Svengali (1931)

Model synopsis: The beat displays a title card listing cast names against a plain background. No characters, actions, or settings are depicted beyond the text.

Evidence, details and a link to share

Model synopsis: A street scene at night shows a cart and people near buildings, followed by a close-up of a sign for 'M. SVENGALI' advertising vocal instruction and piano. No dialogue or named characters appear in this segment.

Evidence, details and a link to share

Model synopsis: A person with long hair sits at a piano, seen from behind and then in profile. The transcript contains a single apology spoken during this beat.

• A person is seated at a piano, viewed from behind. [frame:1]
• The same person is shown in profile, looking toward the right. [frame:2]

1 person observed.

“I'm sorry.” 1:21

Evidence, details and a link to share

Model synopsis: A woman in a hat and cape speaks with a man in a dim room; a piano and candle are visible. The dialogue includes references to 'Madame Honorine' and 'Monsieur', and the man is described as 'composé'.

Named: Madame Honorine (t:1:24), Monsieur (t:1:31). 2 people observed.

“- Madame Honorine. - What's wrong, Gekko? - Madame.” 1:24 · “Monsieur?” 1:31

Evidence, details and a link to share

Model synopsis: A woman in a long dress and hat stands in a dimly lit room with a bed visible to the left. A man in dark clothing is partially visible behind her.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a seated woman in a light dress and hat, with a dark silhouette of a man standing nearby. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is visible in a dimly lit interior. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in silhouette stands near a seated woman in a dimly lit room; another man is visible in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a mustache holds a sheet of paper and a pen near his mouth. The scene is dimly lit with a plain background, showing no identifiable location or time of day.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard speaks to a woman in a dimly lit room; another man is visible in the background. The woman wears a patterned dress and stands near furniture while the man gestures toward her.

• A man holds a thin object and looks at it. [frame:1]
• A woman stands in a room with furniture while a man gestures toward her and another man stands in the background. [frame:2]
• A woman and a man face each other closely; the man gestures with his hand. [frame:3]

3 people observed.

“I'm sorry I've disturbed you. I'm early.” 2:17 · “On the contrary.” 2:21

Evidence, details and a link to share

Model synopsis: A woman and a man converse in a dimly lit interior; the woman speaks of emptiness and the man responds with German-accented English. The man holds a candelabra while the woman stands near a desk.

• The man holds a candelabra while standing near a desk. [frame:2]
• The woman stands near the desk, looking down. [frame:2]

2 people observed.

“My days are so empty.” 2:30 · “Ja, Liebchen, I know just how you feel.” 2:34

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit room with a candelabra; the man speaks about music and instructs the woman to remember a musical term. The woman stands and adjusts her clothing while the man remains seated at a desk.

• The woman stands and adjusts her clothing. [frame:2]

2 people observed.

“Don't you remember?” 2:56 · “I am speaking about music.” 2:59

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress and dark shawl is shown in a medium close-up. The background is dimly lit and indistinct, with no visible setting details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is shown in close-up, then a woman in a patterned dress stands beside him at a table; she is later shown alone in a close-up. The transcript includes fragmented dialogue about opening a hut and a 'Tally called Glory.'

• Man with long hair and beard is shown in close-up. [frame:1]
• Woman stands beside the man at a table with papers and a chair. [frame:2]
• Woman is shown alone in close-up, mouth open as if speaking. [frame:3]

2 people observed.

“Come on, come on. Ah, ah, we'll open the hut when you hear the puppet blowing.” 3:30 · “Ah, ah, everyone's at the spot when the Tally called Glory.” 3:41

Evidence, details and a link to share

Model synopsis: A man with long hair and a dark coat is visible in a dimly lit interior. No actions or dialogue are shown or heard in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks in a dimly lit interior. Another man with long hair and a beard is shown in a close-up, also in an interior setting.

• A man in a suit holds an object and looks forward. [frame:1]
• A man with long hair and a beard is shown in close-up. [frame:2]

2 people observed.

“Oh, my God.” 3:56 · “Oh, the joy for each girl I find.” 3:57

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie stands indoors, holding an object near his chest. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing leans over a bed in a dimly lit room. The scene is shot in black and white with high-contrast lighting.

• A man leans over a bed. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is shown in a close-up, wearing dark clothing. The setting appears to be an interior space with dim lighting and indistinct background elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman stands behind a desk while a man sits at it, both visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space; the man speaks to the woman, who reacts with surprise or alarm. The dialogue suggests they are preparing for or reacting to a journey, with the man reassuring her.

• The man speaks to the woman, who reacts with surprise. [frame:1]
• The man gestures toward the woman while speaking. [frame:2]

2 people observed.

“Help me!” 4:46 · “Never mind. What's the matter?” 4:49

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit room; the woman says she has left her husband. The man, standing over her, asks how much her husband left her.

• The man stands over the seated woman in a dim room. [frame:1]
• The man's face is shown in close-up, bearded, looking down. [frame:2]

2 people observed.

“I've left my husband.” 5:16 · “For good.” 5:22

Evidence, details and a link to share

Model synopsis: A woman and a man are in a tense conversation; the woman recounts being assaulted and leaving her husband without a settlement. The man, who appears dark-haired and bearded, reacts to her story while she gestures and speaks with distress.

2 people observed.

“Do you think I'd take money from such a brute?” 5:33 · “I threw it in his face.” 5:36

Evidence, details and a link to share

Model synopsis: A woman and a man are shown in close proximity across four frames, with the woman smiling and the man looking at her intently. The transcript includes dialogue where the woman states she has come with nothing except herself.

• The woman smiles while facing the man. [frame:1]
• The man and woman face each other closely. [frame:2]
• The woman looks down while the man leans toward her. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I've come to you just as I am.” 6:04 · “With no settlement at all?” 6:08

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands near a door while a woman in a patterned dress looks up at him with an open mouth. The transcript includes the lines 'Thank God' and 'You don't want me?' during this interval.

• Man stands near a door while woman looks up at him [frame:1]
• Woman looks upward with open mouth [frame:2]

2 people observed.

“Thank God.” 6:31 · “You don't want me?” 6:34

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress speaks to a man in dark clothing in a dimly lit interior; the dialogue suggests a pact about fame and voice ownership. The man laughs after her statement.

2 people observed.

“But you promised.” 6:41 · “My voice.” 6:45

Evidence, details and a link to share

Model synopsis: A woman speaks urgently to a man named Bengali in a dimly lit interior; she expresses devotion and distress. The scene is framed as a close-up, emphasizing their interaction without revealing the broader setting.

Named: Bengali (t:7:42). 2 people observed.

“But I have no other place.” 7:06 · “- It's only you.” 7:09

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress stands near a bed while a man in silhouette faces her; she appears distressed and speaks to him. The setting is dimly lit with minimal furnishings, suggesting a private room.

• The woman stands near a bed while the man faces her. [frame:1]
• The woman is seen in a doorway, holding something, looking at the man. [frame:2]

Named: Fitzgerald (t:7:51). 2 people observed.

“I'm not.” 7:49 · “Take your eyes off me, Fitzgerald.” 7:51

Evidence, details and a link to share

Model synopsis: A figure stands in a dimly lit room with a bed and chair visible. The word 'Help!' is spoken during this beat.

1 person observed.

“Help!” 8:06

Evidence, details and a link to share

Model synopsis: A man in a white shirt crouches in a dim room while others gather around; a body is mentioned as found in the river and viewed in the morgue. No named characters appear, and the setting is a sparsely furnished interior with low lighting.

• A man crouches near a cat in a dim room while another stands behind him. [frame:1]
• Two men crouch together, one pointing at something on the floor. [frame:2]
• The man in the white shirt looks up with a startled expression. [frame:3]
• 1 more under Evidence and details.

Named: Maestro (t:8:36). 4 people observed.

“Oh.” 8:24 · “Madame Horrorine Mother, father” 8:25

Evidence, details and a link to share

Model synopsis: A man with a beard and dark clothing speaks in a dimly lit interior while another person is partially visible. The transcript includes fragmented dialogue about a morgue, a piece of paper, and a woman described as sweet but a bad businesswoman.

• A man speaks while facing another person in a dim interior. [frame:1]

2 people observed.

“in the morgue? Yes, maestro.” 8:45 · “that piece of paper.” 8:56

Evidence, details and a link to share

Model synopsis: Two men are in a dim interior; one holds a microphone and speaks while the other listens. The transcript reveals concern about paying rent.

• A man in a fedora holds a microphone and speaks to another man. [frame:1]
• The two men face each other closely, continuing their conversation. [frame:2]

2 people observed.

“What do you mean?” 9:10 · “My hair's through.” 9:12

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit room; one puts on a coat while the other watches. They discuss going to visit someone, with one stating he is hungry.

• A man puts on a coat while another watches. [frame:1]
• The bearded man touches his face thoughtfully. [frame:2]
• The bearded man stands holding a plate. [frame:3]

2 people observed.

“You promised by noon...” 9:32 · “I am very hungry.” 9:42

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit room; one speaks of financial distress and suggests visiting English friends, while the other listens and responds. One man puts on a coat and they prepare to leave, possibly for a vehicle.

• One man puts on a coat. [frame:3]
• The two men stand near a vehicle, preparing to leave. [frame:4]

Named: Hector (t:10:25), Lisa (t:10:33). 3 people observed.

“Maestro, I don't know what we're going to do. We have borrowed from everyone we know.” 9:59 · “we cannot go back to my house” 10:04

Evidence, details and a link to share

Model synopsis: Two men in hats and dark coats are shown in a dimly lit, cavernous interior space; one gestures emphatically while speaking. The transcript contains fragmented phrases in English and Italian, including commands and exclamations, but no names are spoken.

