Angel and the Badman (1947)

Model synopsis: The beat shows a studio production logo with an eagle perched atop a stone block bearing the text 'A REPUBLIC PRODUCTION'. No people, dialogue, or narrative events are present.

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Model synopsis: The beat shows a title card for the film 'Angel and the Badman' presented by Republic Pictures. No people, actions, or dialogue are visible or audible in this segment.

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Model synopsis: This beat displays the end credits of the film, listing cast and crew names over a static landscape background. No characters, dialogue, or actions are depicted in the frames.

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Model synopsis: A title card credits James Edward Grant as writer and director, followed by a wide shot of a lone rider on horseback moving across a barren landscape. No dialogue or on-screen text beyond the credit appears in this segment.

• a rider on horseback moves across a barren landscape [frame:2]

1 person observed.

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Model synopsis: A single wide shot shows a desert landscape with a prominent rock formation under a cloudy sky. No people, vehicles, or structures are visible in the frame, and no spoken dialogue beyond the fragment 'I'm' is provided.

• A wide shot of a desert landscape with a large rock formation. [frame:1]

“I'm” 1:45

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Model synopsis: Two figures sit on a porch overlooking a desert landscape; a separate shot shows a rider on horseback moving across the terrain, followed by a close-up of a horse falling in dust. No dialogue or on-screen text is present in this segment.

• Two silhouetted figures sit side by side on a porch or ledge. [frame:1]
• A lone rider on horseback moves across a flat, arid landscape. [frame:2]
• A horse stumbles and falls, kicking up dust. [frame:3]

3 people observed.

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Model synopsis: A woman sits outdoors as a man approaches a horse; another man in a cowboy hat looks on. A line is spoken demanding a horse, and loud music is heard.

• A woman is seated outdoors. [frame:1]
• A man stands beside a horse in a field with rock formations. [frame:2]
• A man in dark clothing holds the reins of a horse. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 2:05 · “*Loud music*” 2:19

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Model synopsis: A man with a bandaged face is urged to enter a house by others; he insists on leaving. Someone is told to get telegraphs, and a woman named Penelope is called.

Named: Taysen (t:2:40), Penelope (t:2:44). 5 people observed.

“You're injured, man.” 2:36 · “I gotta go on.” 2:39

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Model synopsis: A lone rider on horseback moves across a rugged, open landscape with a prominent mountain in the background. The scene is shot in black and white with high-contrast lighting, suggesting a Western genre setting.

• A rider on horseback moves across a mountainous landscape. [frame:1]

1 person observed.

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Model synopsis: A woman with dark, wavy hair is shown in a close-up, wearing a textured garment. The background is a bright, overexposed sky with clouds, suggesting an outdoor setting.

1 person observed.

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Model synopsis: A man is forcibly brought into an office at night and later seen unconscious in a bed while others discuss his condition and identity. People in the room react to his presence and mention his reputation, including a reference to 'Quirt Evans' and a request to contact his father.

• The man is carried into a room and placed on a bed. [frame:3]
• A woman and a man with a lantern stand near the bed. [frame:4]

Named: Quirt Evans (t:6:47). 6 people observed.

“Sorry, close down for the night. I know, but this is urgent. Won't you please... No, come out of there, you.” 3:44 · “night prowling around here like this.” 4:00

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Model synopsis: Two men are in a dimly lit room with a lantern; one stands while the other leans forward. The transcript suggests confusion about someone's expected inert state, followed by reluctant agreement.

• One man stands while another leans forward in a dim room. [frame:1]
• A lantern is lit on a table. [frame:1]
• The scene widens to show more of the room and a bed in the background. [frame:2]

2 people observed.

“As if he were reaching for something.” 7:39 · “I don't understand it.” 7:43

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Model synopsis: A woman in a kitchen tends to a pot while another person is mentioned as delirious. The scene includes dialogue about a young man's condition and someone offering to go.

• A woman is stirring or tending a pot in a kitchen. [frame:1]
• The woman turns slightly, still near the stove. [frame:2]

2 people observed.

“Oh, Thomas.” 8:02 · “- How is the young man? - Delirious.” 8:05

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Model synopsis: A man in dark clothing stands inside a dimly lit wooden structure, holding an object near a table. The setting appears to be a rustic interior with wooden walls and minimal lighting.

1 person observed.

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Model synopsis: A person in a robe stands in a dimly lit interior room, facing a doorway. The room contains shelves with jars and a hanging light fixture.

1 person observed.

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Model synopsis: A man and a woman are in a room; the woman questions the presence of a gun and whether bullets would be returned to a gun belt. No names are spoken, and no period or time of day is established.

2 people observed.

“A gun in this house, Thomas?” 8:27 · “Would they put these back in the gun belt?” 8:30

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Model synopsis: A man lies on a bed in a dim attic while others stand around him; one person speaks about tying someone down and mentions a gun. The setting is an attic with wooden beams and a window, and the dialogue suggests frustration over treating injured people.

• A silhouetted figure stands near a bed in an attic. [frame:1]
• A woman holds a lamp while standing near a bed where a man lies, surrounded by others. [frame:2]

5 people observed.

“Maybe we'll have to get something and tie him down.” 8:38 · “Are you crazy? It's empty.” 8:42

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Model synopsis: A man and a woman are in a dimly lit interior space; the man speaks while seated, and the woman is present nearby. The transcript includes dialogue about patching someone up and moving a boat, suggesting a scene of care or preparation.

• A man speaks while seated next to a woman in a dim interior. [frame:1]

2 people observed.

“Get me some more hot water, young lady, and we'll start patching him up for whatever's in store for him.” 9:08 · “Come on, help me with this boat.” 9:16

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Model synopsis: Two women are in a domestic interior, one younger and one older, sharing a story about meeting a man. The younger woman gestures while speaking, and the older woman listens and responds, with kitchen objects visible in the background.

• The younger woman gestures with her right arm raised. [frame:1]
• The two women stand facing each other in a kitchen, the younger woman holding something dark, the older woman holding a white object. [frame:2]
• The younger woman leans toward the older woman, who is holding a pot or bowl. [frame:3]

2 people observed.

“Oh, about meeting father? Oh, they've heard that a thousand times.” 9:45 · “He was working on the roof of the new meeting house.” 9:50

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Model synopsis: Two women are in a kitchen, one handing an object to the other while speaking about a man's beard. The conversation suggests a past memory and a preference for clean-shaven men.

• One woman hands an object to another woman in a kitchen. [frame:1]

2 people observed.

“Of course, I knew he was a peaceful man, a member of the Society.” 10:10 · “An evil man would seek a more profitable way of life than being a member of the Friends.” 10:15

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Model synopsis: A man lies injured in a bed while others attend to him; dialogue suggests he has been shot and is recovering. A woman tends to him under a lamp as others stand nearby, with conversation touching on his character and survival.

• A man lies in bed while others stand around him; a woman holds a lamp. [frame:1]
• A man leans over the injured man while a woman holds a lamp nearby. [frame:2]

Named: John (t:11:03). 5 people observed.

“You've got the constitution of a mountain lion.” 10:33 · “The bullet's out.” 10:50

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Model synopsis: A woman and a man converse in a room; the woman later closes a door and walks away, while a man lies in bed, apparently ill. The dialogue references frontier violence, medical care, and personal character.

• A woman and a man stand facing each other in conversation. [frame:1]
• The woman turns and closes a door. [frame:2]
• The woman walks away from the door, passing a lamp. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“But he's badly injured, Doctor. This isn't civilized Pennsylvania. This is a raw frontier. You must take a realistic attitude.” 11:11 · “This is a place where mayhem, theft, and murder are the commonplace instead of the unusual. Would that justify leaving a wounded man to die…” 11:18

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Model synopsis: A woman stands in a dimly lit stone-walled room while a man sleeps in bed; dialogue includes references to a car, an address, and a name 'Margaret'. The scene ends with the word 'Amen' and a call of 'Lila'.

• A woman stands in a stone-walled room near a lamp. [frame:1]
• A man sleeps in bed. [frame:2]
• The woman turns away from the camera, still in the room. [frame:3]

2 people observed.

“You fill out the address just right.” 12:20 · “Margaret, you're a nuisance.” 12:37

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Model synopsis: A woman in period dress sits in a dimly lit room with stone walls and a lamp, speaking lines that suggest personal reflection. No names are spoken that identify her, and no other people are visible or audible in this beat.

• A woman sits in a bedroom, holding a lamp and looking toward the camera. [frame:1]
• The woman remains seated, now holding a small object in her hands and looking down. [frame:2]

1 person observed.

“If I understand, I...” 13:03 · “Put your head on every phone.” 13:07

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Model synopsis: A man lies in bed under a checkered blanket while a woman sits nearby in a dimly lit room with a lamp. The transcript contains fragmented color descriptions and a phrase suggesting someone is being considered for him.

• Man lies in bed with hand near head, eyes closed or looking down. [frame:1]
• Woman sits beside bed, looking down at object in her hands, expression serious. [frame:2]

2 people observed.

“Light brown.” 13:20 · “Yellow mixed up.” 13:23

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Model synopsis: A woman asks another to bring coffee and milk while mentioning a doctor and a patient; a man stands in the background. The setting is an interior room with a table and window.

• Three people are present in a room: one seated at a table, one standing near her, and one standing in the background. [frame:1]

Named: Penny (t:13:41). 3 people observed.

“Will you bring some hot coffee, Penny? You know, the doctor says he's completely out of danger.” 13:41 · “You know, Dr. Penny considers him her own personal patient. Sit down.” 13:41

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Model synopsis: A woman in a white apron stands at a counter while another woman and a man sit at a table; dialogue suggests a patient is recovering and someone named Penny is being assigned to watch him. The setting appears to be a kitchen or dining area where food is being offered.

• A woman in an apron stands at a counter while two others sit at a table. [frame:1]
• The woman in the apron holds a pencil and paper while standing near the seated pair. [frame:2]

Named: Penny (t:14:07), Mrs. Worth (t:14:19). 6 people observed.

“He's had no temperature these past few days. Just a superlatively healthy animal, restoring his depleted strength with sleep.” 13:58 · “But of course, if you're determined to watch over him, Penny...” 14:07

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Model synopsis: A man and a woman sit at a table in an interior setting, discussing the fate of a third person. The dialogue suggests disagreement over whether to move him to a local hotel or keep him where he is.

2 people observed.

“Let me get this man out of your house.” 14:33 · “I can dump him in the establishment that passes for a hotel in this oft-times dubious community of ours.” 14:36

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Model synopsis: A man and a woman sit at a table in an interior setting, conversing while one holds a pistol. The dialogue references a past anecdote about an artist and a cobra, followed by a correction about cobra behavior.

