named: Mr. Condon (t:41:18). 2 people observed.

“All right, Mr. Condon. Let's, to use your phrase, level.” 41:18 · “I was told to meet you by a friend. Yes, but whose friend?” 41:25

Evidence, details and a link to share

Model synopsis: A man and a woman are seated across from each other in an interior setting, engaged in a conversation. The woman wears an ornate jacket and a large feathered hat; the man is in a suit and tie. The dialogue references a person named Chang Pauling and a past relationship.

Named: Chang Pauling (t:41:38), Mr. Condon (t:41:18). 2 people observed.

“Chang Pauling. Yes. Yes, yes, wonderful, wonderful. And he asked you to look me up? Yes.” 41:38 · “And he certainly hasn't given up me. No, he remembers you very well, as you were then. He hoped you hadn't changed.” 41:48

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in an interior setting, speaking about spending ten days together. The woman wears an ornate dress and feathered hat; the man is in a suit with a pocket square.

• The woman responds and gestures while holding a glass. [frame:2]
• The man and woman sit at a table with drinks, continuing their conversation. [frame:3]

2 people observed.

“of me. First, we become better acquainted. It was his desire. His desire became mine five minutes ago.” 42:00 · “Come on, let's figure a way to go about that. About what? How to get better acquainted in the shortest possible time.” 42:00

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior, holding glasses as if toasting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person stands in a doorway holding a bundle, viewed from inside a dimly lit room. The scene is shot in black and white with high contrast lighting.

• A person stands in a doorway holding a bundle. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light dress stands between two men in formal attire in a dimly lit interior space; one man shakes her hand while another observes. A transcript line identifies the woman as Iris and mentions Colonel Tojo and Major Kezoka.

• A man in a tuxedo shakes hands with a woman in a light dress. [frame:1]
• A third man in a suit stands behind the woman, watching the handshake. [frame:1]

Named: Iris (t:42:49). 3 people observed.

“Iris, my dear. You know Colonel Tojo? Of course. And Major Kezoka?” 42:49

Evidence, details and a link to share

Model synopsis: A woman in a light-colored blouse with a decorative collar sits in a dimly lit interior, looking slightly off-camera. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a military uniform sits in a chair. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Four people sit in a dimly lit room with furniture and a table between them. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a formal dress and a man in a tuxedo stand together while a uniformed man sits nearby; dialogue discusses a document and Mr. Conrad's plan to leave Tokyo. The scene is set indoors with formal attire and military regalia visible.

• A woman and a man in formal wear stand together while a uniformed man sits nearby. [frame:1]
• The uniformed man is shown seated, looking forward. [frame:2]
• The woman is shown in a close-up, speaking. [frame:3]

Named: Your Excellency (t:43:30). 3 people observed.

“mind this pleasing. Perhaps we can eliminate the sort of details and learn exactly what has occurred thus far. Does this man possess the doc…” 43:30 · “As far as Mr. Condon is concerned, I have every hope for success. Hope alone will not suffice. Your submission?” 44:00

Evidence, details and a link to share

Model synopsis: The beat shows the exterior of a building with a sign reading 'TOKYO CHRONICLE' and a smaller sign below for 'PAPERS BOOKS'. No people or actions are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: A man in a suit is on the phone at a desk in an office. Another man in a vest is also on the phone at a desk in the same office. The transcript mentions a man in a top hat named Hayashi.

• A man in a suit is talking on the phone at his desk. [frame:1]
• A man in a vest is talking on the phone at his desk in a busy office. [frame:2]
• The man in the suit is still on the phone, looking serious. [frame:3]

Named: Hayashi (t:44:30). 3 people observed.

“Hey, Charlie. Charlie. That fellow in the top hat just going out. Isn't he the one from the foreign officers over at my house the other da…” 44:30

Evidence, details and a link to share

Model synopsis: Two men in suits argue in an office about a journalist named Cassell, whose past is being questioned. One man accuses the other of being manipulated by external orders and reveals Cassell's alleged financial misconduct.

• Two men stand facing each other in an office, one holding papers. [frame:1]
• One man speaks intently to the other, who listens with a slight smile. [frame:2]

2 people observed.

“Say, Nick. Do you know a guy named Cassell?” 44:55 · “Heard of him. Someone... Well, I just got a wire from the States about him. They say he's a good man. I thought I'd try him out in your …” 45:04

Evidence, details and a link to share

Model synopsis: Two men are in an office; one gestures while speaking. The transcript indicates agreement and a decision to think further.

• Man p2 gestures with his right hand toward man p1. [frame:1]

2 people observed.

“Yes, yes. Right now. Okay, okay. I'll give it some more thought.” 46:00

Evidence, details and a link to share

Model synopsis: Two men stand in a hallway, one holding papers, as one asks the other where he is going and what the Japanese said. A line about cultivating a flower is spoken.

• Two men stand facing each other in a hallway. [frame:1]

2 people observed.

“Hey, Nick, where are you going? What did the Japanese say? If the flower is to be beautiful, it must be cultivated.” 46:17

Evidence, details and a link to share

Model synopsis: A crowded street scene at night with a large illuminated sign visible above the crowd. No dialogue or named characters are present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a military uniform and a woman in a kimono walk through a crowded street at night, followed by other pedestrians. The scene is shot in black and white with high-contrast lighting, showing signs with Japanese characters.

• A man in uniform and a woman in a kimono walk side by side through a crowd. [frame:1]
• Crowd of men in hats and coats, some looking upward. [frame:2]
• Man in bow tie and hat looks up; woman in kimono visible behind him. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Come on.” 46:30

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior space and speak about eating. The woman is visible in both frames; the man is visible in the second frame. The transcript indicates they are discussing avoiding someone named Chase before deciding to eat.

• A woman and a man are standing in a dimly lit room and talking. [frame:1, frame:2]

2 people observed.

“Do you know what this Chase has done for me? Developed a ravelous appetite.” 47:00 · “I've developed a few myself.” 47:00

Evidence, details and a link to share

Model synopsis: A group of formally dressed people are gathered in a restaurant, with one person speaking about dining at Sato. The scene includes visible interactions among patrons and staff, with dialogue referencing an 'Imperial Secret'.

5 people observed.

