Public Reel

Disorder in the Court (1936)

No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6383 of 1936 by Columbia Pictures Corp. Of California, Ltd was not renewed in the volumes searched. Record.

Poster for Disorder in the Court
Copy
disorder_in_the_court on the Internet Archive; released 1936
Read
164 shots over 16:36 · 71 beats in 41 sequences · 175 transcript lines · JSON
Record
Disorder in the Court No renewal found
Poster
Wikimedia Commons, public domain
Wrong?
Report a problem
Lands on the beat covering that second.
41 sequences; each is also a heading below.
How this page was made

164 shots over 16:36, read from the Internet Archive copy disorder_in_the_court (disorder_in_the_court.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Disorder in the Court No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 164 shots judged colour), average shot 6.1s long, a frontal face detected in 42% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1936 (Internet Archive).

71 beats in 41 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 71 of 71 beats annotated, 71 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:03, shot 00:03
1 of 1 shots sampled

1. Beat 1

0:00–0:07 Machine checks passed

Model synopsis: The beat consists of a single black frame at 4 seconds with no visible content or audio. No location, people, or events can be identified from this frame.

Evidence, details and a link to share

Sequence 2 from 0:07

Sequence 3 from 0:41

Frame at 0:56, shot 40:56Frame at 0:59, shot 50:59Frame at 1:03, shot 71:03Frame at 1:07, shot 81:07
4 of 5 shots sampled

4. Courtroom

0:55–1:10 Machine checks passed (partial)

Model synopsis: A courtroom scene unfolds with a man in a suit questioning a witness, a judge presiding, and a bailiff standing nearby. The transcript reveals a legal argument over a question about Kirk Robin, with a request to strike it from the record.

  • A man in a suit stands in the courtroom. [frame:4]

4 people observed.

“Then who killed Kirk Robin? I don't know. Didn't you kill Kirk Robin? I abject, Your Honor.” 0:55 · “and ask that the last question be stricken from the records.” 1:02

Evidence, details and a link to share

Sequence 4 from 1:10

Frame at 1:13, shot 91:13
1 of 1 shots sampled

5. Courtroom

1:10–1:15 Machine checks passed

Model synopsis: A group of people is seated behind a wooden railing in what appears to be a courtroom. No dialogue or action is visible in the single frame provided.

10 people observed.

Evidence, details and a link to share

Sequence 5 from 1:15

Frame at 1:16, shot 101:16Frame at 1:19, shot 111:19Frame at 1:22, shot 121:22
3 of 3 shots sampled

6. Courtroom

1:15–1:25 Machine checks passed (partial)

Model synopsis: A judge in a courtroom sustains an objection; a man in a suit thanks the court and concludes his statement. A second man stands near a seated woman in a ruffled collar, both in the same room.

  • Judge seated at bench [frame:1]
  • Man in suit stands facing court [frame:2]
  • Man stands near woman seated in chair [frame:3]

4 people observed.

“Objection sustained.” 1:16 · “Thank you, Your Honor.” 1:18

Evidence, details and a link to share

Sequence 6 from 1:25

Frame at 1:26, shot 131:26Frame at 1:34, shot 141:34
2 of 2 shots sampled

7. Courtroom

1:25–1:40 Machine checks passed (partial)

Model synopsis: A man in a tuxedo stands in a courtroom while a parrot is visible in a cage. The transcript mentions introducing three witnesses named Howard, Fine, and Howard.

  • A man in a tuxedo is standing in a courtroom. [frame:2]
  • A parrot is visible in a cage. [frame:1]

2 people observed.

“Fire up!” 1:25 · “Quiet, Polly.” 1:28

Evidence, details and a link to share

Sequence 7 from 1:40

Frame at 1:42, shot 151:42
1 of 1 shots sampled

8. Other

1:40–1:45 Machine checks passed

Model synopsis: A violin rests on a wooden bench with handwritten chalk text reading 'Gone to lunch Moe Larry Curly'. No people are visible or audible in this beat.

Evidence, details and a link to share

Sequence 8 from 1:45

Frame at 1:49, shot 161:49Frame at 1:55, shot 171:55Frame at 2:02, shot 182:02
3 of 3 shots sampled

9. Courtroom

1:45–2:06 Machine checks passed (partial)

Model synopsis: A man in a tuxedo addresses the court, then walks toward two men near a doorway. The transcript indicates he is excusing himself to return shortly.

  • Man in tuxedo stands and speaks toward the bench. [frame:1]
  • Man in tuxedo walks toward two men near a doorway. [frame:3]

5 people observed.

“They were here a minute ago.” 1:47 · “Will you pardon me, Your Honor?” 1:49

Evidence, details and a link to share

Frame at 2:13, shot 192:13Frame at 2:21, shot 202:21Frame at 2:27, shot 222:27Frame at 2:37, shot 232:37
4 of 5 shots sampled

10. Courtroom

2:06–2:45 Machine checks passed (partial)

Model synopsis: Three men are seen kneeling on a floor with chalk markings, while another man in a tuxedo speaks urgently. Later, a man in a white suit stands on a railing holding a violin, as others watch from a gallery.

  • Three men kneel on a floor with chalk markings. [frame:1]
  • A man in a tuxedo speaks with an urgent expression. [frame:2]
  • A man in a tuxedo pulls another man away from a group. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“Hey.” 2:10 · “What's the idea of spoiling the game? I was for onesies.” 2:11

Evidence, details and a link to share

Frame at 2:48, shot 242:48
1 of 1 shots sampled

11. Courtroom

2:45–2:51 Machine checks passed (partial)

Model synopsis: A man in a bowler hat and light suit is visible in a courtroom setting, holding a cane. No names are spoken, and no other events or objects are clearly identifiable in the frame.

  • man in bowler hat adjusts his stance while holding a cane [frame:1]

3 people observed.

“Ahem.” 2:49

Evidence, details and a link to share

Sequence 9 from 2:51

Frame at 2:53, shot 252:53
1 of 1 shots sampled

12. Courtroom

2:51–2:55 Machine checks passed (partial)

Model synopsis: A man in a suit stands over another man lying on the floor in a crowded room with spectators seated behind a railing. No dialogue or on-screen text is present in this beat.

