Misbehaving Husbands (1940)

No renewal found Free in the US since 1 January 1969, on the registry's reading: registration LP10164 of 1940 by Producers Releasing Corp was not renewed in the volumes searched. Record.

Copy: misbehaving_husbands on the Internet Archive; registered 1940
Read: 532 shots over 58:38 · 920 transcript lines · JSON
Record: Misbehaving Husbands No renewal found
Picture: Wikimedia Commons, public domain
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How this page was made

532 shots over 58:38, read from the Internet Archive copy misbehaving_husbands (misbehaving_husbands.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Misbehaving Husbands No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 532 shots judged colour), average shot 6.6s long, a frontal face detected in 49% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 920 segments kept, 163 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

0:53 Put on that table before it gets cold.
0:55 Ow!
0:59 They're just getting late. You'd better call Mr. Butler. I done called him two times already, Miss Butler. Seems like he'll never come down till I called him the third time.
1:07 I think tomorrow morning I'm gonna call them the third time fudge and save them other two calls.
1:18 Goodbye, dear. Take care of yourself. See you at night. Henry!
1:21 Aren't you going to have your breakfast?
1:23 Yeah, sure.
1:25 - Didn't I have my breakfast? - Darling. My goodness, I'm so busy, I'm way ahead of myself.
1:31 Memphis, why did you call me? I did call you, sir. I called you and called you till I was black in the sea. Oh, you did, huh?
1:38 Very good, Memphis. Very good. Black in the face. Did you hear that, honey? Pardon me.
1:42 All right, let me have this piece, will you, please?
1:52 Mm-hmm.
1:53 Come on.
1:56 - What is that?
1:57 Grace Norman got a divorce from Jack.
1:59 I'll get you in the paper. She photographs well. Wish I photographed as well.
2:04 Oh, that's too bad.
2:06 They could really have made it successful if they tried. Don't you think so, dear? Oh, it's quite a matter of 129.
2:11 Henry, did you hear what I said? What did you say, Dad? I said Grace Norman had got a divorce from Jack. Oh, that's too bad.
2:18 Who?

900 more segments

2:20 Great Norman.
2:21 What about her?
2:22 She got a divorce from Jack.
2:24 My, my, well, for goodness sakes, they seem such a happy couple to me.
2:29 Miss Butler, there's a man on the phone that wants to know, do you want Dove or Bridal Stigget on the cake or both?
2:37 But the man's holding the phone. Somebody want me on the phone? No, dear, it's just, uh, tell him I'll call him later, Opal. Yes, sir.
2:44 Hey, honey, look, I want to call you a test. You see that? That's mine. Look.
2:49 See that?
2:50 Goldbergs.
2:52 No wonder he doesn't do any business.
2:53 Darling, what day is today? Assuming it's Tuesday.
2:57 I'm in the date gear. The 6th.
3:02 Does that mean anything to you?
3:03 I'll say it does. Why, it's the day before I began your sale. Look at it, look.
3:09 You see that? Every family in town has us on the breakfast table right now. You know, Henry, sometimes I think you're married in that department store. It said it to me. Sometimes I think I... Oh, honey, don't be silly. Uh-oh, 8 o'clock.
3:21 Got a big plate. Goodbye, dear. Take care of yourself. We'll see you tonight. - Have you got your glasses? - Yeah. - And your keys? - Yeah. - And a clean handkerchief? - Yeah.
3:28 Ow!
3:31 Well, Grace...
3:32 You don't have to worry anymore about someone forgetting your anniversary. Do you kids?
3:37 I should say not.
3:51 Of course I'm not in love with him. Don't be silly.
3:54 Really, Clara, I don't think I'll ever love again.
3:58 Hold on a minute, dear. There's someone at the door.
4:04 Why, Effie, darling! How sweet of you to come. Come on in, I'm talking on the telephone. Sit down, dear, make yourself comfy. Help yourself with cigarettes. Oh, dear, I always forget you don't smoke.
4:15 Hello, Clara. What were we talking about? Oh, yes, love. Well, personally, I'm sure there isn't a man living that I trust, not one.
4:22 They're all born cheaters.
4:24 It's Clara Drake. Sometimes I wonder how Wilbur ever puts up with her. But then he's such a stuffy boy. Huh? Huh?
4:29 Uh-uh.
4:30 Well, listen, dear, I'll have to say goodbye, but then I'll see you tonight.
4:33 Are they invited to your anniversary dinner?
4:35 You're going to Effie's party tonight?
4:37 Well, then I'll see you there. Goodbye, dear. That woman, once she gets you on the phone, there's just no getting rid of her.
4:43 Ebby, how sweet you look.
4:47 So, this is your 20th anniversary.
4:50 Congratulations. I suppose Henry's beaming.
4:53 Well, as a matter of fact, you forgot it.
4:55 Effing nerve.
4:57 That's just the way my Jack started.
4:59 I'd look into it. Well, there's nothing to look into. He simply forgot it. He doesn't forget the day he's to leave on his fishing trip, and he didn't forget the day he was to leave for his lodge convention in New York.
5:08 But he did forget to come home on the day you expected him.
5:11 But business kept him off the convention was over.
5:15 That's what he said. Someday you'll get your eyes open.
5:18 Men are all alike, liars.
5:20 Cheat
5:21 I know.
5:22 But my Henry isn't like other men.
5:24 Oh, he's different.
5:26 That's exactly the way I used to feel about Jackson, Tame the Awakening. Oh, don't get the idea that I'm bitter.
5:32 Not at all. Why, Jack and I are the best of friends.
5:37 Oh, pardon me a minute.
5:42 Well, hello, stranger. Come right in. Hello, Mrs. Norman. How are you today? Never felt better. Give me a hat.
5:48 Come along, I have a friend I want you to meet.
5:50 Mrs. Butler, Mr. Gilbert Wayne, my attorney. How do you do, Mrs. Butler? How do you do? Well, I suppose congratulations are in order, eh? Thank you.
5:58 - Well, are all the little details taken care of? - Oh, yes.
6:01 Your husband's been very generous. Oh, you mean ex-husband. Pardon me, your ex-husband.
6:06 Now here's your final decree, signed, sealed and delivered.
6:09 And here's your check.
6:11 Settlement in full.
6:12 Very generous, don't you think? Yes.
6:14 Yes, indeed.
6:15 But of course, stinginess never was one of Jack's faults.