“Thanks, Katie.” 47:30 · “We are about to dine at Sato. Oh, excellent restaurant. We thought you'd like it. Nothing too good for the Imperial Secret, please. Than…” 47:50

Evidence, details and a link to share

Model synopsis: Two people sit at a table in a dimly lit, crowded interior space, conversing. One person, a woman, is visible in profile and frontal shots; the other, a man, is seen from behind or in partial view. The dialogue references Japan and studying Japanese women.

• A woman and a man are seated at a table in a restaurant, engaged in conversation. [frame:1]
• The woman is shown in a closer shot, looking toward the man while seated at the table. [frame:2]

2 people observed.

“You like it, huh? Japan is lovely. But I've seen of it in three days.” 48:23 · “right but some of the inhabitants i object to the higher up you go the lower grade people you meet” 48:30

Evidence, details and a link to share

Model synopsis: A man and a woman are seated at a table in a dimly lit interior. The man faces the woman, holding a small object, while a lit candle and a decorative bowl are on the table.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman and a man sit at a table in a dimly lit interior, conversing. The woman speaks about Japanese women not being considered human beings, while the man listens and responds.

2 people observed.

“Nick, you know so much and still you're so ignorant about women.” 49:00 · “Ignorant but awfully willing.” 49:00

Evidence, details and a link to share

Model synopsis: A man and a woman are in a private office, engaged in a conversation where the woman states her identity as a woman in response to the man's question. The man is seated, holding a cup, while the woman is shown in a close-up, holding a cigarette.

Named: Iris Hilliard (t:49:42). 2 people observed.

“Hmm. I imagine they bootleg a thought now and then. Yes, bootleg thinking. That's not good enough. And so you've elected to help them. Wh…” 49:30 · “I'm a woman.” 49:42

Evidence, details and a link to share

Model synopsis: A woman in ornate attire and a man in a suit are shown in alternating close-ups during a dialogue. The transcript references Chinese women's freedom and names Tanaka, Tojo, and Yamamoto as figures who might be affected by it.

2 people observed.

“The Chinese women are just beginning to learn what it could mean to be free.” 49:53 · “way. You mean that might stop Tanaka, Tojo, Yamamoto and all the rest?” 50:00

Evidence, details and a link to share

Model synopsis: A man in a suit holds papers while speaking; a woman in formal attire listens. The dialogue references Tanaka and unpublished articles.

• Man holds papers and speaks to woman [frame:1]
• Woman listens, head slightly lowered [frame:2]

2 people observed.

“Is Tanaka planned? What do you know about it? Why don't you tell me? I haven't published any articles on the subject.” 50:10

Evidence, details and a link to share

Model synopsis: A man in a dark suit and a woman in formal attire sit at a table in a dimly lit interior. No dialogue or action is visible in the single frame provided.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat is visible in profile, seated at a table in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit, crowded room and speak. The man suggests a non-violent solution to a problem after the woman considers killing someone.

• A woman and a man sit at a table in a restaurant and talk. [frame:1]

2 people observed.

“Why don't I just kill him off?” 50:30 · “I think I know a less violent solution.” 50:34

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat shakes hands with a woman in a light dress in a dimly lit interior hallway. The interaction is brief and captured in a single frame at 3046s.

• A man and a woman shake hands in a hallway. [frame:1]

2 people observed.

“Watch.” 50:46

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora stands in a dimly lit room with patterned wall panels and a lamp. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a woman in an ornate dress in an interior setting. The man says, "Don't wait up for me, Katie."

Named: Katie (t:51:00). 2 people observed.

“Don't wait up for me, Katie.” 51:00

Evidence, details and a link to share

Model synopsis: A dimly lit room with three figures: one man in a suit near a doorway, a woman in a light dress standing near a wall, and another man in dark clothing near a fireplace. The room contains furniture including a sofa, armchairs, and a coffee table, with wall decorations and a lamp providing illumination.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora is shown in profile against a dark background. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are seated at a table in a dimly lit interior, conversing while another man stands nearby holding a tray. The dialogue suggests a casual, possibly flirtatious exchange, with a reference to someone named Hijikata being left out.

• A man and a woman are seated at a table while another man stands nearby holding a tray. [frame:1]
• The woman smiles at the seated man as they converse. [frame:2]

Named: Iris Hilliard (t:51:36). 3 people observed.

“Somebody been expecting us? Help yourself. You? Please. Oh, how about one for Hijikata out there? Let him suffer.” 51:36 · “Do you understand Chinese? Aye. I'm afraid she's hopelessly romantic. She's not exactly my type, but on the other hand, with a few altera…” 52:00

Evidence, details and a link to share

Model synopsis: A man in a suit holds a glass and a cigarette while speaking to a woman in a dark interior. The transcript includes advice on posture during conversation.

• man demonstrates posture by tilting chin up [frame:1]

2 people observed.

“when it begins to get interesting. Rule two, whenever you sit, always sit with your chin tilted up like this.” 52:30

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a dimly lit interior; the man recounts his travel history across American cities and China. No on-screen text or explicit time of day is visible.

• The woman gestures while speaking to the man. [frame:1]
• The man looks upward while speaking. [frame:2]

Named: Iris Hilliard (t:52:39). 2 people observed.

“Like this? Mm-hmm. Perfect. When did you leave China, Nick? Oh, there goes rule one.” 52:39 · “Well, I left China two years ago, left Brooklyn 15 years ago, Cleveland 10 years ago, Kansas City in the summer of 1921.” 52:49

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, engaged in a conversation where the woman questions the man's perception of her. The man is dressed formally, and the woman wears a dark dress with a prominent necklace.

• The woman smiles at the man. [frame:1]
• The man and woman stand facing each other in a dim room. [frame:2]
• The woman looks intently at the man while speaking. [frame:3]

Named: Iris Hilliard (t:53:43). 2 people observed.

“through the towns very quickly to sort of get them out of the way i don't think that'll be necessary” 53:00 · “I think I know. And I like it very much.” 53:30

Evidence, details and a link to share

Model synopsis: A man and a woman are in a private office, engaged in a conversation where the woman explains her mixed heritage. The man responds with a comment about her trying to run down the Irish.

Named: Iris Hilliard (t:53:49). 2 people observed.