  • A man in a suit stands over another man lying on the floor. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 10 from 2:55

Frame at 2:58, shot 262:58Frame at 3:07, shot 273:07
2 of 2 shots sampled

13. Courtroom

2:55–3:14 Machine checks passed (partial)

Model synopsis: A judge speaks from the bench while several men stand near the witness box in a courtroom. The transcript includes the judge asking for quiet and someone responding that the gate is locked.

  • The judge is seated at the bench, speaking into a microphone. [frame:1]
  • Several men stand near the witness box area while others watch from the gallery. [frame:2]

6 people observed.

“Will you gentlemen please try to be a little more quiet in the court?” 2:55 · “Certainly, Judgey. The gate is locked.” 3:00

Evidence, details and a link to share

Frame at 3:15, shot 283:15
1 of 1 shots sampled

14. Courtroom

3:14–3:16 Machine checks passed

Model synopsis: Two men are visible in a courtroom setting; one is seated at a desk while the other stands behind him. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 3:33, shot 293:33Frame at 3:56, shot 303:56Frame at 4:14, shot 314:14Frame at 4:27, shot 324:27
4 of 4 shots sampled

15. Courtroom

3:16–4:29 Machine checks passed (partial)

Model synopsis: A man in a dark suit is being sworn in by a man in a light suit in a courtroom; a judge sits at a bench. The transcript shows repeated, confused instructions about removing a hat and raising a hand, followed by a garbled oath.

  • A man in a light suit begins to swear in a man in a dark suit. [frame:1]
  • The man in the light suit places his hand on the head of the man in the dark suit, who is wearing a bowler hat. [frame:2]
  • The man in the dark suit raises his right hand while the man in the light suit gestures. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Take off your hat.” 3:17 · “Do you solemnly swear to tell us who's open truth and nothing to the truth?” 4:02

Evidence, details and a link to share

Frame at 4:31, shot 334:31Frame at 4:36, shot 344:36Frame at 4:41, shot 354:41Frame at 4:45, shot 364:45
4 of 4 shots sampled

16. Courtroom

4:29–4:45 Machine checks passed (partial)

Model synopsis: A man in a light suit is sworn in as a witness in a courtroom while a judge presides. Another man in a dark suit stands beside him, and the judge is seen speaking from the bench.

  • A man in a light suit raises his right hand to be sworn in. [frame:1]
  • The judge speaks from the bench. [frame:2]
  • The man in the light suit looks at the man in the dark suit while holding his hand up. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Judgey Woody?” 4:31 · “Kindly address this court as your honor.” 4:33

Evidence, details and a link to share

Frame at 4:52, shot 374:52Frame at 5:02, shot 395:02Frame at 5:04, shot 405:04Frame at 5:21, shot 425:21
4 of 6 shots sampled

17. Courtroom

4:45–5:22 Machine checks passed (partial)

Model synopsis: A man in a light suit stands near a judge's bench while another man in dark clothes holds a briefcase; a third man with curly hair sits nearby. The judge, seated at the bench, later appears alone in a close-up as the transcript indicates disorder and a command to proceed with the case.

  • Three men stand near a judge's bench; one holds a briefcase. [frame:1]
  • A man with curly hair sits and looks toward others. [frame:2]
  • A man in a light suit moves toward the bench; another man bends over; a third crouches on the floor. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“Where am I put it?” 4:46 · “No, no, take the stand.” 4:48

Evidence, details and a link to share

Frame at 5:27, shot 435:27Frame at 5:33, shot 445:33Frame at 5:46, shot 465:46Frame at 5:59, shot 475:59
4 of 5 shots sampled

18. Courtroom

5:22–6:06 Machine checks passed

Model synopsis: A courtroom scene unfolds with a lawyer questioning a witness about an incident at the Black Bottom Cafe involving Miss Gayle Tempest and Kirk Robin. The judge sustains an objection, and the lawyer rephrases his question while a man in a bowler hat laughs at a joke about numbers.

  • Man in bowler hat laughs after being told '76' follows '75'. [frame:4]

7 people observed.

“Were you in the Black Bottom Cafe on the night of February the 13th?” 5:25 · “Spike Lee!” 5:29

Evidence, details and a link to share

Frame at 6:08, shot 486:08Frame at 6:20, shot 496:20Frame at 6:31, shot 506:31
3 of 3 shots sampled

19. Courtroom

6:06–6:31 Machine checks passed (partial)

Model synopsis: A courtroom scene where a witness is prompted to address the judge properly before giving testimony about a murder. The judge is seated at the bench, and two men stand at the witness stand.

  • The judge is seated at the bench. [frame:1]
  • The witness stands at the witness stand with a man in a suit beside him. [frame:2]
  • The judge is shown again, seated at the bench. [frame:3]

Named: Mr. Howard (t:6:10), Cora (t:6:25). 4 people observed.

“Request granted.” 6:06 · “Mr. Howard.” 6:10

Evidence, details and a link to share

Frame at 6:35, shot 516:35Frame at 6:41, shot 526:41Frame at 6:49, shot 546:49Frame at 6:54, shot 556:54
4 of 5 shots sampled

20. Courtroom

6:31–6:57 Machine checks passed (partial)

Model synopsis: A man in a light suit speaks in a courtroom while seated, holding a hat; another man in a dark suit stands nearby. The jury box is shown with several seated individuals, and a close-up shows a man in a dark suit with a flower on his lapel. The transcript includes dialogue about musicians, a fan-swinger, and a hoofer, with a request to speak English.

  • A man in a light suit speaks while seated in a courtroom. [frame:1]
  • A man in a dark suit stands beside the seated man. [frame:1]
  • The jury box is shown with multiple seated individuals. [frame:2]
  • 2 more under Evidence and details.

4 people observed.

