Other
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 35:36 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 96 · shots 231–231. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- other (other, exterior) evidence: frame:1
- People
- Lincoln (named at t:35:47): man, wearing a wide-brimmed hat, suit jacket, and tie; arms crossed; appears middle-aged visible, audible
- Miss Werrius (named at t:35:49): woman, dark hair, wearing a checkered dress with a white collar; appears young adult visible, audible
- Seen happening
- A man and a woman stand facing each other in conversation. [frame:1]
- Also said
- “And I wouldn't like Lincoln leave.” 35:47 · “That wouldn't be an inconvenience, Miss Werrius.” 35:49
- Seen
- wide-brimmed hat, checkered dress with white collar, wooden fence
- Interpretation
- Model opinion, not evidence: mood: polite and slightly formal; themes: social propriety, companionship, gender roles; style notes: medium shot, black-and-white, studio lighting on outdoor set, actors facing each other in conversation
A man and a woman stand facing each other in an outdoor wooden setting; the man offers to keep the woman company if her father is late. The woman says she is not afraid and would not like Lincoln to leave, and the man responds that it would not be an inconvenience and would be a pleasure.
“In case your dad is late getting back, I'd be very happy to keep you company this evening until his return.” 35:39 · “But I'm not afraid.” 35:46 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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