No renewal found Free in the US since 1 January 1980, on the registry's reading: registration LP1223 of 1951 by Wald-Krasna Productions, Inc was not renewed in the volumes searched. Record.
218 shots over 1:19:56, read from the Internet Archive copy behave_yourself_ipod (behave_yourself.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Behave Yourself No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 218 shots judged colour), average shot 22.0s long, a frontal face detected in 47% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1951 (Internet Archive).
123 beats in 73 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 123 of 123 beats annotated, 119 passed the checks, 4 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
1:20Model synopsis: A title card credits Jerry Wald and Norman Krasna as producers, accompanied by a drawing of a woman reclining and a man's head in a hat. The transcript contains a spoken monologue advising someone to behave and return home.
“Just lock your heart and save yourself for me.” 0:30 · “Behave yourself when you're away. Recall the day you gave yourself to me.” 0:37
2:45Model synopsis: A hand holds a Western Union telegram with handwritten instructions about walking a dog. The telegram includes a 'Claim Check Station' label and is being written on with a pen.
1 person observed.
3:26Model synopsis: A man in a fedora speaks with a clerk behind a counter in an office; a dog is mentioned and later appears to cause a stumble. The setting includes a sign reading 'WESTERN UN'.
Named: Jonas (t:3:03). 3 people observed.
“Jonas, he called for this.” 3:03 · “Hey, mister. My name's Jonas. Got a message for me? Yes, sir. Thank you.” 3:22
4:08Model synopsis: A person stands holding a coat while a dog is on the floor; a voice commands them to stay and not cause trouble. The setting appears to be an interior space with a mirror and shelves visible.
1 person observed.
“Stay right there.” 4:04 · “Give me no trouble. Stay right there.” 4:09
Model synopsis: Two men are in a bar; one is on the phone while the other listens. The transcript reveals they are discussing a claimed baggage item — a dog — and a note that says the dog is trained to lead them to someone. A third man is briefly visible in a doorway.
3 people observed.
“A baggage checkered.” 4:27 · “Well, what was it? A dog.” 4:30
Model synopsis: A man in a hat and suit is seen through a doorway, first reaching up and then holding a phone receiver to his ear while a dog sits in the foreground. The transcript includes a whispered 'Shh' and an affirmation 'Right.'
2 people observed.
“Shh.” 5:09 · “- Right.” 5:12
Model synopsis: A woman on the phone complains to her husband about him forgetting their wedding anniversary, while another woman listens nearby. A man in a suit and hat is also on the phone, reacting to the conversation.
Named: Bill Dan (t:5:49). 3 people observed.
“Hello? Hiya, honey.” 5:19 · “It's a historic day. He's forgotten, naturally. Mother, like all men, only worse. I've never seen a man yet who ever thought of anybody b…” 5:38
Model synopsis: A man in a suit and hat is on the phone in what appears to be a bar or shop, discussing a wedding anniversary and a gift. The conversation includes references to a Cadillac, a low neckline, and champagne, suggesting a domestic exchange.
1 person observed.
“Would I forget my own wedding anniversary?” 6:23 · “Is it a Cadillac?” 6:29
7:30Model synopsis: A man in a hat sits inside a booth while another man stands near a counter in a diner. A small dog walks on the floor near the counter.
3 people observed.
7:42Model synopsis: A man in a suit and hat stands inside a store holding a railing while another person is visible behind him; a dog is mentioned as having escaped. The scene includes dialogue directed at someone named Fooch.
Named: Fooch (t:7:41). 3 people observed.
“Hold it. The dog got away. Get him, you idiot. Get him down.” 7:36 · “You better go home to Mama, Fooch.” 7:41
8:25
8:51Model synopsis: A man in a suit and hat speaks with a woman in a shop, selecting a lace garment as a gift for his wife. He requests gift wrap and a card, and the woman directs him to the card display.
2 people observed.
“May I help you, sir? Yes. I'd like something nice for a lady.” 8:33 · “Charming little number. Only $29.95. And the lace is all handmade. Oh...” 8:44
9:16Model synopsis: A dark, indistinct figure stands in a dimly lit interior space with a textured wall and a small object visible in the background. No dialogue or clear actions are present in this beat.
9:21Model synopsis: A dog sits on a leash in front of a stone wall. No people or dialogue are visible or audible in this beat.
9:26Model synopsis: A dog barks upward while standing next to a person's legs in an outdoor setting. The transcript contains two short exclamations: 'Go!' and 'Ah!'
1 person observed.
9:47Model synopsis: A man is accused of being responsible for a dog that caused damage; he denies ownership while the dog looks through a barrier. The scene takes place indoors, with no clear time of day or period established.
2 people observed.
“That dog.” 9:40 · “Your dog did it.” 9:42
10:13Model synopsis: A man in a suit and hat stands outside a stone-walled building, looking toward a shop window. A transcript line describes a nightgown being knocked into a sewer by strangers.
1 person observed.
10:47Model synopsis: A man in a suit and bowler hat stands on a sidewalk during daylight. A transcript line mentions a nightgown purchase and a stranger, but no named person appears in the frame.
1 person observed.