“Well, me and my pals, we're musicians.” 6:32 · “Gail over there was swinging the fans.” 6:36

Evidence, details and a link to share

Frame at 7:07, shot 567:07
1 of 1 shots sampled

21. Courtroom

6:57–7:16 Machine checks passed (partial)

Model synopsis: In a courtroom, a man in a white suit gestures toward another man in a tuxedo while a judge observes from the bench. The transcript indicates a proposal to act out an event for the jury, which is approved.

  • A man in a white suit gestures toward a man in a tuxedo while a judge watches. [frame:1]

Named: Gilly (t:7:16). 3 people observed.

“Talk so the jury can understand.” 6:59 · “Is everybody dumb? Say, Judgey, if you let me, my partner, and Daley kind of act it out for you, we'll show you just what happened.” 7:01

Evidence, details and a link to share

Frame at 7:21, shot 577:21Frame at 7:27, shot 587:27Frame at 7:30, shot 597:30Frame at 7:37, shot 607:37
4 of 4 shots sampled

22. Courtroom

7:16–7:42 Machine checks passed (partial)

Model synopsis: A courtroom scene unfolds with a woman standing before a judge, spectators seated in the gallery, a man at a desk, and three men including a violinist. A bell rings and someone says 'Okay, Gilly.'

  • A woman stands before a judge in a courtroom. [frame:1]
  • Spectators are seated in the courtroom gallery. [frame:2]
  • A man in glasses sits at a desk, looking down. [frame:3]
  • 1 more under Evidence and details.

Named: Gilly (t:7:16). 8 people observed.

“Okay, Gilly.” 7:16 · “*Bell rings*” 7:28

Evidence, details and a link to share

Sequence 11 from 7:42

Frame at 7:44, shot 617:44
1 of 1 shots sampled

23. Courtroom

7:42–7:46 Machine checks passed

Model synopsis: A woman in a dark swimsuit and heels walks across a courtroom while men watch. A judge sits at a bench and a portrait hangs on the wall.

5 people observed.

Evidence, details and a link to share

Sequence 12 from 7:46

Frame at 7:48, shot 627:48
1 of 1 shots sampled

24. Courtroom

7:46–7:50 Machine checks passed

Model synopsis: A group of four people stands in a courtroom setting; one woman wears a robe and holds papers, while three men stand behind her. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Sequence 13 from 7:50

Frame at 7:53, shot 637:53
1 of 1 shots sampled

25. Courtroom

7:50–7:55 Machine checks passed

Model synopsis: Three men are visible in a room; one stands holding a violin bow, another sits holding a violin, and a third sits holding a violin. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 14 from 7:55

Sequence 15 from 7:57

Frame at 7:59, shot 657:59
1 of 1 shots sampled

27. Private office

7:57–8:01 Machine checks passed

Model synopsis: A man in a suit and tie with a distinctive haircut is visible in a close-up. No other people, objects, or on-screen text are discernible in the frame.

1 person observed.

Evidence, details and a link to share

Sequence 16 from 8:01

Frame at 8:03, shot 668:03
1 of 1 shots sampled

28. Other

8:01–8:06 Machine checks passed

Model synopsis: A man in a light suit and bow tie sits in a wooden chair, smiling and holding his hands together. The setting appears to be an interior room with wooden paneling and a dark object to the left.

1 person observed.

Evidence, details and a link to share

Sequence 17 from 8:06

Frame at 8:08, shot 678:08
1 of 1 shots sampled

29. Courtroom

8:06–8:10 Machine checks passed (partial)

Model synopsis: A woman in a dark leotard and hat runs down a courtroom aisle while men watch from the gallery. The setting is an interior courtroom with wooden railings and benches.

  • A woman runs down the aisle of a courtroom. [frame:1]

4 people observed.

Evidence, details and a link to share

Sequence 18 from 8:10

Frame at 8:11, shot 688:11
1 of 1 shots sampled

30. Courtroom

8:10–8:12 Machine checks passed

Model synopsis: A man in a judge's robe sits in a high-backed chair, viewed from the front. The setting appears to be a courtroom, with no visible text or other people in the frame.

1 person observed.

Evidence, details and a link to share

Sequence 19 from 8:12

Frame at 8:15, shot 698:15
1 of 1 shots sampled

31. Theatre

8:12–8:17 Machine checks passed

Model synopsis: Three men perform on a stage with musical instruments: a double bass, a clarinet, and a violin. A fourth man sits at a piano in the background.

4 people observed.

Evidence, details and a link to share

Sequence 20 from 8:17

Sequence 21 from 8:19

Frame at 8:21, shot 718:21
1 of 1 shots sampled

33. Other

8:19–8:23 Machine checks passed (partial)

Model synopsis: A man in a suit plays a double bass in an interior space. No dialogue or on-screen text is present in this beat.

  • A man plays a double bass with a bow. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 22 from 8:23

Frame at 8:26, shot 738:26
1 of 1 shots sampled

35. Private office

8:25–8:27 Machine checks passed (partial)

Model synopsis: A man in a suit and glasses holds a long stick in his mouth while seated indoors. No dialogue or on-screen text is present in this beat.

  • man holds a stick in his mouth while seated [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 23 from 8:27

Frame at 8:29, shot 748:29Frame at 8:33, shot 758:33Frame at 8:35, shot 768:35Frame at 8:39, shot 778:39
4 of 4 shots sampled

36. Courtroom

8:27–8:42 Machine checks passed (partial)

Model synopsis: A man in a suit holds a large string instrument while another man plays a violin; a third man with glasses reacts as a wig flies off his head. The violinist then holds the wig on his bow during the performance.

  • A man in a suit holds a large string instrument upright. [frame:1]
  • A man with curly hair plays a violin. [frame:2]
  • A balding man with glasses reacts as a wig flies off his head. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“It's a hair filler!” 8:40

Evidence, details and a link to share

Sequence 24 from 8:42

Frame at 8:49, shot 788:49
1 of 1 shots sampled

37. Courtroom

8:42–8:55 Machine checks passed (partial)

Model synopsis: A man in a light suit stands over another man crouched near a chair while a third man is bent over nearby; the standing man appears to be speaking. No names, times, or places are established beyond the courtroom setting implied by the film's title and context.