6:18 Not so bad, eh?
6:20 Hmm.
6:22 And I suppose he was just as generous with your fee. Well, if you remember, according to the settlement agreement,
6:28 That was to be taken care of by you. What's that?
6:30 Oh, yes, of course, certainly.
6:34 Well, you see... Well, there's no hurry about it. Anytime at your convenience. Yes, yes, of course. Well, I'll send you a check in the morning. Thank you. If you'll excuse me, I'll be running along.
6:43 Goodbye, Mrs. Butler.
6:44 Nice to have met you.
6:45 If I can ever be of any service to you. Oh, save your breath, Gill. She's one of the happiest women I know. Married 20 years today and to the same man. So?
6:53 That's right. Congratulations, Mrs. Butler. That's a record to be proud of. Yes, I think so. If we were all like Effie, you'd starve to death. Well, goodbye. Goodbye, Mr. Laney.
7:08 Goodbye, Gil. Thanks again. I'll see you soon. Yes, I'll be in my office all day tomorrow.
7:12 - Goodbye. - Goodbye.
7:17 Well, how do you like you? Isn't he wonderful? By the way, have you invited Jack to your party?
7:22 Well, under the circumstances, no. Well, in that case, do you mind if I bring Gil? You know, he said he'd like to meet some of my friends. Why, it's quite all right. Bring him by all means.
7:30 Oh, yes. I mustn't forget to make a place card for him.
7:33 How do you spell his name?
7:34 Gilbert Wayne.
7:36 W.
7:38 A-N-E.
7:42 Oh, we'll put that as the place next to Mrs. Drake. Right there.
7:45 Yes, ma'am.
7:47 I'm sure glad to hear Mr. What's-his-name for coming. Why? Of course, without him, it would have been thirteen. And thirteen is bad luck, Mr. Butler. Mighty bad luck. Oh, don't be ridiculous, Opal. What did you do with my present for Mr. Butler? Oh, yes, yes.
8:01 Miss Butler, don't you think it's time you get dressed? It's getting late. Oh, I'm all ready except to slip on my dress and that won't take but a minute.
8:08 - Has the ice cream come? - Yes, ma'am. - And the cake? - Yes, ma'am. - Memphis, have you put out Mr. Butler's clothes? - Yes, ma'am. - Good. I'll let him change. - Yes, ma'am.
8:16 No!
8:17 Where's his father?
8:18 Oh, what's the matter? You don't walk under that ladder. Oh, is that all? I thought something had really happened.
8:25 fight in the same place.
8:28 Best place.
8:29 I wouldn't be surprised if this surprise party don't turn out to be the wrong kind of surprise.
8:35 Oh no, okay.
8:36 That'll make--
8:38 That makes sense.
8:40 Get me a bit of Johnson's department. I want to speak. I'll I'm
8:43 Huh?
8:44 I want to...
8:45 Uh...
8:46 Gone home?
8:47 What did you do? Take the afternoon off?
8:49 I...
8:50 No.
8:51 Seven o'clock? Oh, no, no, no. It can't be seven o'clock this time of the day.
8:56 Can't be.
8:57 Oh, it is 7 o'clock this time of the day. Prennison.
9:00 Well, what are you doing here? Why don't you go home?
9:03 Goodness sakes, seven o'clock.
9:05 Hot time flies. Late beginner again and...
9:09 We are because of everything that.
9:18 I can't get enough done.
9:21 Work all day and do nothing.
9:28 I'd like you to okay these fashion show numbers, HG, before you go.
9:31 See, we're using the first thing in the morning.
9:33 I'm just over the shoulder to speak to this sweater.
9:35 What's wrong with it?
9:37 Mm-hmm.
9:41 I can't see anything wrong with it.
9:42 Well, I don't like it.
9:44 How do you like the drape of this formal?
9:49 I don't approve it. Well, frankly, neither do I.
9:51 Annette, change to the turquoise blue.
9:54 It's a bit daring, but the lines are gorgeous.
9:56 I'm sure you'll agree that this cocktail ensemble is perfect.
10:00 I don't like it.
10:01 But it's Jay!
10:03 I don't like it.
10:05 Well, make a substitution.
10:08 Change to the Jersey print.
10:10 Oh, H.J., I want you to see my arrangement of the wife's models in the window display.
10:14 I'm sure you'll like it.
10:16 You think you'll have time? I suppose so. Fine. All right, come on, girls. Make those changes as fast as you can. Mr. Butler and I'll be downstairs, and we'll see you there.
10:25 Now, here's what I mean, H.G. Now, you take, uh...
10:28 Well, take the figure, for instance. Yes.
10:30 By the way, I call her Hetty. Don't you think there's a resemblance?
10:33 - Teddy? - Oh, yes.
10:36 I saw her in that picture called Gone with the Wind.
10:38 Wasn't she wonderful in that scene with Rhett Butler? That was Vivian Lay. That was Vivian who? Vivian Lay.
10:44 Never heard of her.
10:46 - What have you... - Now, get back to the figure.
10:48 We not only call attention to the gown, but we also emphasize the vanity without stressing it too much.
10:53 That sounds all right. Very good idea.
10:56 Uh-oh, careful there, H.G.
10:59 After all, this is my department.
11:00 I don't want any changes made, just tell me.
11:03 What's wrong?
11:04 Well, I'm sorry, but I thought maybe the hands should be tilted just-- Tilted?
11:09 Just a little bit. Just a little tilt.
11:11 When it's so true.
11:15 Like that? There. Now, that looks much better.
11:18 And is there anything wrong with Carol over there?
11:21 Oh, Carol, let me see.
11:24 Uh-huh. Well, I...
11:26 think that
11:28 No, nothing wrong with Carol. She looks fine there. Looks very comfortable.
11:32 Very good likeness, too. It's a good job. Good job, Mr. Sibley. Now, let's say...
11:38 Ho, ho, ho, that's...
11:40 The bed, the bed. I don't like the bed. And what's the matter with the bed? Well, I just don't like the position of the bed.
11:45 You see, we're featuring the mattress and the bedding.
11:49 See? Not the bed alone. I'll show you something. Anyone passing by outside on the sidewalk,
11:54 And looking in here, all they can see is a foot in the bed. Just a foot.
11:58 They can't see the... Look, show you.
12:00 Just move it over a little bit and I'll show you. Just a little bit. No harm, no harm, Mr. Sibley.
12:06 Now, would you mind pushing the bed just a little bit to the right? That's it.