“Will you stay out of this? Please, Mother.” 10:50 · “Oh, believe it or not, Katie, this is how it happened. I was in his store, see? That aunt, I just bought this beautiful black nightgown for …” 10:55
11:32Model synopsis: A man in a hat and coat stands at a doorway as a woman greets him warmly; the dialogue suggests a surprise anniversary celebration. No named characters are identified in the transcript, and the setting appears to be a residential entrance.
2 people observed.
“Hey.” 11:21 · “Hi, honey. Hello, Mother.” 11:25
12:57Model synopsis: A man and a woman stand close in a kitchen, discussing their living situation and desire for a private place of their own. The woman expresses frustration over still living with his mother, while the man promises to do better and suggests finding a separate place they can sneak away to.
Named: Roger (t:12:34). 2 people observed.
“Shh, Roger.” 12:34 · “I'm sorry, darling. Someday we... You've been saying someday every day for two years now.” 12:57
14:21Model synopsis: A single dark frame shows an indistinct interior with faint outlines of furniture or architectural elements. No people, text, or clear objects are visible, and no events occur.
Model synopsis: A dark interior scene shows a dog on a bed, with two lines of dialogue expressing surprise and affection toward the dog. No named characters appear, and the setting is not clearly identifiable beyond being indoors.
2 people observed.
“Oh, my God.” 15:02 · “Oh, look at him. Isn't he cute?” 15:04
15:26Model synopsis: A man and a woman stand in a bedroom with a dog on the bed; the woman holds a bottle and the man holds the dog. The dialogue suggests a late-night disagreement about the dog’s presence and behavior.
2 people observed.
“How'd you ever think of it? Oh, within the minute I saw... Oh, look at him. He wants to play...” 15:14 · “Now, beat it. Your bed's downstairs. Go ahead, throw it. I'll throw him.” 15:23
Model synopsis: A man and a woman are in a bedroom with a dog; the man speaks while gesturing toward the dog, and the woman stands behind him. The dog is later shown alone on a wooden floor, and dialogue indicates the man is being urged to leave and that the dog will sleep in the kitchen.
2 people observed.
“He is only a pup.” 15:47 · “I'm going to go.” 15:57
Model synopsis: A man and a woman stand in a dim interior; the man holds a shoe and later touches the woman's hand, which has a ring. The transcript includes fragmented dialogue about location, time, and sleeping arrangements.
2 people observed.
“Under the stove.” 16:37 · “Be reasonable.” 16:41
16:59Model synopsis: A man and a woman are shown in a close-up, looking at something the woman is holding. The woman says 'See?' at 17:01.
2 people observed.
“See?” 17:01
17:19Model synopsis: A man sits beside a woman lying on a couch while speaking comfortingly; the transcript indicates reassurance that she will not be left alone. The setting is an interior room with wood-paneled walls and a lamp.
2 people observed.
“Oh, the poor thing's trembling. Oh, what's the matter, baby? Oh, we're not gonna leave you alone tonight.” 17:09 · “Not for a single minute.” 17:21
18:08Model synopsis: Two men in suits and hats argue in an outdoor urban setting; one accuses the other of dozing off while on watch, and they discuss waiting for a contact and the location of a gas station six blocks away.
2 people observed.
“For just a few seconds, I closed my eyes. You know that in what time you could get shot for a thing like that?” 17:56 · “Did I sleep in a soft bed like you all night? No. I stood here all night. Watch it.” 18:04
18:43Model synopsis: A man in a light shirt stands in a dimly lit room with wooden walls and a cabinet. He is visible in one frame at 1124s, near a doorway and a small table with a jar.
1 person observed.
18:49Model synopsis: A dog is visible lying on a bed covered with a shiny quilt. No people, dialogue, or on-screen text are present in this beat.
18:51Model synopsis: A man in light-colored trousers and a dark jacket walks down a staircase with metal railings. The setting appears to be an interior space with industrial or institutional architecture, featuring concrete walls and overhead lighting.
1 person observed.
18:53Model synopsis: A blurry animal moves past a metal railing in a dimly lit interior space. No people or spoken dialogue are visible or audible in this beat.
18:55Model synopsis: A person is visible on a staircase inside a room with large windows and curtains. No dialogue or on-screen text is present in this beat.
1 person observed.
18:59Model synopsis: A man in a white shirt and dark trousers lies face down on a carpeted floor. The setting appears to be an interior room with a brick wall and a piece of furniture visible.
1 person observed.
19:17Model synopsis: A man in a white shirt and striped tie is visible in a room with brick walls and a curtain. He is audible saying 'Go away. Beat it.' and 'Oh, boy.' before reacting with 'Oh, my God.'
1 person observed.
“Go away. Beat it.” 19:06 · “Oh, boy.” 19:08
19:35Model synopsis: A dog stands indoors near a dark object, with a glass table and a round object visible in the background. No people or spoken dialogue are present in this beat.
19:41Model synopsis: A man in a shirt and tie holds a white object in a room with a grandfather clock and brick wall. He speaks the line 'Must belong to somebody.'
1 person observed.
Model synopsis: A Welsh Terrier is shown in a close-up, followed by a newspaper clipping of a lost dog notice. The notice mentions a child crying and offers a reward with a Hollywood phone number.