  • A man in a light suit stands over another man who is crouched near a chair. [frame:1]
  • A third man is bent over on the right side of the frame. [frame:1]
  • The standing man appears to be speaking to the crouched man. [frame:1]

3 people observed.

“Let's move you!” 8:50

Evidence, details and a link to share

Frame at 8:56, shot 798:56Frame at 8:58, shot 808:58Frame at 8:59, shot 818:59Frame at 9:08, shot 829:08
4 of 4 shots sampled

38. Courtroom

8:55–9:16 Machine checks passed (partial)

Model synopsis: A man in a courtroom reacts with shock while others handle a large spider; a man in a suit holds a gun and speaks. The scene includes a group of spectators and a man with a double bass.

  • A man in a robe reacts with shock, hand on head. [frame:1]
  • A man holds a double bass while another holds a gun and a spider is visible. [frame:2]
  • A group of men in the gallery watch the scene. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“I killed him! Oh! A billmouse! Stand back and it's liable to bite you.” 8:56 · “Tarantula. Tarantula.” 9:03

Evidence, details and a link to share

Sequence 25 from 9:30

Frame at 9:33, shot 859:33
1 of 1 shots sampled

40. Courtroom

9:30–9:35 Machine checks passed

Model synopsis: A woman in a dark dress and hat stands at a railing with men seated behind her. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Frame at 9:37, shot 869:37
1 of 1 shots sampled

41. Courtroom

9:35–9:40 Machine checks passed

Model synopsis: A person in a black leotard and gloves performs a dance move in front of a seated audience. The setting appears to be a courtroom with spectators behind a railing.

2 people observed.

Evidence, details and a link to share

Sequence 26 from 9:40

Frame at 9:51, shot 879:51Frame at 10:03, shot 8810:03Frame at 10:08, shot 8910:08Frame at 10:14, shot 9010:14
4 of 4 shots sampled

42. Courtroom

9:40–10:16 Machine checks passed (partial)

Model synopsis: Three men in suits stand before a judge in a courtroom; the audience laughs as one man speaks to another. The judge, seated in a high-backed chair, instructs them to continue after a request to omit entertainment.

  • Three men stand together in a courtroom, one with hand on another's shoulder. [frame:1]
  • The audience is shown laughing. [frame:2]
  • Three men stand facing each other, one with hand on another's shoulder. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“That was sure hot, Moe.” 9:41 · “Hey, Larry.” 9:48

Evidence, details and a link to share

Frame at 10:20, shot 9110:20Frame at 10:29, shot 9210:29
2 of 2 shots sampled

43. Private office

10:16–10:33 Machine checks passed (partial)

Model synopsis: Two men argue in an office; one grabs the other by the neck and drags him toward a letterpress. A third man observes. The transcript mentions names Kirk Robin and Buck Wing and describes the argument.

  • Buck Wing drags Kirk Robin toward a letterpress. [frame:2]

Named: Kirk Robin (t:10:18), Buck Wing (t:10:18). 3 people observed.

“I stuck my head in the office door and I saw Kirk Robin and Buck Wing arguing.” 10:18 · “Oh, but the parrot cage. What were they arguing about? I don't know. But Buckwing was sizzling like a hot hamburger.” 10:23

Evidence, details and a link to share

Frame at 10:37, shot 9310:37Frame at 10:44, shot 9410:44Frame at 10:48, shot 9510:48Frame at 10:53, shot 9610:53
4 of 4 shots sampled

44. Courtroom

10:33–10:56 Machine checks passed (partial)

Model synopsis: A man in a courtroom physically assaults another man with a letterpress machine while spectators watch. The transcript describes the assault with exaggerated violence and includes a line about being 'gentle with his words' after the act.

  • A man holds another man by the neck while standing over a letterpress machine. [frame:1]
  • The man in the cap leans over the letterpress machine with a surprised expression. [frame:2]
  • The man in the cap lifts the letterpress machine over the man lying on it. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“Then he smacks him on the head like that. Then he pokes his coconut into the letterpress, see? Like that. Then he says, I'll squeeze the …” 10:34 · “Then he gives him the works, like this.” 10:44

Evidence, details and a link to share

Sequence 27 from 10:56

Frame at 10:56, shot 9710:56
1 of 1 shots sampled

45. Courtroom

10:56–10:57 Machine checks passed

Model synopsis: A single frame shows a ceiling-mounted light fixture and a wall sconce in a dimly lit interior. No people, actions, or text are visible in this beat.

Evidence, details and a link to share

Sequence 28 from 10:57

Frame at 11:00, shot 9911:00
1 of 1 shots sampled

47. Courtroom

10:59–11:01 Machine checks passed

Model synopsis: A man in a suit is visible in a medium shot, raising his hand to his forehead. No dialogue or on-screen text is present in this beat.

  • A man raises his right hand to his forehead. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 29 from 11:01

Frame at 11:05, shot 10011:05Frame at 11:27, shot 10111:27
2 of 2 shots sampled

48. Courtroom

11:01–11:45 Machine checks passed (partial)

Model synopsis: A man in a suit gestures emphatically toward another man during a courtroom scene while speaking about a pistol's trigger. The transcript includes dialogue about a defendant named Gail Tentas and a claim that the pistol's trigger is too hard to pull without mule-like strength.

  • A man in a pinstripe suit points at another man while speaking. [frame:1]
  • A man in a dark suit stands with his back to the camera, facing the courtroom. [frame:2]

4 people observed.

“What's the matter? You want to kill me? Why, it's preposterous.” 11:08 · “When the police broke into the office, they found this woman, the defendant, Gail Tentas, bending over the body of the murdered man with a r…” 11:11

Evidence, details and a link to share

Frame at 11:49, shot 10211:49Frame at 11:57, shot 10311:57Frame at 12:04, shot 10512:04Frame at 12:11, shot 10612:11
4 of 5 shots sampled

49. Courtroom

11:45–12:17 Machine checks passed (partial)

Model synopsis: A man in a suit holds a revolver while another man speaks in a courtroom setting; the scene escalates as a man lunges over a railing toward the seated audience. A woman is later seen close to a man who leans toward her.

