Girl O' My Dreams (1934)

Model synopsis: The opening title card displays the film's title, lead actress, and production credits. No characters or settings are depicted in this beat.

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Model synopsis: A title card credits Raymond McCarey as director, displayed over a background of musical notes. No people, actions, or dialogue are present in this beat.

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Model synopsis: The beat displays opening credits over a background of musical notes, listing production roles and cast names. No characters or actions are depicted; only text is visible.

“Oh” 0:40

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Model synopsis: The scene shows an exterior shot of a campus-like setting with a clock tower and classical architecture, visible in two frames. No people are visible, and no named characters are mentioned in the transcript.

“I'm” 0:51

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Model synopsis: A clock tower is shown in a low-angle shot. No people or actions are visible in this beat.

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Model synopsis: A person stands near a tall stone structure outdoors, with trees and shrubbery visible. The transcript contains a single apology at 1:09.

1 person observed.

“I'm sorry.” 1:09

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Model synopsis: A man and a woman are looking at a newspaper together outdoors. The man holds the paper while the woman leans in to read it.

2 people observed.

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Model synopsis: A single frame shows a dictionary definition of 'College' under a spotlight. No people, actions, or spoken dialogue are visible or audible in this beat.

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Model synopsis: A crowd watches a track event from stadium seating; runners are on the track with officials nearby. No dialogue or on-screen text is present in this beat.

4 people observed.

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Model synopsis: A football game is underway on a field with a large crowd in the stands. Players in dark uniforms are huddled at the line of scrimmage, preparing for a play.

• Football players in dark uniforms are lined up at the line of scrimmage, ready to begin a play. [frame:1]

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Model synopsis: A football game is underway on a field with a large crowd in the stands. One player stands with hands on hips while others run in the background.

• A football player stands with hands on hips on the field. [frame:1]
• Other football players run across the field. [frame:1]
• A large crowd watches from the stands. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A wide shot shows a large crowd seated in a stadium or arena, with a few individuals standing on a field or stage in front of them. No dialogue or on-screen text is present in this beat.

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Model synopsis: A baseball game is in progress on a field with players visible at pitcher, batter, and fielder positions. Advertising signs for Coca-Cola and Philadelphia Cigar are visible on the outfield wall.

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Model synopsis: A rowing crew is visible on water with spectators in the background. No dialogue or on-screen text is present in this beat.

• Rowers are seen in a boat on water, moving forward. [frame:1]

2 people observed.

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Model synopsis: A track and field event is shown with runners clearing hurdles on a dirt track. Spectators and buildings are visible in the background.

• Runners are jumping over hurdles on a track. [frame:1]

2 people observed.

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Model synopsis: A man in athletic attire stands on a track while others observe and give directions; a woman in dark clothing assists him into a crouching position. The transcript indicates instructions are being given for a pose or action, with references to 'the boys' and 'how I get that leg dry.'

• A man in athletic wear stands on a track while two men in hats observe him. [frame:1]
• The woman approaches and stands behind the athlete as the men continue to watch. [frame:2]
• The woman assists the athlete into a crouching position. [frame:3]

4 people observed.

“Get it, boys?” 2:13 · “Maybe you'd better take another one.” 2:18

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Model synopsis: A man in a white tank top and shorts is running on a track while another man in a sweater and glasses runs behind him, laughing. Two other men in suits and hats approach them, and the runner stops to speak with the man in the sweater.

• Man p1 runs on a track while man p2 runs behind him. [frame:1]
• Man p2 laughs while running behind man p1. [frame:2]
• Two men in suits approach the runners. [frame:3]
• 1 more under Evidence and details.

Named: Larry Haines (t:2:44). 4 people observed.

“Yeah, this would be better running.” 2:33 · “Well, look, how about this?” 2:36

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Model synopsis: A group of people stands on a marked outdoor field with vehicles and trees in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

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Model synopsis: A group of people are on a marked outdoor field with hurdles and a pole vault setup. One person is mid-air over a pole vault, while others stand or sit nearby.

6 people observed.

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Model synopsis: Two men stand on a wooden platform outdoors while a third person lies on the ground nearby. The setting includes a grassy field with a vehicle and fence visible in the background.

• Two men stand on a wooden platform while a third person lies on the ground nearby. [frame:1]

3 people observed.

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Model synopsis: A man in a dark sweater is seen crawling and then standing in a sandpit while two other men, one in a hat and sweater vest, observe. Spoken lines indicate coaching during a physical activity, with instructions to maintain a bar at 12 feet and a question about an arm pull.

• Man p1 crawls in sandpit. [frame:1]
• Men p2 and p3 stand and observe p1. [frame:2]
• Man p1 stands in sandpit, covered in sand. [frame:3]

3 people observed.

“Very good, Bobby.” 3:02 · “Keep that bar at 12 feet.” 3:03

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Model synopsis: Three men are on an outdoor athletic field; one in a cap speaks to a younger man in a sweater while another man in shorts holds a ball. The dialogue suggests they are discussing athletic performance and coaching advice.

• The man in the cap gestures toward the younger man while speaking. [frame:3]

3 people observed.

“- How's it doing, big fella? - How's he doing? - Yeah. - He got one hour 51 feet this afternoon. - Yeah?” 3:12 · “How are you getting along, kid?” 3:18

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Model synopsis: A man in a cap speaks to another man while a third man in shorts prepares to run on a track; a photographer and another man observe. The transcript includes lines about feet, getting out of the way, and a prima donna having his picture taken.

• A man in a cap speaks to another man. [frame:1]
• Three men stand together; one gestures toward another. [frame:2]
• A man in shorts stands at the start of a track, watched by two men in suits. [frame:3]

5 people observed.

“I get my heart, but I can't get my feet.” 3:29 · “I see the prima donna is having his picture taken again.” 3:35

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Model synopsis: A man in athletic wear stands near a hurdle while photographers take pictures; another man in a sweater and cap smiles at the camera. The transcript indicates they are discussing photo angles for a jump, with one suggesting shooting from low to make it look like he's going over the moon. The group concludes they have enough shots.

• A man in athletic wear stands near a hurdle while two men in suits hold cameras. [frame:1]
• Two men, one in a sweater and cap, smile at the camera on a field. [frame:2]
• A man in a sweater kneels beside the athlete while photographers stand nearby. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Maybe we'd better take another one.” 3:49 · “You get down low with your cameras, eh?” 4:04

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Model synopsis: A group of four people, including a man in a tank top and a woman in a sweater, interact near a track with hurdles. The transcript mentions a stadium event on June 14 and a comment about someone being a 'shrinking violet' named Andy.

• Four people stand near a hurdle on a track. [frame:1]
• The woman and Andy face each other and appear to converse. [frame:2]
• Andy gestures while speaking to the woman and two men. [frame:3]
• 1 more under Evidence and details.

Named: Andy (t:4:35). 4 people observed.

“Well, you see, it was the 14th of June. The stadium was filled with people.” 4:23 · “We heard all about that last year.” 4:26

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Model synopsis: Three women walk across a field toward a man in athletic gear who raises his arms; another man in a suit watches from behind a fence. The transcript mentions a 'bevy of women' and a 'veritable covet' during this sequence.

• Three women walk across a field toward a man in athletic gear. [frame:1]
• A man in a jersey raises his arms while another man in a suit watches from behind a fence. [frame:2]
• The man in the suit turns and walks away from the fence. [frame:3]

5 people observed.

“Ah, a bevy of women.” 4:40 · “A veritable covet.” 4:44

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Model synopsis: A group of people greet each other outdoors near a fence; one man apologizes to a woman named Nip. The setting appears to be a rural or park area with trees and open ground.

• A man gestures while speaking to two women. [frame:1]
• A man walks away from a group near a fence. [frame:3]
• A man stands close to two women, speaking to one. [frame:4]

Named: Gwen (t:4:49), Mary (t:4:53), Nip (t:4:55), Larry (t:4:51), Speck (t:4:53), Tuck (t:4:55), Bobby (t:5:04). 8 people observed.

“Hello, Gwen.” 4:49 · “Hello, Nip. Hello, Tuck.” 4:55

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Model synopsis: A group of people, including a man in a suit and a woman with curly blonde hair, are gathered near a wooden fence in an outdoor setting. One man speaks to a woman while others stand nearby, and a woman sits on the fence holding a plaid bag.

• A group of people stand near a wooden fence in a field. [frame:1]
• A man in a sweater speaks closely to a woman with curly blonde hair. [frame:2]
• The man in the sweater continues speaking to the woman, who looks up at him. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Well, well, well, the little lassies just couldn't stay away, eh?” 5:16 · “For your information, we were just passing by. I know, I know. Now, don't tell me. I get it.” 5:22

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Model synopsis: A group of young people are gathered at an outdoor athletic field; one man throws a shot put while others watch or sit nearby. A coach approaches the group and asks if the track team can spare time from socializing.

• A man throws a shot put in a marked circle. [frame:1]
• A young man and woman sit on a fence, watching. [frame:2]
• A group of young people stand near a fence while a man in a sweater approaches them. [frame:3]
• 1 more under Evidence and details.

Named: Dick (t:5:42). 7 people observed.

“Now let her go.” 5:35 · “Dick.” 5:42

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Model synopsis: A group of people interact on a dirt field with wooden fences and poles, some holding rackets; one man says goodbye to a woman named Gwendolyn. The scene ends with a man in a tank top preparing to swing a racket.

Named: Gwendolyn (t:6:07). 7 people observed.

“Will you step over now, or am I too inquisitive?” 6:03 · “Well, so long, Gwendolyn.” 6:07

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Model synopsis: Two women stand on a track while a third walks toward them; one speaks about being silly about Larry. The setting is outdoors on a track with fencing and dirt banks visible.

• Three women are standing or walking on a track. [frame:1]
• The blonde woman adjusts her collar while the third woman approaches. [frame:2]

3 people observed.

“When you're absolutely silly about Larry, aren't you?” 6:20 · “Maybe I am.” 6:23

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Model synopsis: A man in a hat and tie addresses a group of young men seated on a field, holding a rolled document. Two other young men stand nearby, one with arms crossed, as the speaker discusses athletic events and training goals.

• A man addresses a group of seated young men on a field. [frame:1]
• Two young men stand side by side, one with arms crossed, listening. [frame:4]

4 people observed.

“You win the intercollegiate” 6:34 · “That's the reason I want every one of you boys to get out and work hard from now on.” 6:36

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Model synopsis: Two men stand talking outdoors while a group of young men sits on the ground nearby; one man suggests the other chase a cameraman. The setting appears to be a field or campus with buildings in the background.

