No renewal found Free in the US since 1 January 1960, on the registry's reading: registration LP2189 of 1931 by Feature Productions, Inc was not renewed in the volumes searched. Record.
371 shots over 1:14:35, read from the Internet Archive copy Indiscreet (Indiscreet.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Indiscreet No renewal found. JSON
Measurements: colour film on its keyframes (371 of 371 shots judged colour), average shot 12.1s long, a frontal face detected in 50% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1931 (Internet Archive).
215 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:28Model synopsis: The beat shows end credits with crew names and includes audio of someone saying they are leaving while another calls out 'Richard' and a crowd cheers. No characters or narrative scenes are visible.
Named: Richard (t:0:52). 1 person observed.
“I'm going to go.” 0:30 · “Go back here, Richard!” 0:52
1:18Model synopsis: A person is visible in a dimly lit interior, speaking to someone off-screen. The dialogue includes a request to come up and a term of endearment addressed to 'Jerry'.
Named: Jerry (t:1:37). 1 person observed.
“I heard you.” 1:00 · “You need to come up with me. I can get into the apartment without your assistance.” 1:04
1:48Model synopsis: A man and a woman stand close together in formal attire, engaged in a conversation that includes an apology and references to New Year's Eve. The setting appears to be an indoor evening event, with no visible clocks or windows to confirm the time.
2 people observed.
“Please forgive me for what happened tonight.” 1:40 · “I admit I was wrong.” 1:42
Model synopsis: A man in formal wear and a woman in a dark dress stand close together indoors, speaking. The transcript shows them discussing appearance and seriousness, with the man making a remark about living.
2 people observed.
“Jerry, that's not like you.” 1:59 · “I know. I'm a brunette.” 2:01
2:57Model synopsis: A woman and a man in formal wear have a tense conversation in an interior setting; she declares she will start the New Year alone and leaves. The man is addressed as Jim, and she identifies herself as Jerry, his ex.
Named: Jerry (t:3:05), Jim (t:3:13). 2 people observed.
“Will you please be serious?” 2:34 · “Tim, you've been the only man in my life.” 2:43
Model synopsis: A woman in a dark dress stands in a room while a man in a tuxedo enters through a doorway. No dialogue or on-screen text is present in this segment.
2 people observed.
Model synopsis: A man in formal wear proposes to a woman in an evening dress inside a room; she reacts with surprise and skepticism. The dialogue reveals a history between them, with references to past proposals and a secret marriage.
Named: Jerry (t:3:29). 2 people observed.
“Will you marry me?” 3:31 · “She married all of us. The chorus girl, the widow, and... Who told you? Oh, it's a secret. Nobody knows but me. And the Associated Pres…” 3:42
4:44Model synopsis: A woman in a dark dress stands near a doorway while a man in a suit faces her in a dimly lit room with patterned curtains and furniture. No dialogue or on-screen text is present in this beat.
2 people observed.
5:10Model synopsis: A man in formal attire stands near a doorway as a woman in a dark dress with suspenders turns away from him. The transcript includes fragmented dialogue, including a name 'Jerry' and a call 'Tim!' as the woman appears to leave.
2 people observed.
“Definitely about this, Jerry.” 5:01 · “It was beautiful, but it lasted...” 5:11
5:25Model synopsis: A woman in a dark dress stands near a doorway in a room with a bed and a side table. No dialogue or on-screen text is present in this beat.
1 person observed.
5:30Model synopsis: A man in a dark suit and white shirt holds a hat in his right hand while standing indoors. No dialogue or on-screen text is present in this beat.
1 person observed.
5:36Model synopsis: A woman in a dark dress stands near a doorway in a dimly lit room with furniture and a mirror visible. No dialogue or on-screen text is present in this beat.
1 person observed.
5:41Model synopsis: A man and a woman stand facing each other in a dimly lit room with heavy curtains and a side table. No dialogue or on-screen text is present in this beat.
2 people observed.
5:54Model synopsis: A woman in a dark dress with suspenders is seen from behind, standing near a doorway in an interior space. She speaks the lines 'Get out!' and 'I'm going to go.'
1 person observed.
“Get out!” 5:57 · “I'm going to go.” 6:00
Model synopsis: A woman gives instructions about gown designs and a phone call, then speaks with someone named Buster. A man in a suit is seen on the phone at a desk. The setting appears to be an office or studio with drafting equipment and curtains.
Named: Miss Curtis (t:6:29), Buster Collins (t:6:34), Mrs. Hoffenstein (t:6:31). 3 people observed.
“Take these designs to the shop.” 6:22 · “Mrs. Hoffenstein's gown must be ready this evening.” 6:31
Model synopsis: A man and a woman are on separate phone calls in what appears to be a private office or living room. The woman speaks about meeting someone named Tony Blake and reading his book, while the man listens and reacts during his call.
Named: Tony Blake (t:6:56). 2 people observed.
“Tony Blake?” 6:56 · “And Blake, of course, bring him along. I'd like to meet him.” 7:01
Model synopsis: A woman in a light dress holds a telephone receiver while smiling; a man in light trousers and a shirt stands near a window in a living room. The transcript includes laughter and a call to 'Tony' confirming plans are set.
Named: Tony (t:7:27). 2 people observed.
“Ha ha.” 7:21 · “All right.” 7:22
Model synopsis: A woman enters a bedroom where another woman is lying on the bed; the transcript reveals anticipation for meeting an author named Anthony Blake and a request for music. The room contains a bed, vanity, and lamp, and one woman is in a robe while the other is reclining.
2 people observed.
“Oh, and Kate, I'm going to meet Anthony Blake. Now, what's so good about that? He's the one who wrote this book. Any idiot can write a bo…” 7:39 · “Oh, I can hardly wait until I meet him.” 7:49
Model synopsis: A woman in a robe walks through a bathroom and into a bedroom where another woman stands by a piano; they interact while one adjusts her hair and the other puts on shoes. The transcript includes lines about meeting a man and a boy getting the girl, suggesting a romantic plot point.
