Whistle Stop (1946)

No renewal found Free in the US since 1 January 1975, on the registry's reading: registration LP75 of 1946 by Nero Productions, Inc was not renewed in the volumes searched. Record.

Copy: Whistle_Stop on the Internet Archive; released 1946
Read: 110 shots over 1:24:15 · 2 beats in 1 sequence · 788 transcript lines · JSON
Record: Whistle Stop No renewal found
Picture: Wikimedia Commons, public domain
Wrong?: Report a problem

Check before citing the shot count. A 10:45 shot at 1:06:54 (shot 104): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

110 shots over 1:24:15, read from the Internet Archive copy Whistle_Stop (Whistle_Stop.mp4, 640×480, 19.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Whistle Stop No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 110 shots judged colour), average shot 46.0s long, a frontal face detected in 51% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1946 (Internet Archive).

2 beats in 1 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 2 of 2 beats annotated, 2 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

4 of 105 shots sampled

1. Private office

0:00–1:17:40 Machine checks passed

Model synopsis: A woman named Mary returns to her hometown after being away, greeted by friends and family who comment on her changed appearance and apparent wealth. Tensions rise as past relationships and local gossip resurface, particularly involving a man named Kenny and a bar setting.

Named: Molly (t:2:42), Mary (t:2:39), Kenny (t:2:53), Grace (t:2:42). 8 people observed.

“Hello, Molly. Mary.” 2:39 · “money” 3:04

Evidence, details and a link to share

4 of 5 shots sampled

2. Living room

1:17:40–1:24:15 Machine checks passed (partial)

Model synopsis: A man is seen in a dim room, then lying on the floor; a woman appears in a patterned dress, and finally a man and woman face each other closely. Dialogue includes references to 'Jackie', 'Luce', and 'Mary', and mentions of someone being framed and needing a lift to Ashbury.

A man leans over a lamp in a dim room. [frame:1]
A man lies on the floor in a living room. [frame:2]
A woman in a patterned dress stands outdoors or near a window. [frame:3]
1 more under Evidence and details.

Named: Mary (t:82:37). 4 people observed.

“Luce.” 81:09 · “He framed the whole thing.” 81:11

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 788 segments kept, 259 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:55 Thanks. So long time be seeing you. So long.
2:00 Oh, my God.
2:39 Hello, Molly. Mary.
2:42 Grace, day in the morning. When did you get back?
2:45 just now.
2:46 I saw Sam at the whistle stop. He didn't seem to know me.
2:49 And no wonder you look like a million people.
2:51 Is it me?
2:52 It better be.
2:53 Sit down, Mary, and I'll fix you some breakfast. Only coffee, Molly. You're just like my Kenny. He never eats anything in the morning.
3:00 She is a surprise to see you. What brings you back from Chicago?
3:04 money
3:05 Money.
3:06 You look like you're rolling in it.
3:08 Don't let this code fool you, Molly.
3:10 A mink can cover a lot of things.
3:13 I gave my song off.
3:15 We do owe you some rent, don't we?
3:17 Well, I never wrote to ask you because I never needed it till now. You sure didn't.
3:21 Did you lose your job?