• A man and a woman sit at a table facing each other. [frame:1]
• The man raises a pistol in his right hand while speaking. [frame:2]
• The man holds the pistol pointed upward, continuing to speak. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“He'd have drawn this man as a coiled cobra.” 15:07 · “Oh, Doctor, your analogy is terribly imperfect, and your naturalism faulty.” 15:10

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Model synopsis: A woman and a man sit at a table in a dimly lit interior, engaged in conversation. The transcript contains a philosophical statement about realism and a fragment describing a frightened outlet.

2 people observed.

“We're sure that you will finally realize that realism, untempered by sentiment and humanity, is really just a mean, hard, cold outlook on li…” 15:24 · “A frightened outlet.” 15:34

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Model synopsis: A man in a dark suit stands indoors near a doorway, holding a hat. He speaks about feeling defeated and living in a 'never-never land,' and offers help.

1 person observed.

“I stand defeated.” 15:40 · “There are times in this house when I feel as if I were living in a never-never land.” 15:44

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Model synopsis: A man lies in bed, partially covered by a checkered blanket, in a room with a window and a bookshelf. He speaks the line 'I'm going to go.'

• The man is lying in bed, partially covered by a checkered blanket. [frame:1]

1 person observed.

“I'm going to go.” 15:55

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Model synopsis: A shirtless man lies in bed, then sits up holding a pistol while a woman stands nearby. The transcript includes an exclamation and an incomplete sentence.

• A shirtless man lies in bed with his eyes closed. [frame:1]
• A woman stands in the room, looking toward the man. [frame:2]
• The man sits up in bed holding a pistol. [frame:3]

2 people observed.

“Oh, wow.” 16:09 · “I'm” 16:14

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Model synopsis: A shirtless man wakes up in a bedroom and speaks with a woman who explains they drove him into town. The setting is a room with stone walls and wooden furniture, suggesting a rustic interior.

• The man is sitting up in bed, shirtless, in a bedroom. [frame:1]
• The woman stands beside the man, holding his hand. [frame:2]
• The man and woman face each other; she is seated. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Hello?” 16:23 · “You're awake.” 16:25

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Model synopsis: A shirtless man and a woman face each other in a room with a window and a pitcher visible. The man asks if anything is wrong, and the woman replies no.

2 people observed.

“Is there anything wrong?” 16:49 · “No.” 16:51

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Model synopsis: A woman speaks in a bedroom, saying a doctor expects recovery in a week or two. The setting includes a bedpost and dim interior lighting.

1 person observed.

“The doctor says you'll be all right in a week or two.” 16:56

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Model synopsis: A shirtless man and a woman in a collared dress are shown in alternating close-ups inside a dimly lit room; the transcript indicates the man was delirious for two days and is now very hungry. No names are spoken, and no objects or on-screen text are visible beyond basic room furnishings.

• The man is shown shirtless, looking weary. [frame:1]
• The woman is shown speaking, wearing a collared dress. [frame:2]
• The woman continues to speak, expression unchanged. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“You were delirious, you know.” 17:03 · “Two days and two nights.” 17:06

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Model synopsis: A woman speaks and turns away while a man lies in bed, covered by a blanket. The transcript includes lines spoken during this interval, including an exclamation of 'Mother!' and a comment about delirium.

• Woman looks toward camera and speaks [frame:1]
• Woman turns away from camera, back visible [frame:2]
• Man lies in bed, smiling slightly, holding blanket [frame:3]

2 people observed.

“If I could catch one.” 17:18 · “Oh, we'll get you something.” 17:20

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Model synopsis: A shirtless man lies in bed while two women stand nearby; one woman speaks to him and another is instructed to fetch a shirt and razor. Dialogue indicates he is hungry and will be given six eggs.

3 people observed.

“Mother, he's awake. How is he? Hungry. Oh, if he's hungry, he's going to be all right.” 17:29 · “Smoked sausage and eggs.” 17:39

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Model synopsis: A woman and a man are in a room with wooden beams; the woman stands holding a pitcher while the man sits and listens. The transcript indicates they are discussing what the man said while unconscious, including mentions of 'Margaret' and 'Lila' and whether he has a wife.

• The woman stands holding a pitcher, looking at the man. [frame:1]
• The woman and man are shown together; the man is seated and looking up at her. [frame:2]
• The woman speaks, looking concerned or questioning. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I listened only because I thought you might say something that would aid us in helping you as to...” 18:02 · “Notifying your wife, for instance? What did I say? If you had a wife...” 18:07

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Model synopsis: A single frame shows a close-up of a table set with plates, bowls, and cutlery, suggesting a meal setting. No people or spoken dialogue are visible or audible in this beat.

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Model synopsis: Three people are in a kitchen; one seated man speaks while two women stand nearby. The transcript includes dialogue about doughnuts, eating, and helping with dishes, with a mention of 'Kurt Evans' and milking.

• A man seated at a table speaks while two women stand nearby. [frame:1]
• The man holds a cup; the women look at him and smile. [frame:2]
• The man continues speaking; the women remain attentive. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I haven't been so flattered since my doughnuts won first prize at the fair back in Pennsylvania.” 18:40 · “Unless one eats so many of them that they explode, which is likely to happen to you, young man.” 18:53

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Model synopsis: A man and a woman sit in a room with a stone wall, discussing Quakers and a belief about human integrity. A plaque on the wall displays a quote about integrity that is also referenced in the dialogue.

• A man and a woman sit facing each other in a room with a stone wall. [frame:1]
• The man drinks from a cup while the woman speaks to him. [frame:2]
• The woman gestures while speaking to the man. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Do all you people from Pennsylvania talk like that?” 19:14 · “We're friends.” 19:21

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Model synopsis: A man sits in a bed holding a teacup while talking to a woman standing beside him. Their conversation, as captured in the transcript, concerns Quaker beliefs about violence and self-harm.

• A man sits in bed holding a teacup and saucer while talking to a woman. [frame:1]
• The man continues to speak while holding the cup. [frame:2]
• The man looks at the woman as he speaks. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“and not by the act of another human being.” 19:40 · “Is that Quaker stuff? Mm-hmm.” 19:42

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Model synopsis: A wide shot shows a Western town with wooden buildings, a covered wagon, and rock formations under a cloudy sky. No people or dialogue are visible or audible in this beat.

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Model synopsis: Two men in cowboy hats and shirts walk side by side across a dusty street in a Western town. The background shows wooden buildings and a wagon, suggesting a frontier setting.

2 people observed.

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Model synopsis: Three men in hats and period clothing walk down wooden steps outside a building with a covered porch. No dialogue or on-screen text is present in this beat.

• Three men walk down wooden steps outside a building. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and shirt stands in a doorway, viewed from behind, while another figure is visible through a window inside. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man seated in a chair is handed items by standing men in a room with windows and barrels; one man mentions Quirt Evans and offers to return belongings. The seated man reacts while another man comments on Evans's carelessness.

• A man in a dark hat hands items to a seated man. [frame:1]
• The seated man holds an object to his mouth while looking down. [frame:3]

Named: Quirt Evans (t:20:47). 5 people observed.

“I found these out on the road.” 20:44 · “It belonged to a fellow named Quirt Evans.” 20:47

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Model synopsis: A man in a patterned shirt holds a bottle while speaking; three men in cowboy hats stand together, one asking about Quirt Evans. The dialogue suggests tension over withholding information, with a threat involving a gun.

• A man holds a bottle and speaks while seated. [frame:1]
• Three men in cowboy hats stand together, one asking about Quirt Evans. [frame:2]
• The man with the bottle continues speaking. [frame:3]
• 1 more under Evidence and details.

Named: Quirt Evans (t:21:13). 4 people observed.

“On second thought, you can just tell me where he is, and I'll take him on back to him myself.” 21:08 · “Where is Quirt Evans?” 21:13

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Model synopsis: A man in a patterned shirt sits while three others, including one in a cowboy hat, stand around him in an interior setting. The transcript indicates an interrogation about someone named Quirt Evans, with accusations of lying and bragging.

• A man seated in a chair is being addressed by three standing men. [frame:1]
• One standing man gestures toward the seated man while speaking. [frame:2]

4 people observed.

“Well, gentlemen, I hardly know Quirk Evans. Uh-oh.” 21:26 · “He lies, too.” 21:30

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Model synopsis: A woman sits at a table in a dimly lit interior, holding a glass. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a bedroom; the man is told to stay in bed by the woman, who mentions a doctor and a man named Mr. Laredo Stevenson. The man appears to be recovering and is dressed in a shirt but cannot find his pants.

Named: Joe (t:22:04). 2 people observed.

“Thanks for sewing the shirt.” 22:02 · “But I can't find my pants. Get back in bed. Oh laziness is the only thing that's kept me there this long. The doctor says you're to stay in …” 22:04

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Model synopsis: A man and a woman stand near a child in a dim interior; the man appears distressed. The transcript includes a request for pants and a comment about lameness.

• A man and a woman stand near a child in a dim interior. [frame:1]
• The man appears distressed and looks downward. [frame:2]

3 people observed.

“In my pants. But you're lame. Johnny, get me my pants. No, John. Will he get in my pants?” 22:30

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Model synopsis: A man and a woman are in an interior space; the man is told to get pants, and the woman reacts to something he said. The man looks at the woman and asks what she is looking at.

Named: John (t:22:39). 2 people observed.

“Get the pants, John.” 22:39 · “What you said...” 22:42

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space, discussing the use of formal versus familiar pronouns in speech. The woman, wearing a striped top with a bow, asks the man to fetch her pants, and they exchange lines about using 'thee' and 'thou' only with loved ones.

• A man stands with his back to the camera in a dim room. [frame:1]
• A woman in a striped top turns toward the camera, smiling. [frame:2]
• The man smiles at the woman, who is facing him. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“They use the familiar in speaking to me. The what? The familiar. The plain language.” 23:03 · “Get me my pants, Big Fred. Well, what about it?” 23:09

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Model synopsis: A man and a woman are in close proximity in a dimly lit interior; the woman speaks while looking at the man. The transcript includes fragmented lines suggesting a personal conversation about a past event.

• A man and a woman stand close together in a dim room. [frame:1]
• The woman looks at the man while speaking. [frame:2]

2 people observed.

“I'm” 23:40 · “I'm not.” 23:41

Evidence, details and a link to share

Model synopsis: A man in dark clothing speaks to a woman in a dimly lit interior; the dialogue suggests a contrast between a dull life and the possibility of travel. No names are spoken, and no objects or text are visible in the single frame.

2 people observed.

