Public Reel

Svengali · Beat 11 · permalink

Private office

2:27–2:56 Registered 1931

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 2:392:39Frame at 2:532:53

Play from 2:27 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 6 · shots 18–19. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:2
People
  • woman with short curly hair, wearing a patterned dress with a light-colored vest visible, audible
  • man with long dark hair and beard, wearing dark formal attire visible, audible
Seen happening
  • The man holds a candelabra while standing near a desk. [frame:2]
  • The woman stands near the desk, looking down. [frame:2]
Also said
“I am empty too. How can you be? You have so many other pupils. Ja, natürlich.” 2:37 · “But no one...” 2:46
Seen
candelabra, desk, patterned dress, light-colored vest
Interpretation
Model opinion, not evidence: mood: melancholic and intimate; themes: emotional emptiness, mentor-student dynamic, isolation; style notes: static medium shots, high-contrast lighting, period costume, theatrical staging

A woman and a man converse in a dimly lit interior; the woman speaks of emptiness and the man responds with German-accented English. The man holds a candelabra while the woman stands near a desk.

“My days are so empty.” 2:30 · “Ja, Liebchen, I know just how you feel.” 2:34 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Svengali (1931) at 2:39 (passage 2:27–2:56); US record: No renewal found

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