A Man Betrayed (1936)

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Model synopsis: A man in a dark suit and hat speaks to a woman named Mamie about buying oil stock, claiming he will be rich and citing Mr. Powell. He questions her risk tolerance, referencing her marriage to a traveling salesman. A second man in a hat enters a room through a door marked 804.

• A man opens a door marked 804 and enters a room. [frame:2]

Named: Mamie (t:1:13). 4 people observed.

“Hello, Mamie. Get a load of this. I just bought some of our oil stuff.” 1:13 · “I'm going to be rich.” 1:17

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Model synopsis: A man asks to see Mr. Powell and is directed to a lecture room where a presentation about an oil field is underway. He is later seen standing in a corridor, holding his hat.

• A presentation about an oil field is shown to an audience. [frame:2]
• The man stands in a corridor holding his hat. [frame:3]

3 people observed.

“I'd like to see Mr. Powell.” 1:35 · “Certainly if you wish, go right down that corridor. The second door on your right.” 1:43

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Model synopsis: A man in a dark suit speaks to an audience, describing an oil field as a golden opportunity and stating he has invested all his money in it. The scene is indoors, with at least two other people partially visible.

3 people observed.

“What an inspiring sight.” 2:06 · “Did you ever see anything more beautiful?” 2:08

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Model synopsis: A man in a suit addresses an audience from a stage in a theatre, speaking about a collective investment opportunity. The audience is seated in rows, watching him.

• A man in a suit walks toward the stage from the back of the theatre. [frame:1]
• The man stands on stage facing the audience, speaking. [frame:2]

2 people observed.

“That, ladies and gentlemen, concludes our picture.” 2:44 · “But before you go, there's just one thing more I'd like to say to you.” 2:46

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Model synopsis: Two men converse in a room with bookshelves and a metal structure; one, in a suit, speaks about a business venture and his personal investment, while the other, in dark attire, questions its ethics. The dialogue references a jungle, cannibals, and a fiancée named Cadiz.

• Frank stands and gestures toward Hayden while speaking. [frame:3]
• Frank and Hayden face each other closely, engaged in conversation. [frame:4]

Named: Frank (t:4:23), Hayden (t:3:28). 2 people observed.

“When did you get back to civilization?” 3:30 · “I see you stayed one jump ahead of them. Or are you too tough to make a good stew? Sit down.” 3:39

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Model synopsis: A woman and a man in clerical attire are introduced in an interior setting; dialogue references a well and a character named Curtis. The man is identified as Curtis, the brother of the speaker, and is described as having left missionary work.

• A woman stands in a room holding papers. [frame:1]
• A man in clerical attire stands facing forward. [frame:2]

Named: Curtis (t:4:57). 2 people observed.

“And if the well doesn't come in?” 4:50 · “This is my brother Curtis.” 4:57

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Model synopsis: Three people are in a room; one man speaks about entertaining another with shows and bars, then suggests dinner at his apartment to celebrate, mentioning a Miss Norton. The woman and the man in the suit appear together in a final frame.

• The man in the dark suit is shown alone, looking surprised. [frame:3]
• The woman and the man in the light suit are shown together, smiling. [frame:4]

Named: Frank (t:5:15). 3 people observed.

“Now, let's not worry about me. The point is, we have to worry about you.” 5:08 · “You know, hot shows, cabarets, maybe a gambling club or two, and all the best cocktail bars. That's what I like about Frank. His taste is…” 5:15

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Model synopsis: A man in a suit stands with a woman at a desk while another man in dark clothes holds a hat nearby. The dialogue suggests they are discussing leaving work soon and ordering food, including Swiss steak and a lemon pie.

3 people observed.

“It's getting near quitting time.” 5:42 · “And could we have some of that famous Swiss steak with nickel-sized biscuits?” 5:50

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Model synopsis: A man and a woman stand in an interior room; the man says he will get his coat while the woman says she will wait. The wall behind them displays a nameplate reading 'FRANK POWELL SALES MANAGER'.

• A man and a woman stand facing each other in an office with a nameplate on the wall. [frame:1]

Named: Frank Powell (frame:1). 2 people observed.