768 more segments

3:23 No.
3:25 I gave it up.
3:26 Oh.
3:29 Molly...
3:30 Can I stay here for a couple days? Of course. It's your house.
3:34 I'll have Kenny moved out of your room in a gym. Oh, no, no. Don't wake him up. It's too early. Well, he's here right now.
3:40 he
3:41 He hasn't left town, has he?
3:42 Oh, no. You know, Kenny's always up to Ashbury looking around.
3:48 Looking for what?
3:50 Well, you know, Kenny, he's...
3:52 Always on the go.
3:54 Right now, I bet he's working on a big deal.
4:03 I'll take three.
4:06 Give me two.
4:08 How many? How many?
4:10 I'll take three.
4:13 I'll take five.
4:17 One dime.
4:19 Bye, Mom.
4:22 Praise your nickel.
4:28 That sounds like the train from Chicago. Yeah.
4:32 She's taking someone?
4:34 He's not expecting no one.
4:38 I'll see you.
4:41 Queen.
4:43 Kings.
4:47 and three juices.
4:50 You haven't won a pot all night, Barker.
4:53 The cards are against me.
4:55 I don't know. You did pretty good when you brought your own deck.
4:58 You're not doing so good yourself.
5:00 with cars or anything else.
5:02 Meaning what?
5:04 Well, Lou got a letter from an old friend of yours.
5:08 No one cares.
5:10 Last time I was in Chicago, Lou had me look her up.
5:13 She's doing all right for herself. Shut up.
5:15 You ought to see the hotel she's living in.
5:17 Strictly class.
5:19 Yeah, who'd ever think a little Mary would wind up wearing mink?
5:26 Get it out.
5:27 Get out.
5:31 Wind up keeping that big trap of yours shut, you hear me?
5:36 Forget it Kenny.
5:38 She's no good for you.
5:41 That's what I like about you.
5:42 You got nerve.
5:44 Flandish nerve.
5:48 Morning, Mr. Lenz.
5:50 Well...
5:53 Yes.
5:58 What happened to you?
6:01 His tongue slipped.
6:07 You left the bar in a mess.
6:10 Go and clean it up.
6:12 That ain't my job.
6:14 I'm a bartender.
6:15 Not a bust boy.
6:17 Sometimes I'm not too sure.
6:37 Things shooting off the mound again, huh?
6:40 Oh, he hit me when I wasn't looking.
6:41 Forget it.
6:43 One of these days is going to swing and miss.
6:46 Shave?
6:47 Yeah.
6:56 Thanks, Bob.
6:59 Thanks, Bob.
7:01 Hiya, Mom. Now, you listen to me, Kenny. I've been telling you, you've got to stop this day and I don't mind. And I haven't been talking just to hear myself either. Oh.
7:10 Ma'am?
7:11 You're getting fat. Guess what?
7:13 I'm not good at guessing anymore.
7:15 Mary Beth.
7:20 I'm gonna stop me showing. I don't feel.
7:34 Mary.
7:37 Kenny.
7:43 Kenny.
7:44 Hiya, beautiful. Hiya, handsome.
7:50 Gee, I missed you.
7:51 Oh, it's been so long.
8:02 Where did you get this?
8:05 Mr. Prattens.
8:06 From who?
8:08 Oh, he owns a department store.
8:09 We almost got nice.
8:17 to lovely Mary from George.
8:22 That come with a coat?
8:24 No.
8:24 There's more than one department store in Chicago.
8:29 There's no big stores in Ashbury.
8:30 What did you come back here for?
8:33 Maybe I came back for you, you chump.
8:36 Sure wasn't somebody else.
8:38 You're out to Lou Lentz.
8:40 I answered his letter.
8:41 That's more than I got for you.
8:43 You never got anything from me.
8:45 Go ahead and say it. I never ask anything from anybody.
9:04 Now.
9:06 What's your love?
9:07 It's lovingly yours.
9:15 With all my love, Fred.
9:17 Something special.
9:21 I suppose you've been pretty busy since I've been gone. And I'm going to be kept busy. Okay.
9:29 Are you?
9:45 Molly, if you opened a restaurant in Chicago,
9:47 lamb. My, you're not only the best cook,
9:49 She's going to be the best-looking girl at Ashbury. Uh-uh. Watch out, Mom. That's going to cost you an extra dollar.
9:55 You know, Mary, 30 years ago, I'd have stayed in Chicago without cooking.
10:00 Hiya, folks.
10:00 - Hi, Ernie. - Hi, Ernie.
10:03 You remember Mary, don't you, Jeremy?
10:05 Hi honey. Get some of my apple pie. Thanks Molly. I couldn't eat another bite. I just had dinner.
10:10 Yes.
10:11 Let's take a little...
10:12 Peace, sir.
10:16 Come in. What a boy. Hiya, folks.
10:22 It's for you, Mary.
10:24 From New Orleans.
10:25 Where shall I put it?
10:27 Oh, gee, red roses. Yes.
10:32 They're nice, huh?
10:39 Well...
10:41 So long.
10:46 You know, Kenny, I've been thinking about putting some of those wild strawberries...
10:50 This year they make such nice sauce.
10:53 Have a pig in the summer.
10:55 Let Josie do it.
10:56 I am not going to spend my day out picking berries.
10:59 What are you doing that's so important?
11:01 There's no way to talk, Joseph.
11:02 Well, no one ever says anything about him doing a single lick of work. No, he can go to Ashbury every night and spend the money you're giving drinking and chasing around.
11:10 She's right.
11:10 You ought to quit that kind of monkey business.
11:12 We ain't that sort of a family.
11:14 No, son. What do you expect Jenny to do? Stay around here waiting for a job to come to here? Oh, sure. The best time to start looking for a job is 8 o'clock at night.
