Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 11:58 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 23 · shots 115–116. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- man wearing a dark suit, tie, and fedora, seated on a bed visible, audible
- man wearing a dark shirt and light trousers, standing, holding a razor visible, audible
- Seen happening
- A man in a suit and hat sits on a bed while another man stands holding a razor. [frame:1]
- The standing man holds the razor up while the seated man looks down. [frame:2]
- Also said
- “I don't go in for that heavy day. I'll leave that up to fellows like Larry.” 12:13 · “I'm satisfied with a nice, quiet, sensible girl like Mary.” 12:21
- Seen
- razor, fedora hat, bed, wall flag with letter F, framed picture, wall sconce lamp
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: personal boundaries, romantic preference, masculine grooming; style notes: static medium shots, high-contrast lighting, confined interior space
Two men are in a room; one is seated in a suit and hat, the other stands holding a razor. The transcript includes dialogue about shaving, Mary, and personal preferences for quiet companionship.
“Oh, what's the matter? I'm not naked.” 11:58 · “Oh, I shaved yesterday. All right, if you want to leave Mary all cut and bleeding.” 12:07 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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