2 people observed.
“I'm going to.” 8:06 · “Well, anyway, the boy gets the girl in the end. What an unusual finish.” 8:20
8:48Model synopsis: A woman stands in a room holding a towel while a man is partially visible behind a frosted glass door; dialogue suggests a tense exchange about someone named Colvinas and running people out. The setting appears to be a bathroom or dressing area with a shower or bath stall.
2 people observed.
“I hope he's a little man with a sock called "Colvinas."” 8:39 · “And a beer. Can't you hear me?” 8:42
Model synopsis: A woman in a robe is seen in a bathroom, interacting with another woman who holds a towel; dialogue suggests a discussion about personal preferences and a book. No names are spoken, and the setting is clearly a private bathroom with visible fixtures.
2 people observed.
“I still like them even after cold showers.” 9:03 · “If he's anything like his book, he's wonderful.” 9:09
9:24Model synopsis: A woman in a robe and head covering stands in a bathroom, holding a steaming object. The room contains a toilet and towel rack, with steam visible in the air.
1 person observed.
9:39Model synopsis: A woman sits at a vanity while another woman faces her; the scene is indoors with studio lighting. The transcript contains fragmented lines that do not clearly name characters or establish events.
2 people observed.
“Four things in life” 9:34 · “I'll plant a day out. What could this be?” 9:40
Model synopsis: A woman sings in a room with bottles on a table; later, three people stand in a living room. A line names Mrs. Kate Smith, Mrs. Jerry Trent, and Mr. Anthony Blake.
Named: Mrs. Kate Smith (t:10:41), Mrs. Jerry Trent (t:10:41), Mr. Anthony Blake (t:10:41). 6 people observed.
“If you haven't got love” 10:03 · “Light and sweet, but love provides a list of air.” 10:06
Model synopsis: A man and a woman stand in a room with furniture and curtains; the man speaks to the woman, who listens. The transcript includes fragmented dialogue and a line suggesting he finds her attractive dressed.
2 people observed.
“Mm-hmm. What do they, um-hmm, mean?” 11:05 · “I just decided you look even better with your clothes on.” 11:09
Model synopsis: A man and a woman converse in a room with large windows; he proposes marriage after learning she owns a shop. The woman reacts with surprise to his sudden proposal.
2 people observed.
“You see that building?” 11:17 · “In your bathing suit.” 11:22
12:26Model synopsis: A man and a woman discuss marriage and impulsive actions while seated indoors. The woman mentions past experiences and suggests going out to ring doorbells that evening.
Named: Calvin (t:12:11). 2 people observed.
“Like the character in your book. I am the character in my book.” 12:06 · “If we went around together for several months, the usual thing.” 12:12
12:56Model synopsis: A man in a suit sits near a window with a city view, covering his face with one hand while speaking. The transcript includes dialogue about going out and ringing doorbells, and calling someone a 'good woman.'
1 person observed.
“What are you doing tonight? Why? Do you want to go out and trip later? Yes. I'd rather ring doorbells than not. Oh, the fun we're going to h…” 12:46 · “That's just what I wanted to know.” 12:56
Model synopsis: A woman sits in a room while a man leans over her; later, a man and a woman stand on a ship's deck looking at the sea. The transcript mentions a sister named Jo sailing from France and confirms the time as 4:15.
Named: Geraldine (t:13:05), Jo (t:13:12). 4 people observed.
“- Geraldine! - What?” 13:05 · “I say your sister Jo must be sailing from France about now. That's right.” 13:12
14:01Model synopsis: A man and a woman stand facing each other in a dimly lit interior, discussing family and an engagement. The woman speaks of her sister's sacrifices and their secret engagement, while the man listens.
2 people observed.
“I'll be so glad to get home to see Sis and Ed cute.” 13:37 · “It's been two years.” 13:43
14:31Model synopsis: A person in a light shirt and cap stands with their back to the camera, facing a floral arrangement. No dialogue or on-screen text is present in this beat.
1 person observed.
14:37Model synopsis: A hand holds a handwritten note addressed to Miss Trent from Mr. Blake, declaring 'I love you.' No people are visible beyond the hand, and no dialogue or setting is established in this beat.
1 person observed.
14:41Model synopsis: A woman in a white dress and headband smiles at the camera, seated before a floral arrangement and a round mirror. No dialogue or action is visible beyond her pose.
1 person observed.
Model synopsis: A woman in a robe reads in bed while another woman in a white dress smiles beside flowers. The dialogue suggests emotional conflict despite outward happiness.
2 people observed.
“You can't be as happy as you look. I've never been so happy.” 14:45 · “I'm falling more in love with them every day.” 14:49
Model synopsis: Two women are in a bedroom; one seated on a bed in pajamas speaks while the other stands holding papers. The transcript reveals a conversation about telling someone named Jim something, with one woman warning it will cause loss and the other insisting it will make her feel right.
2 people observed.
“For heaven's sake, why not?” 14:57 · “I've got to tell him, you know.” 15:02
15:30Model synopsis: A woman in a white dress is shown reading a newspaper in a softly lit interior. She speaks lines about being a modern girl with an old-fashioned conscience and asks someone to press something for her.
1 person observed.
“Think it over carefully.” 15:18 · “Well...” 15:21
16:20Model synopsis: A person turns on a lamp in a dim room while speaking about fear of the dark and suggesting music or fire. No names are spoken, and no other people are visible or audible in the provided frames and transcript.
1 person observed.
“I want to turn on the light. Keep me with you. I'm afraid of the dark.” 16:09 · “Should we have some music?” 16:29
16:58Model synopsis: A woman in a light-colored dress and head covering is shown in a medium close-up, smiling slightly. The background is blurred and indistinct, suggesting an outdoor or set environment.
1 person observed.
