Bowery at Midnight (1942)

Model synopsis: The opening title card displays the film's title, studio, and star. No characters or actions are visible in this beat.

Evidence, details and a link to share

Model synopsis: A man speaks about going to the Friendly Mission for soup, describing it as a place with no questions asked and a soft-touch manager. He introduces another man to the mission's operator, who welcomes them and offers food and comfort.

3 people observed.

“Sure, over at the Friendly.” 3:02 · “You sure can get some swell soup there and no questions asked.” 3:10

Evidence, details and a link to share

Model synopsis: Three people interact in a dimly lit interior space with a soup dispenser and table; one man is being tended to while another speaks about soup and bandages. No names are spoken that can be assigned to visible individuals, and no time of day or historical period is established by the frames or transcript.

3 people observed.

“Will I have some soup?” 4:22 · “Of course, my friends.” 4:23

Evidence, details and a link to share

Model synopsis: Two men in suits stand at a counter with glassware and a large metal dispenser; one gestures toward the other. The setting appears to be an interior space with dim lighting and plain walls.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie is visible in a medium close-up shot. The setting appears to be an interior space with dim lighting and indistinct background elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a white uniform stands near a counter while a man in a dark suit sits in a chair, conversing in what appears to be an office or clinic. The dialogue suggests the man is praising Mr. Wagner, who runs the establishment, for understanding hunger over moralizing.

• The woman stands near a counter while the man sits and speaks. [frame:1]

Named: Mr. Wagner (t:5:28). 2 people observed.

“I'll take it off.” 5:13 · “See, the guy that runs this place sure is one swell guy.” 5:20

Evidence, details and a link to share

Model synopsis: Two men stand at a counter in a dim interior while a third man with his back to the camera sits nearby; one standing man speaks and gestures. A name 'Falou' is spoken at 5:54.

Named: Falou (t:5:54). 3 people observed.

“Have another bowl.” 5:45 · “Then what about the smoke?” 5:48

Evidence, details and a link to share

Model synopsis: Two men stand at a desk in a dimly lit interior; one holds small objects while the other adjusts his coat. A line mentions 'Real for finance' at 6:19.

• Two men stand at a desk; one holds small objects, the other adjusts his coat. [frame:1]

2 people observed.

“Oh.” 6:06 · “Help yourself.” 6:07

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior; one invites the other into a private office. No names are spoken, and no objects beyond clothing and a doorway are visible.

• A man in a suit speaks to another man wearing a fedora. [frame:1]

2 people observed.

“I hope you enjoy it.” 6:20 · “Fingers.” 6:24

Evidence, details and a link to share

Model synopsis: A man named Stratton interacts with others in a dimly lit interior, discussing a package and a character called Fingers, who is later killed. Dialogue reveals tension among criminals, with references to past inactivity, betrayal, and a planned job.

Named: Stratton (t:8:18), Doc (t:7:42), Carl (t:7:40), Fingers (t:8:32), mommy (t:13:01), Alex (t:11:41), Stratton (t:10:56), Carl (t:11:06). 8 people observed.

“I want to show you something very interesting.” 7:01 · “That's me.” 7:14

Evidence, details and a link to share

Model synopsis: A man and a woman stand near a set table in a dimly lit room; he presents her with flowers, and they embrace. The woman comments on the cost of the gift, and he replies that nothing is too good for her.

• Man and woman stand near a table set with glasses and plates. [frame:1]
• Man embraces woman; she holds a bouquet. [frame:2]

2 people observed.

“You finished your book?” 13:22 · “They are beautiful. Just like you, my dear.” 13:36

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a dining table in a dimly lit room, exchanging dialogue about gifts, loneliness, and future plans. The man mentions finishing research for a new book and moving away, while the woman expresses longing and questions his frequent absences.

Named: Miss Pierce (t:14:46). 2 people observed.

“How can you afford to give me such expensive gifts?” 13:53 · “It's not Jewish I want. It's you. Your companionship.” 14:08

Evidence, details and a link to share

Model synopsis: A man in a suit speaks near a water cooler while a woman sits at a desk; the man then opens a door, and a hand is seen on the floor. The dialogue references morning conversation and mountain spring water.