12:10 Oh, too much, too much.
12:12 Back a little bit more...
12:14 Ah!
12:16 Too much?
12:17 Now just a teeny willopily. There, there you are.
12:21 Now you see that looks better. And look.
12:23 Anyone passing by and looking through the window can visualize themselves sleeping peacefully on a double X slumber mattress.
12:31 Don't be long, Wilbur. Effie will never forgive us if we hold up her policy. Be back in the gypsy.
12:38 Everything looks lovely.
12:40 Everything is flat.
12:41 Now, there's just one more thing, Mr. Sibley.
12:44 I think that Carol will look much better over here on the bed than over there.
12:48 Because over here, she would attract more attention to the bed.
12:51 Don't you think?
12:52 Definitely not.
12:58 Wow.
12:58 I... Oh, there you are, girls.
13:01 H.J., will you okay these costumes?
13:02 Sure, come here, little girl.
13:12 Move it right around. Mm-hmm. Very good. Very fine.
13:16 Say now, Mr. Sibley, while we're at it,
13:18 I just want to show you what I mean about Carol being over here. Now, wait. Now, just watch. Just watch.
13:49 Oh...
14:04 What are you looking at? What are you looking at?
14:17 And on his 20th anniversary too. Poor Effingy.
14:23 I guess I've been in the wrong kind of business for the last 15 years.
14:26 - Will thou? - Come on.
14:30 Now look, Clara.
14:32 You're a pretty good friend of Effie's, aren't you? Yes, I am. Well, then, keep your mouth shut. Now, come on, get in. Let's go. What a funny thing. Never mind. Come on. Don't you think Carol looks much better here, like that? I most certainly do not.
14:44 Come on, girls. Let's go. And then.
14:53 Oh.
14:54 I guess he didn't like it.
15:11 Oh, God.
15:20 Oh, my goodness.
15:22 What have I done?
15:27 What does Sibley say?
15:29 I've never given a party when it was a surprise for Henry before. I'm just as nervous as a child. You shouldn't be nervous
15:35 - Oh, but all of it now, I...
15:38 Oh.
15:39 Hi.
15:45 Oh, Clara! Hello, dear! Well, if we're late, you can blame Wilbur. You know his saving. Always some last-minute business to attend.
15:52 But you're not late, Lara. Henry isn't home yet.
15:54 No. No. Well, he's probably just working over something at the office.
15:59 You know how he is.
16:02 When he has anything on his mind, time means nothing.
16:05 Well, I'd look into this, my dear, if I were you. What else? Oh, I'm sorry, dear.
16:12 Don't let her kid, Jeffy.
16:14 She's spoiled because my work's over at 3 o'clock.
16:17 All men don't have bankers' hours, you know.
16:20 Oh, there's Mabel and Bert. Come along, dear. But I'll be later.
16:54 But I'll never lose you, I'll bust you my carelessness in appearance. Aren't you putting on a little weight, dear? Oh, a little perhaps, but it doesn't bother me. Henry likes it and he's all that matters. Oh, yes, of course. Pardon me, please.
17:08 Hey, when do we eat?
17:10 As soon as him gets here, be patient.
17:12 Patient. I walked out on a deal that would have made me 2,000 bucks to get here on time.
17:18 - Hello, darling! - Good evening, Mr. Wayne. - Hello. My dear, my dear, will you ever forgive us for being so late. We got caught in the most frightful traffic jam. Just the one time in my life I wanted to be on time. Was Henry surprised what he said?
17:30 Well, you're not late. As a matter of fact, Henry isn't home yet.
17:33 Of course, he didn't know I was giving this party for him, but he's never been this late for dinner before. What, you phoned the store? No, no, because I expected him any minute.
17:42 How's Jack been doing? How did he come out on that deal? Oh, it was simply wonderful what he did. - That's marvelous. - Will the darling, will you get me another glass of pot?
17:54 It's strange that Henry isn't home yet.
17:57 - Why, yes, it does seem to be... - I could tell them where he is.
18:02 Why? What do you mean?
18:05 Well, on the way down, Wilbur had to stop at the office. That's near Henry's store. And she got out of the car and went over to the window and, uh...
18:15 And when she peeked in the window,
18:18 There was Henry.
18:19 Yeah.
18:20 Still water runs deep, you know. He was born under the sign of Leo and their born playboys.
18:25 How do you know what son he was born under?
18:28 His birthday's the same month as mine.
18:30 Oh.
18:31 Then what does that make you?
18:34 Are you reading the right number?
18:36 Garfield, three, six, five, one.
18:39 Oh.
18:40 You are.
18:50 I feel so sorry for poor Effie.
18:52 If she ever finds it out, it will break her heart.
18:56 There he was.
18:57 sitting on the bed with a beautiful girl. Not Henry Butler.
19:01 Henry Butler.
19:03 Well.
19:12 Uh, uh, what's the matter, Miss Bird? Look like you done seen a ghost.
19:15 Oh, Memphis, I'm so worried about Mr. Butler.
19:18 Will you take the car and go down to the store and see what has happened to him?
19:21 Yes, ma'am.
19:23 I sure wish you hadn't walked under that ladder.
19:26 But it's very important that she...
19:29 She got an awful blow there that she looks terrible. It's always bad.
19:34 Huh?
19:35 Oh, no, no, you can't wait until in the morning. I gotta get her fixed up tonight, so she's gotta be in the window in the morning.
19:41 Yeah, I'm in a hurry.
19:42 Huh?
19:46 Thanks. All right, I'll drive her right down. I'll be right down there right away. Yeah, okay.
20:49 License in B column.
20:51 1-6-B-9-8-8.
20:53 One, six, B, nine, eight, eight.
20:56 Body of dead woman reported in back seat of car.
20:59 Man is dangerous, may be armed.
21:02 That is all.
21:03 Rosenberg. Now don't worry Mr. Butler. She had a pretty bad bump. But I'll have her back in the morning looking like she just stepped right out of the beauty shop. That's fine, Mac.
21:12 That's a load off of my mind. Now I can go home and have dinner in peace. Dinner? Yeah.
21:16 What?
21:17 At 9:30?
21:19 Is it 9:30?
21:20 My, my, bedtime.
21:22 What will that be said? I'm sorry to have kept you all so late.
21:26 I know you must be stalled. You said it, Effie.
21:29 Well, I'm hungry.