“Much more than that.” 53:46 · “Be sensible, Nick. What I'm trying to tell you is that I'm half Chinese and... Well, I'm half Irish and half Norwegian. It isn't the same…” 53:49

Evidence, details and a link to share

Model synopsis: A man in a suit is visible in a dimly lit interior, embracing a woman. The transcript includes dialogue about gratitude, a game, and opinions on China and Japan.

• A man and woman are embracing in a dim interior. [frame:1]

2 people observed.

“Thank you, Nick. Stop it. Stop it. I hate gratitude. It's a very debasing emotion. Now, you just keep your mind on the game. That's rule…” 54:07 · “Have you played this game before?” 54:22

Evidence, details and a link to share

Model synopsis: A newspaper clipping titled 'There’s Money in Treachery' by Nick Condon is shown, discussing Joe Cassell and a China Famine Relief loan. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: A man in a suit is seen in an interior space with a globe and a flag, speaking with another person off-screen. The dialogue suggests a confrontation over political influence and a failed plan concerning a loan to China.

• Mr. Cassel stands near a globe and flag, holding his hat. [frame:1]
• Mr. Cassel is shown in a close-up, speaking with intensity. [frame:2]

Named: Mr. Cassel (t:55:00), Colonel (t:55:00). 2 people observed.

“Excuse me, gentlemen. I'll see you later. What is it? What's it all about?” 55:00 · “Colonel, this is an outrage. I won't tolerate it. You seem to forget my position and influence.” 55:00

Evidence, details and a link to share

Model synopsis: A man in a military uniform speaks to a man in a suit in an office; the transcript indicates a political discussion about friendship with China and Japan. No names are spoken that identify the individuals beyond 'Mr. Carsell'.

• Mr. Carsell gestures with his hand while speaking, appearing distressed. [frame:2]
• The man in the military uniform listens, seated at a desk. [frame:3]

Named: Mr. Carsell (t:55:30). 2 people observed.

“Magical government will have to make it very clear we were never acquainted with you.” 55:30 · “But where does that leave me? I've lost my friends in China and now...” 55:30

Evidence, details and a link to share

Model synopsis: A man in a military uniform stands in an interior space while speaking to someone off-screen. The dialogue suggests a tense negotiation involving a past mistake, money, and danger.

• Cassel stands in an office and speaks to Condon off-screen. [frame:1]

Named: Cassel (t:56:01), Condon (t:56:01). 2 people observed.

“Don't get me wrong, Condon. I don't blame you. It was my mistake.” 56:01 · “The Chinese are great people. I love them.” 56:01

Evidence, details and a link to share

Model synopsis: Two men in suits negotiate in an office; one offers half a million dollars and a trip to China. The seated man listens while the other leans over the desk, speaking urgently.

• A man in a fedora leans over a desk toward a seated man. [frame:1]
• The man in the fedora stands at the desk, looking down. [frame:2]
• The seated man gestures with his hands while speaking. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“But they don't suspect me.” 56:30 · “You set the price. Half a million, anything you say.” 56:30

Evidence, details and a link to share

Model synopsis: Two men are in a private office, one seated at a desk and the other standing and leaning over it, discussing a plan called 'Tanika' and a woman named Hilliard. The conversation implies prior arrangements and negotiations.

• The standing man leans over the desk toward the seated man. [frame:1]
• The standing man gestures with his hands while speaking to the seated man. [frame:2]
• The seated man looks up at the standing man, listening. [frame:3]

2 people observed.

“Take what to China? The Tanika plan. You got it done. Tanika's already made you an offer, but you're holding out for more. I know. Oh, …” 56:40 · “Well, what else do you know? Plenty. Didn't I frame the introduction for Tanika between you and the Hilliard dame? Don't I know she hasn'…” 56:50

Evidence, details and a link to share

Model synopsis: A man in a suit stands in an interior room with a coat rack and framed picture; dialogue suggests a confrontation about betrayal. No names are spoken that identify the visible person.

1 person observed.

“What else? That's funny. You smear me for selling out China while you're selling out your own country.” 57:10 · “Nick! Nick, what is it? Now that we know each other, start talking. Start talking! Nick, then is she?” 57:30

Evidence, details and a link to share

Model synopsis: A man in a suit and a woman in a patterned dress stand near a desk in an interior setting. The man gestures toward the woman while she looks at him.

• A man and a woman stand facing each other near a desk. [frame:1]
• The man gestures with his right hand toward the woman, who looks at him. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman and a man are in a private office, engaged in a tense conversation about espionage and betrayal. The woman is seated while the man stands over her, and dialogue references the Nagatomaru, Tanaka, and a failed attempt to build a case against her.

• The woman is seated and speaking to the man who stands over her. [frame:1]
• The man is standing and confronting the woman. [frame:1]
• The woman is shown in close-up, listening or reacting. [frame:2]

2 people observed.

“You were on the Nagatomaru that night. What if I was? You were for Tanaka. No. That's a lie.” 58:07 · “Thought you were going great, didn't you? Had me shooting off my mouth by the wonderful Chinese people. Tied me up with Chan Pauline.” 58:13

Evidence, details and a link to share

Model synopsis: A man and a woman are in a tense conversation in an interior setting, discussing a document called the Tanaka Memorial and the murder of Edith Miller and her husband. The man questions the woman's motives for risking her life, and she refuses to trade the document for money or safety.

Named: Iris Hilliard (t:58:33). 2 people observed.

“You're going to tell them how you killed Edith Miller. I didn't. Well, you know who did, and who killed her husband.” 58:33 · “You get down into a sewer with a dirty rat like Tanaka, and then come to me with your freedom for women, equal rights for all people, love o…” 58:33

Evidence, details and a link to share

Model synopsis: A woman speaks to a man in a dark setting while another scene shows two men in a room with equipment. The transcript includes dialogue about lies, a terrace, a portrait of the Emperor, and a fight in a garden.

• A woman speaks to a man in a dark setting. [frame:1]
• Two men are in a room with equipment; one is seated in uniform, the other stands behind him. [frame:2]

4 people observed.