“Lost Welsh Terrier” 19:49 · “My child cried all night. A finder please return. Reward, Hollywood 96852.” 19:53
Model synopsis: Two men are on separate phone calls in different rooms; one mentions a dog following him home and his wife mistaking it for an anniversary present. The setting appears to be interior spaces with brick and windowed walls.
2 people observed.
“Yeah?” 20:05 · “Oh, hold it. I can't hear. I can't hear.” 20:11
Model synopsis: A man in a suit talks on the phone in a room with blinds; another scene shows a man in a patterned shirt grabbing another man by the collar. The transcript includes fragmented dialogue about a mother-in-law and a dog.
3 people observed.
“Oh, I couldn't tell her that it wasn't because her mother was...” 20:28 · “My mother-in-law...” 20:32
21:38Model synopsis: A man in a white shirt and tie speaks on the phone in a room with a brick wall and staircase, arranging to deliver a dog to someone named Jonas. He then greets his mother, who criticizes his friends and offers to make breakfast for the dog.
Named: Jonas (t:21:07), Mother (t:21:45). 2 people observed.
“Sorry, Jonas.” 21:07 · “I can send for the dog. Oh, no, no, no, no. I've got to bring him to you myself. Then I can tell my wife the dog ran away or something and g…” 21:11
22:18Model synopsis: A woman and a man stand in a kitchen; the man is near a stove. The transcript mentions a name, Archie, and references a cake and last night.
Named: Archie (t:22:17). 2 people observed.
“Mark Seeks.” 22:15 · “His name is Archie.” 22:17
22:42Model synopsis: A man and a woman argue in a kitchen about whether the man fed raw bacon to a dog; the woman accuses him of deliberately leaving it accessible while he denies it. The argument escalates as she asserts authority over the house and he insists the dog stole the bacon.
2 people observed.
“Feeding him raw bacon. I did not feed it to him. He stole it. You deliberately put it where he could get it. Do you want to make him vicious…” 22:30 · “I deliberately did not deliberately anything of a kind. Don't you raise your voice to me. This is my house. Let me remind you.” 22:37
Model synopsis: Three people in a kitchen discuss a small dog’s health, with one person deciding to take it to a vet. The conversation includes concern about raw bacon making the dog vicious and uncertainty about its condition.
3 people observed.
“You ought to know better than to give a little dog raw bacon.” 23:07 · “Exactly what I said. It'll make him vicious.” 23:07
Model synopsis: A man and a woman argue about responsibility for a dog while a man cleans a building number. The dog is shown in a close-up, and a man is seen wiping the number 1655 off a building plaque.
3 people observed.
“Stay off my side.” 23:32 · “Phil! He's my gift to you. It is my responsibility. No, he's my responsibility. Besides, Archie and I ought to start getting acquainted.” 23:34
Model synopsis: A man in a striped shirt and tie is on the phone in an office, reacting with concern as he listens to a conversation about someone named Jonas and a dog. The dialogue suggests suspicion about being followed and dismisses the concern as overreaction.
Named: Jonas (t:24:19). 1 person observed.
“Oh, Jonas?” 24:19 · “Bring the dog here. Said he was having trouble getting the mud away from his wife.” 24:24
Model synopsis: A man in a cap smokes a cigar while speaking on the phone; another man in a striped shirt leans over a desk, holding a telephone receiver. The dialogue suggests a negotiation involving a reward and a dog, ending with an apology for a wrong number.
2 people observed.
“I'm sorry.” 24:46 · “Double the reward, triple it. When he delivers the dog, kick him downstairs.” 24:57
25:22Model synopsis: A man in a fedora and suit sits at a desk in a bedroom, looking down. The room contains a bed, a sofa, a lamp, and a framed picture on the wall.
1 person observed.
25:29Model synopsis: A man in a suit and hat walks across a bedroom toward a window. The room contains a daybed, a framed picture, and curtains.
1 person observed.
Model synopsis: A man in a suit speaks with another man in a hat inside a living room; they discuss a dog named Archie. The conversation reveals the dog is not theirs and was named by the speaker's wife.
Named: Archie (t:25:41). 2 people observed.
“Not that we own this one, of course, he's yours. But she promised me I could walk in tonight.” 25:36 · “Or who? Archie. She said that I... Archie, who's he? The dog. I am sorry. She named him that. My wife.” 25:41
Model synopsis: Two men in suits are shown in an indoor setting; one is speaking while the other listens, then the second man grabs the first by the lapels. The transcript includes dialogue about a dog named Archie, a child, and a mistaken identity.
2 people observed.
“Well, I'll get Archie to you without fail tonight. Tell my wife you ran away or something and get her another dog.” 25:59 · “A great little fellow. But naturally, if he belongs to you, it's... He's yours.” 26:07
26:31Model synopsis: A man in a suit and hat sits on a desk holding a telephone receiver. He speaks to an operator, requesting a policeman.
1 person observed.
“Odd fellow.” 26:26 · “Operator.” 26:32
Model synopsis: A police officer is on the phone in an office while another officer works at a desk in the background. The transcript indicates a report of murder is being filed, with questions about the body and the caller's identity.