• Two men stand facing each other, smiling and talking. [frame:2]
• A group of young men sits on the ground while three men stand nearby. [frame:3]

5 people observed.

“Well, I don't know about the mile. It's a little long for me.” 6:56 · “Oh, the mile ought to be a cinch for you.” 6:56

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Model synopsis: Two men in sweaters and caps stand on a track field, one smiling with arms crossed while the other speaks to a coach. The coach, wearing a vest and hat, addresses a group of athletes stretching on the ground before giving instructions for running drills. A conversation ensues between the two men and the coach about the athlete's confidence.

• Coach addresses the group of athletes on the ground. [frame:2]

4 people observed.

“He's always clowning.” 7:06 · “Hey, Coach.” 7:19

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Model synopsis: Two men stand outdoors in daylight; one wears a patterned sweater and fedora, the other a cap and sweater. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A sign on a wall reads 'DON'T FORGET THE JOE SENIOR CONTEST'. No people or actions are visible in the frame.

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Model synopsis: A single frame from a 1934 film shows a dimly lit interior wall with a small framed picture and a partial sign. No people, actions, or spoken dialogue are visible or audible in this beat.

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Model synopsis: A woman enters an office and speaks to a seated woman while a man stands nearby. The seated woman responds while holding papers, and a poster reading 'BEAT STANTON' is visible on the wall.

• A woman enters the room and approaches a desk. [frame:2]
• The seated woman speaks while holding papers. [frame:3]

Named: Kitty (t:8:10). 3 people observed.

“Oh, Bobby.” 8:06 · “Kitty, what are you doing here? I want to be a journalist.” 8:10

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Model synopsis: A man and a woman stand close in an office-like interior; the woman speaks emotionally while the man listens and then comforts her. The dialogue suggests a personal conflict involving someone else who refuses to talk to her and a romantic tension between them.

• The woman gestures with her hands while speaking to the man in an office. [frame:1]
• The man and woman stand very close, looking at each other intently. [frame:2]

2 people observed.

“Did you ask back about it?” 8:15 · “I didn't. He won't tell me a thing when I think I have great possibilities.” 8:17

Evidence, details and a link to share

Model synopsis: Two people are in a cluttered office, discussing a list of probable winners while one mentions seeing kittens outside. The setting includes a desk, papers, and a telephone, with one person handing a paper to the other.

• Two people are seated at a desk in an office, one leaning forward. [frame:1]
• One person speaks while the other listens, both facing each other across the desk. [frame:2]
• The person with light hair speaks while the other looks on. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Hi, this boy. I know, now, after all. My friend. Hey, let's come up somebody long distance.” 8:35 · “is a business office.” 8:44

Evidence, details and a link to share

Model synopsis: Two men are in a room; one speaks about performances and miracles while the other leans over a desk. The transcript mentions counting on events and asks if Larry is involved.

• One man leans over a desk while another sits at it. [frame:2]

2 people observed.

“Well, with some swell performances and...” 9:03 · “Two miracles. We might tie stands.” 9:05

Evidence, details and a link to share

Model synopsis: Two men are seated at a desk in an office, discussing a popularity contest for 'Joe Senior' while handling ballots. One ballot is shown with a handwritten vote for 'Larry Haines' and a checkmark.

• Two men sit at a desk with papers and a hat; one looks at the other while speaking. [frame:1]
• A hand holds a ballot for the 'Joe Senior Popularity Contest' with a vote for 'Larry Haines'. [frame:2]
• The older man laughs while holding papers; the younger man looks at him. [frame:3]

2 people observed.

“Hey, by the way, how's he making out in the Joe Senior contest? Oh, nothing to it. He's way out front.” 9:18 · “He's the most proper man in class with the babes. Yeah, but that doesn't make him any easier to live with.” 9:28

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Model synopsis: Two people are in a room with papers and a desk; one speaks about an election and boats while the other laughs. The scene includes close-ups and a medium shot showing interaction around a desk.

• Two people laugh while sitting at a desk with papers. [frame:2]

2 people observed.

“Hey, hey, I was just thinking...” 9:43 · “Well, what would happen if he wasn't elected? That would be just the best break we ever had.” 9:47

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Model synopsis: A man in a dark sweater speaks angrily while seated at a desk, accusing someone of suggesting he would tamper with votes. The setting appears to be an office interior with no visible windows or clocks.

2 people observed.

“Are you suggesting that I'd tample with these votes? That I, the editor of this paper, would do anything crooked in an election?” 10:10

Evidence, details and a link to share

Model synopsis: A man demonstrates a hurdle race to a group in a room, with others mimicking his stance; he then sits with another man while narrating the race. The transcript includes lines about hurdles, a crowd, and the race start.

• The group crouches in starting positions as part of the demonstration. [frame:3]
• Two men sit on steps, one narrating the race start. [frame:4]

6 people observed.

“Well, now let me show you how I really did it.” 10:24 · “And a hurdle here.” 10:28

Evidence, details and a link to share

Model synopsis: A man in a suit stands over a person on the floor while others watch in a dimly lit room with wooden walls. Two men sit on steps, one covering his face, as another man in a suit approaches them.

• A man in a suit leans over a person lying on the floor. [frame:1]
• Two men sit on steps; one covers his face with his hand. [frame:2]
• A man in a suit bends toward a seated person in a room with others watching. [frame:3]
• 1 more under Evidence and details.

7 people observed.

“But I kick the second hurdle and I lose my strides.” 10:48 · “Over the fourth, fifth, sixth, seventh, eighth.” 10:53

Evidence, details and a link to share

Model synopsis: Two men sit on steps in a dimly lit interior, one resting his chin on his hand while the other looks down. A line spoken at 11:10 refers to curing someone of an inferiority complex.

• Two men sit on steps in a dimly lit interior. [frame:1]

2 people observed.

“He'd be all right if we could only cure him of that terrible inferiority complex.” 11:10

Evidence, details and a link to share

Model synopsis: A person sits on steps in a dimly lit interior with wooden walls and a barred structure behind them. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are in a room; one is practicing with a book while the other sits on a couch. One man urges the other to get dressed for a visit to the Theta house.

• A man stands holding a book while another sits on a couch. [frame:1]
• The standing man gestures with the book toward the seated man. [frame:2]
• The standing man turns toward a window while the seated man remains on the couch. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Hey, call your shots, will ya?” 11:34 · “Sorry, fellas, just practicing with the old history.” 11:39

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Model synopsis: Two men are in a room; one is seated in a suit and hat, the other stands holding a razor. The transcript includes dialogue about shaving, Mary, and personal preferences for quiet companionship.

• A man in a suit and hat sits on a bed while another man stands holding a razor. [frame:1]
• The standing man holds the razor up while the seated man looks down. [frame:2]

2 people observed.

“Oh, what's the matter? I'm not naked.” 11:58 · “Oh, I shaved yesterday. All right, if you want to leave Mary all cut and bleeding.” 12:07

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Model synopsis: A man in a suit and hat sits indoors, resting his chin on his hand, while transcript lines reference quiet girls exploding like firecrackers. No named characters or specific time of day are established.

• man sits with hand on chin, looking downward [frame:1]

1 person observed.

“I know all about those quiet, sensible girls. Like firecrackers.” 12:26 · “Gotta sound out 'em 'til he explains.” 12:31

Evidence, details and a link to share

Model synopsis: Two men are in a room; one stands and gestures while the other sits on a couch. The standing man accuses the seated man of kissing girls he meets on the street, and the seated man replies that he also gets kisses.

• A man stands and points at another man sitting on a couch. [frame:1]

2 people observed.

“I'm not like you, walking up to every girl I meet in the street and kissing her.” 12:37 · “I'll bet you get a lot of slaps in the face, huh?” 12:43

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Model synopsis: A man and a woman are shown in close-up and medium shots in an interior setting, speaking and reacting to each other. The transcript includes dialogue referencing a past romantic memory involving a 'Kai-Pai dance' and a 'golden moon'.

• A woman and a man sit together, holding hands and speaking. [frame:2]
• A man looks up at a blonde woman who is standing over him. [frame:3]

3 people observed.

“Oh, pull a knife on me, huh? Yeah, pull a knife on you.” 12:53 · “What does this remind you of, dear?” 13:23

Evidence, details and a link to share

Model synopsis: Three people are seated at a table in a room with an audience watching; one person stands at a podium. No dialogue is provided for this segment.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a couch; the man holds a small object and speaks about keeping his forearm and wrist in shape while the woman listens. They discuss music that reminds them of a past event, specifically a night they stole away from a kai-fi dance a year ago.

• The man holds a small object and gestures with his hand while speaking. [frame:1]
• The woman looks at the man as he speaks. [frame:1]
• The man continues to hold the object and speaks while the woman listens. [frame:2]

2 people observed.

“Isn't it lovely out here? Mm-hmm.” 14:14 · “Oh, just no hand grip. You know, I gotta keep the forearm and wrist in shape.” 14:20

Evidence, details and a link to share

Model synopsis: A group of people are gathered in a room with a table and flowers; some are seated while others stand or move. Two women in matching dresses dance or gesture energetically in front of the group.

• Group gathered around a table with flowers; some seated, some standing. [frame:1]
• Close-up of people around table; man in suit leans toward child. [frame:2]
• Three people seated: woman in dark dress, man in suit, woman in light dress. [frame:3]
• 1 more under Evidence and details.

8 people observed.

“Lucky Star, we're going places, I catch my wagon to you.” 14:42 · “It's the road.” 14:51

Evidence, details and a link to share

Model synopsis: Two women in matching dresses stand with hands on hips in a room with seated men in the background. No dialogue or on-screen text is visible in the single frame provided.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two women in light dresses dance in a room with seated and standing onlookers. The setting appears to be an indoor social gathering with furniture and a table visible.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit smiles while seated at a table. Two women in matching dresses dance in a room with an audience and furniture. No spoken dialogue is present in this beat.

• A man in a suit smiles while seated at a table. [frame:1]
• Two women in matching dresses dance in a room with an audience. [frame:2]
• The two women continue dancing, holding hands. [frame:3]

4 people observed.

Evidence, details and a link to share

Model synopsis: Three people are seated indoors; one raises an arm while another looks on. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two women in matching dresses stand before a group in a room with furniture and a table; a man in a suit stands near the table. The transcript includes a line about pulling together to make a team.

• Two women stand side by side facing a group. [frame:1]
• The women place hands on hips while a man in a suit stands near a table. [frame:2]

7 people observed.