11:20 And if you do a good job of looking, you can't get home till morning. And the best place for looking is every beer joint and pool hall on Main Street.
11:26 That's telling him. You shut up, Sam Beach. If it wasn't for any giving you back the job, you'd still be sick of it.
11:31 Never you mind, son.
11:32 Don't pay attention to your father and...
11:34 Josie, they've just blown off the ground.
11:37 Come on, Ernie, let's go.
11:39 If you go into town, Ernie, you can give me a lift.
11:41 OK, Kenny. Why, Kenny, I thought you were going to stay home tonight.
11:46 I've got a date.
11:53 Wait a minute, Ernie. I'll go with you.
12:04 Thanks, Annie. Bye. Thanks, Annie.
12:07 Where are you going? Not where you're going.
12:24 Frank, hear your drink.
12:40 Jamie, you shouldn't have come in here. Forget it. Give me a drink. You're only asking for trouble. Let me worry about that.
12:52 Bye. Bye.
12:56 Hello, Lou. Thanks for the roses. Thank you.
13:00 I've been expecting you.
13:03 Why are you sitting in the dark?
13:06 I hadn't noticed it was so late.
13:12 Your hair shines in the light.
13:16 Peter, you don't wear a ribbon anymore. That's what struck me the first time I ever saw you.
13:20 Amen.
13:22 You haven't changed.
13:22 to get into a year's low.
13:24 Have you?
13:27 I came back.
13:31 Why, Mary?
13:36 They sell the house.
13:38 That's why.
13:40 Why was it all harm's sake?
13:42 How could anyone be homesick for this town?
13:46 Still can't get him out of your blood, huh?
13:48 I couldn't in Chicago.
13:51 Yeah.
13:52 I wanted to see what he was like again.
13:54 I did.
13:58 He'll never change. I could have told you that two years ago.
14:03 It wouldn't have helped two years ago.
14:05 I hate his guts.
14:08 The arrogant way he walks around like he owns the town. But he hasn't got the price of yesterday's newspaper.
14:17 Come here. Come here.
14:22 Just look at that.
14:24 He knows the way I feel about him, yet he has the nerve to come in here tonight.
14:38 Still love me, friend?
14:41 What's the matter? Aren't you glad to see me?
14:44 You didn't come to see me.
14:46 Amen.
14:47 what we had to beat for last night.
14:51 Remember?
15:04 Hello, Gidlow.
15:05 Hello.
15:07 You can talk better than that.
15:10 Hello, Mary.
15:13 I'm going to go.
15:18 Give me 50.
15:50 Going.
15:52 Might as well.
16:05 Well.
16:07 She's back.
16:09 You remember, Kenny?
16:14 Oh, my God.
16:25 I tell you there's nothing for us here.
16:28 Chicago's a big city we can make out there.
16:31 What'll I do in Chicago, dig ditches?
16:33 What are you doing here, playing cards all the time?
16:37 This town, your friends, your family, they're all poisons for you.
16:41 At least there you'll have a chance. You'll meet new people.
16:45 Something will turn up I know it will.
16:47 There's too many new lenses there.
16:49 Somebody mentioned me?
16:53 This is a private party.
16:55 I just thought I could do something for you, Sonny.
16:58 Yeah, you can give me a cigarette.
17:04 Anything else?
17:06 Now you can light it.
17:14 Now you've got all you want...
17:16 You better go.
17:17 I don't want you hanging around here.
17:20 the next time won't be so sociable.
17:23 If you said that with a smile, it'd sound better.
17:27 Let's go.
17:29 Go where?
17:30 I'll take you to your house and swing you on the hammock.
17:33 Oh, that's very funny.
17:36 Lou.
17:37 You asked me to go to the Wilton Club. Does the office still go? Sure. Take your hand off it.
17:43 Make up your mind if you're going with him or me.
17:45 Her mind's made up.
17:48 Now beat it, Sonny.
18:10 Kenny.
18:10 Stop it!
18:11 Stop it!
18:13 Kenny!
18:14 I'm through, Kelly.
18:16 I'm through wasting my life trying to change you.
18:18 I'm leaving this town for good.
18:32 Kitty.
18:32 You whistle now.
18:40 Teddy Duck!
18:50 Come on. Snap out of it.
18:53 Let's go to the cat and fiddle and have a drink.
18:56 Just the two of us.
18:57 I
19:20 I'm going to go.
19:27 Woo-hoo!
19:33 Thought you went to town.
19:34 Got a cigarette?
19:38 the matter.
19:39 Couldn't you find no excitement.
19:43 Listen to that rooster crow.
19:46 keeps it up all night long.
19:48 Can't even hear the train whistle.
19:55 My cold coming out again.
19:57 And my back.
20:00 Killing me.
20:02 Go on, old pop. I'll take over.
20:04 Thanks, Andy.
20:08 You'll find a sandwich in that box.
20:16 Answer that, will you?
20:53 Hiya, Kenny.
20:55 I get low.
20:57 How about a game of casino?
20:59 All right.
21:00 I don't feel like it.
21:01 Ah, gets a couple of hands.
21:04 I can never sleep until daylight.
21:15 You know I like it in here.
21:18 Train's passing by down here.
21:20 Cars out there full of life.
21:23 Yeah, we're always alone.
21:26 I feel safe too. You know...