• A man stands near a water cooler, speaking. [frame:1]
• A woman sits at a desk, looking up. [frame:2]
• The man opens a door with his right hand. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Atkins (t:14:52). 2 people observed.

“Ah, there is nothing more invigorated than a nice cool drink of fresh mountain spring water. Mr. Atkins.” 14:52 · “Every morning for three years, you start out with the same stimulating conversation.” 14:59

Evidence, details and a link to share

Model synopsis: A woman screams in a room with trophies while two men, one in a police uniform and one in a suit, stand together. Dialogue references robberies, promotions, retirement, and marriage plans, with a mention of abnormal psychology and paranoia.

• A woman screams while holding a plate. [frame:1]
• Two men stand side by side, one in police uniform, one in suit. [frame:2]

3 people observed.

“A series of robberies...” 15:27 · “of a homicidal maniac.” 15:30

Evidence, details and a link to share

Model synopsis: A man in a suit stands before a seated audience while another man in a bow tie and glasses sits at a desk; the transcript indicates a discussion about paranoia and delusions of grandeur. No names are spoken that can be assigned to the individuals shown.

• A man in a bow tie and glasses sits at a desk behind blinds. [frame:1]
• A man in a light suit stands before a seated audience. [frame:2]
• The standing man continues to address the audience. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Perhaps Mr. Dennison can inform the class.” 17:08 · “Why paranoia is so dangerous?” 17:11

Evidence, details and a link to share

Model synopsis: A man in a suit stands before a seated audience in a room with framed portraits on the wall. The transcript discusses someone's logical behavior, maladjustment, and use of force, leading to antisocial conduct.

• A man in a suit stands and speaks to an audience. [frame:1]
• The man continues speaking while standing in front of seated people. [frame:2]

4 people observed.

“Well, I guess it's because he acts logically.” 17:37 · “If you didn't study him, you wouldn't know he was maladjusted.” 17:40

Evidence, details and a link to share

Model synopsis: A man is seen in a dimly lit interior as dialogue references crime, a corned beef sandwich, and a character named Burks; a phone call to Sergeant Crawford and Captain Mitchell follows. The scene ends with a character saying they are going to leave.

• A man is visible in silhouette in a dark room. [frame:1]

Named: Sergeant Crawford (t:19:31), Captain Mitchell (t:19:31), Mr. Wagner (t:20:07), Burks (t:18:00), Frankie Mills (t:18:25), Pete (t:18:34). 7 people observed.

“How about a nice corned beef sandwich? Well, that's the deal, but this time the treat's on me. Go, Burks. Go, Burks it is.” 18:00 · “Why, that hooch Frankie Mills.” 18:25

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat sits at a table in a dimly lit room with other patrons seated at tables. The room has plain walls, a doorway, and wall-mounted fixtures.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored blouse and skirt stands behind a counter in a dimly lit interior. No dialogue or on-screen text is visible in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a white dress stands near a seated man in a dark coat and hat in a dimly lit room with tables; they exchange dialogue about tending to an injury. No names are spoken, and no clocks or windows establish time of day.

2 people observed.

“You'd better let me take care of that for you.” 20:59 · “I can take care of it.” 21:02

Evidence, details and a link to share

Model synopsis: A woman in a white coat and a man in a dark suit and hat stand in a room with medical equipment and a chair. The woman speaks, offering to help the man sit down and be fixed up.

• The woman gestures toward a chair while speaking to the man. [frame:1]

2 people observed.

“If you'll just sit down here, I'll fix you up right away.” 21:30

Evidence, details and a link to share

Model synopsis: A woman in a light blouse confronts a man in a dark suit and hat in a room with shelves of bottles. The transcript includes lines about being sliced with a knife and someone trying to take dough, indicating a confrontation over money.

• A woman leans toward a man, gesturing with her hand. [frame:1]

2 people observed.

“How did this happen?” 21:42 · “Guys, slice me with a knife.” 21:43

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat sits in a chair holding a small object while a woman in a white coat stands at a counter. The setting appears to be a laboratory or medical room with shelves of bottles and a single overhead light.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a white coat tends to a man in a dark hat and jacket; he responds to her as she speaks. The scene occurs indoors, with shelves visible in the background.

