Public Reel

Private Snuffy Smith (1942)

No renewal found Free in the US since 1 January 1971, on the registry's reading: registration LP11565 of 1942 by Capital Productions was not renewed in the volumes searched. Record.

A moonshiner joins the Army to escape federal authority, only to find that changing clothes does not mean changing his adversary.

Snuffy Smith goes into the Army not to seek adventure but to get away from the government. Tired of dodging revenue agents, the moonshiner decides to take the Army up on its offer.6 When he discovers that his sergeant is a revenue officer, he decides to desert.8 It is a comic trap: the institution offering refuge turns out to contain the authority he was fleeing. Bud Duncan plays the comic-strip character whose quarrel with officialdom provides the story of Private Snuffy Smith.1 The uniform changes the terms of that quarrel, but it cannot make him an obedient citizen.

Snuffy began as a supporting player in Billy DeBeck’s Barney Google comic strip in 1934.4 DeBeck, working with assistant Fred Lasswell, introduced him on November 17 of that year.5 That origin matters to the film’s construction. Snuffy arrives with a personality already suited to repeated encounters rather than a single transforming adventure. His suspicion of interference gives each new authority something to contend with. John Grey was among the credited screenwriters who put him into a military setting.2 The pleasure proposed here is recognition, not reform; Snuffy’s difficulties keep changing their clothes.

Directed by Edward F. Cline,1 the film marked producer Ed Gross’s first production for Monogram.2 One working title was Snuffy Smith, the Yard Bird.2 The phrase also survives in the song “The Yard Bird,” sung by Jimmie Dodd.1 The production-company trail is less tidy. Monogram is associated with the film in the catalogue record.2 A separate production-company entry names Capitol Productions Inc.9 These entries do not establish that the company names are interchangeable.

Before military discipline can become the joke, the film establishes Snuffy’s alternative economy. In the Internet Archive copy used by the atlas, private_snuffy_smith, a figure in a hat and overalls kneels beside wooden barrels among the trees at 6:57. Within a story about moonshining and revenue agents, the action makes the woods a workplace as well as a hiding place. Snuffy has something to defend, however illicit. His flight from official interference is not simply a taste for wandering. The contrast with Army life is therefore more than one between overalls and a uniform. He is exchanging work conducted out of sight for an institution that expects to know where he is and what he is doing.

The film also moves beyond the immediate struggle between recruit and superior. At 53:43, an interior scene with two women gives way to smoke and soldiers in trenches. The cut brings the battlefield into the same narrative space as domestic conversation. Military life cannot remain merely an inconvenient household arrangement. Yet the scale contracts again at 59:17, when two men crouch among rocks and foliage. One urges the other to dance. The copy’s machine transcript renders his words as “You’re dancing” and “Come on.” Here bodily compliance is itself the business of the scene. The film’s larger circumstances yield to the smaller spectacle of one person trying to make another move.

Monogram followed the film with Hillbilly Blitzkrieg, directed by Roy Mack.11 Duncan and Edgar Kennedy returned for that film.12 Private Snuffy Smith is now listed for free streaming on Tubi.8 Prime Video also lists it for streaming or purchase.13 Those listings establish routes by which viewers can encounter the film. They do not explain the licensing decisions behind particular copies. The registry’s reading of the copyright term provides a separate account of its availability for reuse.

The record: Registration LP11565 by Capital Productions is dated 16 January 1942. The registry found no renewal in the renewal volumes for 1969 to 1971, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1970 and the film has been free in the US since 1 January 1971. The record does not settle the provenance or completeness of every circulating copy.

Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.

  1. en.wikipedia.org https://en.wikipedia.org/wiki/Private_Snuffy_Smith
  2. catalog.afi.com https://catalog.afi.com/Film/27415-PRIVATE-SNUFFYSMITH
  3. imdb.com https://www.imdb.com/name/nm0241917/mediaviewer/rm975115008
  4. en.wikipedia.org https://en.wikipedia.org/wiki/Barney_Google_and_Snuffy_Smith
  5. tcj.com https://www.tcj.com/barney-google-and-snuffy-smith-billy-debeck-fred-lasswell-and-john-rose/
  6. amazon.com https://www.amazon.com/Private-Snuffy-Smith-Bud-Duncan/dp/B003I897UK
  7. encyclopedia.com https://www.encyclopedia.com/arts/culture-magazines/snuffy-smith-yard-bird
  8. tubitv.com https://tubitv.com/movies/100002145/private-snuffy-smith
  9. imdb.com https://www.imdb.com/title/tt0035220/
  10. scribd.com https://www.scribd.com/document/353232174/Mpaa-Film-Numbers-52000
  11. en.wikipedia.org https://en.wikipedia.org/wiki/Hillbilly_Blitzkrieg
  12. catalog.afi.com https://catalog.afi.com/Film/27266-HILLBILLY-BLITZKRIEG
  13. primevideo.com https://www.primevideo.com/detail/0IK62G64KCR9IT58LQJW407VGE

Inside the film

863 shots over 1:05:53 · 343 beats in 191 sequences · 845 transcript lines · JSON

Lands on the beat covering that second.
191 sequences; each is also a heading below.

Every shot, 863 frames with timestamps and on-screen text

How this page was made

863 shots over 1:05:53, read from the Internet Archive copy private_snuffy_smith (private_snuffy_smith.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Private Snuffy Smith No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 863 shots judged colour), average shot 4.6s long, a frontal face detected in 27% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1942 (Internet Archive).

343 beats in 191 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 343 of 343 beats annotated, 332 passed the checks, 11 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:04, shot 00:04
1 of 1 shots sampled

1. Beat 1

0:00–0:08 Machine checks passed

Model synopsis: The opening title card displays production credits for 'Private Snuffy Smith' from Monogram Pictures. No characters or actions are depicted in this beat.

Evidence, details and a link to share

Sequence 2 from 0:08

Frame at 0:10, shot 10:10Frame at 0:14, shot 20:14Frame at 0:16, shot 30:16Frame at 0:20, shot 40:20
4 of 4 shots sampled

2. Beat 2

0:08–0:24 Machine checks passed

Model synopsis: The beat displays title cards introducing the character Snuffy Smith and actor Bud Duncan, with animated and live-action depictions of the character in uniform. No dialogue or action occurs beyond the presentation of credits and character names.

Evidence, details and a link to share

Sequence 3 from 0:24

Frame at 0:33, shot 50:33Frame at 0:42, shot 60:42
2 of 2 shots sampled

3. Private office

0:24–0:44 Machine checks passed

Model synopsis: Two characters are shown in medium close-up: one in a bonnet and dress, the other in a military uniform with insignia. Text overlays credit Sarah Padden and J. Farrell MacDonald for their roles.

2 people observed.

Evidence, details and a link to share

Sequence 4 from 0:44

Frame at 0:47, shot 70:47Frame at 0:53, shot 80:53Frame at 1:02, shot 91:02Frame at 1:10, shot 101:10
4 of 4 shots sampled

4. Other

0:44–1:14 Machine checks passed

Model synopsis: This beat displays the opening credits of the 1942 film PRIVATE SNUFFY SMITH, listing cast and crew over a static background illustration of a rustic cabin. No characters appear, and no dialogue or action occurs during these frames.

Evidence, details and a link to share

Sequence 5 from 1:14

Frame at 1:18, shot 111:18Frame at 1:22, shot 121:22Frame at 1:24, shot 131:24Frame at 1:28, shot 141:28
4 of 4 shots sampled

5. Field

1:14–1:31 Machine checks passed

Model synopsis: A dog rests on a person lying on the ground in an outdoor setting with bare trees and a wooden fence. The scene is presented in black-and-white animation with a sketch-like quality.

Evidence, details and a link to share

Sequence 6 from 1:31

Frame at 1:51, shot 231:51Frame at 1:57, shot 241:57Frame at 2:09, shot 262:09Frame at 2:13, shot 272:13
4 of 5 shots sampled

7. Forest

1:51–2:15 Machine checks passed (partial)

Model synopsis: A woman sits outdoors while a man stands nearby; dialogue suggests they are discussing a bee and another person named Hank. The setting appears to be a wooded area with natural lighting.

  • A woman sits with her arms around her knees while a man stands nearby. [frame:2]
  • A person is lying down on the ground near the woman. [frame:2]
  • The man sits down near the woman and the lying person. [frame:3]
  • 1 more under Evidence and details.

Named: Pa (t:1:56), Pat (t:1:57), Hank (t:1:57). 6 people observed.

“- Pa?” 1:56 · “Why ain't you leaving one of them bees, Pat? What's that? He might settle on Hank and wake him.” 1:57

Evidence, details and a link to share

Frame at 2:24, shot 312:24
1 of 1 shots sampled

9. Forest

2:23–2:26 Machine checks passed

Model synopsis: A group of people in period clothing sits under trees in a wooded area. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 7 from 2:26

Frame at 2:27, shot 322:27
1 of 1 shots sampled

10. Garden

2:26–2:28 Machine checks passed

Model synopsis: A woman in a headscarf and dress sits on a wooden chair outdoors, holding her knee. The background shows foliage and a blurred structure, suggesting a garden or yard.

1 person observed.

Evidence, details and a link to share

Sequence 8 from 2:28

Frame at 2:30, shot 332:30
1 of 1 shots sampled

11. Forest

2:28–2:33 Machine checks passed

Model synopsis: A group of people is gathered outdoors under trees, with one person standing and others seated or lying on the ground. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 9 from 2:33

Frame at 2:35, shot 342:35
1 of 1 shots sampled

12. Forest

2:33–2:38 Machine checks passed

Model synopsis: A man in a hat and light shirt stands outdoors with trees behind him. No dialogue or other people are visible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 10 from 2:38

Frame at 2:49, shot 362:49Frame at 2:54, shot 372:54Frame at 2:59, shot 382:59
3 of 3 shots sampled

14. Forest

2:46–3:01 Machine checks passed (partial)

Model synopsis: A man and a woman stand outdoors near trees while a man reads a newspaper; a close-up shows a newspaper headline featuring a man in a hat. The transcript mentions names and reading a paper.

  • A man and a woman stand outdoors near trees while another man sits nearby. [frame:1]
  • A man holds and reads a newspaper while a woman looks on. [frame:2]
  • A newspaper headline shows a man in a hat with the name Ed Cooper. [frame:3]

Named: Ed Cooper (frame:3). 4 people observed.

“There'll be some reading paper.” 2:48 · “Why, there be that Bush, Hyden, Cooper, the ravenuer.” 2:54

Evidence, details and a link to share

Frame at 3:06, shot 393:06Frame at 3:12, shot 403:12Frame at 3:17, shot 413:17Frame at 3:22, shot 423:22
4 of 4 shots sampled

15. Forest

3:01–3:24 Machine checks passed (partial)

Model synopsis: A man and a woman are outdoors near trees; the man holds a paper and later pins it to a tree while speaking. The woman listens and reacts, and the man mentions busting up stills and putting something up for Snuffy.

  • The man holds a paper and speaks to the woman. [frame:1]
  • The man pins the paper to a tree trunk. [frame:3]

2 people observed.

“You're saying?” 3:02 · “I'm going to bust up all our stills.” 3:06

Evidence, details and a link to share

Sequence 11 from 3:24

Frame at 3:25, shot 433:25Frame at 3:28, shot 443:28Frame at 3:31, shot 453:31
3 of 3 shots sampled

16. Forest

3:24–3:31 Machine checks passed (partial)

Model synopsis: A newspaper headline featuring a man in a hat is shown, followed by a woman in a bonnet standing in a wooded area, then the newspaper again. A voice says Snuffy is not giving revenues comfort.

  • A newspaper with a photo of a man in a hat is shown. [frame:1]
  • A woman in a bonnet stands in a wooded area. [frame:2]
  • The newspaper is shown again with knives pointing at the man's photo. [frame:3]

2 people observed.

“Snuffy sure ain't giving them revenues no comfort.” 3:25

Evidence, details and a link to share

Sequence 12 from 3:31

Frame at 3:35, shot 463:35Frame at 3:43, shot 473:43Frame at 3:48, shot 483:48Frame at 3:52, shot 493:52
4 of 4 shots sampled

17. Forest

3:31–3:55 Machine checks passed (partial)

Model synopsis: A man in overalls and a hat stands near a tree with a sign, then is shown with a woman in a wooded area; the final frame shows a rocky, wooded landscape. The transcript mentions Snuffy, revenues, and shadow hunting.

  • A man stands near a tree with a sign attached to it. [frame:1]
  • The man and a woman stand together in a wooded area. [frame:2]
  • The man and woman remain standing in the same position. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Recollect the time he put a harness nest in Cooper's car, there was a sting in him and he was as speckled as a guinea pig. Them revenues ar…” 3:31 · “You ain't needn't be afraid.” 3:42

Evidence, details and a link to share

Frame at 3:56, shot 503:56Frame at 3:57, shot 513:57Frame at 4:08, shot 534:08Frame at 4:14, shot 544:14
4 of 5 shots sampled

18. Forest

3:55–4:16 Machine checks passed (partial)

Model synopsis: A man lies on the ground with a dog resting on his chest, then stands and holds the dog while speaking. A rifle is visible near him on the ground. The dialogue references 'Mr. Carson' and a disrupted dream.

  • A man lies on the ground with a dog resting on his chest. [frame:1]
  • The dog licks the man's face while he lies on the ground. [frame:2]
  • The man stands, holding the dog in his arms. [frame:3]
  • 1 more under Evidence and details.

Named: Mr. Carson (t:4:03). 1 person observed.

“What?” 3:57 · “Mr. Carson.” 4:03

Evidence, details and a link to share

Sequence 13 from 4:16

Frame at 4:18, shot 554:18
1 of 1 shots sampled

19. Cave entrance

4:16–4:20 Machine checks passed

Model synopsis: A person stands in a dimly lit, rocky outdoor setting, possibly a cave entrance or ravine, with uneven ground and foliage visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 14 from 4:20

Frame at 4:23, shot 564:23Frame at 4:30, shot 574:30
2 of 2 shots sampled

20. Forest

4:20–4:36 Machine checks passed (partial)

Model synopsis: A man in a hat and suspenders is shown outdoors, followed by a shot of two figures in a wooded area. No names or specific events are mentioned in the transcript during this beat.

  • A man in a hat and suspenders stands outdoors. [frame:1]
  • Two figures are crouched among trees and rocks. [frame:2]

3 people observed.

“*whistling*” 4:23 · “*whistling*” 4:27

Evidence, details and a link to share

Frame at 4:37, shot 584:37
1 of 1 shots sampled

21. Forest

4:36–4:38 Machine checks passed (partial)

Model synopsis: A man in a wide-brimmed hat and coat holds a stick outdoors. No dialogue or on-screen text is present in this beat.

  • man holds a stick with both hands [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 15 from 4:38

Frame at 4:39, shot 594:39
1 of 1 shots sampled

22. Forest

4:38–4:41 Machine checks passed (partial)

Model synopsis: A man stands in a wooded outdoor setting, holding a rifle. The scene is shot in black and white with natural lighting and appears to be set in a forest.

  • A man stands holding a rifle in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 16 from 4:41

Frame at 4:42, shot 604:42
1 of 1 shots sampled

23. Forest

4:41–4:42 Machine checks passed

Model synopsis: A man with a mustache and hat holds a rifle in a close-up shot. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 17 from 4:42

Frame at 4:44, shot 614:44
1 of 1 shots sampled

24. Forest

4:42–4:46 Machine checks passed

Model synopsis: A person is partially visible behind foliage in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 18 from 4:46

Frame at 4:48, shot 624:48
1 of 1 shots sampled

25. Forest

4:46–4:49 Machine checks passed

Model synopsis: Two men are visible in a wooded outdoor setting; one embraces another while a third man stands nearby holding a rifle. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 19 from 4:49

Frame at 4:51, shot 634:51
1 of 1 shots sampled

26. Forest

4:49–4:52 Machine checks passed

Model synopsis: A man in light-colored clothing lies on the ground under a large tree, holding a long pole. The scene is outdoors in a wooded area with no visible structures or other people.

  • man lies on ground holding pole under tree [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 4:56, shot 644:56Frame at 5:00, shot 655:00Frame at 5:08, shot 675:08Frame at 5:15, shot 685:15
4 of 5 shots sampled

27. Forest

4:52–5:18 Machine checks passed (partial)

Model synopsis: A man in overalls holds a rifle and a jar of nails while another man walks beside him in a wooded area. Dialogue indicates an apology and a request to proceed, with one man calling out to 'Wilson'.

  • Man p1 holds a rifle and a jar of nails. [frame:1]
  • Close-up of jar containing nails. [frame:2]
  • Man p1 walks through trees with rifle. [frame:3]
  • 1 more under Evidence and details.

Named: Wilson (t:5:03). 2 people observed.

“Hey, Wilson, Wilson, you hit me right in the face with that.” 5:03 · “I'm sorry, Chief. You go first.” 5:09

Evidence, details and a link to share

Frame at 5:40, shot 715:40Frame at 5:50, shot 725:50Frame at 5:57, shot 735:57
3 of 3 shots sampled

29. Forest

5:34–6:00 Machine checks passed

Model synopsis: Two men in hats and camouflage stand in a wooded area, one speaking about needing to catch someone today because Uncle Sam has another job for him tomorrow. The speaker expresses frustration over being made a fool of and having his record ruined.

  • Two men stand in a forest, one gesturing while speaking. [frame:2]

2 people observed.

“You've been trying to catch that little fella for months. What's the hurry now? Say, I gotta catch him today.” 5:34 · “Uncle Sam wants me on another job tomorrow.” 5:40

Evidence, details and a link to share

Frame at 6:01, shot 746:01Frame at 6:04, shot 756:04Frame at 6:08, shot 766:08Frame at 6:13, shot 776:13
4 of 4 shots sampled

30. Forest

6:00–6:16 Machine checks passed (partial)

Model synopsis: A man in a hat and coat is seen in a wooded outdoor setting, holding a rifle and sitting near barrels. He speaks about not throwing a limb unless sure of hitting, hating store-bought clothes, and needing to stop revenue.

  • Snuffy is crouched in the forest, partially obscured by foliage. [frame:1]
  • Snuffy sits holding a rifle, looking forward. [frame:2]
  • Snuffy is again seen from behind, crouched in the forest. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy (t:6:01). 1 person observed.

“Snuffy, don't be a throwing limb till you know you can't miss.” 6:01 · “I hate to be a spiraling store bought clothes.” 6:09

Evidence, details and a link to share

Frame at 6:17, shot 786:17
1 of 1 shots sampled

31. Forest

6:16–6:18 Machine checks passed (partial)

Model synopsis: A man in a hat and light shirt peers from behind a dark structure into a wooded area. The scene is outdoors and appears to be set in a forest.

  • A man peeks from behind a dark structure into a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 20 from 6:18

Frame at 6:18, shot 796:18
1 of 1 shots sampled

32. Rocky outdoor area

6:18–6:18 Machine checks passed (partial)

Model synopsis: A person in a hat and coat aims a rifle from behind cover in a rocky outdoor setting. Barrels are visible on a slope in the background.

  • A person aims a rifle from behind cover. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 21 from 6:18

Frame at 6:19, shot 806:19
1 of 1 shots sampled

33. Forest

6:18–6:19 Machine checks passed (partial)

Model synopsis: A man in a light shirt and dark tie stands in a wooded area, looking upward. The scene is dimly lit with foliage visible behind him.

  • man looks upward with mouth slightly open [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 22 from 6:19

Frame at 6:19, shot 816:19
1 of 1 shots sampled

34. Field

6:19–6:20 Machine checks passed

Model synopsis: A person in light-colored clothing is visible outdoors near a tree and barrels. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 23 from 6:20

Frame at 6:21, shot 826:21
1 of 1 shots sampled

35. Forest

6:20–6:23 Machine checks passed

Model synopsis: A man in a shirt and tie stands outdoors near foliage, touching his forehead. No dialogue or on-screen text is present in this beat.

  • A man touches his forehead with his right hand. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 6:26, shot 836:26Frame at 6:32, shot 856:32Frame at 6:36, shot 876:36Frame at 6:40, shot 896:40
4 of 7 shots sampled

36. Forest

6:23–6:41 Machine checks passed (partial)

Model synopsis: Two men argue near a tree with a hat pinned to it; one man fires a rifle from prone. A gunshot and a burp are heard during the sequence.

  • Two men stand near a tree with a hat pinned to it. [frame:1]
  • A man in a hat is visible behind the tree, holding a rifle. [frame:2]
  • The man behind the tree aims the rifle. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“They're shooting cats.” 6:25 · “This is the last straw. Let 'em have it, boys!” 6:27

Evidence, details and a link to share

Frame at 6:42, shot 906:42Frame at 6:43, shot 916:43Frame at 6:43, shot 926:43
3 of 3 shots sampled

37. Forest

6:41–6:43 Machine checks passed

Model synopsis: A person in a hat is partially visible behind a tree with a hat hanging on it, while another person in a helmet lies prone with a rifle in a wooded area. No dialogue or on-screen text is present in these frames.

2 people observed.

Evidence, details and a link to share

Frame at 6:44, shot 936:44
1 of 1 shots sampled

38. Forest

6:43–6:45 Machine checks passed

Model synopsis: A person is partially visible behind a tree with a hat hanging on the trunk. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 24 from 6:45

Frame at 6:46, shot 946:46
1 of 1 shots sampled

39. Forest

6:45–6:48 Machine checks passed

Model synopsis: A man in a hat sits on the ground outdoors, handling an object near a fire. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 25 from 6:48

Frame at 6:49, shot 956:49
1 of 1 shots sampled

40. Forest

6:48–6:50 Machine checks passed

Model synopsis: A man in a hat and coat stands beside a tree in a wooded area, holding a small dog. A hat hangs on the tree trunk nearby.

1 person observed.

Evidence, details and a link to share

Frame at 6:51, shot 966:51Frame at 6:54, shot 976:54Frame at 6:56, shot 986:56
3 of 3 shots sampled

41. Forest

6:50–6:57 Machine checks passed (partial)

Model synopsis: Two figures are shown in a wooded area; one is lying on the ground while the other crouches nearby. A gunshot is heard during this sequence.

  • Two figures are visible in a wooded area; one is lying on the ground, the other is crouching. [frame:1]
  • The crouching figure moves slightly, still near the prone figure. [frame:2]
  • The crouching figure looks toward the prone figure. [frame:3]

2 people observed.

“*gunshot*” 6:50

Evidence, details and a link to share

Frame at 6:59, shot 996:59Frame at 7:01, shot 1007:01
2 of 2 shots sampled

42. Forest

6:57–7:03 Machine checks passed

Model synopsis: A person in a hat and overalls kneels beside wooden barrels in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 26 from 7:03

Frame at 7:04, shot 1017:04
1 of 1 shots sampled

43. Forest

7:03–7:04 Machine checks passed (partial)

Model synopsis: A person in a helmet aims a rifle from behind cover in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person in a helmet aims a rifle from behind foliage. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 27 from 7:04

Frame at 7:05, shot 1027:05
1 of 1 shots sampled

44. Forest

7:04–7:06 Machine checks passed (partial)

Model synopsis: A person in a hat and light shirt is crouched low among bushes in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person crouches low among bushes. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 28 from 7:06

Frame at 7:07, shot 1037:07
1 of 1 shots sampled

45. Forest

7:06–7:07 Machine checks passed (partial)

Model synopsis: A man in a hat aims a rifle from a prone position in a wooded area. The scene is shot in black and white with high contrast lighting.

  • A man aims a rifle while lying prone in the woods. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 29 from 7:07

Frame at 7:08, shot 1047:08
1 of 1 shots sampled

46. Forest

7:07–7:10 Machine checks passed (partial)

Model synopsis: A person in overalls and a hat kneels beside a wooden barrel in an outdoor setting. The scene is shot in black and white with no visible text or spoken dialogue in this beat.

  • A person kneels beside a wooden barrel and places a hand on it. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 30 from 7:10

Frame at 7:10, shot 1057:10
1 of 1 shots sampled

47. Forest

7:10–7:11 Machine checks passed

Model synopsis: A man in a hat lies prone in a wooded area, partially obscured by foliage and a tree. No dialogue or on-screen text is present in this beat.

  • A man in a hat lies on the ground in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 31 from 7:11

Frame at 7:12, shot 1067:12
1 of 1 shots sampled

48. Field

7:11–7:13 Machine checks passed (partial)

Model synopsis: A person in a wide-brimmed hat and light-colored clothing sits on rocky ground holding a rifle. The setting appears to be outdoors in a rugged, natural environment.

  • A person sits holding a rifle in a rocky outdoor setting. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 32 from 7:13

Frame at 7:13, shot 1077:13
1 of 1 shots sampled

49. Forest

7:13–7:14 Machine checks passed (partial)

Model synopsis: A man in a hat and coat crouches behind a tree holding a pistol. No dialogue or on-screen text is present in this beat.

  • A man crouches behind a tree holding a pistol. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 7:18, shot 1087:18Frame at 7:25, shot 1107:25Frame at 7:29, shot 1137:29Frame at 7:33, shot 1157:33
4 of 8 shots sampled

50. Forest

7:14–7:34 Machine checks passed (partial)

Model synopsis: A person in a hat and overalls is seen moving through a wooded area, calling out for someone named Wilson after a gunshot is heard. The person crouches and then stands near a tree while another figure is visible in the background.

  • A person in overalls moves near a tree trunk. [frame:1]
  • A person holds a hat and an object near a tree. [frame:2]
  • A person in a hat crouches behind a tree. [frame:3]
  • 1 more under Evidence and details.

Named: Wilson (t:7:30). 3 people observed.

“*gunshot*” 7:15 · “Hey!” 7:25

Evidence, details and a link to share

Frame at 7:38, shot 1167:38Frame at 7:50, shot 1197:50Frame at 7:56, shot 1227:56Frame at 8:02, shot 1258:02
4 of 10 shots sampled

51. Forest

7:34–8:02 Machine checks passed (partial)

Model synopsis: A man is being choked by a chain while another man tries to help him; nearby, a woman and two men react to the violence. In a separate shot, men are seen working with barrels in a wooded area.

  • A man is being choked by a chain while another man tries to remove it. [frame:1]
  • A woman and two men react to the violence. [frame:2]
  • Men are working with barrels in a wooded area. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“What happened, boss? Oh, they ain't fighting fair. They're shooting hard way. Get this off my neck.” 7:34 · “Get it off.” 7:40

Evidence, details and a link to share

Sequence 33 from 8:02

Frame at 8:03, shot 1268:03
1 of 1 shots sampled

52. Field

8:02–8:04 Machine checks passed (partial)

Model synopsis: A barrel rolls on a dirt ground in an outdoor setting. No people, dialogue, or on-screen text are visible in this beat.

  • A barrel rolls on the ground. [frame:1]

Evidence, details and a link to share

Sequence 34 from 8:04

Frame at 8:05, shot 1278:05
1 of 1 shots sampled

53. Forest

8:04–8:06 Machine checks passed

Model synopsis: A person in light-colored clothing is digging in a dirt path surrounded by trees and brush. The scene is outdoors in a wooded area with no visible structures or other people.

  • A person digs with a shovel in a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 35 from 8:06

Sequence 36 from 8:07

Frame at 8:10, shot 1298:10
1 of 1 shots sampled

55. Field

8:07–8:12 Machine checks passed (partial)

Model synopsis: A person in a hat and dark shirt leans over a wooden crate outdoors. The scene is shot in black and white with no visible text or dialogue.