Named: Sergeant O'Neill (t:26:41), Sam (t:26:49). 3 people observed.
“Police complaint, Ford. Sergeant O'Neill.” 26:41 · “I want a report of murder. Yeah? Yes. Who did it?” 26:44
Model synopsis: A police officer is on the phone while another person is seen in a room with furniture and a lamp. The transcript includes urgent instructions to stay put and mentions police presence.
Named: Russell (t:26:56). 2 people observed.
“Hey, Russell, trace this call.” 26:56 · “Don't go away. Stay right where you are.” 27:01
27:37Model synopsis: A person in a patterned jacket leans over another person lying on the floor, appearing to adjust or examine their head or neck area. The scene is dimly lit and confined, suggesting an interior space with minimal background detail.
2 people observed.
“Maybe.” 27:38
Model synopsis: A man is seen in a bathtub filled with ice, while other characters discuss a search and a killing. The dialogue references names like Russell, Giddy, Jonas, and Gilly, and mentions a location at 1655 North Citrus Road.
4 people observed.
“You got it, Russell?” 27:46 · “He wasn't there.” 28:40
Model synopsis: A man is seen in a bathtub filled with suds while another man in a suit stands in a room with large windows. The transcript includes dialogue about waiting for someone named Jonas and a mention of a dog.
Named: Gilly (t:29:08). 2 people observed.
“Tell me, Gilly.” 29:08 · “Tell me everything just as it happened.” 29:10
Model synopsis: A man in a suit stands near a window and later lifts a sheet while another man lies in a bathtub filled with foam; dialogue references a dog, a character named Jonas, and a past event in London. No names are visually confirmed, and the setting appears to be a cluttered room with a window view.
2 people observed.
“I'm just some dog that Jonas must have lost and advertised for.” 29:36 · “I just only knocked off Jonas.” 29:54
30:58Model synopsis: Two men are in an interior space; one holds a newspaper while the other stands behind him. Dialogue references a dog, a chiroponist, police, and a child crying, and includes a shouted 'Help!' and a name 'Archie' being called.
2 people observed.
“We need this dog to make the transfer.” 30:23 · “I don't remember. Even give me his card. It was a... No, he was a chiroponist. If only I could call the coppers, I'd go back and get it.” 30:33
Model synopsis: A man in a hat stands beside a woman in a large hat under a building overhang; another man in shorts and a shirt holds a long stick outdoors near parked cars. A voice says the birds are not quail.
3 people observed.
Model synopsis: Two men in suits and hats converse in what appears to be an office or shop interior; one man is later seen alone at a desk. A woman arrives and questions their activities, mentioning repeated phone calls to the office between 2 and 5:30.
4 people observed.
“You hunter, you! Lady, hey! Hey, lady!” 32:09 · “Sorry I'm late. What a day.” 33:34
34:36Model synopsis: A man is confronted by police who claim he is wanted in connection with a murder; a woman and another man stand nearby. The police mention finding a gift in the victim's hand, which the man admits giving to him.
Named: Denny (t:34:17). 3 people observed.
“Mr. Denny!” 34:17 · “They want you!” 34:27
Model synopsis: A man in a suit explains a mix-up involving a dog that he thought belonged to Jonas, while two women and another man listen; the scene includes dialogue about murder and a mother-in-law. The setting appears to be an interior room with brick walls and a dog present.
Named: Denny (t:35:03). 5 people observed.
“Murdered! Murder?” 35:01 · “You're mixed up in a murder. I knew someday you... Mother, shh! What does she know, Denny? How do I know what she knows?” 35:03
36:38Model synopsis: Two women stand in a doorway during a tense conversation about someone named Gilly; one woman gestures toward a porch while speaking. The scene is lit with high-contrast studio lighting and appears to be set at night or in a dark interior.
Named: Gilly (t:36:49). 2 people observed.
“I told you about how he's trying. If you give me a chance, I'll try to explain. You bring him back here. You can't take him away. What a…” 36:30 · “Yep.” 36:48
Model synopsis: A man presents a newspaper clipping about a wanted criminal to police officers in a station; another man is seen from behind walking toward a window. The officers dismiss the citizen's report about a found dog.
Named: Morbert Gilliespie (frame:1). 5 people observed.
“Last heard from him, he was in the can in Parrish. The feds want him and I want him. Now get out and bring him in. You too, old Rappaport…” 36:59 · “What's the matter with you two? Why can't you listen? What is this, another irate taxpayer? This is the one who left his card on Jonas. …” 37:08
Flagged: name not grounded (Morbert Gilliespie)
38:40Model synopsis: A man and a woman argue in a dimly lit interior; the woman is agitated and accuses the man of murder, while he denies it and claims it was a routine police check. The transcript reveals the woman is his mother, and he claims to have only briefly met the murdered man.
Named: Mother (t:38:16). 2 people observed.
“Will you stop it, Mother? He didn't murder anyone. Well, you know, it's closely called. They hold all murderers incommunicado. That's wh…” 38:16 · “Oh, I'll brain him. I'll kill him. I'll absolutely crush every bone in his head.” 38:26
40:14Model synopsis: A man in a suit stands near a staircase while a woman sits behind him; a dog is visible in the foreground. Dialogue references a mother leaving for a modern art lecture, Archie needing a walk, and someone named Bill being told not to talk to anyone.