Model synopsis: A man in a suit stands in a dimly lit room with a lamp and sculpture; a woman in a headband sits nearby. The transcript includes fragmented dialogue about feet and puddles, suggesting a casual or confused interaction.
2 people observed.
“No.” 16:59 · “I think you feet away.” 17:01
17:13Model synopsis: A man kneels beside a woman lying on a couch in a dimly lit room; she responds affirmatively to his question about warmth. No names or specific time of day are established.
2 people observed.
“Are they warm now?” 17:11 · “Mm-hmm.” 17:13
Model synopsis: A man assists a woman seated on a couch by putting a shoe on her foot; he then moves to a side table and returns to her. The setting is an interior room with furniture and a side table visible.
2 people observed.
“Ow.” 17:18 · “Better get a shoe on.” 17:22
17:34Model synopsis: A single blurry frame from a 1931 film shows an indistinct close-up of a person's face or profile in shadow. No actions, objects, or text are clearly visible, and no names or dialogue are provided.
1 person observed.
Model synopsis: A man kneels beside a woman seated on a couch; they speak while holding small objects. The woman is later shown in close-up, smiling and holding an object near her chest.
Named: Blake (t:17:43). 2 people observed.
“There we are.” 17:39 · “An inventor as well as a writer.” 17:41
Model synopsis: A man and a woman speak in a dimly lit interior, expressing regret about not having met earlier. The man leans forward while the woman sits back, both appearing in formal attire.
2 people observed.
“I wish I'd met you years ago.” 18:01 · “I wish you had.” 18:05
Model synopsis: A man and a woman are seated on a couch in an interior setting; the man kneels beside her as they speak. The transcript includes dialogue about fun, a request for an autograph, and brief responses.
2 people observed.
“You didn't have as much fun today.” 18:11 · “What's wrong?” 18:14
18:29Model synopsis: A man in a suit stands in a large office while a woman sits behind a desk. The scene is lit with studio lighting and includes furniture such as a lamp, chairs, and a statue.
2 people observed.
18:36Model synopsis: A woman in a draped garment and head covering is shown in a close-up, looking downward. No dialogue or additional context is provided in this beat.
1 person observed.
18:46Model synopsis: A woman in a light-colored dress and head covering stands at a desk, looking down at papers. The setting appears to be an interior room with bookshelves and a sculpture visible in the background.
1 person observed.
“All right.” 18:40
19:17Model synopsis: A woman stands in a room speaking to a seated man; their conversation includes references to a book and a character who represents the man. The setting appears to be a furnished interior with lamps and large windows.
2 people observed.
“Wait a minute. Don't peek.” 18:57 · “Tell me. Do you believe everything in that book? Of course not.” 19:15
Model synopsis: A woman in a white dress and headscarf reads a handwritten note to a man seated across from her. The note contains a declaration of love that increases hourly, signed 'Tony.'
2 people observed.
“Amen.” 19:47 · “Give yourself a second.” 19:50
Model synopsis: A man and a woman are in a dimly lit interior, speaking closely; the woman is later shown alone, looking pensive. The dialogue suggests a romantic or collaborative idea involving writing and Paris.
2 people observed.
“I'll dedicate the next one to you. I'd love to write it in Paris.” 20:04 · “If I had a wife to go with me” 20:13
Model synopsis: A man and a woman discuss a moral dilemma involving a past affair and whether to disclose it to a current partner. The conversation occurs indoors, with both individuals visible and engaged in dialogue.
2 people observed.
“That's not bad.” 20:43 · “Suppose by way of plot?” 20:46
Model synopsis: A man and a woman are in a room, having a conversation about honesty and marriage. The man gestures while speaking, and the woman listens, both appearing engaged in the dialogue.
2 people observed.
“That's what I thought. On the other hand, it might be wise for her to say nothing.” 21:08 · “What a man doesn't know.” 21:12
21:57Model synopsis: A man and a woman are in conversation in an interior setting; the woman identifies herself as 'Faith' in response to the man's question. No objects, time of day, or period are established from the frames or transcript.
Named: Faith (t:21:51). 2 people observed.
“Oh, I don't know.” 21:41 · “It's hard to say what a girl should do who's faced with that situation.” 21:44
22:17Model synopsis: A person in a light-colored top and cap holds another person's head in a dimly lit interior. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman in a white blouse stands in a room while a man in a suit stands near a doorway; the transcript contains a plea about never seeing someone again. No names are spoken, and no objects beyond furniture are clearly identifiable.
2 people observed.
“Did you love him?” 22:24 · “If you love him, I'll die. I only thought I did.” 22:27
22:58Model synopsis: A man and a woman stand close in an interior setting; the man places his hand on the woman's shoulder as she looks down. The transcript includes the name 'Jerry' and a partial confession.
Named: Jerry (t:22:56). 2 people observed.
“Jerry.” 22:56 · “I have a confession to make.” 23:00
23:17Model synopsis: A man and a woman embrace in a dimly lit interior. The transcript includes dialogue about going out, being even, and a marriage proposal.
2 people observed.
“Went out for the girl.” 23:07 · “That makes us even.” 23:09
Model synopsis: A woman and a man are in a room; the woman speaks about the weather and her sister’s visit before the man begins to leave. The man then turns to follow her as she moves toward a doorway.
2 people observed.
“Oh, it's cold.” 23:28 · “Oh why it's raining. No. It's not.” 23:39
24:31Model synopsis: A man in a dark suit stands indoors holding a small book or notebook. The setting appears to be a room with framed pictures on the wall, and no dialogue or on-screen text is present.
1 person observed.
24:56Model synopsis: A man and a woman stand in a room with furniture and a desk; the woman holds a book while the man demands it. The dialogue indicates a disagreement over a written document.
Named: Lillian (t:24:53). 2 people observed.