  • A person leans over a wooden crate. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 37 from 8:12

Frame at 8:14, shot 1308:14Frame at 8:16, shot 1318:16Frame at 8:18, shot 1328:18Frame at 8:21, shot 1338:21
4 of 4 shots sampled

56. Forest

8:12–8:23 Machine checks passed (partial)

Model synopsis: A man in a hat carries a rifle through a wooded area while a woman in a long dress holds an axe nearby. The scene includes dialogue calling out a name and exclaiming about time and a 'table of liberals.'

  • A man walks through a wooded area holding a rifle. [frame:1]
  • A woman stands inside a rustic wooden structure holding an axe. [frame:2]
  • The man walks further into the forest. [frame:3]
  • 1 more under Evidence and details.

Named: Floisi (t:8:17). 2 people observed.

“Time's a-wasting!” 8:13 · “Floisi!” 8:17

Evidence, details and a link to share

Frame at 8:25, shot 1348:25
1 of 1 shots sampled

57. Other

8:23–8:27 Machine checks passed

Model synopsis: A person in a light-colored robe stands inside a dim, rustic wooden structure with tools and a lantern hanging. The scene is shot in black and white with high contrast lighting, showing the figure from the side near a doorway.

1 person observed.

Evidence, details and a link to share

Sequence 38 from 8:27

Frame at 8:31, shot 1358:31
1 of 1 shots sampled

58. Kitchen

8:27–8:35 Machine checks passed

Model synopsis: A person in a long dress and apron is seen from behind, standing at a wooden table in a dimly lit, cluttered room with shelves and hanging pots. The person appears to be working or searching for something on the table.

1 person observed.

Evidence, details and a link to share

Frame at 8:38, shot 1368:38
1 of 1 shots sampled

59. Other

8:35–8:40 Machine checks passed

Model synopsis: A person in a hooded garment kneels on the floor in a dim, cluttered room with stone walls and wooden furniture. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 39 from 8:40

Frame at 8:41, shot 1378:41
1 of 1 shots sampled

60. Other

8:40–8:42 Machine checks passed

Model synopsis: A man in a hat and light-colored pants runs through a rustic wooden structure holding a rifle. The setting appears to be a rural outdoor area with trees and wooden posts visible.

  • A man runs through a wooden structure holding a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 40 from 8:42

Frame at 8:44, shot 1388:44
1 of 1 shots sampled

61. Private office

8:42–8:45 Machine checks passed

Model synopsis: A man in a hat and light shirt is visible in a dim, cluttered interior, bending over a table. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 41 from 8:45

Frame at 8:46, shot 1398:46Frame at 8:57, shot 1418:57Frame at 9:01, shot 1439:01Frame at 9:09, shot 1459:09
4 of 7 shots sampled

62. Forest

8:45–9:10 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat speaks while seated indoors; three men outdoors in a wooded area follow a dog, one calling to it. The transcript includes dialogue about losing someone and using a dog to find a cabin.

  • A man in a cowboy hat sits at a table holding a spoon. [frame:1]
  • Three men stand in a wooded area, one crouching near a tree. [frame:2]
  • Three men stand in a wooded area, one looking toward the others. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Come on woman, quit stalling. What a rail in your paw, bees in your breeches? Revenures.” 8:45 · “Did they catch the steel? No, the bodacious, it's one even in smelling range.” 8:50

Evidence, details and a link to share

Sequence 42 from 9:10

Frame at 9:13, shot 1469:13Frame at 9:18, shot 1479:18Frame at 9:22, shot 1489:22
3 of 3 shots sampled

63. Kitchen

9:10–9:23 Machine checks passed (partial)

Model synopsis: A man in a hat sits at a table while a woman stands behind him holding a tray; the woman later sits and speaks. The transcript includes fragmented lines about parts, eating, being caught, and a traveling peddler.

  • A woman stands behind a seated man holding a tray. [frame:1]
  • The man at the table looks forward while holding utensils. [frame:2]
  • The woman is seated and speaking with a fork in hand. [frame:3]

2 people observed.

“Maybe our parts and eating will ever know us too. Don't ever be forgetting.” 9:10 · “They'll catch you.” 9:14

Evidence, details and a link to share

Frame at 9:26, shot 1499:26Frame at 9:33, shot 1509:33Frame at 9:47, shot 1529:47Frame at 9:52, shot 1539:52
4 of 5 shots sampled

64. Kitchen

9:23–9:54 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and suspenders is seated at a table, eating and speaking. A woman in a bonnet and another person are also at the table in a rustic interior. The dialogue mentions Don Elby, Cindy, and pork prices.

  • A man in a cowboy hat sits at a table with food and a bottle. [frame:1]
  • Two people sit at a table in a rustic kitchen with pots and pans hanging behind them. [frame:2]
  • A woman in a bonnet speaks with her mouth open. [frame:3]
  • 1 more under Evidence and details.

Named: Don Elby (t:9:32). 3 people observed.

“Somebody here be smoking foreign tobacco. Old Tom L. B. Stunwell by.” 9:26 · “Don Elby?” 9:32

Evidence, details and a link to share

Sequence 43 from 9:54

Frame at 9:56, shot 1549:56
1 of 1 shots sampled

65. Rural yard or camp

9:54–9:58 Machine checks passed (partial)

Model synopsis: A man in a hat and vest walks through a rustic outdoor area with wooden structures and a wagon wheel, accompanied by a small dog. The setting appears to be a rural yard or camp with tools and sacks visible.

  • A man walks through a yard carrying a shovel, followed by a small dog. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 44 from 9:58

Frame at 9:59, shot 1559:59
1 of 1 shots sampled

66. Forest

9:58–9:59 Machine checks passed

Model synopsis: A man in a light shirt, dark tie, and wide-brimmed hat stands in the foreground, flanked by two other men in similar hats. The background is out of focus with foliage, suggesting an outdoor setting.

3 people observed.

Evidence, details and a link to share

Sequence 45 from 9:59

Frame at 10:01, shot 15610:01
1 of 1 shots sampled

67. Other

9:59–10:02 Machine checks passed

Model synopsis: Three men in cowboy hats and period attire stand outdoors near a wooden structure with a small dog at their feet. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 46 from 10:02

Frame at 10:03, shot 15710:03
1 of 1 shots sampled

68. Other

10:02–10:04 Machine checks passed (partial)

Model synopsis: A spotted dog is seen from behind, entering a wooden structure through a doorway. The scene is outdoors on dirt ground, captured in black-and-white film.

  • A spotted dog walks into a wooden structure. [frame:1]

Evidence, details and a link to share

Sequence 47 from 10:04

Frame at 10:05, shot 15810:05Frame at 10:11, shot 15910:11Frame at 10:24, shot 16110:24Frame at 10:27, shot 16210:27
4 of 5 shots sampled

69. Other

10:04–10:28 Machine checks passed

Model synopsis: Three men in uniform stand outside a rustic cabin; inside, two men sit at a table with a dog nearby. One man speaks to another, calling him 'Mr. Carson,' and mentions a 'revenue' before telling him to wait.

  • Three men in uniform stand outside the cabin entrance. [frame:4]

Named: Mr. Carson (t:10:09). 5 people observed.

“This must be Snuffy's cabin.” 10:05 · “I'm sorry Mr. Carson, but I couldn't wait. You're too slow. Here.” 10:09

Evidence, details and a link to share

Frame at 10:30, shot 16310:30
1 of 1 shots sampled

70. Kitchen

10:28–10:31 Machine checks passed

Model synopsis: A person in a long dress bends over near a stove while another person sits at a table in a dimly lit, cluttered room. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 48 from 10:31

Frame at 10:32, shot 16410:32
1 of 1 shots sampled

71. Other

10:31–10:33 Machine checks passed

Model synopsis: A woman in a headscarf and collared dress is shown in profile, looking off-screen. The setting is dimly lit and indistinct, with no visible objects or text.

1 person observed.

Evidence, details and a link to share

Sequence 49 from 10:33

Frame at 10:36, shot 16510:36Frame at 10:44, shot 16610:44Frame at 10:51, shot 16710:51Frame at 10:58, shot 16810:58
4 of 4 shots sampled

72. Other

10:33–11:02 Machine checks passed (partial)

Model synopsis: A man in a hat and tie stands in a rustic interior with shelves and a broom, speaking to a seated woman in a headscarf. The transcript includes dialogue about 'Snuffy' and a 'bar', and the man gestures with a rope while addressing someone named Smith.

  • A man stands near a wooden chair in a cluttered room. [frame:1]
  • The man stands with hands on hips facing the seated woman. [frame:2]
  • The man holds a coiled rope while speaking to the woman. [frame:3]
  • 1 more under Evidence and details.

Named: Smith (t:11:00). 2 people observed.

“Why sluffy smell?” 10:36 · “- Will you be seeing my snuffy? - Yeah.” 10:42

Evidence, details and a link to share

Frame at 11:04, shot 16911:04Frame at 11:12, shot 17111:12Frame at 11:17, shot 17311:17Frame at 11:21, shot 17511:21
4 of 7 shots sampled

73. Forest

11:02–11:22 Machine checks passed (partial)

Model synopsis: A man in a hat and tie is seen in a wooded area and then indoors, reacting to being bitten while another person speaks. The transcript includes a threat to shoot and a comment about not being tasty.

  • The man in the hat is seen outdoors in a forested area, partially obscured by foliage. [frame:1]
  • The man in the hat is indoors, leaning over a desk or counter. [frame:2]
  • The man in the hat reacts to being bitten, holding his hand near his chest. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Hey, come on out or I'll start shooting.” 11:03 · “Oh, you won't, huh?” 11:07

Evidence, details and a link to share

Sequence 50 from 11:22

Frame at 11:23, shot 17611:23
1 of 1 shots sampled

74. Other

11:22–11:24 Machine checks passed

Model synopsis: A man in a light shirt and hat is seen from behind in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 51 from 11:24

Frame at 11:27, shot 17711:27Frame at 11:32, shot 17911:32Frame at 11:36, shot 18111:36Frame at 11:43, shot 18311:43
4 of 7 shots sampled

75. Field

11:24–11:46 Machine checks passed (partial)

Model synopsis: Two men in uniform search an outdoor area near stacked corn, reacting to a moving corn stalk. One man speaks about the corn appearing to walk, while another mentions a hole under the bed.

  • Two men in uniform walk through a field with stacked corn. [frame:1]
  • A dark animal-like shape moves under a corn stalk pile. [frame:2]
  • Corn stalks in the field appear to shift or move. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Give me the slip!” 11:27 · “There's a hole under the bed.” 11:28

Evidence, details and a link to share

Frame at 11:59, shot 18611:59
1 of 1 shots sampled

77. Forest

11:55–12:03 Machine checks passed

Model synopsis: A man in a hat and tie stands in a wooded area with tall plants. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 12:08, shot 18712:08
1 of 1 shots sampled

78. Forest

12:03–12:12 Machine checks passed (partial)

Model synopsis: A man in a hat and tie stands in a wooded area, holding binoculars to his eyes. No other people or events are visible or mentioned in this beat.

  • A man holds binoculars to his eyes. [frame:1]

1 person observed.

“Oh.” 12:05

Evidence, details and a link to share

Sequence 52 from 12:12

Frame at 12:12, shot 18812:12
1 of 1 shots sampled

79. Forest

12:12–12:13 Machine checks passed

Model synopsis: A man in a hat and tie is shown outdoors in a wooded area. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 53 from 12:13

Frame at 12:14, shot 18912:14
1 of 1 shots sampled

80. Forest

12:13–12:15 Machine checks passed (partial)

Model synopsis: A person in light-colored pants and dark top is bent over in a wooded area, surrounded by tall grass and trees. No dialogue or on-screen text is present in this beat.

  • A person bends over in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 54 from 12:15

Frame at 12:16, shot 19012:16
1 of 1 shots sampled

81. Field

12:15–12:16 Machine checks passed (partial)

Model synopsis: A man in a hat lies prone in brush during daylight. No dialogue or on-screen text is present in this beat.

  • A man lies prone in brush. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 55 from 12:16

Frame at 12:18, shot 19112:18
1 of 1 shots sampled

82. Forest

12:16–12:19 Machine checks passed

Model synopsis: A black-and-white frame shows a small, dark animal with a white stripe on its back moving across a ground covered in dry leaves and debris. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Sequence 56 from 12:19

Frame at 12:23, shot 19212:23
1 of 1 shots sampled

83. Forest

12:19–12:27 Machine checks passed (partial)

Model synopsis: A man in a top hat and tie crawls on the ground in an outdoor setting with foliage. The name 'Gardenia' is spoken during this beat.

  • A man in a top hat crawls on the ground among leaves and branches. [frame:1]

1 person observed.

“Gardenia.” 12:20

Evidence, details and a link to share

Sequence 57 from 12:27

Frame at 12:29, shot 19312:29
1 of 1 shots sampled

84. Living room

12:27–12:31 Machine checks passed (partial)

Model synopsis: A girl stands in a rustic interior with a fireplace and wooden furniture. No dialogue or named characters are present in the supplied transcript or frames.

  • A girl stands in a room holding a branch. [frame:1]

1 person observed.

“*whistling*” 12:29

Evidence, details and a link to share

Frame at 13:21, shot 19913:21Frame at 13:30, shot 20013:30Frame at 13:38, shot 20113:38Frame at 13:46, shot 20213:46
4 of 4 shots sampled

87. Private office

13:17–13:49 Machine checks passed (partial)

Model synopsis: A man and a woman are shown in close-up, speaking to each other in an interior setting; the man later bends over an object while the woman looks on. No names are spoken that can be assigned to the visible characters.

  • Man and woman face each other in close-up, speaking. [frame:1]
  • Woman smiles at man. [frame:2]
  • Man and woman lean closer, nearly touching faces. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Oh, Anakin, what you be a-doing?” 13:17 · “If an he be seeing an LB,” 13:20

Evidence, details and a link to share

Frame at 13:54, shot 20313:54Frame at 14:02, shot 20414:02
2 of 2 shots sampled

88. Private office

13:49–14:05 Machine checks flagged: visible event not seen

Model synopsis: A man holds a small cannon-like device while speaking to a woman in a dimly lit interior; he says he will take it to the army and they will marry when it is bought. The woman reacts with surprise and then listens as he speaks.

  • Man holds up a small cannon-like device and points it forward. [frame:1]

2 people observed.

“With this you can shoot a cannon as straight as you can a squirrel gun.” 13:51 · “Why, you be a-tankin' it.” 13:55

Flagged: visible event not seen (Man holds up a small cannon-like device and points it forward.)

Evidence, details and a link to share

Frame at 14:09, shot 20514:09Frame at 14:17, shot 20614:17
2 of 2 shots sampled

89. Other

14:05–14:20 Machine checks passed (partial)

Model synopsis: A man in a military-style uniform and a woman with curly hair are shown in close-up, facing each other. The woman speaks her name, 'Stella,' and the man responds with a phrase that includes 'a hankering failure.'

  • The man and woman are shown in close-up, facing each other. [frame:1]
  • The man and woman continue to face each other, the man speaking. [frame:2]

Named: Stella (t:14:13). 2 people observed.

“Maybe a long time.” 14:06 · “That ain't no matter.” 14:09

Evidence, details and a link to share

Sequence 58 from 14:20

Frame at 14:21, shot 20714:21
1 of 1 shots sampled

90. Kitchen

14:20–14:22 Machine checks passed (partial)

Model synopsis: A metal kettle hangs over a fire, emitting steam. The setting appears to be a rustic interior with wooden beams and a bucket nearby.

  • Steam rises from a kettle hanging over a fire. [frame:1]

Evidence, details and a link to share

Sequence 59 from 14:22

Frame at 14:22, shot 20814:22
1 of 1 shots sampled

91. Other

14:22–14:23 Machine checks passed

Model synopsis: A man in a dark uniform is shown in profile next to a woman with curly hair. The background is dark and indistinct, suggesting an interior setting.

2 people observed.

Evidence, details and a link to share

Sequence 60 from 14:23

Frame at 14:24, shot 20914:24
1 of 1 shots sampled

92. Kitchen

14:23–14:26 Machine checks passed

Model synopsis: A woman in a light dress and apron bends over near a stone wall, handling a dark object. The scene is dimly lit and appears to be indoors, with cleaning tools visible nearby.

1 person observed.

Evidence, details and a link to share

Sequence 61 from 14:26

Frame at 14:29, shot 21014:29
1 of 1 shots sampled

93. Living room

14:26–14:32 Machine checks passed

Model synopsis: A man in a dark uniform stands in profile near a fireplace in a dimly lit room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 62 from 14:32

Frame at 14:34, shot 21114:34
1 of 1 shots sampled

94. Kitchen

14:32–14:35 Machine checks passed

Model synopsis: A woman stands in a dimly lit kitchen with wooden furniture and hanging pots. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 63 from 14:35

Frame at 14:36, shot 21214:36Frame at 14:38, shot 21314:38Frame at 14:40, shot 21414:40
3 of 3 shots sampled

95. Living room

14:35–14:40 Machine checks passed (partial)

Model synopsis: A man with a mustache and hat peers through a window while a woman in a dress stands inside, smiling. The transcript contains nonsensical vocalizations and an affirmation.

  • man peers through window [frame:1]
  • woman stands inside, smiling [frame:2]
  • man continues to peer through window [frame:3]

2 people observed.

“Ra-ra-ra-ro-ro-ro-ro-ro-ro-ro” 14:36 · “Mm-hmm.” 14:39

Evidence, details and a link to share

Sequence 64 from 14:40

Frame at 14:42, shot 21514:42Frame at 14:48, shot 21614:48Frame at 14:56, shot 21714:56Frame at 15:04, shot 21815:04
4 of 4 shots sampled

96. Private office

14:40–15:08 Machine checks passed (partial)

Model synopsis: A man in a military uniform speaks with two civilians inside a rustic wooden cabin; one civilian is a woman in a dress, the other a man in overalls and a hat. The dialogue suggests confusion over the uniformed man's identity and mentions hiding from revenuers.

  • A man in a military uniform embraces a woman while holding a guitar. [frame:1]
  • The uniformed man stands facing the man in overalls and the woman in a wooden room. [frame:2]
  • The man in overalls gestures toward his face while speaking to the uniformed man. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy Smith (t:14:43). 3 people observed.

“Oh. Snuffy Smith. Bowls of fire since when you're becoming a revenue a revenue.” 14:43 · “I thought you was another revenuer.” 14:53

Evidence, details and a link to share

Frame at 15:12, shot 21915:12Frame at 15:21, shot 22015:21Frame at 15:29, shot 22115:29Frame at 15:37, shot 22215:37
4 of 4 shots sampled

97. Other

15:08–15:41 Machine checks passed

Model synopsis: A man in a military uniform speaks with a woman and an older man in a rustic interior. The transcript includes dialogue about enlisting, government provisions, and uniform details like gold buttons and khaki breeches.

3 people observed.

“I enlisted to help Uncle Sam.” 15:10 · “Gold buttons. I bet they'd be costing you a heap. Oh, no, the government gives them to you.” 15:15

Evidence, details and a link to share

Frame at 15:46, shot 22315:46Frame at 15:56, shot 22515:56Frame at 15:59, shot 22615:59Frame at 16:05, shot 22816:05
4 of 6 shots sampled

98. Cabin

15:41–16:06 Machine checks passed (partial)

Model synopsis: Three people are in a rustic cabin interior; one man in uniform speaks with a woman while another man in a hat watches. A fourth man is seen looking through a window from outside.

  • A man in uniform and a woman stand together while another man in a hat watches them. [frame:1]
  • The man in uniform and woman embrace while the man in the hat stands at a table. [frame:2]
  • A man wearing a hat peers through a window from outside. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy (t:15:49). 4 people observed.

“And you're getting your smokings?” 15:44 · “No, but they pay you 30 a month and you can buy them.” 15:46

Evidence, details and a link to share

Frame at 16:08, shot 22916:08Frame at 16:18, shot 23116:18Frame at 16:23, shot 23216:23Frame at 16:37, shot 23416:37
4 of 6 shots sampled

99. Private office

16:06–16:38 Machine checks passed (partial)

Model synopsis: A man threatens another with a rifle indoors while a woman intervenes; a second man is seen alone outside a wooden structure. The dialogue indicates a confrontation over going to the army and a refusal to return home.

  • A man points a rifle at another man indoors. [frame:2]
  • A woman steps between the two men. [frame:3]
  • A man stands alone outside a wooden structure. [frame:4]

Named: Snuffy (t:16:28). 4 people observed.

“You ain't living long.” 16:08 · “Be a lower in your gun Saul. Don are coming to take me to the army.” 16:10

Evidence, details and a link to share

Frame at 16:40, shot 23516:40Frame at 16:42, shot 23616:42Frame at 16:49, shot 23816:49Frame at 16:53, shot 23916:53
4 of 5 shots sampled

100. Road

16:38–16:53 Machine checks passed (partial)

Model synopsis: A man in a hat and suspenders stands beside a vintage car, speaking with a driver; another man with a rifle appears behind a wooden structure. One man says he will join the army with the other.

  • Man p1 stands beside car talking to driver p2. [frame:1]
  • Man p3 aims rifle from behind wooden structure. [frame:2]
  • Man p1 continues talking to driver p2 in car. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Who would you saw be a hard meow?” 16:39 · “No? Still mad at me.” 16:45

Evidence, details and a link to share

Frame at 16:54, shot 24016:54
1 of 1 shots sampled

101. Sidewalk

16:53–16:55 Machine checks passed

Model synopsis: A man in a hat and light shirt stands beside a vintage car near a wooden fence. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 16:56, shot 24116:56
1 of 1 shots sampled

102. Forest

16:55–16:57 Machine checks passed

Model synopsis: A black car is parked near a wooden fence in a wooded area. A person stands behind the fence, partially obscured by trees.

1 person observed.

Evidence, details and a link to share

Sequence 65 from 16:57

Frame at 16:59, shot 24216:59
1 of 1 shots sampled

103. Field

16:57–17:01 Machine checks passed

Model synopsis: A wide, static shot shows a vast, flat landscape with rows of dark, uniform structures under an overcast sky. No people or moving objects are visible in the single frame provided.

Evidence, details and a link to share

Sequence 66 from 17:01

Frame at 17:04, shot 24317:04Frame at 17:28, shot 24517:28Frame at 17:35, shot 24617:35Frame at 17:46, shot 24817:46
4 of 6 shots sampled

104. Army camp

17:01–17:48 Machine checks passed (partial)

Model synopsis: A soldier dismisses a group of men from an army camp while a civilian in a hat argues with a guard and attempts to enter. The civilian is denied access and threatens the guard before walking away.

  • A soldier dismisses a group of men. [frame:1]
  • A civilian argues with a guard at the camp entrance. [frame:2]
  • The civilian gestures angrily while speaking to the guard. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Company dismissed.” 17:01 · “Oh, you skunk.” 17:07

Evidence, details and a link to share

Frame at 17:51, shot 24917:51Frame at 18:07, shot 25118:07Frame at 18:14, shot 25218:14Frame at 18:26, shot 25418:26
4 of 6 shots sampled

105. Private office

17:48–18:30 Machine checks passed (partial)

Model synopsis: A man in civilian clothes enters a military office and speaks with a general, requesting to join the Army; he is then forcibly removed by a guard. The office contains maps and simple furniture, and the interaction ends with physical removal.

  • A man in civilian clothes enters a military office. [frame:1]
  • The civilian man sits and speaks with the general. [frame:2]
  • The civilian man gestures while speaking to the general. [frame:3]
  • 1 more under Evidence and details.

Named: General Rosewater (t:17:50). 3 people observed.

“Hi, General. Take a seat. I'm hearing you're needing some good shooting men for the Army. I'm being the best squirrel shooter in the United …” 17:52 · “a place to bed.” 18:08

Evidence, details and a link to share

Frame at 18:34, shot 25518:34Frame at 18:40, shot 25618:40Frame at 18:45, shot 25818:45Frame at 18:50, shot 25918:50
4 of 5 shots sampled

106. Military camp

18:30–18:54 Machine checks passed (partial)

Model synopsis: A man in uniform confronts another man holding a child in a room, then escorts them outside. The outdoor scene shows a camp-like setting with wooden buildings and a trash can labeled 'G.I.'.

  • A man in uniform stands facing another man holding a child. [frame:1]
  • The man holding the child gestures while speaking to the uniformed man. [frame:2]
  • The uniformed man turns and walks toward the door. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy Smith (t:18:31). 3 people observed.

“The ravenower! - Snuffy Smith! - Friend of yours then, Sergeant. - Well, not exactly. - Now, get in here. - I... - So you let him in! Wel…” 18:31 · “Yes, sir! Yes, sir.” 18:41

Evidence, details and a link to share

Sequence 67 from 18:54

Sequence 68 from 18:58

Frame at 18:59, shot 26118:59
1 of 1 shots sampled

108. Road

18:58–19:00 Machine checks passed (partial)

Model synopsis: A person rides a motorcycle with a sidecar on a dirt road in a barren landscape. No dialogue or on-screen text is present in this beat.

  • A person rides a motorcycle with a sidecar on a dirt road. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 69 from 19:00

Frame at 19:01, shot 26219:01
1 of 1 shots sampled

109. Wooden building exterior

19:00–19:02 Machine checks passed (partial)

Model synopsis: A man in uniform walks past a wooden building while another man in a hat runs toward him. The scene is outdoors on a dirt ground with a building and distant structures visible.

  • A man in uniform walks past a wooden building. [frame:1]
  • A man in a hat runs toward the man in uniform. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 70 from 19:02

Frame at 19:03, shot 26319:03
1 of 1 shots sampled

110. Private office

19:02–19:04 Machine checks passed (partial)

Model synopsis: A man in uniform restrains another man who is bent over against a wall. The scene is indoors and appears to be a confrontation or arrest.

  • A man in uniform holds another man against a wall. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 71 from 19:04

Frame at 19:07, shot 26419:07Frame at 19:14, shot 26519:14
2 of 2 shots sampled

111. Other

19:04–19:19 Machine checks passed (partial)

Model synopsis: A group of uniformed men, including an officer, are outside a wooden building; one man is being held down while others stand around. An officer gives orders to find a civilian who ran down the road.

  • A man in uniform is holding another man down against a wooden post. [frame:1]
  • A General in uniform speaks to a group of soldiers outside a building. [frame:2]

Named: General (t:19:09). 5 people observed.

“Time's awake, sir.” 19:07 · “By your hunt, General.” 19:09

Evidence, details and a link to share

Sequence 72 from 19:19

Frame at 19:20, shot 26619:20
1 of 1 shots sampled

112. Other

19:19–19:22 Machine checks passed

Model synopsis: Two vintage trucks are parked side by side in an open outdoor setting. The scene is shot in black and white with no visible people or dialogue.

Evidence, details and a link to share

Sequence 73 from 19:22

Frame at 19:22, shot 26719:22
1 of 1 shots sampled

113. Beat 113

19:22–19:22 Machine checks passed

Model synopsis: A close-up shows a rope tied around a vertical pole, with fabric draped nearby. No people, dialogue, or identifiable location are visible in this single frame.