21:30 Working in the nightclub and living in the hotel...
21:34 He's always around.
21:36 Always watching me.
21:38 Just because I once got in a jam.
21:41 The police don't know what he does.
21:44 He never says nothing.
21:46 But I know he's only waiting for me to make one wrong move.
21:50 who's a mean guy that way.
21:53 You gonna take ten of diamonds?
21:59 I sure was surprised to see Mary.
22:02 Only I figured she would be coming back to you.
22:06 Of course, after Chicago.
22:08 It would be kind of hard on her to come down to your way of living.
22:12 especially with an important guy like Lou nuts about it.
22:18 Did you see him take that 50 bucks?
22:21 Why, he'd spend that night with 50 cents.
22:26 You know, that makes a big impression on a girl.
22:31 Did you just call it Duke's?
22:34 Yes, sir.
22:35 Yes, if it wasn't for Lou...
22:37 I'll be happy.
22:39 Would be better for you, too.
22:41 We both wouldn't have a thing to worry about.
22:46 Cod is sticky on me.
22:47 I have to get a new dick.
22:50 Amen.
22:51 I never told you how I got in trouble today.
22:54 I lost my nerve.
22:57 That's what I like about you, Kenny. You've got plenty of nerve.
23:03 Well...
23:04 It's three weeks to the Ashbury annual fare.
23:07 June the first time.
23:10 That's a big day for Lou.
23:13 He makes plenty of money out of those concessions.
23:17 Last year he made over $15,000.
23:22 I know because I drove him to the train.
23:26 And when the show closes...
23:28 He takes the money to a bank in Detroit.
23:33 And the train for Detroit has to be flight from here, see?
23:36 Now.
23:38 If the guy in the signal box...
23:41 Will the forgetter fly the train?
23:43 Lou wouldn't get back to Detroit, would he?
23:48 Only a child, the renunciable.
23:51 Oh, it can be easy done.
23:54 All I had to do is
23:55 I drive through up here.
23:58 Your old man's rheumatism's bothering him again.
24:01 That's why you're here.
24:03 Now I can wait a few minutes.
24:05 That's all a guy with nerd needs.
24:07 Then I'd ride the car up.
24:09 Please, get with us.
24:11 as far as anyone knows.
24:14 Lou never comes back from Detroit.
24:37 Hmm. Say that he tried to.
24:40 It's always on time.
24:42 Amen.
24:58 Once again, just once again, remember how, remember when, we just got started and then we thought it was.
25:18 One time someone knew came in view. Someone who was in view. My Dorothy, good to have you home one night.
25:51 Good? Swell. Hiya, folks. Josie, I need you. Hi, Mom. Have a good one. Oh, just have a good one.
26:01 How do I look? Like a million.
26:06 Don't think you're that children, huh? Hi, Mom. Good night.
26:12 Where did Josie get the new dress? Oh, Mary bought his for her.
26:15 Yeah, where did Mary get the money?
26:34 What are you doing home tonight?
26:39 Bluehead it right to Mayfield. Thank you.
26:43 What are you doing, though?
26:46 Lou had a drive to Mayfield.
26:50 Ken, let's go outside. Sure.
27:06 Ken.
27:23 Have you got a cigarette?
27:24 Sure. Thanks. What happened to George? Well, he's in the bottom, George. That's a good place for him. Ken, you see a lot of Gitlow, don't you? Now and then. What do you know about him? He's a good guy. Bies me drinks.
27:52 He's rotten drinks, but he's a good guy.
27:54 Once Gitlo got in a lot of trouble, Lou got him out.
28:00 Gitlo wouldn't be around today, but I knew. Maybe he's got something on Lou. That guy that brought the red roses. Lou don't keep him around for laughs, either. He can. Go with you, Gitlo, will you? Are you telling me this, old Lou? I'm telling you.
28:19 Why do you keep seeing Lou?
28:24 Mary what about us I can
28:31 This is all there is for us.
28:42 You think you can get anything you want that way, don't you? There's something the guy don't give up without a fight. You're wrong, Kenny. You've got the wrong plan on everything. You're hurting everyone. Your father, your mother, your sister. Me? You're so wrong, Kenny.
29:01 always told me that. No matter what I do, what I feel, I'm always wrong. Maybe you're right, Mary. But I'll be right, too.
29:29 I'll take those midget. Get to it.
29:40 Well, Kenny, we're all set for the big fair. And we're going to start right on schedule. Only two more days.
29:48 This one's going to be better than last year. Lou signed on a whole carnival.
29:54 Yes this fair is going to make someone a rich guy. That's good. And that's my. Take care of my boy with you. He's got lots on his mind.
30:18 For a mechanic. You like attention. I'd like a little more for you. Lately you do seem to have a lot on your mind.
30:37 A lot of Mary.
30:39 What about Mary? The whole town's laughing at you. You trying to compete with Lou Lance. Yes.
30:46 You know you don't stand a chance.
30:57 Why don't you quit beating yourself down, Kenny? Why don't you quit beating yourself down, Kenny?