  • A man in a light suit holds a revolver while another man stands beside him. [frame:1]
  • A man in a dark suit gestures while speaking to the court. [frame:2]
  • A man lunges over a railing toward seated spectators. [frame:3]
  • 1 more under Evidence and details.

7 people observed.

“How could Gale Tempest's frail little finger pull the rusty trigger of that instrument of destruction?” 11:55 · “See, there was nothing in it.” 12:01

Evidence, details and a link to share

Frame at 12:17, shot 10712:17
1 of 1 shots sampled

50. Other

12:17–12:18 Machine checks passed

Model synopsis: A man in a light shirt is visible holding a dark object with both hands, appearing to struggle or exert force. The setting is an interior space with indistinct background elements.

1 person observed.

Evidence, details and a link to share

Sequence 30 from 12:18

Frame at 12:20, shot 10812:20
1 of 1 shots sampled

51. Courtroom

12:18–12:22 Machine checks passed

Model synopsis: Two men stand facing each other in a courtroom; one gestures toward the other while holding an object. No dialogue is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 31 from 12:22

Frame at 12:24, shot 10912:24
1 of 1 shots sampled

52. Courtroom

12:22–12:26 Machine checks passed

Model synopsis: Two men stand in a courtroom; one in a pinstripe suit looks down, the other in a dark suit holds his chest. The setting is an interior space with a judge visible in the background.

3 people observed.

Evidence, details and a link to share

Sequence 32 from 12:26

Frame at 12:29, shot 11012:29
1 of 1 shots sampled

53. Private office

12:26–12:31 Machine checks passed (partial)

Model synopsis: Four men are in a room; one is restrained by two others while a fourth watches. No dialogue or on-screen text is present in this beat.

  • Two men restrain a third man while a fourth watches from the side. [frame:1]

4 people observed.

Evidence, details and a link to share

Frame at 12:31, shot 11112:31
1 of 1 shots sampled

54. Private office

12:31–12:32 Machine checks passed

Model synopsis: Two men are physically struggling in a room with furniture and a window; one man in a light coat is being restrained by another man in a dark suit. No dialogue or on-screen text is present in this beat.

  • A man in a dark suit restrains another man in a light coat. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 33 from 12:32

Frame at 12:34, shot 11212:34
1 of 1 shots sampled

55. Courtroom

12:32–12:36 Machine checks passed

Model synopsis: A man in a dark suit sits at a desk, holding a pen, in a room with wood paneling and a column. No dialogue or action is visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 34 from 12:36

Frame at 12:45, shot 11312:45Frame at 12:56, shot 11412:56
2 of 2 shots sampled

56. Courtroom

12:36–12:57 Machine checks passed (partial)

Model synopsis: Four men stand in a courtroom, speaking and gesturing; a separate shot shows a crowded jury box with men and one boy. The transcript includes lines about being a witness and disturbing the court.

  • The man in the light suit gestures while speaking. [frame:1]
  • The jury box is shown with men and one boy seated. [frame:2]

5 people observed.

“You was called to be a witness, wasn't you? Certainly. So was you. What are you butting in for?” 12:37 · “You're supposed to be a good one, ain't you? Well, ain't I? Now, what are you disturbing the court for?” 12:42

Evidence, details and a link to share

Sequence 35 from 12:57

Frame at 13:01, shot 11513:01
1 of 1 shots sampled

57. Private office

12:57–13:05 Machine checks passed

Model synopsis: A man in a light suit and bow tie is visible in a medium close-up, pointing with his right index finger. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 36 from 13:05

Frame at 13:07, shot 11613:07Frame at 13:12, shot 11713:12
2 of 2 shots sampled

58. Courtroom

13:05–13:15 Machine checks passed (partial)

Model synopsis: A man in a robe sits in a high-backed chair while another man in a suit gestures with his hands. The transcript includes a command to stop chewing gum and an affirmative reply.

  • An older man in a robe sits in a high-backed chair, looking to his right. [frame:1]
  • A man in a suit gestures with both hands while speaking. [frame:2]

2 people observed.

“Stop chewing that gum.” 13:06 · “Certainly!” 13:09

Evidence, details and a link to share

Frame at 13:16, shot 11813:16
1 of 1 shots sampled

59. Courtroom

13:15–13:17 Machine checks passed

Model synopsis: A man in a judge's robe is seated in a high-backed chair, viewed from the side. The setting appears to be a courtroom, though no other elements are visible in the frame.

1 person observed.

Evidence, details and a link to share

Sequence 37 from 13:17

Sequence 38 from 13:27

Frame at 13:28, shot 12013:28Frame at 13:31, shot 12113:31Frame at 13:42, shot 12313:42Frame at 13:47, shot 12413:47
4 of 5 shots sampled

61. Courtroom

13:27–13:49 Machine checks passed (partial)

Model synopsis: A man in a suit attempts to clean another man's face while a judge presides over a crowded courtroom. The transcript indicates a demand for order after an outburst.

  • A man in a dark suit holds a handkerchief to another man's face. [frame:2]
  • A judge raises a gavel while a man stands with arms raised in a crowded courtroom. [frame:3]

4 people observed.

“Wait a minute, hold still. I'll get it.” 13:29 · “How about my nose?” 13:33

Evidence, details and a link to share

Sequence 39 from 13:49

Frame at 13:51, shot 12513:51Frame at 13:54, shot 12613:54Frame at 14:00, shot 12814:00Frame at 14:04, shot 12914:04
4 of 5 shots sampled

62. Courtroom

13:49–14:06 Machine checks passed (partial)

Model synopsis: A judge sits in a courtroom while two men search through papers near a birdcage as a parrot is mentioned. The transcript indicates confusion over a letter that must be found.