“Is this some more of your lies? No, Nick. You wait on the terrace. I'll bring it to you.” 59:33 · “Um Goy. Where'd you get this? Where did you put it?” 59:33

Evidence, details and a link to share

Model synopsis: A man and a woman are in a conversation about a political document concerning Japan's expansion plans. The woman questions the man's involvement, and he asserts his certainty about the document's authenticity.

2 people observed.

“So this is it, huh? This is it. Memorial to His Imperial Majesty by Premier Tanaka. Outlining the positive policy of Japan.” 60:11 · “Manchuria is only the beginning. All of China, then America. Oh, now, wait a minute. What do you think we'll be doing when all this is going…” 60:30

Evidence, details and a link to share

Model synopsis: A woman speaks to someone named Nick in a dimly lit interior, expressing caution about revealing her stance on 'Free China'. The scene is a close-up, suggesting a private conversation.

Named: Iris Hilliard (t:61:38), Nick (t:61:38). 2 people observed.

“Not for me. Big payoff, huh? Yes. Free China.” 61:30 · “That's why I had to be so careful, Nick, about telling you. I had to be sure how you felt about it.” 61:38

Evidence, details and a link to share

Model synopsis: A man and a woman are in an outdoor setting at night, engaged in an intimate conversation. The man, dressed in a suit, speaks to the woman, who is seated and wearing a patterned dress, as he leans toward her.

• The man leans toward the seated woman in a garden. [frame:1]
• The woman looks up at the man, her hands clasped near her chin. [frame:2]
• The man speaks to the woman, his expression earnest. [frame:3]

Named: Nick (t:61:51), Mama (t:62:00). 2 people observed.

“And about you.” 61:44 · “Nick.” 61:51

Evidence, details and a link to share

Model synopsis: A woman is visible in a close-up, looking upward and to her left with her hand near her chin. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand close together in an interior setting; the woman speaks a line expressing reluctance to consider an alternative. The scene is lit with studio lighting and appears to be a dramatic moment.

2 people observed.

“I don't bear to think of it otherwise.” 62:30

Evidence, details and a link to share

Model synopsis: Two men are in an office; one in uniform sits at a desk while another leans over him. No dialogue is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit room with furniture and shelves; the man holds a glass and speaks while the woman listens. The transcript includes lines about sitting down and a cocktail, suggesting a social interaction.

2 people observed.

“Thank you. Sit down.” 62:49 · “You are not displeased that I suddenly baked this cocktail?” 62:54

Evidence, details and a link to share

Model synopsis: A man and a woman are in a private room; the man speaks of politics and intrigue and offers a gift. The woman, identified as Iris in the dialogue, is seated and receives the gift.

• Iris is seated and receives a gift from the man. [frame:2]

Named: Iris (t:63:30). 2 people observed.

“I am concerned about your work. I had hoped you might have completed your mission by now.” 63:05 · “But that the document we seek might already be in your hands.” 63:05

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside a seated woman in a patterned dress and hat; she holds an object. The transcript includes a promise to end politics and intrigue and mentions a gift.

• A man stands beside a seated woman who holds an object. [frame:1]

Named: Iris (t:63:30). 2 people observed.

“I understand, Iris. I promise, for you there will be no more politics, no more intrigue, no more spite.” 63:30 · “I shall be very grateful. It is I who am grateful.” 63:30

Evidence, details and a link to share

Model synopsis: A woman in patterned attire sits holding an object while a man in a dark suit stands nearby. The transcript includes dialogue about rubies and a biblical quotation, suggesting a conversation about value or virtue.

• A woman sits holding an object while a man stands nearby. [frame:1]
• The man gestures while speaking to the seated woman. [frame:2]

2 people observed.

“I dare say you were expecting more rubies. I haven't forgotten how you love them.” 64:00 · “Oh, no. These are quite lovely.” 64:13

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior; the man leans over the woman as she holds an object. The transcript references thirty pieces of silver from the Christian Bible.

• A man leans over a seated woman who is holding an object in her hands. [frame:1]

2 people observed.

“From the Christian Bible. It should remind you of something else from the same source.” 64:30 · “The coin.” 64:38

Evidence, details and a link to share

Model synopsis: A man in a suit confronts a woman in an ornate dress inside a room with a large window; he speaks of betrayal and a plan to uncover a traitor. The woman listens with her hands clasped, and the man is shown in a close-up as he demands a name.

• The woman is shown listening with her hands clasped over her chest. [frame:3]

Named: Iris Hilliard (t:65:00). 2 people observed.

“Now, I'm not going to kill you. I'm going to give you a chance to save your life and my honor.” 64:50 · “that you betrayed me was discovered by Colonel Tojo. I managed to save face thus far by informing him that your actions were part of a plan…” 65:00

Evidence, details and a link to share

Model synopsis: A man in a suit tells a woman in an ornate dress she has two hours to decide, after which Colonel Toyo will determine her fate. The woman is shown in close-up, appearing composed.

• A man and a woman stand facing each other in a dimly lit room. [frame:1]
• A close-up shows the woman looking forward with a neutral expression. [frame:2]

2 people observed.

“Very well. You have two hours in which to make your decision. If at the end of that time I do” 65:19 · “Your fate will be in the hands of Colonel Toyo.” 65:30

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other indoors; the woman gestures near her chest while the man listens. The transcript contains a single line spoken during this beat.

• A woman gestures with her right hand near her chest while facing a man. [frame:1]

2 people observed.

“Weigh carefully the possibilities of such a future.” 65:34

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a dimly lit room with a side table and a door visible. He is audible giving instructions not to leave the hotel or use the telephone, and says he will await a call.

• A man in a dark suit stands in a room with a side table and a door. [frame:1]

1 person observed.

“Oh, and, uh, do not attempt to leave the hotel or use the telephone as it will be useless.” 65:44 · “I will await your call.” 65:56

Evidence, details and a link to share

Model synopsis: A woman in a patterned robe stands near a telephone in a dimly lit room while a man in uniform sits across from another man at a desk in a separate scene. The transcript indicates a call is being routed to Baron Tanaka’s office.

• A woman stands near a telephone in a dimly lit room. [frame:1]
• Three men are seated in an office; one in uniform faces a man at a desk, another in uniform sits with back to camera. [frame:2]

4 people observed.

