Public Reel

Svengali · Beat 86 · permalink

Private office

22:22–22:55 Registered 1931

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 22:2522:25Frame at 22:3022:30Frame at 22:4222:42Frame at 22:5022:50

Play from 22:22 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 37 · shots 182–186. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman with blonde hair, wearing a dark military-style uniform with epaulets and buttons visible
  • Bruce (named at t:22:44): man with light hair, wearing a dark suit and white pocket square visible, audible
  • man in a suit and hat, standing near an easel visible
  • man in a dark suit, seen from behind near a doorway visible
Seen happening
  • A woman in uniform stands beside an easel while men gather around her. [frame:1]
  • The woman looks surprised or alarmed. [frame:2]
  • The woman and men stand near a doorway; one man leans toward her. [frame:3]
  • The woman and a man in a suit face each other in a doorway, appearing to speak. [frame:4]
Also said
“Yes, Bruce, you're dearie, and I'll be right up.” 22:44 · “So long as you're happy. Well, goodbye to you all. You're coming back.” 22:51
Seen
easel with painting [frame:1], paintbrushes in a holder [frame:1], wooden door [frame:3], suit with pocket square [frame:4]
Interpretation
Model opinion, not evidence: mood: tense and theatrical; themes: farewell, social interaction, artistic setting; style notes: static medium shots, high-contrast lighting, formal framing

A woman in a dark uniform stands near an easel while men in suits converse; later, she speaks with a man in a doorway. The transcript includes dialogue about time, location, and farewells.

“There's only one that can match it. And where's that? What time is it? Oh, it's about, um,” 22:23 · “Four past ten.” 22:35 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Svengali (1931) at 22:25 (passage 22:22–22:55); US record: No renewal found

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