“I forgot my book.” 24:46 · “You didn't change what you had written, was it, Lillian?” 24:53
25:18Model synopsis: A man and a woman stand facing each other indoors; the woman reacts to being told to give something to the man. No names are spoken, and no objects are visible beyond their clothing and the room’s door.
2 people observed.
“Give it to him.” 25:13 · “- Me?” 25:15
Model synopsis: A man in a suit embraces a woman in a light dress in an interior setting; a handwritten note is shown. The transcript contains fragmented lines that do not clearly identify the characters or context.
2 people observed.
25:48Model synopsis: A dimly lit interior scene shows a window with city lights visible outside and a cushioned bench or sofa in the foreground. No people or spoken dialogue are present in this beat.
26:00Model synopsis: A black-and-white frame shows a gangway labeled 'CUNARD LINE' leading to a ship, with people visible on the gangway and ship. A transcript line at 26:05 says 'Well, hello, dear,' and a music cue is noted at 25:52.
1 person observed.
“*Squad music*” 25:52 · “Well, hello, dear.” 26:05
Model synopsis: Two women and a man are in a room with furniture and curtains; one woman speaks about being happy and helping with things, while mentioning Cape York and Paris. The man enters the room as the woman speaks.
3 people observed.
“Oh, and you don't know how good it looks to me. I'm so happy.” 26:10 · “I'm going to help hold on back your things.” 26:14
Model synopsis: A man and a woman stand in a room, speaking to each other; the woman holds a suitcase and the man holds a hat. The dialogue suggests a reunion with some emotional tension.
2 people observed.
“Gee, it's great to see you, baby.” 26:26 · “Please, Master.” 26:33
26:56Model synopsis: A man and a woman stand close in a dimly lit interior, exchanging lines about age and a party. The woman wears a cloche hat and a dark dress with light trim; the man is in a suit with a pocket square.
2 people observed.
“But what?” 26:44 · “Quit being so young.” 26:46
Model synopsis: A woman in a maid's uniform stands near a suitcase while a man and another woman enter a room; the man speaks to the maid, and the second woman laughs. The transcript includes dialogue about a party and someone not wanting to attend.
Named: Jared (t:27:11). 3 people observed.
“Hey, Jared, help me out.” 27:11 · “You're giving me the chill.” 27:13
Model synopsis: A group of people in a room say goodbye; one woman gestures toward objects while another smiles nearby. The setting includes curtains and furniture, with two women and one man visible across two frames.
5 people observed.
“See you about 7:30.” 27:25 · “And you, Tony?” 27:32
Model synopsis: Two women examine photographs of a child in a domestic interior. One woman holds up a photo while the other looks on; they appear to be discussing the child's attire.
3 people observed.
“There you are before going to Paris.” 27:59 · “before and after.” 28:02
28:20Model synopsis: A person holds a black-and-white portrait photograph of a woman. No dialogue or additional context is provided in this beat.
2 people observed.
28:22Model synopsis: A person holds a black-and-white portrait photograph of a smiling woman wearing a beaded dress and necklace. No dialogue or on-screen text is present in this beat.
2 people observed.
28:38Model synopsis: Two women are shown in close-up, one wearing a hat with a bow, the other smiling at her; no location or time of day is established. One woman speaks about worrying when the other is out of sight, and there is a brief exchange about not asking someone something.
2 people observed.
“Sometimes I worried about you being out of my sight for so long.” 28:39 · “You didn't ask her.” 28:47
Model synopsis: Two women are in a bedroom; one is standing near a bed while the other sits. The transcript references a past event involving a car and a person named Sport Wardell.
2 people observed.
“I hope we have as much fun here as we have in Oklahoma. Do you remember the night you went out with Sport Wardell?” 28:56 · “It's a funny car, chugged along, and he made you get out and walk. And even if that, I beat him home. What's that? I was wondering if you re…” 29:04
Model synopsis: A woman sits on a bed in a bedroom while another woman stands nearby; dialogue references a past signal involving singing and a bow in the parlor. The seated woman speaks lines about needing someone and starting over, while the standing woman is mentioned in the dialogue as 'Lois.'
Named: Lois (t:29:40). 2 people observed.
“Don't tell me. Don't tell me.” 29:21 · “Lois, you'd sing this, which was my signal, to come in and say, "Charity, this time. You saved my life many times. Start over."” 29:40
Model synopsis: Two women are in a bedroom; one is seated on the bed, the other stands beside her. A framed portrait of a man is visible on a surface nearby. The transcript contains repeated calls to 'come to me' and references to a man being 'good-looking'.
3 people observed.
“But I'm near and above, wherever you are.” 30:11 · “Come to me” 30:16
Model synopsis: Two women converse in a room; one mentions meeting a man in Paris and refers to another as her future brother-in-law. They discuss attending a party and getting manicures, with one woman complimenting the other’s appearance and dance skills.
Named: Jerry (t:32:00). 2 people observed.
“Who is he?” 31:20 · “Your future brother-in-law. Yes. Oh, it's terrific.” 31:26
32:44Model synopsis: A woman in a light, ruffled dress is shown in a close-up, her hands clasped under her chin. The lighting is high-contrast studio lighting, and no other people or objects are visible.
1 person observed.
Model synopsis: A man and a woman sit at a table in a dimly lit room with other guests; the man speaks to the woman while others are visible in the background. The transcript includes fragmented lines suggesting social interaction and a request for company.
4 people observed.
“Come on.” 32:47 · “Oh, my God.” 32:48
Model synopsis: A man and a woman sit at a table in a crowded restaurant, conversing closely. The woman gestures while speaking, and the camera cuts to a wider view showing other diners and a waiter in the background.
4 people observed.
“Shall we tell them about us? Why? I want to pin you down in public.” 33:14 · “Why not?” 33:26
Model synopsis: A man greets a woman and introduces himself as Blake while another woman is present at a table in a crowded venue. The scene includes dialogue where names are exchanged and a reference to making speeches.
