Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 3 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 30:11 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 31 · shots 124–128. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman with dark hair, wearing a light-colored dress with ruffles, seated on a bed visible
- woman with light hair, wearing a dark dress and a white head covering, standing beside the bed visible
- man in a suit and tie, visible only in a framed portrait visible
- Seen happening
- A woman is visible seated on a bed, looking at another woman standing beside her. [frame:1]
- Two women are visible close together, both with mouths open as if singing or speaking emphatically. [frame:2]
- A woman seated on a bed gestures with her hands while speaking to a standing woman. [frame:3]
- A framed portrait of a man is visible on a surface. [frame:4]
- Also said
- “Come to me.” 30:54 · “When he's here. Oh, he's good-looking.” 31:17
- Seen
- framed portrait, bed, lamp, curtains, wall pictures
- Interpretation
- Model opinion, not evidence: mood: dramatic and emotionally charged; themes: romantic longing, emotional appeal, presence of a third person through portrait; style notes: static medium shots, high-contrast black-and-white lighting, theatrical framing with characters centered or in profile
Two women are in a bedroom; one is seated on the bed, the other stands beside her. A framed portrait of a man is visible on a surface nearby. The transcript contains repeated calls to 'come to me' and references to a man being 'good-looking'.
“But I'm near and above, wherever you are.” 30:11 · “Come to me” 30:16 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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