2 people observed.
“Um, by the way, Mother's leaving. Three chairs?” 39:46 · “Archie needs a walk.” 40:10
41:15Model synopsis: Two men are in a room with a dog; one speaks about using the animal to gain access to see certain people, mentioning 'Mr. Newme'. No names are assigned to the visible men based on the transcript.
2 people observed.
“What about sex? Sex? Ah, the furs of youth. I mean, is this dog the right sex? Oh, uh...” 41:03 · “Well, they don't mention which.” 41:13
43:05Model synopsis: A man enters an office uninvited, claiming to respond to an advertisement for a lost dog, and is recognized by someone inside. The scene includes dialogue assigning roles and locations, including a reference to Harbor Drive and the White House.
Named: Mr. Jonas (t:44:42), Gilly (t:41:32), Dougie (t:41:46), Charles (t:41:58). 6 people observed.
“You remain here, Gilly, in case your screwball friend answers our ad.” 41:32 · “So I came in.” 44:25
Model synopsis: A man in a suit holds a small object and reacts with surprise as someone speaks off-screen. The dialogue implies he was believed to be dead.
1 person observed.
“But you're supposed to be...” 44:47 · “dead.” 44:51
Model synopsis: A woman comforts a younger woman who is scared, while a 'DANGER' sign is visible outdoors at night. The dialogue suggests concern about someone being late, possibly in an accident.
Named: Mrs. Denny (t:45:53). 2 people observed.
“No, Mrs. Denny, nothing new.” 45:53 · “But it's after two.” 45:55
Model synopsis: A man sits on the floor while a woman stands over him in a domestic interior; dialogue reveals tension over his unexplained absence and her distress. A second woman is mentioned but not shown, and the man is accused of lying.
3 people observed.
“And just where have you been all this time? You were going to be back in 16 minutes. I... took a walk? You took a walk?” 46:30 · “The phone will ring any minute and have the police tell me they found your body. Oh, body? Cherchez la femme, I always say.” 46:58
Model synopsis: A man and a woman are in a room; the woman stands holding a bottle while the man sits and speaks. The transcript indicates an apology and a question about sobriety, followed by the man saying he has something to tell her.
Named: Katie (t:47:47). 2 people observed.
“I'm sorry I blew up, darling. I know with her around all the time it's murder for me. Murder? It's not that. It's... Then what is it? Is any…” 47:30 · “Are you sober? Oh, no.” 47:44
48:14Model synopsis: A man and a woman are in a room with a dog; the woman touches the dog while the man speaks urgently. The dialogue suggests the dog named Archie is a problem they must remove immediately.
2 people observed.
“About Archie. You're feverish. Your head's hot. Oh, Archie's hot. Very hot. He's the hottest dog in town. He's stolen. And once more...” 47:59 · “What's he doing here? I thought I lost him. He's not lost or even stolen. He came back all by himself and on time.” 48:12
48:38Model synopsis: Three people are shown in a medium shot indoors; one woman speaks about dogs witnessing someone's actions, and another mentions Archie as if he were a dog who could talk. No names are assigned to the people as none are spoken in the transcript.
3 people observed.
“Of course.” 48:37 · “Since the dogs are witness to what you've been up to all night.” 48:39
49:16Model synopsis: A man leans over a woman lying in bed; dialogue reveals a character named Arch and references to being murdered twice. The scene is dimly lit and confined to a bedroom setting.
2 people observed.
“If he only could.” 48:48 · “Arch. His name is Arch.” 48:52
Model synopsis: A man in pajamas is seen bending over near a doorway and then interacting with another person in a dimly lit interior. Spoken lines include references to comfort, freedom, and a lamb chop priced at $1.49 a pound.
2 people observed.
“All nice and comfy, aren't you?” 49:47 · “You like it here.” 49:50
Model synopsis: A man is woken at night by a phone call from the police about a body; he insists it is Jonas, but the police say Jonas is already in the morgue and the body found is Norbert Gillespie, alias Gilly the Blade. The scene includes a police mugshot of Gillespie and dialogue confirming the confusion over identities.
Named: Denny (t:51:29), Norbert Gillespie (frame:2), O'Hara (t:51:29), Captain (t:53:16), O'Ryan (t:54:00). 5 people observed.
“How it's you, O'Hara? Well, I see you're home again, Mr. Denny.” 51:29 · “I did it.” 53:15
Flagged: name not grounded (Norbert Gillespie)
Model synopsis: A man in a suit holds a document while another man points at it; a mugshot of Albert Jonas is shown. The transcript identifies the person in the mugshot as Jonas and states he has not been seen before.
Named: Albert Jonas (t:54:37). 4 people observed.
“What about this one?” 54:35 · “I never saw him before. This one's Jonas.” 54:37
55:33Model synopsis: A man in a suit holds a newspaper while speaking to another man in a suit; others stand nearby. The transcript discusses a murder, a dog, and locations including Drexel Towers and Siemens Hotel.