31:01 Once again, just once again, remember how, remember when, we almost started, and then we started, once again.
31:31 Am I needed? Where are you, let us see? Tell me why we are not so important.
31:50 When you're here in my heart.
32:20 No.
32:21 Oh, let's not play games, Kenny. Where do you think you're going? You know where, and you can't hold me by closing a suitcase.
32:28 Stay a little while longer.
32:30 That's all I'm asking you. Let's stop kidding each other, Kenny. The sooner I leave, the better. Let's go.
32:35 Will it be better?
32:38 What have I got with you?
32:53 You get what you give.
32:56 When I needed your most you walked out on.
32:58 Now you're walking out again.
33:01 I never promised you anything before. But I'm making you a promise now.
33:08 We'll go together.
33:12 Go where?
33:14 anywhere.
33:18 It's a long walk anywhere.
33:20 This time we'll ride.
34:03 Oh, Kenny. Hi, Al. Go ahead, Kenny. Show them what you can do.
34:15 Ah, it's easy to knock over 20 pitches.
34:20 I bet you can't hit that light up there.
34:25 Daniel Boone, that's me. What do you want to lose, Al? I bet you 50 cents.
34:31 What's this?
34:33 The game for a shoot. Electric bombs.
34:59 Is your money out? What's the matter? You lose your nerve?
35:03 Where have you been? Slow through here without you. How do you feel now? Oh, I feel wonderful. Well, let's have another. I've got to work. Well, have another. It'll keep you awake. That's right. We've got to keep awake.
35:33 Come to me. Sam. Ernie. Oh, let go of the whistle. Woo-hoo. Oh, this is terrible. Now, Ernie will have to take over the whistle stop. You ruined our whole evening. Mom.
35:50 Here she comes.
35:52 Sam, you ought to be a baby. Where did he get the money? Get lost and buy him drinks. Get low. I didn't know he had to work, did I? Oh, so? You didn't know that he had to work.
36:03 You didn't tell him, huh? Well, all I've got to say is you keep your big nose out of other people's affairs. You go on, run along, children. Can you take over the Christmas stuff?
36:14 Come on, I'm going to come to the gas. Make sure you're there by 11.15.
36:18 You come on, I'm home and sit down. You've got to come on. Mommy, you're so pretty. Oh, yes, am I. Yes, I am. Am I. Well, I'm going to stay here and you're going to go home and sleep.
36:33 generous with the Beach family. He's a good guy.
36:38 Looks like you're it tonight.
36:41 Kathy Hill. Goodness.
36:46 Someone has to take over. Naturally, it would than you.
36:56 Come on, let's go watch the kids.
37:08 Let them shut down, keep your mouth. Stop that, girl, for the day of the race. The other way back, and you come to your sight. Break that, girl, and cross the hall.
37:16 Now bring your own, not at all.
37:20 Now let them let them have you. Let them find your friend, let them grab you. Read all night, get me. Break that, girl, be by you. Keep the high, and break the floor. Keep your own, and then can he go.
37:38 Daddy, would you like to dance? Sure.
40:49 Get back, folks. Please, stand back.
40:52 carousel.
40:54 Shooting galleries.
40:56 Good business, huh?
41:00 Yeah. So long. You ready to.
41:11 What's the hurry?
41:14 You don't want to miss your train, Steve. Sit down.
41:20 Will you sit down?
41:32 What's the matter. Nothing.
41:47 Come on, let's go. Come on.
42:00 Where's my car? Well, it was here a while ago. I suppose you left the keys in it again. Now, who will steal your car? No. It just went off by itself. It will be a car, Lou. Mary took it. Come on, we'll take the station with us. Did you hear Fran had an accident?
42:17 Too bad.
42:19 Come on. We'll get in.
42:49 If you didn't have to leave the fair, I could have walked. Molly was worried you'd be late. I still got enough time.
42:58 What's the matter? Don't you want me to drive you down? What gave you that idea? For somebody who had enough time, you certainly left in an awful hurry.
43:19 I haven't got nothing to say.
43:23 I've never stopped you gabbing before.
43:26 Give me a light.
43:33 Hold still.
44:23 Well, here you are. Just in time. Thanks. Wait, Kenny.
44:31 What for? There's something I want to tell you.
44:35 Later. Later may be too late.
44:54 I'll be back on the afternoon train. See you again. Have a good trip.
45:35 What are you doing here?
45:38 Where's...
45:40 Well,
45:41 It's just as I expected.
45:43 The father's drunk and the son's probably getting drunk.
45:45 It's a fine family I'm marrying into.
45:50 You'd better flag the train early.
46:03 Great night this turnout to be.
46:09 I asked you a question, Gidlow.
46:12 What are you doing here?
46:21 I thought...
46:22 Tell me what you said.
46:24 I keep him company sometimes.
46:28 Play a little card.
46:31 Where are the cards?
47:00 See. Come on let's go. This wouldn't have been your lucky night anyway.
47:24 I don't know.