“It's supposed to be a kind of a dull life.” 23:59 · “I can take you to a lot of places.” 24:02

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Model synopsis: A man in dark clothing speaks to a woman named Eve in an interior setting; he expresses reluctance to leave her but acknowledges her preference for him to go elsewhere. The dialogue suggests tension around his directness and her religious identity.

Named: Eve (t:24:06). 2 people observed.

“I'd rather stay here with Eve, but if...” 24:06 · “You'd rather go someplace else than I'll go someplace else.” 24:07

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Model synopsis: A man and a woman are in a close conversation about love, discussing whether it develops gradually or happens instantly. The setting appears to be an interior space with dim lighting and wooden structures visible in the background.

2 people observed.

“Well, it's the way I feel and to be dishonest to say anything else.” 24:25 · “I suppose every girl does.” 24:35

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Model synopsis: A man examines a gun while a woman stands nearby in a dimly lit interior. The man asks who emptied the gun, and the woman questions whether she should be different.

• A man examines a gun while a woman stands nearby. [frame:1]

Named: Fanny (t:25:00). 2 people observed.

“You sure get to the point. Should I be different?” 24:57 · “No, Fanny, I like you just the way you are. Who emptied this gun?” 25:00

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Model synopsis: A character named Fanny is spoken to about a gun, which is described as a symbol of evil; the gun is empty and its cartridges are questioned. A single dark frame shows an indistinct outdoor scene at night.

Named: Fanny (t:25:00), Father (t:25:06). 2 people observed.

“No, Fanny, I like you just the way you are. Who emptied this gun?” 25:00 · “Good, a gun is a symbol of force of evil.” 25:07

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Model synopsis: A man named Quirt Evans enters a room, negotiates over land with another man, and later prepares to leave. A woman is present and interacts with both men, and there is a moment where Evans is asked to ride past a schoolhouse.

• Quirt Evans stands in a doorway holding a gun. [frame:4]

Named: Quirt Evans (t:26:08), Laredo (t:26:28). 4 people observed.

“Howdy, Quirt.” 26:08 · “5,000 in gold there.” 27:32

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Model synopsis: A woman in period dress stands in a doorway of a brick building while a boy in a hat enters; a man in a vest is partially visible outside. The transcript includes dialogue about farming and water for vegetables, and a character denies still wanting to be a farmer.

• A boy enters a doorway where a woman stands. [frame:1]
• The woman gestures toward the boy as he enters. [frame:2]
• The woman stands alone in the doorway, arms crossed. [frame:3]

3 people observed.

“Wild Indian.” 32:40 · “put water on those vegetables this morning. There's always work around here to be done. He wanted to be a farmer, didn't he?” 32:41

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Model synopsis: A man and a woman stand outdoors near a barn; the man wears a hat and coat, and the woman looks at him as he speaks about carrying a gun for balance. The setting appears rural, with hills visible in the background.

• A man and a woman stand outdoors near a barn. [frame:1]

2 people observed.

“Surely you can walk to the barn without that. What? The gun. Oh, well, it, uh--” 33:00 · “Balances me one legs longer than the other.” 33:06

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Model synopsis: A man and a woman are inside a rustic interior; the man stands while the woman bends near a container. The transcript includes instructions to feed a cow and mentions a pitchfork.

• A man stands while a woman bends near a container inside a rustic interior. [frame:1]

2 people observed.

“Throw the cow some hay.” 33:25 · “There's a pitchfork.” 33:29

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and vest stands in a brick-walled interior while speaking with a woman; the dialogue suggests a personal vow and a moment of decision. The woman is shown in close-up reacting to the man, who remains partially visible in the final frame.

• Man stands with arms crossed in a brick-walled room. [frame:1]
• Man and woman face each other in conversation. [frame:2]
• Woman looks up at man with expression of concern or surprise. [frame:3]

2 people observed.

“Before I was 15, I learned to hate those things.” 33:34 · “I swore I'd leave plows and pitchforks to farmers.” 33:37

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and bandana is shown in a close-up, looking downward. The name 'Kelly' is spoken during this beat.

• A man in a cowboy hat and bandana looks downward. [frame:1]

Named: Kelly (t:34:03). 1 person observed.

“Kelly!” 34:03

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and vest stands indoors with one hand on his hip. The setting appears to be a rustic interior with wooden structures visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and a woman in a dark dress interact near wooden crates outdoors, while another woman sits nearby. The transcript includes lines about hay, water, and placing something in a box, suggesting chores or farm work.

• Man stands beside wooden trough with horse head visible. [frame:1]
• Woman in dark dress reaches toward seated woman near wooden crates. [frame:2]
• Man and two women gather around wooden crates; man holds a small object. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Well, you wanted hay, didn't you?” 34:23 · “16? I better put this littlest one in the box.” 34:29

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks with two women outdoors near a wooden structure; dialogue reveals a dispute over water rights involving a man named Frederick Carson. The scene is set in a rural, possibly ranch-related location with visible wooden architecture.

• Man in cowboy hat speaks to women outdoors. [frame:1]
• Three people stand near wooden structure; man gestures while speaking. [frame:2]
• Woman speaks with concerned expression. [frame:3]

3 people observed.

“I see all these flumes and ditches. Frederick Carson turned the water off. Frederick Carson. I see.” 34:53 · “He's the man who bought the ranch up above from friends who couldn't make a go of it. We had built a community dam, but it was on his proper…” 35:01

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and a woman speak near a horse; the man later mounts the horse. The dialogue references Carson and a well, suggesting a rural or frontier setting.

• Man in cowboy hat speaks to woman near a horse. [frame:1]
• Woman responds while seated or standing near the man. [frame:2]
• Man turns slightly, still near the horse. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Carson turned off the water and you prayed for him?” 35:22 · “Of course.” 35:26

Evidence, details and a link to share

Model synopsis: Two women stand outdoors near a wooden structure; one calls out 'Benny?' and the other replies 'Nothing.' No names are established for the women in the dialogue.

2 people observed.

“Benny?” 35:54 · “Nothing.” 35:56

Evidence, details and a link to share

Model synopsis: A black-and-white outdoor scene shows a group of people near a covered wagon beside a stream, with trees and rocks visible. No dialogue or on-screen text is present in the frames.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats are at a wooden corral with a horse; one is adjusting the saddle while the other watches and speaks. The dialogue suggests tension between them and references a third person, 'that boy on his neck'.

• A man adjusts a horse's saddle at a corral. [frame:1]
• The man continues adjusting the saddle while another watches. [frame:2]
• A third man enters the scene and gestures toward the others. [frame:3]

3 people observed.

“Be sure you don't leave no slack in that cinch. The boss will sure howl.” 36:10 · “Yeah, this ain't the first pony I ever saddled.” 36:14

Flagged: visible event not seen (A third man enters the scene and gestures toward the others.)

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks to another man near a horse and wooden fence; the transcript includes the line 'You belong behind a plow.' No names are spoken, and the setting appears to be outdoors near a ranch or farm.

• A man in a cowboy hat speaks to another man near a horse. [frame:1]

3 people observed.

“You belong behind a plow.” 36:35

Evidence, details and a link to share

Model synopsis: A black-and-white outdoor scene shows a rocky stream with trees and a wooden structure in the background. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A horse stands near a wooden structure beside a stream, with trees in the background. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats stand outdoors near a wooden fence and a wagon wheel; one leans on the fence while the other stands facing him. The setting appears to be a rustic outdoor area with trees and a building in the background.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats converse near a horse; one is mounted while the other stands beside him. Dialogue suggests a tense exchange about moving and removing planks, with one man asserting authority over water depth.

• A man on horseback speaks to a man standing beside him. [frame:1]
• The two men continue their conversation, with the standing man gesturing. [frame:2]

3 people observed.

“Don't get down.” 37:00 · “Are you a thief? I said get moving, tramp.” 37:07

Evidence, details and a link to share

Model synopsis: Three men in cowboy hats converse outdoors; one is identified by dialogue as Quirt Evans. A saddle with a 'QE' stamp is mentioned as proof of identity.

Named: Quirt Evans (t:37:31). 3 people observed.

“Who might you be when you're at home?” 37:22 · “Right up here and say to Quirt Evans,” 37:31

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats stand outdoors facing each other in a medium shot. One man is older with a mustache; the other is younger and wears a vest.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men work at a stone-lined water trough in an outdoor setting, then one mounts a horse while another stands nearby. Dialogue includes references to a toilet, a pony, and a character named Mr. Evans.

• Two men work at a stone-lined water trough. [frame:1]
• One man stands near another who is facing him. [frame:3]
• One man mounts a horse while another stands nearby. [frame:4]

Named: Mr. Evans (t:38:06). 4 people observed.

“Step up on that toilet.” 38:05 · “Well, no, I was here, Mr. Evans.” 38:06

Evidence, details and a link to share

Model synopsis: Two men on horseback converse outdoors; one suggests removing more planks to manage excess water, and the other offers future assistance. The setting appears to be a wooded outdoor area with trees and natural light.

• Two men on horseback face each other and talk. [frame:1]
• One man gestures while speaking to the other. [frame:2]

Named: Chuck (t:38:25), Mr. Evans (t:38:32). 2 people observed.

“Maybe we better take out a couple more of them planks, Chuck. I've got ten times as much water as I need.” 38:25 · “Well, if you ever need any more, Mr. Evans, all you gotta do is say so. I figured that.” 38:32

Evidence, details and a link to share

Model synopsis: A woman reacts to water flooding dishes inside a house, while outside, a man in a hat and suspenders gestures dramatically under a cloudy sky. A group including a child and another woman stands on a porch as water flows nearby.

• Water floods the yard near a house. [frame:1]
• A woman in a doorway reacts with alarm to water in dishes. [frame:2]
• A group stands on a porch as water flows nearby. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Honor, all the dishes are full of water!” 38:56 · “Oh, my God!” 38:59

Evidence, details and a link to share

Model synopsis: Two men on horseback converse outdoors near a ditch; one is addressed as 'Mr. Evans' and the other as 'Bert'. The dialogue suggests a negotiation over water rights and neighborly relations.

• Two men on horseback are shown in conversation. [frame:1]

Named: Bert (t:39:41), Mr. Evans (t:39:27). 2 people observed.

“Now let's start off from scratch. You got more water than you need.” 39:22 · “Now, do you mind if I call you Quirk?” 39:31

Evidence, details and a link to share

Model synopsis: A man on horseback greets a woman and a child near a fence in a rural setting; dialogue indicates gratitude and a change of mind. The scene includes a man named Frederick Carse and a Mrs. Worth, with others present in the valley.

• A child is held by a woman near a fence [frame:2]
• Men on horseback interact with people near a fence [frame:4]

Named: Frederick Carse (t:40:04), Mrs. Worth (t:40:05). 4 people observed.

