Public Reel

Svengali · Beat 110 · permalink

Other

29:58–30:23 Registered 1931

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks flagged: name not grounded. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 30:0730:07Frame at 30:1930:19

Play from 29:58 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 48 · shots 233–234. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • bearded man, dark clothing, intense expression visible
  • blonde woman, light-colored hair, dark dress visible
Seen happening
  • A bearded man holds a blonde woman's face with both hands. [frame:1]
  • The man continues to hold the woman's face while looking at her intently. [frame:2]
Also said
“A sound board like an angel.” 30:05 · “He's like the dome of the Pantayune.” 30:12
Seen
man's hands, woman's face, background figures
Interpretation
Model opinion, not evidence: mood: intense, dramatic; themes: control, performance, physical intimacy; style notes: close framing, high-contrast lighting, static camera, black-and-white film

A man with a beard holds a blonde woman's face while speaking to her; the transcript includes fragmented lines about sound and architecture. The setting appears to be an interior space with dim lighting and indistinct background figures.

“Why?” 29:59 · “I was right.” 30:03 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Svengali (1931) at 30:07 (passage 29:58–30:23); US record: No renewal found

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warns if the beats are recut later
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