Public Reel

Svengali · Beat 281 · permalink

Private office

1:09:04–1:09:53 Registered 1931

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:09:051:09:05Frame at 1:09:231:09:23Frame at 1:09:461:09:46

Play from 1:09:04 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 158 · shots 548–550. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • older man, balding, wearing formal dark suit with white bow tie and boutonniere visible
  • man with dark curly hair, wearing ornate military-style jacket with frogging visible, audible
  • man with beard and dark coat, standing to the right visible, audible
Seen happening
  • A man in a formal suit confronts another man in a military-style jacket. [frame:1]
  • A third man with a beard joins the confrontation. [frame:2]
  • The man in the military jacket appears distressed as the confrontation continues. [frame:3]
Also said
“Are you trying to tell me what to do? I would like to tell you what to go, but there isn't any place for you except the dives. And now, that's where you belong.” 69:35
Seen
formal suit with bow tie [frame:1], military-style jacket with frogging [frame:1], curtains or drapes [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: conflict, professional downfall, social exclusion; style notes: static medium shots, high-contrast lighting, formal costumes suggest theatrical staging

Two men confront a third man in a formal interior; one accuses the third of breaking engagements and belonging in dives. The third man appears distressed as the confrontation escalates.

“I tell you, I am sick. All right, then I am through.” 69:18 · “From now on, you can manage yourself into the poorhouse. Every place you have broken your engagements until there isn't another theater that will contract for Las Bengales appearance.” 69:23 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

Share

Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.

Frame from Svengali (1931) at 1:09:05 (passage 1:09:04–1:09:53); US record: No renewal found

Permalink
always the current cut
Permalink to this version
warns if the beats are recut later
Card image
https://publicreel.org/cards/moment/SvengaliJohnBarrymoreBKCap1931/b281.png
Figure for a newsletter or page
Cite