Evidence, details and a link to share

Sequence 74 from 19:22

Frame at 19:23, shot 26819:23
1 of 1 shots sampled

114. Tent

19:22–19:23 Machine checks passed

Model synopsis: A person in a dark hat and coat is partially visible inside a tent-like structure. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 75 from 19:23

Frame at 19:25, shot 26919:25
1 of 1 shots sampled

115. Other

19:23–19:26 Machine checks passed

Model synopsis: A man with a mustache and hat peers from behind a draped curtain. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 76 from 19:26

Sequence 77 from 19:34

Frame at 19:37, shot 27119:37Frame at 19:42, shot 27219:42Frame at 19:46, shot 27319:46
3 of 3 shots sampled

117. Forest

19:34–19:47 Machine checks passed (partial)

Model synopsis: A woman in period clothing stands near a wagon and cauldron in a wooded area, while a man in a hat holds a white animal near a tree. The transcript includes a child calling "Pa!" and a line about opening a can for soap making.

  • Woman stands near wagon and cauldron in forest [frame:1]
  • Woman visible through wooden structure in forest [frame:2]
  • Man holds white animal near tree [frame:3]

3 people observed.

“Pa!” 19:39 · “Be opening this can for my soap making.” 19:41

Evidence, details and a link to share

Frame at 19:48, shot 27419:48
1 of 1 shots sampled

118. Forest

19:47–19:48 Machine checks passed

Model synopsis: A woman in a headscarf and long dress stands outdoors near a tree and a metal pot. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 78 from 19:48

Frame at 19:52, shot 27619:52Frame at 19:57, shot 27719:57
2 of 2 shots sampled

120. Forest

19:50–20:00 Machine checks passed (partial)

Model synopsis: A woman in period dress stands near a pot outdoors while a man in a hat reclines against a tree. The transcript includes a child calling 'Pa!' and a comment about Dan not joining the army because he didn't take his rifle.

  • A woman stands holding a cup near a pot outdoors. [frame:1]
  • A man reclines against a tree holding a rifle. [frame:2]

Named: Dan (t:19:55). 2 people observed.

“Pa!” 19:54 · “If you'd taken your rifle gun, Dan, you'd have got into that army.” 19:55

Evidence, details and a link to share

Frame at 20:03, shot 27820:03Frame at 20:08, shot 27920:08Frame at 20:13, shot 28020:13
3 of 3 shots sampled

121. Forest

20:00–20:17 Machine checks passed (partial)

Model synopsis: A person in a hooded garment tends a large pot outdoors while another man lies on the ground nearby. The transcript includes dialogue about cutting kindling and a response confirming compliance.

  • A hooded person tends a large pot outdoors. [frame:1]
  • A man lies on the ground holding a rifle. [frame:2]
  • The hooded person continues tending the pot. [frame:3]

2 people observed.

“Pa!” 20:02 · “They are bustin' up my paddle for kindlin' wood.” 20:03

Evidence, details and a link to share

Frame at 20:18, shot 28120:18Frame at 20:21, shot 28220:21Frame at 20:24, shot 28320:24
3 of 3 shots sampled

122. Forest

20:17–20:26 Machine checks passed (partial)

Model synopsis: A person in a headscarf and apron is outdoors near barrels and trees, reacting with alarm while holding a large object. The transcript includes exclamations and a question about something being gone.

  • A person stands outdoors near barrels and trees, holding a large object. [frame:1]
  • The person bends forward slightly while holding the object. [frame:2]
  • The person looks up with an alarmed expression, mouth open, holding the object near their shoulder. [frame:3]

1 person observed.

“Oh, my God.” 20:18 · “- What part of it's gone?” 20:24

Evidence, details and a link to share

Frame at 20:28, shot 28420:28
1 of 1 shots sampled

123. Forest

20:26–20:30 Machine checks passed

Model synopsis: A person in a hooded coat stands outdoors near a fire pit in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 20:31, shot 28520:31Frame at 20:33, shot 28620:33
2 of 2 shots sampled

124. Forest

20:30–20:34 Machine checks passed

Model synopsis: A woman in a headscarf and period dress is shown outdoors in a wooded area, bending over. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 79 from 20:34

Frame at 20:36, shot 28720:36
1 of 1 shots sampled

125. Other

20:34–20:37 Machine checks passed

Model synopsis: A person in a hooded garment holds a large object near their face in a close-up shot. The background is indistinct and out of focus, suggesting an outdoor or wooded setting.

1 person observed.

Evidence, details and a link to share

Frame at 20:39, shot 28820:39Frame at 20:41, shot 28920:41Frame at 20:43, shot 29020:43Frame at 20:46, shot 29120:46
4 of 4 shots sampled

126. Forest

20:37–20:47 Machine checks passed (partial)

Model synopsis: A person in a headscarf and loose garment reacts with alarm to a sudden burst of steam or smoke from a cauldron in a wooded area. The reaction is shown across four frames, with the person raising hands and showing wide-eyed surprise.

  • Person p1 raises hands in alarm as steam erupts from a cauldron. [frame:1]
  • Person p1 stares with wide eyes and open mouth, hands raised. [frame:2]
  • Steam billows from the cauldron, obscuring person p1's lower body. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“No!” 20:38

Evidence, details and a link to share

Frame at 20:48, shot 29220:48Frame at 20:54, shot 29320:54Frame at 21:01, shot 29421:01
3 of 3 shots sampled

127. Forest

20:47–21:04 Machine checks flagged: visible event not seen

Model synopsis: A man and a woman argue outdoors near a tree while smoke billows from a device in the background. The woman gestures as she speaks, and the man remains seated.

  • Smoke erupts from a device in the foreground. [frame:1]
  • The woman gestures while speaking to the man. [frame:3]
  • The man remains seated and does not gesture. [frame:2]

2 people observed.

“Ah!” 20:50 · “Oh, balls of fire. What's the tarnation you're doing? I'll just be a soapster and it'll whoop.” 20:51

Flagged: visible event not seen (The man remains seated and does not gesture.)

Evidence, details and a link to share

Frame at 21:05, shot 29521:05Frame at 21:07, shot 29621:07Frame at 21:16, shot 29821:16Frame at 21:20, shot 29921:20
4 of 5 shots sampled

128. Forest

21:04–21:22 Machine checks passed (partial)

Model synopsis: A woman in period clothing stands near a large pot outdoors while speaking to a man in overalls and a hat; the transcript includes dialogue about soup and trouble. No named characters or specific time of day are established.

  • A woman stands near a steaming pot outdoors. [frame:1]
  • The interior of a large metal pot is shown, empty or nearly empty. [frame:2]
  • The same pot is shown again, unchanged. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Fork, some evil spirits to drink up my soft soup.” 21:06 · “Now easy, you be giving me more trouble than the revenuers.” 21:11

Evidence, details and a link to share

Frame at 21:25, shot 30021:25
1 of 1 shots sampled

129. Forest

21:22–21:27 Machine checks passed

Model synopsis: Two men in hats and coats stand outdoors near barrels and a large pot, one stirring it. The setting appears to be a wooded area with diffuse lighting.

2 people observed.

Evidence, details and a link to share

Sequence 80 from 21:27

Frame at 21:30, shot 30121:30
1 of 1 shots sampled

130. Forest

21:27–21:33 Machine checks passed (partial)

Model synopsis: Two characters in period rural attire converse outdoors; one wears a headscarf and the other a wide-brimmed hat. No names, time of day, or specific location are established in this beat.

  • Two characters stand close together in a wooded area, appearing to converse. [frame:1]

2 people observed.

“Well I.” 21:29

Evidence, details and a link to share

Sequence 81 from 21:33

Frame at 21:37, shot 30221:37
1 of 1 shots sampled

131. Forest

21:33–21:42 Machine checks passed

Model synopsis: Two figures in period rural attire stand beside barrels in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 21:45, shot 30321:45
1 of 1 shots sampled

132. Forest

21:42–21:49 Machine checks passed

Model synopsis: Two figures in period rural attire stand near barrels in a wooded outdoor setting. One wears a headscarf and apron; the other, a wide-brimmed hat, appears to be handling a tool or object.

2 people observed.

Evidence, details and a link to share

Sequence 82 from 21:49

Frame at 21:53, shot 30421:53Frame at 22:01, shot 30522:01
2 of 2 shots sampled

133. Forest

21:49–22:06 Machine checks passed (partial)

Model synopsis: Two people in period rural attire stand outdoors; one holds a ladle and speaks about putting something in water. The setting appears to be a wooded area, and the dialogue suggests a domestic or culinary activity.

  • Person p2 holds a ladle and speaks about putting something in water. [frame:1]
  • Person p2 continues to hold the ladle while person p1 looks on. [frame:2]

2 people observed.

“I'm a putting it in the pot.” 21:56 · “I'm a-putting it in the water.” 22:00

Evidence, details and a link to share

Frame at 22:06, shot 30622:06Frame at 22:07, shot 30722:07Frame at 22:13, shot 30822:13Frame at 22:21, shot 30922:21
4 of 4 shots sampled

134. Forest

22:06–22:25 Machine checks passed (partial)

Model synopsis: Two characters in period rural attire converse outdoors; one mentions stirring something with a wooden leg made of koko-bola wood. The dialogue suggests a humorous or absurd context involving spirits and soap.

  • A woman gestures while speaking to a man in a forest setting. [frame:1]
  • The woman makes an exaggerated facial expression. [frame:2]
  • The man listens as the woman speaks, gesturing with her hands. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“It be spirits you should be having. Ain't nothing at all but hog fat and lie. What you done you ain't been doing afore? I was stirring it…” 22:07 · “Well, made of koko-bola wood.” 22:17

Evidence, details and a link to share

Frame at 22:29, shot 31022:29Frame at 22:38, shot 31122:38Frame at 22:46, shot 31222:46
3 of 3 shots sampled

135. Forest

22:25–22:50 Machine checks passed (partial)

Model synopsis: Two characters in period costume converse outdoors; one holds a shovel. Dialogue references a pirate ancestor, a swallowed island, and a buried leg.

  • A woman and a man stand facing each other in a wooded area. [frame:1]
  • The man holds up a shovel toward the woman. [frame:3]

2 people observed.

“Grandpappy got that when he were a pirate with Captain Cade.” 22:25 · “Let the sea done swallowed up Coca-Cola Island.” 22:31

Evidence, details and a link to share

Frame at 22:54, shot 31322:54Frame at 23:03, shot 31423:03
2 of 2 shots sampled

136. Forest

22:50–23:07 Machine checks passed (partial)

Model synopsis: Two people are shown in a wooded area, one standing and one seated; a car with passengers is then seen on a dirt road nearby. A line mentions 'Peyton Lark' and another speaks of disappearing and saving.

  • A woman and a man are standing and sitting in a wooded area. [frame:1]
  • A car with passengers drives along a dirt road in the woods. [frame:2]

4 people observed.

“I'll be disappearing still.” 22:52 · “Peyton Lark.” 22:55

Evidence, details and a link to share

Frame at 23:07, shot 31523:07
1 of 1 shots sampled

137. Forest

23:07–23:08 Machine checks passed

Model synopsis: A woman stands near a military-style jeep in a wooded area while two men in uniform sit in the vehicle. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 83 from 23:08

Frame at 23:09, shot 31623:09Frame at 23:12, shot 31723:12
2 of 2 shots sampled

138. Forest

23:08–23:14 Machine checks passed (partial)

Model synopsis: A person in a headscarf and loose coat holds two jugs outdoors near a wooden structure; another person is visible near a cart and barrels. A line is spoken about revenues arriving.

  • A person holds two jugs and looks surprised [frame:1]
  • A person stands near a wooden structure with barrels and a cart [frame:2]

2 people observed.

“Here come the revenues!” 23:09

Evidence, details and a link to share

Sequence 84 from 23:14

Sequence 85 from 23:21

Frame at 23:25, shot 31923:25Frame at 23:32, shot 32023:32
2 of 2 shots sampled

140. Other

23:21–23:36 Machine checks passed (partial)

Model synopsis: A group of men in uniform stand around a seated woman in an outdoor setting. One man is told to look under the bed, and the woman mentions her house has been upset since Wednesday.

  • A group of men in uniform stand around a seated woman. [frame:1]
  • The men continue to stand around the seated woman, one bending slightly. [frame:2]

4 people observed.

“Are you getting lost again, Revenor? Never mind that. Where's Snuffy?” 23:22 · “I wouldn't be known.” 23:28

Evidence, details and a link to share

Frame at 23:37, shot 32123:37
1 of 1 shots sampled

141. Other

23:36–23:38 Machine checks passed

Model synopsis: A man in a uniform and hat is visible in the foreground, with another similarly dressed person blurred in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 86 from 23:38

Frame at 23:41, shot 32223:41
1 of 1 shots sampled

142. Other

23:38–23:43 Machine checks passed

Model synopsis: A man in a hat and coat stands near a wooden shack with hanging pots, while another man sits in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 23:48, shot 32323:48Frame at 23:55, shot 32423:55Frame at 24:11, shot 32624:11Frame at 24:16, shot 32724:16
4 of 5 shots sampled

143. Other

23:43–24:16 Machine checks passed (partial)

Model synopsis: A man in a military uniform confronts a civilian man and woman near a rustic wooden structure; a dog is present and another soldier stands nearby. The dialogue indicates the civilian is being ordered to return to a commanding general, and the dog is objected to being taken.

  • A man in uniform confronts a civilian man. [frame:1]
  • The civilian man speaks while looking up at the uniformed man. [frame:2]
  • The woman places her hand on the civilian man's shoulder as he turns away. [frame:3]
  • 1 more under Evidence and details.

Named: Mr. Carson (t:24:11). 4 people observed.

“Hey, you're gonna shoot me, Mr. Army Man.” 23:46 · “Up. I got orders to return you to the commanding general 10th Army Corps.” 23:52

Evidence, details and a link to share

Frame at 24:20, shot 32824:20Frame at 24:25, shot 32924:25Frame at 24:31, shot 33024:31
3 of 3 shots sampled

144. Rural shack exterior and interior

24:16–24:35 Machine checks passed (partial)

Model synopsis: A man in uniform confronts another man near a dog outside a rustic building; a third man enters the building's interior. The transcript indicates a dispute over the dog's presence and a threat involving liquor.

  • A man in uniform speaks to another man near a dog outside a shack. [frame:1]
  • The dog walks near the shack while uniformed men stand nearby. [frame:2]
  • A man in a robe enters the interior of the shack. [frame:3]

4 people observed.

“Well, any place I go, that dog goes. This is one place you're going that that dog's not going.” 24:16 · “I'll be a putting him in the house.” 24:22

Evidence, details and a link to share

Frame at 24:36, shot 33124:36
1 of 1 shots sampled

145. Other

24:35–24:37 Machine checks passed

Model synopsis: A person in a hat and light shirt is visible in a dim interior, handling a large dark object near a wooden wall. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 87 from 24:37

Frame at 24:38, shot 33224:38
1 of 1 shots sampled

146. Other

24:37–24:40 Machine checks passed

Model synopsis: A white dog stands in profile next to a dark dog against a textured backdrop. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 88 from 24:40

Frame at 24:41, shot 33324:41
1 of 1 shots sampled

147. Other

24:40–24:41 Machine checks passed

Model synopsis: A low-angle shot shows the base of a curtain with small figures or objects clustered along its hem. No people, dialogue, or identifiable location are visible in this single frame.

Evidence, details and a link to share

Sequence 89 from 24:41

Frame at 24:42, shot 33424:42
1 of 1 shots sampled

148. Other

24:41–24:42 Machine checks passed (partial)

Model synopsis: A man in a hat and coat is bent over inside a rustic wooden structure. No dialogue or on-screen text is present in this beat.

  • A man in a hat and coat is bent over inside a wooden structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 90 from 24:42

Sequence 91 from 24:44

Frame at 24:48, shot 33624:48
1 of 1 shots sampled

150. Other

24:44–24:52 Machine checks passed (partial)

Model synopsis: A person in a hat and light shirt is bent over near a wooden structure in a dimly lit interior. The transcript includes a farewell spoken to someone named Louise.

  • A person is bent over near a wooden structure. [frame:1]

1 person observed.

“Goodbye, Louise.” 24:50

Evidence, details and a link to share

Sequence 92 from 24:52

Frame at 24:57, shot 33724:57Frame at 25:02, shot 33825:02
2 of 2 shots sampled

151. Private office

24:52–25:02 Machine checks passed (partial)

Model synopsis: A man and a woman in period clothing are shown in a rustic wooden interior; the man holds a jug and speaks to the woman. The transcript includes a line spoken at 24:59: 'Be remembering me as I am.'

  • man and woman stand close, man holds jug [frame:1]
  • man speaks to woman while holding jug [frame:2]

2 people observed.

“Be remembering me as I am.” 24:59

Evidence, details and a link to share

Frame at 25:06, shot 33925:06
1 of 1 shots sampled

152. Camp

25:02–25:11 Machine checks passed

Model synopsis: A scene shows three men in outdoor attire standing near barrels and a wooden structure; one is addressed as Mr. Carson. No further actions or dialogue are visible or audible in this beat.

Named: Mr. Carson (t:25:07). 3 people observed.

“Mr. Carson.” 25:07

Evidence, details and a link to share

Frame at 25:12, shot 34025:12
1 of 1 shots sampled

153. Outdoor camp

25:11–25:13 Machine checks passed

Model synopsis: Three men in hats and period clothing walk away from the camera on a dirt path beside a rustic wooden structure. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 93 from 25:13

Frame at 25:17, shot 34125:17
1 of 1 shots sampled

154. Forest

25:13–25:21 Machine checks passed

Model synopsis: A man in light clothes and a hat stands near a vehicle with several people on it, in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Frame at 25:23, shot 34225:23
1 of 1 shots sampled

155. Forest

25:21–25:26 Machine checks passed

Model synopsis: Two men are seated in the front of a vehicle in a wooded area. The vehicle is stationary and the men appear to be looking forward.

2 people observed.

Evidence, details and a link to share

Sequence 94 from 25:26

Frame at 25:28, shot 34325:28
1 of 1 shots sampled

156. Small town

25:26–25:30 Machine checks passed

Model synopsis: An aerial shot shows a small town with low buildings, dirt roads, and open fields. No people or moving vehicles are visible in the single frame provided.

Evidence, details and a link to share

Sequence 95 from 25:30

Frame at 25:34, shot 34425:34Frame at 25:42, shot 34525:42Frame at 25:51, shot 34625:51Frame at 25:58, shot 34725:58
4 of 4 shots sampled

157. Private office

25:30–26:02 Machine checks passed (partial)

Model synopsis: A man in a military uniform sits while two others, one in civilian clothes and one in a uniform, stand and interact with him in an office. The transcript includes dialogue addressing a 'Sergeant' and a 'General', with one character calling another a 'hero' and inviting him to sit.

  • A man in uniform salutes while standing. [frame:1]
  • The man in civilian clothes stands between the seated officer and the saluting man. [frame:2]
  • The man in civilian clothes leans toward the seated officer and speaks. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“So you found him a good thing with me.” 25:34 · “That's all, Sergeant.” 25:38

Evidence, details and a link to share

Frame at 26:06, shot 34826:06Frame at 26:23, shot 35026:23Frame at 26:31, shot 35126:31Frame at 26:43, shot 35326:43
4 of 6 shots sampled

158. Private office

26:02–26:45 Machine checks passed (partial)

Model synopsis: Two men are in a room; one in a military uniform speaks with another man in a wide-brimmed hat who reclines. The transcript includes dialogue about rewards, army enlistment, and corn drippings.

  • A man in uniform speaks to a reclining man in a hat. [frame:1]
  • The man in the hat gestures while speaking. [frame:2]
  • The man in uniform listens intently. [frame:3]
  • 1 more under Evidence and details.

Named: Jimmy (t:26:32). 2 people observed.

“We're risking your life to save me from that runaway motorcycle.” 26:02 · “And I want to reward you for it. Is there something I can do to make you happy?” 26:08

Evidence, details and a link to share

Frame at 26:49, shot 35426:49Frame at 26:57, shot 35526:57Frame at 27:11, shot 35727:11Frame at 27:17, shot 35827:17
4 of 5 shots sampled

159. Private office

26:45–27:22 Machine checks flagged: visible event not seen

Model synopsis: A man in a military uniform speaks with a man in a wide-brimmed hat who has his feet on a desk; the man in the hat then gets up and walks away. The conversation includes a mention of khaki breeches and being short for the army.

  • A man in a military uniform speaks to Mr. Smith, who has his feet on a desk. [frame:1]
  • Mr. Smith responds while still reclining with feet up. [frame:2]
  • Mr. Smith sits upright and faces the uniformed man. [frame:3]
  • 1 more under Evidence and details.

Named: Mr. Smith (t:26:50). 2 people observed.

“Uh, Mr. Smith.” 26:50 · “Would you mind taking your feet off my desk?” 26:52

Flagged: visible event not seen (Mr. Smith stands and walks away from the desk.)

Evidence, details and a link to share

Frame at 27:24, shot 35927:24Frame at 27:31, shot 36027:31Frame at 27:38, shot 36127:38
3 of 3 shots sampled

160. Private office

27:22–27:41 Machine checks passed (partial)

Model synopsis: Two characters, one in a military uniform and one in civilian attire with a hat, interact in an indoor setting. The dialogue references military rank, pay, and uniform details.

  • A man in uniform stands facing another person seated near a desk. [frame:1]
  • The uniformed man speaks to the seated person, who looks up at him. [frame:2]
  • The uniformed man continues speaking, now looking down at the seated person. [frame:3]

2 people observed.

“I've got a general!” 27:25 · “You're so sudden you done scared me.” 27:28

Evidence, details and a link to share

Frame at 27:46, shot 36227:46Frame at 27:54, shot 36327:54Frame at 27:59, shot 36427:59
3 of 3 shots sampled

161. Private office

27:41–27:59 Machine checks passed (partial)

Model synopsis: A man in uniform speaks to a boy in a room with wooden furniture and maps on the wall. The boy responds while standing, and the man remains seated or standing nearby.

  • The man and boy face each other in a room with maps and wooden chairs. [frame:1]
  • The boy stands while speaking to the man in uniform. [frame:2]
  • The boy gestures while speaking to the man. [frame:3]

2 people observed.

“General, you got yourself a soldier.” 27:42 · “I've been making a heap of other sounds too.” 27:47

Evidence, details and a link to share

Frame at 28:04, shot 36528:04Frame at 28:11, shot 36628:11Frame at 28:18, shot 36728:18Frame at 28:27, shot 36828:27
4 of 4 shots sampled

162. Private office

27:59–28:31 Machine checks passed (partial)

Model synopsis: A man in military uniform and a man in civilian attire interact in an office setting; the transcript includes references to military classification and clothing. No names are established for the individuals beyond what is spoken in the transcript.

  • Two men stand near a large metal bowl in an office. [frame:1]
  • The man in uniform looks down while the civilian man looks up at him. [frame:2]
  • The two men stand apart; the civilian man holds a hat. [frame:3]
  • 1 more under Evidence and details.

Named: Stubby Smith (t:28:06). 2 people observed.

“I'm sending over Stubby Smith.” 28:06 · “Let them under special classification Z. Beers and burks? No.” 28:08

Evidence, details and a link to share

Frame at 28:34, shot 36928:34
1 of 1 shots sampled

163. Private office

28:31–28:38 Machine checks passed

Model synopsis: Two men are in a room; one in uniform stands near a door, the other in a hat leans on a desk. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 28:39, shot 37028:39
1 of 1 shots sampled

164. Private office

28:38–28:39 Machine checks passed

Model synopsis: A man in a military-style uniform stands in a dimly lit room with furniture and a painting on the wall. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 96 from 28:39

Frame at 28:40, shot 37128:40
1 of 1 shots sampled

165. Barracks

28:39–28:41 Machine checks passed

Model synopsis: A group of men are seated in a room with beds and windows; one reads a newspaper. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Frame at 28:43, shot 37228:43Frame at 28:48, shot 37328:48Frame at 28:56, shot 37428:56
3 of 3 shots sampled

166. Other

28:41–29:00 Machine checks passed (partial)

Model synopsis: A man in a military uniform asserts authority over another soldier in a barracks, demanding a card and claiming control of the place. Other soldiers are present in the background, and one is seen smoking a pipe.

  • A man in uniform smokes a pipe while seated among other soldiers. [frame:1]
  • A man in uniform with a pipe looks toward the camera. [frame:2]
  • A man in uniform stands and hands a card to another soldier while speaking. [frame:3]

5 people observed.

“Would you be your Renoir to go?” 28:44 · “Hey, you geef.” 28:47

Evidence, details and a link to share

Frame at 29:04, shot 37529:04Frame at 29:20, shot 37729:20Frame at 29:26, shot 37829:26Frame at 29:35, shot 38029:35
4 of 6 shots sampled

167. Barracks

29:00–29:36 Machine checks passed (partial)

Model synopsis: A sergeant instructs a recruit named Salo to stand at attention and assigns him to the company kitchen, while the recruit mutters about taking orders from a revenuer. The scene takes place in a barracks with multiple cots and soldiers present.

  • Sergeant Cooper commands Salo to stand at attention. [frame:1]
  • Salo adjusts his posture while Sergeant Cooper observes. [frame:2]
  • Salo reacts with a grimace after being assigned to the company kitchen. [frame:3]
  • 1 more under Evidence and details.

Named: Sergeant Cooper (t:29:21), Salo (t:29:10). 4 people observed.

“Suck in your stomach! Throw out your chest! Put your heels together, Salo!” 29:10 · “From now on you take orders from Sergeant Cooper, do you understand?” 29:21

Evidence, details and a link to share

Frame at 30:03, shot 38630:03
1 of 1 shots sampled

169. Private office

30:00–30:06 Machine checks passed (partial)

Model synopsis: A man in a military-style uniform and hat holds his head with one hand in an interior setting. No dialogue or on-screen text is present in this beat.

  • A man in uniform holds his head with his right hand. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 97 from 30:06

Frame at 30:09, shot 38730:09
1 of 1 shots sampled

170. Camp

30:06–30:11 Machine checks passed

Model synopsis: An aerial shot shows a compound of low, rectangular buildings with a central courtyard and surrounding fields. No people or moving vehicles are visible in the single frame provided.

Evidence, details and a link to share

Sequence 98 from 30:11

Frame at 30:15, shot 38830:15
1 of 1 shots sampled

171. Other

30:11–30:18 Machine checks passed

Model synopsis: A man with a mustache and suspenders is visible in a close-up, looking downward. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 99 from 30:18

Frame at 30:19, shot 38930:19Frame at 30:23, shot 39030:23Frame at 30:28, shot 39130:28Frame at 30:32, shot 39230:32
4 of 4 shots sampled

172. Barracks

30:18–30:34 Machine checks passed (partial)

Model synopsis: A man in a military uniform stands and speaks in a room with another person lying down; the dialogue references kitchen duties and a character named Cooper. The setting appears to be a barracks or military quarters with personal items scattered around.

  • A man in uniform stands near a person lying on a bed. [frame:1]
  • The man in uniform adjusts his cap while standing. [frame:2]
  • The man in uniform holds his stomach while standing. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy (t:30:19). 2 people observed.

