Public Reel

Angel and the Badman · Beat 3 · permalink

Other

0:31–1:13 Released 1947; registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 0:360:36Frame at 0:520:52Frame at 1:091:09

Play from 0:31 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: picture changes. Sequence 3 · shots 2–4. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
Seen
end credits text [frame:1], landscape background [frame:1]
On screen
With HARRY CAREY BRUCE CABOT IRENE RICH LEE DIXON / Photography ARCHIE J. STOUT, A.S.C. / Musical Score ERNST FEGTE / Second Unit Director YAKIMA CANUTT / Film Editor HARRY KELLER / Musical Director CY FEUER / Sound VIC APPEL / Costumes Designed by ADELE PALMER / Set Decorations JOHN McCARTHY, JR. and CHARLES THOMPSON / Special Effects HOWARD and THEODORE LYDECKER / Makeup Supervision BOB MARK / Hair Stylist PEGGY GRAY / RICH LEE DIXON / Film Editer / Musical Director Set Decorations Effects Makeup BOB MARK Hair Stylist oF
Interpretation
Model opinion, not evidence: mood: neutral; style notes: Static wide shot with centered text overlay; high-contrast black-and-white cinematography; typical of 1940s film credit sequences.

This beat displays the end credits of the film, listing cast and crew names over a static landscape background. No characters, dialogue, or actions are depicted in the frames.

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Angel and the Badman (1947) at 0:36 (passage 0:31–1:13); US record: No renewal found

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