• The woman tends to the man’s hand or arm while looking at him. [frame:1]

Named: Lou (t:22:03). 2 people observed.

“Just stay in the middle of the day.” 21:56 · “That didn't hurt much, did it?” 22:01

Evidence, details and a link to share

Model synopsis: A woman in a white coat leans over a seated man in a dark suit and hat in what appears to be a medical or laboratory setting. The transcript includes brief dialogue about someone needing to be careful, but no names are spoken.

• A woman in a white coat leans over a seated man in a dark suit and hat. [frame:1]

2 people observed.

“Very well.” 22:06 · “Let me know when you get here.” 22:08

Evidence, details and a link to share

Model synopsis: A man in a dark suit and fedora stands in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in dark coats and hats stand outside a building at night; one is instructed to check a pool hall. The scene is dimly lit and appears to be an exterior urban setting.

2 people observed.

“Bill, you and Joe, take a look in the pool hall.” 22:53

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora stands in a dimly lit room with other seated men in hats. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior; one is identified as Frankie Muir and warns the other not to upset a baby. A sergeant arrives, mentioning a dangerous killer and orders to search Bowery locations.

Named: Frankie Muir (t:23:12). 3 people observed.

“Isn't Frankie Muir?” 23:12 · “Too bad you recognize me, mister.” 23:15

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands behind a desk while a woman sits at it; dialogue indicates police are searching for a young man named Frankie Mills who was recently seen there. The setting appears to be an office with shelves and a desk, and the conversation suggests a recent departure of the suspect.

• A man stands behind a desk while a woman sits at it. [frame:1]

2 people observed.

“I'd be glad to show you around.” 24:14 · “He's a young fellow by the name of Frankie Mills.” 24:38

Evidence, details and a link to share

Model synopsis: Police officers are present in a stairwell while a woman speaks on the phone in a separate room. The transcript indicates instructions to watch for someone and a phone conversation about staying longer before returning home.

5 people observed.

“See him again, notify police headquarters immediately.” 25:01 · “I'd be happy to cooperate with the force.” 25:04

Evidence, details and a link to share

Model synopsis: Two men stand in a dimly lit room with shelves and a skull; one speaks of a proposition and an organization while the other questions him. The speaker mentions an associate downstairs and invites the other to meet him.

2 people observed.

“Who are you?” 25:44 · “What are you soft-soaping me for?” 25:45

Evidence, details and a link to share

Model synopsis: Three men are in a dimly lit interior space, speaking tense dialogue about fear and power. One man introduces another as Frankie Mills, and a third man reacts with alarm, saying 'Oh, my God.'

Named: Frankie Mills (t:26:56), Stratham (t:27:28). 3 people observed.

“I want you to meet Frankie Mill.” 26:56 · “I'm afraid of you.” 27:10

Evidence, details and a link to share

Model synopsis: Two men stand in a dimly lit room with grave markers on the floor; a cat is seen near a brick wall; a man in a cap speaks to another man in a doorway. Dialogue references a tip, a Mr. Stratton, a cemetery, and a doctor.

• Two men stand in a doorway of a room with grave markers on the floor. [frame:1]
• A black cat is seen near a brick wall and dirt ground. [frame:2]
• A man in a cap speaks to another man in a doorway. [frame:3]

4 people observed.

“You're not afraid of him now, are you?” 28:03 · “To Chelsea.” 28:10

Evidence, details and a link to share

Model synopsis: A man in a tuxedo stands near a seated woman in a living room; their conversation, as captured in the transcript, involves concern over someone named Judy and a place on the Bowery. The woman pleads with the man, Richard, to intervene and expresses gratitude for his willingness to help.

• A man in a tuxedo stands near a seated woman in a living room. [frame:1]

Named: Richard (t:29:47), Mrs. Malvern (t:29:58). 2 people observed.

“Please, Richard, she'll be home any moment now.” 29:47 · “Mrs. Malvern, when will you stop this?” 29:58

Evidence, details and a link to share

Model synopsis: A woman in a dark suit stands in a room with a portrait and statuettes; later, a man in a tuxedo and a woman in white appear together, then the woman in the dark suit speaks to the man in the tuxedo. The transcript reveals a tense conversation about a job, a yacht, and a future marriage proposal.