• A man in a wide-brimmed hat points his finger at another man in a bowler hat. [frame:1]
• The two men are no longer in the frame; the empty hall is shown. [frame:2]
• The man in the wide-brimmed hat points again at the man in the bowler hat, who holds his hand to his chest. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“There is no such word.” 10:50 · “Avanti, si, ori, avanti, ori.” 10:55

Evidence, details and a link to share

Model synopsis: An empty, dimly lit room with an easel, a piano, and draped furniture is shown. No people are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and bowler hat is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior with heavy curtains, a stool, and a chair is shown. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A man in light trousers and a shirt is bent over a table in a dim room while another person sits in a metal tub. The room contains a wardrobe, a table, and a curtained doorway.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man is visible in a bathtub, pointing forward. No dialogue or on-screen text is present in this beat.

• A man in a bathtub points forward with his right hand. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in hats face each other in a dim interior; one speaks about English people getting dirty quickly. No names are spoken, and no objects or on-screen text are visible.

2 people observed.

“These Englanders get dirty very quickly.” 11:56

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands beside a table in a large, dimly lit room with an easel and chairs. No dialogue or on-screen text is visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in formal attire are seen in a dimly lit room with musical instruments; a woman in a robe stands near a wardrobe while another person sits in a chair. The transcript includes brief exchanges of gratitude and acknowledgment.

• Two men in formal attire are seated with musical instruments. [frame:1]
• A woman stands near a wardrobe while another person sits in a chair. [frame:2]

4 people observed.

“Okay.” 12:17 · “Thank you, maestro. Don't mention it.” 12:22

Evidence, details and a link to share

Model synopsis: A man is seen in a bathtub while another man in a shirt stands nearby; dialogue references 'Svengali' and a request to hide a purse. No named characters are visually identifiable beyond the spoken reference to Svengali.

• A man sits in a bathtub holding a bottle. [frame:1]
• A man in a white shirt stands and holds a small object. [frame:2]
• The man in the bathtub reaches out of the tub. [frame:3]
• 1 more under Evidence and details.

Named: Svengali (t:12:33), Kathy (t:12:32). 3 people observed.

“Kathy” 12:32 · “Who's that? It sounds like Svengali.” 12:33

Evidence, details and a link to share

Model synopsis: Two scenes are shown: one in a dimly lit room with a man in a hat and coat standing near a table, and another in a bathroom where a man stands beside a bathtub while another is seated in it. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A shirtless man with a beard sits in a bathtub, leaning on its edge. The scene is dimly lit and appears to be indoors.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior room; one is seated and adjusting a white garment while the other stands nearby. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are in a room; one is shirtless and standing near a bathtub, the other is dressed and holding a paper. A third man in a hat and coat is seen in a separate shot, looking toward the camera. The transcript includes dialogue about shivering and being called a 'Polish scavenger.'

• A man in a white shirt and dark trousers stands holding a paper while another shirtless man stands near a bathtub. [frame:2]
• A man in a hat and coat looks toward the camera in a cluttered room. [frame:1]
• A man in a dark coat walks away from the camera in a room with a piano and cluttered desk. [frame:4]
• 1 more under Evidence and details.

3 people observed.

“Hey, stop it, man. I'm shivering here.” 13:17 · “Well, my patriotic friend...” 13:23

Evidence, details and a link to share

Model synopsis: A man in a top hat and cloak appears in a curtained doorway, then a scene shows two men in a room with bathtubs, one shirtless and one buttoning his shirt; the man in the cloak reappears gesturing. Dialogue includes a joke about taking a battle and falling in a sewer.

• A man in a top hat and cloak stands in a doorway looking surprised. [frame:1]
• Two men are in a room with bathtubs; one is shirtless, the other is buttoning his shirt. [frame:2]
• The shirtless man leans on the bathtub while the other man continues buttoning his shirt. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“That you Englanders have to take a battle every morning? How long is it since you took one?” 13:34 · “Huh?” 13:39

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat stands indoors holding an object, with a bust visible in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior with heavy drapes and a stool is shown. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and bowler hat stands indoors with his hands clasped, looking upward with an expression of alarm or awe. The background is dimly lit and indistinct, suggesting an interior space with decorative elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A figure in dark clothing moves behind a large draped curtain in a dimly lit room with furniture visible. No dialogue or on-screen text is present in this beat.

• A figure moves behind a draped curtain. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit walks across a dimly lit, cluttered room with arched ceilings and a large wooden door. The room contains furniture, a draped figure, and a statue-like object near the door.

• A man in a dark suit walks across the room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are in a curtained room; one speaks about someone in a tub while the other holds a hat. The speaker warns against walking nude due to respectable callers.

• Two men stand facing each other in a curtained room. [frame:2]
• One man holds a hat while standing near a stool and curtain. [frame:3]

2 people observed.

“Now that you're in the tub, you better make a good job of it.” 14:07 · “It's good for him. Stay there now.” 14:07

Evidence, details and a link to share

Model synopsis: A man is shown in a bathtub covered in suds while others discuss pushing him in and bringing a crowd to see him. Three men are later seen interacting in a dimly lit interior space.

• A man is seen in a bathtub covered in suds. [frame:1]
• A man in a top hat looks alarmed from a doorway. [frame:2]
• A man in a robe speaks to another man. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“The wonder of the world Svengali's taking a bath Svengali's taking a bath He didn't do it because he wanted to do it” 14:31 · “He did it because we pushed him in. He can't get out. He'll be close.” 14:50

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat stands in a doorway inside a dimly lit room with furniture and a bicycle visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat bends over in a dimly lit interior space, reaching toward the floor. A table with a bottle and other objects is visible in the background.

• A man in a dark suit and hat bends over and reaches toward the floor. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in dark clothing enters a room carrying a hat. The room contains a cabinet with plates and bottles, and canvases lean against the wall.

• A person enters a room carrying a hat. [frame:1]

1 person observed.

“Hello, Gecko.” 15:39 · “Please.” 15:40

Evidence, details and a link to share

Model synopsis: Two men in top hats and coats are in a room with easels and bookshelves; one hands an object to the other while speaking. The transcript includes dialogue about a Sunday suit, a surprise, and fetching a milk pitcher.

• A man in a light coat hands a small object to a man in a dark coat. [frame:1]
• The two men stand facing each other, the bearded man gesturing while speaking. [frame:2]

Named: Monsieur Taffy (t:15:46). 2 people observed.

“It is Monsieur Taffy's Sunday suit. Ja?” 15:46 · “My dear gecko, I have a pleasant surprise for you.” 15:53

Evidence, details and a link to share

Model synopsis: A person in a dark coat and light skirt stands beside a large paneled door, pressing their face against it. The scene is dimly lit and appears to be indoors.

• A person presses their face against a large paneled door. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman is shown in profile, smoking a cigarette in a dimly lit interior. No dialogue or other actions are visible in this single frame.

• A woman holds a cigarette to her lips. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat stands in a doorway with a woman in a dark dress beside him. The scene is dimly lit, with shadows cast across the doorway and walls.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and dark clothing is visible in a dimly lit interior, speaking the line 'May I come in?'. No other people, objects, or place details are discernible in the single frame.

1 person observed.

“May I come in?” 16:58

Evidence, details and a link to share

Model synopsis: A man in a top hat and overcoat stands in a doorway holding a container while another figure is seen from behind. The setting appears to be an interior room with ornate door framing.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a dark coat speaks with a man in a top hat and coat in an interior space; she identifies herself as a model sent to see Monsieur Taffy. The man denies being Taffy and questions her identity.

• Woman approaches man in top hat and asks if he is Mr. Taffy. [frame:1]

3 people observed.

“Are you Mr. Taffy?” 17:08 · “No” 17:10

Evidence, details and a link to share

Model synopsis: A man in a top hat and coat speaks with a young woman in a dark military-style jacket inside a room with art supplies and mannequins. The man gestures while speaking, and the woman responds, with dialogue indicating he is an artist and she offers to be his model.

• A man in a top hat gestures toward a woman in a dark jacket. [frame:1]
• The man speaks while holding a small object; the woman looks away. [frame:2]
• The woman faces the man and speaks. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Heh heh.” 17:24 · “For a moment I thought you were a gendarme. Oh, I pose in these.” 17:25

Evidence, details and a link to share

Model synopsis: A man in a top hat and a woman in a dark coat are shown in conversation across several shots. The woman agrees to change clothes in a nearby room, and the man expresses eagerness.

• The man and woman are shown in close-up, engaged in conversation. [frame:1]
• The woman looks surprised or inquisitive while speaking. [frame:2]
• The man is shown again, listening or responding. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Well, uh... Oh, I'd be glad to. Perhaps you can use me sometime. Yes.” 17:50 · “That's what I had in mind. Well, where shall I change?” 17:58

Evidence, details and a link to share

Model synopsis: A woman in a dark coat and striped skirt stands in a curtained doorway while a man in a top hat and coat looks on; another figure peeks from behind a door. The transcript includes fragmented phrases and an Italian phrase.

• A woman stands in a doorway framed by curtains. [frame:1]
• A man in a top hat looks toward the camera. [frame:2]
• A figure peeks from behind a door. [frame:3]

3 people observed.

“There.” 18:12 · “What?” 18:13

Evidence, details and a link to share

Model synopsis: Two men are in a room with art supplies; one enters and speaks to the other who holds a painter's palette. The transcript indicates concern about a mob approaching and a plea for the maestro to act.

• A man in a bowler hat enters the room and speaks to the maestro. [frame:1]
• The two men stand close, facing each other, with the maestro holding a palette. [frame:2]

Named: maestro (t:18:29). 2 people observed.