“Frederick Carse.” 40:04 · “Howdy, Mrs. Worth.” 40:05

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats sit at a table outdoors and discuss sharing water with neighbors. One man speaks about letting neighbors use water, and the other begins to agree about neighborly friendliness.

Named: Worth (t:40:16). 2 people observed.

“Worth, it's like I was saying, I ain't got any use for all that extra water. Why shouldn't I let my neighbors use it?” 40:16 · “I believe that neighbors should...” 40:23

Evidence, details and a link to share

Model synopsis: A man and a woman are outdoors near horses; the woman notices a boil on the man's neck and insists he come inside to have it treated. Another man in a cowboy hat observes from a distance.

• The woman and the man in suspenders are seen near horses, with another man approaching. [frame:3]
• A man in a cowboy hat is seen seated on a horse, looking toward the others. [frame:4]

4 people observed.

“What have you got there on your neck, a boil?” 40:28 · “- There's words, I have russled that that burned boil. - Have you tried putting soap into the coldest harness?” 40:32

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress and white scarf stands beside a wooden chair, holding a white cloth. The background includes wooden fencing and indistinct structures, suggesting an outdoor or semi-outdoor setting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and bandana stands in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors in a rural setting, discussing whether a gun was used to influence Frederick Carson. The man denies pointing a gun, though the woman claims he did.

2 people observed.

“Looks like your prayer straightened everything out.” 40:59 · “So you think your gun changed Frederick Carson, hmm?” 41:02

Evidence, details and a link to share

Model synopsis: A man in a hat and coat stands with a basket while another man in suspenders speaks to him; a woman is also present. The transcript includes dialogue about pies, coffee, and a character named Freddie Carson.

• A man in a hat holds a basket while standing with two others on a porch. [frame:1]
• The man in suspenders smiles at the man with the basket. [frame:2]

Named: Freddie Carson (t:41:25). 4 people observed.

“Oh, it would be odd. I just get a gnawing hankering after good pies and truck like that. Oh, Freddie Carson. Yes, ma'am? I want you to have …” 41:25 · “Makes me want to go home and shoot my Chinese crew. You just come back for more any time you like. There are always plenty. Thank you. Goodb…” 41:34

Evidence, details and a link to share

Model synopsis: Two men and a woman stand outdoors in a rocky, open landscape; one man holds a basket and speaks to the woman while the other listens. The dialogue references a neighbor and Mrs. Worth, who treated a boil, and ends with a question about plundering upon boarding.

• A man holds a basket and speaks to a woman while another man stands nearby. [frame:1]
• The man with the basket continues speaking; the other man remains still. [frame:2]

3 people observed.

“Man ought to see more of his neighbors.” 41:47 · “Hey, wonderful woman, that Mrs. Worth. Look, she fixed my boil.” 41:51

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats stand near a saddled horse in a rocky outdoor setting. One man holds a rifle while the other faces him; no dialogue is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats converse outdoors near horses; one hands a basket to the other. One man mentions giving beef to Mrs. Worth and feeling relieved after a speech to neighbors.

• p1 hands a basket to p2 [frame:1]
• p1 and p2 talk while standing near horses [frame:2]
• p1 smiles while seated [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I'm gonna bring her over a quarter of beef now and then.” 42:24 · “Finally come to an understanding with my neighbors.” 42:27

Evidence, details and a link to share

Model synopsis: A man in a hat stands beside a saddled horse while another horse runs past in a desert landscape. No dialogue or on-screen text is present in this beat.

• A man stands beside a saddled horse while another horse runs past. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and bandana stands outdoors next to a horse. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A family is seated at a dinner table in a dimly lit room; one person speaks about the meal while another responds. A close-up shows hands handling food or utensils.

• People are seated at a dinner table with food and drink visible. [frame:1]
• A person stands near a doorway while others remain seated at the table. [frame:2]
• Hands are shown handling food or utensils in close-up. [frame:3]

Named: Mom (t:43:17). 5 people observed.

“Dinner.” 42:54 · “How bad's dinner gonna be?” 43:05

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors near a wooden structure and a wagon; the woman wears a dress and the man wears a dark coat. They speak about a surprise ride, with the man instructing the woman to prepare a team for her father and inviting her to join them.

2 people observed.

“Hmm, new dress.” 43:34 · “Oh, it's first day. You call it Sunday.” 43:35

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other in a wooden interior, speaking about moral choices and personal responsibility. The woman wears a bonnet and apron; the man is in dark clothing and holds a hat.

• Man and woman stand facing each other in conversation. [frame:1]

2 people observed.

“Thought you weren't allowed to work on Sunday.” 44:04 · “Oh, of course. There's nothing we're not allowed to do.” 44:04

Evidence, details and a link to share

Model synopsis: A person on horseback enters a dusty yard through a gate, followed by a woman in a long dress walking toward the horse. The setting is an open outdoor area with stone buildings and distant rock formations.

• A person on horseback enters a yard through a gate. [frame:1]
• The rider dismounts or is seen near the horse. [frame:2]
• A woman in a long dress walks toward the horse and rider. [frame:3]

2 people observed.

“I'm” 44:27

Evidence, details and a link to share

Model synopsis: A person in period clothing walks across a rocky, arid landscape. No dialogue or on-screen text is present in this beat.

• A person walks across a rocky terrain carrying a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man on horseback speaks with a woman outdoors; he asks about a man named Quirt Evans, and she confirms his presence. The man then states he will speak directly to her, and they discuss the duration of Quirt Evans's stay.

• A man on horseback speaks to a woman standing outdoors. [frame:1]
• The woman looks toward the man, listening. [frame:2]
• The man leans forward, speaking intently to the woman. [frame:3]

Named: Israel (t:44:49). 2 people observed.

“I didn't mean to frighten him, miss.” 44:46 · “Is there a fella named Quirt Evans around here?” 44:50

Evidence, details and a link to share

Model synopsis: A woman speaks to a man on horseback while another man stands nearby; the dialogue identifies the man on horseback as Marshal Whistful McClank and refers to him as a 'curly wolf.' The setting appears to be outdoors near a brick building with horses present.

• A woman speaks to a man on horseback. [frame:1]
• A man on horseback greets a woman while another man stands nearby. [frame:2]
• The man on horseback smiles while holding reins. [frame:3]

Named: Whistful McClank (t:45:15). 3 people observed.

“Hello, you weather-beaten old hangman.” 45:12 · “Penny, this is Whistful McClank, the Marshal of the Territory. Hi, miss.” 45:15

Evidence, details and a link to share

Model synopsis: A woman and a man stand together outdoors while another man on horseback speaks to them. The dialogue references a past stagecoach robbery and a pending confrontation between two men.

Named: Whistful McClank (t:45:15). 3 people observed.

“Tall fella?” 45:26 · “Fast with a gun, held up to Baker's stage, killed a couple.” 45:28

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks about Quirt Evans and Wyatt Earp's deputy role while seated; a man and woman stand together outdoors in a second shot. No named characters are identified from dialogue or visuals.

• A man in a cowboy hat sits and speaks about Quirt Evans and Wyatt Earp's deputy role. [frame:1]
• A man and a woman stand together outdoors, looking off-camera. [frame:2]

3 people observed.

“Well, I'm sure looking forward to hanging the survivor.” 45:50 · “You know, I'm a figuring man.” 45:54

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and bandana is shown outdoors against a cloudy sky. The transcript describes a character who quits law enforcement, builds a cattle ranch, sells it, and moves on, questioning why.

• A man in a cowboy hat sits outdoors against a cloudy sky. [frame:1]

1 person observed.

“One day, he turns in his badge and...” 46:10 · “Starts building himself a nice cattle spread.” 46:13

Evidence, details and a link to share

Model synopsis: A man and a woman stand together outdoors while a man in a cowboy hat speaks; the transcript mentions a person named Walt Ennis and a location called Fertile. No interior is shown, and no clock or date establishes time of day or period.

• A woman and a man stand together outdoors. [frame:1]
• A man in a cowboy hat sits outdoors speaking. [frame:2]
• The woman and man stand together again, woman adjusts her hat. [frame:3]

3 people observed.

“That's when I ain't figured yet.” 46:26 · “Sometimes things connect.” 46:28

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks outdoors while a woman and another man stand together nearby. The dialogue suggests an investigation or deduction about connections between people.

• A man in a cowboy hat is seated outdoors, speaking. [frame:1]
• A woman and a man stand side by side outdoors, looking toward the camera. [frame:2]
• The man in the cowboy hat continues speaking. [frame:3]

3 people observed.

“Maybe that's connected.” 46:45 · “How did you stand with Walt Ennis?” 46:48

Evidence, details and a link to share

Model synopsis: A man and a woman stand near horses in an outdoor setting as a third person on horseback prepares to leave. Dialogue suggests a farewell and a warning against romantic interest.

• A man and a woman stand near horses. [frame:1]
• A person on horseback prepares to leave while the man and woman look on. [frame:2]

3 people observed.

“Young lady.” 47:06 · “Don't be looking at him with your eyes all bugged out like a cowbird.” 47:08

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors in a rural setting, speaking to each other. The woman warns the man about associating with Laredo Stevens, citing debt and moral consequences.

• The woman and Quirt face each other outdoors, speaking. [frame:1]
• The woman looks distressed while speaking to Quirt. [frame:2]

Named: Quirt (t:47:19). 2 people observed.

“Quirt, please stay away from Laredo Stevens.” 47:19 · “He owes me money.” 47:22

Evidence, details and a link to share

Model synopsis: A man speaks while standing near a horse in an outdoor setting; he mentions not looking up Loretta and describes someone’s ongoing fear. The scene appears to be set in a rugged, open landscape with a fence and rocky terrain visible.

• A man stands beside a horse and speaks. [frame:1]
• The man adjusts the horse’s reins. [frame:2]

2 people observed.

“I won't look up Loretta.” 47:43 · “It's better this way.” 47:45

Evidence, details and a link to share

Model synopsis: A woman in a bonnet is embraced by a man in a dark coat against a rocky landscape. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand near a horse outside a building; the woman laughs. A wagon carrying several people travels on a dirt road through a rocky landscape. The transcript includes a line about being holy and having fun, followed by agreement and an exclamation.

• A man stands beside a horse while a woman in a bonnet faces him. [frame:1]
• The woman laughs with her head tilted back. [frame:2]
• A wagon with several passengers travels on a dirt road past a large rock formation. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Well, all right, but if I'm going to be holy, I've got to get some fun out of it.” 48:02 · “Yeah.” 48:07

Evidence, details and a link to share

Model synopsis: A horse-drawn wagon with two people travels along a dirt path bordered by trees. The scene is outdoors under an overcast sky.