“Hey, Snuffy, I thought you were still on kitchen police. I do be.” 30:19 · “When I'm betting up for a spell or four, I'll be mess-making.” 30:22

Evidence, details and a link to share

Frame at 30:38, shot 39330:38Frame at 30:46, shot 39430:46Frame at 30:54, shot 39530:54
3 of 3 shots sampled

173. Private office

30:34–30:58 Machine checks passed (partial)

Model synopsis: Two men in uniform are in a room with a third man lying on a bed; one standing man speaks to the other while gesturing. A name 'John Burnt Smith' is mentioned in the dialogue, and another man is addressed as 'Mr Carson'.

  • A man in uniform stands over a man lying on a bed. [frame:2]
  • A man in uniform gestures with his hand while speaking to another seated man. [frame:3]

Named: John Burnt Smith (t:30:40), Mr Carson (t:30:49). 4 people observed.

“Cooper.” 30:34 · “That bodacious, idiot, era, lunk, hay. Hey, what are you doing here?” 30:35

Evidence, details and a link to share

Frame at 31:01, shot 39631:01Frame at 31:08, shot 39731:08Frame at 31:16, shot 39831:16Frame at 31:23, shot 39931:23
4 of 4 shots sampled

174. Private office

30:58–31:25 Machine checks passed (partial)

Model synopsis: Two men in military uniforms are indoors, one demonstrating a device while the other observes. The transcript describes the device as an automatic range finder that provides a reading in yards without mathematical calculation.

  • A man in uniform looks upward with a skeptical expression. [frame:1]
  • A younger man holds a device while the sergeant leans in to examine it. [frame:2]
  • The younger man aims the device while the sergeant watches. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Looks like a range finder. Yeah, it's an improved range finder. One I perfected in college. What's different about it?” 31:04 · “Well, it's automatic.” 31:10

Evidence, details and a link to share

Frame at 31:29, shot 40031:29Frame at 31:37, shot 40131:37Frame at 31:45, shot 40231:45
3 of 3 shots sampled

175. Vehicle interior

31:25–31:49 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms converse inside a vehicle; one offers to take a device to General Hopkins. The dialogue references artillery, maneuvers, and a commander of the Blue Army.

  • A man in uniform stands near a window in a vehicle interior. [frame:1]
  • Two men in military attire face each other and speak inside the vehicle. [frame:2]
  • The man in the wide-brimmed hat gestures while speaking to the other man. [frame:3]

Named: General Hopkins (t:31:39). 2 people observed.

“Can't even get anyone to look at it.” 31:25 · “Well, as good as you say it is, I'll take it to the general for you.” 31:29

Evidence, details and a link to share

Frame at 31:54, shot 40331:54Frame at 32:02, shot 40432:02Frame at 32:06, shot 40532:06Frame at 32:11, shot 40632:11
4 of 4 shots sampled

176. Private office

31:49–32:14 Machine checks passed (partial)

Model synopsis: Two men in military uniforms converse inside a room; one gestures with a device while the other listens. A third man is later seen aiming a mounted machine gun indoors.

  • Two men in uniform sit and talk inside a room. [frame:1]
  • The younger man gestures with a device toward the older man. [frame:2]
  • The younger man leans forward, continuing to gesture with the device. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“You know, there's his first chance to approve his theories with real soldiers and actual maneuvers.” 31:52 · “See, if it does work, do you think he'll submit it to Washington?” 31:57

Evidence, details and a link to share

Frame at 32:15, shot 40732:15
1 of 1 shots sampled

177. Private office

32:14–32:15 Machine checks passed

Model synopsis: Two men in military-style uniforms are in an interior space; one aims a rifle while the other looks over his shoulder. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 100 from 32:15

Frame at 32:16, shot 40832:16
1 of 1 shots sampled

178. Beat 178

32:15–32:16 Machine checks passed

Model synopsis: A single blurry frame from 1936 shows an indistinct interior scene with no identifiable people, objects, or actions. No transcript is available for this beat.

Evidence, details and a link to share

Sequence 101 from 32:16

Frame at 32:18, shot 40932:18
1 of 1 shots sampled

179. Outdoor camp

32:16–32:20 Machine checks passed (partial)

Model synopsis: A person stands outdoors holding a large sheet or banner, with trees and a chair visible in the background. No dialogue or on-screen text is present in this beat.

  • A person stands holding a large sheet outdoors. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 32:22, shot 41032:22Frame at 32:25, shot 41132:25
2 of 2 shots sampled

180. Other

32:20–32:25 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms are shown indoors with a machine gun; one adjusts his cap while smoking. Another scene shows a man in uniform reclining in a hammock outdoors under trees.

  • A man adjusts his cap while another smokes near a machine gun. [frame:1]
  • A man in uniform lies in a hammock outdoors. [frame:2]

3 people observed.

“Did you pick out a target?” 32:21

Evidence, details and a link to share

Frame at 32:27, shot 41232:27Frame at 32:31, shot 41332:31Frame at 32:38, shot 41432:38Frame at 32:46, shot 41532:46
4 of 4 shots sampled

181. Barracks

32:25–32:49 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms interact indoors near a machine, then one man walks through a barracks-like room, and later two men are seen outdoors near hammocks. One man speaks about being an officer and a 'yard bird' while another asks about seeing the general.

  • Two men in uniform stand near a machine indoors. [frame:1]
  • One man walks through a room with hammocks and other soldiers. [frame:2]
  • Two men stand outdoors near hammocks under trees. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“I certainly did.” 32:26 · “When do we see the general?” 32:30

Evidence, details and a link to share

Frame at 32:52, shot 41632:52Frame at 32:58, shot 41732:58Frame at 33:10, shot 41933:10Frame at 33:12, shot 42033:12
4 of 5 shots sampled

182. Camp

32:49–33:14 Machine checks passed (partial)

Model synopsis: A man in uniform is seen near a hammock and tent, then salutes another man in uniform; a third man is later seen lying on the ground. Dialogue includes an apology and a reference to a meeting at 3 o'clock.

  • A man in uniform stands near a hammock and tent. [frame:1]
  • Two men in uniform salute each other. [frame:2]
  • A man in uniform looks down, possibly distressed. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“What's the meaning of this, Sergeant Cooper? Oh, I didn't mean it, sir. I'm sorry. That's no excuse.” 32:59 · “No, sir. We vote to my quarters at 3 o'clock. Yes, sir.” 33:03

Evidence, details and a link to share

Frame at 33:18, shot 42133:18Frame at 33:26, shot 42233:26Frame at 33:43, shot 42433:43Frame at 33:49, shot 42533:49
4 of 5 shots sampled

183. Camp

33:14–33:51 Machine checks passed (partial)

Model synopsis: A man in a hat and uniform holds a device while speaking with two other uniformed men in a room; one man is seated with a bandaged head. The dialogue suggests testing a rangefinder to defeat General Hopkins.

  • A man in a hat and uniform holds a device while speaking with two other uniformed men in a room; one man is seated with a bandaged head. [frame:1]
  • A man in a hat and uniform holds a device while speaking with two other uniformed men in a room; one man is seated with a bandaged head. [frame:2]
  • A man in a hat and uniform holds a device while speaking with two other uniformed men in a room; one man is seated with a bandaged head. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Can I be a helping you, Melvinu?” 33:17 · “Rangefinder is...” 33:28

Evidence, details and a link to share

Frame at 33:56, shot 42633:56Frame at 34:04, shot 42734:04Frame at 34:17, shot 42934:17Frame at 34:20, shot 43034:20
4 of 5 shots sampled

184. Private office

33:51–34:21 Machine checks passed

Model synopsis: Two men in military uniforms converse indoors; one carries a wooden box and mentions inspecting the kitchen. A third man is briefly visible seated in a chair.

  • A third man is visible seated in a chair, holding an object. [frame:4]

3 people observed.

“I wish to compliment you on the high morale of your company. Oh.” 33:55 · “But an army travels on its stomach.” 34:04

Evidence, details and a link to share

Sequence 102 from 34:21

Frame at 34:26, shot 43134:26
1 of 1 shots sampled

185. Kitchen

34:21–34:30 Machine checks passed

Model synopsis: A man in a hat sits on a bed holding a guitar in a dimly lit room with kitchenware visible. Another person is partially visible on the left, near a table with food items.

2 people observed.

Evidence, details and a link to share

Frame at 34:38, shot 43234:38Frame at 34:50, shot 43334:50Frame at 34:56, shot 43434:56Frame at 35:03, shot 43535:03
4 of 4 shots sampled

186. Private office

34:30–35:07 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms sit and interact indoors while a third man plays a guitar. The transcript mentions Snuffy Smith, a 'yard bird,' and describes him as a small but tough soldier.

  • A man in uniform sits and holds a small object. [frame:1]
  • Two men in uniform sit side by side, one looking at the other. [frame:2]
  • A man in uniform plays a guitar. [frame:3]
  • 1 more under Evidence and details.

Named: Snuffy Smith (t:34:40). 3 people observed.

“Since Snuffy Smith joined up, he's now a yard bird. A little guy, but my, he's such a hard bird. Don't ever get yourself mixed up with Snu…” 34:40 · “Why you may find you're being flung Bodaciously off on the cliff If you should see a pretty face with naught behind it She's wasting time…” 34:50

Evidence, details and a link to share

Frame at 35:08, shot 43635:08Frame at 35:12, shot 43835:12Frame at 35:15, shot 43935:15Frame at 35:24, shot 44135:24
4 of 6 shots sampled

187. Other

35:07–35:28 Machine checks passed (partial)

Model synopsis: A man in a dark shirt sits indoors, peeling or handling something small with his hands. Later, several men in hats are shown in a room with a sign reading 'HALL' visible in the background.

  • A man sits and manipulates a small object with his hands. [frame:1]
  • A man in a hat stands while another man in a hat sits with his head down. [frame:3]
  • Several men in hats are gathered in a room with a sign reading 'HALL' on the wall. [frame:4]

5 people observed.

Evidence, details and a link to share

Frame at 35:33, shot 44235:33Frame at 35:49, shot 44435:49Frame at 35:56, shot 44635:56Frame at 36:03, shot 44836:03
4 of 7 shots sampled

188. Private office

35:28–36:07 Machine checks flagged: visible event not seen

Model synopsis: Three men in hats are seen in a wooden structure; one is seated, another stands near a door, and a third is visible in the background. A close-up shows a hand holding a round object. The transcript mentions a character named Smith who is now a 'yard bird' and is in town because he saw a girl.

  • A man in a hat stands near a door while another sits at a table. [frame:1]
  • A man in a hat stands near a door while another man in a hat is visible in the background. [frame:2]
  • A hand holds a round object. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Smith joined up, he's now a yard bird. When evening rolls around, he's sure a tarred bird. You'd think he'd hit the hay and rest, but he's i…” 35:35 · “rosy jaws was he a height the door when brains was passed out no sir he signs the finest x but mom's the word i swear he will be faded don'…” 35:46

Flagged: visible event not seen (Three men in hats stand near a door, one of them holding a baton.)

Evidence, details and a link to share

Frame at 36:17, shot 45036:17Frame at 36:25, shot 45136:25Frame at 36:34, shot 45236:34Frame at 36:42, shot 45336:42
4 of 4 shots sampled

190. Kitchen

36:13–36:46 Machine checks passed (partial)

Model synopsis: A man in uniform confronts two others in a kitchen where corn drippings are being cooked; he orders one to be made into a soldier and tells them to leave. The scene involves dialogue about liquor and responsibility.

  • A man in uniform stands in a kitchen while another cooks at a stove. [frame:1]
  • The uniformed man speaks to the cook and the man in the cowboy hat. [frame:2]
  • The cook continues stirring while the uniformed man gestures. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“What is this?” 36:17 · “It's still, General.” 36:19

Evidence, details and a link to share

Frame at 36:48, shot 45436:48Frame at 36:52, shot 45536:52Frame at 37:00, shot 45637:00
3 of 3 shots sampled

191. Kitchen

36:46–37:04 Machine checks passed (partial)

Model synopsis: Two men in hats interact in a kitchen; one hands an object to the other, who then tastes from a spoon. The second man later reacts as steam rises from a pot nearby.

  • One man hands an object to another man in a kitchen. [frame:1]
  • A man tastes from a spoon while holding a long stick. [frame:2]
  • Steam rises from a pot as a man reacts in a kitchen. [frame:3]

2 people observed.

“I'll get that where I brace him and give me that.” 36:46 · “Get out of here!” 36:49

Evidence, details and a link to share

Sequence 103 from 37:04

Frame at 37:07, shot 45737:07Frame at 37:12, shot 45837:12Frame at 37:23, shot 46037:23Frame at 37:27, shot 46137:27
4 of 5 shots sampled

192. Private office

37:04–37:30 Machine checks passed (partial)

Model synopsis: Three people are in a room with clothing racks; one is dressed in a soldier's uniform and speaks about impersonating a soldier to obtain a range finder. Another person mentions having spoken to a hillbilly and Cooper, and refers to shorts being in Cooper's office.

  • The man in uniform practices a salute while looking in a mirror. [frame:1]
  • The woman speaks, looking concerned. [frame:2]
  • The three people stand together, discussing a plan. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Think I'll pass for a soldier?” 37:05 · “I don't know. That salute's pretty foamy. I'll get by.” 37:07

Evidence, details and a link to share

Sequence 104 from 37:30

Frame at 37:31, shot 46237:31Frame at 37:36, shot 46337:36Frame at 37:45, shot 46537:45Frame at 37:50, shot 46637:50
4 of 5 shots sampled

193. Private office

37:30–37:52 Machine checks passed (partial)

Model synopsis: Four men in military uniforms are seated in a room, discussing strategy; one man stands and exits through a door. The conversation references military maneuvers, tanks, and artillery.

  • Four men in military uniforms are seated in a room discussing strategy. [frame:1]
  • One man stands and exits the room through a door. [frame:4]

4 people observed.

“You understand how much these maneuvers mean to me.” 37:31 · “He's up to Washington. Whether we win will depend a lot on the type of country we operate in. Upon what do you base your theory? The Blue Ar…” 37:35

Evidence, details and a link to share

Frame at 37:54, shot 46737:54Frame at 37:58, shot 46837:58Frame at 38:05, shot 46938:05
3 of 3 shots sampled

194. Private office

37:52–38:09 Machine checks passed (partial)

Model synopsis: A man in uniform enters a room where several officers are seated and conversing. The transcript discusses a new range finder with an automatic calculator, and one officer says he sent for the arriving man.

  • A man in uniform enters a room. [frame:1]
  • An older officer in uniform is seated and speaking. [frame:2]
  • Several officers are seated in discussion. [frame:3]

4 people observed.

“One of the men has perfected a range finder.” 37:57 · “It has an automatic range calculator.” 38:01

Evidence, details and a link to share

Sequence 105 from 38:09

Frame at 38:13, shot 47038:13
1 of 1 shots sampled

195. Private office

38:09–38:17 Machine checks passed (partial)

Model synopsis: A man in a cap and dark uniform is visible leaning over a desk or counter, handling an object. The setting appears to be an interior room with shelves or boxes in the background.

  • man leans over a desk and handles an object [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 38:21, shot 47138:21Frame at 38:30, shot 47238:30
2 of 2 shots sampled

196. Private office

38:17–38:34 Machine checks passed (partial)

Model synopsis: A man in a beret and dark shirt is seen in a dim interior, first leaning over a desk and then turning away from it. The room contains a cabinet with papers and a telephone on the desk.

  • man leans over a desk, handling an object [frame:1]
  • man turns his back to the camera and faces a cabinet [frame:2]

1 person observed.

Evidence, details and a link to share

Sequence 106 from 38:34

Sequence 107 from 38:42

Frame at 38:44, shot 47438:44
1 of 1 shots sampled

198. Private office

38:42–38:47 Machine checks passed (partial)

Model synopsis: A man in a uniform holds a small dog while standing in an interior space with a desk and papers. No dialogue or on-screen text is present in this beat.

  • A man in uniform holds a small dog near a desk. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 108 from 38:47

Frame at 38:51, shot 47538:51Frame at 38:59, shot 47638:59Frame at 39:05, shot 47739:05
3 of 3 shots sampled

199. Private office

38:47–39:07 Machine checks passed (partial)

Model synopsis: Four men in military uniforms are seated in a room; one enters and reports to an officer. A voice discusses tank speed and range calculation, then acknowledges the report.

  • Sergeant Cooper enters the room and approaches seated officers. [frame:3]

Named: Sergeant Cooper (t:38:55). 6 people observed.

“With a tank moving at 35 miles an hour, you can see how important automatic range calculation would be.” 38:47 · “Yes.” 38:54

Evidence, details and a link to share

Frame at 39:12, shot 47839:12Frame at 39:28, shot 48039:28Frame at 39:35, shot 48139:35Frame at 39:42, shot 48339:42
4 of 6 shots sampled

200. Private office

39:07–39:45 Machine checks passed

Model synopsis: A group of men in military uniforms are in a room; one man holds a large device and speaks about a range finder while others react. The dialogue includes threats of court-martial and accusations of sabotage.

4 people observed.

“The new General Rosewater range finder.” 39:09 · “It was here the last time I saw it. What does this mean?” 39:20

Evidence, details and a link to share

Frame at 39:49, shot 48439:49
1 of 1 shots sampled

201. Private office

39:45–39:53 Machine checks passed

Model synopsis: Three men in military uniforms stand in an interior room while a fourth man in a hat kneels or bows before them. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Frame at 39:55, shot 48539:55
1 of 1 shots sampled

202. Private office

39:53–39:56 Machine checks passed

Model synopsis: Two men in military uniforms stand facing each other in an interior space; one is partially visible on the left. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 109 from 39:56

Sequence 110 from 40:00

Frame at 40:22, shot 49040:22Frame at 40:30, shot 49140:30Frame at 40:36, shot 49240:36Frame at 40:39, shot 49340:39
4 of 4 shots sampled

205. Military briefing room

40:17–40:39 Machine checks passed (partial)

Model synopsis: A man in a hat and vest speaks near a car while soldiers listen; a general is addressed by name. The setting appears to be a military briefing room with a map on the wall.

  • A man in a hat gestures while speaking near a car. [frame:1]
  • The man in the hat leans on a table while soldiers face him. [frame:2]
  • Soldiers and the man in the hat stand together in a room with a map. [frame:3]
  • 1 more under Evidence and details.

Named: Edward Smith (t:40:38), General (t:40:26). 3 people observed.

“The water is pure.” 40:18 · “And again I say... Now just a minute, General.” 40:26

Evidence, details and a link to share

Frame at 40:44, shot 49440:44Frame at 40:56, shot 49640:56Frame at 41:09, shot 49841:09Frame at 41:22, shot 50041:22
4 of 7 shots sampled

206. Private office

40:39–41:22 Machine checks flagged: visible event not seen

Model synopsis: A boy in a military-style uniform confronts several men in uniform inside a room; he speaks angrily while gesturing, and one man shakes his hand. The transcript includes lines about being sent home and treated poorly despite being a hero.

  • The boy gestures toward the older man in uniform. [frame:1]
  • The boy stands facing the group, hands clasped. [frame:2]
  • The boy continues speaking with hands clasped. [frame:3]
  • 1 more under Evidence and details.

Named: Snobby (t:40:53). 5 people observed.

“Now, don't be a-stopping me.” 40:39 · “That am a home place. I know every bend and crook in that river. And every hollow what's got a steel in it.” 40:41

Flagged: visible event not seen (The boy continues speaking with hands clasped.)

Evidence, details and a link to share

Frame at 41:27, shot 50141:27Frame at 41:35, shot 50241:35Frame at 41:40, shot 50341:40Frame at 41:44, shot 50441:44
4 of 4 shots sampled

207. Private office

41:22–41:46 Machine checks flagged: visible event not seen

Model synopsis: A man in a hat and vest speaks to two uniformed officers in a room with wooden walls and a map; he whistles a signal and walks away. The transcript includes lines about forgiveness, friendship, and a coded whistle call.

  • A man in a hat and vest stands facing two uniformed officers. [frame:1]
  • The man in the hat smiles and looks directly at the camera. [frame:2]
  • The man in the hat raises his hand to his chin while speaking. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“You know where I'm coming from, a man of no by his word.” 41:26 · “But I'm forgiving you everything.” 41:31

Flagged: visible event not seen (The man in the hat turns and walks away from the officers.)

Evidence, details and a link to share

Frame at 41:49, shot 50541:49Frame at 41:54, shot 50641:54
2 of 2 shots sampled

208. Sidewalk

41:46–41:56 Machine checks passed (partial)

Model synopsis: A soldier in uniform is confronted by two guards with rifles as he attempts to leave; one guard asks where he thinks he is going, and another states that all leaves are cancelled. The scene takes place outdoors near a building with a covered walkway.

  • The soldier is standing between two guards who are blocking his path. [frame:1]
  • The soldier closes his eyes and appears to sigh or react to the news. [frame:2]

3 people observed.

“How?” 41:47 · “Where do you think you're going?” 41:48

Evidence, details and a link to share

Frame at 41:57, shot 50741:57Frame at 42:02, shot 50842:02Frame at 42:07, shot 50942:07Frame at 42:13, shot 51042:13
4 of 4 shots sampled

209. Barracks

41:56–42:16 Machine checks passed (partial)

Model synopsis: Soldiers are shown in a barracks setting, with one playing a ukulele while others sit or stand nearby. A character speaks about urgency and retrieving a gun, referencing a bugle call.

  • Soldiers walk toward a barracks interior. [frame:1]
  • Soldiers are seated or standing in a barracks room with beds. [frame:2]
  • A soldier plays a ukulele while others watch. [frame:3]
  • 1 more under Evidence and details.

8 people observed.

“Time's a-wastin', what are we waitin' for?” 41:59 · “Let's make haste and don't get this soldier sore.” 41:59

Evidence, details and a link to share

Frame at 42:20, shot 51142:20Frame at 42:26, shot 51242:26Frame at 42:32, shot 51342:32
3 of 3 shots sampled

210. Barracks

42:16–42:37 Machine checks passed

Model synopsis: A group of soldiers in a barracks prepare to leave, with one holding a small stringed instrument. Dialogue mentions getting 'spark blood' and going to 'B Company'.

  • A soldier holds a small stringed instrument while speaking. [frame:1]
  • The soldier continues to speak while holding the instrument. [frame:2]
  • Soldiers begin to move out of the barracks, one carrying a suitcase. [frame:3]

5 people observed.

“Let's make haste and get spark blood from his stall. Cause if we hitch him to Louiezy, we can lick the varmints easy. Time's a-wastin', what…” 42:16 · “Let's go over to B Company.” 42:28

Evidence, details and a link to share

Sequence 111 from 42:37

Frame at 42:37, shot 51442:37
1 of 1 shots sampled

211. Dormitory

42:37–42:38 Machine checks passed

Model synopsis: A person in a long dress stands in a room with multiple beds and windows. The room appears to be a dormitory or barracks with simple furnishings and no visible personal items.

1 person observed.

Evidence, details and a link to share

Sequence 112 from 42:38

Frame at 42:43, shot 51542:43
1 of 1 shots sampled

212. Bedroom

42:38–42:47 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and overalls stands in a room with a bed and a window, adjusting his clothing. The room appears to be a simple interior space with minimal furnishings.

  • man adjusts his clothing while standing in a room [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 113 from 42:47

Frame at 42:47, shot 51642:47Frame at 42:50, shot 51842:50Frame at 42:54, shot 52042:54Frame at 43:05, shot 52243:05
4 of 7 shots sampled

213. Other

42:47–43:06 Machine checks passed (partial)

Model synopsis: A man sits in a room with bunk beds while another man enters. The transcript includes complaints about lack of appreciation and mentions a General and Mr. Carson.

  • A man sits in a room with bunk beds. [frame:1]
  • Another man enters the room and stands behind the seated man. [frame:4]
  • The screen is blank. [frame:2]
  • 2 more under Evidence and details.

Named: Mr. Carson (t:43:02). 2 people observed.

“We ain't appreciated round here.” 42:48 · “I done been working like killing snakes.” 42:51

Evidence, details and a link to share

Sequence 114 from 43:06

Frame at 43:06, shot 52343:06
1 of 1 shots sampled

214. Other

43:06–43:07 Machine checks passed

Model synopsis: A man in a military-style uniform and hat stands indoors, looking stern. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 115 from 43:07

Frame at 43:09, shot 52443:09
1 of 1 shots sampled

215. Other

43:07–43:10 Machine checks passed

Model synopsis: Two men are in a barracks-like room; one stands eating while the other sits eating at a small table. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 116 from 43:10

Frame at 43:12, shot 52543:12
1 of 1 shots sampled

216. Other

43:10–43:13 Machine checks passed

Model synopsis: A man in a hat and patterned shirt stands indoors with his hand on his chin, looking thoughtful. The setting appears to be a simple room with a window and a door frame visible.

1 person observed.

Evidence, details and a link to share

Frame at 43:15, shot 52643:15Frame at 43:20, shot 52843:20Frame at 43:23, shot 52943:23Frame at 43:33, shot 53143:33
4 of 6 shots sampled

217. Other

43:13–43:34 Machine checks passed (partial)

Model synopsis: A man in uniform sits in a room with beds while another man in uniform stands nearby. Dialogue suggests an attempt to make friends with someone named Mr. Carson.

  • A man in uniform sits and speaks. [frame:1]
  • Another man in uniform stands in the room. [frame:3]
  • The standing man faces the seated man in a room with multiple beds. [frame:4]

2 people observed.

“You know, twenty-one dollars in khaki breeches are all right, but I'm a hankering to look into your big brown eyeballs again, partner.” 43:13 · “Yes, sir.” 43:23

Evidence, details and a link to share

Frame at 43:35, shot 53243:35Frame at 43:41, shot 53343:41Frame at 43:48, shot 53443:48Frame at 43:51, shot 53543:51
4 of 4 shots sampled

218. Barracks

43:34–43:52 Machine checks passed (partial)

Model synopsis: A man in a uniform speaks to another man seated in a room with beds and luggage; the transcript includes calls to 'Mr. Carson' and an instruction for him to jump. No named characters are identified in the dialogue or visuals.

  • A man in uniform stands over a seated man in a room with beds. [frame:2]
  • The standing man leans forward toward the seated man. [frame:3]

2 people observed.

“Who's Mr. Carson?” 43:35 · “Yeah, my dog.” 43:37

Evidence, details and a link to share

Sequence 117 from 43:52

Sequence 118 from 43:53

Frame at 43:56, shot 53743:56
1 of 1 shots sampled

220. Barracks

43:53–43:59 Machine checks passed

Model synopsis: A standing man in uniform talks to a seated older man in a room with beds and windows. No dialogue is provided for this beat.

2 people observed.

Evidence, details and a link to share

Sequence 119 from 43:59

Frame at 44:02, shot 53844:02Frame at 44:05, shot 53944:05Frame at 44:06, shot 54044:06
3 of 3 shots sampled

221. Private office

43:59–44:07 Machine checks passed (partial)

Model synopsis: A man in a uniform and hat speaks while a metal bowl containing stewed meat is shown. The transcript includes a partial line of dialogue and an apology.

  • A man in uniform is visible in a medium shot. [frame:1]
  • A metal bowl with stewed meat is shown in close-up. [frame:2]
  • The same bowl of stewed meat is shown again, slightly shifted. [frame:3]

1 person observed.