“Here come in, maestro.” 18:29 · “Oh, the lair and the tuffy. They're across the street.” 18:32

Evidence, details and a link to share

Model synopsis: Two men stand in a curtained room; one in a trench coat and top hat gestures while the other in a dark suit looks up at him. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men stand in a room with a piano and an easel; one speaks animatedly while the other listens. The transcript includes exclamations about a voice and a 'dome' and repeated calls to a 'maestro'.

• Two men stand facing each other in a room with a piano and an easel. [frame:1]
• The man in the bowler hat gestures toward the other man's chest while speaking. [frame:2]

2 people observed.

“- Fabulous! People with voices like that should not see you! - I am not a fool! - I am a fool that shows you know nothing!” 19:12 · “The roof of her mouth.” 19:21

Evidence, details and a link to share

Model synopsis: Two men in coats and hats move through an interior space and then outside onto a street. The setting transitions from a room with a piano to an outdoor café area with other pedestrians.

• Two men stand in a room with a piano and easel. [frame:1]
• The two men walk toward a wooden door. [frame:2]
• The two men descend a staircase. [frame:3]
• 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men converse in a crowded outdoor setting while one holds a coat; a separate shot shows a street with pedestrians and buildings. The dialogue references hiding a suit and a pasty in trousers.

• A man holds a coat while talking to another man in a crowd. [frame:1]
• A street scene with pedestrians and buildings is shown. [frame:2]
• Two men stand close together, one holding a coat, surrounded by others. [frame:3]

4 people observed.

“It seems the joke's on me. And your new suit's on here?” 20:00 · “I hid your suit like I hid my bus.” 20:13

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a cluttered room with a bed and scattered objects. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands facing a woman in a dark coat with a hood, in a dimly lit room with draped fabric and furniture. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a dark military-style coat is seated in a chair with ornate backrest. The setting appears to be an interior room with dim lighting and decorative wall elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie stands indoors, partially facing the camera. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair in a dark coat is visible in a dimly lit interior; a man in a suit smiles at her. The transcript contains two instances of 'Hello' exchanged between them.

• The woman is seated and smiling slightly. [frame:1]
• The man stands facing the woman, smiling broadly. [frame:2]

2 people observed.

“Hello.” 20:43 · “Hello.” 20:45

Evidence, details and a link to share

Model synopsis: A man in a suit stands facing a woman in a dark coat with a white hem; they are in a dimly lit room with canvases and furniture. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a military-style coat speaks with a man in a suit inside a room; they discuss someone named Svengali who was supposedly taking a bath. The man denies anyone has been bathing while he was present, and mentions the person is tall and possibly Polish.

Named: Svengali (t:20:57). 2 people observed.

“There's the fire.” 20:53 · “Not exactly a fire. I was looking for Svengali.” 20:57

Evidence, details and a link to share

Model synopsis: A woman and a man converse in a studio where a painting is visible; the woman mentions someone named Billy working there. The transcript reveals the man is being sought as a singing teacher and pianist, not a painter, and the woman claims only Taffy and the Laird live there.

• The man stands near a large painting while talking to the woman. [frame:2]

Named: Billy (t:21:35). 3 people observed.

“Bengali. Well, I've been looking for that artist myself. Artist?” 21:17 · “Oh, he's not an artist. That is, not in the sense of a painter.” 21:23

Evidence, details and a link to share

Model synopsis: A man in a long coat walks into a room with easels and paintings, where he is introduced to two other men. The transcript identifies them as 'Taffy and the Laird' and calls the group 'the three musketeers of the brush.'

• A man in a long coat enters a room with easels and paintings. [frame:1]
• The man in the long coat approaches two other men standing near a painting. [frame:2]
• The three men stand together, facing each other near a large painting. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Farrell (t:21:55). 5 people observed.

“These are the gentlemen you came to meet, Miss... She'll be your farrope.” 21:51 · “Mr. Farrell, let me present Taffy and the Laird.” 21:55

Evidence, details and a link to share

Model synopsis: A woman in a dark uniform is shown in close-up and medium shots while three men observe her; one man speaks about her feet being beautiful. The setting appears to be an indoor studio or gallery with a painting and easel visible.

• Three men stand together observing the woman. [frame:2]
• The woman sits on a stool with her leg extended toward a painting on an easel while the men look on. [frame:3]
• The woman smiles broadly at the camera. [frame:4]

4 people observed.

“Durian, send her down. Oh, you sit to him? Oh, yes. Milding is my business. Head, hands, feet, everything. Especially feet.” 22:06 · “Isn't that a pretty foot? It is, that is a very pretty indeed. It is, isn't it? Everyone says it's the most beautiful foot in Paris.” 22:15

Evidence, details and a link to share

Model synopsis: A woman in a dark uniform stands near an easel while men in suits converse; later, she speaks with a man in a doorway. The transcript includes dialogue about time, location, and farewells.

• A woman in uniform stands beside an easel while men gather around her. [frame:1]
• The woman looks surprised or alarmed. [frame:2]
• The woman and men stand near a doorway; one man leans toward her. [frame:3]
• 1 more under Evidence and details.

Named: Bruce (t:22:44). 4 people observed.

“There's only one that can match it. And where's that? What time is it? Oh, it's about, um,” 22:23 · “Four past ten.” 22:35

Evidence, details and a link to share

Model synopsis: A man and a woman converse closely in a cluttered interior; other men stand nearby in a separate group. The woman remarks that the place looks like a pig pen and needs a feminine touch, which the man interrupts.

• A woman and a man face each other closely in conversation. [frame:1]
• Three men stand in a cluttered room; one is bent over. [frame:2]
• The woman holds a dark bag and smiles at the man while speaking. [frame:3]

5 people observed.

“This place looks like a pig pen and needs a feminine type. Hey, a pig pen? Oh, keep quiet.” 23:04 · “What's the real one?” 23:11

Evidence, details and a link to share

Model synopsis: Three men stand in a dimly lit room with one near a door; a voice off-screen comments on a girl's character. No names are spoken, and no objects beyond furniture are clearly identifiable.

• Three men stand in a room, one near a door. [frame:1]

4 people observed.

“That girl has a wee bit of scotch in her, Billy.” 23:21 · “I think she's a wee bit of the devil, isn't it?” 23:21

Evidence, details and a link to share

Model synopsis: A man in a suit speaks about a woman's beauty while holding a cigarette holder; two other men in hats and coats stand together in a different setting. The dialogue suggests a debate over whether the speaker is sincere.

• A man in a suit speaks while holding a cigarette holder. [frame:1]
• Two men in hats stand together; one holds a pipe. [frame:2]
• The two men continue standing; one adjusts his pipe. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I think she's lovely. Oh, no, you don't. No, you don't, no, Billy. You're just fooling when you say that. He doesn't really mean that. N…” 23:30 · “She's lovely. But all fooling aside,” 23:39

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a cluttered artist's studio, discussing the fading light and lack of work on a canvas. The studio contains easels, shelves, and a large painting of a woman.

• A woman stands beside a large canvas on an easel. [frame:1]
• A man and a woman stand facing each other in a cluttered room. [frame:2]

2 people observed.

“The Ring of the Heart” 24:09 · “Oh, no.” 24:17

Evidence, details and a link to share

Model synopsis: A man and a woman face each other in a dimly lit interior, engaged in a tense verbal exchange about an unfinished painting and a demanded answer. The woman appears to be withholding something until the man complies with her condition.

2 people observed.

“I don't believe you've touched it for a week. No, and I don't intend to until you give me a round of...” 24:26 · “Do you mean to tell me you'd leave me out there on that coal canvas unfinished?” 24:34

Evidence, details and a link to share

Model synopsis: A hand uses a knife to cut a shape into dough on a floured surface. No people are named or audible, and no location context is visible.

• A hand cuts a shape into dough with a knife. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in close proximity, speaking to each other. The woman smiles as the man leans in toward her.

• The woman smiles while looking at the man [frame:1]
• The man leans closer to the woman [frame:2]

Named: Truby (t:24:58). 2 people observed.

“Truby!” 24:58 · “You do love me.” 25:01

Evidence, details and a link to share

Model synopsis: A man in a dark cloak and hat enters a large, cluttered room with art supplies and a piano, calling out as he looks around. He comments on the smell of baking and notes that everyone is out.

• A man enters a studio and calls out 'Bonsoir, mes amis.' [frame:1]
• The man turns and walks toward a bust on a pedestal. [frame:4]

1 person observed.

“Bonsoir, mes amis.” 25:15 · “Is anybody here?” 25:18

Evidence, details and a link to share

Model synopsis: A woman feeds a seated man in a dim interior while another man watches from a doorway; the seated man later embraces her. A bearded man is shown in close-up with an intense expression. Dialogue includes compliments and an exclamation of 'Yeshua!'.

• A woman feeds a seated man with a spoon. [frame:1]
• A bearded man leans against a doorway, watching. [frame:2]
• The seated man embraces the woman. [frame:3]
• 1 more under Evidence and details.

Named: Yeshua (t:25:51). 4 people observed.

“Good?” 25:44 · “Good as mother makes.” 25:48

Evidence, details and a link to share

Model synopsis: A woman leans over a man who is smiling; another man with a beard stares intensely. The transcript mentions marriage, England, and a mother's pride.

• A woman leans over a man who is smiling. [frame:1]
• A bearded man stares intensely. [frame:2]

Named: Truby (t:26:05). 3 people observed.

“When we're married,” 26:00 · “I want to take you to England and to my mother.” 26:02

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close interaction, followed by a shot of a bearded man, then the couple embracing, and finally a wider shot with a third man entering. The transcript includes a conversation about England's characteristics, including its green fields, fog, and shopkeepers.