21:31 Early yet, Effie? Let's give him a few more minutes.
21:45 Now, folks, let's have a toast.
21:48 Oh, I love toast. Make it a funny one. To our charming hostess.
21:52 May we all live to be invited to her golden wedding. Oh, isn't that cute? That's very sweet.
21:59 And to our invisible host.
22:00 absent in person, but...
22:02 with us in spirit.
22:04 I am not...
22:06 Now look at Fresca.
22:08 What did you do with the blonde woman you had in your car?
22:11 I didn't have a woman in my car. You didn't, eh? No.
22:17 We found these in the back seat of your car. Howdy-yalla by that.
22:22 Oh, I know. They must have fallen off a kill when I carried out of the car. I thought you said you didn't have a woman in the car with you.
22:29 I didn't.
22:29 Who is this carol?
22:32 - He's a model. - I suppose a model ain't a woman.
22:35 Now we're getting somewhere. Where did you hide her?
22:38 I didn't hide her.
22:39 I took her down to Max to get her fixed up. Fixed up?
22:42 Yeah, Max said he'd fix it up so that Mr. Sibbry wouldn't know about the accident.
22:47 Accident.
22:47 Sibley, Matt.
22:49 Wait a minute!
22:50 Now let's get started right from the beginning.
22:54 Well, to begin with, Mr. Sibley won't let me touch her. So there's another man in the case.
22:59 Jealousy? No, but he thinks a lot of it, too. This guy, sibling, and you were goofy over the same blonde.
23:05 You take her away from him and... Now, now, now.
23:08 No, it seems like this.
23:10 He left me alone with it.
23:12 And after he'd gone,
23:13 I picked Carol up and I was taking her across the room to the bed. I want to lay her down then. But going over there, I tripped and she fell to the floor.
23:21 And when she fell, she must have hit her head on the bed. Yeah.
23:25 Go on. Yeah, I'll go on. Yeah. So I turned her over, see?
23:30 And when I did, I noticed a big gash in her head.
23:32 And I knew that if simply came the next morning and found that big gas in the head, he'd be furious.
23:37 I know Sibley.
23:39 So what do I do? I pick her up...
23:42 and took her over to Max to get her fixed up, and I was hurrying home to dinner when...
23:46 An officer stopped me. Well, of all the cold-blooded guys that I ever met... Mr. Polis, I tell you, I ain't done nothing. No, I suppose you just drove that car in the City Hall fountain to watch it.
23:57 Noss, I had a nervous shock.
23:59 And I was tearing out for home when the fountain there jumped right up in front of me.
24:05 Oh, Mr. Butler!
24:08 They didn't kiss you.
24:09 Bim!
24:11 Do you know this man?
24:12 Yes, I'll work for it. So you're in a murder, too? No, sir, not me. Where's the body?
24:18 I don't know what he done with it. I told you, it's down to Max Waxworks. Max Waxworks? Yes, Max Waxworks. If you don't believe it, go down and see it.
24:26 Flanagan lock these mugs up before I go school. You're gonna have time to figure this out. Come on you need to
24:31 Hey, you can't do this to me. Oh, Brian, the whole thing is screwing. Max Wackford, Sylvie. Yeah, that's swell time. No fooling, Effie. It was great. Really? Come along, Clara.
24:41 I know just how you're feeling, dear, but don't worry. Tell me to have a good excuse for not coming home.
24:46 I hope. Clara! Come in dear. Good night, darling. Good night.
24:51 Well, as usual, always the last to leave. Good night, Effie. Good night, Miss Butler. Good night. Thanks so much for inviting me. Well, I'm so glad you joined us. I hope you have the pleasure of meeting your husband sometime. I'm sure you will.
25:00 What do you mean, Gil, in court? Oh, no, no, I didn't mean it that way, Mrs. Butler. Oh, I'm sure you didn't.
25:06 Good night, my dear. Come on, girl.
25:10 So you're Henry's different.
25:14 The next time you take a wax model down to Max Waxworth,
25:19 I hope you do it on my day off. Now get out.
25:21 Here, take these with you.
25:23 Come on, Memphis. I'm gone.
25:31 What are you doing that for? I figured the quiet eyes are getting in.
25:34 and less noisy is gonna be later on.
25:37 Yeah.
25:39 I think you got something, man.
25:54 What's all this?
25:55 That was your 20th anniversary dinner.
25:58 My anniversary? No, couldn't have been.
26:02 It was.
26:03 I said it was.
26:05 Mm-hmm.
26:06 I didn't mind.
26:12 Why didn't you tell me it was my anniversary? You didn't ask me.
26:15 Oh.
26:20 Good night, board.
26:21 - Good. - Yeah.
26:22 Yeah.
26:23 Yeah.
27:52 Why, all the sneaking.
27:54 I didn't want to wake up my wife. She...
27:57 Hello, Effie dear.
27:58 Hello, Effie. Hi.
28:03 I bet she thinks something's wrong.
28:16 Whoever the gal is, she certainly has a dainty foot. What are you going to do about it?
28:20 Well, I...
28:21 I don't know. Nothing like this has ever happened before. How do you know it hasn't?
28:26 Just because you didn't catch him doesn't say it didn't happen.
28:29 Well, I have no white all men are cheaters at heart. Oh
28:34 Now, don't say why Henry's different, because he isn't.
28:38 Well, I...
28:39 I know it seems a little bit... A little?
28:41 What does it take to convince you? Both shoes?
28:44 With a blonde in them?
28:46 Now you just let me handle this and be thankful you had your eyes open while you're still young.
28:52 If you're calling Henry, I don't want to talk to him.
28:55 That's the spirit, but I'm not calling Henry.
28:58 Hello, Mr. Wayne, please.
29:01 Oh, is that you?
29:02 Hello, Gil.
29:04 Well, I've got another coin for you.
29:08 Aha.
29:09 Mrs. Butler!
29:14 A Mr. Gilbert Wayne to see you, sir.
29:18 I don't want to see anybody.
29:20 Nobody or...
29:22 I'm a very sick man.
29:24 Very sick.
29:25 Yes.
29:26 - I'm sorry, sir. - Thank you.
29:30 Mr. Butler?
29:31 My name is Gilbert Wayne. How do you do, Mr. Wayne? What can I do for you? I'd like to talk to you about your wife's divorce.
29:38 Yes, yes, go on.
29:42 Divorce? Yes.