  • Judge is seated and looking to his right. [frame:1]
  • Two men are searching through papers near a birdcage in a courtroom. [frame:2]
  • Judge is looking forward with a stern expression. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Find the letter! Find the letter! What does this parrot mean by "find the letter"? There's a whole pile of letters there. Must be here.” 13:55

Evidence, details and a link to share

Frame at 14:08, shot 13014:08Frame at 14:20, shot 13214:20Frame at 14:29, shot 13414:29Frame at 14:42, shot 13614:42
4 of 7 shots sampled

63. Courtroom

14:06–14:44 Machine checks passed (partial)

Model synopsis: A man in a suit reacts as a parrot flies through a courtroom, causing chaos. Another man is seen holding the parrot while a third man reacts with distress, mentioning a Stradivarius violin.

  • A parrot flies through the courtroom, causing disruption. [frame:2]
  • A man holds the parrot while others react. [frame:3]
  • A man in a bow tie reacts dramatically while another man holds his ear. [frame:4]

4 people observed.

“Look! There's a note tied to the parrot's foot.” 14:08 · “Come on, Polly Polly Polly Polly. Come on, Polly Polly Polly.” 14:11

Evidence, details and a link to share

Sequence 40 from 14:44

Frame at 14:45, shot 13714:45
1 of 1 shots sampled

64. Courtroom

14:44–14:46 Machine checks passed

Model synopsis: A man in a dark suit gestures toward a birdcage in a courtroom setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 41 from 14:46

Frame at 14:48, shot 13814:48Frame at 14:50, shot 13914:50Frame at 14:59, shot 14014:59
3 of 3 shots sampled

65. Courtroom

14:46–15:06 Machine checks passed (partial)

Model synopsis: Two men are in a courtroom; one grabs the other while a parrot perches on a wall sconce. A third man in a suit observes as the first man demands a 'hole' and objects to proceedings.

  • p1 grabs p2 by the shoulder [frame:1]
  • a parrot is perched on a wall sconce [frame:2]
  • p1 gestures aggressively while p3 watches [frame:3]

3 people observed.

“Find my letter!” 14:49 · “Find the letter! How do we get him now? Let's get some salt and put it on his tail. That's no way to get a parrot. You've got to wet his…” 14:50

Evidence, details and a link to share

Frame at 15:08, shot 14115:08Frame at 15:17, shot 14315:17Frame at 15:23, shot 14515:23Frame at 15:28, shot 14715:28
4 of 7 shots sampled

66. Courtroom

15:06–15:30 Machine checks passed (partial)

Model synopsis: A man in a light suit handles a rifle while a uniformed officer stands nearby in a courtroom. The man appears to be demonstrating or mishandling the weapon as another person raises a hand in the background.

  • Man in light suit holds a rifle upright near a wooden stand. [frame:1]
  • Man in light suit holds rifle horizontally while officer in uniform stands beside him. [frame:2]
  • Man in light suit leans over a table with rifle, another man raises hand in background. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Frame at 15:31, shot 14815:31Frame at 15:34, shot 14915:34Frame at 15:36, shot 15015:36
3 of 3 shots sampled

67. Private office

15:30–15:39 Machine checks passed (partial)

Model synopsis: A man in a dark suit gestures toward a parrot cage while shouting. Another man in a light suit uses a hose on him, causing the first man to recoil and cover his face.

  • Man in dark suit shouts and gestures toward a parrot cage. [frame:1]
  • Man in light suit aims a hose at the man in the dark suit. [frame:2]
  • Man in dark suit recoils and covers his face with his hands. [frame:3]

2 people observed.

“I gotta get that parrot! Hey, you!” 15:33

Evidence, details and a link to share

Frame at 15:40, shot 15115:40Frame at 15:42, shot 15215:42Frame at 15:47, shot 15415:47Frame at 15:52, shot 15515:52
4 of 5 shots sampled

68. Courtroom

15:39–15:54 Machine checks passed (partial)

Model synopsis: A man in a light suit holds a shotgun that fires a bright beam; another man in a dark uniform assists him with it. A third man in a suit and a fourth man with curly hair stand nearby, observing. The transcript includes shouted commands and a claim of possession.

  • A man in a light suit holds a shotgun that emits a bright beam. [frame:1]
  • A man in a dark uniform assists the man with the shotgun. [frame:3]
  • Two men stand side by side, one holding a small object, the other looking on. [frame:4]

4 people observed.

“Whoa! Whoa! I'm... Shut that off! Wait a minute, I'll have to tell you nothing!” 15:39 · “Give me that. I... I got it. Got it?” 15:50

Evidence, details and a link to share

Frame at 15:54, shot 15615:54Frame at 16:03, shot 15716:03
2 of 2 shots sampled

69. Courtroom

15:54–16:12 Machine checks passed (partial)

Model synopsis: A courtroom scene shows a man in a light shirt being restrained by a uniformed officer while another man in a suit stands nearby; spectators are seated in the foreground. A transcript line attributes a confession to 'Buckwheat' and includes celebratory exclamations.

  • A man in a light shirt is being restrained by a uniformed officer. [frame:1]
  • A man in a suit stands near a judge's bench while spectators watch. [frame:2]

Named: Buckwheat (t:16:03). 5 people observed.

“Get this! Who killed Kirk Robin? I killed Kirk Robin. And that was my little bow and arrow. Don't try to find me as I'm shuffling off th…” 15:55 · “Signed, Buckwheat! Hooray! Hooray! Hooray! Hooray!” 16:03

Evidence, details and a link to share

Frame at 16:13, shot 15816:13
1 of 1 shots sampled

70. Courtroom

16:12–16:14 Machine checks passed (partial)

Model synopsis: A man in a light suit lunges forward while another man in a dark suit recoils; two other men and a woman observe from behind. The setting is a courtroom with a judge visible at a bench in the background.

  • A man in a light suit lunges toward another man in a dark suit who recoils. [frame:1]

5 people observed.

Evidence, details and a link to share

Frame at 16:16, shot 15916:16Frame at 16:19, shot 16016:19Frame at 16:22, shot 16216:22Frame at 16:29, shot 16316:29
4 of 5 shots sampled

71. Courtroom

16:14–16:36 Machine checks passed (partial)

Model synopsis: A group of people in formal and casual attire are gathered in a courtroom-like setting; one man holds a baton. The scene ends with a splash and a title card reading 'The End'.