“Now look, if you think you can kid me...” 44:00 · “- I'm sorry.” 44:05

Evidence, details and a link to share

Frame at 44:08, shot 54144:08
1 of 1 shots sampled

222. Other

44:07–44:08 Machine checks passed

Model synopsis: A metal bowl containing a dark, lumpy substance is shown in a close-up. No people, dialogue, or identifiable location are visible in this beat.

Evidence, details and a link to share

Sequence 120 from 44:08

Frame at 44:09, shot 54244:09
1 of 1 shots sampled

223. Private office

44:08–44:10 Machine checks passed (partial)

Model synopsis: A man in a hat and shirt is visible with his hands raised in a medium shot. No dialogue or on-screen text is present in this beat.

  • man raises both hands to head level with palms outward [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 121 from 44:10

Frame at 44:12, shot 54344:12
1 of 1 shots sampled

224. Hospital

44:10–44:13 Machine checks passed

Model synopsis: A man sits in a room with multiple beds and a window; another person is partially visible near a doorway. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 122 from 44:13

Frame at 44:16, shot 54444:16Frame at 44:22, shot 54544:22Frame at 44:39, shot 54744:39Frame at 44:47, shot 54844:47
4 of 5 shots sampled

225. Barracks

44:13–44:51 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms interact in a barracks-like room; one is packing while the other enters and speaks with him. The dialogue reveals plans to leave for Louiezy and mentions being locked in, with one man refusing to help the other.

  • A man in uniform sits on a bed, smiling. [frame:1]
  • A second man in uniform enters the room through a doorway. [frame:2]
  • The two men face each other and speak while one packs a bag. [frame:3]
  • 1 more under Evidence and details.

Named: Shorty (t:44:22). 2 people observed.

“Us are going back home to Louiezy, Mr. Carson.” 44:15 · “Hello, Shorty. Hello.” 44:22

Evidence, details and a link to share

Frame at 44:55, shot 54944:55Frame at 45:04, shot 55045:04
2 of 2 shots sampled

226. Barracks

44:51–45:08 Machine checks passed (partial)

Model synopsis: Two men in a barracks-like room discuss packing; one offers to roll a pack for the other after being reminded of a forgotten jug. The setting includes bunk beds and a window, with one man seated on a bed and the other kneeling beside him.

  • One man sits on a bed while another kneels beside him, handling a pack. [frame:1]
  • The kneeling man smiles as he continues to handle the pack. [frame:2]

2 people observed.

“You'd be better off alone.” 44:51 · “Jeepers, I near forgot my jug. Where is it?” 44:57

Evidence, details and a link to share

Sequence 123 from 45:08

Frame at 45:12, shot 55145:12
1 of 1 shots sampled

227. Private office

45:08–45:16 Machine checks passed

Model synopsis: A character in a military-style uniform stands indoors holding a rifle, with a door and wall visible in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 124 from 45:16

Frame at 45:20, shot 55245:20Frame at 45:28, shot 55345:28
2 of 2 shots sampled

228. Private office

45:16–45:32 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms are indoors, one holding a hat and speaking to the other. One man mentions walking to Hootenhower and turning onto a wagon road.

  • One man holds a hat while speaking to another in uniform. [frame:1]

2 people observed.

“Hey sure my tacky breeches are in line soldier. They sure are.” 45:17 · “Say, how are you gonna get to Hootenhower? I'm a walking down till I come to the end of the road. I'm a turning into a wagon road and I'm ju…” 45:21

Evidence, details and a link to share

Frame at 45:44, shot 55445:44Frame at 45:59, shot 55545:59
2 of 2 shots sampled

229. Private office

45:32–46:03 Machine checks passed

Model synopsis: A man in uniform speaks on a field telephone while another man stands near a doorway; the transcript indicates someone is trying to leave the army and mentions Snuffy Smith walking down a road to Hoot and Holler. No named characters are identified in the dialogue or visuals.

  • A man is seen using a field telephone. [frame:2]

2 people observed.

“I'm going as far away from this army as I can get. And when I get there, I must stay in.” 45:33 · “Listen now and get this straight.” 45:49

Evidence, details and a link to share

Frame at 46:06, shot 55646:06Frame at 46:12, shot 55846:12Frame at 46:19, shot 56046:19Frame at 46:36, shot 56246:36
4 of 7 shots sampled

230. Military office

46:03–46:40 Machine checks flagged: visible event not seen

Model synopsis: A military officer is on the phone while another officer stands nearby; a military vehicle with a mounted weapon is shown outdoors; two officers converse in an office. The transcript includes dialogue about locating a rangefinder, sending people home, and references to the Ozarks and Great Smokies.

  • A man in uniform talks on a telephone. [frame:1]
  • A military vehicle with a mounted weapon is shown outdoors. [frame:2]
  • Two officers stand facing each other in an office; one is seated. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Pick him up in the car.” 46:05 · “Do you mean to tell me that you can't locate that range finder?” 46:16

Flagged: visible event not seen (Two officers stand facing each other in an office; both are standing.)

Evidence, details and a link to share

Frame at 46:41, shot 56346:41Frame at 46:49, shot 56546:49Frame at 46:53, shot 56646:53Frame at 47:05, shot 56847:05
4 of 6 shots sampled

231. Private office

46:40–47:07 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms converse in an office; one is addressed as 'Mr. Last' and mentions chasing 'Yardbird Smith' without catching him. The interaction concludes with an order to retrieve something, followed by a farewell.

  • Two men in uniform stand facing each other in an office. [frame:1]
  • The man in the hat turns to face the other man. [frame:2]
  • The man in the hat speaks with a surprised expression. [frame:3]
  • 1 more under Evidence and details.

Named: Mr. Last (t:46:40). 2 people observed.

“Mr. Last draw.” 46:40 · “You don't need yard bird Smith.” 46:42

Evidence, details and a link to share

Sequence 125 from 47:07

Sequence 126 from 47:27

Frame at 47:52, shot 57647:52Frame at 48:00, shot 57748:00Frame at 48:09, shot 57848:09
3 of 3 shots sampled

234. Vehicle interior

47:48–48:13 Machine checks passed (partial)

Model synopsis: A man and a woman are seated in a car; the man urges the woman to remove a pack, which she resists. The woman then reaches toward the man while he leans back.

  • Woman reaches toward the man while he leans back. [frame:3]

2 people observed.

“You'd be much more comfortable without it.” 47:50 · “Oh, come on, beautiful. Take that pack off.” 47:56

Evidence, details and a link to share

Sequence 127 from 48:13

Frame at 48:15, shot 57948:15
1 of 1 shots sampled

235. Vehicle interior

48:13–48:17 Machine checks passed

Model synopsis: A close-up of a vehicle's side window shows a hand resting on the door frame, with blurred foliage visible outside. No people are named, no dialogue is present, and no specific time or place is established beyond the vehicle interior.

1 person observed.

Evidence, details and a link to share

Sequence 128 from 48:17

Frame at 48:21, shot 58048:21Frame at 48:29, shot 58148:29Frame at 48:35, shot 58248:35
3 of 3 shots sampled

236. Forest

48:17–48:36 Machine checks flagged: visible event not seen

Model synopsis: A woman in a white dress is seen bending over a man on the ground while another woman in a suit stands nearby; a man is heard shouting for help and reacting to being bitten. The scene takes place outdoors in a wooded area with trees and dirt ground visible.

  • A woman in a white dress bends over a man lying on the ground. [frame:1]
  • The woman continues to lean over the man on the ground. [frame:2]
  • A woman in a suit stands upright while a man runs away in the background. [frame:3]

Named: Mr. Carson (t:48:22). 4 people observed.

“Don't!” 48:17 · “Don't, Missy!” 48:20

Flagged: visible event not seen (The woman continues to lean over the man on the ground.)

Evidence, details and a link to share

Frame at 48:37, shot 58348:37Frame at 48:40, shot 58448:40Frame at 48:45, shot 58648:45Frame at 48:50, shot 58748:50
4 of 5 shots sampled

237. Forest

48:36–48:54 Machine checks passed (partial)

Model synopsis: A woman in a light dress runs through a wooded area while a vehicle drives down a dirt road; soldiers load equipment onto a truck, and two people sit in a carriage. Dialogue includes a command to return and a question about someone quitting the army.

  • A woman runs through a wooded area. [frame:1]
  • A vehicle drives down a dirt road lined with trees. [frame:2]
  • Soldiers load equipment onto a truck. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Come back here.” 48:36 · “Yes.” 48:37

Evidence, details and a link to share

Sequence 129 from 48:54

Frame at 48:59, shot 58848:59Frame at 49:07, shot 58949:07Frame at 49:13, shot 59049:13
3 of 3 shots sampled

238. Forest

48:54–49:15 Machine checks passed (partial)

Model synopsis: Two characters in period attire are seated outdoors near a wagon wheel, conversing while one holds a pipe. The transcript includes dialogue about robbers, locked gates, and deceptive appearances, but no names are spoken.

  • Two people sit outdoors near a wagon wheel, one holding a pipe. [frame:1]
  • The two continue sitting and conversing, both holding pipes. [frame:2]
  • One person gestures slightly while speaking to the other. [frame:3]

2 people observed.

“Well, they've got some robbers there, what the Army calls filth columnists.” 48:57 · “And they done locked the gates for the cotchum.” 49:01

Evidence, details and a link to share

Frame at 49:16, shot 59149:16Frame at 49:21, shot 59249:21Frame at 49:27, shot 59349:27Frame at 49:33, shot 59449:33
4 of 4 shots sampled

239. Forest

49:15–49:37 Machine checks passed (partial)

Model synopsis: A woman and a man in period clothing stand near a barrel in a wooded area; the man holds the barrel while the woman gestures. A dog wearing a quilted vest is shown from behind, walking away.

  • Footprints are visible in dirt. [frame:1]
  • A woman and a man stand beside a barrel in a wooded area; the man holds the barrel. [frame:2]
  • A dog wearing a quilted vest walks away from the camera. [frame:3]
  • 1 more under Evidence and details.

Named: Mr. Carson (t:49:18). 2 people observed.

“Mr. Carson, it appears to me like you've been ghosting around long enough.” 49:18 · “*sad music*” 49:24

Evidence, details and a link to share

Sequence 130 from 49:37

Sequence 131 from 49:39

Frame at 49:42, shot 59649:42Frame at 49:46, shot 59749:46Frame at 49:51, shot 59849:51Frame at 49:56, shot 59949:56
4 of 4 shots sampled

241. Forest

49:39–49:57 Machine checks passed (partial)

Model synopsis: Two people react to seeing airplanes flying overhead; one speaks of hawks and then corrects to flying machines. The setting appears to be outdoors near trees.

  • Woman and man look upward in surprise [frame:1]
  • A formation of airplanes flies across the sky [frame:2]
  • Woman and man continue to look upward with shocked expressions [frame:4]

2 people observed.

“Better get tombstone loaded.” 49:42 · “Here come the biggest hawks ever did see. I'll open the end house door and let the chickens in. Oh, them ain't hawks.” 49:45

Evidence, details and a link to share

Sequence 132 from 49:57

Frame at 49:58, shot 60049:58
1 of 1 shots sampled

242. Road

49:57–49:59 Machine checks passed (partial)

Model synopsis: A line of soldiers marches along a dirt road. The scene is outdoors and appears to be from a wartime setting.

  • Soldiers march in formation along a dirt road. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 133 from 49:59

Frame at 50:04, shot 60150:04Frame at 50:12, shot 60250:12Frame at 50:17, shot 60350:17
3 of 3 shots sampled

243. Forest

49:59–50:18 Machine checks passed

Model synopsis: A woman and a soldier stand in a wooded area; the soldier holds a rifle. In another shot, soldiers are seen near a table and tents in the same outdoor setting. The transcript indicates confusion about the presence of United States soldiers.

3 people observed.

“Here come the ravenous. They're good and blackbirds in the spring. Oh, you're not be knowing, woman.” 50:00 · “Them's not revenues.” 50:05

Evidence, details and a link to share

Frame at 50:22, shot 60450:22Frame at 50:35, shot 60650:35Frame at 50:36, shot 60750:36Frame at 50:43, shot 60950:43
4 of 6 shots sampled

244. Camp

50:18–50:44 Machine checks passed (partial)

Model synopsis: Two men in military uniforms are inside a tent; one is seated and the other stands while speaking. The dialogue references a strategic position, a captain named Robinson, and a confused exchange about whipping someone.

  • Two men in military uniforms are inside a tent, one seated and one standing. [frame:1]
  • The standing man continues to speak while the seated man listens. [frame:2]
  • The seated man looks thoughtful or confused. [frame:3]
  • 1 more under Evidence and details.

Named: Robinson (t:50:20). 2 people observed.

“This is a very strategic spot.” 50:18 · “who's in position directly below now Bellwell company a captain Robinson commanding Sir.” 50:20

Evidence, details and a link to share

Frame at 50:48, shot 61050:48Frame at 51:00, shot 61251:00Frame at 51:03, shot 61451:03Frame at 51:12, shot 61651:12
4 of 7 shots sampled

245. Tent

50:44–51:15 Machine checks passed (partial)

Model synopsis: Two men in military uniforms are seen inside a tent, followed by a convoy of military vehicles moving across a field, soldiers working on a vehicle, and a man in a robe speaking with another man in a forest. The transcript includes orders being given and a character identifying a general.

  • A convoy of military vehicles drives across a field. [frame:2]
  • Soldiers work on the rear of a military vehicle. [frame:3]
  • A man in a robe speaks with a man in uniform in a wooded area. [frame:4]

5 people observed.

“That's it, that's it, that's it, that's it. Lieutenant.” 50:44 · “You go all through these hills and keep repeating that call as loud as you can until further orders.” 50:50

Evidence, details and a link to share

Sequence 134 from 51:15

Frame at 51:16, shot 61751:16
1 of 1 shots sampled

246. Field

51:15–51:16 Machine checks passed

Model synopsis: A man in a hat and uniform stands near a cannon that has just fired, producing a large cloud of smoke. The scene is outdoors in a grassy field with trees in the background.

  • a cannon fires, producing a large cloud of smoke [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 135 from 51:16

Frame at 51:17, shot 61851:17
1 of 1 shots sampled

247. Field

51:16–51:18 Machine checks passed

Model synopsis: An explosion erupts near a body of water with trees in the background. No people or named characters are visible or mentioned in this beat.

  • An explosion occurs near water. [frame:1]

Evidence, details and a link to share

Sequence 136 from 51:18

Frame at 51:19, shot 61951:19
1 of 1 shots sampled

248. Battlefield

51:18–51:19 Machine checks passed (partial)

Model synopsis: A group of soldiers in helmets are gathered around a field gun in a dusty, open area. One soldier raises his arm while others stand or crouch near the artillery piece.

  • A soldier raises his arm while others stand near a field gun. [frame:1]

4 people observed.

Evidence, details and a link to share

Sequence 137 from 51:19

Frame at 51:20, shot 62051:20
1 of 1 shots sampled

249. Field

51:19–51:20 Machine checks passed

Model synopsis: An explosion erupts in a wooded field, seen from a distance. No people are visible in the frame.

  • An explosion occurs in a field. [frame:1]

Evidence, details and a link to share

Sequence 138 from 51:20

Frame at 51:21, shot 62151:21
1 of 1 shots sampled

250. Camp

51:20–51:22 Machine checks flagged: visible event not seen

Model synopsis: A soldier in a helmet and suspenders walks away from the camera toward a campsite with tents and other soldiers. The scene is outdoors in a wooded area with dappled sunlight.

  • A soldier walks away from the camera toward a campsite. [frame:1]

3 people observed.

Flagged: visible event not seen (A soldier walks away from the camera toward a campsite.)

Evidence, details and a link to share

Sequence 139 from 51:22

Frame at 51:24, shot 62251:24Frame at 51:39, shot 62451:39Frame at 51:46, shot 62551:46Frame at 52:01, shot 62752:01
4 of 6 shots sampled

251. Tent

51:22–52:04 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms are inside a tent, one seated and one standing, discussing their roles in a conflict involving the Blue Army. One man mentions wearing a white armband and expresses intent to hide under a bay, while the other insists they are not using real bullets.

  • Two men are seated inside a tent, one speaking to the other. [frame:1]
  • The standing man gestures toward the seated man while speaking. [frame:2]
  • The seated man responds while looking at the standing man. [frame:3]
  • 1 more under Evidence and details.

Named: Garthbridge Smith (t:51:24). 2 people observed.

“Garthbridge Smith!” 51:24 · “I thought you'd done been hit by a rifle ball. All our men are wearing white armbats.” 51:36

Evidence, details and a link to share

Sequence 140 from 52:04

Frame at 52:05, shot 62852:05
1 of 1 shots sampled

252. Field

52:04–52:06 Machine checks passed

Model synopsis: A wide shot shows multiple figures running across an open field with trees in the background. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 141 from 52:06

Frame at 52:07, shot 62952:07
1 of 1 shots sampled

253. Field

52:06–52:08 Machine checks passed (partial)

Model synopsis: Two vehicles move across an open field. No people are visible and no dialogue is present.

  • Two vehicles drive across a field. [frame:1]

Evidence, details and a link to share

Sequence 142 from 52:08

Frame at 52:13, shot 63052:13Frame at 52:21, shot 63152:21Frame at 52:28, shot 63252:28Frame at 52:33, shot 63352:33
4 of 4 shots sampled

254. Camp

52:08–52:36 Machine checks passed (partial)

Model synopsis: Two officers speak under a tent while a third person enters; later, a group gathers around a table outdoors. The dialogue indicates a military command structure and the appointment of a scout.

  • Two officers stand under a tent and speak. [frame:1]
  • One officer gestures while speaking to the other. [frame:2]
  • A third person enters the tent and stands between the officers. [frame:3]
  • 1 more under Evidence and details.

Named: Captain Robinson (t:52:09), Yardbert Smith (t:52:23). 4 people observed.

“Watch it, Captain Robinson.” 52:09 · “I've appointed Yardbert Smith my chief scout. He knows this country better than anybody else.” 52:23

Evidence, details and a link to share

Frame at 52:39, shot 63452:39Frame at 52:44, shot 63552:44Frame at 52:47, shot 63652:47Frame at 52:49, shot 63752:49
4 of 4 shots sampled

255. Field

52:36–52:50 Machine checks passed (partial)

Model synopsis: A group of men in military-style uniforms gather around a table outdoors while a plane flies overhead. Rules about being 'dead' if hit with flour are stated in the dialogue.

  • Men in military-style uniforms gather around a table outdoors. [frame:1]
  • Three men in military-style uniforms stand side by side. [frame:2]
  • Men continue to stand around a table outdoors. [frame:3]
  • 1 more under Evidence and details.

8 people observed.

“Any object hit with flour is out of action.” 52:36 · “All decisions made by the umpire” 52:39

Evidence, details and a link to share

Frame at 52:54, shot 63852:54Frame at 53:10, shot 64053:10Frame at 53:27, shot 64253:27Frame at 53:41, shot 64453:41
4 of 7 shots sampled

256. Forest

52:50–53:43 Machine checks flagged: visible event not seen

Model synopsis: A group of men in military uniforms and helmets are shown outdoors in a wooded area, discussing a scenario where one character is declared 'dead' during maneuvers. The dialogue references a General Rosewater and a 'White Armour' unit, with one character insisting he cannot speak because he is 'dead' but is then told to get up because he was hit with flour.

  • Men in military gear stand in a wooded area. [frame:1]
  • One man gestures while speaking to another. [frame:2]
  • A man kneels beside the central figure. [frame:3]
  • 1 more under Evidence and details.

Named: General Rosewater (t:52:53). 4 people observed.

“General Rosewater.” 52:53 · “Look, I'm dead and I can't say a thing.” 53:04

Flagged: visible event not seen (A man kneels beside the central figure.)

Evidence, details and a link to share

Sequence 143 from 53:43

Frame at 53:47, shot 64553:47Frame at 53:53, shot 64653:53Frame at 53:59, shot 64853:59Frame at 54:01, shot 64954:01
4 of 5 shots sampled

257. Living room

53:43–54:01 Machine checks passed (partial)

Model synopsis: Two women are in a dimly lit interior room; one is seated and holding a glass, the other stands nearby. The scene cuts to an outdoor battlefield with smoke and soldiers in trenches.

  • A woman in a headscarf holds a glass while seated. [frame:1]
  • The standing woman gestures toward the seated woman. [frame:2]
  • A battlefield scene with smoke and a vehicle in the distance. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Don be a letter writing that his invention was stolen.” 53:43 · “Be a take, innit?” 53:47

Evidence, details and a link to share

Sequence 144 from 54:01

Frame at 54:05, shot 65054:05Frame at 54:14, shot 65154:14
2 of 2 shots sampled

258. Forest

54:01–54:18 Machine checks passed

Model synopsis: Two men stand in a wooded area; one in front wears a helmet and vest, the other behind wears a hat and uniform. The transcript indicates a conversation about military service and not taking someone up a knob to avoid trouble.

2 people observed.

“I near did be forgetting. I can't take you up on the knob. Why not?” 54:05 · “You still a revenue or inside. Oh, but things are different now. I'm in the army. If I be taking you up, you'd be knowing the way and come…” 54:09

Evidence, details and a link to share

Frame at 54:22, shot 65254:22Frame at 54:30, shot 65354:30Frame at 54:37, shot 65454:37
3 of 3 shots sampled

259. Forest

54:18–54:40 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms stand in a wooded area; one speaks of taking the other to a hilltop in exchange for freeing friends and breaking a still. The dialogue references a General and a deal involving Saul and the boys.

  • Two men in military-style uniforms are positioned in a wooded area, one behind the other. [frame:1]
  • The standing man gestures slightly while speaking to the seated man. [frame:2]
  • The men remain in position, with the standing man looking forward. [frame:3]

2 people observed.

“You want the general to win, don't you? Sure, he's my friend. Well, the general can't win unless he gets to the top of that hill.” 54:18 · “I was thinking of Saul and the boys. Look, I'll make your proposition. Take me to the top of that hill. I'll let all your friends go free.” 54:26

Evidence, details and a link to share

Sequence 145 from 54:40

Sequence 146 from 54:45

Frame at 54:46, shot 65654:46
1 of 1 shots sampled

261. Forest

54:45–54:47 Machine checks passed (partial)

Model synopsis: A man in a hat crouches behind a rock in a wooded area. No dialogue or on-screen text is present in this beat.

  • A man crouches behind a large rock in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 54:48, shot 65754:48Frame at 54:49, shot 65854:49
2 of 2 shots sampled

262. Forest

54:47–54:50 Machine checks passed

Model synopsis: Two men in hats are positioned behind barrels in a wooded area; one aims a rifle. A third man with a long beard crouches beside a rock nearby. No dialogue is present in this beat.

3 people observed.

Evidence, details and a link to share

Frame at 54:51, shot 65954:51
1 of 1 shots sampled

263. Forest

54:50–54:51 Machine checks passed

Model synopsis: Two men in hats stand behind wooden barrels in a wooded area. One man holds a rifle over his shoulder while the other looks forward; no dialogue is present.

2 people observed.

Evidence, details and a link to share

Frame at 54:56, shot 66054:56Frame at 55:02, shot 66155:02Frame at 55:05, shot 66255:05
3 of 3 shots sampled

264. Forest

54:51–55:06 Machine checks passed (partial)

Model synopsis: Two men in helmets are seen behind a rock, followed by two men with rifles standing near barrels in a wooded area. A character named Don is questioned about wax bullets and bees eating concrete.

  • Two men in helmets are visible behind a rock. [frame:1]
  • The bald man turns his head while still behind the rock. [frame:2]
  • Two men with rifles stand near barrels in the woods. [frame:3]

Named: Don (t:54:53). 4 people observed.

“Yeah.” 54:52 · “That was close. Ain't you been there telling me all the time them was wax raffle balls they'd been using? What's your fear, Don?” 54:53

Evidence, details and a link to share

Frame at 55:10, shot 66355:10Frame at 55:18, shot 66455:18Frame at 55:24, shot 66555:24Frame at 55:25, shot 66655:25
4 of 4 shots sampled

265. Battlefield

55:06–55:25 Machine checks passed (partial)

Model synopsis: Two men in helmets are seen behind a rock or earthwork, speaking about being mistaken for revenuers and under fire. One man urges the other to use his connection to a general to get them to safety. A vehicle is shown moving away in dust.

  • Two men in helmets crouch behind a rock or earthwork. [frame:1]
  • One man speaks while the other looks on. [frame:2]
  • The man on the right gestures while speaking. [frame:3]
  • 1 more under Evidence and details.

Named: General (t:55:19). 2 people observed.

“Then I be in Saul and the boys are shooting at us.” 55:07 · “They think we're revenuers.” 55:10

Evidence, details and a link to share

Frame at 55:29, shot 66755:29Frame at 55:35, shot 66855:35
2 of 2 shots sampled

266. Forest

55:25–55:37 Machine checks passed (partial)

Model synopsis: Two soldiers in helmets are visible behind a rock in a wooded area. One speaks to the other, telling him to come over, while the other responds with a command to put over.

  • Two soldiers are seen behind a rock in a wooded area. [frame:1]

2 people observed.

“Ain't nobody what can get up there wearing khaki breeches. Oh, come here.” 55:30 · “- Come on, put over.” 55:36

Evidence, details and a link to share

Sequence 147 from 55:37

Frame at 55:38, shot 66955:38
1 of 1 shots sampled

267. Forest

55:37–55:40 Machine checks passed (partial)

Model synopsis: A group of soldiers runs through a wooded area. No dialogue or on-screen text is present in this beat.

  • Soldiers run through a forested area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 148 from 55:40

Frame at 55:42, shot 67055:42
1 of 1 shots sampled

268. Forest

55:40–55:43 Machine checks passed

Model synopsis: A soldier is seen from behind, crouched behind a wooden barricade in a wooded area with smoke or mist in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 149 from 55:43

Frame at 55:44, shot 67155:44
1 of 1 shots sampled

269. Forest

55:43–55:45 Machine checks passed

Model synopsis: Two men are visible in a wooded outdoor setting, one holding a rifle and standing behind barrels. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 55:47, shot 67255:47Frame at 55:50, shot 67355:50
2 of 2 shots sampled

270. Forest

55:45–55:51 Machine checks passed (partial)

Model synopsis: Two soldiers in uniform discuss a military objective near barrels in a wooded area. One soldier is giving orders about capturing a location called Knob Elbow before the opposing force does.

  • A soldier in uniform speaks to another soldier in a forest setting. [frame:1]
  • A man with a rifle stands behind barrels in a wooded area. [frame:2]

3 people observed.

“Tell your men the Blue Army's objective is to capture Knob Elbow before the White Army occupies it.” 55:45

Evidence, details and a link to share

Frame at 56:03, shot 67556:03Frame at 56:11, shot 67656:11Frame at 56:19, shot 67756:19Frame at 56:24, shot 67856:24
4 of 4 shots sampled

272. Forest

55:59–56:26 Machine checks passed (partial)

Model synopsis: Three men in hats stand near wooden barrels in a wooded area; one wears a polka-dot shirt. They discuss soldiers and revenuers, with one man claiming soldiers are shooting at revenuers with blue rags on their arms.