4 people observed.
“The first one was Gilly the Blade, the same one we just found dead.” 54:40 · “What did you want to see him about?” 55:03
Model synopsis: A group of men in suits and hats are gathered in a room; one man is questioned while others observe. A police officer appears in one frame, and a man is struck in the final frame.
Named: Mr. Looney (t:56:35). 7 people observed.
“That's Mr. Looney.” 56:35 · “and a dog followed me home. My wife thought I'd bought an anniversary present. I didn't tell her the truth, figuring I'd return the dog, …” 56:42
57:55Model synopsis: A man in a suit speaks with a police officer while others stand nearby; the transcript describes witness testimony about gunshots and bodies. No names are spoken, and the setting appears to be an indoor hallway or office.
4 people observed.
“Two quick shots. Two shots.” 57:51 · “Two bodies.” 57:53
58:28Model synopsis: A man in a suit and fedora speaks urgently to another man in a suit and fedora while others look on; the transcript reveals a conversation about a dog named Archie and a wife named Katie who is in danger. No place, time of day, or period is established from the frames or transcript.
4 people observed.
“The dog. What about that dog? Archie? Who's Archie? The dog.” 58:12 · “Oh, he couldn't have done it. And when he wasn't with me, he was with my wife. There's a connection. There's got to be. The dog is hot.” 58:18
Flagged: quote not verbatim (Oh, he couldn't have done it. And when he wasn't with me, he was with my wife. There's a connection. There's got to b)
58:59Model synopsis: A group of men in suits and hats surrounds a vintage car on a city street. One man leans into the car while others stand nearby, some with hands on the vehicle.
4 people observed.
Model synopsis: A man in a suit and hat stands indoors near a doorway while a woman in a dark dress walks outdoors past a waste receptacle. A line spoken at 59:14 references throwing bones away, which may relate to the dog visible in the outdoor scene.
2 people observed.
“Archie, if you dare, I'll throw your nice fresh bones away.” 59:14
59:21Model synopsis: A man in a suit, hat, and glasses stands indoors near a pillar; another man in a hat is visible in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman and a man walk away carrying luggage on a paved sidewalk; a small dog runs across the same sidewalk. A voice says 'Okay, baby. Hey, see you. Hey, see you. Archie.'
Named: Archie (t:59:25). 3 people observed.
59:40Model synopsis: A man sits in a room reading a newspaper while speaking. He reacts to someone off-screen telling him not to do something, then acknowledges catching something.
1 person observed.
Model synopsis: A man in a fedora is grabbed by the collar indoors while another man holds up what appears to be bones; a dog is later seen at a door. Dialogue includes references to 'Bones', 'Bates', and 'Elamore'.
Named: Bates (t:60:00). 2 people observed.
“What's this? Bones?” 59:54 · “in a pool. Come on, start talking and talk fast. I don't know, Bates.” 60:00
1:00:27Model synopsis: A man in a suit yells at two other men outdoors; one of them is told to calm down as a woman is said to be returning. No names are established from the transcript for the visible people.
3 people observed.
“Help!” 60:21 · “If one hair of her head's been injured, I'll have your hairs. Heads. Heads.” 60:23
Model synopsis: A man in a hat and coat is seen bending near a doorway, then a group of men gather around a table where a dog stands. Dialogue reveals a wife is missing and a dog is being questioned or handed over as an anniversary present.
7 people observed.
“Katie?” 60:38 · “They've got her, too. Now, where is she? Where is she? What have you done with her? No, what about my wife? My wife. Why my wife? Com…” 60:42
Model synopsis: A woman speaks excitedly on the phone from a room, while a man in a suit and hat talks on a phone in what appears to be a jail or police station, flanked by a uniformed officer. The transcript reveals the woman is telling the man he is in jail but they are now rich, and urges him to stay silent and get a lawyer.
Named: Bill (t:61:46). 4 people observed.
“Where are you calling from? Oh, that's right. Mother told me. You're in jail. Guess what?” 61:42 · “We're rich! Filthy, dirty rich! Huh? You sound funny! Are you sure you're all right? Oh, never better! Never richer!” 61:46
1:02:58Model synopsis: Two men in suits stand at a counter in a shop, one handling money or papers while the other watches. The transcript includes dialogue about possession of an item, payment, and a dog named Zubo, but no names are spoken that can be assigned to the visible people.
2 people observed.
“Hey! You know what I do with him. Hey, wait a minute. Oh, fellas, where are you taking me now?” 62:09 · “Pay me when you pick him up. Here, you'll need this receipt. The sofa's getting cold, like ice. Two dollars a day. You want him bathed or cl…” 62:29
Model synopsis: A man and two women argue in a room; one woman calls out a name. Later, people scramble on the floor amid scattered money. No named characters are identified from dialogue or visuals.
5 people observed.
“You never gave her anything but a headache.” 63:59 · “Let's see here, Mother.” 63:59
Model synopsis: A man and a woman argue over a stack of money, which the man claims is counterfeit. A third woman joins them, and they examine the bills together while the man points out flaws in the currency.
3 people observed.
