Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 14:20 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 33 · shots 105–105. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Sean (named at t:14:22): man wearing a cowboy hat and dark shirt, standing near the bed visible
- Tuffy (named at t:14:35): man wearing a wide-brimmed hat and vest, standing near the bed visible
- older man in light shirt and vest, leaning over the woman, likely a doctor visible
- woman lying on a bed, wearing light-colored clothing, unconscious or injured visible
- Seen happening
- A woman lies injured on a bed while two men and a doctor attend to her. [frame:1]
- Also said
- “Mighty curious, Tuffy.” 14:35 · “We've got to hurry and get her to town. Let's take it easy now, son.” 14:37
- Seen
- bed [frame:1], cowboy hats [frame:1], medical equipment on shelf [frame:1], curtains [frame:1]
- Interpretation
- Model opinion, not evidence: mood: urgent and concerned; themes: injury and care, Western frontier, male camaraderie; style notes: static medium shot, high-contrast lighting, period Western costumes, minimal set dressing
A woman lies injured on a bed while two men and a doctor attend to her; dialogue indicates she was found outside of town after a fall from her horse. One man is addressed as Sean, and another as Tuffy; the doctor assesses a bullet hole and a severed artery but deems the injury not very serious.
“Hey, Sean.” 14:22 · “Bullet hole.” 14:24 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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