  • Three men stand near barrels in a wooded area. [frame:1]
  • The man in the polka-dot shirt gestures toward the barrels. [frame:2]
  • The man in the polka-dot shirt speaks to the man in the light shirt. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Follows of fiery ship, they scum. Can't you see it's me?” 56:01 · “What do you mean bring them revenues up here? Them ain't revenues, them's new United States soldiers. They still be given that men.” 56:04

Evidence, details and a link to share

Frame at 56:27, shot 67956:27Frame at 56:36, shot 68156:36Frame at 56:40, shot 68256:40Frame at 56:54, shot 68456:54
4 of 6 shots sampled

273. Forest

56:26–56:55 Machine checks passed

Model synopsis: A group of men in rural attire gather around wooden barrels in a wooded area, discussing blue rags and rifle balls. One man claims another has changed character and agrees to help with the blue rags.

4 people observed.

“Sure's a mess of them blue rags.” 56:28 · “Fetching up a heap of rifle balls and fancy shooting horns. I'd be a knowin' he's a revenueer.” 56:38

Evidence, details and a link to share

Sequence 150 from 56:55

Frame at 56:59, shot 68556:59Frame at 57:06, shot 68657:06Frame at 57:10, shot 68757:10Frame at 57:15, shot 68857:15
4 of 4 shots sampled

274. Kitchen

56:55–57:18 Machine checks passed (partial)

Model synopsis: Two women sit at a table in a dimly lit interior, one wearing a headscarf and the other with curled hair; they converse while holding cups. One woman promises to reveal a secret if the other agrees not to tell Snuffy, who is mentioned but not shown.

  • Two women sit at a table with cups. [frame:1]
  • The woman in the headscarf speaks to the other woman. [frame:2]
  • The woman with curled hair looks away thoughtfully. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Don be a letter telling that.” 56:55 · “He'd be a-talking to and a-feeding Mr. Carson” 57:01

Evidence, details and a link to share

Sequence 151 from 57:18

Sequence 152 from 57:29

Frame at 57:30, shot 69157:30
1 of 1 shots sampled

276. Other

57:29–57:31 Machine checks passed

Model synopsis: A woman with dark curly hair and a light dress is shown in a close-up. The setting is dimly lit and indistinct, with no visible objects or text.

1 person observed.

Evidence, details and a link to share

Sequence 153 from 57:31

Frame at 57:32, shot 69257:32
1 of 1 shots sampled

277. Other

57:31–57:34 Machine checks passed

Model synopsis: A dog is visible in a dimly lit interior space. No people, dialogue, or on-screen text are present in the frames or transcript for this beat.

Evidence, details and a link to share

Sequence 154 from 57:34

Frame at 57:34, shot 69357:34Frame at 57:37, shot 69457:37Frame at 57:49, shot 69657:49Frame at 57:53, shot 69757:53
4 of 5 shots sampled

278. Other

57:34–57:55 Machine checks passed (partial)

Model synopsis: A woman reacts to an off-screen event while two other women and a man in uniform stand near a stone wall; dialogue references Snuffy Smith, a General, and a range finder. The scene appears to be set indoors with dim lighting and period costumes.

  • A woman looks off-screen with a startled expression. [frame:2]
  • Two women stand with their backs to the camera near a stone wall. [frame:3]
  • A man in uniform speaks to a woman while holding an object. [frame:4]

4 people observed.

“What?” 57:35 · “Devil!” 57:38

Evidence, details and a link to share

Frame at 57:56, shot 69857:56Frame at 57:57, shot 69957:57
2 of 2 shots sampled

279. Kitchen

57:55–57:58 Machine checks passed (partial)

Model synopsis: Two women and a man are shown in a rustic interior with kitchen tools on the wall; one woman hands an object to the man. No dialogue or on-screen text is present in this beat.

  • A woman hands a small object to a man. [frame:2]

3 people observed.

Evidence, details and a link to share

Frame at 57:59, shot 70057:59Frame at 58:05, shot 70258:05Frame at 58:08, shot 70358:08Frame at 58:16, shot 70558:16
4 of 6 shots sampled

280. Kitchen

57:58–58:19 Machine checks passed (partial)

Model synopsis: Two women and a man are in a stone-walled room; one woman holds a stick-like object and speaks to the man, who appears to be confronting them. The dialogue includes exclamations and threats, suggesting a tense confrontation.

  • A woman holds a stick-like object and speaks to another woman. [frame:1]
  • The woman with the stick-like object gestures toward the man. [frame:2]
  • The man confronts the two women while holding a stick-like object. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Miss Carson!” 57:58 · “- Feel me. - Oh, God. - What is this? - I told you there was a dog.” 57:59

Evidence, details and a link to share

Sequence 155 from 58:19

Frame at 58:20, shot 70658:20
1 of 1 shots sampled

281. Forest

58:19–58:22 Machine checks passed

Model synopsis: A single frame shows a forest with tall trees and undergrowth; a partially visible vehicle is in the left foreground. No people, dialogue, or on-screen text are present in this beat.

Evidence, details and a link to share

Frame at 58:22, shot 70758:22
1 of 1 shots sampled

282. Forest

58:22–58:23 Machine checks passed (partial)

Model synopsis: A military vehicle is shown in a forested area with smoke rising, suggesting recent or ongoing action. No people are clearly visible, and no dialogue or on-screen text is present in this beat.

  • A military vehicle is positioned in a forest with smoke rising nearby. [frame:1]

Evidence, details and a link to share

Sequence 156 from 58:23

Frame at 58:24, shot 70858:24
1 of 1 shots sampled

283. Forest

58:23–58:25 Machine checks passed (partial)

Model synopsis: A group of soldiers and civilians are gathered outdoors in a wooded area. One soldier is kneeling while others stand, and a transcript line mentions 'Age 2600'.

  • A group of soldiers and civilians are standing and kneeling in a wooded area. [frame:1]

5 people observed.

“Age 2600.” 58:23

Evidence, details and a link to share

Sequence 157 from 58:25

Sequence 158 from 58:26

Frame at 58:27, shot 71058:27
1 of 1 shots sampled

285. Forest

58:26–58:27 Machine checks passed

Model synopsis: A group of men in period military-style uniforms and hats stand and crouch in a wooded outdoor area. One man holds a rifle while others appear to be observing or waiting.

5 people observed.

Evidence, details and a link to share

Frame at 58:28, shot 71158:28
1 of 1 shots sampled

286. Forest

58:27–58:28 Machine checks passed

Model synopsis: A group of soldiers in uniform are gathered in a wooded outdoor area, some standing and some crouching near a smoking object. No dialogue or on-screen text is present in this beat.

6 people observed.

Evidence, details and a link to share

Sequence 159 from 58:28

Frame at 58:29, shot 71258:29
1 of 1 shots sampled

287. Forest

58:28–58:30 Machine checks passed

Model synopsis: A cloud of smoke or dust obscures the lower part of a tree-lined outdoor scene. No people, objects, or text are visible in the single frame.

Evidence, details and a link to share

Sequence 160 from 58:30

Frame at 58:31, shot 71358:31Frame at 58:36, shot 71658:36Frame at 58:38, shot 71858:38Frame at 58:44, shot 72158:44
4 of 9 shots sampled

288. Forest

58:30–58:46 Machine checks passed (partial)

Model synopsis: Two soldiers in uniform are shown in conversation outdoors, with one holding a rifle. A wider shot reveals a group of soldiers in a wooded area with equipment, including a barrel and a mounted weapon. The transcript indicates a missed shot and a range of 2100, suggesting a shooting exercise or combat scenario.

  • Two soldiers stand facing each other in conversation. [frame:1]
  • A group of soldiers is gathered in a wooded area with equipment. [frame:3]

3 people observed.

“You missed, Sergeant.” 58:31 · “Range 2100.” 58:34

Evidence, details and a link to share

Frame at 58:47, shot 72258:47
1 of 1 shots sampled

289. Field

58:46–58:47 Machine checks passed (partial)

Model synopsis: A group of soldiers operates an artillery piece outdoors near trees. Smoke rises from the cannon after firing.

  • Soldiers fire an artillery cannon, producing smoke. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 161 from 58:47

Frame at 58:48, shot 72358:48
1 of 1 shots sampled

290. Battlefield

58:47–58:49 Machine checks passed (partial)

Model synopsis: A battlefield scene shows multiple tanks in a field with smoke rising, suggesting recent combat. No people are visible, and no dialogue or on-screen text is present.

  • Tanks are positioned in a field with smoke rising in the background. [frame:1]

Evidence, details and a link to share

Frame at 58:50, shot 72458:50
1 of 1 shots sampled

291. Forest

58:49–58:50 Machine checks passed

Model synopsis: A cannon fires in a wooded area, producing a large cloud of smoke. No people are clearly visible, and no dialogue is present in this beat.

  • A cannon fires, producing a large cloud of smoke. [frame:1]

Evidence, details and a link to share

Sequence 162 from 58:50

Frame at 58:51, shot 72558:51
1 of 1 shots sampled

292. Battlefield

58:50–58:52 Machine checks passed (partial)

Model synopsis: A tank marked 'USA' and '30351' moves through smoke. No people are visible or audible, and no location or time is established.

  • A tank moves through smoke. [frame:1]

Evidence, details and a link to share

Sequence 163 from 58:52

Frame at 58:53, shot 72658:53
1 of 1 shots sampled

293. Forest

58:52–58:53 Machine checks passed

Model synopsis: Two men in military-style uniforms stand outdoors, each using binoculars. The background consists of dense foliage, suggesting a natural setting.

2 people observed.

Evidence, details and a link to share

Sequence 164 from 58:53

Frame at 58:54, shot 72758:54
1 of 1 shots sampled

294. Forest

58:53–58:55 Machine checks passed

Model synopsis: A group of men in military-style uniforms stand outdoors, some using binoculars, while one man crouches in the foreground. The scene is lit by natural daylight and appears to be set in a wooded or rural area.

4 people observed.

Evidence, details and a link to share

Frame at 58:55, shot 72858:55
1 of 1 shots sampled

295. Forest

58:55–58:56 Machine checks passed

Model synopsis: A group of men in varied attire, including some in military-style helmets, stand in a wooded outdoor area. No dialogue or on-screen text is present in this beat.

6 people observed.

Evidence, details and a link to share

Frame at 58:57, shot 72958:57
1 of 1 shots sampled

296. Forest

58:56–58:58 Machine checks passed (partial)

Model synopsis: A group of men in light-colored uniforms stand outdoors, some raising binoculars to their eyes. One man is seated in the foreground with his back to the camera.

  • Several men raise binoculars to their eyes. [frame:1]

5 people observed.

Evidence, details and a link to share

Frame at 59:01, shot 73059:01Frame at 59:05, shot 73159:05Frame at 59:15, shot 73359:15Frame at 59:17, shot 73459:17
4 of 5 shots sampled

297. Forest

58:58–59:17 Machine checks passed (partial)

Model synopsis: Two soldiers are shown in a forested area with one speaking to another; an airplane flies overhead while other soldiers move through the woods and take cover. One soldier is seen writing near a tree root while another is visible nearby.

  • Two soldiers stand facing each other in a forested area. [frame:1]
  • An airplane flies overhead against a bright sky. [frame:2]
  • Soldiers move through a forest with rifles, some running, some taking cover. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“You missed, Sergeant.” 59:00 · “Oh, my God.” 59:01

Evidence, details and a link to share

Frame at 59:21, shot 73559:21
1 of 1 shots sampled

298. Forest

59:17–59:25 Machine checks passed (partial)

Model synopsis: Two men in hats are crouched outdoors near rocks and foliage; one speaks to the other, urging him to dance. The scene is shot in black and white with natural lighting and appears to be set in a rugged, wooded area.

  • Two men are crouched near rocks and foliage, interacting. [frame:1]

2 people observed.

“You're dancing.” 59:19 · “Come on.” 59:21

Evidence, details and a link to share

Frame at 59:29, shot 73659:29Frame at 59:36, shot 73859:36Frame at 59:39, shot 74159:39Frame at 59:46, shot 74359:46
4 of 8 shots sampled

299. Forest

59:25–59:50 Machine checks passed (partial)

Model synopsis: Soldiers are shown in a wooded outdoor area during what appears to be a combat situation; one frame shows a tank emitting smoke. Dialogue includes repeated exclamations of 'You're dead' and a reaction of shock.

  • Soldiers are gathered around a bright light source in a wooded area. [frame:1]
  • Soldiers are moving across a grassy field with trees in the background. [frame:2]
  • A tank is emitting thick black smoke in a field. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“You're dead.” 59:25 · “You're dead.” 59:29

Evidence, details and a link to share

Frame at 59:51, shot 74459:51Frame at 59:54, shot 74659:54Frame at 1:00:01, shot 7471:00:01Frame at 1:00:14, shot 7491:00:14
4 of 6 shots sampled

300. Field

59:50–1:00:18 Machine checks passed (partial)

Model synopsis: Two soldiers are shown crouching near bushes, then an explosion occurs in a field, followed by a soldier sitting alone, and finally three people stand near a wooden barrier in a wooded area. The transcript includes fragmented phrases such as "One suicide" and "I'm going to go."

  • Two soldiers crouch near bushes. [frame:1]
  • An explosion erupts in a field with smoke and debris. [frame:2]
  • A soldier sits alone near tree roots. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

“One suicide.” 60:03 · “I'm going to go.” 60:06

Evidence, details and a link to share

Sequence 165 from 1:00:18

Frame at 1:00:19, shot 7501:00:19Frame at 1:00:25, shot 7521:00:25Frame at 1:00:36, shot 7541:00:36Frame at 1:00:43, shot 7561:00:43
4 of 7 shots sampled

301. Forest

1:00:18–1:00:45 Machine checks passed

Model synopsis: A group of people, including a man in a military-style uniform and a woman holding a rifle, stand near a wooden fence in a wooded area. Dialogue suggests a comedic confrontation involving ghosts and an invention, with one character claiming to be dead.

Named: Snuffy Bee (t:60:19). 5 people observed.

“If you tell me who am I, Snuffy Bee,” 60:19 · “Sorry, madam, but I'm dead.” 60:21

Evidence, details and a link to share

Frame at 1:00:46, shot 7571:00:46
1 of 1 shots sampled

302. Forest

1:00:45–1:00:47 Machine checks passed

Model synopsis: A group of soldiers in helmets and uniforms are gathered in a wooded area, some looking through binoculars. One soldier holds a drum-like object while others stand or crouch nearby.

5 people observed.

Evidence, details and a link to share

Sequence 166 from 1:00:47

Frame at 1:00:49, shot 7581:00:49
1 of 1 shots sampled

303. Road

1:00:47–1:00:50 Machine checks passed

Model synopsis: A cloud of dust and smoke erupts from a brushy area beside a dirt road. No people or vehicles are visible in the frame.

  • A cloud of dust and smoke erupts from the brush beside a dirt road. [frame:1]

Evidence, details and a link to share

Sequence 167 from 1:00:50

Frame at 1:00:51, shot 7591:00:51
1 of 1 shots sampled

304. Forest

1:00:50–1:00:51 Machine checks passed

Model synopsis: A group of soldiers in uniform are gathered in a wooded area; one uses binoculars while others stand nearby. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Frame at 1:00:52, shot 7601:00:52Frame at 1:00:54, shot 7611:00:54
2 of 2 shots sampled

305. Field

1:00:51–1:00:54 Machine checks passed (partial)

Model synopsis: Military vehicles move across a field while soldiers in helmets observe from behind cover. No dialogue or on-screen text is present in this beat.

  • Military vehicles are seen moving across a field. [frame:1]
  • Soldiers in helmets observe from behind foliage and rocks. [frame:2]

4 people observed.

Evidence, details and a link to share

Sequence 168 from 1:00:54

Frame at 1:00:55, shot 7621:00:55
1 of 1 shots sampled

306. Field

1:00:54–1:00:55 Machine checks passed

Model synopsis: A tank is visible on a dusty field with smoke or dust obscuring the background. No people, dialogue, or on-screen text are visible in the single frame.

  • A tank is present on a dusty field with smoke or dust in the air. [frame:1]

Evidence, details and a link to share

Frame at 1:00:56, shot 7631:00:56
1 of 1 shots sampled

307. Forest

1:00:55–1:00:56 Machine checks passed

Model synopsis: A single frame shows a misty outdoor scene with trees and indistinct shapes in the foreground. No people, objects, or text are clearly visible, and no events are depicted.

Evidence, details and a link to share

Sequence 169 from 1:00:56

Frame at 1:00:57, shot 7641:00:57
1 of 1 shots sampled

308. Battlefield

1:00:56–1:00:58 Machine checks passed (partial)

Model synopsis: Two soldiers run across a smoky battlefield with weapons; a tank is visible in the background. No dialogue or on-screen text is present in this beat.

  • Two soldiers run across a smoky battlefield [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 170 from 1:00:58

Frame at 1:01:02, shot 7651:01:02Frame at 1:01:09, shot 7661:01:09
2 of 2 shots sampled

309. Forest

1:00:58–1:01:11 Machine checks passed (partial)

Model synopsis: A group of men in military uniforms stand outdoors among trees; one man gestures while speaking. Dialogue includes complaints about umpires and comments on a game with only two hits.

  • A man in uniform points left while standing among others. [frame:1]
  • Group remains standing in forest, no major movement. [frame:2]

6 people observed.

“Where are you?” 60:58 · “I'm going to go.” 60:59

Evidence, details and a link to share

Frame at 1:01:12, shot 7671:01:12Frame at 1:01:16, shot 7681:01:16Frame at 1:01:20, shot 7691:01:20Frame at 1:01:22, shot 7701:01:22
4 of 4 shots sampled

310. Forest

1:01:11–1:01:24 Machine checks passed (partial)

Model synopsis: A man in military-style gear kneels by a rifle near a tree while others stand near barrels; dialogue suggests a confrontation over a gun. No named characters are identified in the transcript.

  • A man in military gear kneels beside a rifle near a tree. [frame:1]
  • Three men stand near barrels in a wooded area. [frame:2]
  • The kneeling man looks up while holding a rifle. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“This your army gun ain't no way.” 61:14 · “I'd put a beat on them and they ain't a fool.” 61:15

Evidence, details and a link to share

Frame at 1:01:27, shot 7711:01:27Frame at 1:01:35, shot 7751:01:35Frame at 1:01:50, shot 7801:01:50Frame at 1:01:55, shot 7841:01:55
4 of 14 shots sampled

311. Battlefield

1:01:24–1:01:56 Machine checks passed (partial)

Model synopsis: A soldier in a helmet points at a tree while others run through smoke and fire in an open field; artillery fires as troops advance. No names are spoken, and the setting is a battlefield with no visible interior or time-of-day indicators.

  • A soldier points at a tree. [frame:1]
  • An explosion occurs in an open field. [frame:2]
  • Soldiers run through smoke. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Hey, this ain't no place” 61:36 · “Somebody run! Hey, Jepton, try it for him! You don't want to ask him! Look out of the way! Get him, Jepton!” 61:41

Evidence, details and a link to share

Frame at 1:01:56, shot 7851:01:56Frame at 1:02:04, shot 7891:02:04Frame at 1:02:09, shot 7921:02:09Frame at 1:02:14, shot 7961:02:14
4 of 12 shots sampled

312. Battlefield

1:01:56–1:02:15 Machine checks passed (partial)

Model synopsis: A group of soldiers is shown operating artillery in a wooded area, followed by shots of tanks moving through water and smoke. A close-up shows hands loading a shell into a cannon. The transcript includes brief exclamations and affirmations during the action.

  • Soldiers operate artillery in a wooded area with smoke rising. [frame:1]
  • Tanks move through water, partially obscured by motion blur. [frame:2]
  • Tanks are seen from above, surrounded by smoke and water. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“No.” 61:59 · “Correct hit.” 61:59

Evidence, details and a link to share

Frame at 1:02:16, shot 7971:02:16Frame at 1:02:19, shot 8001:02:19Frame at 1:02:24, shot 8031:02:24Frame at 1:02:30, shot 8061:02:30
4 of 10 shots sampled

313. Forest

1:02:15–1:02:31 Machine checks flagged: visible event not seen

Model synopsis: Two men with binoculars observe from a wooded area; a group gathers around a machine gun; officers consult a map near a tent. No names are spoken, and no time of day or period is established.

  • Two men raise binoculars to their eyes. [frame:1]
  • A close-up shows a machine gun barrel with a white object inserted. [frame:2]
  • A group of soldiers and a woman stand and sit around a machine gun in a wooded area. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“I'm going to go.” 62:16 · “I'm going to go.” 62:19

Flagged: visible event not seen (?); visible event not seen (?)

Evidence, details and a link to share

Frame at 1:02:35, shot 8071:02:35Frame at 1:02:39, shot 8081:02:39
2 of 2 shots sampled

314. Forest

1:02:31–1:02:40 Machine checks passed (partial)

Model synopsis: Soldiers in uniform are gathered around a large artillery piece in a wooded outdoor setting; one soldier operates the weapon while others observe. A voice states that the Blue Army headquarters has been disabled and comments on the effectiveness of the device.

  • Soldiers are gathered around an artillery piece in a forest. [frame:1]
  • A soldier aims the artillery while another observes closely. [frame:2]

4 people observed.

“You just put the entire Blue Army headquarters out of action.” 62:31 · “Boy, this thing sure works. Yeah, I know it would.” 62:35

Evidence, details and a link to share

Sequence 171 from 1:02:40

Frame at 1:02:40, shot 8091:02:40
1 of 1 shots sampled

315. Other

1:02:40–1:02:40 Machine checks passed

Model synopsis: A single frame shows a blurry, dark, and indistinct image with no identifiable place, people, or objects. No transcript lines are provided for this beat.

Evidence, details and a link to share

Frame at 1:02:41, shot 8101:02:41
1 of 1 shots sampled

316. Other

1:02:40–1:02:41 Machine checks passed

Model synopsis: A single frame shows a dense, dark cloud of smoke or dust obscuring most of the scene. No people, objects, or readable text are visible.

Evidence, details and a link to share

Sequence 172 from 1:02:41

Frame at 1:02:42, shot 8111:02:42
1 of 1 shots sampled

317. Dirt road through wooded area

1:02:41–1:02:43 Machine checks passed (partial)

Model synopsis: Two military vehicles move on a dirt road through a wooded area, kicking up dust. No people are visible, and no dialogue or on-screen text is present.

  • Two military vehicles drive along a dirt road, raising dust. [frame:1]

Evidence, details and a link to share

Sequence 173 from 1:02:43

Frame at 1:02:44, shot 8121:02:44
1 of 1 shots sampled

318. Sky

1:02:43–1:02:45 Machine checks passed (partial)

Model synopsis: Two propeller aircraft fly in formation against a clear sky. No people, dialogue, or ground features are visible.

  • Two aircraft fly in formation. [frame:1]

Evidence, details and a link to share

Sequence 174 from 1:02:45

Frame at 1:02:49, shot 8131:02:49Frame at 1:02:57, shot 8151:02:57Frame at 1:03:02, shot 8171:03:02Frame at 1:03:04, shot 8191:03:04
4 of 7 shots sampled

319. Forest

1:02:45–1:03:05 Machine checks passed (partial)

Model synopsis: A group of people in a wooded area react to an event; one person holds a white object to their face while others gather around equipment. A hand inserts a paper into a cylindrical device.

  • A person holds a white object to their face. [frame:1]
  • A group of people stand around equipment in a wooded area. [frame:2]
  • The group remains gathered, some looking upward. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I think they're dead.” 62:51 · “Come on, let's try something hard. What? Who's looking?” 62:54

Evidence, details and a link to share

Frame at 1:03:05, shot 8201:03:05
1 of 1 shots sampled

320. Forest

1:03:05–1:03:06 Machine checks passed (partial)

Model synopsis: A group of people stands in a wooded outdoor area with smoke rising; one person holds a rifle. No dialogue or on-screen text is present in this beat.

  • A group of people stands in a wooded area with smoke rising near a rifle. [frame:1]

5 people observed.

Evidence, details and a link to share

Sequence 175 from 1:03:06

Frame at 1:03:06, shot 8211:03:06
1 of 1 shots sampled

321. Sky

1:03:06–1:03:07 Machine checks passed (partial)

Model synopsis: A formation of four propeller-driven aircraft flies in the sky. The scene is shot from a low angle, showing the planes against a cloudy sky.

  • Four aircraft fly in formation. [frame:1]

Evidence, details and a link to share

Sequence 176 from 1:03:07

Frame at 1:03:07, shot 8221:03:07
1 of 1 shots sampled

322. Sky

1:03:07–1:03:08 Machine checks passed (partial)

Model synopsis: A single aircraft flies through clouds in a black-and-white shot. No people, dialogue, or on-screen text are visible in this beat.

  • An airplane is flying through clouds. [frame:1]

Evidence, details and a link to share

Sequence 177 from 1:03:08

Frame at 1:03:11, shot 8231:03:11Frame at 1:03:16, shot 8241:03:16Frame at 1:03:20, shot 8251:03:20Frame at 1:03:23, shot 8261:03:23
4 of 4 shots sampled

323. Forest

1:03:08–1:03:24 Machine checks passed (partial)

Model synopsis: A group of soldiers and civilians are gathered in a wooded outdoor area; one man is on the phone while another confronts a general. A woman in a light dress runs toward the group as others watch.

  • A group of soldiers and civilians stand in a wooded area. [frame:1]
  • A man in uniform sits at a table, holding a phone to his ear. [frame:2]
  • A woman in a light dress runs toward the group. [frame:3]
  • 1 more under Evidence and details.

8 people observed.

“Direct here.” 63:10 · “Chief umpire declares armistice to reorganize Blue Army due to accuracy of artillery fire from Nau Bell Bowl.” 63:13

Evidence, details and a link to share

Frame at 1:03:25, shot 8271:03:25Frame at 1:03:34, shot 8291:03:34Frame at 1:03:37, shot 8311:03:37Frame at 1:03:40, shot 8331:03:40
4 of 7 shots sampled

324. Forest

1:03:24–1:03:41 Machine checks passed (partial)

Model synopsis: Four people stand in a wooded outdoor area; one man speaks while another holds a rifle. A line is spoken about taking khaki breeches and ordering someone away.

  • A man in uniform speaks while holding a rifle. [frame:1]
  • A man in a hat and shirt gestures while speaking. [frame:2]
  • A woman in a head covering holds a rifle and looks surprised. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“- Why, Wheezy? - He be helping me bring in these two filth combs.” 63:26 · “He'll be trying to take my khaki breeches.” 63:32

Evidence, details and a link to share

Frame at 1:03:42, shot 8341:03:42
1 of 1 shots sampled

325. Forest

1:03:41–1:03:42 Machine checks passed

Model synopsis: A group of men in military-style uniforms stand in a wooded outdoor area. One man holds a rifle while others appear to be conversing or observing.

4 people observed.

Evidence, details and a link to share

Sequence 178 from 1:03:42

Frame at 1:03:44, shot 8351:03:44
1 of 1 shots sampled

326. Forest

1:03:42–1:03:45 Machine checks passed (partial)

Model synopsis: A person in a hooded coat holds a rifle in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person in a hooded coat holds a rifle and looks upward. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 179 from 1:03:45

Sequence 180 from 1:03:50

Frame at 1:03:51, shot 8371:03:51
1 of 1 shots sampled

328. Forest

1:03:50–1:03:52 Machine checks passed

Model synopsis: A woman in a long dress and headscarf stands outdoors in a wooded area, smiling broadly. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 181 from 1:03:52

Frame at 1:03:53, shot 8381:03:53
1 of 1 shots sampled

329. Forest

1:03:52–1:03:54 Machine checks passed

Model synopsis: Two men in military-style uniforms stand outdoors in a wooded area. One man holds a pistol at his side while both face each other in conversation.