29:44 Being a gentleman, you naturally won't fight the case. In fact, I'm sure you'll agree that the more quietly it's handled...
29:49 the less scandal be attached to it.
29:51 Now, about the property settlement... Wait a minute. Wait a minute. Just a moment. Just a moment.
29:58 Just a moment, please.
30:02 Now, the first thing I should abandon is that Mrs. Buttler be given the house free and clear, and then...
30:07 Hello.
30:09 Uh, who is this? Opal?
30:10 Oh, that's Mr. Butler.
30:12 I'd like to speak to Mrs. Butler.
30:14 As far as the automobiles are concerned, I shall be perfectly willing to allow you to retain yours.
30:20 Hello.
30:22 I'm sorry, Mr. Butler, but she says she ain't home.
30:30 Oh, she did, huh?
30:32 Well, shall we get down to business?
30:35 Yes, Mr. Bartlett?
30:37 Tell my attorney, Mr. Kimball, to come over right away.
30:41 Despite your objections, Mr. Campbell, the fact remains that my client wants her freedom.
30:45 and has employed me to act for her. I concede your point, Mr. Wayne.
30:49 But I protest that you are not giving my client, Mr. Butler, the respect and consideration due him.
30:54 Naturally, we will file objections to the charges and Mrs. Butler's complaint. Very well. If you and Mr. Butler want to fight, we'll give it to you.
31:00 I was hoping that we could come to some mutually satisfactory agreement, but obviously I was wrong. I should hope so.
31:07 Effie, you don't know what you're doing. If you'd only let me talk to you as a friend. Mr. Kimball, I shouldn't have to remind you that your actions are rather unethical. I apologize.
31:17 Now the first step is for you to establish another residence.
31:20 - You're out of my home? - Yes.
31:22 Oh.
31:23 No.
31:24 I don't want to do that.
31:26 With all my pretty things.
31:28 Furniture, my picture.
31:30 Oh.
31:33 - No, I won't do that. - Very well in that case. It's up to Mr. Butler to move out. - Oh, me? - Yes.
31:39 I won't. Out of my own home, I won't budge. And you can't make me.
31:43 - Can he? - No.
31:46 Very well.
31:47 Then I shall insist, Mrs. Butler, that you install a third person in this house as a witness, who can testify in court that you and your husband are living apart. In that case, I shall insist that Mr. Butler have a witness also. Thank you.
31:56 Yeah, yeah.
31:59 I have a complete list of the community properties.
32:01 and shall insist upon Mrs. Butler receiving her full share.
32:05 What did you say about community property? Just a moment, please.
32:09 Mr. Kimball and I will take care of the details. If you will just sit down and be quiet.
32:12 Be quiet? In my own home? About my own divorce? Well, this is a fine state of affairs. I can't open my mouth in my own home. Well, let me tell you something. I'm a free American citizen. I pay taxes, and I have a right to free speech, liberty, and Brazil's happiness and all that stuff. And I can't talk, eh? And you stand there and tell me to get out of my own home. I leave behind all the things I pay for. I pay for this, and this, and this, and that, and that, and this here, and that.
32:45 I didn't know your husband had such a violent temper.
32:48 Neither did I. I shall take steps to protect you from any further outburst.
32:54 I think I'll go to my room.
33:02 When I got your telegram, Ann Ippie, I couldn't quite figure it out.
33:05 What do you mean by my being a witness? What's it all about?
33:08 I'm divorcing Henry.
33:10 Mr. Boise and Uncle Henry. Oh, you're not.
33:13 Mysterious.
33:13 Never was more serious in my life.
33:16 But you two have always been so happy.
33:19 Yes, we were until...
33:23 Well, if you might know...
33:25 There's another woman.
33:26 Oh, I don't believe it.
33:28 I can't believe it.
33:30 Nevertheless, it's true.
33:32 Uncle Henry a playboy? It just doesn't make sense.
33:36 It doesn't, eh?
33:44 If you had a husband who stayed out all night and came home with these in his pocket,
33:48 and guilt written all over his face.
33:50 Perhaps you'd understand my present frame of mind.
33:53 Well, that certainly is a shock.
33:56 Oh, what shall I do with these?
33:58 Oh, they're Henry's.
33:59 I moved him across to the guest room. I must have forgotten me.
34:02 Just take them over and put them in his dresser.
34:05 The second drawer.
34:07 The right hand corner.
34:21 Take him out.
34:22 Oh!
34:24 I have orders to shoot all intruders.
34:25 No trespassing allowed.
34:27 Oh.
34:28 You must be Uncle Henry's kid.
34:31 Something like that.
34:32 Well, I'm on the other side of the fence.
34:35 So that sort of makes a sentence.
34:36 Does it?
34:37 Well,
34:38 You can't be compromised and be friendly enemies. Why not?
34:41 I never quarrel with lawyers.
34:43 - How did you know I was interested in law? - Purely elementary, Watson.
34:47 For one thing, you're wearing a Phi Beta Kappa key.
34:49 And to use such words as
34:51 compromise and trespass.
34:52 marvelous.
34:53 Such deduction, Sherlock.
34:55 But I still have some hurdles to jump before I become a fool for a police lawyer.
34:58 Simple little things like...
34:59 passing my bar exams and finding some clients.
35:01 And when you do hang out your shingle, what are you going in for?
35:04 Boys' cases.
35:05 Uh-huh.
35:06 Not me.
35:07 I think the boys and...
35:08 Well, sort of tragic.
35:10 I'd rather be the kind of a lawyer who keeps couples together.
35:12 Take this case for instance. It's all wrong. It just doesn't add up.
35:15 Gee, I'm glad to hear you say that.
35:17 That's the way I feel.
35:19 I'd better get him back there.
35:21 Say.
35:24 Tell the guy your name.
35:26 Jane Forge.
35:28 Forbes.
35:29 That's pretty.
35:31 I like that.
35:32 And yours?
35:35 Finally step this way.
35:40 Miss Forbes?
35:41 Allow me to present Mr. Bob Grant.
35:44 Charmed, I'm sure.
35:45 Oh.
35:46 Pleasure is all mine.
35:49 Well, I'll see you later.
35:51 - Good.
35:56 Well, grand old man.
35:58 It begins to look like his job has possibilities.
36:05 They don't mingle, but I can't get you no quipper.
36:09 Just a butler residence. Yes.
36:11 Well, step aside, Eggball, and tell Mrs. Butler that Guts Mulligan's here.