“your chronicum office please sorry only calls to baron tanaka will be accepted from your suite” 66:14

Evidence, details and a link to share

Model synopsis: A man in a suit addresses two other men in a dimly lit room, speaking of failure, honor, and a pledge to conquer. He mentions meeting before a shrine and references the White House as a future site of Japanese victory.

• A man in a suit stands between two uniformed men and speaks solemnly. [frame:1]

Named: Captain Yomoto (t:67:21), Colonel Toyo (t:67:21). 3 people observed.

“You will see that the woman is punished.” 66:44 · “Death that comes quickly is not punishment. There are other forms which are slow, which must be painfully absorbed. Yes, excellent, I'll s…” 66:55

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows two silhouetted figures in a room with ornate furniture and a large wall painting. One figure speaks, asking if something is red enough, and receives an affirmative reply from the other.

2 people observed.

“Is everything in red enough?” 68:28 · “Yes, Your Excellency.” 68:28

Evidence, details and a link to share

Model synopsis: A man in a dark robe walks down a dimly lit corridor, followed by another figure. The scene is shot in black and white with high contrast lighting.

• A man in a robe walks toward the camera down a corridor. [frame:1]
• Another figure follows behind the man in the robe. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform stands at attention in a dimly lit room with traditional Japanese decor while another figure is seen from behind in silhouette. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform stands beside a seated woman in a light robe in a dimly lit room with ornate decor. No dialogue or on-screen text is present in the frames.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in traditional robes kneels before an altar while another man in a decorated military uniform stands nearby. A voice speaks of considering past services.

• A man in robes kneels on the floor. [frame:1]
• A man in a military uniform stands with a sword at his side. [frame:2]
• A man in robes kneels facing an altar. [frame:3]

2 people observed.

“I have been considering your past services to us.” 70:14

Evidence, details and a link to share

Model synopsis: A man in a military uniform speaks on the phone in an office; another person is also on the phone in a different room. The transcript indicates a conversation about reestablishing oneself through an exclusive news story.

• A man in uniform speaks on the telephone. [frame:1]
• A person in a robe speaks on the telephone while sitting on a bed. [frame:2]
• The man in uniform continues speaking on the phone. [frame:3]

2 people observed.

“value. Thank you, Colonel. I told you. You know I've always been a friend of Japan's.” 70:44 · “Japan does not forget her friend. That is the way in which you can reestablish yourself.” 70:44

Evidence, details and a link to share

Model synopsis: Three men in suits converse in a hallway; one enters a sunlit room with traditional furnishings. A transcript line mentions Baron Tanaka and a suspicious press release.

• Three men stand in a hallway conversing. [frame:1]
• A man enters a sunlit room with traditional furnishings. [frame:2]

Named: Charlie (t:71:12), Art (t:71:28), Hillary (t:71:14), Baron Tanaka (t:71:14). 8 people observed.

“There must be something wrong, Charlie. I've been trying to get her all morning.” 71:12 · “Did was Hillary have any visitors yesterday? Yes. Baron Tanaka. Baron Tanaka?” 71:14

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a doorway near a closet; dialogue indicates someone escaped. No named person is identified in the transcript or frames.

• A man stands in a doorway near a closet. [frame:1]

1 person observed.

“Well?” 72:07 · “They didn't get her. She took a run-out powder.” 72:10

Evidence, details and a link to share

Model synopsis: Two men are in a room with traditional Japanese interior elements; one is kneeling at a low table while the other stands near a doorway. A third man enters and speaks, directing attention to baggage.

• A man kneels at a low table while another sits nearby. [frame:1]
• Two men stand near a doorway; one enters while another holds an object. [frame:2]

4 people observed.

“They are for the baggage.” 72:14 · “Come right in. There they are.” 72:24

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands in a dimly lit room with large windows. No dialogue or identifiable actions occur in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark traditional attire counts items at a table in an interior room. A voice off-screen says 'Lotte' and another speaks about luggage and counting.

• A man counts items on a table. [frame:1]

Named: Lotte (t:72:44). 2 people observed.

“Lotte.” 72:44 · “Four-piece luggage. Count check, please. All right, all right. I'll take your word for it. Sorry. Must count.” 73:00

Evidence, details and a link to share

Model synopsis: Two men in suits stand in a room with a table and chairs; one holds a note that reads 'Wharf at foot of Haribata Street Iris'. A voice says 'Nicole', then 'All right, let's get going' and 'Have another drink'.

• A hand holds a handwritten note reading 'Wharf at foot of Haribata Street Iris'. [frame:1]
• Two men in suits stand facing each other in a room with a table and chairs. [frame:2]

Named: Nicole (t:73:14). 3 people observed.

“Nicole.” 73:14 · “All right, let's get going.” 73:24

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in a tense conversation; one urges the other not to go, warning of a spy trap. The dialogue suggests a woman is involved and that a departure by boat is imminent.

• Two men stand close, one gesturing with a clenched fist, the other holding his hand up as if to stop him. [frame:1]

2 people observed.

“It's a frame, Nick. Easy, easy. Here she got it around outside somewhere. She's had almost a week to contact you. Why does she wait until…” 73:44 · “Let me see who it is. No, no, no, no. You wait here.” 74:11

Evidence, details and a link to share

Model synopsis: Two men in suits speak in a dimly lit interior; one arrives to warn the other of an impending arrest warrant for suspected espionage. The transcript reveals the visitor is Johnny Clark from the embassy, sent by the ambassador to protect the resident from Japanese authorities.

• Johnny Clark enters a room and greets Nick. [frame:1]
• Nick listens with a grave expression as Johnny Clark continues speaking. [frame:3]

Named: Johnny Clark (t:74:18), Nick (t:74:18). 3 people observed.

“Johnny Clark from the embassy. I'm certainly relieved to find you here, Nick.” 74:18 · “Frankly, in a Japanese dungeon.” 74:18

Evidence, details and a link to share

Model synopsis: Two men speak in a dimly lit room; one hands a diplomatic pouch to the other before departure. The recipient is told he will be immune and must reach the embassy within an hour.

• Nick receives a pouch from Johnny and prepares to leave. [frame:2]

Named: Johnny (t:74:44), Nick (t:74:44). 2 people observed.