2 people observed.

Evidence, details and a link to share

Frame at 1:03:57, shot 8391:03:57Frame at 1:04:04, shot 8401:04:04
2 of 2 shots sampled

330. Forest

1:03:54–1:04:07 Machine checks passed (partial)

Model synopsis: A soldier in uniform kisses a woman in a forest setting; another soldier and a woman observe nearby. A voice thanks the soldier and mentions sending a report to the War Department.

  • A soldier kisses a woman. [frame:1]
  • Three people stand near a tree; one soldier faces another soldier and a woman. [frame:2]

Named: Rangefinder (t:64:00). 4 people observed.

“You're right about that, Rangefinder.” 64:00 · “Now send a complete report to the War Department.” 64:01

Evidence, details and a link to share

Frame at 1:04:09, shot 8411:04:09Frame at 1:04:11, shot 8421:04:11Frame at 1:04:20, shot 8441:04:20Frame at 1:04:28, shot 8451:04:28
4 of 5 shots sampled

331. Forest

1:04:07–1:04:32 Machine checks passed (partial)

Model synopsis: A man in a military-style uniform stands alone, then a group of three people — two men and a woman — are shown together outdoors. Dialogue references a flying machine at 3,200 feet and a 'sour thing' that aimed a gun.

  • A man in uniform stands alone with arms crossed. [frame:1]
  • The ground is shown, littered with small debris. [frame:2]
  • Three people — two men and a woman — stand together outdoors near a tree. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“How far up was that flying machine?” 64:15 · “3,200 feet.” 64:19

Evidence, details and a link to share

Frame at 1:04:35, shot 8461:04:35
1 of 1 shots sampled

332. Forest

1:04:32–1:04:37 Machine checks passed

Model synopsis: Three people stand outdoors near a tree: a man in a hat and vest, a woman in a dress, and a soldier in uniform. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 182 from 1:04:37

Sequence 183 from 1:04:51

Frame at 1:04:52, shot 8491:04:52
1 of 1 shots sampled

334. Other

1:04:51–1:04:53 Machine checks passed

Model synopsis: The frame shows a close-up of a rough, pockmarked surface resembling moon rock or cratered terrain. No people, objects, or text are visible, and no transcript is provided for this beat.

Evidence, details and a link to share

Sequence 184 from 1:04:53

Frame at 1:04:57, shot 8501:04:57
1 of 1 shots sampled

335. Forest

1:04:53–1:05:01 Machine checks passed (partial)

Model synopsis: Two men in military-style uniforms are in a wooded outdoor setting; one man gestures while speaking to the other. A mortar is visible on a tripod nearby.

  • One man gestures with his right arm while speaking to another man in uniform. [frame:1]
  • A mortar on a tripod is visible to the right of the two men. [frame:1]

2 people observed.

“Oh...” 64:54

Evidence, details and a link to share

Sequence 185 from 1:05:01

Frame at 1:05:02, shot 8511:05:02
1 of 1 shots sampled

336. Forest

1:05:01–1:05:03 Machine checks passed

Model synopsis: A woman in a long dress and headscarf stands outdoors among trees, smiling broadly. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 186 from 1:05:03

Frame at 1:05:04, shot 8521:05:04
1 of 1 shots sampled

337. Forest

1:05:03–1:05:05 Machine checks passed

Model synopsis: Two men stand in a wooded outdoor area; one holds a bucket and the other stands behind him with a rifle. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 1:05:06, shot 8531:05:06
1 of 1 shots sampled

338. Forest

1:05:05–1:05:06 Machine checks passed

Model synopsis: Two figures in military-style uniforms stand outdoors; one holds a bucket. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 187 from 1:05:06

Frame at 1:05:08, shot 8541:05:08
1 of 1 shots sampled

339. Other

1:05:06–1:05:10 Machine checks passed

Model synopsis: A wet dog is shown shaking water off its body in a single frame. No people, dialogue, or identifiable location are visible in this beat.

  • A wet dog shakes water from its body. [frame:1]

Evidence, details and a link to share

Sequence 188 from 1:05:10

Sequence 189 from 1:05:12

Frame at 1:05:15, shot 8561:05:15Frame at 1:05:18, shot 8571:05:18Frame at 1:05:22, shot 8581:05:22Frame at 1:05:31, shot 8591:05:31
4 of 4 shots sampled

341. Forest

1:05:12–1:05:36 Machine checks passed (partial)

Model synopsis: Two soldiers stand near artillery in a wooded area while a dog walks nearby; two aircraft fly overhead. The film ends with a cartoon-style 'THE END' title over a rural scene.

  • Two soldiers stand near artillery in a wooded area with a dog nearby. [frame:1]
  • Two aircraft fly in the sky. [frame:2]
  • Two soldiers stand together in the woods, one taller than the other. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“I'm going to go.” 65:15

Evidence, details and a link to share

Sequence 190 from 1:05:36

Frame at 1:05:41, shot 8601:05:41Frame at 1:05:49, shot 8611:05:49
2 of 2 shots sampled

342. Other

1:05:36–1:05:52 Machine checks passed

Model synopsis: The beat displays end credits over a static cartoon scene of a cabin and fence. No characters are visible or audible, and no events occur beyond the scrolling text.