“Round each star, let's pull together, we'll make the grandest of teams.” 15:54

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a doorway; the woman holds the door frame while the man steps forward. A line is spoken: 'Come out of that.'

• A woman stands holding a door frame while a man steps forward from the doorway. [frame:1]

2 people observed.

“Come out of that.” 16:17

Evidence, details and a link to share

Model synopsis: A man and a woman interact in a formally decorated room; the man speaks to the woman, who appears distressed, and he comforts her. The transcript includes dialogue referencing a 'bell of the Satan' and a character named Mr. Hay.

• A woman stands facing a man in a formal room. [frame:1]
• The man embraces the woman, who appears to be crying or distressed. [frame:2]

Named: Mr. Hay (t:16:22). 2 people observed.

“Hello, Kitten. How are you? Hello.” 16:20 · “Tell me, where is the bell of the Satan? You mean where? Right again. She's in the other room, Mr. Hay.” 16:22

Flagged: visible event not seen (The man embraces the woman, who appears to be crying or distressed.)

Evidence, details and a link to share

Model synopsis: A man in a suit enters a room and addresses seated guests, who react with surprise and amusement. The transcript includes dialogue about his entrance and a comment on someone's calm demeanor.

• A man in a suit gestures toward a table while standing. [frame:1]
• The man stands on a raised platform holding a chime, addressing seated guests. [frame:2]
• The man turns away from the guests, facing a fireplace. [frame:3]

Named: Larry Hinge (t:16:52), Gwen (t:17:02). 5 people observed.

“Oh, my.” 16:43 · “Hello everybody.” 16:46

Evidence, details and a link to share

Model synopsis: A man stands behind a seated woman who is being held by another man; dialogue suggests a tense social interaction involving a college editor. No names are spoken that can be assigned to the visible individuals.

• A man stands behind a seated woman who is being held by another man. [frame:1]

Named: Val (t:17:21). 3 people observed.

“Save me from a fake worst.” 17:12 · “Better lay off of him. He'll have you in tomorrow morning's headline.” 17:14

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Model synopsis: A man in a suit sits in a chair and touches his head; another man and a woman sit on a couch, the man pointing. The transcript includes a farewell and a call to 'Dad'.

• A man in a suit touches his head while seated in a chair. [frame:1]
• A man and a woman sit on a couch; the man points off-screen. [frame:2]

Named: Dad (t:17:32). 3 people observed.

“Bye-ya.” 17:28 · “Dad!” 17:32

Evidence, details and a link to share

Model synopsis: A woman sits beside a man on a couch while another man stands nearby; the woman then stands and leans toward the standing man. The transcript includes dialogue about a girl playing second fiddle to a '16 pound shop'.

• A woman and a man sit on a couch while another man stands beside them. [frame:1]
• The woman stands and leans toward the standing man. [frame:2]

3 people observed.

“And hello. - Hi, kid.” 17:37 · “Why the Deep Brown Study?” 17:41

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Model synopsis: Two men stand in an interior space with decorative foliage and a paneled door; one wears light clothing and holds a cane, the other wears a dark suit and bow tie. One man is addressed as 'Mr. Gray' during a brief exchange that includes remarks about justice and dreams.

• Two men stand facing each other in conversation. [frame:1]
• The man in the suit gestures with his hand while speaking. [frame:2]

Named: Mr. Gray (t:17:59). 2 people observed.

“That's funny.” 17:55 · “It's all justice.” 17:58

Evidence, details and a link to share

Model synopsis: A man leans over a woman seated at a table while two other men sit nearby; the setting appears to be an interior room with curtains and a tablecloth. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two women and two men are present in an interior setting with classical architectural elements; one man leans over a table while another stands beside a woman. Spoken lines include exclamations and a prayer response.

• A woman with blonde hair looks forward while seated. [frame:1]
• A man in a suit leans over a table while another man stands behind him. [frame:2]
• A man in a sweater stands beside a woman with blonde hair. [frame:3]

4 people observed.

“Ah!” 18:12 · “Oh, my God.” 18:15

Evidence, details and a link to share

Model synopsis: Three people sit side by side in a medium shot; two women flank a man in a suit. The setting appears to be an interior room with plain walls and a window frame visible.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other indoors in formal attire. No dialogue or action is visible in the single frame provided.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and two women are seated together in an interior setting; one woman reacts with an exclamation while the man speaks about leaving before trouble starts. No names or specific location are established in the frames or transcript.

3 people observed.

“Ow!” 18:37 · “Let's get out of here before the trouble starts.” 18:38

Evidence, details and a link to share

Model synopsis: A group of five people are gathered in a room with large windows and a table covered by a cloth. One man stands facing three others near the table, while another man sits on a chair to the left.

5 people observed.

Evidence, details and a link to share

Model synopsis: A newspaper headline announces Don Cooper's election as 'Joe Senior' in a big up-set, with Larry Haines noted as the favorite who ran second. The paper is titled 'Rawley Razz' and includes other campus news items.

Evidence, details and a link to share

Model synopsis: Two men are visible in a room with wooden paneling and a floral-patterned couch; one drinks from a glass while another holds papers. A third man stands nearby. Dialogue suggests they are preparing to bring others into the room.

• A man drinks from a glass. [frame:1]
• A man holds papers and looks upward. [frame:2]

3 people observed.

“Come on, man, hit the dance!” 18:54 · “- Just a minute, just a minute.” 18:58

Evidence, details and a link to share

Model synopsis: A group of men in a rustic interior gather around a document; one man seated in a leather armchair reacts as others examine the paper. A line in the transcript mentions 'John Cooper chosen Joe senior,' suggesting a selection or announcement is being contested or verified.

• A group of men gather around a seated man in an armchair; one holds a paper. [frame:1]
• The group continues to examine the paper; the seated man looks up. [frame:2]
• Three men lean closely over the paper, examining it. [frame:3]

7 people observed.

“Just a minute.” 19:09 · “You fellas don't have to believe everything we say.” 19:11

Evidence, details and a link to share

Model synopsis: Three men in a room react to a document, with one urging action and another asking for clarification. A man in a suit then appears holding papers while speaking to another man.

• Men gather around a chair and one holds a newspaper. [frame:3]

5 people observed.

“Are we to allow such a thing to pass unnoticed?” 19:22 · “So-so, graces? Yes! Then gird up your loins and follow me.” 19:29

Flagged: quote not verbatim (So-so, graces? Yes! Then gird up your loins and follow me.)

Evidence, details and a link to share

Model synopsis: A newspaper headline is shown in a close-up, reporting that Larry Haines, the favorite, runs poor second. The headline also mentions Dr. Gilman Startles and a medical world context.

• A newspaper headline is displayed. [frame:1]

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands indoors holding an open book or folder. The background includes a barred window and shelves with objects, suggesting an interior setting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A shirtless man lies on the floor while a group of men in suits and sweaters stand around him; one man in a sweater gestures while another kneels. Later, a man in a suit stands near a couch as another man in a hat and sweater stands on a step behind him. The transcript includes lines about being chosen and wanting to get dressed.

• A man lies shirtless on the floor while others stand around him. [frame:1]
• A man in a sweater gestures while another kneels. [frame:2]
• A group of men raise their arms while one kneels. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Oh, rabble!” 19:56 · “Curvy left, fire.” 20:00

Evidence, details and a link to share

Model synopsis: Two men sit on a couch in a wood-paneled room; one wears a sweater with the number 37 and a hat, the other a suit. They discuss an election, with one man claiming he gave his votes to someone else.

2 people observed.

“Oh.” 20:33 · “Hi.” 20:34

Evidence, details and a link to share

Model synopsis: Two men sit on a couch in a room with bookshelves; one wears a sweater with the number 37 and a hat, the other wears a suit with arms crossed. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of men are gathered in a room with a piano and a sign reading 'RAWLEY' on the wall. One man stands near a table while others are clustered behind him, and a bell hangs on the wall.

4 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in a room with a sign reading 'RAWLEY' interact around a central figure who is seated and being attended to. The setting appears to be an interior space with wooden walls and barred windows.

• A man gestures with his right hand while standing in front of a seated man being held by others. [frame:1]

5 people observed.

Evidence, details and a link to share

Model synopsis: A shirtless man is celebrated by a group of men in a room with wooden walls; a man in a suit sits alone on a leather couch. The transcript includes a man speaking about an official utterance and a serious occasion.

• A shirtless man is being celebrated by a group of men. [frame:1]
• The shirtless man is seated on a chair, surrounded by men who are clapping. [frame:2]
• A man in a suit sits alone on a leather couch with arms crossed. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Man, and you'll hear the first official utterance of Joe's team.” 21:23 · “Well, really, fellas, I don't know what to say. Good. Go ahead, man. This is a serious occasion.” 21:29

Evidence, details and a link to share

Model synopsis: Two men in suits sit on a couch in a wood-paneled room; later, a group gathers around a shirtless man seated on a chair, with one man adjusting his collar. A sign reading 'RAWLEY' is visible in the background. Dialogue includes references to an election, a speech, and the 'old editors'.

Named: Larry (t:21:50). 7 people observed.

“I'm sorry about that election, Larry.” 21:50 · “Thanks, Beck.” 21:55

Evidence, details and a link to share

Model synopsis: A group of men, some shirtless and others in suits or casual wear, gather around a piano in a room with a 'RAWLEY' sign. One man is lifted onto the piano while others cheer and gesture, as lines mention 'Joe Senior' and 'Sir Carly Shadmanova'.

• A man is lifted onto a piano by others. [frame:1]
• A shirtless man gestures while speaking to a man in a hat. [frame:2]
• A group surrounds a piano with one man seated on it. [frame:3]
• 1 more under Evidence and details.

Named: Joe Senior (t:22:33). 8 people observed.

“Joe Senior, everybody's back, the spirit of joy is rolling. To Joe, he's handsome, brave and hard to get, the spirit of joy is rolling.” 22:33 · “You who don't know, his art is better, oh, no. But I can't hear you, but I'm not in.” 22:47

Evidence, details and a link to share

Model synopsis: A group of men gathers around a man lying on a table in what appears to be a locker room or training facility; one man in a suit gestures while others, including a shirtless man, react to the situation. The transcript includes exclamations about someone returning and mentions of shoes and holding one's heart, suggesting a chaotic or emotional moment.

• A man in a suit gestures toward a man lying on a table while others look on. [frame:1]
• The group remains gathered around the man on the table, with the shirtless man now leaning over him. [frame:2]
• The shirtless man adjusts his position while others continue to observe. [frame:3]
• 1 more under Evidence and details.

7 people observed.