Named: Blake (t:33:46), Jerry (t:33:39), Mr. Smith (t:33:53). 4 people observed.
“Hello, Joe.” 33:31 · “Jerry.” 33:39
Model synopsis: A woman in evening wear sits at a table in a crowded dining room; two men in tuxedos stand nearby, one smiling. A man in a tuxedo stands behind a seated woman at a table while another man eats nearby. The transcript includes the word 'Amen.'
5 people observed.
Model synopsis: A man in a tuxedo offers a drink to a woman at a table; another woman looks on with a concerned expression. The setting appears to be a formal dining or lounge area with other patrons visible in the background.
3 people observed.
Model synopsis: A woman in a light, embellished dress holds her hands near her face in a close-up; another woman in a dark floral dress sits at a table, touching her face, with a man and another woman visible in the background. No dialogue or on-screen text is present in these frames.
4 people observed.
34:29Model synopsis: A woman in a light-colored dress with ruffled shoulders is shown in a close-up, her hands clasped near her chin. The background is dark and out of focus, suggesting an interior setting with studio lighting.
1 person observed.
34:31Model synopsis: A man in a tuxedo sits at a table with drinks in a dimly lit room with other formally dressed people in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
34:33Model synopsis: A man and a woman sit at a table in formal attire, smiling at each other. The setting appears to be an indoor dining area with dim lighting and other patrons in the background.
3 people observed.
Model synopsis: A man and a woman are seated at a table in a formal setting, speaking and holding drinks. The man raises a glass while speaking, and the woman listens, then faces him closely in the final frame.
2 people observed.
“Heh.” 34:35 · “What a party I'm giving.” 34:36
Model synopsis: A man and a woman are seated at a table in a dimly lit venue; the man speaks about his efforts to secure a job with the woman, who initially declined his offers but hired him after he suggested she might want to raise a family. The man celebrates his success at the end of the beat.
2 people observed.
“The minute I made eyes on Gary Trent...” 34:55 · “Chopper?” 35:01
Model synopsis: Three people are seated at a dinner table in a dimly lit room, raising glasses in a toast. One woman speaks while holding a glass, and a man responds with thanks.
3 people observed.
“Here's hoping you'll never discharge.” 35:44 · “Thanks, old man.” 35:47
Model synopsis: A man in formal wear speaks at a table, then a woman and two men stand at the same table, and finally a couple dances in a crowded room. The transcript includes brief spoken lines and a sound effect.
5 people observed.
“May I pass a surprise today? Of course.” 35:52 · “Carry it.” 35:56
36:45Model synopsis: A man and a woman are dancing closely in a dimly lit interior. The transcript includes fragmented dialogue about being 'best' and mentions of roses and Joan, but no names are spoken that identify the individuals.
2 people observed.
“Can I be best named?” 36:29 · “He's the best man I ever knew.” 36:31
37:17Model synopsis: A man and a woman are shown in a close embrace, appearing to dance or stand intimately. The transcript includes fragmented dialogue mentioning names and a child, but no clear narrative context is established from this beat alone.
2 people observed.
“Just land, Harold Ford.” 37:09 · “There's only a child.” 37:13
37:29Model synopsis: A man in a tuxedo claps his hands while standing in a dimly lit room with other formally dressed people visible in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
37:36Model synopsis: A man and a woman sit at a table in a crowded room; the man speaks while the woman listens. The transcript includes a line referencing 'Buffalo Bill' and a comment on dancing.
2 people observed.
“That's how dancer it was!” 37:34 · “Buffalo Bill.” 37:36
37:42Model synopsis: A crowded indoor venue with formally dressed patrons seated at tables and a couple standing near one table. No dialogue or on-screen text is present in this beat.
7 people observed.
Model synopsis: A man in a tuxedo stands in a crowded restaurant while a woman seated at a table looks at him. The scene is lit with theatrical lighting and includes multiple tables and patrons.
3 people observed.
38:00Model synopsis: A man and a woman in formal evening wear are seated close together, engaged in conversation. The dialogue suggests they are discussing arranging a meeting between their families in preparation for marriage.
2 people observed.
“Now's a good time to invite them. Where? To your home.” 37:50 · “Our family should meet sometime if we're going to be married.” 37:56
Model synopsis: A group of formally dressed people are seated at a table in a dimly lit room with curtains, reacting to an announcement. One woman speaks about a weekend event at Westbury, and another woman appears surprised.
5 people observed.
“Attention, please.” 38:10 · “Stand by for a station announcement. I'm giving a big weekend, 40.” 38:16
38:36Model synopsis: A woman in a strapless dress and pearls smiles at a table in a dimly lit interior. The background shows blurred figures, suggesting other patrons or guests.
1 person observed.
38:39Model synopsis: A woman in a decorative costume is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
38:45Model synopsis: A man in formal wear and a woman in a light dress sit at a table with drinks, facing each other in what appears to be a restaurant. No dialogue or on-screen text is present in this beat.
3 people observed.
38:58Model synopsis: No visible action, people, or objects are present in the single frame of this beat. The frame is entirely dark, offering no information about place, time, or events.
39:11Model synopsis: A woman sits on a sofa holding a small dog while another woman stands nearby in a room with curtains and a framed picture. One woman apologizes to the other, named Ann Kate, for not informing her they were not going to the Woodward.
Named: Ann Kate (t:39:15). 2 people observed.
“Why didn't you tell me we weren't going to the Woodward?” 39:11 · “before I got all dressed up.” 39:13
Model synopsis: Two women are in a room; one sits on a sofa while the other stands nearby. The transcript suggests they are discussing whether to enter a place, mentioning a person named Joan and a scandal involving Jim Woodard.
2 people observed.