Evidence, details and a link to share

Sequence 191 from 1:05:52

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 845 segments kept, 389 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:56 - Pa?
  2. 1:57 Why ain't you leaving one of them bees, Pat? What's that? He might settle on Hank and wake him.
  3. 2:04 He's lazy and a toe to hibernate.
  4. 2:07 He ain't lazy.
  5. 2:09 Just been laying so long, he's too tired to get up.
  6. 2:18 - Bobby, two of them.
  7. 2:40 Anybody got some tobacco wrappings?
  8. 2:48 There'll be some reading paper.
  9. 2:54 Why, there be that Bush, Hyden, Cooper, the ravenuer.
  10. 2:58 What do you mean, Cindy?
  11. 3:02 You're saying?
  12. 3:03 This...
  13. 3:04 This revenue...
  14. 3:06 I'm going to bust up all our stills.
  15. 3:08 That could be a duel in other places.
  16. 3:10 Well, I'm going to stick this up here where Snuffy can sit.
  17. 3:17 I always did want a hug stick of revenue.
  18. 3:25 Snuffy sure ain't giving them revenues no comfort.
  19. 3:31 Recollect the time he put a harness nest in Cooper's car, there was a sting in him and he was as speckled as a guinea pig. Them revenues are just a pining to get their hands on Snuffy.
  20. 3:42 You ain't needn't be afraid.
825 more segments
  1. 3:44 They's just shadow hunting when they's looking for Snuffy.
  2. 3:47 Because he'd be up there on the point of eagle eye in the mouth.
  3. 3:54 Oh.
  4. 3:57 What?
  5. 4:03 Mr. Carson.
  6. 4:05 Yeah, sure, discombuberatin'.
  7. 4:09 Come in here, chop-lickin', and it takin' my dream away.
  8. 4:13 Just when I was gonna shoot me that revenue.
  9. 4:23 *whistling*
  10. 4:27 *whistling*
  11. 4:28 recall
  12. 4:54 *sad music*
  13. 4:56 - Okay.
  14. 5:00 *pigging*
  15. 5:03 Hey, Wilson, Wilson, you hit me right in the face with that.
  16. 5:09 I'm sorry, Chief. You go first.
  17. 5:12 All right, all right.
  18. 5:13 Come on, now let's go.
  19. 5:17 Hey, Wilson.
  20. 5:19 A Wilson.
  21. 5:20 Good to hear it.
  22. 5:20 You know, you're a very nice guy and I like you very much and you're very polite. But if you hit me in the back with another branch again today, I'm going to break every bone in your body! Quiet, quiet.
  23. 5:32 They might hear us. Come on.
  24. 5:34 You've been trying to catch that little fella for months. What's the hurry now? Say, I gotta catch him today.
  25. 5:40 Uncle Sam wants me on another job tomorrow.
  26. 5:44 Coba, why do you hate that little mountaineer?
  27. 5:46 Now, look.
  28. 5:48 I don't hate them.
  29. 5:49 But I should.
  30. 5:51 He's been making a monkey out of me for months!
  31. 5:53 Not only that, but he's ruined my record with the boss.
  32. 5:56 Quiet.
  33. 6:01 Snuffy, don't be a throwing limb till you know you can't miss.
  34. 6:09 I hate to be a spiraling store bought clothes.
  35. 6:13 But I've got to stop that revenue.
  36. 6:25 They're shooting cats.
  37. 6:27 This is the last straw. Let 'em have it, boys!
  38. 6:32 *gunshot*
  39. 6:38 *Burps*
  40. 6:50 *gunshot*
  41. 7:15 *gunshot*
  42. 7:25 Hey!
  43. 7:30 Hey, Wilson! Wilson!
  44. 7:33 Hey!
  45. 7:34 What happened, boss? Oh, they ain't fighting fair. They're shooting hard way. Get this off my neck.
  46. 7:40 Get it off.
  47. 7:40 Get off.
  48. 7:42 Oh, God.
  49. 7:43 They're the only gun I ever seen who would kill them and bury them at the same time.
  50. 7:48 When that thing echoes, you sure gonna spoil a heap of timber.
  51. 7:52 Oh! Hey! Oh, you fucking...
  52. 8:13 Time's a-wasting!
  53. 8:17 "Floisi!"
  54. 8:21 Table of liberals!
  55. 8:45 Come on woman, quit stalling. What a rail in your paw, bees in your breeches? Revenures.
  56. 8:50 Did they catch the steel? No, the bodacious, it's one even in smelling range.
  57. 8:57 Well, I guess we lost him. What do we do now?
  58. 9:01 Oh, no, we haven't. We'll let Snuffy's dog take us to his cabin. Come on, boy. Come on.
  59. 9:08 Of course.
  60. 9:10 Maybe our parts and eating will ever know us too. Don't ever be forgetting.
  61. 9:14 They'll catch you.
  62. 9:19 Was there a traveling peddler here while I be going? No, they weren't.
  63. 9:26 Somebody here be smoking foreign tobacco. Old Tom L. B. Stunwell by.
  64. 9:32 Don Elby?
  65. 9:33 Why he come back?
  66. 9:35 He be a love-sicklin' for Cindy. Balls of fire. If old Saul ever catches Don Elvey a love-making to his Cindy, I'll be a killin'. Why don't they be callin' this feudal? That high, 1313.
  67. 9:50 Yeah, not counting the hogs.
  68. 9:52 And pork's going up.
  69. 10:05 This must be Snuffy's cabin.
  70. 10:08 Bye-bye.
  71. 10:09 I'm sorry Mr. Carson, but I couldn't wait. You're too slow. Here.
  72. 10:13 He's a nice piece of meat for you.
  73. 10:17 *crickets*
  74. 10:18 Now, easy.
  75. 10:19 Ain't one thing that'll take a man and a dog's appetite away.
  76. 10:24 but a revenue
  77. 10:25 You wait here.
  78. 10:36 Why sluffy smell?
  79. 10:38 I wouldn't know it.
  80. 10:40 While we saw him today.
  81. 10:42 - Will you be seeing my snuffy? - Yeah.
  82. 10:44 Very well.
  83. 10:46 How does he look? - Horrible.
  84. 10:48 All right, quit your stalling.
  85. 10:49 Whose place is this?
  86. 10:50 Us hill folks always set an extra place for people what gets lost. Big seat in here, the bar.
  87. 10:58 No.
  88. 11:00 Come on, crawl out of there, Smith.
  89. 11:03 Hey, come on out or I'll start shooting.
  90. 11:07 Oh, you won't, huh?
  91. 11:11 Oh, he bit me!
  92. 11:17 He might bit you, but you ain't tasty.
  93. 11:27 Give me the slip!
  94. 11:28 There's a hole under the bed.
  95. 11:33 Well, he's not out here.
  96. 11:37 Oh, I just saw that corn shop move.
  97. 11:39 I know the liquor up here is potent, but don't tell me that the corn itself is strong enough to walk.
  98. 11:49 Don't tell me I didn't see it move that time.
  99. 12:05 Oh.
  100. 12:20 Gardenia.
  101. 12:29 *whistling*
  102. 12:32 Down, Elveth.
  103. 12:34 I sure be glad to see you.
  104. 12:37 But you had not to be coming here. I had to see it a day cause I have to be back at camp tonight.
  105. 12:43 Gosh, honey.
  106. 12:45 Pretty as a red bird.
  107. 12:46 Your plum scrumsh is too, Don.
  108. 12:50 General?
  109. 12:51 Nah, just a buck private, Cindy.
  110. 12:54 What's in love with you?
  111. 12:56 That's the way I'd be a-feeling, too.
  112. 12:59 I wish your pa favored me.
  113. 13:01 He won't be doing that till the fielding's over.
  114. 13:04 By the way, where is he?
  115. 13:06 I'd be a-leaving him a garden of liquor still.
  116. 13:10 One of them new revenue has been pestering round.
  117. 13:13 You suppose he'll feel different about us?
  118. 13:16 Now that I'm in the army?
  119. 13:17 Oh, Anakin, what you be a-doing?
  120. 13:20 If an he be seeing an LB,
  121. 13:21 And you're a nail be, he be a shootin'.
  122. 13:25 and maybe
  123. 13:27 but he can't keep me from loving you.
  124. 13:30 Be nice word-making.
  125. 13:32 If you don't see no of them.
  126. 13:34 powdered...
  127. 13:35 - City women.
  128. 13:38 What should be a heaven in the package?
  129. 13:42 Well that's the range finder that I made in technical school.
  130. 13:47 Oh, that you're weird looking.
  131. 13:50 What's it?
  132. 13:51 With this you can shoot a cannon as straight as you can a squirrel gun.
  133. 13:55 Why, you be a-tankin' it.
  134. 13:56 I'm taking it to the army.
  135. 13:58 And honey, when they buy it,
  136. 14:00 We'll get married.
  137. 14:01 And I'll bless you up like a...
  138. 14:03 - Peach tree and bloom. - Will ya?
  139. 14:06 Maybe a long time.
  140. 14:08 Uh...
  141. 14:09 That ain't no matter.
  142. 14:12 I'm...
  143. 14:13 Stella.
  144. 14:14 A hankering failure.
  145. 14:17 Are you?
  146. 14:36 Ra-ra-ra-ro-ro-ro-ro-ro-ro-ro
  147. 14:39 Mm-hmm.
  148. 14:41 me
  149. 14:43 Oh. Snuffy Smith. Bowls of fire since when you're becoming a revenue a revenue.
  150. 14:51 This is the Army uniform.
  151. 14:53 I thought you was another revenuer.
  152. 14:55 They'd be up at my cabin.
  153. 14:57 I'll be coming here to hide.
  154. 15:00 Hey.
  155. 15:02 Who would only be a feudin'?
  156. 15:05 There ain't been no Indians in these parts for more than 50 years. No, we're not fighting Indians.
  157. 15:10 I enlisted to help Uncle Sam.
  158. 15:12 Mm-hmm.
  159. 15:14 Mmm.
  160. 15:15 Gold buttons. I bet they'd be costing you a heap. Oh, no, the government gives them to you.
  161. 15:20 Ooh.
  162. 15:22 Ooh.
  163. 15:22 Cat with breeches too.
  164. 15:24 Yeah.
  165. 15:25 Any work in your heart?
  166. 15:27 Are you getting your vittles?
  167. 15:30 The government gives you all you can eat and they let you sleep all the time.
  168. 15:35 A place to beg?
  169. 15:36 good vetos,
  170. 15:38 gold buttons,
  171. 15:39 khaki breeches and...
  172. 15:44 And you're getting your smokings?
  173. 15:46 No, but they pay you 30 a month and you can buy them.
  174. 15:49 Snuffy.
  175. 15:50 I bet they'd be in needn't yet.
  176. 15:52 Oh, but they're still...
  177. 15:53 No.
  178. 15:54 So they're standing by.
  179. 15:57 I hope so. You'll be the first L.B. I ever see to live in Sol's cabin.
  180. 16:08 You ain't living long.
  181. 16:10 Be a lower in your gun Saul. Don are coming to take me to the army.
  182. 16:15 You be going alone because I'm sending him to the graveyard. Do you think I can do it? Time's wasting!
  183. 16:25 Come on.
  184. 16:28 Come on, get in, Snuffy. I'll drive you home.
  185. 16:31 No, I can't be going home.
  186. 16:34 Revenue was a guard in my house.
  187. 16:39 Who would you saw be a hard meow?
  188. 16:45 No? Still mad at me.
  189. 16:49 My bad gibbers!
  190. 16:50 I'm a join in the army with you.
  191. 17:01 Company dismissed.
  192. 17:07 Oh, you skunk.
  193. 17:15 You bodacious idiot.
  194. 17:17 I'll be a-bouncing a raffle ball off your pumpkin head.
  195. 17:21 Why can't I get in there?
  196. 17:22 Now look I've been telling you for a week I can't let you in this army camp.
  197. 17:27 Well, who do I have to see to get in there? Oh, go see the general. Well, I've been over there. Now, come on, get out of the way.
  198. 17:39 I'm going to go.
  199. 17:50 General Rosewater speaking.
  200. 17:52 Hi, General. Take a seat. I'm hearing you're needing some good shooting men for the Army. I'm being the best squirrel shooter in the United States. And me and old Tombstone will be a fight near war. And all I'm asking...
  201. 18:08 Eh, a place to bed.
  202. 18:10 Viddled?
  203. 18:11 Gold buttons?
  204. 18:13 $30 a month and khaki breeches. How did you get in here?
  205. 18:18 Come on, guys!
  206. 18:19 Sergeant of the guard, off to the knee!
  207. 18:26 Hey!
  208. 18:31 - The ravenower! - Snuffy Smith! - Friend of yours then, Sergeant. - Well, not exactly. - Now, get in here. - I... - So you let him in! Well, get him out of here!
  209. 18:41 Yes, sir! Yes, sir.
  210. 18:43 Come on.
  211. 18:48 Stay up!
  212. 18:54 Bounce this off your pumpkin head, then I'm going home.
  213. 19:07 Time's awake, sir.
  214. 19:09 By your hunt, General.
  215. 19:10 Where's that little civilian?
  216. 19:12 The one that went through my legs, he run down the road.
  217. 19:14 Take it each hand and find him and bring him back to me. Yes, sir.
  218. 19:17 On job, come back with Alan.
  219. 19:39 Pa!
  220. 19:41 Be opening this can for my soap making.
  221. 19:54 Pa!
  222. 19:55 If you'd taken your rifle gun, Dan, you'd have got into that army.
  223. 20:02 Pa!
  224. 20:03 They are bustin' up my paddle for kindlin' wood.
  225. 20:07 Sure I'll be.
  226. 20:09 I'll be lining you to keep kindling cut.
  227. 20:18 Oh, my God.
  228. 20:24 - What part of it's gone?
  229. 20:38 No!
  230. 20:50 Ah!
  231. 20:51 Oh, balls of fire. What's the tarnation you're doing? I'll just be a soapster and it'll whoop.
  232. 20:58 Well, get on with your soap making and leave me be.
  233. 21:06 Fork, some evil spirits to drink up my soft soup.
  234. 21:11 Now easy, you be giving me more trouble than the revenuers.
  235. 21:16 Hey, you be sure you're making it like you always be? Uh-huh.
  236. 21:29 Well I.
  237. 21:51 You mean that...
  238. 21:56 I'm a putting it in the pot.
  239. 21:58 And can't.
  240. 22:00 I'm a-putting it in the water.
  241. 22:03 And it is.
  242. 22:07 It be spirits you should be having. Ain't nothing at all but hog fat and lie. What you done you ain't been doing afore? I was stirring it with your great, great grandpappy's wooden leg. You know what?
  243. 22:17 Well, made of koko-bola wood.
  244. 22:19 Why, B?
  245. 22:20 disappearing in the soap. Can I be getting another one? How?
  246. 22:25 Grandpappy got that when he were a pirate with Captain Cade.
  247. 22:29 And I do be hearing
  248. 22:31 Let the sea done swallowed up Coca-Cola Island.
  249. 22:34 And ain't no more like it.
  250. 22:36 Ain't he got a Sunday leg? Oh, they buried him in that one.
  251. 22:42 Why?
  252. 22:44 Thou is he.
  253. 22:52 I'll be disappearing still.
  254. 22:55 Peyton Lark.
  255. 22:57 Be a saver in every drop of it.
  256. 23:09 Here come the revenues!
  257. 23:22 Are you getting lost again, Revenor? Never mind that. Where's Snuffy?
  258. 23:28 I wouldn't be known.
  259. 23:29 Take a look under the bed. My house is a bit upset. It's been Wednesday.
  260. 23:46 Hey, you're gonna shoot me, Mr. Army Man.
  261. 23:49 'Cause I got my burying place all picked out.
  262. 23:52 Up. I got orders to return you to the commanding general 10th Army Corps.
  263. 23:57 Oh, Louie's a quick puddling up and making yourself a weakling.
  264. 24:11 - How long, Mr. Carson? - Wait a minute. You're not taking that dog with you.
  265. 24:16 Well, any place I go, that dog goes. This is one place you're going that that dog's not going.
  266. 24:22 I'll be a putting him in the house.
  267. 24:24 Come on, Mr. Carson. Leave the door open. Watch me a jug of drinking liquor. And you'll be doing a blackout. I air covering you with spirit juice.
  268. 24:50 Goodbye, Louise.
  269. 24:59 Be remembering me as I am.
  270. 25:07 Mr. Carson.
  271. 25:34 So you found him a good thing with me.
  272. 25:38 That's all, Sergeant.
  273. 25:39 That's all, Sergeant.
  274. 25:41 That's all, Sergeant!
  275. 25:46 Now look here, General.
  276. 25:48 If you're gonna bounce a raffle ball off my head, do it quick.
  277. 25:53 - Rival wall?
  278. 25:55 I want to talk to you. You're a hero. Sit down.
  279. 26:02 We're risking your life to save me from that runaway motorcycle.
  280. 26:05 Then you're going to be letting me leave certainly.
  281. 26:08 And I want to reward you for it. Is there something I can do to make you happy?
  282. 26:12 Well, you know, I like the...
  283. 26:16 Khaki breeches?
  284. 26:17 A place to bed.
  285. 26:19 Gold buttons?
  286. 26:21 Uh...
  287. 26:22 Good vittles.
  288. 26:23 And...
  289. 26:24 Thirty dollars a month for my smoking.
  290. 26:27 You still want to get into the army. You sure I understand.
  291. 26:32 Oh, Jimmy.
  292. 26:34 Would you be having a gurgle of corn drippings?
  293. 26:37 Corn-drippants.
  294. 26:38 Yeah.
  295. 26:39 'Twer common from old steel.
  296. 26:41 Liquor?
  297. 26:50 Uh, Mr. Smith.
  298. 26:52 Would you mind taking your feet off my desk?
  299. 26:55 I'll be a-doing it.
  300. 26:56 But I thinks better with them over my hay. Now, how about them khaki breeches?
  301. 27:02 You're a little short for the army.
  302. 27:05 Now there's something else that general.
  303. 27:07 Why be coming from...
  304. 27:09 Folks be a keepin' their promises.
  305. 27:13 Hmm.
  306. 27:15 Hmm.
  307. 27:20 Hmm.
  308. 27:25 I've got a general!
  309. 27:28 You're so sudden you done scared me.
  310. 27:30 Somewhere in regulations of the classification which permits you to wear a uniform.
  311. 27:34 But the pay is only $21 a month.
  312. 27:36 Do I still be getting my khaki breeches?
  313. 27:39 $21 a month and khaki britches.
  314. 27:42 General, you got yourself a soldier.
  315. 27:47 I've been making a heap of other sounds too.
  316. 28:05 Yes, sir.
  317. 28:06 I'm sending over Stubby Smith.
  318. 28:08 Let them under special classification Z. Beers and burks? No.
  319. 28:12 Z as in Zanuck.
  320. 28:14 All right, Trent.
  321. 28:15 Report to the quartermaster for your, uh, khaki britches.
  322. 28:19 Jim Lund.
  323. 28:20 With many help and your things are gonna be a changing.
  324. 28:23 Two heads all this war better than one.
  325. 28:28 Hey!
  326. 28:44 Would you be your Renoir to go?
  327. 28:47 Hey, you geef.
  328. 28:50 A corn squeezer.
  329. 28:53 How'd you get in the army. I'll be a friend of the general. Give me that card. Be hurrying the general might be needing me. A yard bird huh. You're not working for the general you're working for me. But the general. Never mind about the general. I'm giving orders around here. I'm running this place. Nobody can tell me anything.
  330. 29:08 Attention!
  331. 29:10 Suck in your stomach! Throw out your chest! Put your heels together, Salo!
  332. 29:14 That's the way to be your soldier. Just a minute. You've been assigned to my company.
  333. 29:21 From now on you take orders from Sergeant Cooper, do you understand?
  334. 29:24 Balls afar. Taking orders from a revenuer.
  335. 29:28 Now go find yourself a cot and report to the company kitchen. Why, Pete?
  336. 29:33 Just follow your nose across the street.
  337. 29:38 Good coming, Mr. Carson.
  338. 29:42 Hello!
  339. 29:44 Oh, did I step on you, Pa?
  340. 29:46 Come on, fozzy tail.
  341. 29:50 Uh...
  342. 29:50 Eh.
  343. 29:55 *whistling*
  344. 30:19 Hey, Snuffy, I thought you were still on kitchen police. I do be.
  345. 30:22 When I'm betting up for a spell or four, I'll be mess-making.
  346. 30:25 Still manicure those potatoes. I've been doing that for a flock of days. But I ain't doing a woman's work no more. You better not let Cooper catch you here.
  347. 30:34 Cooper.
  348. 30:35 That bodacious, idiot, era, lunk, hay. Hey, what are you doing here?
  349. 30:40 I'll be arrest taken. Now, look, John Burnt Smith, I've tried to be nice to you. I've tried to cooperate with you. But if I catch arrest taken again, I've got to throw you in the guardhouse!
  350. 30:49 You coming Mr Carson.
  351. 30:59 My mother told me there'd be days like this.
  352. 31:04 Looks like a range finder. Yeah, it's an improved range finder. One I perfected in college. What's different about it?
  353. 31:10 Well, it's automatic.
  354. 31:11 You focus the two prisms on a given point,
  355. 31:14 And by turning the adjusting screws until the images are superimposed,
  356. 31:17 You get an automatic reading in yards on the scale.
  357. 31:20 without any mathematical figuring.
  358. 31:22 That makes sense.
  359. 31:23 You done anything with it?
  360. 31:25 Can't even get anyone to look at it.
  361. 31:29 Well, as good as you say it is, I'll take it to the general for you.
  362. 31:33 Do you think you'll be interested?
  363. 31:34 He's interested in anything that'll help him win those maneuvers from General Hopkins.
  364. 31:38 Who's General Hopkins?
  365. 31:39 Well, General Hopkins, the commander of the Blue Army.
  366. 31:42 He's an old campaigner.
  367. 31:43 Well, our generals fought all these battles from a swivel chair. With blueprints. Well, if accurate artillery fire will help him win, this range finder will do it.
  368. 31:52 You know, there's his first chance to approve his theories with real soldiers and actual maneuvers.
  369. 31:57 See, if it does work, do you think he'll submit it to Washington?
  370. 31:59 Submit it or he'd take it there himself. Say if the White Army wins and the General could submit a proven rangefinder...
  371. 32:07 Boy you retire happy. She is Sarge. Focus it on an objective.
  372. 32:21 Did you pick out a target?
  373. 32:26 I certainly did.
  374. 32:30 When do we see the general?
  375. 32:36 That soldier. These hammocks to register for officers. I have been an officer. I'm a yard bird. Get going.
  376. 32:43 Oh, wow.
  377. 32:53 Why? Now that'll teach you my lesson, that'll...
  378. 32:56 Oh, I'm sorry, sir.
  379. 32:59 What's the meaning of this, Sergeant Cooper? Oh, I didn't mean it, sir. I'm sorry. That's no excuse.
  380. 33:03 No, sir. We vote to my quarters at 3 o'clock. Yes, sir.
  381. 33:07 Oh.
  382. 33:17 Can I be a helping you, Melvinu?
  383. 33:28 Rangefinder is...
  384. 33:29 Correct in theory.
  385. 33:31 Needs an actual field test, prove it.
  386. 33:33 Well, why don't you try out a maneuver, sir?
  387. 33:35 That's a good suggestion.
  388. 33:37 Maybe just what I need to defeat General Hopkins.
  389. 33:39 The old fox.
  390. 33:41 You take charge of it, Sergeant.
  391. 33:43 Watch it carefully. I'll call for it later.
  392. 33:47 We'll be all.
  393. 33:48 - Very good, sir. - Thank you, sir.
  394. 33:55 I wish to compliment you on the high morale of your company. Oh.
  395. 33:57 Man from all the other outfits are going to be transferred to yours.
  396. 34:00 To what do you attribute that?
  397. 34:02 Well, General, my theory has always been
  398. 34:04 But an army travels on its stomach.
  399. 34:07 And I personally see to it,
  400. 34:08 that my kitchen crew makes them happy.
  401. 34:11 Very interesting. Let's go down and inspect your kitchen.
  402. 34:13 Now certainly now. Oh but. No but. Come sergeant.
  403. 34:18 Oh, General. General. Whoa.
  404. 34:33 seems to be in the hills of tennessee a loyal lad whose caller name was
  405. 34:40 Since Snuffy Smith joined up, he's now a yard bird. A little guy, but my, he's such a hard bird. Don't ever get yourself mixed up with Snuffy in a tip.
  406. 34:50 Why you may find you're being flung Bodaciously off on the cliff If you should see a pretty face with naught behind it She's wasting time with Snuffy So I heard Now fuddy bucks
  407. 35:01 Riches when you're wearing khaki britches, array, array for Snuffy Smith, the yard bird. Since Snuffy Smith joined up, he's now a yard bird. And Ball's a fire cousin, he's a card bird. The general and the sergeant and the other guys with braids are apt to have a rifle ball bounce off on their pumpkin haids. Even a varmint size bug out like Trump, don't tug frogs. The shiftless donks emotion, Snuffy stirred.
  408. 35:31 the yaw-ha-ha-hard bird
  409. 35:35 Smith joined up, he's now a yard bird. When evening rolls around, he's sure a tarred bird. You'd think he'd hit the hay and rest, but he's in town because he seed a gal with pretty eyeballs and sandals.
  410. 35:46 rosy jaws was he a height the door when brains was passed out no sir he signs the finest x but mom's the word i swear he will be faded don't be disco berated hooray hooray for stubby smith the art
  411. 36:17 What is this?
  412. 36:19 It's still, General.
  413. 36:20 I'm just cooking up another batch of corn drippings. Another batch? Yeah.
  414. 36:25 They'd be drinking it faster than I could make it.
  415. 36:28 So this is what goes on in your company, huh? Well, I didn't know. It's your business to know. Yes, sir. I put Yardburn in your charge. Yes, sir. Take him out and make a soldier of him. Yes, sir.
  416. 36:37 Oh, get out of here.
  417. 36:39 You get out of here.
  418. 36:41 The boys are gonna be powerful and sorry without their liquor.
  419. 36:45 Get out of here.
  420. 36:46 I'll get that where I brace him and give me that.
  421. 36:49 Get out of here!
  422. 36:53 Mmm. Mmm.
  423. 37:05 Think I'll pass for a soldier?
  424. 37:07 I don't know. That salute's pretty foamy. I'll get by.
  425. 37:10 Well, you'd better.
  426. 37:11 If you're caught impersonating a soldier 20 years.
  427. 37:14 Look it's worth the risk if we get that range finder.
  428. 37:18 Well, I talked to the hillbilly and I talked to Cooper.
  429. 37:20 Your shorts in Cooper's office?
  430. 37:22 We've got it. Where else could it be? I'll get it.
  431. 37:24 See you when I get back.
  432. 37:26 Keep your eye on those civvies. Okay. Undoubtedly, gentlemen.
  433. 37:31 You understand how much these maneuvers mean to me.
  434. 37:34 as to when and where we hold them,
  435. 37:35 He's up to Washington. Whether we win will depend a lot on the type of country we operate in. Upon what do you base your theory? The Blue Army has twice as many tanks as we have.
  436. 37:45 Yes, but we offset that with artillery.
  437. 37:55 And incidentally,
  438. 37:57 One of the men has perfected a range finder.
  439. 37:59 Which looks like a great improvement over the present one.
  440. 38:01 Well how does it differ? It has an automatic range calculator.
  441. 38:05 I'd certainly like to see that.
  442. 38:07 I knew you would.
  443. 38:08 I've sent for you.
  444. 38:47 With a tank moving at 35 miles an hour, you can see how important automatic range calculation would be.
  445. 38:54 Yes.
  446. 38:55 Sergeant Cooper reporting with the range finder, sir.
  447. 38:58 Send him in.
  448. 39:01 Right over there.
  449. 39:08 Gentlemen.
  450. 39:09 The new General Rosewater range finder.
  451. 39:12 When you have this,
  452. 39:13 You practically have the range.
  453. 39:17 Oh, it's...
  454. 39:19 Oh, uh...
  455. 39:20 It was here the last time I saw it. What does this mean?
  456. 39:24 Oh, look, I can't help.
  457. 39:27 Unless you have that range finder's maneuvers.
  458. 39:29 You'll be court-marshal for negligence!
  459. 39:32 - Insubordination and conduct unbecoming assault. - Is that all, sir? - Yes, and sabotage.
  460. 39:39 I can't stop and get out of here. I'm sorry sir.
  461. 40:00 Yes sir. Can't follow me and close the gate. I'm sorry gentlemen. I'm sure they'll locate the
  462. 40:07 Rangefinder.
  463. 40:10 Now, as the maneuvers, I don't know what the strategy board will decide.
  464. 40:14 But I'm in favor of holding a manoeuvres in the Ozark Mountains.
  465. 40:18 The water is pure.
  466. 40:19 The weather is ideal in its rough country.
  467. 40:21 What are the mountains?
  468. 40:22 Rough country.
  469. 40:24 That air sound in a heap like hoot and holler.
  470. 40:26 And again I say... Now just a minute, General.
  471. 40:31 If you're looking for rough country,
  472. 40:34 And fit in weather, the great Smokies be it.
  473. 40:38 What's the meaning of this, you Edward Smith?
  474. 40:39 Now, don't be a-stopping me.
  475. 40:41 That am a home place. I know every bend and crook in that river. And every hollow what's got a steel in it.
  476. 40:49 John Bushman?
  477. 40:50 Attention! Don't be so bossy.
  478. 40:53 You like my grandpappy all the time of giving words. Snobby.
  479. 40:58 You've exhausted my patience.
  480. 41:00 I've done everything possible to make a soldier out of you.
  481. 41:03 But you'll never make it.
  482. 41:05 I'm coming down here and you're sending me home.
  483. 41:08 You're sending men up to fortune me back. You put me in the kitchen, and then you chuck me out. You put me in khaki breeches,
  484. 41:17 for a saving your life.
  485. 41:20 Be this a nice way to treat a hero.
  486. 41:26 You know where I'm coming from, a man of no by his word.
  487. 41:30 Because they can't write.
  488. 41:31 But I'm forgiving you everything.
  489. 41:33 I'm still your friend.
  490. 41:35 And if you ever be and need me,
  491. 41:37 Just be sending me...
  492. 41:38 Three calls in the Whippoorwill.
  493. 41:40 *whistling*
  494. 41:42 Whistling
  495. 41:47 How?
  496. 41:48 Where do you think you're going?
  497. 41:50 Going uptown. That's what you think. All leaves are cancelled.
  498. 41:59 Time's a-wastin', what are we waitin' for? Let's make haste and don't get this soldier sore. I'll bounce the rifle ball off every pumpkin-hated critter. Got me mad, I'm gettin' madder. Give me my gun, my jogger licker. Time's a-wastin', hear the bugle call.
  499. 42:16 Let's make haste and get spark blood from his stall. Cause if we hitch him to Louiezy, we can lick the varmints easy. Time's a-wastin', what are we waitin' for?
  500. 42:28 Let's go over to B Company.
  501. 42:48 We ain't appreciated round here.
  502. 42:51 I done been working like killing snakes.
  503. 42:54 And the General ain't our friend no more. That rigging barrel Cooper.
  504. 42:59 Almost a boss in a body.
  505. 43:02 All right, Mr. Carson.
  506. 43:04 Yes.
  507. 43:13 You know, twenty-one dollars in khaki breeches are all right, but I'm a hankering to look into your big brown eyeballs again, partner.
  508. 43:23 Yes, sir.
  509. 43:24 Oh, dear.
  510. 43:31 Trying to make friends with Mr. Carson?
  511. 43:35 Who's Mr. Carson?
  512. 43:37 Yeah, my dog.
  513. 43:39 Yeah, right here.
  514. 43:43 Mr. Carson.
  515. 43:44 Be a-speaking to 'em.
  516. 43:45 Stop!
  517. 43:46 Mr. Carson, jump up on it.
  518. 44:00 Now look, if you think you can kid me...
  519. 44:05 - I'm sorry.
  520. 44:15 Us are going back home to Louiezy, Mr. Carson.
  521. 44:22 Hello, Shorty. Hello.
  522. 44:25 Going someplace? I'm here going home. Where do you live? I live in Hoot and Holler in the Great Smoky Mountains.
  523. 44:31 They won't let you out.
  524. 44:32 The gates are locked.
  525. 44:34 I've been a getting away from revenues all my life.
  526. 44:38 Ain't no soldier what can stop me now. Are you going to do it.
  527. 44:42 That'll be in my business.
  528. 44:44 Take me with you, will ya?
  529. 44:46 No, I ain't a hankering to help no soldier.
  530. 44:49 Traveling there like hunting.
  531. 44:51 You'd be better off alone.
  532. 44:57 Jeepers, I near forgot my jug. Where is it?
  533. 45:01 That'd be a none of your business. All right, shorty. I'll roll your pack for you.
  534. 45:17 Hey sure my tacky breeches are in line soldier. They sure are.
  535. 45:21 Say, how are you gonna get to Hootenhower? I'm a walking down till I come to the end of the road. I'm a turning into a wagon road and I'm just keeping walking till it gets up. Are you sure you're going?
  536. 45:33 I'm going as far away from this army as I can get. And when I get there, I must stay in.
  537. 45:43 Whistling.
  538. 45:49 Listen now and get this straight.
  539. 45:51 I can't get out.
  540. 45:54 But I put the range finder in Snuffy Smith's pack.
  541. 45:58 He's walking down the main road leading to Hoot and Holler.
  542. 46:02 Oot and holler.
  543. 46:05 Pick him up in the car.
  544. 46:07 And get that pack.
  545. 46:09 *crowd cheers*
  546. 46:16 Do you mean to tell me that you can't locate that range finder?
  547. 46:19 Yes, sir, I've turned the place inside out, sir.
  548. 46:21 What else can happen?
  549. 46:23 And what again for the Ozarks?
  550. 46:24 and the War Department puts him in the Great Smokies.
  551. 46:27 And you lost the rangefinder.
  552. 46:28 Yes, sir.
  553. 46:30 It's a fine finish for me.
  554. 46:32 Yes, sir.
  555. 46:36 Jarnberg Smith knows that country.
  556. 46:38 Send them coming.
  557. 46:39 You send them home, sir.
  558. 46:40 Mr. Last draw.
  559. 46:42 You don't need yard bird Smith.
  560. 46:44 I was a revenue officer in that country.
  561. 46:47 Really?
  562. 46:48 I've chased yard bird Smith all through those mountains.
  563. 46:51 Did you ever catch him?
  564. 46:53 Ugh.
  565. 46:54 No, sir.
  566. 46:55 I still want Yardbird spent.
  567. 46:57 Do you want me to get them?
  568. 46:58 Yes, sir.
  569. 47:00 That'll be all, sir.
  570. 47:01 Oh.
  571. 47:08 I'm.
  572. 47:23 - Hiya, soldier.
  573. 47:26 Howdy, miss.
  574. 47:27 Want a ride?
  575. 47:28 Well, I ain't be caring if I do.
  576. 47:31 Dead end.
  577. 47:32 Yes.
  578. 47:38 Oh, wait.
  579. 47:42 Oh.
  580. 47:43 Aren't you going to take that pack off?
  581. 47:45 No.
  582. 47:50 You'd be much more comfortable without it.
  583. 47:52 It air just like leaning my back up again a tree.
  584. 47:56 Oh, come on, beautiful. Take that pack off.
  585. 48:00 No.
  586. 48:01 Yeah.
  587. 48:03 Don't.
  588. 48:05 Please don't.
  589. 48:07 Don't miss any.
  590. 48:17 Don't!
  591. 48:18 Please don't!
  592. 48:20 Don't, Missy!
  593. 48:22 Help me, Mr. Carson!
  594. 48:26 - Fight him! -
  595. 48:31 Something bit me!
  596. 48:36 Come back here.
  597. 48:37 Yes.
  598. 48:39 *thud*
  599. 48:48 He, uh, done quit the army like, uh, quit workin' the field? No, it's just like crawlin' out of the jailhouse. How come?
  600. 48:57 Well, they've got some robbers there, what the Army calls filth columnists.
  601. 49:01 And they done locked the gates for the cotchum.
  602. 49:03 Why don't you be haunting and shooting them?
  603. 49:07 They'd be looking like ordinary folks.
  604. 49:10 You might even be snuff dipping with one of the vomits and not be annoying it.
  605. 49:18 Mr. Carson, it appears to me like you've been ghosting around long enough.
  606. 49:24 *sad music*
  607. 49:33 It appears like Mr. Carson done take on a little weight.
  608. 49:42 Better get tombstone loaded.
  609. 49:45 Here come the biggest hawks ever did see. I'll open the end house door and let the chickens in. Oh, them ain't hawks.
  610. 49:52 Then beyond me flying machines.
  611. 50:00 Here come the ravenous. They're good and blackbirds in the spring. Oh, you're not be knowing, woman.
  612. 50:05 Them's not revenues.
  613. 50:07 Them's United States soldiers. What are they doing here?
  614. 50:10 He's maneuvering. Now don't ask me what that be.
  615. 50:18 This is a very strategic spot.
  616. 50:20 who's in position directly below now Bellwell company a captain Robinson commanding Sir.
  617. 50:26 No range finder.
  618. 50:27 Stupid sergeant.
  619. 50:28 Smokies instead of the Ozarks.
  620. 50:30 No yard bird.
  621. 50:33 Lieutenant.
  622. 50:34 Can you whip or will?
  623. 50:36 Can I whip her what, sir?
  624. 50:37 Oh, you know, uh...
  625. 50:40 I
  626. 50:44 That's it, that's it, that's it, that's it. Lieutenant.
  627. 50:50 You go all through these hills and keep repeating that call as loud as you can until further orders.
  628. 50:54 Captain Robertson report to me and several my staff. Yes sir.
  629. 50:59 *crickets*
  630. 51:10 That be the general, and he be a needin' me.
  631. 51:24 - Garthbridge Smith!
  632. 51:25 I'm a-sayin' you took my advice.
  633. 51:27 It's yours on the war colors, isn't it?
  634. 51:29 Am I glad to see you.
  635. 51:30 Who would be a fighting in this war? The Blue Army.
  636. 51:33 By the way, I've got your white armband on.
  637. 51:36 I thought you'd done been hit by a rifle ball. All our men are wearing white armbats.
  638. 51:42 We're defending this country.
  639. 51:43 The Blue Army's trying to capture it from us.
  640. 51:45 Oh, I'll be a-bouncin' a raffle ball off their pumpkin head.
  641. 51:49 Where'd that blue on me be? Just a minute, Jared, but you can't use that gun.
  642. 51:53 We're not shooting real bullets. Well if I can't be a lesbian I ain't a fight. Come come stop me I'm counting on you to be my chief scout.
  643. 52:00 I'll be hiding old tombstone under the bay.
  644. 52:09 Watch it, Captain Robinson.
  645. 52:11 Jump players declared all the officers of company a out of action.
  646. 52:15 I am the company commander you're the company commander. Yes. That's. Oh.
  647. 52:19 Ah!
  648. 52:20 Godberg.
  649. 52:23 I've appointed Yardbert Smith my chief scout. He knows this country better than anybody else.
  650. 52:27 You take your orders from him?
  651. 52:29 Wait here, I have some special instructions for you.
  652. 52:33 Come in.
  653. 52:35 You understand the rules.
  654. 52:36 Any object hit with flour is out of action.
  655. 52:39 All decisions made by the umpire
  656. 52:41 Finally.
  657. 52:42 If you're hit with flour, you're officially dead. And when you're dead, you're dead.
  658. 52:50 Audacious agents.
  659. 52:53 General Rosewater.
  660. 52:54 Killed in action at 8.50.
  661. 52:57 I know. Now here's the... Uh-huh.
  662. 53:02 What were those special instructions?
  663. 53:04 Look, I'm dead and I can't say a thing.
  664. 53:07 If I were alive, I'd say one thing.
  665. 53:09 If the White Armour could hold the top of that hill, they'd win the maneuvers.
  666. 53:11 You want us to be going up low? I can't answer that. I'm dead.
  667. 53:14 Yeah, that's what he means. Well, if you're dead, why ain't you laying down? Oh, no. When you hit with flour, you're dead.
  668. 53:22 The general was Hickman Flower. He's dead. He can't do a thing. He can't? No.
  669. 53:27 Oh, whoa, whoa, wait a minute. He's not that dead.
  670. 53:30 Put it back.
  671. 53:34 Come on, Rain Barrel. Time's a-wasting.
  672. 53:38 You forget something?
  673. 53:39 You're dead.
  674. 53:43 Don be a letter writing that his invention was stolen.
  675. 53:47 Be a take, innit?
  676. 53:48 A vermin would have been called a...
  677. 53:51 Economist, Chimp and Jaybirds.
  678. 53:54 That be what Snuffy be a-talking about.
  679. 54:05 I near did be forgetting. I can't take you up on the knob. Why not?
  680. 54:09 You still a revenue or inside. Oh, but things are different now. I'm in the army. If I be taking you up, you'd be knowing the way and come back and make trouble for my friends.
  681. 54:18 You want the general to win, don't you? Sure, he's my friend. Well, the general can't win unless he gets to the top of that hill.
  682. 54:25 Oh...
  683. 54:26 I was thinking of Saul and the boys. Look, I'll make your proposition. Take me to the top of that hill. I'll let all your friends go free.
  684. 54:33 Providing you break the still.
  685. 54:36 All right.
  686. 54:37 But I'll be doing it for the General.
  687. 54:42 Hey, you fellas over there!
  688. 54:52 Yeah.
  689. 54:53 That was close. Ain't you been there telling me all the time them was wax raffle balls they'd been using? What's your fear, Don?
  690. 55:00 Say, if those were wax bullets,
  691. 55:02 The bees must have been eating concrete.
  692. 55:07 Then I be in Saul and the boys are shooting at us.
  693. 55:10 They think we're revenuers.
  694. 55:12 And they're using real bullets, too.
  695. 55:14 Yeah.
  696. 55:15 They think us revenues, they not knowing about the maneuvers.
  697. 55:19 Hey, now, look it. You being the friend of the general, uh, who said you could get us up there. Now, go on, get us up there. Come on.
  698. 55:30 Ain't nobody what can get up there wearing khaki breeches. Oh, come here.
  699. 55:36 - Come on, put over.
  700. 55:45 Tell your men the Blue Army's objective is to capture Knob Elbow before the White Army occupies it.
  701. 55:55 Spread out, Ben. Somebody's using real funnics.
  702. 56:01 Follows of fiery ship, they scum. Can't you see it's me?
  703. 56:04 What do you mean bring them revenues up here? Them ain't revenues, them's new United States soldiers. They still be given that men.
  704. 56:12 United States soldiers ain't revenuers.
  705. 56:16 the soldiers be a shooting at the revenuers with the blue rags on their arms. You'll be a meaning the blue rags is revenuers? Yeah, and we's a trying to keep them away from this still.
  706. 56:28 Sure's a mess of them blue rags.
  707. 56:30 You want my friends to help you?
  708. 56:32 We'd be an evening, but we brought out a rifle ball. Well, stop fretting.
  709. 56:37 Can't you see?
  710. 56:38 Fetching up a heap of rifle balls and fancy shooting horns. I'd be a knowin' he's a revenueer.
  711. 56:46 He won!
  712. 56:47 But he's seen the light.
  713. 56:48 He's a plum change character.
  714. 56:51 Why, you gonna help us walk the blue rags?
  715. 56:53 I sure am. I mean, I sure am.
  716. 56:55 Don be a letter telling that.
  717. 56:57 not be beaten
  718. 56:58 - It's entaged.
  719. 56:59 What he be doing?
  720. 57:01 He'd be a-talking to and a-feeding Mr. Carson
  721. 57:05 Well, Mr. Carson won't. He wanted to have a day. Why the. See him.
  722. 57:12 I'll be telling you the secret.
  723. 57:13 If you promise you won't tell Snuffy.
  724. 57:16 I'm not promising.
  725. 57:22 There be Mr Carson.
  726. 57:26 There'd be the joke.
  727. 57:35 What?
  728. 57:36 What a look at the
  729. 57:38 Devil!
  730. 57:43 Where's Snuffy Smith? He'll be out there with his friend the General.
  731. 57:47 Here's the pack where I put the range finder, Janie. You leave that be. That air be snuffed in.
  732. 57:52 Oh, no, you don't.
  733. 57:58 Miss Carson!
  734. 57:59 - Feel me. - Oh, God. - What is this? - I told you there was a dog.
  735. 58:06 It be darned invention. You'll be one of them filth calmest, my snubby beer talking about.
  736. 58:10 I'm going to take you two filthies.
  737. 58:12 Come on, man.
  738. 58:13 Get going!
  739. 58:14 Get!
  740. 58:23 Age 2600.
  741. 58:31 You missed, Sergeant.
  742. 58:34 Range 2100.
  743. 58:43 You missed.
  744. 59:00 You missed, Sergeant.
  745. 59:01 Oh, my God.
  746. 59:13 Red, make it.
  747. 59:19 You're dancing.
  748. 59:21 Come on.
  749. 59:25 You're dead.
  750. 59:29 You're dead.
  751. 59:31 Hey, what's going on here?
  752. 59:35 Come on.
  753. 59:36 Oh, my God.
  754. 59:51 Yes.
  755. 1:00:00 that
  756. 1:00:03 One suicide.
  757. 1:00:06 I'm going to go.
  758. 1:00:15 Please.
  759. 1:00:19 If you tell me who am I, Snuffy Bee,
  760. 1:00:21 Sorry, madam, but I'm dead.
  761. 1:00:23 Which ghost do you be? Look, General, this old gal's batty.
  762. 1:00:26 I'm taking these two filth cones to my snuffy.
  763. 1:00:30 What have they done? - Have you taken Don's invention?
  764. 1:00:33 I think it's too late, but...
  765. 1:00:35 If I weren't dead, I'd sit on top of that peak.
  766. 1:00:37 - Watch your blades, mister. - Yeah, truck maker.
  767. 1:00:41 Indeed. You just have.
  768. 1:00:43 Come along.
  769. 1:00:58 Where are you?
  770. 1:00:59 I'm going to go.
  771. 1:01:02 spot for my range finding.
  772. 1:01:03 Anything would help.
  773. 1:01:05 You've only got two hits so far.
  774. 1:01:07 Come on.
  775. 1:01:08 Oh, I hate umpires.
  776. 1:01:14 This your army gun ain't no way.
  777. 1:01:15 I'd put a beat on them and they ain't a fool.
  778. 1:01:18 - Show!
  779. 1:01:21 Ah, Noda's a-beating him.
  780. 1:01:24 Ah!
  781. 1:01:25 I'm
  782. 1:01:36 Hey, this ain't no place
  783. 1:01:38 - Are you going home? - Oh, no.
  784. 1:01:41 Somebody run! Hey, Jepton, try it for him! You don't want to ask him! Look out of the way! Get him, Jepton!
  785. 1:01:44 Come on.
  786. 1:01:52 Range six hundred.
  787. 1:01:53 Range 600.
  788. 1:01:59 No.
  789. 1:01:59 Correct hit.
  790. 1:02:02 I'm going to be.
  791. 1:02:11 Oh, my God.
  792. 1:02:16 I'm going to go.
  793. 1:02:19 I'm going to go.
  794. 1:02:23 Wrecked in. Ooh, let's go.
  795. 1:02:26 Range 632.
  796. 1:02:31 You just put the entire Blue Army headquarters out of action.
  797. 1:02:35 Boy, this thing sure works. Yeah, I know it would.
  798. 1:02:51 I think they're dead.
  799. 1:02:54 Come on, let's try something hard. What? Who's looking? - Conflation 3200. - I watch 3200.
  800. 1:03:10 Direct here.
  801. 1:03:13 Chief umpire declares armistice to reorganize Blue Army due to accuracy of artillery fire from Nau Bell Bowl.
  802. 1:03:21 Hey, what's your doing to my friend the General?
  803. 1:03:26 - Why, Wheezy? - He be helping me bring in these two filth combs.
  804. 1:03:32 He'll be trying to take my khaki breeches.
  805. 1:03:36 Take him away.
  806. 1:03:45 You'd be very proud of your wife.
  807. 1:03:47 About two people.
  808. 1:03:48 She's worth her weight in hog livers.
  809. 1:04:00 You're right about that, Rangefinder.
  810. 1:04:01 Now send a complete report to the War Department.
  811. 1:04:03 Thank you, sir. I knowed you'd win the war.
  812. 1:04:06 Gosh, honey.
  813. 1:04:09 I
  814. 1:04:14 Hello!
  815. 1:04:15 How far up was that flying machine?
  816. 1:04:19 3,200 feet.
  817. 1:04:21 Was that sour thing a tellin' what aimed the gun?
  818. 1:04:25 Yeah.
  819. 1:04:27 Elby?
  820. 1:04:29 The feudal.
  821. 1:04:42 This is just...
  822. 1:04:45 *crying*
  823. 1:04:47 Stop!
  824. 1:04:54 Oh...
  825. 1:05:15 I'm going to go.

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