• A horse-drawn wagon moves along a dirt path. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of four people, including two women and two men in period Western attire, are seated together outdoors. A lone rider on horseback travels along a winding road through a mountainous landscape.

• Four people are seated together outdoors. [frame:1]
• A lone rider on horseback travels along a road through mountains. [frame:2]

5 people observed.

“You know I feel like such a gadabove.” 48:24 · “It seems hardly a whole week since last Thursday.” 48:27

Evidence, details and a link to share

Model synopsis: A woman in a bonnet and dress sits in a carriage while a man in a hat stands beside her; another man is partially visible. The woman speaks the line 'Come on.'

• A woman in a bonnet sits in a carriage and speaks. [frame:1]

3 people observed.

“Come on.” 48:36

Evidence, details and a link to share

Model synopsis: A group of people, including a woman in a bonnet and men in hats, are seated outdoors in a natural setting. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man on horseback calls out to someone named Quirk while others on horseback are present in an outdoor setting. The scene is shot in black and white with natural daylight and features three visible riders.

Named: Quirk (t:48:48). 3 people observed.

“Hey, Quirk!” 48:48

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat greets a group outdoors, including a woman in a bonnet and another man, and is invited to join them for a meeting. The group is seated together in a natural, wooded setting.

• Randy McCall greets the group. [frame:1]
• The group is shown seated together outdoors. [frame:2]
• Randy McCall speaks with Ms. Worth and Mr. Worth. [frame:3]
• 1 more under Evidence and details.

Named: Randy McCall (t:48:57), Ms. Worth (t:48:57), Mr. Worth (t:48:57). 4 people observed.

“I thought it was you.” 48:55 · “Well, well, well. Hello. Mr. and Ms. Worth, Ms. Worth, Randy McCall. How you doing?” 48:57

Evidence, details and a link to share

Model synopsis: A man and a woman sit outdoors while a second man recounts past events involving cattle and a saloon. The conversation suggests a social gathering is being discussed, with references to shared history and a location in San Antonio.

• A man and a woman sit together outdoors. [frame:1]
• A third man joins them, seated nearby. [frame:2]
• The third man speaks while looking off-camera. [frame:3]
• 1 more under Evidence and details.

Named: Quirt (t:49:38). 3 people observed.

“Yes, it's a meeting.” 49:20 · “Be nice if you could. We'd be happy to have any friend of court's.” 49:24

Evidence, details and a link to share

Model synopsis: A group of people on horseback interacts with a woman holding a child in a wooded area. One person speaks about joining them in the Grove, and another recites a biblical passage about commandments.

• A man on horseback rides away from the group. [frame:2]
• A woman holds a child in a wooded area. [frame:3]

6 people observed.

“If you can join us, it's in the Grove, just the other side of town. Thank you, ma'am. Good day.” 49:46 · “Why askest thou me concerning that question?” 50:02

Evidence, details and a link to share

Model synopsis: A group of people in period clothing are gathered outdoors in a dusty, open area with rock formations in the background. A voice recites commandments from the Bible during the scene.

5 people observed.

“He saith unto him, Which?” 50:13 · “Thou shalt not kill” 50:17

Evidence, details and a link to share

Model synopsis: A man and a woman sit in a wagon with a baby while another man approaches; they exchange greetings and introductions. The scene takes place outdoors in daylight with trees and open land visible.

• A man and woman sit in a wagon with a baby. [frame:1]
• A man approaches the wagon and speaks to the occupants. [frame:2]
• Two men stand outside the wagon talking while a woman holds a baby. [frame:3]
• 1 more under Evidence and details.

Named: Nelson (t:50:44), Gregcourt Evans (t:50:45). 5 people observed.

“What comes out of this thing that makes it worth all this work? Frozen pudding.” 50:34 · “Hello, Nelson. Hello, Penny.” 50:44

Evidence, details and a link to share

Model synopsis: A man in a hat speaks to a woman outdoors while another man stands behind him; the dialogue mentions maple sugar, a baby named Morgan, and shoeing horses next week. No names are spoken that can be assigned to the visible individuals.

3 people observed.

“By the way, I brought that...” 50:58 · “maple sugar you like so much.” 51:00

Evidence, details and a link to share

Model synopsis: A man and a woman interact near a wagon in an outdoor setting; the man gestures while speaking and then walks away with the woman. The scene includes horses and a wagon, suggesting a rural or frontier context.

• A man and a woman stand near a wagon, interacting. [frame:1]
• A man in a bowler hat gestures while speaking. [frame:2]
• A man stands beside a wagon with horses in the background. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Oh, fine. Well, I'll get some water. Here, let me help you.” 51:22 · “I'm going to twirl this thing.” 51:30

Evidence, details and a link to share

Model synopsis: A woman reaches for flowers held by a man who is holding a baby; the man reacts with surprise. The scene occurs outdoors in daylight, with trees visible in the background.

• A woman reaches for flowers held by a man. [frame:1]
• The man holding a baby reacts with surprise to the woman's request. [frame:1]

Named: Quirt (t:51:49). 3 people observed.

“Hold on a minute, Quirt. I want some of those flowers.” 51:49 · “What's up? You sick or something?” 51:56

Evidence, details and a link to share

Model synopsis: A man in a wide-brimmed hat and dark clothing stands outdoors facing another person whose back is to the camera. The setting appears to be a wooded or shaded outdoor area with natural lighting.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men speak outdoors near trees; one holds a baby and discusses a plan to imitate Laredo Stevens’s actions against a trail herd. No names are spoken or visible, and no time of day or period is established.

2 people observed.

“It's a baby.” 52:09 · “Is it old enough to talk?” 52:12

Evidence, details and a link to share

Model synopsis: Two men converse outdoors near trees while one holds a baby; a third person is present. Dialogue suggests tension and a reference to a woman.

• Two men face each other in a wooded area. [frame:1]
• One man speaks while the other listens, holding a baby. [frame:2]
• The man holding the baby turns slightly toward the other man. [frame:3]
• 1 more under Evidence and details.

Named: Quirt (t:52:41). 4 people observed.

“What am I listening to?” 52:36 · “What's the matter with you, Quirt? There's fine one...” 52:41

Evidence, details and a link to share

Model synopsis: A man holds a baby while standing with others in a wooded area; later, people gather around a wagon. A voice says 'Shut up' and 'I'm' during the sequence.

• A man holds a baby while standing with another man in a wooded area. [frame:1]
• People walk away through the woods. [frame:2]
• People gather around a wagon with a man holding a baby. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Shut up.” 52:58 · “this” 52:58

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat stands near wooden benches outdoors; another shot shows a group including a woman in a light dress and a man holding a child. A voice asks someone to come over.

• A man stands near wooden benches outdoors. [frame:1]
• A group of people, including a woman holding a child and a man holding a child, stand together outdoors. [frame:2]

5 people observed.

“Great.” 53:15 · “Would you come over here?” 53:19

Evidence, details and a link to share

Model synopsis: A woman holding a baby and a man in a hat stand near a wagon; in another shot, men walk past wooden benches outdoors. A voice says 'Sit down.'

• A woman holds a baby while standing next to a man in a hat near a wagon. [frame:1]
• Men walk past wooden benches outdoors. [frame:2]

5 people observed.

“Sit down.” 53:27

Evidence, details and a link to share

Model synopsis: A man in a dark suit and bow tie addresses a seated group outdoors near rocky terrain. He speaks about a meeting's purpose and mentions fields being watered and crops thriving.

• The speaker stands before a group seated on benches in a field with rocky outcrops. [frame:1]
• The speaker adjusts his coat while speaking. [frame:2]
• The speaker continues addressing the group, hands near his chest. [frame:3]

2 people observed.

“May I have your attention?” 53:37 · “Friends?” 53:40

Flagged: visible event not seen (The speaker adjusts his coat while speaking.)

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats sit and talk outdoors near distinctive rock formations; one gestures toward the landscape while the other listens. A group of men then walks across a wooden structure in a rural setting with trees and a wagon visible.

• A man gestures toward the landscape while seated next to another man. [frame:1]
• A man in a bowler hat stands behind another man who gestures toward the distance. [frame:2]
• A group of men walks across a wooden structure in a rural setting. [frame:3]

6 people observed.

“There's two mushroom rocks right at the head of the valley.” 53:55 · “Let's take a look out there.” 53:58

Evidence, details and a link to share

Model synopsis: A group of men in period Western attire stand outdoors in a line, some wearing hats and coats. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and bow tie presents a dark book with a cross on its cover to another man; the recipient is shown holding the book. The transcript indicates the gift is a token of friendship.

• A man in a suit presents a book to another man. [frame:1]
• The recipient holds the book, which has a cross on the cover. [frame:2]

3 people observed.

“We're happy to present you with this token of our friendship for you.” 54:19

Evidence, details and a link to share

Model synopsis: A man in a wide-brimmed hat and bandana speaks to a group outdoors; another man in a dark hat listens. The transcript mentions Quart Evans and a moral lesson about showing kindness to others.

• Quart Evans speaks to a group outdoors. [frame:1]
• Quart Evans gestures while speaking to another man. [frame:2]
• Quart Evans continues speaking, looking downward. [frame:3]
• 1 more under Evidence and details.

Named: Quart Evans (t:54:29). 3 people observed.

“This is Quart Evans.” 54:29 · “We're happy to have him here with us because he provided another incident.” 54:31

Evidence, details and a link to share

Model synopsis: Three men in cowboy hats are shown in an outdoor setting; one speaks a line addressing 'Corby'. The scene includes two shots showing different groupings of men in period Western attire.

Named: Corby (t:54:55). 4 people observed.

“May I shake your hand, Corby?” 54:55 · “it, eh?” 54:56

Evidence, details and a link to share

Model synopsis: A woman in a long dress and a man in dark clothing stand outdoors near a wagon wheel, holding a baby. The scene is shot in black and white with natural lighting and trees in the background.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks to another man while a woman holds a child near a wagon. The scene is outdoors with trees and a crowd visible.

5 people observed.

“I want to talk to you.” 55:17

Evidence, details and a link to share

Model synopsis: Two men in period Western attire stand outdoors and speak; one urges the other to marry a girl. A wagon wheel is visible in the background of the second frame.

• The man in the black hat gestures while speaking to the other man. [frame:1]
• The man in the light hat stands with arms slightly open, facing the other man; a wagon wheel is visible behind him. [frame:2]

2 people observed.

“This will sound like I'm butting into your business, and I am.” 55:25 · “You dim-witted nail-bender, marry that girl.” 55:31

Evidence, details and a link to share

Model synopsis: A man in a vest and hat gestures with his right hand while standing outdoors with several other men in suits and hats. The scene is shot in black and white with natural daylight and appears to be set in an open area with trees in the background.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats stand with horses in a rocky outdoor setting; one reads from a book while the other reacts. They discuss keeping the book, which contains biblical passages, and decide to take it with them.