• Woman and man are shown in close proximity, looking at each other. [frame:1]
• Bearded man is shown in a close-up, smiling. [frame:2]
• Woman and man embrace while looking at each other. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“What's England like?” 26:19 · “Oh, England's beautiful.” 26:21

Evidence, details and a link to share

Model synopsis: Three people are shown in a dimly lit interior with stairs in the background; one man speaks to a woman while another man looks on. The transcript includes fragmented lines about England, a butterfly in mutton soup, and tarts for supper.

• p3 leans toward p2 and speaks while p1 looks on with mouth open [frame:1]

3 people observed.

“Drillby in England.” 26:41 · “would be like a butterfly in mutton soup. Oh, God. Billy.” 26:44

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space; the woman says she has a headache and the man offers to cure it. The woman sits while the man stands over her, instructing her to look at him.

• The woman sits and the man stands over her, instructing her to look at him. [frame:2]

Named: Liebchen (t:27:25), Svengali (t:27:56). 2 people observed.

“I don't feel like playing the piano.” 26:57 · “I had one of my funny headaches and didn't work all day.” 27:16

Evidence, details and a link to share

Model synopsis: A man holds a woman's face and speaks to her while she looks at him; the dialogue suggests a hypnotic or controlling interaction. The setting appears to be an interior space with dim, dramatic lighting.

• The man holds the woman's face with both hands. [frame:1]
• The man leans toward the woman, speaking to her. [frame:2]
• The man places his hand on the woman's shoulder as she looks at him. [frame:3]

Named: Leapche (t:28:09). 2 people observed.

“Don't be afraid.” 28:07 · “Look me right in the eyes, Leapche.” 28:09

Evidence, details and a link to share

Model synopsis: A close-up of a man with long hair and a beard, wide eyes, and intense expression. No other people, objects, or on-screen text are visible in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and bangs is shown in a close-up, wearing dark clothing. The setting is dimly lit and indistinct, with no visible objects or text.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard stares intensely in a dimly lit interior. The transcript includes fragmented lines about seeing nothing, dreaming of nothing, and a name that is corrected from 'Sven Gali' to 'Svengall'.

• A man stares intensely at the camera. [frame:1]

Named: Svengall (t:28:52). 1 person observed.

“You shall see nothing...” 28:38 · “She, uh, nothing?” 28:41

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a man with a beard and glowing eyes appear in close-up. The transcript includes fragmented lines such as 'Thank God,' 'She's been in the alley,' and 'That is right, Leech.'

• A woman is shown in close-up, looking concerned. [frame:1]
• A man with glowing eyes is shown in close-up. [frame:2]

Named: Leech (t:29:13). 2 people observed.

“Thank God.” 28:56 · “She's been in the alley.” 28:59

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and bangs is shown in a close-up, looking downward. No location, time, or event is established beyond this shot.

1 person observed.

“Lee” 29:23

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is shown in a close-up, eyes closed. No dialogue or other actions are visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with a beard speaks closely to a woman with blonde hair in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair is embraced by a man in dark clothing in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man holds a woman's face and tells her to open her mouth. The setting appears to be an interior space with other figures in the background.

• A man holds a woman's face with both hands. [frame:1]

3 people observed.

“Open your mouth, Liebschen.” 29:52

Evidence, details and a link to share

Model synopsis: A man with a beard holds a blonde woman's face while speaking to her; the transcript includes fragmented lines about sound and architecture. The setting appears to be an interior space with dim lighting and indistinct background figures.

• A bearded man holds a blonde woman's face with both hands. [frame:1]
• The man continues to hold the woman's face while looking at her intently. [frame:2]

2 people observed.

“Why?” 29:59 · “I was right.” 30:03

Evidence, details and a link to share

Model synopsis: A man in a suit holds a plate while standing; another man touches a woman's face; three men sit at a table with one standing behind them. The transcript includes fragmented dialogue about leadership and someone being told to go away.

• A man in a suit stands holding a plate. [frame:1]
• A man touches a woman's face. [frame:2]
• Three men are seated at a table with one standing behind them. [frame:3]

5 people observed.

“Yeah.” 30:28 · “He had a good leadership.” 30:30

Evidence, details and a link to share

Model synopsis: A man in a dark coat stands facing a seated woman being embraced by another man, while a fourth man walks in the background. The setting appears to be an artist's studio with canvases and easels visible.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit confronts a woman with blonde hair while another man with a beard looks on; voices ask what has been done to her and call out names. The setting appears to be an interior room with wooden beams and dim lighting.

• A man in a suit leans toward a blonde woman in a dim room. [frame:1]
• A bearded man looks toward the camera with a concerned expression. [frame:2]

Named: Clubby (t:30:52), Sylvie (t:30:54), Trinby (t:31:00). 5 people observed.

“What's the matter to me?” 30:46 · “What have you done to her?” 30:50

Evidence, details and a link to share

Model synopsis: A man in a suit holds a woman with closed eyes while another man with a beard shouts at him; two other men stand nearby. The transcript indicates the woman is hypnotized and someone demands she be brought out of it.

• A man in a suit holds a woman with closed eyes. [frame:1]
• A bearded man shouts with an angry expression. [frame:2]
• The man in the suit continues to hold the woman while the bearded man looks on. [frame:3]
• 1 more under Evidence and details.

Named: Trudy (t:31:09). 5 people observed.

“No.” 31:04 · “And open your eyes and say you're all right.” 31:05

Evidence, details and a link to share

Model synopsis: A man speaks to a woman named Trillby, who responds and then expresses surprise at her headache being gone. Another man is present and appears to comfort her.

• A second man places his hands on the woman's shoulders. [frame:2]

Named: Trillby (t:31:20). 3 people observed.

“Can you hear me, Trillby?” 31:20 · “Yeah.” 31:23

Evidence, details and a link to share

Model synopsis: A man in a dark coat speaks to a seated woman while others stand nearby; a close-up shows a man with a beard and intense expression. The transcript includes dialogue about a headache, a souvenir, and a refusal of dinner.

• A man in a dark coat gestures toward a seated woman while others stand nearby. [frame:1]
• A close-up shows a man with a beard and intense expression. [frame:2]

5 people observed.

“Your headache is here in my heart.” 31:55 · “I will keep it as a souvenir.” 32:02

Evidence, details and a link to share

Model synopsis: Three people stand in a studio-like space with painting equipment; one man speaks to a woman while another man observes. The transcript warns of hypnotism and its dangers, while the woman defends the hypnotist for relieving her pain.

• Three people stand in a studio with painting equipment; one man speaks to a woman. [frame:1]
• The man in the suit gestures toward the woman while speaking. [frame:2]
• The woman looks at the man in the suit while another man observes. [frame:3]

3 people observed.

“What did he do? He hypnotized you. And don't you ever let him do it again.” 32:17 · “Those fellas can make you do anything and say anything you want. Lie, steal, anything. And then they make you kill yourself when they're d…” 32:21

Evidence, details and a link to share

Model synopsis: A man in a dark cloak and hat gestures while speaking to a group of men in a dimly lit room with a table and chairs. The transcript includes a name, 'Trilby,' and a warning about headaches, followed by an address to 'Gentlemen.'

• A man in a cloak gestures with a cigarette while speaking. [frame:1]
• A group of men stand around a table with a man in a cloak addressing them. [frame:2]

5 people observed.

“Trilby?” 32:35 · “Don't forget what I told you about the headaches.” 32:36

Evidence, details and a link to share

Model synopsis: A man in a wide-brimmed hat and dark coat is visible in two frames, holding an object and gesturing. The transcript contains fragmented lines from Shakespeare, spoken during this beat.

• man holds a small object in his right hand [frame:1]
• man gestures with his left hand while touching his face [frame:2]

1 person observed.

“It might be as well to remember...” 32:45 · “There are more things in heaven and earth.” 32:49

Evidence, details and a link to share

Model synopsis: A person in a long coat stands near a grand piano in a dimly lit room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior with an arched doorway and wooden floor is shown. No people or objects are clearly identifiable, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Model synopsis: A single figure is silhouetted in a large arched window, viewed from outside in darkness. The scene is dimly lit, with the figure backlit by a faint glow from within.

• A silhouetted figure stands motionless in a large arched window. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a stylized, dark rooftop scene at night with lit windows; a voice says 'I'm going to go.' No people are visible.

“I'm going to go.” 34:30

Evidence, details and a link to share

Model synopsis: A person is shown sleeping in bed under covers. The transcript contains a single line indicating an intention to move to the next item.

• A person is sleeping in bed. [frame:1]

1 person observed.

“I'm going to go to the next one.” 34:51

Evidence, details and a link to share

Model synopsis: A close-up shows a man with long hair and a beard, his eyes glowing unnaturally in dim lighting. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is lying in bed in a dimly lit room with an ornate metal headboard. The scene is static and shows no movement or dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is shown in a dimly lit interior, holding a hand to their face. No dialogue or other actions are visible in this single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with glowing eyes and a beard is shown in close-up, followed by a woman in a light blouse looking off-camera. No names are spoken, and no location or time is established.

• man with glowing eyes stares forward [frame:1]
• woman looks off-camera with a neutral expression [frame:2]

2 people observed.

“so” 35:16

Evidence, details and a link to share

Model synopsis: A person's lower legs and feet are visible through a doorway or gate in a dimly lit interior. A voice says 'Come in, my dear.'

• A person's legs are visible through a doorway or gate. [frame:1]

1 person observed.