“Even if it was yours, you couldn't spend it. Not this money. It is mine, and why can't I...” 64:20 · “Because it's counterfeit. What? Counterfeit. Phony. Oh, baby, these are as phony as mother's false teeth. I mean, anybody's mother's fa…” 64:24
Model synopsis: A woman reacts with surprise while holding money, as another woman and a man stand nearby in a room with furniture and a suitcase. The transcript includes dialogue about a cold and a confusing gift from an eccentric millionaire.
4 people observed.
“At his nose.” 64:41 · “It's running!” 64:44
1:05:12Model synopsis: A man and a woman stand near a desk while another man sits and examines something; the woman speaks about money given to her by a stranger, and the seated man questions her. The standing man is introduced as the woman’s husband, who claims the money is counterfeit.
3 people observed.
“This is my wife. Yeah, I'm sorry.” 65:06 · “Darling, tell him. Oh, yes, I was right. Congratulations. No, I mean about this money. Oh.” 65:09
Model synopsis: A man in a suit sits at a desk speaking while a man in a hat and a woman stand nearby; the transcript reveals a discussion about counterfeit money, murders, and a dog named Archie. No names are spoken that identify the individuals beyond 'Ann' and 'Archie'.
Named: Ann (t:65:34), Archie (t:65:34). 4 people observed.
“I can see his phony lady.” 65:25 · “We specialize in murder here, homicide and all like that.” 65:31
Model synopsis: A man and a woman stand close in a room with bookshelves while a third man sits at a desk. The transcript includes urgent dialogue and a statement beginning 'it all began when I...'.
3 people observed.
“Go ahead.” 66:02 · “Explain!” 66:03
Model synopsis: A man in a suit speaks at a desk while another man and a woman stand nearby; the dialogue reveals a dispute over whether a dog was an anniversary gift. The woman reacts with disbelief as the man explains the dog followed him home and that the anniversary card was found in the dog's possession.
Named: Mrs. O'Denny (t:66:15). 3 people observed.
“We brought him the money. Let's go home, doctor. Oh, Mrs. O'Denny.” 66:15 · “Are you under the impression that your husband purchased that dog for you as an anniversary present? Of course I am. Certainly he did. Dar…” 66:19
Flagged: quote not verbatim (But I didn't forget. Look, I tried to tell you last night that I... But the anniversary card was in Archie's mouth. An)
Model synopsis: A man and a woman are in a room where a dog named Archie is involved in a conflict; the man is agitated and the woman is distressed. The dialogue suggests Archie has run away and is implicated in a series of events including a murder and a theft, and the man is trying to retrieve him.
4 people observed.
“Night gown? What night gown? For you. I bought it for you. You didn't buy me any night gown? Sure I did. That as I started to. Then Arc…” 67:13 · “I tell you, that dog knows plenty! Oh, what nonsense! Now Archie's a murderer. Honey, calm yourself. We'll go home now. Can I have Archie…” 67:43
1:09:54Model synopsis: Two men interact in a dimly lit interior space; one hands something to the other while dialogue references a reward, a bite, and a phony object. The exchange concludes with one man saying 'Good night.'
2 people observed.
“Six bucks. That's a reward? What about his cage and board?” 69:36 · “I stuffed him and warmed him, and he bit me. Tell me a bill, mail you a check.” 69:42
1:10:37Model synopsis: A man and a woman are in a close embrace indoors; the woman speaks to him with affection and exasperation, referencing snoring and an advertisement. She mentions their mother being away and plans for the evening.
2 people observed.
“Darling, darling. Huh?” 70:22 · “Oh, you big mallard head, you.” 70:29
1:11:34Model synopsis: Two men enter a house and assert control over its occupants, who comply while one man is described as a coward. The scene includes dialogue about going out, rain, and a movie, followed by a confrontation where the intruders demand obedience.
Named: Katie (t:71:06), Danny (t:71:06). 4 people observed.
“What's with you? Some lover. Look, Katie, let's go for a walk or something. A wonderful night of big moons, stars. It's raining now. Oh, wel…” 71:06 · “Okay, lady, leave us have it. What do you want? Fix that. Who are you? Never mind. That's the man who gave me the money. Yeah. Sit do…” 71:39
Model synopsis: A man in a hat speaks urgently to a woman in a beret; two other men in hats enter and confront the seated man. The transcript includes dialogue about delivering something to the police and a warning to stop joking.
4 people observed.
“Get it, lady. Get it to us quick.” 72:24 · “Then we brought it to the police.” 72:24
Model synopsis: A man in a suit is seen on the floor holding a cat, then standing while holding the cat as another man in a hat approaches. A voice is heard calling out to someone named Chief and urging them to get up.
Named: Chief (t:72:36). 3 people observed.
“Hey, it's me, you dumb mother. It's me. Wait. Get up, Chief. Get up. Hey, Chief. Get up. Come on.” 72:36
1:13:05Model synopsis: Three men are in a dim interior; one grabs another by the shirt while a third looks on. A transcript reveals a dispute over counterfeit money and a reference to a police officer named O'Reilly.
3 people observed.