“Everybody's back!” 23:04 · “Joe! He's had the things hard to get, just here you go and fall in.” 23:08

Evidence, details and a link to share

Model synopsis: A vintage car is parked on a dirt field with other vehicles and goalposts visible in the background. No people are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A title card for 'PAN AMERICAN NEWSREEL' with the slogan 'Nothing but the best' is shown. No people, actions, or locations are depicted in this beat.

Evidence, details and a link to share

Model synopsis: Two men talk beside a vehicle labeled 'RECORDING UNIT #72' while a third man in a chef's uniform looks out a window. One man identifies himself as 'Larry Haynes' and mentions hurdles and a 'Don Cooper' who is a 'Shot-Futter'.

Named: Larry Haynes (t:23:42). 4 people observed.

“I'm Larry Haynes.” 23:42 · “The hurdles are right there.” 23:43

Evidence, details and a link to share

Model synopsis: A man stands outdoors near a vehicle and wooden poles. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men stand on a grass field and speak; one identifies himself as early with the rag, and the other directs him to Don Cooper. The setting is outdoors with buildings visible in the background.

• The two men shake hands. [frame:2]

2 people observed.

“Are you Joe, Sr.?” 24:15 · “No, I'm early with the rag.” 24:19

Evidence, details and a link to share

Model synopsis: A man in a suit directs a group of athletes on a field, asking one if he is Joe and instructing him to stand still for photos. Another man in a bow tie approaches the suited man for a private word, but is told to wait while a Kodak camera is set up.

• The athlete checks his wristwatch. [frame:3]
• A man in a bow tie approaches the man in the suit to speak privately. [frame:4]

5 people observed.

“What is your name? Skip it, son, skip it. I'm from the Pan-American News Reader Company. I want to get a couple of shots of Joe Sr. Are …” 24:42 · “You just stand there. Don't do anything.” 24:55

Evidence, details and a link to share

Model synopsis: A film crew on an outdoor set prepares to shoot a scene where a man in a suit delivers a line about prosperity. Several crew members and extras are present, with cameras and equipment visible.

6 people observed.

“Now I want you to say a few words.” 25:04 · “Well, what shall I say? When I photographed the congressman last week, he said prosperity was right around the corner.” 25:06

Evidence, details and a link to share

Model synopsis: Two men sit outdoors while a film crew operates a camera; a director gives instructions and two women watch. The dialogue suggests they are on a set, rehearsing or filming a scene involving a character named Joe Senior.

• Two men sit side by side outdoors, one in a fedora and one in a cap. [frame:1]
• A film crew operates a large camera; a man in a suit directs. [frame:2]
• The man in the suit gestures with both hands toward the camera. [frame:3]
• 1 more under Evidence and details.

7 people observed.

“What is this, a practice field or a dance in school?” 25:26 · “Tell them how you became Joe Senior.” 25:38

Evidence, details and a link to share

Model synopsis: A man in a white shirt and cap directs two women and a man in a tank top for a photo or scene setup outdoors, while others watch. The director gives instructions about posing, and someone addresses him as 'Mr. Sirius.'

• The group is posing as instructed, with arms up and looking up. [frame:3]

Named: Mr. Sirius (t:26:09). 7 people observed.

“Say, would you girls mind helping me out a little bit? Yeah! Just a minute! Just a minute!” 26:02 · “Mr. Sirius.” 26:09

Evidence, details and a link to share

Model synopsis: A group of people on a sports field ends a scene; one man thanks the crew and another is complimented on his strength. The setting is outdoors during daylight with athletic attire and casual interaction.

• A group of people stands on a field, some in athletic wear. [frame:1]
• A man in a tank top talks to a boy and a woman in a hat. [frame:2]

Named: Joe (t:26:34), Don (t:26:37). 8 people observed.

“Camera?” 26:28 · “Thanks, folks, very much. That's all.” 26:32

Evidence, details and a link to share

Model synopsis: Two men stand beside a large film camera outdoors; one in a suit reacts to being told the film was forgotten. A dark frame shows faint text including 'PROF. E. FRIDAY'.

• Two men stand beside a large film camera outdoors. [frame:1]
• The man in the suit reacts with surprise while holding a handkerchief. [frame:2]
• A dark frame shows faint text including 'PROF. E. FRIDAY'. [frame:3]

3 people observed.

“Well, I just wanted to tell you that I forgot the film for the camera.” 26:50 · “What? Oh, I tried to tell you.” 26:57

Evidence, details and a link to share

Model synopsis: A person stands in front of a wall with text that includes 'DEPT. OF MUSIC' and 'OF. E. PHLAT'. No spoken dialogue is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A young man in a sweater and tie stands indoors, holding papers and touching his neck. No dialogue or other actions are visible in this single frame.

• A young man stands holding papers and touches his neck. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands at the front of a room addressing a seated audience, while another man rises from his seat. The transcript includes a greeting and a reference to waiting for Professor E. Black.

• A man stands at the front of a room with arms raised, addressing an audience. [frame:1]
• A man in the audience rises from his seat. [frame:2]

5 people observed.

“Yeah.” 27:13 · “Amen.” 27:14

Evidence, details and a link to share

Model synopsis: A woman addresses a classroom of students, proposing a substitute lecturer while the regular professor is absent. Students react with laughter and curiosity, one asking for the substitute's name.

• Mary Haynes gestures while speaking to students. [frame:1]
• Students look toward the front of the room. [frame:2]
• A student in a sweater with number 37 laughs while seated. [frame:3]
• 1 more under Evidence and details.

Named: Mary Haynes (t:27:32). 5 people observed.

“And may I suggest...” 27:27 · “Professor Early of the Raleigh Rares,” 27:30

Evidence, details and a link to share

Model synopsis: A man in a sweater with a letter 'R' stands before an audience in a classroom, introducing a lecture on the Pilgrim Fathers' influence on popular music. He invites two people to improvise on pianos while he speaks, and the transcript includes a humorous, nonsensical verse about Priscilla and Miles.

• A man in a sweater with an 'R' stands before an audience. [frame:1]
• Two men are on a stage in front of an audience; one walks across. [frame:2]
• The man in the 'R' sweater gestures while speaking to the audience. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Copy's just a little sad.” 27:55 · “So I'll now introduce the subject of my lecture.” 28:00

Evidence, details and a link to share

Model synopsis: A man in formal attire speaks to an audience in a room with framed pictures, while a young man and a woman are shown in separate close-ups. The transcript includes fragmented lines referencing 'John Alden' and a character speaking for himself, with exclamations about being knocked down and a 'swelter'.

• A man in formal attire stands before an audience and gestures with his hands. [frame:1]
• A young man looks down, appearing contemplative or distressed. [frame:2]
• A woman with a flower in her hair looks forward with a neutral expression. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“till in a fit of feet he called him, that pilgrim sheep John Alden.” 28:30 · “And this is how young John spoke for himself.” 28:39

Evidence, details and a link to share

Model synopsis: A woman in a polka-dot blouse speaks while seated; a man in a sweater is later seen bent over a desk. The transcript includes fragmented dialogue about running something and taking it.

• Woman looks down, then up while speaking [frame:1]
• Woman looks to her right while speaking [frame:2]
• Woman turns head slightly left, mouth open as if speaking [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Without the Kimball” 28:56 · “I'll run it.” 29:02

Evidence, details and a link to share

Model synopsis: A woman in a light dress sits at a desk while others watch; later, a man in a tuxedo stands beside a woman in a gown as he sings, and finally, two men and a woman stand together in front of an audience. No names are spoken that identify the individuals.

• A woman sits at a desk smiling while others watch. [frame:1]
• A man in a tuxedo sings beside a woman in a gown. [frame:2]
• Two men and a woman stand together on stage before an audience. [frame:3]

6 people observed.

“Long, I'm a long deer” 29:17 · “Come, let my hair down.” 29:20

Evidence, details and a link to share

Model synopsis: A man in a sweater with the number 37 is shown in a room with two other people; one man in a sweater with an 'R' and a woman in a dress. The man in the 37 sweater is later seen being touched on the face by the man in the 'R' sweater. The transcript includes fragmented dialogue with no clear narrative.

• A man in a sweater with number 37 looks down. [frame:1]
• Three people stand in a room: a man in a black t-shirt, a woman in a dress, and a man in a sweater with an R. [frame:2]
• The man in the black t-shirt embraces the woman while the man in the R sweater watches. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Thou art my baby.” 29:32 · “Thou hast been knocked down” 29:35

Evidence, details and a link to share

Model synopsis: A man and a woman stand close in an interior space, speaking. The man wears a sweater with a letter 'R' and a bow tie; the woman wears a patterned dress. Their dialogue suggests a possessive or romantic claim.

• A man and a woman walk side by side in a room. [frame:1]
• The man and woman stand close, facing each other. [frame:2]

Named: Kevin (t:30:22). 2 people observed.

“here, Kevin.” 30:22 · “Why? Because you're my girl. Oh, am I?” 30:28

Evidence, details and a link to share

Model synopsis: A man in a dark sweater with a large letter 'R' and a bow tie stands indoors. The background includes window blinds, and the lighting is bright and even.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men are gathered around a piano in an interior room; one man sits on the piano while others lean in or stand nearby. The transcript contains fragmented, nonsensical lines spoken during this scene.

• A man sits on a piano while others gather around him. [frame:1]
• The man on the piano turns his head; others look at him. [frame:2]
• The man on the piano gestures with his hand; others remain clustered around the piano. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Thou art my baby, my sweet baby. Thou hast me knocked out. What a knockout.” 30:52 · “Thou art a swell day, why keep me locked out, without the kimbo, thou hast a thimbo, out on a limbo, dost consider that smart, of what it ta…” 30:59

Evidence, details and a link to share

Model synopsis: Two men face each other in an interior room; one is in a dark shirt, the other in a suit. The man in the suit holds his hand near his face while the other looks at him.

2 people observed.

Evidence, details and a link to share

Model synopsis: A person stands in a marked circle on a field while others watch; someone off-screen says 'No!'. The setting appears to be an outdoor athletic area with buildings in the background.

• A person stands in a marked circle on a field while others watch. [frame:1]

4 people observed.

“No!” 31:54

Evidence, details and a link to share

Model synopsis: A man in a track uniform stands near a kneeling official on a field while another man with a towel watches; the transcript includes coaching instructions about adding 'uh' to a performance. No names, time of day, or period are established beyond the film's 1934 release.

• A man in a track uniform stands near a kneeling official on a field. [frame:1]
• The track athlete turns away while the man with the towel watches. [frame:2]

3 people observed.