• A woman in a dark suit stands near a doorway with a portrait and statuettes behind her. [frame:1]
• A man in a tuxedo stands beside an older woman in a light dress; she places her hand on his chest. [frame:2]
• The woman in the dark suit faces the man in the tuxedo in a living room with furniture and curtains. [frame:3]

Named: Richard (t:30:41), Mother (t:30:37). 3 people observed.

“How cozy.” 30:29 · “I want to talk to you all.” 30:36

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a furnished room, exchanging words about exhaustion and sacrifice. The woman appears weary; the man gestures as he speaks about her giving up social life for work.

• The man and woman stand facing each other in a living room. [frame:1]

2 people observed.

“I'm sorry.” 31:35 · “I didn't mean that.” 31:37

Evidence, details and a link to share

Model synopsis: A woman and a man converse in an interior setting; the dialogue references the Bowery and a person named Wagner. The woman is seated and dressed formally; the man wears a tuxedo and appears to be standing or seated at a higher level.

• A woman speaks while seated in a formal interior. [frame:1]
• A man in a tuxedo responds, looking toward the woman. [frame:2]
• The woman listens, maintaining her seated posture. [frame:3]

Named: Richard (t:31:58). 2 people observed.

“You should be proud of me for that, Richard.” 31:58 · “for working in the Bowery?” 32:01

Evidence, details and a link to share

Model synopsis: A woman and a man sit in a furnished room and speak; the transcript suggests a conversation about relationships and hidden motives. No names are spoken that identify the characters, and the setting appears to be a private interior space.

• A woman smiles slightly while seated in a living room. [frame:1]
• A man and woman sit facing each other across a table in a living room, engaged in conversation. [frame:2]

2 people observed.

“I'd like to meet him, that's all.” 32:11 · “You and Mr. Wagner have nothing in common.” 32:13

Evidence, details and a link to share

Model synopsis: A woman in a dark jacket is shown in a medium shot inside a room with a cabinet in the background. The transcript includes dialogue about someone being infatuated with a man, but no names are spoken.

• A woman is shown in a medium shot, looking off-camera with a slight smile. [frame:1]

1 person observed.

“You've no idea what a mysterious fondness I have for that man.” 32:30 · “It's no mystery to me.” 32:36

Evidence, details and a link to share

Model synopsis: A woman tends to a man lying in bed, speaking to him as if he is waking from a nightmare. Later, a student addresses a professor in a classroom setting, requesting to change their term paper topic.

Named: Frederick (t:33:23). 4 people observed.

“Frederick.” 33:23 · “You were having one of those horrible nightmares again.” 33:28

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a police officer in uniform; the officer is ordered to turn in his shield. The setting appears to be an interior office with plain walls and minimal furnishings.

• The officer is shown in uniform, looking forward. [frame:2]

Named: Crawford (t:34:44). 2 people observed.

“Sergeant Crawford reporting. You sent for me, sir?” 34:44 · “I want you to turn in your shield.” 34:51

Evidence, details and a link to share

Model synopsis: An older man in uniform hands a badge to a younger uniformed man in an office. The older man speaks about a retired list and a shield, and the younger man accepts the assignment and departs.

• An older man in uniform sits at a desk holding papers. [frame:1]
• A younger man in uniform holds a small badge in his hands. [frame:2]
• The older man hands the badge to the younger man and pats his shoulder. [frame:3]

2 people observed.

“By the time Johnny Martin's recovered, he'll be on the retired list.” 34:58 · “I requested her shield to be given to you.” 35:03

Evidence, details and a link to share

Model synopsis: A street scene with two vintage cars parked or moving slowly, one in the foreground and another behind it, with storefronts visible in the background. No people are visible and no dialogue is present in this beat.

Evidence, details and a link to share

Model synopsis: Three men are visible inside a vehicle, with one speaking about meeting Frankie later. The transcript includes fragmented lines about working with Frankie Mills and 'little swans'.

• Three men are seated inside a car, one speaking. [frame:1]

Named: Frankie (t:35:26). 3 people observed.

