Dining room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 7 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 57:55 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 74 · shots 294–295. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- dining_room (living room, interior) evidence: frame:1
- People
- man in dark suit and tie, seated at table visible
- Blake (named at t:58:10): man in light shirt and striped trousers, standing and embracing a woman visible
- woman in light dress, being embraced by p2 visible
- man in light shirt, seated at table visible
- woman with dark hair, seated at table visible
- man in dark suit, seated at table visible
- woman in light dress, seated at table visible
- Seen happening
- Several people are seated around a dinner table. [frame:1]
- A man and woman are embracing in a room with a large mirror. [frame:2]
- Also said
- “Jealousy!” 58:32 · “What a fool I was not to have seen it before. Oh, oh, let me do it again.” 58:36
- Seen
- dinner table, plates and cutlery, large mirror, vase with flowers
- Interpretation
- Model opinion, not evidence: mood: tense and emotionally charged; themes: jealousy, reconciliation, romantic conflict; style notes: static medium shots, high-contrast lighting, formal attire suggesting a 1930s setting
A group of people are seated at a dinner table in one shot, and a man and woman are embracing in another. The transcript contains dialogue about jealousy, reconciliation, and a character named Blake.
“I bet I know what you're thinking about it. Blake. Oh, forgive him.” 58:10 · “I was so anxious to break it up between you and Joan.” 58:24 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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