“What was it?” 32:04 · “Come on, try another one.” 32:06

Evidence, details and a link to share

Model synopsis: A man in a track uniform holds a ball while standing next to another man in casual clothes on an outdoor field. The setting appears to be a sports ground with hurdles and trees in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men stand outdoors on a field; one holds a ball and gestures while the other listens. Dialogue references 'Frank', 'Max', and 'Joe Sr.' and includes a warning about arm movement.

• Man in tank top holds a ball and gestures toward the other man. [frame:1]
• Man in tank top places hand on his chest while speaking. [frame:2]

Named: Joe Sr. (t:32:26). 3 people observed.

“Frank.” 32:21 · “You wouldn't like me to polish that shot for you, would you? Oh, no, Max. This is all right for practice.” 32:22

Evidence, details and a link to share

Model synopsis: A coach and an athlete discuss the athlete's performance on a sports field, while a woman in a convertible drives past. The athlete defends his competitive spirit despite being out of form ahead of an upcoming event.

• The athlete and coach stand on a field, the athlete smiling. [frame:1]
• The coach and athlete face each other closely, appearing to argue. [frame:2]
• The coach and athlete continue their face-to-face conversation. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“How was that one? 49-1.” 32:41 · “We're counting on you to win the shot in the discus.” 32:51

Evidence, details and a link to share

Model synopsis: Three men stand on a field; one wears a track uniform with an 'R' emblem. A convertible car is parked nearby with a person visible inside. The transcript begins a statement with 'Now, in the second place...'.

• Three men stand together on a field, one with an arm around another. [frame:1]
• A black convertible car is parked on a dirt surface with a person inside. [frame:2]

4 people observed.

“Now, in the second place...” 33:12

Evidence, details and a link to share

Model synopsis: Two men in athletic attire converse outdoors, one addressing a coach; a woman in a car speaks with a man in a tank top. The dialogue references training, competition, and social plans.

Named: Gwen (t:33:40), Don (t:33:40). 4 people observed.

“You'll excuse me, won't you, coach?” 33:18 · “but he does all his competing in the sorority house.” 33:26

Evidence, details and a link to share

Model synopsis: A person runs over hurdles on a track with spectators in the background. The scene is outdoors and appears to be part of a track meet.

• A runner clears a hurdle on a track. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in a convertible car; the woman is seated and smiling, the man stands beside the car. The background shows an open field with a distant building.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a white athletic singlet and shorts stands on a running track, holding his right knee. The background shows hurdles, grass, and distant buildings under bright daylight.

• man holds his right knee while standing on a track [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt and shorts leans into the driver's side of a vintage convertible parked on a dirt road. Another person is seated inside the car, partially visible.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in athletic wear stands on a track with hurdles visible. The background shows trees and buildings under bright lighting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in athletic attire stands on a track near hurdles. The background shows a grassy slope and buildings, suggesting an outdoor stadium or campus setting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in athletic attire runs on a dirt track with hurdles, while another person is visible in the background. The setting is outdoors with trees and a building in the distance.

• A person runs on a dirt track with hurdles. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in light shorts and shirt leans into the driver's side of a vintage convertible while a woman sits inside; the scene is outdoors on unpaved ground with a fence and distant trees. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two young men stand outdoors in a field, one speaking while the other listens; the transcript suggests they are discussing a recent event involving a 'weight man'. No names are spoken, and the setting appears to be a sports field or open ground with buildings in the background.

• The second man is visible listening, with no spoken line. [frame:2]

2 people observed.

“What do you think?” 34:18 · “I think we made a sap out of a darn good weight man.” 34:21

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a decorated room with trophies and banners; he is spoken to off-screen. The transcript shows someone calling him 'Don' and asking him to come out, to which he replies he just finished something.

Named: Don (t:34:40). 1 person observed.

“Hey, Don, why don't you come on out here?” 34:40 · “You know I want to talk to you.” 34:42

Evidence, details and a link to share

Model synopsis: Two men in suits are in a room with ornate furniture; one gestures for the other to sit while speaking about appearance. The scene is indoors, with no visible windows or clocks to establish time of day.

• One man gestures toward a chair while speaking to the other. [frame:1]

2 people observed.

“My dear fellow, you don't seem to understand. But to an athlete, appearance is half the battle. Come on, sit down. I want to talk to you.” 34:52

Evidence, details and a link to share

Model synopsis: Two men in suits are in a room with bookshelves and decorative curtains; one sits in an ornate chair while the other stands and speaks to him. The transcript indicates a conversation about personal habits and a recent athletic performance, with one man accusing the other of changing his behavior.

• One man stands over another seated man, gesturing toward him. [frame:1]
• The standing man turns away while the seated man looks down at his hands. [frame:2]
• The standing man walks past a wall with posters. [frame:3]
• 1 more under Evidence and details.

Named: Don (t:35:11). 2 people observed.

“Hey, what's that, sir?” 35:01 · “Don, you're off on the wrong foot. A couple of weeks ago you were satisfied with a quiet, nice girl.” 35:11

Evidence, details and a link to share

Model synopsis: Two men are in a room with one seated and speaking while the other stands; the seated man adjusts his tie and reacts to dialogue about a woman named Glenn. The transcript references a social event called the 'Fetty Informal' and a character named Murray.

• A man stands facing another man seated in an armchair. [frame:1]
• The seated man grimaces while adjusting his tie. [frame:2]
• The seated man leans back, smiling and adjusting his tie. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“- Yeah, I know. - And what's more?” 35:33 · “Murray's a nice kid, but she's not as smooth as Gwen's.” 35:38

Evidence, details and a link to share

Model synopsis: A close-up of a book cover titled 'Charm And how to develop it' is shown. No people, actions, or spoken dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: Two men in suits interact indoors; one holds a book and speaks while the other listens. The transcript includes a line about a sale at the Boston store and laughter.

• man p1 looks down at a book he is holding [frame:1]
• man p1 speaks to man p2 while holding the book [frame:2]
• man p1 and man p2 face each other, both holding the book [frame:3]

2 people observed.

“Hey!” 36:07 · “There's a sale at the Boston store on men's silk underwear.” 36:09

Evidence, details and a link to share

Model synopsis: A man and a woman are seated on a couch in an interior setting, conversing. The man, wearing a suit and hat, speaks to the woman, who is dressed in a patterned dress and holds a book.

• The man stands and removes his hat while speaking to the woman seated on the couch. [frame:1]
• The man sits beside the woman on the couch and continues speaking. [frame:2]
• The man leans back and gestures with his arm while speaking. [frame:3]

Named: Mary (t:36:24). 2 people observed.

“Hi Mary. Hello Bobby. This is inside. Yeah I know.” 36:24 · “Mind if I sit down here for a moment?” 36:29

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch and talk; the man gestures while speaking. The transcript indicates they are discussing inviting someone named Larry to a sorority dance.

• A man and a woman are seated on a couch talking. [frame:1]
• The man crosses his arms while listening. [frame:2]
• The man rests his chin on his hand, looking thoughtful. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“You know Larry, he's a pretty swell fellow.” 36:52 · “And so you ought to invite him to the state informant.” 36:55

Evidence, details and a link to share

Model synopsis: A man and a woman converse outdoors near a brick wall, then the scene cuts to two people seated on a couch, followed by a woman walking past another seated woman, and finally a close-up of the first woman. The dialogue includes references to a dance, a bid, and someone named Bobby and Mary.

• A man and a woman stand talking near a brick wall. [frame:1]
• A man and a woman sit on a couch, looking at each other. [frame:2]
• A woman walks past another woman seated on a couch. [frame:3]
• 1 more under Evidence and details.

Named: Mary (t:37:25). 6 people observed.

“Those must have been great old days.” 37:10 · “Don't forget, you accepted my bid to our dance.” 37:18

Evidence, details and a link to share

Model synopsis: A man and a woman are seated on a couch in a decorated interior; the man leans forward as the woman looks at him. The transcript includes farewells addressed to 'Mary' and 'Robbie'.

• Man and woman sit on a couch, man turns toward woman. [frame:1]
• Man leans forward, woman looks at him. [frame:2]

Named: Robbie (t:37:48), Mary (t:37:44). 2 people observed.

“Nice going, Mary.” 37:44 · “Good night.” 37:47

Evidence, details and a link to share

Model synopsis: A band plays in a room while people dance; one person says they are going to leave. The setting appears to be an indoor social gathering with musicians and dancers visible.

• A band plays music in a room. [frame:2]
• People are dancing in pairs. [frame:3]

6 people observed.

“I'm going to go.” 37:52

Evidence, details and a link to share

Model synopsis: A man in a dark suit walks through a crowded room with several other people visible in the background. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit holds a small white dog while standing near a fireplace. Another man in a light jacket is visible in the background, partially turned away.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit is seen from behind, surrounded by a crowd in what appears to be a public indoor space. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a blonde woman in a patterned dress at a crowded indoor social gathering; other couples are dancing nearby. The transcript contains two instances of the phrase 'I'm sorry' spoken during this interval.

• A man in a suit stands close to a blonde woman in a patterned dress. [frame:1]
• The man turns away from the blonde woman; she looks up at him. [frame:2]
• Multiple couples are dancing in a large room with columns. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“I'm sorry.” 38:35 · “I'm sorry.” 38:47

Evidence, details and a link to share

Model synopsis: A man in a tuxedo stands near a seated woman in a patterned armchair; he gestures toward her as she leans forward. The transcript includes exclamations and a self-directed insult.

• woman leans forward in armchair [frame:2]
• man gestures toward woman with right hand [frame:2]

2 people observed.

“Oh, oh.” 38:52 · “Fool. Fool yourself?” 38:58

Evidence, details and a link to share

Model synopsis: A man in a tuxedo is seen in a formal room with other guests; one frame shows him embracing a woman in a patterned dress. A seated woman watches from a chair. The transcript includes the line 'I'm going to go.'

• Man in tuxedo stands in a room with other guests. [frame:1]
• Man in tuxedo smiles while standing near a seated woman. [frame:2]
• Man in tuxedo embraces a woman in a patterned dress. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“I'm going to go.” 39:12

Evidence, details and a link to share

Model synopsis: A woman with blonde hair and a flower in her hair embraces a man in a dark suit; in another shot, a man in a tuxedo jacket and light trousers gestures while standing near a seated woman in a patterned armchair. No dialogue or on-screen text is present in these frames.