“Yes, sir.” 6:00 · “I'll get my coat.” 6:10

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Model synopsis: A man and a woman meet in an office; she expresses concern about oil stock based on a letter from Joe, and he reassures her after reviewing a report. The woman mentions Sarah advised going to the police, but she chose to consult him instead.

• Mrs. Harding enters the office after being invited in. [frame:1]

Named: Frank (t:6:21), Mrs. Harding (t:6:19). 2 people observed.

“Hello, Mrs. Harding.” 6:19 · “And I've just had a letter from him that's made me terribly anxious about my oil stock.” 6:40

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Model synopsis: Three men in suits are in an office, discussing reports about drilling operations; one man expresses doubt about the reports' accuracy and mentions a letter from Mrs. Hardy. One man, Halton, claims to be in charge of operations and dismisses the concerns, while another man, Pao, appears distressed and admits to having invested his own money.

Named: Carlton (t:8:07), Halton (t:8:26), Pao (t:8:39). 4 people observed.

“What sort of progress are we making at the field, Carlton?” 8:07 · “Here's a letter from a Mrs. Hardy.” 8:20

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Model synopsis: Three men stand around a seated man at a desk in an office; one speaks about not selling stock until seeing a field. No names are established by the transcript for any person.

• Three men stand around a seated man at a desk in an office. [frame:1]

4 people observed.

“I think you're getting yourself all worked up over nothing, Paul.” 8:52 · “Why, certainly.” 8:54

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Model synopsis: Two men in suits are in an office; one seated, one standing, discussing a trip and a sales campaign. One man, addressed as Powell, refuses to wait and threatens consequences if there is wrongdoing.

Named: Powell (t:9:16), Colton (t:9:19). 3 people observed.

“We can't spare you right now, Powell.” 9:16 · “I'm not waiting for anything.” 9:17

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Model synopsis: A man in a dark suit stands near a doorway, speaking on the phone. He arranges a flight reservation to Miami and then calls for someone named Miss Norton.

• A man in a dark suit stands near a doorway, holding a phone receiver to his ear. [frame:1]

1 person observed.

“That goes for you, too, gentlemen.” 9:27 · “Get me South American Airways.” 9:36

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Model synopsis: A man sits at a desk speaking on the phone while two others stand nearby; the transcript reveals a message about leaving town and a subsequent conversation about a failed financial gamble. No names are spoken that can be linked to the visible individuals.

• Three men are present in an office; one sits at a desk with a phone, two stand nearby. [frame:1]

3 people observed.

“This is Mr. Powell speaking.” 10:11 · “Tell her something has happened that makes it necessary for me to leave town immediately.” 10:13

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Model synopsis: A man in a suit holds a glass while speaking; another man sits at a desk with papers and a telephone as a third man stands behind him holding a glass. The dialogue suggests a discussion about leaving quickly, financial matters, and personal consequences.

• A man stands holding a glass, eyes closed, in an office. [frame:1]
• A man sits at a desk with papers and a telephone; another man stands behind him holding a glass. [frame:2]

3 people observed.

“We might move to a healthier climate.” 10:51 · “I have a wife and family.” 11:03

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Model synopsis: A man in a suit stands in a room with blinds and a side table; he appears distressed as he speaks. The transcript includes exclamations and a prayer, suggesting emotional tension.

• The man stands with head slightly bowed, hands at sides, in a room with blinds and a side table. [frame:1]

1 person observed.

“I'm sorry.” 11:38 · “Oh, my God.” 11:45

Evidence, details and a link to share

Model synopsis: A close-up of a mechanical device with a flexible hose and a needle-like tip pressing onto paper, likely a dictaphone or similar recording apparatus. No people, dialogue, or environmental context are visible in the frame.

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Model synopsis: A man in a suit speaks into a telephone receiver while seated in an office; the transcript reveals he is reading a suicide note. Later, off-screen voices discuss financial figures and cotton.

• A man in a suit holds a telephone receiver to his mouth. [frame:1]

Named: William Carson (t:12:54). 1 person observed.

“To my dear family.” 12:15 · “by my two partners, to join them in using some of the company's funds.” 12:21

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Model synopsis: Two men discuss a life insurance payout tied to a violent death, referencing a past fight and a payment of two thousand dollars. One man, identified as Tony Marocco, is present during the exchange.

• A man's hands count cash on a desk. [frame:1]

Named: Tony Marocco (t:14:48). 2 people observed.