“Yesterday that I'd be working with Frankie Mills on a high-class job. Yes?” 35:20 · “This day brings us little swans.” 35:24

Evidence, details and a link to share

Model synopsis: Two men in hats and coats stand on a high ledge or balcony, discussing a plan involving someone named Frankie's getaway. One man praises the other for figuring it out.

• Two men stand on a high ledge, facing forward, appearing to discuss a plan. [frame:1]

2 people observed.

“You have the idea now, haven't you?” 35:43 · “Oh, sure.” 35:44

Evidence, details and a link to share

Model synopsis: A man in a hat and sunglasses holds a sign reading 'PLEASE HELP THE BLIND' while being addressed by a uniformed man. The uniformed man speaks to him, saying he must keep moving.

• The blind man stands still while being addressed. [frame:1]

2 people observed.

“Sorry, Misty. You'll have to keep moving.” 36:01

Evidence, details and a link to share

Model synopsis: Two men in suits and hats stand side by side, one holding a cane and the other holding a pistol. The setting appears to be a studio set with a plain backdrop, suggesting an indoor scene.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and dark coat stands holding a sign that reads 'PLEASE HELP THE BLIND'. The setting appears to be an urban doorway with a draped curtain and partial signage visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat leans over a ledge, looking down. The scene is shot from below against a bright sky.

• a man leans over a ledge and looks down [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a hat and coat stands in the foreground holding flowers, with several other people visible behind her in what appears to be a public entrance or lobby. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat stands at a doorway, partially visible from behind. A storefront window with signage is visible to the right.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat runs past a group of women on a city sidewalk; the women react with surprise. The scene is outdoors during the day, with storefronts visible in the background.

• A man in a suit runs past a group of women on a sidewalk. [frame:1]
• Women on the sidewalk react with surprise to the running man. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A crowd gathers outside a building with a 'THEATRE' sign; people wear hats and coats typical of the early 1940s. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A crowd gathers outside as a man in a tuxedo calls for people to move back; police are summoned and a woman cries she has been robbed. A man named Jim is told to stay while George is directed to accompany someone.

Named: Jim (t:36:53), George (t:36:53). 6 people observed.

“Back up, people! Back up!” 36:40 · “Come on, move back. Move back. Keep those people back over there.” 36:42

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior, one in a suit and the other in a disheveled coat and hat; dialogue suggests pressure from a chief and a request to appear as a tramp. No named individuals are identified in the dialogue or frames.

• Two men stand facing each other in a shop, one asking to try on a suit from the window. [frame:1]

2 people observed.

“Hurry, Clark. I'm getting robbed.” 36:57 · “I want the Bowery search from one end to the other.” 37:27

Evidence, details and a link to share

Model synopsis: A woman in a white coat speaks with a man in a suit and fedora near a coffee urn; another man appears behind them. The dialogue suggests a confrontation about money and a term paper, with the woman asking the man to leave.

• The woman speaks with a surprised expression. [frame:1]
• The woman and the man in the fedora stand near a coffee urn, facing each other. [frame:2]
• The woman speaks again, looking directly at the camera. [frame:3]
• 1 more under Evidence and details.

Named: Richard (t:39:10). 3 people observed.

“Richard.” 39:10 · “What on earth are you doing here?” 39:11

Evidence, details and a link to share

Model synopsis: Three men sit at a table in a dimly lit interior, examining a newspaper while conversing. One man gestures toward the paper as they discuss social announcements and literacy.

3 people observed.

“Hey, look at this. Not bad.” 40:01 · “Not bad at all.” 40:05

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit sits at a table holding a bowl, with other patrons blurred in the background. The setting appears to be a public eating establishment with dim lighting and simple tableware.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man lies on a table in a room while three other men sit or stand nearby. The setting appears to be an interior space with a table, chairs, and a doorway.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit sits at a table with a bowl and spoon, looking off-camera. The background shows other patrons in a dimly lit interior space.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men confront each other in an interior space; one questions the other's identity, denying he is Professor Brenner. A third person is seated in the background.

Named: Professor Brenner (t:40:42). 3 people observed.