“We shouldn't go in. Joan shouldn't go either. It's bound to be an awkward situation for all of us.” 39:17 · “Well, on second thought, perhaps you're right. Might cause a lot of trouble. We had a big scandal.” 39:22
Model synopsis: Two women are in a room, one seated and distressed, the other standing and speaking earnestly. The dialogue suggests a disagreement about a romantic relationship and concerns over a man named Jim Woodward.
2 people observed.
“No, and you shouldn't go.” 39:48 · “Kids, I like older men.” 40:00
Model synopsis: Two women stand in a room and argue about a man named Jim, with one defending him and the other accusing him of deceit. The argument ends with one woman telling the other to marry the man she loves and then saying goodbye.
Named: Joan (t:41:19), Aunt Kate (t:40:43). 2 people observed.
“Just a moment, Aunt Kate.” 40:43 · “I have to know that he promised to marry this particular girl.” 40:53
41:38Model synopsis: A woman in dark clothing stands with hands clasped in a curtained room while another woman in a patterned dress is partially visible behind a curtain. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman comforts another woman seated in a chair; a third woman speaks directly to the camera. The transcript references a character named Jim Wood and expresses concern about his intentions.
Named: Joan (t:42:00). 3 people observed.
“I just couldn't let you go through with it.” 41:46 · “Just give that Jim Wood a time.” 41:50
42:07Model synopsis: Two women stand in an interior space; one wears a dark dress with a bow, the other a patterned blouse. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman stands at a vanity in a room with curtains, then turns to smile while holding a telephone receiver. Another woman is visible in the background. The transcript includes the line 'Hello, darling.'
Named: darling (t:42:12). 2 people observed.
“Hello, darling.” 42:12
Model synopsis: A man and a woman are on the phone in separate rooms, discussing wedding plans and passports. The man is seated at a desk, holding a telephone receiver and a small book, while the woman is shown in profile, also on the phone.
2 people observed.
“Oh, hello, darling. Everything's all set.” 42:23 · “Ten o'clock, the little church around the corner. Then to your house for food. Ha ha. I'm no fool.” 42:27
42:52Model synopsis: A man and a woman are shown in a close-up, looking at a document that includes a passport photograph and certification text. The scene appears to be indoors, with no spoken dialogue provided in this beat.
2 people observed.
Model synopsis: A man and a woman are shown in separate shots talking on the telephone. The transcript reveals they are discussing travel plans, with one declining to go to the Woodward and the other deciding not to go either.
2 people observed.
“We don't look as if we're trying to get out of the country. We look as if we're trying to get in and” 42:54 · “I can't go to the woodward.” 43:02
43:25Model synopsis: A woman speaks on the telephone in an interior setting. The transcript includes affectionate farewells and encouragement to return quickly.
1 person observed.
“Don't be silly.” 43:16 · “I couldn't have any fun without you.” 43:18
43:56Model synopsis: A character named Kate is instructed to prepare for a trip to Westbury; another character, Mr. Smith, is addressed about his sister, and a farewell occurs as someone named Terry arrives. The scene is outdoors, near a body of water with trees and a fence visible.
Named: Kate (t:43:42), Mr. Smith (t:43:55), Cliff (t:44:06), Terry (t:44:07), Alex (t:44:13). 6 people observed.
“Get ready. We're going to Westbury. All right.” 43:44 · “Oh, Mr. Smith, I'm so sorry, your sister.” 43:55
44:25Model synopsis: A group of people stand outdoors as introductions are made; one person invites another inside. No names are visually identifiable, and no period or time of day is established.
Named: Mr. Trent (t:44:18), Mrs. Vindler (t:44:19), Jones (t:44:23). 6 people observed.
“I want you to know Mr. Trent.” 44:18 · “And her aunt, Mrs. Vindler.” 44:19
44:45Model synopsis: A man in a suit and fedora stands in an office, speaking on the telephone. He thanks someone and mentions not wanting to go to Washington.
1 person observed.
45:10Model synopsis: A man and a woman stand in a room; the man speaks about being defeated and the woman responds emotionally. The man intends to speak with Jim's father to cancel an arrangement.
2 people observed.
“I'm terribly sorry about you and Jones.” 44:58 · “I did all I could.” 45:01
45:38Model synopsis: A man in a suit stands near a seated woman in a decorated room. The man speaks about being brave enough, as captured in the transcript.
2 people observed.
46:02Model synopsis: A man in a light suit stands in a doorway while a woman sits at a desk in a room with bookshelves and a lamp. The transcript includes fragmented lines about a train, Joan, a sister, and an arm, ending with 'Come in.'
2 people observed.
“I like Joan.” 45:57 · “I like the sister.” 45:58
46:40Model synopsis: Two men stand in a room speaking while a woman sits at a desk; one man identifies himself as Buster Collins and asks about a marriage plan. The setting appears to be an office with a desk, telephone, and framed wall decor.
Named: Buster Collins (t:46:23). 3 people observed.
“I'm the son of Timothy Collins. Buster Collins. Well, we knew you when you were that high. Now I'm this high.” 46:23 · “I came in here to ask you, Mr. Woodward, if you knew that Jim intended to marry Joan Trent.” 46:36
Model synopsis: Two men in suits speak in a room while a woman sits nearby; one man gestures as he speaks. The transcript reveals a conversation about a bootlegger and an aunt, with one speaker dismissing the claim as nonsense.
3 people observed.
“Tell us what you heard.” 47:11 · “Oh, it doesn't matter much. Oh, it certainly does.” 47:12
Model synopsis: Three people stand in a room with bookshelves; one man speaks while the others listen. A woman interrupts with a plea, and the dialogue suggests a revelation about family insanity.
4 people observed.
“Tell us what you know.” 47:37 · “Danny, wait!” 48:10
48:32Model synopsis: A man and a woman stand facing each other in a dimly lit interior. The man wears a light suit and the woman a light dress with a bow at the neck.
2 people observed.
48:35Model synopsis: A woman sits in an armchair reading while a man stands in a doorway in a large room. The room contains furniture including a table, chairs, and a fireplace, with large windows and a balcony visible in the background.