• A man stands beside a horse in a rocky field. [frame:1]
• A man reads from a book while another man bends down near a horse. [frame:2]
• The man holding the book smiles while speaking to the other man. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Listen to this.” 55:59 · “And Benaniah, the son of Jehoshaphat.” 56:01

Evidence, details and a link to share

Model synopsis: Two men on horseback are shown in a rocky outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman holds a baby while standing near a wagon in an outdoor setting; another person is visible nearby. Dialogue suggests concern about someone named Kurt leaving abruptly.

• A woman holds a baby near a wagon. [frame:1]
• The woman turns slightly, still holding the baby. [frame:2]

3 people observed.

“I'd better take you back to the Morgans. Up to date.” 56:47 · “Why did Kurt leave so abruptly?” 56:55

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat stands on a rock formation while others gather below; dialogue indicates they are preparing to ride. The setting is outdoors in a rocky, open landscape during daylight.

• A man in a cowboy hat stands on a rock formation. [frame:1]
• A group of men in cowboy hats gather below, one standing and facing them. [frame:2]

2 people observed.

“Hey, boss!” 57:19 · “Yeah? Right on time. Look behind you.” 57:21

Evidence, details and a link to share

Model synopsis: A wide shot shows a group of riders on horseback moving across a dry, rocky canyon floor with steep cliffs in the background. No people are clearly visible up close, and no dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A herd of cattle moves along a dirt path with a rocky hill in the background. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A person on horseback is seen in a wide, open landscape. The second frame shows a distant view of a settlement or encampment in a dry, scrubby area.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person on horseback is seen in a rocky, arid landscape; a wagon and riders are visible in the distance. Spoken lines suggest urgency and movement away from a location.

• A person on horseback is stationary in a rocky landscape. [frame:1]
• Riders on horseback move across a desert landscape. [frame:2]
• A covered wagon and riders are visible in a hilly, arid terrain. [frame:3]

3 people observed.

“Let's get out of here.” 58:02 · “Look, come down off the hill.” 58:04

Evidence, details and a link to share

Model synopsis: A single frame shows a blurry outdoor scene with a tent-like structure and a wooden crate in the foreground. No people, dialogue, or clear location markers are visible.

Evidence, details and a link to share

Model synopsis: Two riders on horseback are shown in motion, one trailing a large white object that billows behind it. The scene is outdoors on dusty ground, captured in black and white.

• Two people ride horses across a dusty field, one trailing a large white object. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A wide shot shows a group of horses and riders moving across an open, dusty field with rocky hills in the background. The scene is framed by tree branches in the foreground, suggesting an outdoor, natural setting.

Evidence, details and a link to share

Model synopsis: A person rides a horse across an open, dusty area. The scene is shot in black and white with no visible structures or other people.

• A person rides a horse across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A lone rider on horseback moves through a misty, rocky landscape with mountains in the background. The scene is shot in black and white with high contrast and no visible structures or other people.

• A person rides a horse through a misty mountainous area. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A lone rider on horseback is seen against a cloudy sky. The scene is outdoors and appears to be in a rural or open landscape.

• A person rides a horse across an open landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person lies motionless on the ground while a horse stands nearby. No dialogue or on-screen text is present in this beat.

• A person is lying on the ground. [frame:1]
• A horse stands near the person on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A wide shot shows a dry, brush-covered hillside with scattered shrubs and trees under an overcast sky. No people or structures are visible in the frame.

Evidence, details and a link to share

Model synopsis: Two men are on rocky terrain; one sits reading while the other stands nearby. One man asks about the meaning of 'baguette' and mentions hearing someone, suggesting they should get safe items.

• Two men are positioned on rocky terrain, one seated reading, one standing. [frame:1]

2 people observed.

“Hey, Quid.” 59:01 · “What does baguette mean?” 59:01

Evidence, details and a link to share

Model synopsis: A group of men on horseback are in a rocky, arid landscape. One man speaks about not wanting to shoot people and recalls a past incident, while another urges them to move on.

• A man on horseback walks across rocky terrain. [frame:1]
• Several men on horseback are gathered, some with saddles and ropes visible. [frame:2]
• A wide shot shows a rocky, arid landscape with sparse vegetation. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“You know you're not very pretty, but I like it just the same on account of your head work.” 59:18 · “I hate to shoot people.” 59:34

Evidence, details and a link to share

Model synopsis: A person rides a horse along a dirt path in a rocky, tree-dotted landscape. The scene is shot in black and white with bright daylight lighting.

• A person rides a horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A lone rider on horseback moves across a rocky, brush-covered landscape under a partly cloudy sky. The terrain features prominent rock formations and sparse vegetation.

• A rider on horseback moves across a rocky landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single frame shows a dusty outdoor scene with figures on horseback moving across a landscape. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A rider on horseback moves across an open, dusty terrain. No dialogue or on-screen text is present in this beat.

• A rider on horseback gallops across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two riders on horseback move through a misty, tree-lined landscape. The scene is shot in black and white with low visibility due to fog or dust.

• Two riders on horseback move through a foggy field with trees. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man on horseback is seen in a dusty outdoor setting with rocky terrain; two men on horseback appear in a wooded area. A voice requests to be taken outside by someone named Ernie.

Named: Ernie (t:60:40). 3 people observed.

“Take me outside, Ernie.” 60:40

Evidence, details and a link to share

Model synopsis: A horse runs across an open, rocky landscape with trees and cliffs in the background. No people or dialogue are visible or audible in this beat.

• A horse runs across a field. [frame:1]

Evidence, details and a link to share

Model synopsis: A person rides a horse at a gallop across an open, indistinct terrain. The scene is captured in motion blur, with no visible structures or other people.

• A person rides a horse at a gallop. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person rides a horse across an open, dusty landscape. No dialogue or on-screen text is present in this beat.

• A person rides a horse across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person rides a horse in a smoky, outdoor setting; two riders on horseback are seen together in a similar environment. No dialogue or on-screen text is present in these frames.

• A person rides a horse through a smoky outdoor area. [frame:1]
• Two riders on horseback are seen side by side in a smoky outdoor area. [frame:2]

3 people observed.

Evidence, details and a link to share

Model synopsis: A person on horseback is visible near cattle in an outdoor setting. No dialogue or on-screen text is present in this beat.

• A person on horseback is near cattle in a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person rides a horse across an open, dusty area while another horse runs nearby. No dialogue or on-screen text is present in this beat.

• A person rides a horse across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person rides a horse at a gallop across an open, dusty area. The scene is shot in black and white with a hazy background.

• A person rides a horse at a gallop. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Three riders on horseback move through a dusty, rocky landscape. No dialogue or on-screen text is present in this beat.

• Three riders on horseback move through a dusty, rocky terrain. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and shirt is visible outdoors under a cloudy sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person on horseback and another on foot are visible in an outdoor setting. No dialogue or on-screen text is present in this beat.

• A person on horseback is visible next to a person on foot in a field. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat rides a horse across an open landscape. The sky is cloudy and the terrain appears flat and barren.

• A man rides a horse across open terrain. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man on horseback is shown in an outdoor setting; the transcript includes someone calling out to 'Hondo' and saying they are cutting someone. The final frame shows a dusty, rocky landscape with no visible people.

• A man rides a horse across a field. [frame:1]
• A horse rears up in a field. [frame:2]
• Dust rises in a rocky, tree-lined area with no visible people. [frame:3]

Named: Hondo (t:61:44). 2 people observed.

“I'm cutting him, Hondo.” 61:40 · “Hondo!” 61:44

Evidence, details and a link to share

Model synopsis: A person in a hat and coat stands outdoors with trees and clouds visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a wide-brimmed hat and dark clothing sits outdoors on uneven ground. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, blurry frame shows indistinct shapes that may be animals or figures in low light. No people, dialogue, or clear setting is visible.

Evidence, details and a link to share

Model synopsis: A figure in dark clothing is seen crouching or falling forward in a dim, outdoor setting. No dialogue or on-screen text is present in this beat.

• A figure in dark clothing crouches or falls forward on uneven ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and dark clothing is crouched beside a tree in a wooded area. No dialogue or on-screen text is present in this beat.

• A man crouches beside a tree in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible climbing a tree in a snowy, wooded outdoor setting. No dialogue or on-screen text is present in this beat.

• A person climbs a tree in a snowy landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat walks toward the camera in a dusty, rocky landscape; later, three men in cowboy attire stand together talking. A horse is mentioned in the transcript, and one man suggests testing new boots by running.

• A man in a cowboy hat walks toward the camera on a dusty path. [frame:1]
• Horses and riders are seen in the distance near rocky cliffs. [frame:2]
• Three men in cowboy attire stand together and appear to be talking. [frame:3]

3 people observed.

“Oh, my God.” 62:10 · “It's a horse like Quirada.” 62:22

Evidence, details and a link to share

Model synopsis: A scene in a dimly lit bar where people are drinking champagne and reacting to its effects. One person asks Lila for her opinion, and she responds that it tickles going down.

• People are gathered in a bar, drinking champagne. [frame:1]

Named: Lila (t:63:07). 2 people observed.

“You know, this champagne may be a lot fancier than whiskey, but it sure don't give quick action.” 62:59 · “To tell you the truth, I don't really like it.” 63:04

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior, speaking to each other; later, three people are shown at another table in the same setting. The transcript includes dialogue about hair, boredom, and travel, with one character named Donnie and another named Tony.

• A man and a woman sit at a table, talking and smiling. [frame:1]
• Three people sit at a table with drinks and a plant centerpiece. [frame:2]

Named: Donnie (t:63:40), Tony (t:63:45). 5 people observed.

“You sleepy tall man.” 63:13 · “Not a chance, baby. You're never worth it.” 63:22

Evidence, details and a link to share

Model synopsis: A crowded interior scene with several people visible; one person is seen from behind, and another is partially visible in the background. Transcript lines suggest gambling or card game activity.

• People are gathered in a crowded bar setting. [frame:1]

2 people observed.

“25 out and on the red.” 64:48 · “Give me a stack of blues.” 64:50

Evidence, details and a link to share

Model synopsis: A man speaks to another at a gambling table in a crowded saloon; a woman stands on a platform behind them. The transcript contains romantic lines spoken during this interaction.

• A man speaks to another at a gambling table while a woman stands on a platform behind them. [frame:1]

5 people observed.

“Something in your eyes a little bit different” 65:05 · “Something that appeals” 65:09

Evidence, details and a link to share

Model synopsis: A woman in a sequined dress and a man in a shirt are shown in a dimly lit interior with other people and a sign reading 'Lila Deal'. The transcript includes lines about trust and a comment on the man's shirt button.