47:28 What are you doing? What's the idea?
47:30 You can get out now.
47:32 Now? Kenny, what was going on between you and Gitlo tonight? You seem to figure it out for yourself.
47:42 I'm hoping I was wrong.
48:13 This time we're right, huh? Mary, I just... Get up! Get up!
48:45 Well, only one more month till the big moment, huh, Ernie? Yeah, I'm counting the days. Oh, Ernie. Ernie.
48:51 Gee whiz, honey, it's our wedding, not a funeral. Same difference.
48:56 Do you think I should invite little Lince, Mom?
48:58 I don't know why you're sure. Just because Mary moved over to his hotel is no reason why he has to go to the place she goes. You don't go nowhere without him since the fairs.
49:07 Kenny.
49:09 Kenny, come in, he just said, what?
49:24 I saw Fran at the hospital today.
49:27 Is she any better? Well, the doctor says she won't pull through.
49:32 It's a tough break for the kid. It's a tough break for the kid.
49:35 She would love to see you, Kenny. Yes.
49:37 All right, all right.
49:40 You're going to be real nice to her, aren't you?
49:43 Well, you didn't think I was going to go and fight with her, did you? Well, I don't know what to expect from me after the way you treated Mary. Or bottle it. Well, there isn't anything Fran would have done for you, Kenny, and you know it. Oh, why don't you stop?
49:57 Jenny!
50:01 Jenny!
50:04 You must stay long. She's a very sick girl. Thank you.
50:24 I can.
50:26 I love for him.
50:34 I'm afraid you won't kill me.
50:40 I never would have had the nerve to ask you.
50:44 Jersey hadn't told me how you felt about me. Hmm.
50:49 It makes it kind of hard now.
50:54 taking all the fun we could have had together.
50:59 I know I won't pull through.
51:03 But I'm not scared. I'm scared.
51:06 I'm happy. I got you. Heaven you care about me. I'll still be living all the while you are.
51:19 Yeah, sure. Sure.
51:22 I want you to be happy, darling. I want you to be happy, darling.
51:26 After a while
51:29 There's some nice girls that settled on.
51:33 That's the way I want it, Kenny.
51:36 Honestly...
51:37 Don't talk like that friend you'll be out of here in a couple of weeks and we'll we'll
51:49 Don't take it hard Kenny
51:53 It'll work out all right. Look at McKinney. Look at McKinney.
52:04 I know Jesse lied.
52:12 I'm sorry, Kevin.
52:16 Mustn't blame Joseph though, she... She was trying to...
52:32 I'm sorry too fast.
52:36 Mm-hmm.
52:37 Should have been different.
52:39 Oh
52:40 Mmm.
52:42 Sorry for everything.
52:45 Look at you.
52:46 up.
52:47 You're all broken up.
52:48 I never thought a woman could do this to you. How does it feel, Kenny? How does it feel to love someone who doesn't give a darn about you? It hurts, doesn't it? It hurts, doesn't it, Kenny?
53:02 Kenny's a friend. All the while I loved you, I was half scared, too. I can see now you're nothing to be afraid of. Nothing good will ever happen to you because you're no good. Go on, Beat it! Beat it!
53:18 Fill yourself with a rock gun. Go on, beat it. Beat it. Beat it.
53:48 Oh, my God.
54:21 We're the boys, Al.
54:22 Nobody showed up tonight. I hear your sister's getting married, Kenny.
54:26 Yeah, you want to see the trial I caught this morning down the millers brook it was that big and I wait hurry up will you tonight's my birthday?
54:34 You wanted artistic don't you of course.
54:37 Then don't rush me.
54:41 Hey, Teddy, lay off there, will ya?
54:45 Thanks, Joe.
54:51 Hiya, Kenny. Hiya.
54:56 Pittsburgh. Now that's the place to have a bar. The steel mill really gives a man a face. I've never been to Pittsburgh. I've never been to Pittsburgh.
55:02 Give me a double.
55:03 coming out.
55:05 How come you're drinking alone on a Saturday night?
55:08 I'm getting exclusive.
55:09 Haven't you heard?
55:16 Give me another one.
55:21 Awesome.
55:56 Why don't you break down and go see any. Not a bad idea.
56:09 You call it. We'll get midgets from all over the world.
56:13 Little nidges.
56:14 Why, I'm telling you, Lou, it's the greatest idea since Noah's Ark. You can do better than that.
56:19 Why, I'm telling you, Lou will make a fortune.
56:21 We're going over the world.
56:22 But I have another idea. We'll go to South Africa and we'll buy it. We'll...
56:28 Well...
56:29 What are we celebrating?
56:31 Remember?
56:32 This is a private party.
56:34 Well, tonight I'm buying.
56:36 What'll you have?
56:37 Now get back. I don't want to smell the liquor on you.
56:43 You like the smell of this, don't you?
56:46 Good old green cabbage buys everything, doesn't it, Lou?
56:52 You must be plenty drunk to get the nerve to walk in here again.
56:56 You know...
56:58 I don't think he likes me.
56:59 I don't like yours.
57:01 I don't like anything about you.
57:05 I'm going to tear you apart for that. Joe Kenny, please go home. Get him out of here. Don't you touch him. What are you trying to do here? Take it easy now. Be good boy, Kenny, and go home.