  • A group of people stand in a courtroom setting, one holding a baton. [frame:1]
  • The group remains in place, some turning slightly. [frame:2]
  • A large splash of water or debris erupts in the scene. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“Now, ready? Hold it!” 16:16 · “Oh, my God.” 16:21

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 175 segments kept, 40 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:33 Mm-hmm.
  2. 0:34 Do you sound as very gentle, though, as an animal is true?
  3. 0:43 What is your name?
  4. 0:44 Gail Tempest.
  5. 0:45 What is your occupation?
  6. 0:47 I'm a dancer.
  7. 0:48 On the night of February the 13th, were you working at the Black Bottom Cafe when this murder was committed? Yes.
  8. 0:54 But I didn't do it.
  9. 0:55 Then who killed Kirk Robin? I don't know. Didn't you kill Kirk Robin? I abject, Your Honor.
  10. 1:02 and ask that the last question be stricken from the records.
  11. 1:05 It is merely an attempt to influence this intelligent,
  12. 1:08 broad-minded and most intellectual jury.
  13. 1:16 Objection sustained.
  14. 1:18 Thank you, Your Honor.
  15. 1:20 That is all.
  16. 1:25 Fire up!
  17. 1:28 Quiet, Polly.
  18. 1:31 If it please the court, Your Honor, at this time I would like to introduce my three main witnesses, Howard, Fine, and Howard.
  19. 1:47 They were here a minute ago.
  20. 1:49 Will you pardon me, Your Honor?
155 more segments
  1. 1:51 I'll be right back.
  2. 2:10 Hey.
  3. 2:11 What's the idea of spoiling the game? I was for onesies.
  4. 2:14 Well, here's Tuesday. Whoa, whoa! He was a woman. You get him to--
  5. 2:18 He is five, please.
  6. 2:20 Gentlemen, gentlemen! Don't you realize Miss Gayle Tepest's life is at stake?
  7. 2:49 Ahem.
  8. 2:55 Will you gentlemen please try to be a little more quiet in the court?
  9. 3:00 Certainly, Judgey. The gate is locked.
  10. 3:02 Will you please step forward?
  11. 3:05 No, no, no. Prepare yourself for the witness box.
  12. 3:17 Take off your hat.
  13. 3:19 I'll raise your right hand.
  14. 3:21 I'll place your left hand here.
  15. 3:23 Take off your hat.
  16. 3:25 Raise your right hand.
  17. 3:27 Now put your left hand here.
  18. 3:29 Please take off your hat.
  19. 3:33 Raise your right hand. Now put your left hand here.
  20. 3:38 Will you please take off your hat?
  21. 3:43 Raise your right hand.
  22. 3:47 Now put your left hand here.
  23. 3:49 Take off your hat!
  24. 3:51 Raise your right hand.
  25. 3:53 Will you get rid of that hat?
  26. 3:56 Raise your right hand.
  27. 4:01 Raise your right hand.
  28. 4:02 Do you solemnly swear to tell us who's open truth and nothing to the truth?
  29. 4:06 Huh?
  30. 4:07 Do you solemnly swear to tell us who told you that other's truth?
  31. 4:10 Are you trying to give me the double talk?
  32. 4:12 Do you solemnly swear to tell truth, all truth, and other not the truth?
  33. 4:16 Why don't you answer him? He's talking pig Latin. I don't know what he's saying. He's asking you if you swear-- No, but I know all the words. He's asking you if you'll swear to tell the truth.
  34. 4:29 Chunk is stranger than fiction.
  35. 4:31 Judgey Woody?
  36. 4:31 *crying*
  37. 4:33 Kindly address this court as your honor.
  38. 4:37 and take the old.
  39. 4:39 Do you solemnly swear to tell a truth to hold to that anthem of the truth?
  40. 4:42 Certainly! What have I got to lose?
  41. 4:44 Take the stand.
  42. 4:46 Where am I put it?
  43. 4:48 No, no, take the stand.
  44. 4:51 I got it. Now what'll I do with it?
  45. 4:53 I'm going to go.
  46. 4:57 Sit down!
  47. 4:58 You're in the court, not in Clancy's pool room. Sit down. I'm a victim of circumstance. Who are you hitting? I'm going. Be quiet.
  48. 5:21 Proceed with the case.
  49. 5:25 Were you in the Black Bottom Cafe on the night of February the 13th?
  50. 5:29 Spike Lee!
  51. 5:31 Did you at that time see the defendant, Miss Gayle Tempest?
  52. 5:34 in any way, shape, or form, commit or try to commit bodily harm,
  53. 5:38 to the deceased, Kirk Robin?
  54. 5:40 I object Toronto.
  55. 5:41 House is trying to lead to witness.
  56. 5:43 Objection sustained.
  57. 5:46 Mr. Howard.
  58. 5:47 Did you see Miss Gale Tempest?
  59. 5:50 in physical fight with Kirk Robin? - If it pleases the court, may I suggest that counsel be instructed to allow the witness to testify to what he saw.
  60. 5:59 I say, Jasper, what comes after 75? 76. That's the spirit. Ha, ha, ha, ha, ha.
  61. 6:06 Request granted.
  62. 6:08 Proceed with the testimony.
  63. 6:10 Mr. Howard.
  64. 6:11 Kindly tell the court what you know about the murder of Kirk Robin.
  65. 6:14 Well, it was like this, Mr. Cort.
  66. 6:16 Address the judge as your honor.
  67. 6:18 Well, it was like this, my honor. Your honor, not my honor.
  68. 6:22 Why? Don't you like 'em?
  69. 6:24 Uh...
  70. 6:25 Allow the witness to proceed. The court understands him. Thanks, Cora. You're a pal.
  71. 6:32 Well, me and my pals, we're musicians.
  72. 6:34 We were tearing up some hot swing music in the orchestra.
  73. 6:36 Gail over there was swinging the fans.
  74. 6:39 Now, sweetie, Kirk Robin?
  75. 6:41 was inhaling a bottle of hooch at a table.