“He carried $100,000 life insurance made out to the firm.” 13:46 · “It pays double for violent death.” 13:56

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Model synopsis: A man in a suit speaks on the phone indoors, then another man in a fedora and suit stands outdoors near a vehicle. The transcript includes dialogue about a job, meeting across the street, and a character named Frank Powell.

• A man in a fedora stands outdoors near a vehicle. [frame:2]

Named: George Richards (t:14:49), Frank Powell (t:16:04). 3 people observed.

“This is George Richards.” 14:49 · “Meet me across the street from my office in about 20 minutes.” 14:58

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Model synopsis: A man in a suit is shown in a private office, followed by a scene of a man behind bars being spoken to. The transcript reveals an accusation of murder and a claim of innocence, with references to a victim named Carlton and a trial.

• A man in a suit sits in an office with a lamp visible. [frame:1]
• A man is seen behind a wire mesh barrier, being addressed by another person. [frame:2]

3 people observed.

“For what? For the murder of William Carlton.” 16:10 · “I didn't kill Carlton. I swear I didn't! I swear it!” 16:40

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Model synopsis: A man in a dark clerical collar is seen behind a wire mesh screen, speaking about faith and imprisonment. The transcript reveals a conversation about proving innocence, insurance investigators, and the emotional toll of facing prison.

1 person observed.

“The insurance company investigators and private detectives are working on that angle now. If I could get out of here for a no, I'd prove it…” 18:07 · “I'd make them confess and I'd blow their heads off. Take it easy, boy.” 18:13

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Model synopsis: Two men speak through a wire mesh barrier; one is in clerical clothing, the other in a collared shirt. The dialogue references an office, making money the wrong way, and retribution.

• A man in clerical clothing speaks to Frank through a wire mesh barrier. [frame:1]
• Frank, seen from behind, raises his hand toward the mesh barrier. [frame:2]

Named: Frank (t:18:40). 2 people observed.

“I only wish I could go in your place, Frank.” 18:40 · “Remember what I said that day in your office.” 18:56

Evidence, details and a link to share

Model synopsis: A man is seen behind a wire mesh barrier while another man speaks to him, urging him to compose himself because Margie is waiting. The setting appears to be an institutional interior, likely a jail cell, based on the barrier and the interaction.

Named: Margie (t:19:03). 2 people observed.

“Come now. Put yourself together. Margie's waiting to see you.” 19:03

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Model synopsis: A man and a woman stand close, speaking intimately in an interior setting; the woman wears a hat and dark coat, the man a jacket, and their dialogue references past outings including a fair and an amusement park. No names are established from the transcript beyond 'Frank', and no objects or on-screen text are visible beyond their clothing and a doorway.

Named: Frank (t:19:28). 2 people observed.

“Frank. Hello, honey.” 19:28 · “Gee, you look pretty.” 19:32

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Model synopsis: A woman speaks with a man through a wire mesh window while another man is escorted into a jail cell by a uniformed officer; later, a man in a hat is forcibly led away by another man near a train platform. The dialogue includes references to pie, a birthday, and handcuffs, and ends with a command to board a train.

• A woman speaks with a man through a wire mesh window. [frame:1]
• A man is escorted into a jail cell by a uniformed officer. [frame:2]
• A man in a light suit is forcibly led away by another man near a train platform. [frame:3]

7 people observed.

“How's the cooking coming along? Fine. I've got a new pie recipe. You make the crust with vanilla wafer.” 19:53 · “Come on now, it's time to go to the train. Can you put whipped cream on it? It's nearly all whipped cream. I know, I like it, but...” 20:00

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Model synopsis: A close-up of a ship's deck shows steam rising from a pipe and a crew member visible behind equipment. No people are named or heard, and no dialogue is present in this beat.

• Steam rises from a pipe on the ship's deck. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in suits and hats are seen inside a train car, one standing and confronting seated men; outside, a vintage car is parked beside the train. A later frame shows figures obscured by smoke or steam, suggesting a chaotic or tense moment.