2 people observed.
Model synopsis: A man and a woman are seated in a room; the woman reads while the man speaks to her. The woman later stands and pours a drink from a decanter while the man watches.
Named: Calma (t:48:36). 2 people observed.
“How'd you do, Calma?” 48:36 · “I don't think there'll be any Woodward marrying any Trent.” 48:43
Model synopsis: A man in a suit speaks while a woman in a dress listens, holding a cup. The transcript indicates he is describing a 'teeny weeny weeny dash of... insanity in your family.'
2 people observed.
“I told him that there was a dash.” 49:22 · “Just a teeny weeny weeny dash” 49:25
49:42Model synopsis: A single dark frame is shown with no visible people, objects, or text. The transcript includes exclamations and a fragmented line about a 'silly weenie day,' but no visual context is provided.
49:55Model synopsis: A group of people are seated around a table outdoors at night, with a statue visible in the background. One person begins to speak, asking 'What about the...'.
5 people observed.
“What about the...” 49:56
50:01Model synopsis: A man in a suit sits at a table with a teacup and glass, looking down at his hands. The setting appears to be an interior space with soft lighting and a blurred background.
1 person observed.
50:05Model synopsis: A woman sits at a table with a glass and a small bowl, holding her hands near her mouth. The setting appears to be an interior space with dim lighting and a blurred background.
1 person observed.
50:11Model synopsis: A man in a suit sits at a table, holding a spoon over a glass. No dialogue or on-screen text is present in this beat.
1 person observed.
50:18Model synopsis: A woman in a cloche hat and dark dress sits at a table with a teacup and glass, looking down at her wristwatch. The setting is dimly lit with soft focus in the background, suggesting an indoor evening scene.
1 person observed.
50:24Model synopsis: A man in a suit sits at a table with a teacup and glass of water. No dialogue or other actions are visible in this single frame.
1 person observed.
50:31Model synopsis: A man and a woman sit at a dinner table outdoors at night; the man speaks and the woman looks down. The setting appears to be a garden or patio with trees in the background.
2 people observed.
“- Okay.” 50:28
50:35Model synopsis: A man in a suit sits at a table with a glass and a teacup. No dialogue or action is visible in the single frame.
1 person observed.
50:37Model synopsis: A man and a woman sit at a table outdoors at night, with glassware and food visible. The scene is lit artificially, suggesting a staged or filmed setting.
2 people observed.
50:40Model synopsis: A woman sits at a table with a teacup and glass of water in front of her. The setting appears to be an indoor dining area with dim lighting and foliage in the background.
1 person observed.
50:49Model synopsis: A man and a woman sit at a table outdoors at night, with glasses and a centerpiece visible. The scene is dimly lit, suggesting an evening setting.
2 people observed.
50:58Model synopsis: A man and a woman sit at a table with teacups and glasses; the woman looks toward the man with a serious expression. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man and a woman sit at a dinner table outdoors, conversing while another man joins them. The transcript includes fragmented dialogue about unbreakable items and company.
3 people observed.
“You know you can get a kind that won't break.” 51:04 · “You can't better than. What's the matter?” 51:13
Model synopsis: A man and a woman are seated at a dinner table outdoors, exchanging dialogue and passing items. The setting appears to be a garden or patio at night, with tableware and food visible.
Named: Julie (t:51:41). 2 people observed.
“Would you pass the sugar?” 51:31 · “Thank you, Julie.” 51:41
Model synopsis: A man and a woman sit at a table outdoors, conversing while other people are present. The transcript includes dialogue about something the woman has heard of and a question about timing.
3 people observed.
“Do you realize that, sugar? Oh, yes. Yes, yes, I've heard of that before. I'll bet you'll love it.” 51:54 · “When? When? What's the matter?” 52:03
52:16Model synopsis: A group of people are seated around a table outdoors at night. The setting includes foliage and a statue, with the table set for a meal.
6 people observed.
52:39Model synopsis: A man and a woman sit at a dinner table outdoors, exchanging short, evasive lines. The setting appears to be a garden or patio at night, with foliage visible behind them.
2 people observed.
“What are you looking at? No, no.” 52:20 · “Vaughn.” 52:30
53:06Model synopsis: A group of five people stands around a set table outdoors at night; one woman gestures while speaking. No names are spoken, and no time of day or period is established beyond the darkness.
5 people observed.
“I” 52:58
53:18Model synopsis: Two women sit at a table in a crowded dining room; one speaks while the other listens. The transcript includes a reference to 'Mr. Woodward's new Buffalo Bill.'
3 people observed.
“Why, Kate, I haven't used...” 53:15 · “Mr. Woodward's new Buffalo Bill.” 53:16
53:23Model synopsis: A man in a suit sits at a table, holding a white cloth to his face. The background is dark and indistinct, with foliage visible behind him.
1 person observed.
53:26Model synopsis: A woman in a patterned dress and pearls holds a telephone receiver to her ear while a man in a suit sits beside her. The setting appears to be an interior space with indistinct background figures.
2 people observed.
53:29Model synopsis: A man in a suit sits at a table with a glass and a bowl, looking off-camera with a surprised expression. The background is dark and indistinct, suggesting an interior setting with foliage or decor.
1 person observed.
53:32Model synopsis: A woman in a floral dress and hat is visible in a crowded indoor setting. No dialogue or on-screen text is present in this beat.
2 people observed.
53:34Model synopsis: A man in a suit sits at a table with a glass and a bowl, looking toward the camera. The scene is dimly lit with foliage visible in the background.
1 person observed.
“Mm-hmm.” 53:34
53:38Model synopsis: A man in a patterned vest gestures while seated at a long table in a crowded dining hall. Other diners are visible around him, some seated, some standing, in a large room with classical architectural elements.
3 people observed.