“Professor.” 40:37 · “What are you doing here?” 40:38

Evidence, details and a link to share

Model synopsis: Two men, one called Professor and the other Mr. Denison, meet in an office and agree to collaborate on research; the Professor invites Mr. Denison to tour his private office and meet other characters. The scene is set indoors, with no visible windows or time indicators.

Named: Mr. Denison (t:41:03), Professor (t:40:55). 3 people observed.

“Professor, I'd know you anyplace.” 40:55 · “I see it is useless to try to deceive you, Mr. Denison.” 41:03

Evidence, details and a link to share

Model synopsis: A man in a suit and bow tie speaks to another man in a fedora; a woman on the phone is interrupted by another woman; a woman in a dark dress speaks urgently on the phone; and a man in a light shirt leans over a table with two women in uniform. The dialogue references a missing student, a mission in the Bowery, and a professor's office.

• A man in a suit speaks to a man in a fedora. [frame:1]
• A woman on the phone is interrupted by another woman standing behind her. [frame:2]
• A woman in a dark dress speaks urgently on the phone. [frame:3]
• 1 more under Evidence and details.

8 people observed.

“I want you to know, Mr. Denison.” 42:27 · “Richard didn't come home last night, and the whole family's frantic.” 45:27

Evidence, details and a link to share

Model synopsis: A woman speaks with two men in a room; one man is identified as a detective. The conversation involves a professor, a student named Richard Dennison, and a man named Carl Wagner.

Named: Detective Crawford (t:49:42), Detective Thompson (t:49:42). 3 people observed.

“Professor.” 49:00 · “There were two men here to see you.” 49:03

Evidence, details and a link to share

Model synopsis: A woman and a man stand facing each other indoors while a third man sits in the background; the dialogue reveals the man is suspected of leading a double life under the name Carl Wagner and running a Bowery mission linked to a missing person.

Named: Mrs. Brenner (t:50:35). 3 people observed.

“Mrs. Brenner.” 50:35 · “Have you ever had reason to suspect your husband of leading a double life?” 50:35

Evidence, details and a link to share

Model synopsis: A woman in a polka-dot dress and pearls is shown in a medium shot, followed by two men in suits in a two-shot. The transcript mentions criminal activities, nightly absences, expensive jewelry, and nightmares.

3 people observed.

“And we have reason to believe that he's using the place to cover criminal activities.” 50:56 · “- Sorry.” 51:12

Evidence, details and a link to share

Model synopsis: A woman in a polka-dot dress is seated indoors as an off-screen voice tells her she must go to headquarters for questioning. She replies that she is waiting to go.

Named: Mrs. Brenner (t:51:30). 2 people observed.

“Sorry, Mrs. Brenner, but we'll have to take you to headquarters for questioning.” 51:30 · “I understand.” 51:34

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a room with a desk and a framed portrait; another man is partially visible behind him. A transcript line states, 'I get my hat in court.'

• A man in a suit stands in a room with a desk and a framed portrait; another man is partially visible behind him. [frame:1]

2 people observed.

“I get my hat in court.” 51:42

Evidence, details and a link to share

Model synopsis: A man in a suit stands by a door while another man leans toward a woman in shadow; dialogue reveals Professor Brenner is Carl Wagner and Mrs. Brenner is being taken in for questioning. The scene includes a brief, unrelated exchange about winning a game.

• A man in a suit stands near a door while another man leans toward a woman in shadow. [frame:1]

Named: Mrs. Brenner (t:52:15), Pete Crawford (t:52:04), Captain Mitchell (t:52:04), Thompson (t:52:21). 6 people observed.

“Captain Mitchell, this is Pete Crawford. I'm at the Brenner home.” 52:04 · “I've just discovered that Professor Brenner is none other than Carl Wagner of the Friendly Mission.” 52:09

Evidence, details and a link to share

Model synopsis: A man in a hat speaks with a woman in a dark coat and hat in what appears to be a dimly lit interior space; another man sits nearby. The dialogue suggests a casual, slightly tense exchange about work and seeing someone named Mr. Wagner.

• A man in a hat speaks to a woman standing in a bar. [frame:1]

Named: Tootie (t:53:16). 4 people observed.

“Afternoon, Miss Tootie.” 53:16 · “You're getting work kind of oily, ain't you?” 53:18

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share

Evidence, details and a link to share