“Oh, oh, you killed Archie! Oh, that's too bad, you... Now, go get it. I tell you, we brought the money to the police. A hundred Gs.” 72:50 · “You mean you give the cops 100 Gs? Yes! It was no good! Any idiot, even a blind one, could tell that money was phony!” 73:04
1:13:39Model synopsis: Two men argue in a dim interior while a third man watches; one man holds a gun and speaks about money and trust. No names are established in the dialogue for the visible characters.
Named: Max (t:73:34). 3 people observed.
“Maybe life I should live so long. No, don't be the junk, Max. It's safe. The money's safe. I figured that we could have the money and the …” 73:34 · “Ha!” 73:43
1:13:56Model synopsis: A man and a woman are shown in a close embrace in a dimly lit interior. The man wears a hat and a light shirt; the woman has short curly hair and wears a dark strapless top.
2 people observed.
Model synopsis: A man in a hat finds a woman lying on the floor, then speaks on the phone before a group of men in hats enter the room. The transcript includes a man calling out 'Katie' and mentioning 'Archie' and 'two more'.
Named: Archie (t:74:14). 5 people observed.
“I... Katie! Oh, my Katie!” 74:00 · “Oh, my Katie!” 74:04
Model synopsis: A man walks toward a door; the next frame shows multiple people lying motionless on a floor with a dog nearby. A voice identifies one as Mrs. Catherine Denny and mentions a lost dog advertisement, while another line refers to strangers who shot each other.
6 people observed.
“Oh, my God.” 74:40 · “My, they're fast.” 74:42
1:15:15Model synopsis: Three men are in a tense confrontation indoors; one demands money while another identifies a woman as his wife. A fire escape is mentioned as an exit.
Named: wife (t:75:05). 3 people observed.
“Oh, a party, huh? Strangers to me. They shot each other.” 74:58 · “That's my wife.” 75:05
Model synopsis: A man in a checkered jacket holds a gun while speaking; another man in a hat reacts with surprise. The dialogue includes a threat and a reference to 'the other one.'
2 people observed.
“Open your mouth and you're dead.” 75:31 · “The other one.” 75:35
1:15:41Model synopsis: A man in a patterned jacket holds a long object indoors near a curtained window. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a hat and vest is seen in a dimly lit room with brick walls and metal shelving; other men are present, some standing, one seated, and one moving up stairs. Dialogue references 'Pete the Pusher', 'Max the Umbrella', and a reward of five grand, suggesting a capture or arrest scenario.
5 people observed.
“Well, Rappaport, look around upstairs.” 75:56 · “Who are they? Well, a nice assortment.” 76:04
1:17:03Model synopsis: A man in a suit stands over a prone figure on the floor while others look on in a dimly lit room; a voice cries 'Help!' at 77:01. No named characters or clear time of day are established.
7 people observed.
“Help!” 77:01
Model synopsis: A man in a uniform gestures dramatically in a hallway where others lie on the floor; a woman stands behind a seated man in what appears to be a kitchen or dining area. The transcript includes exclamations about murder, capture, and rewards, suggesting a resolution involving apprehension and reward.
6 people observed.
“I knew it! He's murdered her!” 77:08 · “Furthermore, as a result of the daring unarmed and single-handed capture by the fearless Mr. O'Denny...” 77:22
Model synopsis: A man and a woman sit at a dinner table; the man reads a newspaper while the woman speaks to him. The newspaper headline reports on a smashed smuggling ring. The man reacts to her comments about eating.
2 people observed.
“These two are the ones that put me in a higher bracket. Okay, eat your shots, you hero you.” 77:48 · “What shots?” 77:53
Model synopsis: A woman speaks in a kitchen while a man bends over near a dog; the dog looks up as a hand reaches toward it. The woman mentions preparing a steak for someone named Archie.
2 people observed.
“Oh, isn't that cute? Oh. Oh, never mind, dear. I've got a lovely steak for Archie in the icebox. I'll fix it for you. What?” 78:14 · “It'll only take a minute.” 78:23
Model synopsis: A man holds a dog while a woman reacts in a kitchen; later, the same man and woman interact near a staircase as other guests look on. The transcript indicates someone named Bill is being questioned about biting and an incident involving Archie.
8 people observed.
“You bit him!” 78:30 · “Bill! What's come over you? Bill! What happened, Kate? Bill, did Archie?” 78:35
1:18:56Model synopsis: A woman in a patterned dress speaks to a man in a dark suit while another woman stands nearby; the setting appears to be an interior space with stairs visible. The transcript includes a rhetorical question about someone's right to act in their own house.
3 people observed.
“And why shouldn't he?” 78:54 · “In his own house?” 78:57
1:19:29Model synopsis: A person lies on the ground in a dark, textured setting while end credits roll, naming Henry Corden and Francis L. Sullivan. A voice speaks lines about behaving and returning home, with no visible characters reacting in the frame.
1 person observed.
“If you want to come on back home, enslave yourself to no one new. Remember to behave yourself, well don't you see.” 79:31 · “If you behave yourself, then you can come down off the shelf and do your miss behaving with me.” 79:44
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 756 segments kept, 204 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
By the average clip vector of the keyframes; a measurement, not a judgement
Whistle Stop 
My Favorite Brunette 
Behind Green Lights