Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 23:40 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 40 · shots 208–211. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:1
- People
- Larry Haynes (named at t:23:42): man in dark suit, light tie, fedora, light trousers, hands on hips visible, audible
- man in dark long-sleeve shirt and trousers, sitting on car fender visible, audible
- man in white chef's uniform and hat, black bow tie, leaning out window visible
- man in white hat, visible in background of frame:4 visible
- Also said
- “- Oh, you mean, Cooper the Shot-Futter? - Yeah, that's the guy.” 23:50 · “But I'm Haynes the hurdler.” 24:04
- Seen
- vehicle [frame:4], chef's uniform [frame:3], fedora [frame:1]
- On screen
- RECORDING UNIT #72
- Interpretation
- Model opinion, not evidence: mood: casual, conversational; themes: sports, film production, character introduction; style notes: medium shots, outdoor daylight, static camera, black-and-white film
Two men talk beside a vehicle labeled 'RECORDING UNIT #72' while a third man in a chef's uniform looks out a window. One man identifies himself as 'Larry Haynes' and mentions hurdles and a 'Don Cooper' who is a 'Shot-Futter'.
“I'm Larry Haynes.” 23:42 · “The hurdles are right there.” 23:43 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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