Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 13:52 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 8 · shots 12–12. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (living room, interior) evidence: frame:1
- People
- man in dark suit, seated, mid-adult, average build visible, audible
- Miss Pierce (named at t:14:46): woman in patterned dress with necklace, seated, mid-adult, average build visible, audible
- Also said
- “Why do you have to stay away from me night after night?” 14:19 · “Good morning, Miss Pierce. Good morning. Good morning.” 14:46
- Seen
- dining table with tablecloth, wine glasses, plates and cutlery, window blinds, patterned curtain, necklace worn by woman
- Interpretation
- Model opinion, not evidence: mood: intimate and melancholic; themes: romantic tension, loneliness, sacrifice for work, future escape; style notes: medium two-shot, soft lighting, static framing, period costume and set design
A man and a woman sit at a dining table in a dimly lit room, exchanging dialogue about gifts, loneliness, and future plans. The man mentions finishing research for a new book and moving away, while the woman expresses longing and questions his frequent absences.
“How can you afford to give me such expensive gifts?” 13:53 · “It's not Jewish I want. It's you. Your companionship.” 14:08 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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