“Come in, my dear.” 35:44

Evidence, details and a link to share

Model synopsis: A figure in a dark cloak stands in the foreground, viewed from behind, while in the midground a man sits on a chair holding a small object, with two other figures standing nearby. The scene is dimly lit with strong shadows, suggesting a staged or theatrical setting.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a dark cloak stands in a dimly lit interior. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with a beard sits in a dark, shadowy setting, wearing a dark robe and holding fabric in both hands. The lighting is low-key and dramatic, with strong contrasts between light and shadow.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman apologizes for visiting, and a man named Svengali responds that it is no trouble. The setting appears to be an interior room with dim lighting and minimal furnishings.

Named: Svengali (t:36:29). 2 people observed.

“I...” 36:13 · “I shouldn't have come.” 36:20

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a dark shawl is shown in a close-up, touching her face. She speaks briefly, saying 'I felt... I had to come. Bye-bye.'

• A woman touches her face while looking off-camera. [frame:1]

1 person observed.

“I felt...” 36:38 · “I had to come.” 36:40

Evidence, details and a link to share

Model synopsis: A bearded man and a blonde woman appear in separate shots within a dim interior. The man speaks about leaving, and the woman is shown standing in a doorway.

• The bearded man is seated and looking forward. [frame:1]
• The blonde woman is shown in a medium shot, looking down. [frame:2]
• The blonde woman stands in a doorway, looking toward the camera. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I think...” 36:49 · “I think I'd better go now.” 36:55

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a dark cloak stands in a dimly lit interior. No dialogue or action occurs in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard speaks to a blonde woman in a dim interior; their dialogue suggests unresolved tension. The woman appears in a doorway, wearing a dark cloak over a light dress, while the man remains seated.

2 people observed.

“Without telling me what is troubling you?” 37:09 · “Oh, it's nothing.” 37:12

Evidence, details and a link to share

Model synopsis: A woman and a man exchange dialogue about a headache; the woman appears in two frames, the man in two, both in close-up. No names are spoken, and the setting is an interior with plain walls and a door frame visible.

• Woman looks downcast and speaks about a headache. [frame:1]
• Man responds with a look of concern or surprise. [frame:2]
• Woman looks directly at the man, continuing the conversation. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“the headache.” 37:28 · “Yes.” 37:30

Evidence, details and a link to share

Model synopsis: A woman in a dark cloak stands in a doorway speaking to a bearded man seated indoors; he responds while gesturing. The transcript indicates a discussion about seeking relief from pain by going to 'Sven Gali'.

• A woman stands in a doorway facing a seated man. [frame:1]
• The bearded man gestures while speaking. [frame:2]
• The man stands and gestures toward the woman in the doorway. [frame:3]

Named: Sven Gali (t:37:43). 2 people observed.

“Sven Gali told you.” 37:43 · “Whenever you were in pain...” 37:45

Evidence, details and a link to share

Model synopsis: A woman with blonde hair is shown in a dim interior, then seen from behind looking out a doorway at birds. A voice speaks to her, inviting her to come in by the coals.

• A woman looks toward the camera with a startled expression. [frame:1]
• The woman turns and walks toward a doorway, viewed from behind. [frame:2]

2 people observed.

“My dear, child is the most natural thing in the world.” 37:55 · “Come in by the childhood coals out here.” 37:59

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior; the man speaks to the woman, telling her not to be frightened and to sit down. No names are spoken, and no objects or text are visible beyond their clothing and the dark background.

• The man gestures toward the woman while speaking. [frame:1]

2 people observed.

“Come.” 38:13 · “Don't be frightened.” 38:15

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior; the man holds the woman's arm and leans toward her while she looks down. The transcript includes a curse and a reference to 'Kleiner' and 'nerves jumping'.

• The man holds the woman's arm and leans toward her. [frame:1]
• The man looks down at the woman as she looks down. [frame:2]
• The man looks upward while the woman looks down. [frame:3]

Named: Kleiner (t:38:36). 2 people observed.

“Are you comfortable with it?” 38:26 · “Fuck!” 38:33

Evidence, details and a link to share

Model synopsis: A man and a woman are in a close, intense interaction; the man speaks to the woman, calling her 'Liebschel', while she appears distressed. The scene is shot in black and white with dramatic lighting, focusing on their faces.

• The man and woman are seated close together, facing each other. [frame:1]
• The woman looks up at the man with a concerned expression. [frame:2]
• The man stares intensely forward, his face filling the frame. [frame:3]

Named: Liebschel (t:39:02). 2 people observed.

“And your skin?” 38:46 · “Oh, it's hot like fire.” 38:48

Evidence, details and a link to share

Model synopsis: A close-up of a woman with blonde hair and bangs is shown. No dialogue, location, or time indicators are visible in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a man with wild hair and wide eyes in a dark setting. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and bangs is shown in a close-up, her eyes closed. She speaks, asking someone to take their eyes off her, after saying 'No' and 'Please.'

• The woman is visible with her eyes closed in a close-up shot. [frame:1]

1 person observed.

“No. No.” 39:18 · “Please.” 39:21

Evidence, details and a link to share

Model synopsis: A man with long hair and a beard is shown in a dimly lit room, first sitting on a bed and then clutching his chest. He speaks lines about pain and being led to someone, then says the pain is gone.

• A man sits on a bed in a dim room, looking distressed. [frame:1]
• The man clutches his chest with both hands, grimacing. [frame:2]

1 person observed.

“Let me go. But the pain leads you to me.” 39:26 · “No, no, it's gone now.” 39:29

Evidence, details and a link to share

Model synopsis: A scene in an art studio shows a model posing on a platform while artists paint, followed by a close-up of a man in a suit. The transcript indicates loud music is playing during this time.

• A model stands barefoot on a platform. [frame:1]
• Artists are painting a model in a studio. [frame:2]
• A man in a suit gestures with his right arm. [frame:3]

5 people observed.

“*Loud music*” 40:00

Evidence, details and a link to share

Model synopsis: A group of artists paints in a studio while a model stands on a platform. The room is filled with easels, paintings, and art supplies.

5 people observed.

Evidence, details and a link to share

Model synopsis: A woman with light hair and bangs is shown in a close-up, holding a cup. The scene is in black and white with soft lighting and a blurred background.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit is visible in a single frame; the transcript identifies someone named Ruby. No other events or objects are clearly depicted.

• A man in a suit is visible in a medium shot. [frame:1]

Named: Ruby (t:40:11). 1 person observed.

“It's Ruby.” 40:11

Evidence, details and a link to share

Model synopsis: A man sits at a desk in a room with easels and other figures in the background; a bare foot and lower leg are prominent in the foreground. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie is visible in a medium shot, with the name 'Truby' spoken. The setting appears to be an interior space with plain walls and soft lighting.

• A man in a suit is shown in a medium shot, looking off-camera. [frame:1]

Named: Truby (t:40:18). 1 person observed.

“Truby!” 40:18

Evidence, details and a link to share

Model synopsis: A woman with shoulder-length wavy hair is shown in a close-up. The scene is indoors under studio lighting with no visible time-of-day indicators.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie stands indoors with his arms slightly spread. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with shoulder-length wavy hair and bangs is shown in a close-up, wearing a strapless garment. The background is blurred and indistinct, with no visible text or identifiable objects.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie stands with one arm extended in an interior setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a strapless dress is shown in a close-up. No dialogue or action is visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit is seen from behind, walking away down a dimly lit interior hallway. The scene is shot in black and white with high contrast lighting.

• A man walks away from the camera down a hallway. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman speaks the line 'I'm a good one' while shown in a close-up. In a separate shot, a cloaked figure stands alone on a dimly lit staircase.

• A woman is shown in a close-up, speaking. [frame:1]
• A cloaked figure is visible standing on a staircase. [frame:2]

2 people observed.

“I'm a good one.” 40:38

Evidence, details and a link to share

Model synopsis: A person in a long robe stands near a wooden door in a dimly lit room with paintings and a skull on a table. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person wearing a bonnet is visible in a dimly lit interior. A voice says 'Come on.'

• A person in a bonnet is visible in profile [frame:1]

1 person observed.

“Come on.” 40:56

Evidence, details and a link to share

Model synopsis: A person in a dark cloak and hat walks through a dimly lit, plain interior space. No dialogue or on-screen text is present in this beat.

• A cloaked figure walks from left to right across a dimly lit interior space. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a dark robe and head covering stands in a dimly lit room with paintings and a wooden door. The transcript contains a single exclamation: 'Oh, my God.'

• A person stands in a studio holding a paint palette. [frame:1]

1 person observed.

“Oh, my God.” 41:08

Evidence, details and a link to share

Model synopsis: A man in a top hat and dark coat stands in a doorway. The scene is dimly lit and appears to be indoors.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored bonnet and dark cloak stands in a dimly lit interior, facing away, while another woman with dark hair and a veil looks on from behind. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat stands indoors, smoking a cigarette. A sculpted bust is mounted on the wall to his left.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a bonnet and dark coat stands in a dim interior, speaking with a man in a hat who approaches her. The transcript indicates she has been crying and expresses surprise at seeing him after a long time.

• Woman looks surprised and concerned [frame:1]
• Man approaches the woman and gestures toward her [frame:2]
• Man stands close to the woman, who looks up at him with a tearful expression [frame:3]

2 people observed.

“Oh, don't go leap, shim.” 41:24 · “It's been so long since I've seen you. But I... I must, I... Ah?” 41:27

Evidence, details and a link to share

Model synopsis: A man in a hat speaks to a woman in a studio setting; she mentions being seen by 'Billy' at the Corral School and feeling ashamed. The man, identified by dialogue as Svengali, urges her to confide in him.

• Svengali speaks to the woman. [frame:1]
• The woman looks down while Svengali stands beside her. [frame:2]
• The woman stands alone in a studio with easels and paintings. [frame:3]
• 1 more under Evidence and details.