57:20 He isn't that drunk.
57:22 I know he isn't.
57:24 Let's finish our drinks.
57:28 I think you'd better drink alone.
57:37 Jenny.
57:43 You can go back.
57:44 I'm going to the house.
57:46 I can find the way myself.
57:48 I want to go back with you, Kenny. Back home. Oh, what's the use, Mary?
57:53 I can't do anything for you.
57:55 I haven't got a job. I haven't even got a dime.
57:58 I don't care.
58:00 I've wasted all these years boozing and loafing and playing cards.
58:06 I hurt everyone.
58:08 I wanted to hurt. I wanted everyone to feel as rotten as I did. I can change, Mary. I will. I don't care if you don't. I love you, Kenny.
58:26 Thank God.
59:00 Hello, fellas.
59:05 Hiya, beautiful. Hiya, handsome.
59:15 Hiya, handsome.
59:17 Did you call for me?
59:19 Yes.
59:19 Lou went to see you.
59:21 What does he want to see me for?
59:23 I don't know.
59:30 Do you want to see me, Lou?
59:31 Yeah, sit down.
59:34 Oh, go on. Sit down.
59:40 John cigarette.
59:42 We've been through a lot together, you and me.
59:46 Yes.
59:49 I, uh...
59:50 Never once let down a guy that works for me...
59:54 Mm-hmm.
59:58 That gem.
1:00:00 I got you out of it was partly my fault
1:00:05 And even if it hadn't been, I'd still have stood by you.
1:00:09 I've had enough trouble in my time.
1:00:12 I don't want any.
1:00:13 here.
1:00:14 I've gambled a lot too.
1:00:17 As you know.
1:00:19 One minute.
1:00:19 I've lost.
1:00:22 And if there's one thing I hate, it's a sore loser.
1:00:28 I want to be friends with everyone.
1:00:31 Even your pal, Kenny...
1:00:34 I still got no use for the guy.
1:00:40 But now that he's working and all set.
1:00:42 We're bound to run into each other.
1:00:44 Why not live in peace?
1:00:47 You really mean that, Lou?
1:00:49 Sure.
1:00:50 I never made a buck holding a grudge.
1:00:52 Oh, that's swell, Lou.
1:00:55 Why?
1:00:56 Kenny ain't such a bad guy.
1:00:58 You got him all wrong.
1:01:00 Oh, I... He'd be just tickled to death to shake hands on that.
1:01:03 We'll get together soon.
1:01:04 You better go down and open up.
1:01:06 Sure. Anything you say, just give me the word.
1:01:31 Josie! Josie! Oh, may I say, Jamie's going to have catfares. Wait in there, it's a cherry. I'm coming, I'm coming. Hurry, hurry, the car's in here. Where's Jenny?
1:01:41 Jenny! Oh, your apron, Mom. Go ahead, kid. I was going to pick me up. Are you sure you're not late, huh? I won't be. You'll even be late for your own wedding. I'll be worth waiting for.
1:01:55 Oh, let me go, you wolf
1:02:00 You look swell, Mary.
1:02:03 Where did you win that? Where did you win that?
1:02:06 I borrowed it from a waiter at the Wilson Club.
1:02:09 Well I hope the ceremony don't take too long. Yeah.
1:02:16 Hello? Hello?
1:02:18 Who?
1:02:21 Good most for you.
1:02:23 For me...
1:02:29 Yeah?
1:02:31 Oh.
1:02:32 Uh-huh.
1:02:34 Right now?
1:02:36 Well, we're on our way to church.
1:02:39 I don't know, but I'll try.
1:02:48 Hey, Ken...
1:02:49 I had a talk with Lou the other day...
1:02:51 Yeah, how is the old bachelor?
1:02:53 He wants that you should be friends.
1:02:55 Lou and me?
1:02:57 That'd be a gruesome twosome.
1:02:59 No kidding.
1:03:00 I think it's a good idea for all of us.
1:03:02 Mary would like it to.
1:03:05 Come on.
1:03:16 Why we stop in here for what he's waiting for us upstairs.
1:03:19 We'll be late for the wedding. Oh, it won't take a minute.
1:03:22 Now do it for me, Kenny.
1:03:24 All you have to do is to shake hands.
1:03:27 All right, but only one shake
1:04:19 He's dead.
1:04:24 My gun. I gave it to you at the fair. How did he get here? I'll give you three guesses.
1:04:38 We've got to get out of here. What for? For you, Nugget. They'll put it onto us. Come on.
1:04:53 Come on.
1:04:54 I'm on another screen.
1:05:24 I think we lost them.
1:05:46 They don't give up.
1:05:54 Did they catch you?
1:06:06 Yeah.
1:06:08 Let's hit for the river road.
1:06:24 They must have got the tank. Get off the road.
1:06:54 When they get you in the arm. What are we going to do? Well, the roads are hot. We can't move till night.
1:07:08 Cigarette.
1:07:16 I think we better be moving, Kenny. Where to?
1:07:22 Your guess is as good as mine.
1:07:24 What's the use?
1:07:29 I love you guys.
1:07:33 That's the eastbound freight. That's the eastbound freight.
1:07:36 Can you make it?
1:07:37 we can't stay here.
1:08:16 I'm going to go.
1:08:46 Where are we? We're near Detroit. I got a friend here that keeps the roadhouse. I hope she's still in bed with us. She can help me pick up your arms. And we've got to make a jump for it, see? Now try and land on your right side. Are you still dizzy? Yeah. All right, well now take it easy.
1:09:30 See who it is.
1:09:31 Yes, ma'am.
1:09:40 Get along. Hello, Estelle. Estelle.