• A woman embraces a man in a dark suit. [frame:1]
• A man in a tuxedo jacket gestures while standing near a seated woman. [frame:2]
• The man continues gesturing; the seated woman looks toward him. [frame:3]

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit stands near a doorway while a woman in a dark dress sits on a patterned couch; a voice asks if she is all right. The setting appears to be an interior room with curtains and furniture.

• A man stands near a doorway while a woman sits on a couch. [frame:1]

2 people observed.

“Hey, are you all right?” 39:35

Evidence, details and a link to share

Model synopsis: A man in a suit adjusts his tie while standing; a woman with light hair sits in an armchair nearby. The setting appears to be an interior room with patterned furniture and curtains.

• man adjusts his tie while standing [frame:1]
• woman sits in an armchair [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress is seen in close-up and then dancing with a man in a tuxedo; another man in a tuxedo watches and later approaches her. The transcript includes a refusal to dance.

• Woman looks up at a man in close-up. [frame:1]
• Woman dances with man p2 while man p3 watches from a doorway. [frame:2]
• Man p3 stands alone in doorway, looking toward the dance. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 39:46 · “Hey, do you want to dance? No!” 40:00

Evidence, details and a link to share

Model synopsis: A man in a suit walks forward in a room with other people in the background. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand close together in a decorated interior space; another man is visible in the background near a doorway. No dialogue is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other indoors, with a window and foliage visible behind them. No dialogue or action is recorded in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress stands facing a man in a dark suit outdoors near a striped structure and foliage. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark top and light trousers leans toward a seated woman in a patterned dress near a striped awning and foliage. The setting appears to be an outdoor garden or patio area with decorative plants and a structure behind them.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit side by side on a couch in a dimly lit interior space with an audience visible in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit side by side on a couch in a staged interior setting. The woman looks off-camera with a neutral expression; the man looks forward, wearing a suit and bow tie.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit side by side on a couch in a dimly lit interior space. The woman wears a patterned blouse and light trousers; the man wears a dark suit and patterned tie.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch; the man gestures with his right hand while the woman looks away. The setting appears to be an interior room with decorative foliage in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit side by side on a couch; the woman asks the man to put his arm around her. The setting appears to be an indoor space with tiered seating visible in the background.

2 people observed.

“Put your arm around.” 40:48 · “But Gwen...” 40:50

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch; the man has his arm around the woman and speaks to her. The woman responds with hesitation as he invites her to rest her head on his shoulder, then jokes about putting it on his shoes.

• The man puts his arm around the woman as they sit on a couch. [frame:1]
• The man smiles while the woman looks down, appearing hesitant. [frame:2]

2 people observed.

“Put your head on my shoulder.” 41:03 · “But, Larry, we shouldn't do this. Go ahead. Put your head on my shoes.” 41:05

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a couch; the woman leans against the man with her eyes closed. The setting appears to be an indoor venue with tiered seating visible in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch; the man embraces the woman, then kisses her. The woman speaks lines indicating reluctance and anger before the kiss.

• The man puts his arm around the woman on the couch. [frame:1]
• The man leans in toward the woman, touching his bow tie. [frame:2]
• The man kisses the woman. [frame:3]

2 people observed.

“But I don't want to.” 41:28 · “Oh, I hate you, sir.” 41:29

Evidence, details and a link to share

Model synopsis: A man and a woman are seated together on a couch; the man speaks to someone off-screen. In a second shot, a different man embraces a woman on the same couch. The transcript includes fragmented dialogue.

• A man and a woman sit on a couch, the man looking off-screen. [frame:1]
• A different man embraces a woman on the same couch. [frame:2]

4 people observed.

“Get me, Doc.” 41:41 · “What?” 41:42

Evidence, details and a link to share

Model synopsis: A man and a woman sit close together on a couch in what appears to be a theater or auditorium; the woman holds a small object and the man looks at her. The transcript contains only the word 'Amen.'

• A man and a woman sit on a couch in a theater, the woman holding a small object and the man looking at her. [frame:1]

2 people observed.

“Amen.” 41:56

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch; the man speaks while placing his arm around the woman. The woman appears reluctant as he offers something she declines.

• A man places his arm around a woman seated beside him on a couch. [frame:1]
• The man continues speaking while the woman looks away with a reluctant expression. [frame:2]

Named: Larry (t:42:15). 2 people observed.

“In just a second, I'm going to give you my fraternity, friend.” 42:06 · “But I don't want it.” 42:10

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a couch in two different shots; the woman appears pensive in the first and smiling in the second while the man speaks. Transcript lines indicate a brief, unresolved exchange about giving a piece and asking for an opinion.

• A woman sits looking down while a man sits beside her with his arm on the back of the couch. [frame:1]
• The same woman now smiles up at the man, who is speaking with an open mouth. [frame:2]

2 people observed.

“No.” 42:26 · “Give me a piece.” 42:26

Evidence, details and a link to share

Model synopsis: A man in a tuxedo sits beside a woman on a couch, holding a small object toward her. The setting appears to be an interior room with decorative foliage in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a couch in what appears to be a theater; the woman laughs while the man looks at her. The transcript includes short exchanges including 'Amen' and 'For me?' but no names are spoken.

• woman laughs while man looks at her [frame:1]

2 people observed.

“Amen.” 42:44 · “For me?” 42:44

Evidence, details and a link to share

Model synopsis: A man and a woman sit side by side on a couch; the woman looks down at her hands while the man looks forward. The setting appears to be an indoor space with a patterned backdrop.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a couch; the man has his arm around the woman. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit on a couch; the man has his arm around the woman. The transcript contains a line spoken during this beat.

• The man has his arm around the woman as they sit on a couch. [frame:1]

2 people observed.

“You're a drag on my shoulders.” 42:53

Evidence, details and a link to share

Model synopsis: A man and a woman sit together on a bench in front of a blurred audience. The man has his arm around the woman, who is smiling.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a tuxedo holds a woman on a couch while telling her to put her head back. The setting appears to be an interior room with decorative foliage in the background.

• A man holds a woman on a couch and tells her to put her head back. [frame:1]

2 people observed.

“Put your head back.” 43:06

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to another man near a doorway while others socialize in the background; the transcript includes fragmented dialogue about a truck and a track team. The setting is an indoor room with decorative plants and furniture.

• A man in a suit gestures toward another man near a doorway. [frame:1]
• Two men in suits stand close, one placing hands on the other's shoulders. [frame:2]
• A man in a suit smiles and gestures with his hands while others dance in the background. [frame:3]

6 people observed.

“Woo-hoo!” 43:11 · “I nip when I hear the truck.” 43:17

Evidence, details and a link to share

Model synopsis: A group of people are seated and standing in a decorated interior space with plants and a doorway. No dialogue or on-screen text is present in this beat.

7 people observed.

Evidence, details and a link to share

Model synopsis: Three people are in a room; one man stands and gestures while two others sit and look at him. The transcript contains fragmented dialogue including the word 'Engage.'

• A standing man gestures toward two seated people. [frame:1]
• The standing man continues to gesture while speaking. [frame:2]

3 people observed.

“Engage.” 43:32 · “Your...” 43:39

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a woman seated between him and another man; the woman appears distressed. The transcript includes short exchanges about engagement and reluctance.

• A man gestures while speaking to a woman seated between two men. [frame:1]
• The woman looks downcast and distressed. [frame:1]

3 people observed.

“Engaged.” 43:49 · “Yes.” 43:51

Evidence, details and a link to share

Model synopsis: A man in a suit addresses a seated audience in an indoor setting, speaking about recent events including a 'double pin hanging.' The audience is visible from behind, and the speaker gestures while talking.

• A man in a suit turns toward the audience. [frame:1]
• The man addresses the audience while standing at the front. [frame:2]
• The man gestures with his hand near his face while speaking. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Pardon me.” 44:02 · “Ladies and gentlemen, just...” 44:06

Evidence, details and a link to share

Model synopsis: A man in a suit addresses a crowd indoors, then another man joins the group. The transcript includes a promise to provide details in a morning publication and a toast to a happy couple.

• A man in a suit addresses a crowd from a slightly elevated position. [frame:2]
• Another man joins the group and interacts with the women. [frame:4]

5 people observed.

“Yeah. Why.” 44:26 · “Not tonight. No details tonight. I'll give you them all in tomorrow morning's red.” 44:31

Evidence, details and a link to share

Model synopsis: A crowd of people in formal attire is gathered in a large room with a staircase; one person calls out 'Hey!' at 44:55. No names, time of day, or period are established from the frames or transcript.

1 person observed.

“Hey!” 44:55

Evidence, details and a link to share

Model synopsis: Two men in formal suits stand outdoors near a doorway; one has his hands in his pockets. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in suits stand facing each other in a room while a woman sits nearby; a third man is visible in the background doorway. One man is addressed as 'John' and congratulated, to which he replies 'Oh, shut up!'.

• Two men stand facing each other in a room while a woman sits nearby and another man is visible in a doorway. [frame:1]

Named: John (t:45:07). 4 people observed.

“Hey John, I had no idea you were serious about this thing. Congratulations!” 45:07 · “Oh, shut up!” 45:07

Evidence, details and a link to share

Model synopsis: Two men in suits talk near a doorway; a woman and a man dance indoors; a man sits at a desk in an office with another man reclining nearby. The transcript includes dialogue about engagement, happiness, and a newspaper, and a mention of two men getting into a jam.

• Two men stand near a doorway and appear to converse. [frame:1]
• A woman and a man dance together indoors. [frame:2]
• A man sits at a desk while another man reclines nearby in an office. [frame:3]

6 people observed.

“Well, I guess I should say something.” 45:15 · “I think engagement is wonderful, don't you? Well, I always liked clams' powder.” 45:21

Evidence, details and a link to share

Model synopsis: A man in a hat reclines at a desk while another man in a sweater reads a paper; dialogue suggests a conversation about engagement and a 'wrong girl'. The setting is an office with desks, papers, and a door marked 'SENATE INVESTIGATION'.

• A man reclines at a desk with his feet up. [frame:1]
• The man in the hat gestures with his hand while speaking. [frame:2]
• The second man looks up from papers with a surprised expression. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Bad enough being engaged, but when it's a wrong girl...” 45:55 · “Well, don't you with me?” 46:01

Evidence, details and a link to share

Model synopsis: A woman in a patterned hat and polka-dot scarf stands beside a seated man in a sweater vest with the number 37, who looks up at her. The transcript includes exclamations and questions, including someone calling out 'Hey, Gary!' and asking 'Who?'

• A man reads a document at a desk. [frame:1]
• A woman stands beside a seated man who looks up at her. [frame:2]
• The woman smiles down at the man. [frame:3]
• 1 more under Evidence and details.