36:15 I'm Ms. Butler.
36:16 What do you want to see me about?
36:19 Lady!
36:20 I'm a private detective and a bodyguard.
36:22 Mr. Wayne sent me around.
36:24 He said I was to protect you in case that tough guy you married to gets violent again. He did?
36:28 Yeah.
36:32 Make yourself a home.
36:42 Here.
36:43 Put it away.
36:45 Never mind about that, I'll take care of it.
36:51 Hello, Memphis.
36:54 Oh, I beg your pardon.
36:55 I thought I was in a...
36:56 It must have been the wrong house.
36:58 That was 8:14.
37:04 This is 814. What is this, a game or something? What do you want?
37:08 I want to come in. This is my home.
37:10 You Henry Putler?
37:12 Yes.
37:12 Who are you?
37:13 That's what I'm talking about.
37:16 All right.
37:22 Oh, fresh cake, huh?
37:24 Tough, eh? I guess you got something I'm going to piss you. What do you got for me?
37:29 Oh, what?
37:31 Oh, you've got a fight, huh?
37:33 Just my fighter.
37:37 Okay.
37:38 Look out for that thing. Look. Careful with that. It's loaded. Look out.
37:41 Put it the other way. Man, look out! Look out! That's loaded, man!
37:45 Let's go.
37:50 The light.
37:52 Oh, now, don't tell me you're going to waste another perfectly good evening.
37:55 Waste another evening.
37:57 Do you know of any better way of getting some easy dough? And big dough, too.
38:01 you may get that fur coat and a diamond necklace.
38:03 And what about the honeymoon in Hawaii?
38:05 Oh, sure, sure. Well, just be patient, honey.
38:09 You're not giving me the runaround, are you, Gil?
38:11 Run around.
38:12 Well, I mean, whatever puts such an idea into your person?
38:15 It's just that you're mixed up with so many women all the time.
38:19 In the divorce racket, the smart guy always represents the woman.
38:22 That's where the big doe is.
38:23 She gets the cash settlement.
38:25 And the bigger the settlement, the easier it is to get a good-sized jug of it.
38:28 Come on, let's handle it.
38:29 smile.
38:31 that more like.
38:32 Ha, ha.
38:33 Look, I want you to come along with me tonight.
38:35 If the old girl has weakened and won't sign, I may need your help.
38:38 Okay.
38:40 See 'til I get a smell of an idea of...
38:44 I'm so glad things turned out this way. It's much better. I am to say you're all right.
38:48 Nice put...
38:49 Yeah.
38:52 Well, I guess there's nothing I can do here, so I'll be running along.
38:57 Oh, my watch must be...
38:58 Stopped.
39:00 Have you the time?
39:02 What a fast day.
39:04 Come on, Mr. Buddle, you've got four hearts to make here.
39:10 I hope I haven't broken up the game.
39:12 Who's winning? Oh, we just started.
39:14 It looks as though Henry's on the way to go to the plan. Oh, darling, we just happen to have all the cars.
39:19 Well, it's pretty hard to beat someone who has all the cards.
39:22 especially if he knows how to play them.
39:25 Is Mr. Butler in? Yes, ma'am. Tell him that Evelyn would like to see him.
39:30 I have a...
39:31 Yes, Evelyn.
39:37 I'll tell him he was here.
39:40 Excuse me, Mr. Butler.
39:42 But there's a mishevel in the sea.
39:45 Evelyn.
39:46 Yes.
39:47 She's right out here in the hole.
39:49 Evelyn out in the hall? I don't know any Evelyn.
39:53 Excuse me.
39:58 Paying me, you old darling.
40:00 Mmm.
40:01 What was the idea of going home so early the other night? Would have thought it was just getting hot.
40:06 Why, Evelyn, you got me mistaken for somebody else. I don't know you.
40:10 You don't know me. No. Why, Henry Butler.
40:15 That is a good one.
40:16 You don't know me. Oh, why, let me cry.
40:20 Oh, by the way, where's my shoe?
40:22 What was the idea of running away with it in the first place, you cute little dick and Jew? Sure, running away with it. Well, I don't know what you're talking about. I don't... Oh, Henry.
40:32 Oh!
40:34 Sorry, I didn't mean to get you in trouble. Just give me my shoe and I'll run along. I tell you I haven't got your shoe. You've got your shoes. I have one. That's right. Have it your own way. But get this playboy. The next time don't carry a joke so far. Good night.
40:51 Oh!
40:57 Oh.
40:59 Shoes?
41:03 Oh.
41:03 That's funny.
41:05 She said I had a shoe.
41:07 I didn't have a shoe.
41:10 I don't know that woman from Adam.
41:12 How did she...
41:13 She's telling me she...
41:14 Give me your paper and your pen.
41:17 Oh, Effie.
41:18 Uh-oh, here we go again.
41:26 Evelyn. I mean, uh, Epi. Epi.
41:31 Effie! Effie! Effie! That's the mystery! Say, where do you think you'll go?
41:36 You know, things like that depress me.
41:38 Well?
41:39 Good night.
41:40 Good night.
41:42 Say good night to Mrs. Butterfield. Yes, we will. Stand aside, sir. Stand aside at this... Oh, yes, and you want to...
41:47 I want a person, huh?
41:53 What's your verdict?
41:56 Something's rotten in Denmark.
41:57 I think so, too. This is the end, Jane.
42:00 Absolutely the end. Oh, no, Auntie, please. You... There's no use your talking. It's as plain as day.
42:06 Well, I saw it with my own eyes.
42:08 You old darling. Lanny Pie. You cute little dickens.
42:12 You can't argue me out of that.
42:14 Butler, are you sure you don't know this girl?
42:17 Try to think. Think hard.
42:18 I don't have to think, I know! I tell you, I never saw it before in my life!
42:23 Are you positive?
42:25 Don't you think I know who I know and who I don't know?
42:28 Yes, but I... I tell you, I never saw that word before in my life! Quiet down, you!
42:35 I tell you, I never saw him before in my...
42:38 Say, what is this? Me whispering in my own house!
42:41 What am I, a mice or a man?
42:44 Why, he can't stop me from talking to my own wife. I'm going over there and clean this whole thing up.
42:51 I
42:55 Got happy.
42:58 Well, that's telling them.
43:03 I'll bet this isn't the first time.
43:05 No wonder Grace Norman gave me that love.
43:08 I'll bet she knew the whole time of it.
43:14 Hello?