1:09:43 Who's your friend. We just arrived this morning.
1:09:46 What's the matter with him? Oh, he's sick.
1:09:48 I don't want any trouble around here.
1:09:51 Maybe he's got the wrong kind of friends.
1:09:53 How can I tell? Oh, but he's with me, ain't he? That's just what I'm afraid of.
1:09:58 Well,
1:09:59 All right, let's get him to bed.
1:10:08 Bring him in here.
1:10:15 You've got to have a doctor.
1:10:18 Don't you suppose I can see he's got to have a doctor?
1:10:24 Might say prohibition.
1:10:33 You were pretty smart getting me to run away.
1:10:36 I'm going to fix you and then Lou.
1:10:38 What did I do?
1:10:39 What did you do?
1:10:41 You had it all figured out.
1:10:43 First, the whistle stopped.
1:10:45 Now this.
1:10:47 How much did Lou pay you to get rid of me?
1:10:49 Oh, you don't think I was in on this, do you?
1:10:51 I don't think I know.
1:10:54 I had the strength to...
1:11:11 I didn't do it, Mary.
1:11:14 I couldn't. I couldn't. I couldn't, Mary.
1:11:21 I didn't do it.
1:11:24 I understand.
1:11:28 I didn't do it, man.
1:11:30 Yeah.
1:11:33 Mm-hmm.
1:11:35 Our friend of mine.
1:11:38 Okay. You know where it is.
1:11:45 What's the matter with him? Oh, he slipped in the bathtub.
1:11:51 Yeah.
1:11:53 and step on it, Docs.
1:11:59 I'll put you upstairs.
1:12:01 Oh, there's no rush.
1:12:02 I won't be back for a while.
1:12:05 You're not running out on them, are you?
1:12:07 You know I wouldn't do a thing like that a step.
1:12:10 to
1:12:11 Need any money?
1:12:13 No.
1:12:14 Just luck.
1:12:32 Oh.
1:12:34 Where have you been, Ollie?
1:12:36 Oh, I had to see a lot of people.
1:12:37 I left supper in the stove for you.
1:12:41 Mary.
1:12:46 I can't stand it no longer. Where is Kenny? You must know what's happened to him and you've got to tell me.
1:12:53 Well, Molly, Kenny's gotten to just about the worst trouble he's ever been in.
1:13:00 I knew it. I had a feeling all the time.
1:13:04 What do the police want here?
1:13:07 Where is Kenny? Did he get hurt?
1:13:10 What did he do, Mary?
1:13:12 He didn't do anything.
1:13:14 He must have gotten panicky and ran away, so it's just as bad.
1:13:18 But you must remember, Molly.
1:13:20 Kenny didn't do it.
1:13:21 Do what?
1:13:22 Do what?
1:13:24 Hold up the flamingo room.
1:13:33 That wasn't Kimmy that Al was talking about.
1:13:36 The fellow that reached up to the forest.
1:13:39 That wasn't kidding, was it?
1:13:44 I went to the police.
1:13:46 They don't believe he did it.
1:13:48 They told me it would be so easy to clear him if...
1:13:50 we can only get him back we gotta find him we got to wouldn't lose money and everything
1:13:56 Go call him on the telephone.
1:14:00 Lou's done enough already.
1:14:02 We can't do anything until morning anyway. I know why I can't even miss me.
1:14:12 Everybody's always been jealous of him because he's more of a man than any of them ever will be.
1:14:17 I'm not ready because he's mine.
1:14:20 He won't let him put him in jail for something he didn't do.
1:14:23 I'll tell the world you won't.
1:14:32 Oh
1:14:42 What?
1:15:02 Where is he? He is in Detroit.
1:15:06 How is he? Oh, he'll be all right. I left him with a friend of mine in a roadhouse. The old bohemian.
1:15:13 through 21.
1:15:16 You know who put the finger on us, don't you? Yeah.
1:15:21 Does Kenny?
1:15:23 Oh, he did it in a kind of a day. But when he comes out of it, he'll... He's got to be at the dead. He can bear himself.
1:15:30 I'm going back with you.
1:15:33 I'm not going back. I just stopped by to give you the word.
1:15:38 So long, Terry. Get both. You can't leave us now.
1:15:43 You get him, sis. You've got to get him. But Ken is my friend. I never meant him no wrong. You never get him any good.
1:15:54 And now you're running out on him when he needs you. Yes, Lo, the good guy. Always buying Kenny's reach. Always looking after Kenny.
1:16:05 All right. Run away. Run, you coward!
1:19:13 Come on.
1:19:43 I've got him! Jackie! I've got him!
1:20:30 Oh. Sure. Please. Oh what. She was getting low. Get low. Hello.
1:21:00 Take it down.
1:21:03 Yes.
1:21:05 Yes.
1:21:09 Luce.
1:21:11 He framed the whole thing.
1:21:17 Yeah.
1:21:20 He's here.
1:21:55 Oh, my God.
1:22:05 Certainly got a hand if you
1:22:08 Anyone else would be flat on his back for days with that arm.
1:22:11 Where's Gitmo?
1:22:13 You'll be back.
1:22:14 Where'd he go?
1:22:16 He didn't say.
1:22:18 You better get to bed.
1:22:21 How can I get a lift to Ashbury?
1:22:22 At six in the morning?
1:22:26 Who's the girl?
1:22:29 Don't think it's only you, fella.
1:22:32 Woman stuff ends up as a kick in the teeth for everybody.
1:22:37 You don't know Mary.
1:22:39 Mary, Betty, Jane
1:22:42 A man can love any woman.
1:22:47 I know.
1:22:49 That's always her.
1:23:17 I am beautiful.

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