53:43Model synopsis: A man in a suit sits at a table with a glass and teacup, looking surprised. He is audible saying "Hey!" at 53:42.
1 person observed.
“Hey!” 53:42
53:46Model synopsis: A woman in a patterned dress gestures with her right arm raised while seated at a table in a crowded dining room. Other diners are visible in the background, and the setting appears to be a formal restaurant or banquet hall.
4 people observed.
53:49Model synopsis: A man in a suit sits at a table with a glass and a cup, looking off-camera. The background is dark and indistinct, suggesting an interior setting.
1 person observed.
53:52Model synopsis: A group of people are seated at tables in a large, dimly lit hall. One woman gestures with her arm while seated among others.
4 people observed.
53:55Model synopsis: A man in a suit sits at a table with a glass and teacups. The background is dark and indistinct, suggesting an interior setting.
1 person observed.
Model synopsis: A man and a woman shake hands in a room with a fireplace; two men in suits talk in a restaurant with tables and other patrons visible. The transcript includes fragmented speech about being called and having lunch.
4 people observed.
“I'm.” 53:58 · “He called me. I've already had a lot of lunch.” 54:05
Model synopsis: Two men in suits argue in a crowded room while a woman sits nearby; one man exits the room and another man stands alone looking surprised. A line mentions 'Buffalo B.O.' during the exchange.
5 people observed.
“What do you mean by inviting these friends to our house? They're crazy.” 54:07 · “Brains here in the rest of my guests?” 54:12
54:44Model synopsis: A woman in a dress walks across a room toward a sideboard while a man in a suit stands near a doorway. The transcript indicates she plans to finish luncheon in her bathing suit to convince someone.
2 people observed.
“I think I'll finish luncheon in my bathing suit. That'll convince them.” 54:38
Model synopsis: Two men confront each other in a bedroom; one leaves after a brief exchange. The room contains furniture and a window with daylight visible.
Named: Collins (t:54:55). 2 people observed.
“Hello, Collins.” 54:55 · “What are you doing in this lady's bedroom?” 54:57
55:27Model synopsis: A man and a woman stand facing each other in a room; the woman gestures while speaking. The transcript indicates a conversation about marriage, winning, and obeying impulses.
2 people observed.
“What's going on here? What are you up to? Nothing, nothing. I've given up. Let anybody marry anybody.” 55:20 · “You're the winner, Jim Woodward the winner. Roar!” 55:26
Model synopsis: A man and a woman interact in a room with a fireplace and framed portraits; the woman adjusts a large portrait while the man watches. The transcript includes dialogue about doing something and a comment on the house being suitable for a vain impostor.
2 people observed.
“If you feel like doing something, why shouldn't you do it?” 55:41 · “Oh, for example. I don't like his expression.” 55:46
56:16Model synopsis: A close-up shows a handwritten price tag reading '$200.00' with '4B KX' and '30-12' on it. No people, dialogue, or location context is visible.
56:25Model synopsis: A woman covers her face while a man stands nearby in a room with a fireplace. The woman speaks the name 'Jerry' at 56:26.
Named: Jerry (t:56:26). 2 people observed.
“Oh, Jerry.” 56:26
56:36Model synopsis: A long table with formally dressed guests is shown in a wide shot. The setting appears to be an indoor banquet or formal dinner.
57:03Model synopsis: A man and a woman stand close together in an interior setting, speaking intimately. The dialogue suggests romantic reflection and comparison between past and present relationships.
2 people observed.
“I don't care what they think.” 56:38 · “I have a laugh like this in years, Jerry.” 56:56
57:42Model synopsis: A man and a woman stand close in an interior space, speaking urgently. The woman gestures while the man looks at her; dialogue suggests a plea to restart and a physical struggle.
Named: Ollie (t:57:51). 2 people observed.
“Can't we start all over again?” 57:34 · “- A few minutes.” 57:39
Model synopsis: A group of people are seated at a dinner table in one shot, and a man and woman are embracing in another. The transcript contains dialogue about jealousy, reconciliation, and a character named Blake.
Named: Blake (t:58:10). 7 people observed.
“I bet I know what you're thinking about it. Blake. Oh, forgive him.” 58:10 · “I was so anxious to break it up between you and Joan.” 58:24
Model synopsis: A woman in a light robe stands and sings to a man seated on a bed in a dimly lit room; they exchange dialogue about past nights out and singing together. The room contains a fireplace, a mirror, and a window with curtains.
2 people observed.
“Remember the gay night...” 59:00 · “The music, the dancing. Well, the same places are...” 59:02
Model synopsis: A woman in a white robe stands in a bedroom while a group dines at a long table in another scene. The transcript includes fragmented phrases suggesting prayer or distress, with one line mentioning a hill and another invoking hope.
4 people observed.
“Here I am, wherever you are” 59:44 · “We come to thee in answer to” 59:48
1:00:32Model synopsis: A woman in a white robe is visible in a dimly lit interior, speaking lines from the transcript. No other people, objects, or place indicators are visible in the single frame.
1 person observed.
“I need your love to keep your love.” 60:19 · “I'm coming.” 60:25
1:00:50Model synopsis: A woman in a white dress stands in a room with a fireplace and floral arrangement. No dialogue or on-screen text is present in this beat.
1 person observed.
1:00:54Model synopsis: A man in striped pajamas leans over a bed, holding a glass, while a shadow of a figure is cast on the wall. No dialogue or on-screen text is present in this beat.
1 person observed.
1:02:34
1:02:51
1:03:01
1:03:31
1:03:35
1:04:24
1:04:49
1:05:11
1:05:27
1:05:46
1:06:09
1:06:31
1:07:00
1:07:43
1:07:55
1:08:22
1:10:06
1:10:20
1:10:24
1:10:43
1:12:12
1:12:14
1:13:21
1:14:20Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 944 segments kept, 331 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1931 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
Svengali 
Pygmalion 
Misbehaving Husbands 
Penny Serenade