43:16 Oh, hello, please.
43:19 No, I'm not in the mood for a party tonight.
43:22 No, I don't feel.
43:25 - Cool.
43:27 He is?
43:29 That might be a good idea.
43:33 All right, Grace.
43:34 All right, goodbye, then.
43:37 Going out?
43:38 Yes.
43:39 Great Norman's having a party. Mr. Wayne will be there.
43:42 And I'm going to celebrate my divorce.
43:47 And am I going to get tight?
44:09 Well, good idea.
44:12 Oh, excuse me, I...
44:15 My, you look beautiful.
44:17 I want to see you about something like...
44:23 Don't wait up on him.
44:24 I won't be home until morning.
44:32 Ha-ha.
44:33 Well, why can't I?
44:35 He's nothing but me.
44:37 What's good for the goose is good for the gander.
44:55 Don't wait up for me. I mean, I'll be back till morning.
44:58 And I don't know what morning.
45:02 Boy, are they both putting on an act? Yes, a couple of Pagliacci's. Oh, God, we had that situation. Why'd the palm of our hand until that Evelyn came looking for a shoe?
45:10 That sounded fishy to me, didn't it?
45:13 Yes.
45:14 But you know Uncle Henry did come home with a shoe in his pocket.
45:17 the other night.
45:18 He did.
45:19 Certainly, that's what started the whole thing, didn't you know?
45:22 No. Come in here.
45:29 Exhibit A, as you lawyers would say.
45:33 What size do you think this is? Oh, five, five and a half.
45:36 I wish I'd paid more attention to that girl's feet. Did you notice them? As a matter of fact, I did.
45:41 - So? - Well, she's no Cinderella.
45:43 That makes it fischer than ever. I wonder who she is. Gooch knows who she is.
45:48 A wise look passed between them. I caught it.
45:51 You've been reading too many detective stories. I still say Gooch knows her and probably knows where she lives.
45:56 That makes it easy.
45:57 Perhaps easier than you think.
45:59 Another idea?
46:05 Are you sure that dog is dead? Oh, another customer.
46:14 I'll be back in a play. All right.
46:18 Effie, darling! Hello, Grace. I'm so glad you decided it, Carl. It'll do you good. Gil'll be here in a minute. He's breaking another date. Come on and meet the gang.
46:28 Hey, gang.
46:55 Hey, what you give me?
46:57 Bourbon highball.
47:00 What?
47:01 A bourbon highball. Oh, oh, that's interesting.
47:05 That makes it a lot of difference.
47:12 Fire world, fire world.
47:14 A lot of nonsense.
47:15 host and you're all around.
47:18 Everything is around nice, son.
47:21 Yeah.
47:23 It just doesn't make sense.
47:30 And all about a shoe.
47:32 It's all about one little...
47:36 No, but I see it.
47:37 Psst, don't say any law. Come on, all right.
47:40 No, you don't have to worry about it. You don't have to worry about it.
47:45 You know, there's a solution. There's a solution.
47:48 Don't you tell me.
47:49 Don't you tell me. Let me get it.
47:51 I guess.
47:53 I'll get it.
47:56 I got it.
47:57 Micah, goodbye, goodbye.
47:59 Take care of yourself, fella.
48:02 Oh, wrong direction.
48:10 Oh, Mr. Gooch!
48:13 Yeah?
48:13 You're wanted on the phone.
48:20 Thanks, lady.
48:24 Hello.
48:25 Oh.
48:26 Come on.
48:31 Wasn't nobody there. Oh, she must have hung up.
48:34 Didn't she say who she was or nothing?
48:35 No.
48:37 That's funny.
48:38 I got a couple of girls on the string, but I never gave any of them this number.
48:42 There's only one girl I know who'd call me here.
48:46 Maybe she's the one, pal.
48:58 It's just the Royal Arms Apartment.
49:01 Give me apartment number 260.
49:05 Ann?
49:07 Did you call me at the butler joint? No, I didn't. Do you think I'm crazy?
49:10 Well, somebody called me here and I thought it was you. Well, you thought wrong. It wasn't me. Goodbye.
49:20 Get it?
49:20 The Royal Arms, apartment 216.
49:28 Come in.
49:30 Right on time, aren't you, darling?
49:34 I'm all ready.
49:36 Oh, boy, I can hardly wait till I get on that dance wall. Seems too good to be true.
49:42 What's that?
49:43 I'm awfully sorry, hon, but I've got to disappoint you.
49:45 A business date has just come up.
49:47 Or business days, now, to you. It's a business day, and I mean it.
49:50 Well, I don't believe you. What do you think of that?
49:58 I'm through listening to you.
50:00 Fed up with being shoved aside.
50:01 You can't tell me you're going on a business date and get away with it.
50:04 Why don't you come clean and tell me you're rushing one of those rich clients of yours?
50:07 How do I know you're not planning to marry one of them?
50:09 - Give me the air. - You're acting like a freak.
50:11 Well, I'm sick of the way you're treating me. I stay in here night after night while you drag those rich mamas around nightclubs.
50:17 I think that honeymoon of I is a fairy tale.
50:19 And I'm beginning to get tired of hearing this.
50:20 - Oh, you are? - Yes.
50:22 Well, if you go out that door tonight, all bets are off. I'm through.
50:26 That's the way I feel.
50:28 Well, that suits me.
50:37 Hey.
50:58 Come in.
51:03 Better save that for Wayne. He might come back, although I doubt it.
51:09 What's the idea?
51:10 Oh, nothing. Just checking up.
51:14 I wanted to get a few things straightened out.
51:16 This little frame up on Mr. Butler, for instance.
51:18 I don't know what you're talking about. Oh, I think so.
51:20 Do you?
51:21 Now let's get down to facts.
51:22 You're working with Gilbert Wayne on this divorce regimen.
51:26 Okay, I'm free.
51:27 But that gag of the missing shoe didn't ring true to me.
51:30 Nevertheless, the fact remains, he took it.
51:36 When did he take it?
51:37 That's my business.
51:38 and I think.
51:39 And you had to come home on only one shoe, huh? Yes.
51:42 Where is it?
51:43 Where's what?
51:44 The shoe that you had to hobble home in.
51:46 Oh, boy, boy.
51:47 - Up and there.
51:48 Let's see it.
51:50 All right.
52:06 - Yeah.
52:07 So this is it, huh?
52:08 Yes.
