Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 27:07 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 29 · shots 109–110. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- woman, dark bobbed hair, light-colored dress with white collar, visible in frame 1 and 2 visible
- woman, wearing a maid's uniform with white cap and apron, holding a suitcase, visible in frame 1 and 2 visible
- Jared (named at t:27:11): man, dark hair, wearing a suit and tie, visible in frame 2 visible, audible
- Seen happening
- A woman in a maid's uniform stands near a suitcase as another woman and a man enter the room. [frame:1]
- The man and the second woman stand close to the maid, who looks down; the second woman laughs. [frame:2]
- Also said
- “Says she doesn't want to go to my party.” 27:15 · “There you are, my lad. From now on, it's up to you.” 27:21
- Seen
- suitcase [frame:1], curtains [frame:1], desk [frame:1], bookshelf [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: social obligation, class roles, interpersonal conflict; style notes: static medium shots, high-contrast lighting, formal attire suggests early 1930s studio production
A woman in a maid's uniform stands near a suitcase while a man and another woman enter a room; the man speaks to the maid, and the second woman laughs. The transcript includes dialogue about a party and someone not wanting to attend.
“Hey, Jared, help me out.” 27:11 · “You're giving me the chill.” 27:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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