• A woman in a sequined dress stands facing forward. [frame:1]
• A man in a shirt looks downward with a serious expression. [frame:2]
• A group of people are gathered around a table in a bar; a sign reads 'Lila Deal'. [frame:3]

4 people observed.

“Something I've been looking for.” 65:31 · “If I could just be sure that you're on the level.” 65:35

Evidence, details and a link to share

Model synopsis: A man in a dark shirt and neckerchief stands in a dimly lit bar while another man in a suit and hat interacts with a woman at the bar counter. The transcript includes fragmented dialogue about money, love, and ordering bourbon.

• A man in a dark shirt and neckerchief stands in a bar. [frame:1]
• A man in a suit and hat leans toward a woman at a bar counter. [frame:2]

3 people observed.

“All right, buddy, you gonna let it ride? On or off at 17.” 66:02 · “In every way, you're just a little bit different.” 66:18

Evidence, details and a link to share

Model synopsis: A group of men in hats stand around a bar counter in a dimly lit interior; one requests bourbon while another objects to being interrupted during a serious discussion. The scene suggests tension among patrons after a prior altercation.

5 people observed.

“Bourbon, large glass.” 66:42 · “There's plenty of room on either side. Do you have to come bowling in here between us?” 66:44

Evidence, details and a link to share

Model synopsis: Three men stand together in a dimly lit interior; a man and a woman sit at a table with drinks. No names are spoken, and no specific event is shown beyond their presence.

5 people observed.

“Gentlemen, what were the brigades in the overhead...” 67:01 · “Many of the brigades, I've had a dreadful time keeping body and soul together.” 67:03

Evidence, details and a link to share

Model synopsis: Four people sit at a table in a dimly lit establishment while a group stands at a bar in the background. One man drinks from a glass while a woman looks on; dialogue references the Becker brothers and 'mueros'.

• A man drinks from a glass at a table. [frame:3]
• A group of men stand at a bar in the background. [frame:2]
• A woman looks toward the man drinking at the table. [frame:3]

5 people observed.

“Here's your trip.” 67:16 · “What's eating you tall man?” 67:18

Evidence, details and a link to share

Model synopsis: A group of men in a dimly lit bar discuss closing an incident and managing tempers; one suggests apologizing while another calls for more whiskey. A man in a light shirt moves through the space as others remain standing near the bar.

• Several men stand near a bar, some with arms crossed. [frame:1]
• A man in a light shirt walks through the bar area. [frame:2]

5 people observed.

“Gentlemen, let's consider the incident closed.” 67:33 · “Watch our tempers.” 67:35

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up, followed by a wider shot of a saloon with a man at a piano and another moving across the room, then a close-up of two men talking. The transcript includes fragmented lines about 'the hope' and 'Andy's always on tape.'

• A woman and a man sit close together, looking at each other. [frame:1]
• A man walks across a bar while another plays piano. [frame:2]
• Two men stand close, one smiling while the other speaks to him. [frame:3]

Named: Andy (t:67:59). 6 people observed.

“the hope.” 67:58 · “Oh, Andy's always on tape.” 67:59

Evidence, details and a link to share

Model synopsis: A man in dark clothing is seen in a dimly lit interior, holding a rifle and aiming it while crouched. No dialogue or on-screen text is present in this beat.

• A man aims a rifle while crouched in a dim room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a shirt and bow tie is visible in the foreground, with other figures in hats at a bar in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man and two women are visible in a dimly lit interior space; one woman wears a sequined dress. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat moves through a dimly lit interior with ornate decor while another man speaks off-screen. The setting includes a bar or counter with bottles and a decorative pillar, and a third man is visible near the bar in the final frame.

• A man in a dark coat moves toward a bar area. [frame:1]
• A man in a light shirt turns toward another figure in shadow. [frame:2]
• A man stands near a bar counter with bottles and a decorative pillar. [frame:3]

3 people observed.

“Hey, wait a minute. It's me.” 68:29

Evidence, details and a link to share

Model synopsis: A group of people is visible on a balcony or upper level of an interior space, while a man sits alone below. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A group of people are gathered on a balcony overlooking a dimly lit, crowded room with a chandelier. One woman holds a small object while others look on or react.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two men are fighting in a crowded room; one man apologizes to another named Bert after hitting him. The scene is chaotic with people moving around and furniture visible.

• Two men are fighting in a crowded room. [frame:1]
• A man lies on the floor near overturned furniture. [frame:2]
• One man swings at another during a brawl. [frame:3]

Named: Bert (t:68:59). 3 people observed.

“I must have hit the wrong man.” 68:59 · “I'll say you did.” 68:59

Evidence, details and a link to share

Model synopsis: A physical altercation occurs among several men in a dimly lit interior space. One man is being pushed or thrown over a table while others engage around him.

• A man is shoved or thrown over a table during a scuffle. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A person in a dark interior speaks while another stands near a doorway; the scene shifts to a dim outdoor alley where figures move. No names are spoken, and the setting appears to be nighttime.

• A person sits in a dim interior, speaking. [frame:1]
• A person stands near a doorway with lettering above it. [frame:2]
• Figures move in a dark alley with a single light source. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Don't worry about me. Come on. You wait outside and take them and count them as we throw them out. Don't count. Don't count.” 69:29

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior room; the woman speaks about fear and weeping while the man mentions reading a Bible. The setting includes a bed, a lamp, and shelves with objects.

• The woman stands near the man on the bed, gesturing while speaking. [frame:1]

2 people observed.

“Oh honey, I was so afraid you'd get hurt.” 70:01 · “I'm sitting by the river and I'm weeping all the day.” 70:13

Evidence, details and a link to share

Model synopsis: A woman is shown speaking with urgency in an interior setting; a man is visible in the background. The transcript contains the word 'Quiet!' spoken during this interval.

• A woman is visible speaking with an open mouth [frame:1]
• A man stands in the background near a doorway [frame:2]

2 people observed.

“Quiet!” 70:47

Evidence, details and a link to share

Model synopsis: A woman stands in a dimly lit interior holding a chair; dialogue suggests urgency and confusion about someone leaving. No names are spoken that can be attached to visible persons.

• A woman is seen standing indoors holding a chair. [frame:1]

1 person observed.

“Oh Randy stop him! With what? Where's he going? Has he forgotten something?” 70:53 · “No.” 71:00

Evidence, details and a link to share

Model synopsis: A woman in an apron stands in a kitchen while a rider on horseback is seen through a doorway in a desert landscape. A line of dialogue expresses surprise.

• A woman stands in a kitchen, facing away from the camera. [frame:1]
• A rider on horseback is visible through a doorway, moving across a desert landscape. [frame:2]

2 people observed.

“Oh, my God.” 71:30

Evidence, details and a link to share

Model synopsis: A woman in a light blouse and skirt stands in a doorway, looking forward. Another person is visible in the background, facing away.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands beside a horse in an open landscape with rock formations visible in the background. The scene is shot in black and white with a static frame showing the man and horse through a doorway or frame.

• A man stands beside a horse in a field with rock formations in the background. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman speaks with a man at a counter while another woman is visible in the background; dialogue suggests a domestic setting with references to feeding chickens and boarding a horse. The scene includes a brief interaction about a meal and chocolate, with one character asking for help.

• A woman turns toward a counter where a man is seated. [frame:1]
• A man stands at a counter speaking to the seated man, while a woman is visible in the background. [frame:2]
• The woman in the neckerchief looks surprised or concerned. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Quiet! Don't saddle my horse, will you, kid?” 71:57 · “Hello. Well, I haven't had a decent meal since I left you. Chocolate?” 72:08

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior space, engaged in a tense conversation about past separation and fear of commitment. The dialogue reveals the man's belief that the woman left because she feared being trapped in a relationship with him.

• A man and a woman stand facing each other in a dim interior, engaged in conversation. [frame:1]

Named: Court (t:73:37). 2 people observed.

“You came back?” 72:46 · “Why?” 72:52

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close proximity, speaking and then embracing. The woman speaks about conditions for staying together, and the man responds with a physical embrace.

• The man and woman embrace tightly. [frame:3]

2 people observed.

“And I made up my mind if you came back, I'd tell you this.” 73:47 · “That whenever you want, of course, you can be.” 73:51

Evidence, details and a link to share

Model synopsis: A man stands in a doorway speaking about being an Indian fighter, while two others face him inside a dimly lit interior. The scene is framed to show the doorway and the figures in silhouette against a bright exterior.

• A man stands in a doorway speaking. [frame:1]

3 people observed.

“I'm” 74:06 · “I used to be an Indian fighter.” 74:13

Evidence, details and a link to share

Model synopsis: A man and a woman stand together in a dim interior as dialogue suggests a recent absence and a question about a horse. The man is dressed in Western attire and the woman wears a light blouse with a neckerchief.

• A man and a woman stand facing forward, with another figure partially visible to the right. [frame:1]
• The man and woman are shown in closer view, looking slightly off-camera. [frame:2]

3 people observed.

“Just can't help walking up soft on people.” 74:17 · “Morning, Missy.” 74:21

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and a woman in a light blouse are shown in conversation; a third man in a cowboy hat is visible in a group shot. The transcript includes dialogue about travel, witnesses, and names like Randy McCall and Christine Taylor.

• A man in a cowboy hat is shown in a medium close-up. [frame:1]
• A young woman is shown in a medium close-up, looking off-camera. [frame:2]
• Three people are shown together: a woman, a man in a cowboy hat, and another man seen from behind. [frame:3]

4 people observed.

“And he sure covered a lot of country.” 74:40 · “I just wanted to see what the young lady lied for you.” 74:46

Evidence, details and a link to share

Model synopsis: Two people in Western attire speak indoors; one man is shown alone with arms crossed, then with a woman. The dialogue mentions witnesses named Lala Neal, Christine, and Randy.

4 people observed.

“That's what I call witnesses.” 75:08 · “Lala Neal, I suppose.” 75:13

Evidence, details and a link to share

Model synopsis: A person in a hat stands near a brick wall with an outdoor landscape visible. Dialogue includes an insult and a question about being a 'brush jumper'.

1 person observed.

“Come here, junkhead.” 75:35 · “You dollar and a half brush jumper?” 75:37

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat sits on a horse in a dimly lit outdoor setting. He speaks about patience and mischievous quirks, and states he is present.

• A man in a cowboy hat is seated on a horse. [frame:1]

1 person observed.

“Well, there's some mischievous quirk.” 75:45 · “But I'm patient.” 75:49

Evidence, details and a link to share

Model synopsis: A man and a woman stand together in a dimly lit interior space. The transcript mentions a name, Lila, and refers to a prior conversation about her during delirium.