Named: Gary (t:46:33). 2 people observed.

“Ow!” 46:16 · “What's the matter?” 46:21

Evidence, details and a link to share

Model synopsis: A man sits at a desk holding papers and a pen, looking intently at the papers. The setting appears to be an indoor office or study with a desk and writing implements.

• man looks intently at papers held in his hands [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a sweater and scarf stands smiling in an office while a man in a hat sits at a desk; another man is seen writing with papers covering his face. The transcript includes farewells and urging speech.

• A woman stands smiling in an office. [frame:1]
• A man in a hat sits at a desk while another man writes at a separate desk. [frame:2]
• A man writes with papers covering his face. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Bye, sweetheart.” 46:42 · “Sweetheart.” 46:46

Evidence, details and a link to share

Model synopsis: A man holds up two sheets of paper while seated at a desk. The transcript mentions a condemned person eating breakfast and an affirmation.

• A man holds two sheets of paper up on either side of his face. [frame:1]

1 person observed.

“The condemned ate a hearty breakfast.” 46:55 · “Uh-huh.” 46:58

Evidence, details and a link to share

Model synopsis: A newspaper headline announces a rally for the Rawley team, with text indicating inter-collegiate competition and man power. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: A newspaper headline announces 'RAWLEY CAN WIN Inter-Collegiates' with subheadings about team strength. No people or spoken dialogue are visible or present in this beat.

Evidence, details and a link to share

Model synopsis: A newspaper headline announces a team rally with Rawley as a contender. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: A stadium scene with spectators and a banner reading 'RAWLEY RAZZ' and 'ROUND THE TEAM!'. No people are clearly visible or named, and no dialogue is present in this beat.

Evidence, details and a link to share

Model synopsis: A crowd watches an event in a stadium with tiered seating and a track. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A track race is underway with runners on a cinder track while a man with a microphone addresses spectators. The scoreboard is mentioned but not visible in the frames.

• Runners are sprinting on a track. [frame:1]
• A man with a microphone addresses spectators. [frame:2]

4 people observed.

“Come on!” 47:31 · “The scoreboards will show you the points standing” 47:32

Evidence, details and a link to share

Model synopsis: A scoreboard displays names and scores. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: A wide shot shows a baseball field with players and spectators in the stands. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A person in athletic attire holds a javelin on a track. The setting is outdoors with trees in the background.

• A person stands on a track holding a javelin. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A male athlete clears a high bar and lands on a gravel pit while spectators watch from bleachers and a bench. A voice identifies him as Bobby Barnes of Raleigh and cheers him on.

• An athlete clears a high bar in a pole vault [frame:1]
• The athlete lands on a gravel pit and smiles [frame:2]
• Spectators watch from a bench and field [frame:3]
• 1 more under Evidence and details.

Named: Bobby Barnes (t:48:00). 4 people observed.

“That was Bobby Barnes of Raleigh. He cleared the bar in the pool of all.” 48:00 · “And a boy, Bobby! And a boy, Bobby!” 48:05

Evidence, details and a link to share

Model synopsis: A crowd watches a track event as a scoreboard displays results for runners including Stanton, Rawley, Butler, Mamouth, and Tech. A voice announces the official results of the two-mile run, naming Black or Stanton first and another runner second.

• Crowd watches from stands. [frame:1]
• Runners compete on a track. [frame:3]
• Scoreboard shows totals for Stanton, Rawley, Butler, Mamouth, Tech. [frame:4]

3 people observed.

“Official results of the two-mile run. First,” 48:27 · “Black or Stanton.” 48:30

Evidence, details and a link to share

Model synopsis: A man in a white shirt and headset holds a microphone and a paper while speaking to another man in a cap; in the background, two figures work with shovels in a sandy area. The transcript includes urgent spoken lines: 'Faster!', 'I've lost.', and 'Hey!'.

• A man in a white shirt holds a microphone and paper while speaking to another man in a cap. [frame:1]
• Two figures in the background shovel sand or dirt. [frame:1]

4 people observed.

“Faster!” 48:33 · “I've lost.” 48:34

Evidence, details and a link to share

Model synopsis: A person with a microphone and headset addresses a crowd at an outdoor event, with spectators seated and others visible in the background. The transcript includes fragmented dialogue, including a plea for help from someone named Hunter.

• Person p1 holds a microphone and headset, addressing the crowd. [frame:1]
• Crowd of spectators is shown seated, watching the event. [frame:2]
• Person p1 gestures with hand while speaking into the microphone. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Schwartz of Xavier.” 48:43 · “What?” 48:46

Evidence, details and a link to share

Model synopsis: A crowd of people in 1930s attire is seated in what appears to be a theater or auditorium. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a track and field scene with several figures on a dirt field near a running track. No dialogue or on-screen text is present.

5 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in athletic wear stand outdoors as one gestures while speaking; the transcript includes the lines 'Now you're off,' 'Fantasy,' and 'Just look at the shop.' No named individuals or specific location are established in the frames or transcript.

• A man gestures while speaking to a group of men in athletic wear. [frame:1]

6 people observed.

“- Now you're off.” 49:16 · “Fantasy.” 49:17

Evidence, details and a link to share

Model synopsis: A group of people stands and moves on a grassy field with trees in the background. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: Two men crouch on a marked field while a crowd watches from stands; other athletes stand nearby. A voice mentions 'Don Cooper of Lawley' and a 'shot-foot ring', suggesting a sporting event.

• Two men crouch on a marked field, preparing for a throw. [frame:1]
• A large crowd is visible in stadium seating. [frame:2]
• Athletes and officials stand on the field, including a man in a singlet with number 5. [frame:3]

Named: Don Cooper (t:49:39). 8 people observed.

“That last foot of the ox was good forfeit.” 49:32 · “Don Cooper of Lawley in the shot-foot ring.” 49:39

Evidence, details and a link to share

Model synopsis: A crowd of people is shown in a medium shot, seated and facing forward. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in athletic wear stand on a grassy field; one man in the center gestures while speaking. The setting appears to be outdoors during daylight, with trees in the background.

5 people observed.

Evidence, details and a link to share

Model synopsis: A group of people stands on a grassy field with trees in the background; one person is mid-motion as if throwing or swinging. No dialogue or on-screen text is present in this beat.

• A person in a light dress swings an object or throws something while standing on a grassy field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A crowd of people in 1930s attire is gathered, with a woman in a polka-dot dress and hat holding a clutch at the center. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A scoreboard displays team totals with names including Stanton, Rawley, Butler, Mamouth, and Tech. Men in athletic attire stand on a field, with one man in a suit visible among them.

• Men in athletic attire stand on a field with a man in a suit among them. [frame:1]
• A scoreboard displays totals for teams: Stanton 24, Rawley 21, Butler 9, Mamouth 8, Tech 2. [frame:2]

5 people observed.

“Frank!” 49:58 · “York of Stanton.” 49:59

Evidence, details and a link to share

Model synopsis: Two men walk and talk on a marked outdoor court; one wears a fedora and bow tie, the other a sweater. Later, the man in the fedora stands over seated players while speaking. The transcript includes dialogue about scoring points and staying in the game.

• Two men walk across a marked field while talking. [frame:1]
• The man in the fedora and the man in the sweater stand facing each other, talking. [frame:2]
• The man in the fedora stands over seated players, speaking to them. [frame:3]

6 people observed.

“We'll be able to get in for 30.” 50:07 · “since Don couldn't grab a purse in that shotgun. Now, don't start worrying. Everything's going to be all wet.” 50:11

Evidence, details and a link to share

Model synopsis: Athletes prepare for and begin a hurdle race on an outdoor track. A starter signals the start after calling for quiet and 'come to your marks.'

• Athletes assume starting positions at the line. [frame:3]
• Athletes begin running from the starting line. [frame:4]

5 people observed.

“Quiet for the low hurdles.” 50:33 · “Come to your marks.” 50:40

Evidence, details and a link to share

Model synopsis: Athletes run a hurdle race on a track while spectators watch. One runner says he is going to leave, and cheering is heard.

• Athletes run toward hurdles on a track. [frame:1]
• Runners leap over hurdles. [frame:2]
• Runners sprint down the track with spectators in the background. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“*Felix and cheering*” 50:49 · “I'm going to go.” 51:00

Evidence, details and a link to share

Model synopsis: A person in a numbered athletic uniform lies on a marked track. No dialogue or on-screen text is present in this beat.

• A person in a numbered jersey lies on a track. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two women are seated among a crowd, one looking up and the other looking forward. The setting appears to be an indoor public venue with an audience.

2 people observed.

Evidence, details and a link to share

Model synopsis: A male athlete in a white uniform with an 'R' on the chest falls after a high jump attempt; two men assist him while spectators watch. A woman in the crowd reacts as a large public address horn and a stadium with a raised bar are shown. The transcript includes dialogue about the athlete being unhurt and the bar being raised to 13 feet.

• Athlete falls backward after high jump attempt. [frame:1]
• Two men assist the fallen athlete. [frame:2]
• Spectators in the crowd react with concern. [frame:3]
• 1 more under Evidence and details.

Named: Coach (t:51:21). 6 people observed.

“I hope he isn't hurt.” 51:19 · “I'm sorry, Coach.” 51:21

Evidence, details and a link to share

Model synopsis: A male athlete in a white uniform prepares to vault with a pole while spectators watch from stands. The transcript mentions 'Bobby Barnes of Raleigh' in relation to the vaulting action.

• A male athlete holds a pole and prepares to vault [frame:1]
• Spectators watch from stands [frame:2]

Named: Bobby Barnes (t:51:38). 3 people observed.

“Bobby Barnes of Raleigh is about to vault” 51:38

Evidence, details and a link to share

Model synopsis: A woman hands a note to a man named Harry, who agrees to deliver it to Don Cooper; she then addresses someone as 'my husband' while seated among a crowd. The setting appears to be a public venue with an audience.

• The woman crouches and hands a note to Harry. [frame:1]
• The audience is shown seated in rows, watching something off-screen. [frame:2]

Named: Harry (t:51:48), Harry (t:51:48). 5 people observed.

“- Hello, Harry. - Hi, Graham.” 51:48 · “Do me a favor, will you? Give this to Don Cooper for me. Sure, I will. Yes, dude.” 51:50

Evidence, details and a link to share

Model synopsis: Two men in athletic attire stand on a grass field holding javelins. The background shows trees and a sand pit, suggesting an outdoor track and field setting.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of people is gathered on a grassy field with sports equipment and a ladder visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in athletic attire stand on a grass field holding poles, with trees in the background. One man speaks, and the other responds, as indicated by the transcript lines.