Named: Svengali (t:41:58). 2 people observed.

“Oh, come. Tell old Svengali all about.” 41:58 · “It's Billy.” 42:24

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, engaged in a tense conversation. The woman, wearing a lace cap and dark cloak, reacts to the man's words with distress, and a loud noise occurs during their exchange.

• The man and woman face each other closely in a tense conversation. [frame:1]
• The woman looks downcast while the man speaks to her with an intense expression. [frame:2]
• The woman gestures with her hand near her face as smoke or vapor appears in front of her. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Billy is not like the others. Ah, my poor Trillie. Do your eyes reflect the virtue that he sees in you?” 42:44 · “Do you think you should be on such a high pedestal?” 43:00

Evidence, details and a link to share

Model synopsis: A man with a beard speaks to a woman in a bonnet in a dimly lit interior. The transcript includes lines where the man claims to be good and refers to the woman as 'poor Crisky' and 'poor little bitch.'

• The woman is shown with her head bowed while the man speaks. [frame:2]

Named: Crisky (t:43:57). 2 people observed.

“To be so very kind. I am good, I tell you. I'm not like those others. I'm not.” 43:47 · “Ah, poor Crisky.” 43:57

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior; the man speaks to the woman, and other men appear in a later shot. The transcript includes fragmented dialogue about singing, facing a mother, and names like Durian, Mayo, and Lamar.

• A man leans close to a woman in a dim room. [frame:1]
• The man and woman stand together, the woman looking down. [frame:2]
• The screen is black. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Like a lark.” 44:08 · “But are you good enough to face little Billy's mother as his wife?” 44:13

Evidence, details and a link to share

Model synopsis: A close-up shows a handwritten note reading 'For Billie' resting beside a dark cylindrical object. No people, dialogue, or environmental context are visible in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie reads a folded paper. The setting appears to be an interior space with soft lighting.

• A man holds and reads a folded paper. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man seated at a desk is confronted by two others; one holds a paper and speaks urgently while another stands behind. The seated man reacts with distress as dialogue reveals a woman is leaving and a command is given to stop her.

• A man enters and approaches a seated man at a desk. [frame:1]
• A man holds a paper and speaks to the seated man while another stands behind. [frame:2]
• The seated man looks up with a distressed expression. [frame:3]

3 people observed.

“She says she's not good enough for me.” 45:37 · “She's going away and...” 45:45

Evidence, details and a link to share

Model synopsis: A group of people, including a woman in a headscarf and men in dark coats, are gathered in a dimly lit interior space with metal railings. One man holds a white garment while others look on; a woman is seen behind a railing in a separate area.

• A man in a dark coat moves near a railing while others stand in a doorway. [frame:2]
• A woman in a headscarf gestures with her hands while speaking to a man in a suit. [frame:3]
• A group of men stand together, one holding a white garment, while a blonde woman is visible behind a railing. [frame:4]

5 people observed.

“- Winnie! Winnie boy! Kill her!” 46:05 · “Oh, Monsieur, but it's amazing that it's been a thrill-by. It's a thrill-by. It's a thrill-by. You know, thrill-by, of a while? No.” 46:15

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in a dimly lit interior, one speaking while others listen. The transcript mentions a body found on the Seine and the impossibility of searching due to high water.

5 people observed.

“We found them on the bank of the Seine.” 46:27 · “What's your life?” 46:33

Evidence, details and a link to share

Model synopsis: A man in a suit speaks in a dimly lit interior while another person is partially visible behind him. The transcript includes a question about a woman's name and a refusal to engage further.

• A man in a suit speaks while looking slightly off-camera. [frame:1]

2 people observed.

“What is your name, madam?” 46:50 · “Excuse me.” 46:51

Evidence, details and a link to share

Model synopsis: A single dark frame shows indistinct shapes in near-total darkness; no people, objects, or text are clearly visible. No events or dialogue are recorded in this beat.

Evidence, details and a link to share

Model synopsis: A man in dark clothing speaks while a woman with blonde hair stands beside him in a dimly lit interior. The man states his intention to leave.

2 people observed.

“I'm going to go.” 47:30

Evidence, details and a link to share

Model synopsis: A newspaper clipping announces a Paris premiere featuring Madame Svengali, described as an idol of multiple European cities, accompanied by Maestro Svengali and his orchestra. The transcript mentions Maestro Spengard and refers to his wife as a beautiful Polish woman he met in Russia.

• A newspaper clipping announces a Paris premiere featuring Madame Svengali and M. Svengali's orchestra. [frame:1]

Named: Maestro Spengard (t:47:46), Madame Svengali (frame:1), M. Svengali (frame:1). 3 people observed.

“Maestro Spengard. This is a marvelous change since we saw him last. It's been just five years. Wonderful. His wife is a very beautiful w…” 47:46

Evidence, details and a link to share

Model synopsis: Three men in top hats and formal coats converse in a crowded indoor setting. No dialogue or on-screen text is visible in the frames.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two men in top hats and formal wear converse in a crowded indoor setting; one appears to be urging the other to leave. The transcript suggests a discussion about a woman's marriage and a man's care, with a directive to obtain tickets and depart.

• A man in a top hat speaks to another man in a top hat. [frame:1]
• The bearded man turns his head toward the first man, listening. [frame:2]
• The first man gestures with his hand while speaking to the bearded man. [frame:3]

4 people observed.

“As beautiful as they say she is, he must have hypnotized her into marrying him. I'm no interested in that. What I want to know is who's giv…” 48:16 · “Probably she is, in self-defense. Come, laddie, we must get the tickets now. Get out of here.” 48:26

Evidence, details and a link to share

Model synopsis: A group of men in dark formal attire and top hats are gathered in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal wear speaks with another man in a military-style uniform in a dimly lit interior; off-screen voices discuss a concert debut in Paris. The transcript mentions 'Sven-Garlina' and 'Las Vengali' and a message for 'Monsieur Bengali'.

• A man in formal wear stands near a piano while others enter the room. [frame:1]
• Two men face each other and appear to converse. [frame:2]

3 people observed.

“Standing room only. Oh, let me. No way. Get him. That's enough to pay to see Sven-Garlina dressed too.” 48:40 · “Is it Mrs. Vingali here? Not yet.” 48:56

Evidence, details and a link to share

Model synopsis: A man in a top hat and a woman in a gown and tiara are in a large hall with arched doorways; another man approaches them. The transcript includes dialogue addressing 'Signor Bernali' and a woman named 'Martha'.

• A man in a top hat and a woman in a gown stand in a large hall. [frame:1]
• The man in the top hat and the woman in the gown are shown in a closer shot with another man approaching. [frame:2]
• The man in the top hat and the woman in the gown are shown in a medium shot with the approaching man now beside them. [frame:3]
• 1 more under Evidence and details.

Named: Martha (t:49:39), Signor Bernali (t:49:35). 5 people observed.

“I am speechless, madame. Every night you grow more beautiful.” 49:29 · “Thank you, Signor Bernali.” 49:35

Evidence, details and a link to share

Model synopsis: Two men in formal attire converse in a dimly lit interior; one holds a bouquet with a note. The transcript reveals they are discussing an interview request for 'Las Bengali' and a gift from the Tsar.

• A man in a top hat speaks to another man in a tailcoat. [frame:1]
• The man in the top hat holds up a bouquet with a note attached. [frame:2]

2 people observed.

“Three illustrious gentlemen are waiting in the green room to interview Las Bengali.” 49:53 · “How many times must I tell you? But it means another command performance in St. Petersburg. These three gentlemen are messengers from the …” 50:02

Evidence, details and a link to share

Model synopsis: A close-up shows a jeweled necklace with a card resting on it. No people, dialogue, or location context is visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: Two men in formal attire argue in a hallway; one gestures angrily while the other holds a tray. A third man in a striped shirt appears in the background as the first man walks away. The dialogue includes refusal of access and angry exclamations in Italian.

• The man in the top hat holds a tray while being addressed. [frame:1]
• The man in formal wear points angrily at the man in the top hat. [frame:2]
• The man in formal wear walks away down a hallway lined with arches. [frame:3]
• 1 more under Evidence and details.

Named: Monsieur Bengali (t:50:37). 5 people observed.

“Do you still refuse to allow Madame to see these gentlemen?” 50:28 · “Not the necklace. Only the interview.” 50:34

Evidence, details and a link to share

Model synopsis: A man sits at a desk in a dimly lit room with furniture including a bed, chairs, and a piano. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and a woman in a dark dress with a white sash walk through a cluttered interior space filled with props or mannequins. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man adjusts a woman's dress in a cluttered room; he speaks about a 'trifle' and a 'tripod'. The scene is lit with studio lighting and includes ornate decor.

• Man adjusts woman's dress [frame:1]

2 people observed.

“Here is a little trifle.” 51:16 · “I thought would be becoming.” 51:19

Evidence, details and a link to share

Model synopsis: A man in formal attire stands between two women in an interior setting; one woman is seated and covering her face, while the other stands to the side. A voice off-screen mentions being late for a packed theater, and someone addresses the man as 'Bengali'.

Named: Bengali (t:51:40). 4 people observed.

“You are sweet to me, Bengali.” 51:40 · “What are you staring at, you old fool?” 51:45

Evidence, details and a link to share

Model synopsis: A man in formal attire with a flower on his lapel is shown in a close-up, looking downward. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a tiara and formal gown smiles at the camera. The setting appears to be a staged performance or formal event, with no visible background details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a tiara and formal gown stands in a decorated hall while a man in dark clothing stands behind her; the scene cuts to a crowded hall with ornate columns and then to a close-up of audience members. A voice says they cannot see anything.