• Two men are visible through a train window, one pointing. [frame:1]
• A man in a dark suit stands over seated men inside the train car. [frame:2]
• A vintage car is parked beside the train, with a man visible in the driver's seat. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“What are you going up for, buddy? He's going up for a minute. Yes, but I'm innocent. So am I.” 21:39 · “They're railroading me, too. I never stole nothing in my life.” 21:44

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Model synopsis: A man identified as Gabby is dismissed by his boss after being released from custody; he is given a gun and money and told to leave town. Another man refuses to leave and is offered money for the gun, which he accepts before departing.

• The boss returns the gun and says goodbye. [frame:1]

Named: boss (t:22:44), Gabby (t:22:49), Keyes (t:22:54), Gary (t:23:41). 5 people observed.

“- Hiya, boss. - Here we are.” 22:44 · “You ain't working for me no more, Gabby.” 23:00

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Model synopsis: A woman offers her engagement ring to a man, suggesting they can raise money on it. The man listens as she holds out the ring near a lamp in a dimly lit room.

• The woman holds out the ring toward the man near a lamp. [frame:2]

2 people observed.

“You mean you still believe he has a chance?” 24:36 · “Yes, more than ever.” 24:38

Evidence, details and a link to share

Model synopsis: Two men in suits confront each other in an interior space; one accuses the other of murder for insurance money, and the accused admits guilt. The confrontation occurs after a mention of an escaped prisoner and a missing person named Richardson.

Named: Paul (t:25:49). 2 people observed.

“We're from headquarters. We want to look around.” 24:57 · “You two killed Carlton for the insurance money.” 25:41

Evidence, details and a link to share

Model synopsis: Four men in suits and hats are in a room; one identifies himself as Frank Powell and confronts another named Curtis. A gun is present, and dialogue indicates a confession under duress and an impending police arrival.

• Frank Powell confronts Curtis in a room with two other men. [frame:1]

Named: Frank Powell (t:26:21), Curtis (t:26:32). 4 people observed.

“Send up a couple of men to 926 West 10th Street. Apartment 211.” 26:16 · “This is Frank Powell speaking.” 26:21

Evidence, details and a link to share

Model synopsis: Two men in suits and hats walk through an interior space while a woman is seen in distress. Dialogue reveals a plot involving a prison escape, a loan on an engagement ring, and a police officer named Ryan questioning someone at an athletic club.

• Two men in suits and hats walk through an interior space. [frame:1]
• A woman is seen with her hands to her face, appearing distressed. [frame:2]

Named: Brian (t:28:42), Ryan (t:29:10), Sparks (t:29:11), Bill Scully (t:29:13), Gabby Holt (t:29:21). 8 people observed.

“I thought I was working things out. I've only made them worse. Well, you shouldn't have done it, Curtis.” 27:26 · “Why, that's Marjorie's engagement rent. She gave it to me to raise money to help you.” 28:01

Evidence, details and a link to share

Model synopsis: Two men in suits and hats converse in an indoor setting; one is instructed to enter a boxing ring with another named Roundhouse. The dialogue suggests a plan to incapacitate someone named Mish to prevent him from answering questions.

2 people observed.

“Well, did you find anything? Yeah, a hairpin.” 31:07 · “You're new around here, aren't you? Yeah. Where are you from?” 31:20

Evidence, details and a link to share

Model synopsis: Two men in tank tops spar in a boxing ring while spectators watch; one man teases another about his shoelace. Dialogue references New York and college as places of origin for fighting skill.

• Two men spar in a boxing ring while spectators watch. [frame:1]
• A man in a suit speaks to the fighters. [frame:1]

5 people observed.

“I've seen that guy somewhere before. Yeah? Yeah.” 32:24 · “But I've never been in New York. Pretty good, huh? Pretty good, huh?” 32:33

Evidence, details and a link to share

Model synopsis: A man in a fedora holds a telephone receiver while two others stand behind him; one is bandaged. The transcript reveals a conversation about a canceled fight and a bet being called off.

• A man in a fedora holds a telephone receiver while two others stand behind him; one is bandaged. [frame:1]

3 people observed.

“Hello, Tony.” 33:02 · “Brownhouse can't fight on the 15th.” 33:11

Evidence, details and a link to share

Model synopsis: Three men in suits and hats are in a room, discussing a fight scheduled for the 15th; one man threatens to turn another over to the police unless he wins. One man mentions having a 'Charlie Hawk' and suggests turning back, but the others insist he go ahead.

