Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:09:54 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 92 · shots 435–435. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- man, wearing dark shirt, seated on bed, facing woman visible, audible
- woman, wearing dark dress, standing near bed, gesturing visible, audible
- Seen happening
- The woman stands near the man on the bed, gesturing while speaking. [frame:1]
- Also said
- “Just had a beautiful fight. I tell you, we really ought to be thankful for our blessings.” 70:27 · “Something I never thought I'd see. What? A Bible with your name on it. Now, where would you get a Bible?” 70:34
- Seen
- bed [frame:1], lamp with round shade [frame:1], shelves with objects [frame:1], Bible [t:70:34]
- Interpretation
- Model opinion, not evidence: mood: intimate and emotionally charged; themes: emotional vulnerability, spiritual reflection, domestic tension; style notes: low-key lighting, medium shot framing, static camera, period costume and set design
A man and a woman are in a dimly lit interior room; the woman speaks about fear and weeping while the man mentions reading a Bible. The setting includes a bed, a lamp, and shelves with objects.
“Oh honey, I was so afraid you'd get hurt.” 70:01 · “I'm sitting by the river and I'm weeping all the day.” 70:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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