• A woman in a tiara stands in a decorated hall with a man behind her. [frame:1]
• The scene cuts to a crowded hall with ornate columns and people in formal wear. [frame:2]
• A close-up shows audience members looking forward. [frame:3]

4 people observed.

“I can't see a thing myself.” 52:29

Evidence, details and a link to share

Model synopsis: A crowded audience in formal attire faces a stage with heavy drapery and a podium. The setting is an ornate interior space, likely a theatre or concert hall, with no visible text or spoken dialogue in this beat.

Evidence, details and a link to share

Model synopsis: A wide shot shows a stage with floral arrangements and a conductor leading an orchestra in a theater. The audience is seated in the foreground, watching the performance.

3 people observed.

Evidence, details and a link to share

Model synopsis: A conductor leads an orchestra on a stage before an audience in formal wear; a man in the audience uses opera glasses. A voice speaks about someone being far away and changed.

• A conductor stands on a podium facing an orchestra. [frame:1]
• The conductor is seen from the audience's perspective, with floral arrangements on stage. [frame:2]
• The audience, dressed in formal wear, watches the performance. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“He's so far away I can't see him.” 52:59 · “Has he changed much?” 52:59

Evidence, details and a link to share

Model synopsis: A man in white formal attire stands at a podium with a baton, facing an audience. Musicians with instruments are visible to his sides.

4 people observed.

Evidence, details and a link to share

Model synopsis: A conductor in white stands before an orchestra on a stage with floral arrangements and curtains. The audience is visible in the foreground, watching the performance.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in ornate uniform stands at a podium on a stage before an audience; another figure appears on stage behind him. The transcript includes polite exchanges about a chair and glasses.

• A man in uniform stands at a podium on stage. [frame:1]
• A figure in light clothing appears on stage behind the man at the podium. [frame:2]
• The man in uniform looks forward with a serious expression. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I have a chair in the aisle for monsieur. My glasses please. Merci beaucoup. Sorry,” 53:22 · “the trouble. No trouble at all. Thank you. Thank you. Thank you. Thank you. Thank you.” 53:31

Evidence, details and a link to share

Model synopsis: A woman in a light gown and necklace is shown in a close-up, followed by a man in a decorated uniform looking upward, then a wider shot of the same man, and finally a shot of an audience in formal wear. The transcript includes a line questioning whether the woman is as beautiful as thought, and the speaker says they cannot see her.

• A woman is shown in a close-up, looking forward. [frame:1]
• A man in uniform looks upward with a serious expression. [frame:2]
• The same man in uniform is shown in a wider shot, still looking upward. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I can't see her face. Is she as beautiful as they think? I cannot see, miss her.” 53:51

Evidence, details and a link to share

Model synopsis: A woman in a white gown stands on a stage before an orchestra and audience; a man in ornate costume reacts with intensity. The transcript includes fragmented lines spoken during the performance.

• A woman stands on stage facing the orchestra and audience. [frame:1]
• The woman sings with hands clasped, viewed from behind a conductor. [frame:2]
• A man in costume reacts with an intense expression. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“For the day I never die.” 54:21 · “Let me play.” 54:32

Evidence, details and a link to share

Model synopsis: A man in the audience asks for chairs; a woman replies she has none left but will get upper glasses. A performer named Bengali is on stage, and a woman sings. The setting is a theatre with an audience and a stage.

• A performer named Bengali stands on stage facing the audience. [frame:3]
• A woman sings with her mouth open. [frame:4]

Named: Bengali (t:54:38). 5 people observed.

“Hey, lady. How about three more chairs?” 54:38 · “I'm sorry, mister. That was the last one.” 54:38

Evidence, details and a link to share

Model synopsis: A man in a costume stands at a podium on a stage before an audience; a woman with her back to the camera is in the foreground. A wide shot shows the same stage with a performer under a spotlight, viewed from the back of a seated audience.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light gown stands on a stage before an orchestra and audience; a man in the audience speaks about rented glasses. The scene is indoors, with no visible clock or window to establish time.

• A woman stands on stage in front of an orchestra and audience. [frame:1]
• The orchestra and conductor are visible from behind, facing the stage. [frame:2]
• The woman on stage is shown in close-up, smiling. [frame:3]

4 people observed.

“Say, lad, did you forget the upper glasses?” 55:07 · “No, monsieur, I'm sorry. They are all rented like everything else tonight.” 55:07

Evidence, details and a link to share

Model synopsis: A man in a decorated uniform and a woman in a gown are shown in close-up shots. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in ornate costume holds a baton and reacts with surprise. The audience is visible in the dark background.

• A man in costume reacts with surprise. [frame:1]

1 person observed.

“Oh, no.” 55:55

Evidence, details and a link to share

Model synopsis: A woman with curly hair and a necklace is visible in a close-up shot. No transcript lines are provided for this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in white stands on a stage holding a paper while a woman with her back to the camera faces him; an audience is visible behind them. The scene is lit by stage lights and appears to be a performance or presentation.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a white gown stands on a stage before an orchestra and audience, with a conductor facing her. The audience is seated in a darkened hall, watching the performance.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a formal white costume with medals stands on a stage before an applauding audience. The scene is shot in black and white with theatrical lighting.

2 people observed.

Evidence, details and a link to share

Model synopsis: Three men in top hats and coats attempt to enter a building but are denied by a uniformed doorman. Later, a wider shot shows a grand hall with people moving about, including a woman in a light dress walking across the frame.

• One man carries a large rolled object into the lobby. [frame:3]
• People move through a grand hall, including a woman in a light dress. [frame:4]

5 people observed.

“We're here to see Monsieur Svengani.” 57:04 · “But I'm sorry, gentlemen. I have strict audace to admit nobody. Oh, but we're old and intimate friends of monsieur. I'm sorry, nobody.” 57:06

Evidence, details and a link to share

Model synopsis: Three men in formal evening wear and top hats are shown in a dimly lit interior, interacting with each other and another man who enters from a hallway. One man gestures emphatically while speaking, and another bows deeply as the group moves through the space.

• Three men in top hats stand together in a dim room. [frame:1]
• A fourth man enters from a hallway behind the group. [frame:2]
• One man gestures with his hand while speaking to another. [frame:3]
• 1 more under Evidence and details.

Named: Mrs. Bengali (t:57:36). 5 people observed.

“No need to try and keep this meat clean. He hasn't been clean for five years, you know that. Ghetto! Why, ghetto? I can't begin to deceive V…” 57:26 · “Mrs. Bengali at any time. Gekko tell me, is he still dodging the land, ladies? Mrs. Bengali is beyond such a theme, sir. Mrs. Bengali... I n…” 57:36

Evidence, details and a link to share

Model synopsis: A man in a dark coat stands on a platform addressing a crowd near a horse-drawn carriage in a tunnel-like archway. The transcript includes a command to 'Cushy' and references to horseback and doom.

• A man in a dark coat stands on a platform and gestures toward a crowd. [frame:1]
• A horse-drawn carriage is positioned in front of the platform. [frame:1]
• A crowd of men in dark coats and hats stands behind the horse. [frame:2]

Named: Cushy (t:57:58). 4 people observed.

“Cushy, let me see you. Do it, do it, do it. A little bigger on horseback. Right into his doom.” 57:58

Evidence, details and a link to share

Model synopsis: Three figures are seen in a dimly lit corridor: two men in top hats and coats, and a woman in a light gown. One man walks toward the camera while the other stands still, and the woman follows behind.

3 people observed.

Evidence, details and a link to share

Model synopsis: Three men in formal evening wear and top hats are visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and a woman in a tiara and fur stand side by side in a dimly lit interior. No dialogue or action is visible in the single frame.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and formal coat is visible in a medium shot, with another man partially visible to his left. The transcript contains the single word 'Trouble.'

• A man in a top hat looks off-camera with a concerned expression. [frame:1]

2 people observed.

“Trouble.” 58:18

Evidence, details and a link to share

Model synopsis: A woman in a tiara and fur stole is shown in a close-up, followed by two men in formal wear, one in a top hat. No dialogue or on-screen text is present in these frames.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and dark coat is shown in a close-up. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a top hat and dark coat stands beside a woman in a fur stole and tiara. The setting appears to be an interior space with dim lighting and a wall sconce visible.

2 people observed.

Evidence, details and a link to share

Model synopsis: Three men in top hats and formal wear are shown in conversation and movement across four frames. A transcript line mentions 'Truby' and references pain, suggesting a character's distress, while another line orders someone to 'get far.'

• Three men in top hats walk in a line, one with a cane. [frame:1]
• A crowd in formal wear gathers around a woman in white in a theater setting. [frame:2]
• Three men stand together, one with a beard, one with a mustache, one in profile. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“It's Truby, she's not... It is Truby, isn't it? It can't be. The pain again, maestro?” 58:30 · “Kindly get far.” 59:02

Evidence, details and a link to share

Model synopsis: A crowd gathers around a horse-drawn carriage at night. The scene is dimly lit, with figures in period clothing visible near the vehicle.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a tiara and fur stole sits beside a man in a dark suit; both are visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman wearing a tiara and fur collar is shown in a close-up. The background is dark and no other people or objects are visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single figure is partially visible in near-total darkness, with only the lower half of their face and chin illuminated. No actions, objects, or dialogue are discernible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark formal wear stands beside a seated woman wearing a tiara and heavy jewelry. The scene is dimly lit with high contrast, focusing on the two figures against a dark background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman wearing a tiara and fur collar is shown in a close-up against a dark background. No dialogue or other actions are visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single figure is visible in near-total darkness, with only their face partially illuminated from below. No dialogue, text, or identifiable objects are present in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman wearing a tiara and fur collar is shown in a close-up against a dark background. No actions or dialogue occur in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a tiara and fur stole is shown in a close-up, looking off-camera. The setting is dimly lit and indistinct, with no visible text or spoken dialogue in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in formal wear are shown in a medium shot, followed by a close-up of a woman in a tiara and fur stole. The transcript contains dialogue questioning the identity of a voice, suggesting a scene of recognition or doubt.