• Three men stand in a room, one speaking while the others listen. [frame:1]

Named: Sparks (t:33:55). 3 people observed.

“You gotta take Roundhouse Place on the 15th, Mish.” 33:41 · “And Tony's boy ain't no champ. You're crazy, Sparks. He hasn't got a champ. Well, who have we got to do?” 33:55

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Model synopsis: A man runs alongside a woman on horseback in an outdoor setting; they exchange greetings and discuss the weather before she asks why he missed her party. No names are spoken that identify the individuals beyond 'Miss Nelson'.

• A man runs alongside a woman on horseback. [frame:1]

Named: Miss Nelson (t:34:51). 2 people observed.

“- Thanks. - Don't mention it, Miss Nelson.” 34:51 · “But remember, he's in training.” 34:56

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Model synopsis: A man in a turtleneck sweater stands on a dirt path near a fence while a woman on horseback approaches; she identifies herself as Helen. The dialogue suggests a disagreement over social norms or invitations.

• The woman on horseback approaches the man standing on the path. [frame:2]

Named: Helen (t:35:29). 2 people observed.

“Sorry. That's against training regulations.” 35:22 · “Don't you ever do anything you shouldn't? I try not to.” 35:25

Evidence, details and a link to share

Model synopsis: A man in a turtleneck sweater stands outdoors near a fence and trees; another person is seen mounting a horse nearby. Dialogue suggests a tense farewell followed by cries for help.

• A man in a turtleneck stands outdoors, looking off-camera. [frame:1]
• A person mounts a dark horse near trees and a fence. [frame:2]

2 people observed.

“six mornings on the bridle path hardly gives me that privilege. Oh, so that's it.” 35:40 · “See you again sometime. Goodbye.” 35:46

Evidence, details and a link to share

Model synopsis: A man in a hat and work shirt holds an axe outdoors with mountains in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman lies on the ground outdoors while a man stands nearby holding a tool; she tells him to leave and claims to be unconscious. The man questions her mental state as she repeats her demand for him to go away.

• A woman lies on the ground outdoors. [frame:1]
• A man stands nearby holding a tool. [frame:2]

Named: lady (t:36:17), William (t:36:20). 2 people observed.

“Go away, William. Beat it.” 36:20 · “Are you having a fit? No, I'm not having a fit. I'm unconscious. Can't you see?” 36:23

Evidence, details and a link to share

Model synopsis: A rural roadside scene with a wooden fence, trees, and utility poles is shown. No people or vehicles are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: A woman lies on the ground while two men stand over her; one asks if she is hurt and calls her Helen. The second man interrupts, telling the first not to get upset.

• A woman lies on the ground while two men stand over her. [frame:1]

Named: Helen (t:36:52), Helen (t:36:52). 3 people observed.

“Miss Vincent!” 36:51 · “Are you hurt? Helen!” 36:52

Evidence, details and a link to share

Model synopsis: A man in overalls suggests throwing someone in a creek while speaking to two others outdoors. No names are spoken, and the setting appears to be near a creek with trees visible.

3 people observed.

“Where can I get some water?” 37:08 · “Well, you might throw her in the creek right over there.” 37:10

Evidence, details and a link to share

Model synopsis: A woman enters an office where a man sits at a desk; she speaks with him while seated. The dialogue suggests she is recounting a failed romantic encounter with someone described as inhuman, comparing him to the Sphinx.

• A woman walks into an office and approaches a seated man. [frame:1]
• The woman is seated across from a man at a desk with a telephone and books. [frame:2]

3 people observed.

“I came back to get warm. That mish is colder than a cake of ice.” 37:38 · “That's just what I mean. The guy ain't human. I'd rather make love to the Sphinx.” 37:44

Evidence, details and a link to share

Model synopsis: Two men in suits negotiate over a fight bet in an office; one offers to call it off as a gesture of friendship, but the other suspects a hidden motive. A woman is visible in the background during the conversation.

• A man in a fedora stands beside a seated man on the phone. [frame:1]
• The standing man gestures toward the seated man at a desk. [frame:2]
• The seated man laughs while the woman in the background watches. [frame:3]

Named: Sparks (t:38:20), Tony (t:39:15). 3 people observed.