“on the Wilson at once in charge of the captain. Great, you'll be immune, you'll be a diplomatic pouch.” 74:44 · “It's the only way, Nick. If they once catch you, it's a long legal tangle before we can do anything weeks, maybe months.” 74:44

Evidence, details and a link to share

Model synopsis: A dark, silhouetted building with a traditional tiled roof is shown at night. No people or movement are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: A single dark frame shows a barely visible figure in a hat and a cluster of small, bright shapes against black. No spoken dialogue or on-screen text is present.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark exterior shot of a traditional building with a tiled roof and lit windows at night. No people or actions are visible in the single frame provided.

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A dark, indistinct interior space is shown with faint lights and structural elements visible. No people, objects, or text are clearly identifiable in the single frame provided.

Evidence, details and a link to share

Model synopsis: A dark, low-visibility scene shows a vehicle with headlights on, parked or moving near a large structure. No people are visible, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Model synopsis: A dark, indistinct outdoor scene is shown with a single frame at 4561s. A voice calls out 'Mrs. Hunt!' at 76:06. No identifiable people, objects, or place details are visible.

• A dark, blurry outdoor scene is shown. [frame:1]

Named: Mrs. Hunt (t:76:06). 1 person observed.

“Mrs. Hunt!” 76:06

Evidence, details and a link to share

Model synopsis: The frame is almost entirely black with no discernible objects, people, or text. No events or actions can be observed in the provided visual.

Evidence, details and a link to share

Model synopsis: A dark, indistinct exterior scene at night with faint lights visible in the distance. No people, objects, or text are clearly identifiable in the single frame provided.

Evidence, details and a link to share

Model synopsis: A dark, low-visibility scene at night shows indistinct shapes and distant lights. No people, objects, or text are clearly identifiable in the single frame provided.

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A dark interior scene where a person is partially visible in silhouette. A voice tells someone named Nick it is all right and to light up.

• A silhouetted figure is visible in a dark room. [frame:1]

Named: Nick (t:76:57). 2 people observed.

“Light up in there. It's all right, Nick.” 76:57

Evidence, details and a link to share

Model synopsis: A man and a woman stand close in a dimly lit interior, speaking urgently. The woman says she trusts him and invites him to come with her, while a third party, Mr. Condon, is addressed about time being short.

• A woman embraces a man in a dark room. [frame:1]

Named: Iris Hilliard (t:77:11), Mr. Condon (t:78:00). 3 people observed.

“One whole week, not a word from you. I couldn't get word to you before this. You could have gotten word to me some way. You still don't t…” 77:11 · “I do trust you. I worked that out myself an hour ago.” 77:27

Evidence, details and a link to share

Model synopsis: A man in formal attire with medals speaks to two others in a dimly lit interior. The transcript indicates a discussion about signing a document whose authenticity may be challenged, and the risk of a traitor's voice being silenced in Japan.

• The man gestures while speaking to the others in the room. [frame:2]

3 people observed.

“most effectively if I sign the document in your presence. Naturally, when this is made public, its authenticity will not go unchallenged.” 78:11 · “including the Emperor. In that event, Your Highness, your voice will give them the lie.” 78:41

Evidence, details and a link to share

Model synopsis: Two people stand in a dark space holding a lantern; a third person joins them. The scene is dimly lit and appears to be indoors.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks in a dark setting, stating he pardons not for the listener's country but his own, preferring Japan defeated over triumphant under militarists. No other people, objects, or place details are visible or stated.

• A man in formal attire speaks in a dark setting. [frame:1]

1 person observed.

“I pardon this not for your country, but for mine.” 79:11 · “I would rather see Japan defeated than triumphant under the heels of our militarists.” 79:15

Evidence, details and a link to share

Model synopsis: A man and a woman are visible in a dark setting; one speaks the line 'Come on.' No clear location, time of day, or period is established from the frame or transcript.

2 people observed.

“Come on.” 79:59

Evidence, details and a link to share

Model synopsis: A man in a suit speaks in a dark setting. The transcript shows him asking a woman for a kiss. No other people or objects are clearly visible.

1 person observed.

“Lady, would you mind very much if I were to kiss you?” 80:06

Evidence, details and a link to share

Model synopsis: A woman and a man are in a dimly lit interior, speaking urgently about escaping together. The woman pleads with the man, Nick, to leave with her before authorities detain him, mentioning a fishing boat and diplomatic immunity.

Named: Nick (t:80:30). 2 people observed.

“I don't believe I'd have the strength to move from this spot until you did.” 80:14 · “And now we've got to get out of here.” 80:27

Evidence, details and a link to share

Model synopsis: A man and a woman stand close in a dark setting, engaged in a quiet exchange. The woman smiles faintly as the man speaks to her, and their proximity suggests intimacy or tension.

• The man and woman stand close, facing each other, in a dimly lit space. [frame:1]
• The woman looks up at the man with a slight smile. [frame:2]

2 people observed.

“For you?” 80:57 · “Are you worth that?” 81:00

Evidence, details and a link to share

Model synopsis: A man is visible in a dimly lit interior, speaking the line 'Well, honey, why didn't you tell me?'. No other people, objects, or place details are discernible in the frame.

1 person observed.

“Well, honey, why didn't you tell me?” 81:04

Evidence, details and a link to share

Model synopsis: A single dark frame shows an indistinct interior space with faint light sources. No people, objects, or text are clearly visible, and no events or dialogue occur in this beat.

Evidence, details and a link to share

Model synopsis: A single dark frame shows an indistinct figure in a dimly lit interior. No events, dialogue, or clear objects are visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure stands near a window overlooking a dark, wet street at night. Reflections of lights shimmer on the wet pavement below.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single dark frame shows a shadowy interior with indistinct vertical structures. No people, objects, or text are clearly visible, and no events or dialogue are recorded in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform and cap is visible in near darkness, holding a circular object that reflects light. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows silhouetted figures on a staircase and in the foreground. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: Two dark frames show an indistinct interior with faint lights; a voice asks what is wrong. No identifiable people, objects, or place are visible.

“That's it. Right there. What's wrong?” 82:00

Evidence, details and a link to share

Model synopsis: A man and a woman are seen in a dark interior, moving quickly as one calls out to guide the other. The scene is dimly lit, with only partial visibility of their figures and clothing.