• Two men in formal wear stand side by side, looking off-camera. [frame:1]
• A woman in a tiara and fur stole looks directly at the camera with a slight smile. [frame:2]

3 people observed.

“But it is, I'm sure of it.” 59:44 · “But her voice. Kirby couldn't have sound like that.” 59:48

Evidence, details and a link to share

Model synopsis: A woman in a white gown and tiara approaches a group of formally dressed men and women at night; she greets them by name as they react with visible surprise and pleasure. The scene takes place outdoors near a horse-drawn carriage under artificial lighting.

• The woman in white approaches a group of formally dressed people. [frame:2]
• The woman in white and a man in evening wear smile at each other closely. [frame:3]

Named: Kathy (t:60:00), Billy (t:60:00), Melia (t:60:00). 3 people observed.

“Billy! Kathy and Melia! Oh, it's so good to see you all again!” 60:00

Evidence, details and a link to share

Model synopsis: A man in a dark suit and a woman in a fur-trimmed garment face each other closely in an interior setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man with a beard and dark coat is shown in a close-up, looking intently. The scene is dimly lit with high contrast, and the TCM logo is visible in the corner.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in formal wear speaks to a woman wearing a tiara and fur stole; she looks at him as he apologizes for mistaking her for someone else. The scene is indoors under studio lighting, with no visible windows or clocks to establish time.

2 people observed.

“I...” 60:18 · “I beg your pardon.” 60:20

Evidence, details and a link to share

Model synopsis: A man with a beard and dark clothing is visible in a dimly lit setting. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in formal wear faces a woman in a tiara and fur stole; both are visible in a single interior shot. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal wear speaks to another man while a woman in a fur coat appears distressed; the scene shifts to an outdoor night setting with a crowd and a carriage. The dialogue suggests an attempt to prevent a public disturbance.

• A crowd gathers around a carriage on a street at night. [frame:3]

5 people observed.

“Don't make a scene here, Billy.” 60:45 · “Oh, my God.” 60:48

Evidence, details and a link to share

Model synopsis: A person in a long robe walks through an ornate doorway into a richly decorated room. The scene is shot in black and white with dramatic lighting and no visible text or dialogue.

• A person in a robe walks through a doorway into a decorated room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person lies on an ornate, carved bed with drapery in a dimly lit room. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman lies asleep on a large cushioned surface, wearing a light garment with fluffy trim. The scene is dimly lit and appears to be indoors, with no other people or objects clearly visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man with a beard and intense expression is shown in a close-up. The setting appears to be an interior space with soft lighting and indistinct background elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a long robe stands at the foot of a circular bed in an ornate room. The room features heavy drapery, carved wall panels, and a large ornamental headboard.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a patterned robe stands beside a reclining woman in an ornate interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman lies on a plush surface, partially covered by a fluffy white material. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a patterned robe stands beside a reclining woman in an ornate interior. The transcript contains the line "I'm going to go."

• A man stands beside a reclining woman. [frame:1]

2 people observed.

“I'm going to go.” 61:22

Evidence, details and a link to share

Model synopsis: A woman lies on a cushioned surface, smiling as she speaks about having been asleep. The setting appears to be an interior space with soft furnishings.

• A woman lies on a cushioned surface and speaks about having been asleep. [frame:1]

1 person observed.

“Oh, I seem to have been asleep for ages.” 61:31

Evidence, details and a link to share

Model synopsis: A man kneels beside a woman lying on a bed in an ornate room; dialogue reveals a tense emotional exchange about gratitude and unrequited love. The woman acknowledges the man's past care but does not return his romantic feelings.

• A man kneels beside a woman lying on a bed. [frame:1]

Named: Liebchen (t:61:57), Trilby (t:61:36). 2 people observed.

“Haven't I been good to you, Trilby?” 61:36 · “Who gave you back your life?” 61:42

Evidence, details and a link to share

Model synopsis: A woman lies on a cushioned surface while a man in formal attire speaks nearby. The transcript includes fragmented dialogue and a reference to 'the magnificent young Englander' and 'the head of the Purity Brigade.'

• A woman lies on a cushioned surface. [frame:1]
• A man in formal attire is shown speaking. [frame:2]
• The woman remains reclining as the man stands near her. [frame:3]

2 people observed.

“Bengali.” 62:09 · “I've tried, but I... Yeah, yeah, yeah, yeah.” 62:11

Evidence, details and a link to share

Model synopsis: A man with a beard and dark coat is shown in a close-up, followed by a shot of a woman lying on a cushioned surface. The transcript includes a character being addressed as 'Sir Galahad' and a question about his identity and actions.

• A man is shown in close-up, looking downward. [frame:1]
• A woman is shown lying on a cushioned surface, looking up. [frame:2]

2 people observed.

“Sir Galahad.” 62:27 · “His stiff-necked little belief.” 62:31

Evidence, details and a link to share

Model synopsis: A man in ornate clothing speaks to a woman lying in bed; the transcript reveals he is Svengali, who plans to go to London and take her with him. The woman responds that she does not like palaces.

• Svengali sits beside a woman in bed and speaks to her. [frame:1]
• Svengali leans closer to the woman in bed. [frame:2]
• The woman in bed smiles while looking up at Svengali. [frame:3]

Named: Svengali (t:62:48). 2 people observed.

“compared to Svengali.” 62:48 · “Svengali will go to London himself.” 63:09

Evidence, details and a link to share

Model synopsis: A man in a patterned robe leans over a woman lying on a bed, speaking to her. The transcript includes lines about women's preferences and a command to look into his eyes.

• Man leans over woman on bed. [frame:1]
• Man continues to lean over woman, gesturing with hand. [frame:2]

2 people observed.

“Nor anything else that other women like.” 63:52 · “except a little bit.” 63:55

Evidence, details and a link to share

Model synopsis: A woman with curly hair looks up at a man in a close-up shot. The setting appears to be indoors with soft lighting and patterned fabric visible.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man with a beard and dark hair, wearing a quilted robe, is shown in a close-up. The background includes ornate furniture, suggesting an interior setting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman lies down while a man leans over her; she opens her eyes after being told to. The setting appears to be a bedroom with ornate decor.

• A man leans over a woman who is lying down. [frame:2]
• The woman has her eyes closed. [frame:1]
• The woman opens her eyes and smiles slightly. [frame:3]

2 people observed.

“Open your eyes.” 64:19

Evidence, details and a link to share

Model synopsis: A man leans over a woman lying on a bed; he speaks to her as she looks up. The setting is an ornate interior with carved headboard and plush pillows.

• The man leans over the woman on the bed. [frame:1]

2 people observed.

“I'm going to go.” 64:35 · “I do love you.” 64:37

Evidence, details and a link to share

Model synopsis: A man in a patterned robe leans over a woman lying on a bed; she appears to be under his influence. The man speaks to her, instructing her to close her eyes, while she responds that she does not see it.

• Man leans over woman lying on bed. [frame:1]
• Woman lies still with eyes closed. [frame:2]
• Man stands beside bed, hand on woman's chest. [frame:3]

2 people observed.

“Close your eyes.” 64:45 · “I don't see it.” 64:50

Evidence, details and a link to share

Model synopsis: A man with a beard and formal attire is shown in profile against a curtain backdrop. He speaks to himself, referencing 'Svengali' and 'manufactured love' in the transcript.

• A bearded man in formal wear is shown in profile against a curtain. [frame:1]

Named: Svengali (t:65:08). 1 person observed.

“Uh...” 64:58 · “You are beautiful.” 65:00

Evidence, details and a link to share

Model synopsis: A person in a long robe stands beside an ornate bed in a dimly lit room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men sit in a dimly lit, cluttered room with a piano and easels; one man gestures while speaking. The setting appears to be an artist's studio or private office with heavy shadows and theatrical lighting.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks about a cancelled concert. The transcript indicates Bengali and his company have left, canceling the event.

1 person observed.

“Did you get tickets for the concert tonight?” 65:25 · “There won't be any concert tonight.” 65:27

Evidence, details and a link to share

Model synopsis: Two men in suits sit facing each other at a small table in a dimly lit room with an American flag and a painting visible in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person in a dark coat is seen from behind, holding a large object near a bed in a dimly lit room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are seen from behind looking toward a staircase; a man in a dark coat leans forward in a bedroom; two men sit at a table behind vertical bars. Dialogue suggests a pursuit of Svengali and concern over his influence over Trilby.

• Two men stand looking toward a staircase. [frame:1]
• A man in a dark coat leans forward in a bedroom. [frame:2]
• Two men sit at a table behind vertical bars. [frame:3]

Named: Taffy (t:65:55). 5 people observed.

“Svengali is not running away from you” 65:53 · “Not from me, Taffy.” 65:55

Evidence, details and a link to share

Model synopsis: A newspaper clipping announces Madam Svengali's upcoming performance in Naples after cancellations in Rome and Venice, while a speaker urges people to take their seats and asks about Monsieur Svengali's readiness. The scene appears to be set in a theater or opera house lobby, with no clear indication of time of day or period.

• A newspaper article is shown announcing Madam Svengali's performance in Naples. [frame:1]

1 person observed.

“Just wait till the day comes.” 66:10 · “I'll get her back.” 66:13

Evidence, details and a link to share