Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 58:56 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 74 · shots 296–298. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman, dark bobbed hair, wearing a light-colored robe visible, audible
- man, short dark hair, wearing a light shirt, seated on a bed visible, audible
- Seen happening
- A woman stands beside a seated man in a bedroom. [frame:1]
- The woman leans toward the man, smiling. [frame:2]
- The woman stands and sings toward the man. [frame:3]
- Also said
- “You used to tell me that you like nothing better than to sit for hours while I sang with you.” 59:09 · “If you can't hear me calling dear, calling to me, calling to me, my life, my love, my all. You're out.” 59:24
- Seen
- bed, fireplace, mirror, window with curtains, vase with flowers
- Interpretation
- Model opinion, not evidence: mood: intimate and nostalgic; themes: romantic memory, shared past, intimacy; style notes: static medium shots, soft lighting, close framing on faces to emphasize emotional exchange
A woman in a light robe stands and sings to a man seated on a bed in a dimly lit room; they exchange dialogue about past nights out and singing together. The room contains a fireplace, a mirror, and a window with curtains.
“Remember the gay night...” 59:00 · “The music, the dancing. Well, the same places are...” 59:02 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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