“I'm going to see things your way and call off that fight bet.” 38:44 · “You're afraid Mitch will clean up the ring with your boy.” 38:57

Evidence, details and a link to share

Model synopsis: A man leans over a desk while two others stand nearby in a room with a telephone and a small statue. One man is told to jab a knife into the desk.

• A man leans over a desk while two others stand nearby. [frame:1]

3 people observed.

“Smokey, go ahead and jab your knife in my desk.” 39:42

Evidence, details and a link to share

Model synopsis: The frame is entirely black with no visible content. No events, people, or objects can be identified from the provided frame or transcript.

Evidence, details and a link to share

Model synopsis: Two men converse in an interior space; one mentions a fighter named Mitch and expresses admiration for his preaching. A third person, Key, is announced to be arriving with someone else.

• Two men are talking in an office. [frame:1]

Named: Mitch (t:39:55), Key (t:40:18). 4 people observed.

“Hiya, kid. How you feeling? I'm all right. How's Mitch?” 39:55 · “Say, and what a fighter he is. If he'd only quit preaching and let me manage him...” 40:01

Evidence, details and a link to share

Model synopsis: A man in a suit kisses a woman in a dark dress while two other men observe; one of the men is adjusting his hat. The transcript includes the word 'Margarine' and a call of 'Frank!' at 40:26.

• A man kisses a woman while two other men watch. [frame:1]

4 people observed.

“Margarine. Frank!” 40:26

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora speaks on a telephone while another man stands behind him; later, he talks with a woman and another man. The transcript reveals that a character named Mish has been arrested and is being held without bail, and a lawyer is being contacted.

• Sam hands the phone to another man who speaks with Spikes. [frame:3]
• Sam, a woman, and another man stand together in conversation. [frame:4]

Named: Sam (t:40:34), Spikes (t:40:54). 5 people observed.

“This is Sam.” 40:34 · “They've got him in jail.” 40:37

Evidence, details and a link to share

Model synopsis: A man in a fedora and vest stands in an apartment doorway, then speaks with two others nearby. The transcript reveals a discussion about trading a child, proving innocence, and the police's inability to solve the case.

• A man stands in a doorway. [frame:1]
• The man talks with a woman and another man. [frame:2]

3 people observed.

“Maybe we can trade the kid for him.” 41:17 · “Besides, that'll be letting Mish down. Now get away from me. I've got to think.” 41:21

Evidence, details and a link to share

Model synopsis: Three men in suits and hats stand indoors, discussing a lock and keys related to a killing. One man states that only two keys existed, held by him and the manager, and claims the door was opened by an expert.

3 people observed.

“What kind of a lock is it?” 42:08 · “Bloody tough.” 42:10

Evidence, details and a link to share

Model synopsis: Five men in suits and hats stand in a dimly lit room with furniture; one man gestures toward a door while others listen. A voice orders lights turned on and directs a search of the apartment after mentioning a body found behind an overturned table.

• Five men stand in a room; one gestures toward a door. [frame:1]

5 people observed.

“Turn on the lights.” 42:30 · “- Is that the only door? - Yes.” 42:38

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora stands beside a window with blinds, looking out. The room contains a framed picture and a small object on the windowsill.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora examines an object near a couch while two other men in suits and hats stand nearby; a third man is seen standing by a door marked 203. Dialogue suggests a shot was heard and a body was moved to the location.

• A man kneels beside a couch examining an object. [frame:1]
• Three men in suits and hats stand together in a room. [frame:2]
• A man stands by a door marked 203. [frame:3]

4 people observed.

“Nobody heard that? That's right.” 43:10 · “Well, maybe they couldn't with the door closed” 43:12

Evidence, details and a link to share

Model synopsis: Three men in suits and hats stand in a dim interior, discussing a murder and a closed office; one man crouches nearby. The dialogue reveals the office belongs to partners Richardson and Burns, who are suspected of a frame-up and have an alibi.

• Three men stand in conversation in an office while a fourth crouches nearby. [frame:1]

4 people observed.

“When was the last place you saw Carton alive? In his office, in the Mutual building. Deptown.” 43:33 · “There's two partners, Richardson and Burns. Well, they're in on the frame-up. That don't mean nothing.” 44:04

Evidence, details and a link to share

Model synopsis: Three men in suits and hats examine an object on a desk in an office; one is identified as Frank Powell. They discuss a murder investigation, insurance investigators, and a dictaphone, while another character named Smokey is addressed off-screen.