2 people observed.

“Anahe, isn't it?” 52:08 · “You're telling me?” 52:11

Evidence, details and a link to share

Model synopsis: A group of people are gathered outdoors on a dirt field with trees in the background; one person holds a long pole upright while others stand or walk nearby. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A person in a sleeveless top and shorts sits on gravel ground, leaning back on one arm. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit speaks with a woman near a 'NO SMOKING' sign; another man lies on a bed, appearing exhausted, while a third man in a cap tends to his leg. Dialogue references Larry Haynes, a note for him, and a desire to avoid girls and hurdles.

• A woman hands a note to a man in a suit near a 'NO SMOKING' sign. [frame:1]
• A man in a tank top lies on a bed, looking exhausted. [frame:2]
• A man in a cap tends to the leg of the man lying on the bed. [frame:3]
• 1 more under Evidence and details.

Named: Larry Haynes (t:52:25). 4 people observed.

“Is Larry Haynes in there?” 52:25 · “- Yeah. - Would you get this note, Wendy? - Sure. - Thank you.” 52:27

Evidence, details and a link to share

Model synopsis: Two men examine a piece of paper in a dim interior. One speaks, claiming it was a mistake.

• Two men look at a piece of paper together. [frame:1]

2 people observed.

“I'm sure it was all a mistake.” 52:57

Evidence, details and a link to share

Model synopsis: Two men stand close together indoors; one in a tank top holds a paper and looks at the other, who wears a cap and sweater and looks down. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A handwritten note is shown, signed by Mary, asking to forget a misunderstanding. No people, objects, or events beyond the note are visible or mentioned.

Evidence, details and a link to share

Model synopsis: Two men are in a locker room; one in a tank top holds a paper while the other, in a cap and sweater, looks on. A voice reports on high hurdles at the starting line and one man says he can make it.

• A young man holds a paper and speaks to an older man in a locker room. [frame:1]

2 people observed.

“Entries in the high hurdles report at starting line.” 53:11 · “You can take it.” 53:16

Evidence, details and a link to share

Model synopsis: A crowd watches an event; athletes are seen on a track near a wall; a large public address horn array is shown. A woman speaks to someone named Mel, and a voice reports that 'They're done!'

• Athletes walk along a track near a wall. [frame:2]
• A large public address horn array is shown. [frame:3]

Named: Mel (t:53:23). 4 people observed.

“There, Mel, help me.” 53:23 · “in the distance, report to the close.” 53:27

Evidence, details and a link to share

Model synopsis: A group of athletes in vintage running attire stands near a track with one runner mid-stride; a man in a suit and hat observes. The setting is outdoors on a grassy field with trees in the background.

• A runner in a white jersey sprints forward while others watch. [frame:1]

5 people observed.

Evidence, details and a link to share

Model synopsis: A crowded audience of men and women in 1930s attire is seated in rows, some wearing hats. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in athletic singlets talk while a third man in a hat stands behind them; then a group of runners crouch at starting lines on a track. A voice directs them to take positions and get ready.

• Two athletes stand and talk while a man in a hat watches. [frame:1]
• The two athletes adjust their positions; one looks down. [frame:2]
• Runners crouch at starting lines on a track; officials stand nearby. [frame:3]

7 people observed.

“Hey, what you got?” 53:40 · “What it takes to break a record.” 53:42

Evidence, details and a link to share

Model synopsis: Athletes in numbered singlets run and jump over hurdles on a track with spectators in bleachers. A voice says, "That's what he means in mankind," during the sequence.

• Athletes run toward hurdles on a track. [frame:1]
• Athletes jump over hurdles in separate lanes. [frame:2]
• One athlete clears a hurdle while others trail behind. [frame:3]
• 1 more under Evidence and details.

7 people observed.

“That's what he means in mankind.” 53:54

Evidence, details and a link to share

Model synopsis: A track race is underway with runners on a marked track while spectators watch from the stands. Two lines of dialogue are spoken during this interval: one urging someone on and another refusing.

• Runners compete on a marked track. [frame:1]
• Spectators watch the race from stands. [frame:2]

5 people observed.

“Come on, man!” 54:13 · “No!” 54:17

Evidence, details and a link to share

Model synopsis: Three young men in athletic attire are seen interacting on a track field, followed by a group including officials and athletes gathered around a man in a fedora who appears to be reviewing results. The transcript references a 'four-letter word' and mentions names and ages, suggesting a post-race discussion.

• Three young men in athletic attire interact on a track field. [frame:1]
• A group including officials and athletes gather around a man in a fedora reviewing a paper. [frame:3]
• The group continues to gather around the man in the fedora. [frame:4]

6 people observed.

“- Nice going there, pole man. - Thanks.” 54:18 · “What's that secret you got to win?” 54:20

Evidence, details and a link to share

Model synopsis: A man holds a microphone and a paper while speaking to a crowd; another man stands behind him. A wide shot shows a large audience seated in stadium-style bleachers. Two lines of dialogue say 'Hello, sweetheart' followed by laughter.

• Man p1 speaks into microphone while holding paper [frame:1]
• Man p3 stands among seated crowd [frame:2]
• Man p1 continues speaking, man p2 looks on [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Hello, sweetheart.” 54:49 · “Hello, sweetheart.” 54:52

Evidence, details and a link to share

Model synopsis: A crowd of people is seated in what appears to be a theater or auditorium. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in athletic and casual attire gather around a seated man holding a microphone, with one man in a hat and suit appearing to speak or present. The setting is outdoors on a field with spectators in the background.

6 people observed.

Evidence, details and a link to share

Model synopsis: A young man in a white shirt speaks to someone off-camera while another man in a cap looks on; the setting appears to be outdoors. The transcript includes a greeting addressed to 'sweetheart'.

• A young man speaks to someone off-camera while another man looks on. [frame:1]

2 people observed.

“Hello, sweetheart.” 55:00

Evidence, details and a link to share

Model synopsis: A large crowd watches from stadium bleachers while several people stand on a field near a goalpost. No dialogue or on-screen text is present in the frames.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in athletic attire stands in a ring surrounded by onlookers while a voice identifies him as Cal York of Stanton. The scene is outdoors and appears to be part of a sporting event.

• A man in athletic gear stands in a ring while others watch. [frame:1]

Named: Cal York (t:55:13). 2 people observed.

“That's Cal York of Stanton in the distance ring. This is his last prize.” 55:13

Evidence, details and a link to share

Model synopsis: A group of men in athletic attire gather around a high jump setup outdoors; one man in a numbered singlet is mid-motion near the bar while others watch. The scene is set in daylight with trees in the background.

• A man in a numbered singlet is bent over near a high jump bar while others watch. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a pale circular object, likely the moon, in a cloudy sky. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Model synopsis: A single frame shows a cloudy sky with a small, distant object. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Model synopsis: Two men in hats are on a grass field; one kneels near a discus. A group of athletes and officials watch a discus throw. Later, a man lies on the ground while others gather around him, including a man in a hat and a woman in a light dress.

• A man kneels beside a discus on grass while another man stands nearby. [frame:1]
• An athlete in a white singlet stands in a discus ring as others watch. [frame:2]
• A man lies on the ground while others, including a woman with a microphone, gather around him. [frame:3]

8 people observed.

“York's throw was good for 160.” 55:34 · “53 feet.” 55:37

Evidence, details and a link to share

Model synopsis: A group of men in athletic attire stand on a field with equipment; one man in a suit observes. No dialogue or on-screen text is present.

4 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in athletic wear stand on a field with one crouching in front; a man in a suit and hat observes. No dialogue or on-screen text is present in this beat.

6 people observed.

Flagged: name not grounded (null)

Evidence, details and a link to share

Model synopsis: Two women are seated side by side in what appears to be an audience or public gathering. One wears a dark coat and a patterned scarf; the other wears a light coat and a hat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in athletic wear are gathered outdoors near a pole vault setup; one man kneels in the foreground while others stand or watch. No dialogue or on-screen text is present in this beat.

7 people observed.

Evidence, details and a link to share

Model synopsis: Two women are visible in a medium shot, smiling and clapping; one is urged to dance. The setting appears to be a public gathering or event, with other people in the background.

• Two women are smiling and clapping in a crowd. [frame:1]

Named: Don (t:55:58). 3 people observed.

“Come on, Don.” 55:58 · “Come on, dance!” 55:59

Evidence, details and a link to share

Model synopsis: A man in a white athletic outfit crouches at a starting line outdoors, surrounded by other men in similar attire and one man in a suit. The setting appears to be a track or field event with equipment visible.

• A man in athletic wear crouches at a starting line while others stand around him. [frame:1]

5 people observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a flying saucer-shaped object in a cloudy sky. No people, dialogue, or on-screen text are visible.

• A flying saucer-shaped object is visible in the sky. [frame:1]

Evidence, details and a link to share

Model synopsis: A single frame shows a sky with clouds and a small, bright, disc-shaped object. No people, dialogue, or on-screen text are visible.

Evidence, details and a link to share

Model synopsis: Two men in hats stand on a grass field; one crouches. Two women in coats and hats laugh in the audience. A crowd laughs off-screen.

• One man stands while another crouches on a grass field. [frame:1]
• Two women in coats and hats laugh in the audience. [frame:2]

4 people observed.

“*crowd laughs*” 56:11

Evidence, details and a link to share

Model synopsis: A man in a white athletic uniform with an 'R' on the chest stands in front of a group of men on a field, with equipment visible. The scene is outdoors and appears to be a sports setting.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in casual and semi-formal attire are seated on steps in an indoor space; one man in a white shirt approaches with a microphone while another speaks. The transcript includes exclamations and references to a count, suggesting a competitive or performance context.

• A man in a fedora stands among seated men on steps. [frame:1]
• A man in a white shirt approaches the group holding a microphone. [frame:2]
• A man in a bow tie and jacket is shown in close-up, seated. [frame:3]

7 people observed.

“Well, what did I tell you?” 56:23 · “Yes, there was still one for us behind. Now, now, now, we're doing all right.” 56:26

Evidence, details and a link to share

Model synopsis: A group of men in athletic attire are seated on bleachers, interacting and reacting to events; one frame shows a cluster of loudspeakers. A voice announces two athletes remaining in a competition after clearing 13 feet.

• A cluster of loudspeakers is visible. [frame:4]

8 people observed.

“Good job, Don.” 56:46 · “Sit down here and make yourself comfortable.” 56:48

Evidence, details and a link to share