• A man and a woman move quickly through a dark space. [frame:1]
• The man and woman continue moving, now seen from behind, with another figure partially visible. [frame:2]

3 people observed.

“Nick, this way.” 82:11 · “Wait, wait.” 82:17

Evidence, details and a link to share

Model synopsis: A dark, indistinct interior scene is shown with a figure partially visible near a window with horizontal blinds. A voice says 'Police everywhere. Hurry.'

1 person observed.

“Police everywhere. Hurry.” 82:24

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, engaged in a tense, urgent conversation. The woman pleads with the man to leave, warning he will be killed, while he insists on staying with her.

• A man and a woman stand close, facing each other in a dim room. [frame:1]
• The woman looks at the man with a concerned expression. [frame:2]
• The man and woman are in a tense, close conversation. [frame:3]
• 1 more under Evidence and details.

Named: Iris Hilliard (t:82:30). 2 people observed.

“You'll have to take it out, darling. I'll hold them here until you get a start. No, Nick, they'll kill you.” 82:30 · “Get going. Nick, Nick, they'll kill you. The plan is all they want. Leave it here, Father. Leave it here. We can't do that. I won't leave wi…” 82:38

Evidence, details and a link to share

Model synopsis: A woman and a man have a tense conversation in a dark interior; the woman agrees to comply with the man's request. The man wears a fedora and suit, and the woman wears a dark dress with a brooch.

Named: Iris Hilliard (t:82:53), Nick (t:83:00). 2 people observed.

“You're my girl, aren't you? All right. And you're going to do what I want you to do. I know it's tough.” 82:53 · “tougher to go than it is to stay. But you can't hold him, and I think I can. All right, Nick. I'm your girl.” 83:00

Evidence, details and a link to share

Model synopsis: Two figures are shown in close proximity in a dark, low-lit setting. No dialogue or identifying details are present in the frames or transcript for this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a person in dark clothing moving near a wooden structure. No dialogue or on-screen text is present in this beat.

• A person in dark clothing moves near a wooden structure in a dimly lit room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman speaks in a dimly lit interior, warning someone to hurry as the neighborhood is deteriorating. The scene is dark, with only partial views of the characters and setting visible.

Named: Iris Hilliard (t:83:22). 1 person observed.

“You better hurry, darling. This neighborhood's getting awfully run down around here.” 83:22

Evidence, details and a link to share

Model synopsis: A man in a suit and hat walks into a dimly lit room where another man in uniform is present. A voice accuses someone named Yoshma of strangling a woman and shooting Ollie Miller. The scene is dark, with minimal lighting focused on the characters.

• A man in a suit enters a dark room. [frame:1]
• A man in uniform is seen standing in the dark room. [frame:2]
• The man in the suit walks forward, facing the man in uniform. [frame:3]
• 1 more under Evidence and details.

Named: Yoshma (t:83:30). 3 people observed.

“Given up strangling, eh, Yoshma? Oh, that's right. You had given it up. You shot Ollie Miller. It was his wife you strangled, wasn't it?…” 83:30

Evidence, details and a link to share

Model synopsis: A man in a suit and hat speaks while another man in a military uniform stands nearby. The dialogue suggests a threat involving weapons, referencing 'Japanese fashion.'

• Mr. Conant speaks while facing forward [frame:1]
• A man in uniform stands in shadow holding something [frame:2]

Named: Mr. Conant (t:84:00). 2 people observed.

“a man with your bare hands, it's rather risky, isn't it? You're very clever, Mr. Conant, but there's one flaw in your cleverness. It is as e…” 84:00

Evidence, details and a link to share

Model synopsis: A man in a suit stands indoors holding a coat, with a chair and draped background visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands over another man who is seated or crouched on the floor in a dimly lit interior. A shouted command 'Go!' is heard during the scene.

• A man in a suit stands over another man on the floor. [frame:1]

2 people observed.

“Go!” 84:30

Evidence, details and a link to share

Model synopsis: A person lies motionless on the floor in a dimly lit room while another stands over them. The setting appears to be an interior space with furniture and a hanging lamp.

• A person lies motionless on the floor while another stands over them. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A person is lying on the floor in a dimly lit space. The scene is dark with high contrast lighting, showing only partial details of the figure and surroundings.

• A person is lying on the floor in a dark space. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform with epaulets is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is bent over another person lying on the floor in a dimly lit interior. No dialogue or on-screen text is present in this beat.

• A person is bent over another person lying on the floor. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark room is grabbed from behind by another man while a third man watches; a voice calls out "Jerry!". The scene is dimly lit with a single overhead lamp and appears to be an interior space with minimal furniture.

• A man in a hat grabs another man from behind. [frame:1]
• A third man watches the struggle. [frame:2]

Named: Jerry (t:85:00). 3 people observed.

“Jerry!” 85:00

Evidence, details and a link to share

Model synopsis: A person kneels on a dimly lit floor near scattered objects and a standing lamp. The scene is dark and appears to be indoors, with no visible text or spoken dialogue in this beat.

• A person kneels on the floor near a lamp and scattered objects. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person lies motionless on a dark floor in a single frame. No dialogue or on-screen text is present in this beat.

• A person is lying motionless on the floor. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man is shown on the ground, being subdued or attacked by another person in a dimly lit, cluttered interior space. The transcript contains brief commands: 'Come on' and 'Stop.'

• A man is on the ground, being held down by another person. [frame:1]
• A person stands over the man on the ground. [frame:2]
• The person on top appears to be striking or grappling with the man on the ground. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Come on.” 85:30 · “Stop.” 86:00

Evidence, details and a link to share

Model synopsis: A person lies motionless on a dark floor in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

• A person is lying motionless on the floor. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are engaged in a physical struggle in a dimly lit interior space. One man is being pushed or shoved by another, and the second frame shows them moving rapidly, suggesting a fight or chase.

• A man in a light suit is shoved by another man in dark clothing. [frame:1]
• The two men are moving quickly, with the man in dark clothing appearing to chase or force the other forward. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a light jacket and dark vest stands in a dimly lit interior, looking upward with his mouth open. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in uniform stands over a person lying on the floor while another man approaches; a voice says 'Come on.' The setting appears to be a dimly lit interior with cluttered background.