52:10 You're pretty much of an amateur at this sort of thing, aren't you?
52:12 The smart girl would find out the color of the missing shoe first.
52:15 Then do her bluffing.
52:17 This is the shoe Mr. Butler brought home.
52:20 Mighty poor match, aren't they?
52:23 Both on the left foot too.
52:25 All right, wise guy. It was a frame-off.
52:27 So what?
52:28 So...
52:32 You hear that? Great work, Sherlock.
52:34 Elementary, Watson? Purely elementary.
52:37 And which would you like to ride in?
52:39 - Control wagon.
52:42 Okay, you win. Let's go.
52:48 Gerald, you're the one I want.
52:50 Listen, Carol, you got me into a mess. Now you gotta get me out.
52:54 You know what I'm going to do?
52:56 I'm going to take you home and show my wife.
52:59 Come on.
53:00 Come on.
53:01 Oh, oh, she's killing me, killing me.
53:03 You get some, come on, Kenneth, come on.
53:06 I'll take care of it.
53:10 to get home and we'll clean up this whole fair.
53:17 Say goodbye to Hay.
53:19 Take it wide, Harry.
53:21 And then we all rode home on the milk wagon in the evening clothes, and we gave the driver five bucks to help us deliver the milk.
53:31 That must be Gil.
53:32 Oh.
53:34 - Well, hello! - Hello. - Come on in. - So sorry to be a little late. - Better late than never. - Looks like you're all way ahead of me. Will you excuse me, Steve?
53:43 - Good evening, Mr. Wayne. - Good evening, Mrs. Bartley.
53:45 You look like a new woman. I feel like one too. Don't believe a word he says. He tells that to all his clients. Come on in. Forward mark.
53:57 You don't have to worry about these men flirting with you. I'll protect you. Go on, go on, go on, go on, mind your business. Go on, you old flesh-hilly.
54:05 Come on, Carol. I'll...
54:09 Carol! Carol, come back here! Come back here!
54:17 Hello?
54:18 Cleveland headquarters?
54:19 Are you fellas still looking for a lawyer by the name of George Wilson?
54:22 In connection with the divorce ragged?
54:25 Well, he's here, pulling the same stuff.
54:28 Yeah.
54:29 Got a fancy name, Gilbert Wayne.
54:31 Hire that, will ya?
54:33 You want us to pick them up for you?
54:35 Okay, call you back.
54:38 Your boyfriend gets around, doesn't he?
54:40 Austin, Miami, Cleveland?
54:43 Any idea where he is right now? No, but wherever he is, I'll bet Mrs. Butler is with him.
54:47 In that case, I suggest you call Mrs. Grace Norman.
54:51 Yeah, this is my home.
54:55 What?
54:56 Well, I guess everybody's going to bed. Come on, we'll go upstairs and make a move.
55:02 Yeah, I'm right on it there.
55:04 That's right.
55:08 Oh.
55:09 Now watch yourself. I'll watch it.
55:12 I know you're child. Pull yourself together.
55:14 Now all I want you to do, Carol, is explain everything to my wife
55:18 And then you can go home.
55:20 Get the idea?
55:22 Come on.
55:23 Up.
55:24 Take care.
55:24 Upsy-daisy, whoopsy-woozy, wousey-wousey, a-choozy-woody.
55:29 Thanks very much.
55:31 Right.
55:33 He was there, but he just left. He's taking Mr. Butler home.
55:35 I think we'll give the gentleman a little surprise.
55:39 O'Connor!
55:40 Dombruski!
55:41 *laughter*
55:47 Oh, what a party.
55:50 Mr.
55:51 Still is as far as I can see.
55:54 Good evening, Mr. Wilson.
55:56 My name is not Wilson.
55:57 Tell that to the judge in Boston or Miami or Cleveland.
56:01 Take your choice.
56:02 Well, Officer, what is this all about? That's Mr. Wayne's past catching up with him, Aunt Effie. Yes, it seems you're not the only victim of his little racket, Mrs. Butler. Racket?
56:11 You remember Evelyn and her little shoe? That was one of Mr. Wayne's little tricks.
56:15 That's right, Mrs. Butler. Why, you dirty little chiseler. Oh, the shoe's on the other foot, Gill, and you're going to get it. Come on, you get going. You got a long train right ahead of you. Look.
56:29 I'm sorry for everything I did tonight, Mrs. Butler.
56:31 Except that...
56:32 But if you ask me, I think we're both well rid of a big headache.
56:36 Oh...
56:37 Zero.
56:38 I don't seem to see it.
56:40 what this is all about.
56:42 Well, what's my next move?
56:44 You've never been in Boston, Cleveland or Miami, have you? No.
56:47 Well, then, forget about it. Thank you very much.
56:50 Oh, I almost forgot.
56:51 Oh!
56:52 Wrong one.
56:53 There's no use breaking up a pair. Thanks.
56:56 You're welcome.
56:57 - Good night. - Good night.
57:00 To think that I ever mistrusted him. Now, Andy, all you have to do is go upstairs and tell him you're sorry. Sure, Mrs. Butler, that's all there is to it. Oh, I hope you're right, Bob, but I...
57:13 But he still hasn't told me where this came from the night of our wedding anniversary. - Auntie, now don't get excited again.
57:18 I think it is.
57:19 No, eh, bald-de-de-dlam!
57:21 Where are they?
57:23 Oh, yes.
57:23 Don't worry about anything. I'll take care of you. I'm sure he can explain it. Yes, just give him a chance.
57:30 If one step you'll...
57:32 Easy now, easy, easy.
57:36 Sorry, Tom. I won't be sorry this happened, but...
57:39 You know how things are.
57:40 Why is that already?
57:43 Hi, folks. Oh!
57:46 Henry Butler! Oh, honey, I want you to meet my carol from Max Watsworth's.
57:51 Oh!
57:52 Yeah, Carol, this is my wife.
57:55 Hey, that's what we've been looking for. Gimme, gimme, gimme, gimme.
57:59 There you are. One, two, three.
58:02 That's what I've been trying to tell you all the time, huh? Come on, come on, quick, quick, quick, quick.
58:07 Now we start right from the bed. Oh, no. You left me along with Carol. And I was turning over to put her on the bed. And she slept and fell in the bed. And there was a big gas down inside of her head. Oh, darling. So I picked her up. I don't know. Max said he picked her up so that they wouldn't have had a good job.
58:26 So on the way home, I got to go.

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