Named: Frank Powell (t:45:13), Smokey (t:46:59), Tony (t:47:01), Carlton (t:47:14). 6 people observed.

“Frank Powell.” 45:13 · “trying to prove I didn't kill Tarbun.” 45:17

Evidence, details and a link to share

Model synopsis: Two men in suits and hats enter an office; one carries a coat. Later, a man reads a suicide letter attributed to Carlton, who is mentioned in dialogue as having been killed. The office is being rearranged, with instructions to remove Carlton’s name from the door and replace it with the speaker’s.

• Two men in suits and hats enter an office; one carries a coat. [frame:1]

Named: Mr. Richard (t:48:39), Mr. Burns (t:48:40), Sam (t:48:54), Joe (t:47:52), Mark (t:47:42), Carlton (t:47:14). 8 people observed.

“What do you know about a guy named Carlton who was killed?” 47:14 · “Good morning, Mr. Richard.” 48:39

Evidence, details and a link to share

Model synopsis: Two men in suits and hats stand in an interior room with blinds and a desk, discussing police findings and innocence. One man gestures while speaking; the other listens, and they mention Powell and fraud.

Named: Powell (t:50:15). 2 people observed.

“Are we lucky?” 50:10 · “The police have found this? They convict us of fraud.” 50:11

Evidence, details and a link to share

Model synopsis: Two men are confronted and arrested for the murder of William Carlton; one claims Carlton committed suicide. A signed confession from Tony Maroc is cited as evidence against them.

5 people observed.

“You two men are under arrest. Arrest?” 50:34 · “For the murder of William Carlton.” 50:39

Evidence, details and a link to share

Model synopsis: A man in a fedora speaks indoors, then a man and woman smile outdoors near a vehicle; a group gathers on a platform, and three people converse closely. A transcript reveals a character named Nick and a reference to being honest and coming clean with a judge.

• A man in a fedora speaks indoors. [frame:1]
• A man and woman smile outdoors near a vehicle. [frame:2]
• A group gathers on a platform near a vehicle. [frame:3]
• 1 more under Evidence and details.

Named: Nick (t:51:16), Sparks (t:51:16). 9 people observed.

“Rule it.” 51:14 · “Don't stay away so long this time. I won't. And don't forget to ride and take good care of yourself.” 51:16

Evidence, details and a link to share

Model synopsis: A man in a suit and hat speaks to others in a vehicle interior, then joins a group outside where he announces he received a suspended sentence and presents a gift. The group, including a woman in a hat, reacts with smiles.

• A man in a suit and hat speaks inside a vehicle. [frame:1]
• The man in the light suit smiles while holding a hat, standing with two others outside. [frame:2]
• The first man smiles inside the vehicle. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“He gave us three years. - Three years? - Yeah. Suspended sentence. So it's a straight and narrow for me from now on. You know, the good old…” 51:39 · “Hey, fellas!” 51:52

Evidence, details and a link to share

Model synopsis: A steam locomotive is shown on a railway track. No people or dialogue are visible or audible in this beat.

• A steam locomotive is stationary on a railway track. [frame:1]

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands on a balcony with a striped awning, raising his right hand. The scene is shot in black and white with high-contrast lighting.

• A man raises his right hand while standing on a balcony. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands alone on a train platform while a group of people walks away down the tracks. The scene is shot from a high angle, showing the platform, tracks, and station architecture.

• A man stands alone on a train platform. [frame:1]
• A group of people walks away down the platform. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A train is stopped at a station platform with people visible on the rear platform. The scene is outdoors under daylight conditions.

• A train is stopped at a station with people on its rear platform. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Four men are on a railway track; one is lying down while others stand or crouch nearby. A line spoken at 52:26 refers to someone being told to 'call me a fight' after being 'a rock out of jail.'

• Four men are positioned around a railway track, one lying down, others crouching or standing. [frame:1]

4 people observed.

“Well, it was a swell idea anyhow.” 52:21 · “I told him a rock out of jail. Don't forget to call me a fight.” 52:26

Evidence, details and a link to share