• A man in uniform stands over a person lying on the floor. [frame:1]
• A person lies motionless on the floor. [frame:2]
• A man in a light shirt approaches the uniformed man. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Come on.” 86:30

Evidence, details and a link to share

Model synopsis: A dark, low-lit scene shows a body of water with distant lights and a silhouetted figure moving indoors. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man gestures in a dark, narrow alley at night while another figure walks away. The transcript includes a shouted command to look something up and return.

• A man gestures with his right arm in a dark alley. [frame:1]
• A figure walks away down the alley. [frame:2]

2 people observed.

“Look it up! Come on back there!” 87:22

Evidence, details and a link to share

Model synopsis: A person is visible in a dark, cluttered interior space with stacked boxes and dim lighting. No names, times, or specific events are established by the frames or transcript.

• A person is visible moving in a dark, cluttered interior. [frame:1]
• The same person is seen in a wider view of the cluttered interior with stacked boxes. [frame:2]

1 person observed.

“Ah!” 87:30

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a silhouetted figure moving near barrels under a window. No dialogue or on-screen text is present in this beat.

• a silhouetted figure moves near barrels in a dark room [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, indistinct interior is shown with no clearly visible people or objects. A voice urges someone to hurry, saying 'Come on, come on! Come on, dear!'

1 person observed.

“Come on, come on! Come on, dear!” 88:00

Evidence, details and a link to share

Model synopsis: A single dark frame shows an indistinct outdoor scene at night with a small figure in the mid-ground. No people are clearly visible, no dialogue is present, and no objects or text can be identified.

Evidence, details and a link to share

Model synopsis: A man in a suit is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and dark suit is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single figure walks across a dark, indistinct outdoor space at night. No dialogue or identifiable objects are visible in the frame.

• A figure walks across a dark street. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows the seal of the United States Embassy behind ornate metalwork. No people, actions, or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: Two men are visible inside a vehicle at night; one appears to be in uniform. A command is given to check the men. No place is clearly identifiable beyond the vehicle interior.

2 people observed.

“Abbe, check the men.” 89:00

Evidence, details and a link to share

Model synopsis: A dark, silhouetted figure is visible against a dimly lit background with indistinct shapes. No identifiable objects, people, or text are present in the frame.

Evidence, details and a link to share

Model synopsis: Two men are in a vehicle at night; one is driving while the other looks out the window. A transcript line indicates a character named Condon has escaped and is being directed to drive past specific streets.

2 people observed.

“Condon has escaped from the Sumida docks.” 89:24 · “he comes here. Driver! Drive past Arca Street. Nannishika. Akamachi Tote. Ia, Ia.” 89:30

Evidence, details and a link to share

Model synopsis: A dark, rainy night scene shows a silhouetted figure moving near a large structure, followed by a wider view of a wet, lamp-lit street with trees and a vehicle. No dialogue or identifiable characters are present in this beat.

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Model synopsis: A man in a suit is shown in close-up against a dark background, followed by a street scene at night with several figures and a vehicle. The man reappears in another close-up before the final frame shows a street with a car and people near a building with a sign.

• a man in a suit stands in profile against a dark background [frame:1]
• a group of people stand on a wet street at night near a building with a lit window [frame:2]
• the man in the suit is shown again in a close-up, facing forward [frame:3]
• 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and vest is visible in a dimly lit setting. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit walks on a wet street at night. The scene is dark, with distant figures and vehicles visible in the background.

• a man walks on a wet street [frame:1]
• a man in a suit is shown in close-up [frame:2]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two frames show a wet, dark street at night with a vehicle and figures moving. No people are named or audible, and no objects or text are clearly identifiable beyond the street and building facade.

Evidence, details and a link to share

Model synopsis: A man stands beside a car at night while another is inside; one says 'Look at this.' The setting is dark and outdoors, with no clear time of day or period indicators.

• A man stands beside a car while another is inside. [frame:1]

2 people observed.

“Look at this.” 91:30

Evidence, details and a link to share

Model synopsis: A man in uniform stands over another man lying on the ground. A voice apologizes to Mr. Kahneman and comments on Japanese intelligence. No named person is visually identifiable beyond the uniformed man and the man on the ground.

• A man in uniform stands over a man lying on the ground. [frame:1]

Named: Mr. Kahneman (t:91:36). 3 people observed.

“So sorry, Mr. Kahneman, to take plan from you. But you see, Japanese very smart. Only half smart, monkey. Only half smart.” 91:36

Evidence, details and a link to share

Model synopsis: A man in uniform confronts others at a gated entrance at night; one man is seen lying on the ground while another leans over him. A uniformed officer speaks to two men, one of whom is addressed by name as Yamada.

• A man in uniform stands at a large gate at night. [frame:1]
• A group of men in suits and hats are gathered in a dimly lit area. [frame:2]
• A man leans over another man lying on the ground. [frame:3]

Named: Yamada (t:92:01). 5 people observed.

“Get out of my way.” 91:55 · “Hello, fella. I said I'd be back in an hour. I'm sorry I'm a few minutes late.” 92:01

Evidence, details and a link to share

Model synopsis: A man in a suit is confronted by a uniformed officer and other men in a dimly lit interior. Dialogue references Condon, Japan, and a proposed deal to forget an incident.

• A man in a suit holds a cigar while being confronted by a uniformed officer. [frame:1]
• The uniformed officer speaks to the group, with two other men listening. [frame:2]
• The uniformed officer continues speaking, looking off-camera. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Extremely sorry this has been the result, Mr. Clark. It is true Condon has been enemy of Japan. But Japanese people are very good, very ge…” 92:18 · “actions of Condon and say no more. You, in turn, will forget this incident? What's the matter, Yamada? Afraid of the penalty for failure? W…” 92:30

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dimly lit interior while another man speaks about forgiving enemies after getting even. The scene is a single shot with minimal movement and dark lighting.

• A man in a suit stands facing another man in a dim room. [frame:1]

3 people observed.

“I am waiting.” 93:00 · “Sure. Forgive your enemies. But first, get even.” 93:03

Evidence, details and a link to share

Model synopsis: The final frame of the film displays end credits over a dark, stylized background. The text identifies William Cagney as the producer and United Artists as the distributor.

• The end credits are displayed on screen. [frame:1]

Evidence, details and a link to share