• A man and a woman stand side by side in a dim interior. [frame:1]

Named: Lila (t:76:06). 2 people observed.

“Lila.” 76:06 · “We talked about her when they were delirious.” 76:10

Evidence, details and a link to share

Model synopsis: A man in a dark shirt and neckerchief stands inside a dimly lit room with a wooden door behind him. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a dark dress stands in a dimly lit interior while a man in a hat is visible behind her; the transcript contains exclamations of shock. No names, time of day, or specific location are established from the frames or transcript.

• A woman reacts with shock while holding an object [frame:1]
• A man stands behind the woman, partially obscured [frame:1]

2 people observed.

“Oh, my God.” 76:38 · “Oh” 76:41

Evidence, details and a link to share

Model synopsis: A woman in period dress holds a dark object while a man in a wide-brimmed hat stands near a brick wall. No dialogue or on-screen text is present in the frames.

• A woman holds a dark object close to her chest. [frame:1]
• A man in a hat stands near a brick wall, facing away from the camera. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman holds a small dark animal while a man in a cowboy hat looks on. The setting appears to be an interior space with brick walls.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other in a dimly lit interior, speaking. The woman gestures while talking about hair resembling corn silk.

• The woman gestures while speaking to the man. [frame:1]

2 people observed.

“I'm” 77:47 · “I wish my hair were...” 77:49

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat stands outdoors holding a flaming object near a wagon, with a wooden building and distant rock formations in the background. No dialogue or on-screen text is present in this beat.

• A man holds a flaming object near a wagon. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and dark neckerchief stands outdoors in a barren, dirt landscape. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands holding a plow while another man rides a horse nearby; the transcript includes a comment about seeing Kurt Evans behind the plow. The setting is outdoors in a rocky, open area.

• A man stands holding a plow while another man rides a horse nearby. [frame:1]

Named: Kurt Evans (t:78:24). 2 people observed.

“Oh, my God.” 78:14 · “Oh, yeah.” 78:17

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats are outdoors in a rocky, arid landscape; one stands beside a horse while the other faces him. Dialogue suggests a tense, personal exchange about intentions and whereabouts.

• One man stands beside a horse while another faces him. [frame:1]
• The man in the light hat looks toward the other man. [frame:1]
• The man in the light hat is shown in close-up, looking slightly downward. [frame:2]

2 people observed.

“Pony walks as soft as you do.” 78:28 · “Oh, I figured you'd have hurt him.” 78:32

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat and dark shirt sits outdoors in a rocky, arid landscape. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men on horseback face away from the camera toward a rocky landscape. One man holds a rifle across his saddle.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats are outdoors in a rocky landscape; one stands holding reins and gestures while speaking, the other sits on a horse listening. The dialogue suggests a confrontation about a woman and a future that did not unfold as expected.

• A man in a cowboy hat gestures while speaking to another man on horseback. [frame:1]

Named: Quirk (t:78:57). 2 people observed.

“You know, Quirk,” 78:57 · “Kind of respected you.” 79:05

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks outdoors in a rocky landscape, stating he has never been run off and must leave despite wanting to stay. The scene is set in daylight with no interior elements visible.

1 person observed.

“Well, now, I'll tell you.” 79:52 · “I never have been run off no place yet.” 79:55

Evidence, details and a link to share

Model synopsis: A woman in a long dress stands beside a horse-drawn wagon near a wooden building with a porch. The setting appears to be outdoors in a rural or semi-rural area with hills in the background.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in cowboy hats are outdoors in a rocky landscape; one speaks to the other. The dialogue suggests a refusal to part ways or a challenge to a shared activity.

2 people observed.

“No quits.” 80:09 · “You don't ride a new rope with me.” 80:11

Evidence, details and a link to share

Model synopsis: A man in a hat and dark coat stands outdoors on a dirt path. No dialogue or other people are visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands near a covered wagon outside a building while a woman in a long dress and hat steps down from the wagon. Another man in a hat is visible nearby. The transcript contains only fragmented speech.

• A man stands near a covered wagon outside a building. [frame:1]
• A woman in a long dress and hat steps down from the wagon. [frame:2]

3 people observed.

“I'm.” 80:25 · “What...” 80:34

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks to a woman in a shirt; she smiles and adjusts her collar. The dialogue suggests resistance to wedding formalities and an invitation to leave together.

• The woman smiles and adjusts her collar while facing the man. [frame:2]

2 people observed.

“There's a lot of fufara and nonsense have to go with it.” 80:38 · “I'm not gonna stand for a lot of dressing up and a batch of jabbering people looking at me just 'cause I'm getting married.” 80:42

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks to a woman outdoors; she stands behind him near a vehicle. The transcript includes fragmented dialogue about blackberries and a command to 'Call her on.'

• The man is visible in a close-up, smiling slightly. [frame:1]
• The woman stands behind the man, looking at him. [frame:2]

2 people observed.

“Peccan blackberries?” 80:59 · “Mm-hmm.” 81:00

Evidence, details and a link to share

Model synopsis: A horse-drawn carriage is visible on a dirt road in a desert landscape with distant mesas. No people are clearly visible, and no dialogue or on-screen text is present in the frames.

Evidence, details and a link to share

Model synopsis: A single frame shows a wooded outdoor scene with trees and distant hills. A transcript line at 81:31 says, 'I think we have enough work.'

• A wooded outdoor scene is visible. [frame:1]

“I think we have enough work.” 81:31

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat walks outdoors carrying a bucket, then appears at a typewriter in a different outdoor setting. The transcript includes lines about disliking blackberries and the work involved.

• man walks outdoors carrying a bucket [frame:1]
• man sits at a typewriter outdoors [frame:2]

1 person observed.

“Never did like blackberries. No, I know I was right.” 81:39 · “Too much work connected with it. I'll get some more first.” 81:44

Evidence, details and a link to share

Model synopsis: A man and a woman sit outdoors near flowers while discussing a wasp and the identity of a flower. The woman corrects the man’s identification of the flower, and he responds with a playful remark about trust.

• A man and a woman sit near flowers and talk about a wasp. [frame:1]

2 people observed.

“Look out, there's a wasp on that petunia. Don't kill him!” 82:07 · “Well, it's all right for you to trust, Wasp.” 82:11

Evidence, details and a link to share

Model synopsis: A woman smiles while seated outdoors as dialogue about the name 'Court Evans' is spoken. The setting appears to be a garden or wooded area with foliage visible behind her.

• A woman is seen smiling while seated outdoors. [frame:1]

Named: Court Evans (t:82:27). 1 person observed.

“Court Evans.” 82:27 · “I just like the sound of it.” 82:31

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat speaks to a woman outdoors; he recounts being raised by a cattleman who found him on a trail. The woman listens as he describes the man's past with a lasso.

• The woman reacts to the mention of a 'wide loop'. [frame:2]

2 people observed.

“The fellow who half raised me gave it to me.” 82:37 · “He found me somewhere along the big cattle trail.” 82:40

Evidence, details and a link to share

Model synopsis: A man in a hat speaks to a woman while recounting a story about Walt Ennis, who was involved in a fatal confrontation in a gambling place. The scene is outdoors, with foliage visible in the background.

• A man in a hat speaks to a woman outdoors. [frame:1]

Named: Walt Ennis (t:83:05). 2 people observed.

“His name was Walt Ennis.” 83:05 · “He was down in a gambling place.” 83:08

Evidence, details and a link to share

Model synopsis: A woman speaks while seated outdoors, with a man partially visible beside her; the dialogue suggests a conversation about movement or evasion. No named characters or specific time of day are established.

• A woman speaks while seated outdoors next to a man. [frame:1]

2 people observed.

“Stop it.” 83:18 · “Then what?” 83:20

Evidence, details and a link to share

Model synopsis: A single frame shows a covered wagon on a rocky, mountainous terrain. No people are visible, and no dialogue or action is depicted beyond the static image.

Evidence, details and a link to share

Model synopsis: Two armed men crouch behind rocks while a man and woman ride in a wagon; later, a group travels on horseback along a dirt path. A voice states that one man has a gun despite not being seen with one.

• Two men crouch behind rocks holding rifles. [frame:1]
• A man and woman sit in a wagon, the man holding reins. [frame:2]
• A wagon pulled by horses moves along a dirt path. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“I don't see any gun.” 83:57 · “I know him. He's got a gun all right. I know him.” 83:59

Evidence, details and a link to share

Model synopsis: The beat shows two wide shots of a rugged, arid landscape with rocky formations and sparse vegetation. No people, vehicles, or structures are visible, and the only spoken word is 'Oh.'

1 person observed.

“Oh.” 84:36

Evidence, details and a link to share

Model synopsis: A person rides a horse across a desert landscape, followed by a shot of two people in a carriage, then the horse rider again. No dialogue or on-screen text is present in these frames.

• A person rides a horse across a desert landscape. [frame:1]
• Two people are seated in a moving carriage. [frame:2]
• The horse rider continues moving across the desert. [frame:3]

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of riders on horseback moves across an open landscape with trees and rocky formations. Two individuals, one in a wide-brimmed hat and the other in a bonnet, are seated together in a wagon or cart.

• Horse-drawn wagon moves through a field with trees. [frame:1]
• Riders on horseback gallop across a landscape with rocky outcrops. [frame:2]
• Two people sit side by side in a wagon, one holding reins. [frame:3]

4 people observed.

Evidence, details and a link to share

Model synopsis: Two riders on horseback travel along a dusty road in a rocky, arid landscape. One rider dismounts near a tree as the other continues forward.

• Two people ride horses down a dusty road. [frame:1]
• One rider kicks up dust while moving forward. [frame:3]
• One rider dismounts near a tree while the other remains mounted. [frame:4]

2 people observed.

Evidence, details and a link to share

Model synopsis: A lone rider on horseback traverses a steep, rocky mountainside under a cloudy sky. The terrain is rugged with sparse trees and large boulders, and the rider appears to be ascending or descending a slope.

• A rider on horseback is seen on a steep, rocky slope. [frame:1]
• The horse and rider navigate a narrow path between rocks and a bare tree. [frame:2]
• The rider continues moving along the mountainside under a cloudy sky. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A horse-drawn carriage travels across a rocky riverbed, followed by a close-up of two people seated inside, then a wider shot of the carriage continuing its journey. The setting is outdoors, with trees and a cloudy sky visible.

• A horse-drawn carriage moves across a rocky riverbed. [frame:1]
• Two people are seated in the carriage, one pointing forward. [frame:2]
• The carriage continues moving through the riverbed. [frame:3]

2 people observed.

Evidence, details and a link to share