Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:01:43 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 77 · shots 313–316. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- woman, dark wavy hair, wearing a light-colored dress, seated on a couch visible, audible
- woman, dark hair in a braid, wearing a light-colored dress, standing visible
- man, wearing a suit and tie, standing visible
- Also said
- “Well, I guess you're gonna have to choose between us.” 61:51 · “Pick yourself a trench.” 61:55
- Seen
- {'item': 'glass', 'frame': 1}, {'item': 'couch', 'frame': 1}, {'item': 'sculpture on side table', 'frame': 1}, {'item': 'mirror on wall', 'frame': 2}, {'item': 'curtains', 'frame': 4}
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: romantic rivalry, choice under pressure, gendered confrontation; style notes: static medium shots, high-contrast lighting, staged blocking emphasizing emotional distance
A woman in a white dress sits on a couch holding a glass while speaking; a man and another woman stand nearby in a tense interaction. The dialogue indicates a romantic conflict over a man named Jim, with one woman demanding exclusivity and the other suggesting a choice must be made.
“Why, men like Jim, there's enough love for both of us.” 61:43 · “I won't share his love with anyone.” 61:48 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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