  76. 6:43 And a hoofer by the name of Buck Wing was getting ready to shake his tootsies.
  77. 6:48 kindly speak English and drop the vernacular.
  78. 6:52 - Nigula?
  79. 6:53 That's a doy-bee!
  80. 6:54 Drop the vernacular.
  81. 6:57 No, no, not that.
  82. 6:59 Talk so the jury can understand.
  83. 7:01 Is everybody dumb? Say, Judgey, if you let me, my partner, and Daley kind of act it out for you, we'll show you just what happened.
  84. 7:09 If counsel doesn't object, that's an excellent idea. No objections. No objections. No objections.
  85. 7:16 Okay, Gilly.
  86. 7:28 *Bell rings*
  87. 8:40 It's a hair filler!
  88. 8:50 Let's move you!
  89. 8:56 I killed him! Oh! A billmouse! Stand back and it's liable to bite you.
  90. 9:03 Tarantula. Tarantula.
  91. 9:04 Shot five holes in the divot. Get out of here. Go on. Pushed five good slugs in the...
  92. 9:10 I'll sue you for this.
  93. 9:13 Oh, superstitious, eh? Oh, vice-a-kid.
  94. 9:17 Gentlemen, you must control your killing instinct.
  95. 9:20 Proceed to the testimony please.
  96. 9:22 Proceed.
  97. 9:41 That was sure hot, Moe.
  98. 9:48 Hey, Larry.
  99. 9:51 Listen.
  100. 9:53 Listen.
  101. 9:56 Please omit the rest of the entertainment.
  102. 10:14 And continue.
  103. 10:16 Now, Kayleigh's dance was over.
  104. 10:18 I stuck my head in the office door and I saw Kirk Robin and Buck Wing arguing.
  105. 10:23 Oh, but the parrot cage. What were they arguing about? I don't know. But Buckwing was sizzling like a hot hamburger.
  106. 10:28 He grabs Kirk by the neck like that, see? And drags him over to the letterpress, see?
  107. 10:34 Then he smacks him on the head like that. Then he pokes his coconut into the letterpress, see? Like that. Then he says, I'll squeeze the cider out of your Adam's apple.
  108. 10:44 Then he gives him the works, like this.
  109. 10:47 Then he keeps turning them. And twist them.
  110. 10:52 That leaves him gentle with his words.
  111. 11:04 Oh, my God.
  112. 11:08 What's the matter? You want to kill me? Why, it's preposterous.
  113. 11:11 When the police broke into the office, they found this woman, the defendant, Gail Tentas, bending over the body of the murdered man with a revolver clucking in her hand, which only goes to prove that my client is innocent.
  114. 11:21 Innocent! Exactly, and I'll prove it.
  115. 11:24 Ladies and gentlemen,
  116. 11:25 The action of this pistol is so hard
  117. 11:28 It would take the strength of a mule to pull the trigger.
  118. 11:32 Twiets. I know you. No, your ears are too short, gentlemen. So am I your...
  119. 11:38 Pull the trigger.
  120. 11:40 Never fear, it's not loaded.
  121. 11:45 Hey!
  122. 11:52 I'm sorry.
  123. 11:55 How could Gale Tempest's frail little finger pull the rusty trigger of that instrument of destruction?
  124. 12:01 See, there was nothing in it.
  125. 12:08 Broad Lane 9972.
  126. 12:13 After five o'clock.
  127. 12:37 You was called to be a witness, wasn't you? Certainly. So was you. What are you butting in for?
  128. 12:42 You're supposed to be a good one, ain't you? Well, ain't I? Now, what are you disturbing the court for?
  129. 12:46 Yeah, huh, huh, huh, huh.
  130. 12:48 Get going.
  131. 13:06 Stop chewing that gum.
  132. 13:09 Certainly!
  133. 13:17 Will you throw that gum away?
  134. 13:20 Look, I got a good one.
  135. 13:29 Wait a minute, hold still. I'll get it.
  136. 13:33 How about my nose?
  137. 13:38 Hey, you're in a court, not in the woods, Tarzan. Cut it out. Come on. Order in this court.
  138. 13:55 Find the letter! Find the letter! What does this parrot mean by "find the letter"? There's a whole pile of letters there. Must be here.
  139. 14:08 Look! There's a note tied to the parrot's foot.
  140. 14:11 Come on, Polly Polly Polly Polly. Come on, Polly Polly Polly.
  141. 14:14 Come on, Polly Polly Polly. Come on.
  142. 14:17 Ouch! Look down, here it comes. Take that, Barry. Take him, take him. Take him. Take him. Wow! It's a kill for you. Hey. Oh, my Stradivarius. Oh, my beautiful Stradivarius. Grab your ear.
  143. 14:41 Come on.
  144. 14:49 Find my letter!
  145. 14:50 Find the letter! How do we get him now? Let's get some salt and put it on his tail. That's no way to get a parrot. You've got to wet his feathers so he can't fly.
  146. 14:57 Oh, don't do nothing till you hear from me.
  147. 14:59 Come on. Give me a hand.
  148. 15:03 Wait a minute, hold it. What do you mean? I object, Your Honor. Please proceed this courtroom. What's the idea? Give me that hole.
  149. 15:33 I gotta get that parrot! Hey, you!
  150. 15:39 Whoa! Whoa! I'm... Shut that off! Wait a minute, I'll have to tell you nothing!
  151. 15:50 Give me that. I... I got it. Got it?
  152. 15:55 Get this! Who killed Kirk Robin? I killed Kirk Robin. And that was my little bow and arrow. Don't try to find me as I'm shuffling off the buffalo.
  153. 16:03 Signed, Buckwheat! Hooray! Hooray! Hooray! Hooray!
  154. 16:16 Now, ready? Hold it!
  155. 16:21 Oh, my God.

Also from 1936

Every free film of 1936 with a copy

Also from Columbia Pictures Corp. Of California, Ltd

Similar frames

By the average clip vector of the keyframes; a measurement, not a judgement