Spooks Run Wild (1941)

No renewal found Free in the US since 1 January 1970, on the registry's reading: registration LP11219 of 1941 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Copy: spooks_run_wild on the Internet Archive; registered 1941
Read: 452 shots over 1:04:07 · 557 transcript lines · JSON
Record: Spooks Run Wild No renewal found
Picture: Wikimedia Commons, public domain
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How this page was made

452 shots over 1:04:07, read from the Internet Archive copy spooks_run_wild (spooks_run_wild.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Spooks Run Wild No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 452 shots judged colour), average shot 8.5s long, a frontal face detected in 24% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 557 segments kept, 197 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:32 I like my arms with the car. Why, guys, huh? Hey, Danny, go ahead, hit him with Glippi. Go ahead. Hey, you can't stop pushing me. I'm going to beat the Catskills. I'm telling you. I'm telling you. I'm too serious. I got your boys for you. Thanks, officer. They might be underprivileged, but they sure ain't underdeveloped. I guess they got us, folks. Take a couple of squad cars and these big Tracy braces. Hey, what do you mean? I'm going to have your back, sir. Where will I write the boys on 4th Street? Hey, where are we going? Man, we're going to camp. Camp? What, have we been drafted? I'm disappointed.
2:02 I would have been a sophomore this year. Oh, kid. What do you want us to do with them? Pass up them in the bus. I'll fix them, cops. I'll go to the company and get sick and die and come back and haunt them.
2:29 We're only going to stop here for a few minutes.
2:32 I'll pick up mail supplies. I hope you don't mind. Okay, I gotta check one of those back tires anyway. Take me about 10 minutes. Good.
2:39 Say fellows don't any of you wander away look around if you want to but don't get far away from the bus right. Really do. Come on honey.
2:46 - Two.
2:49 - Now sit down here.
2:53 You know we are gonna be a knife. - I don't know.
2:59 What's the big one? Don't touch this! No! I want it! That's the right one! Who's driving this way? Hey, wait a minute, you're broken! Wait like this! The fly is here! No, no, I want it! That's the right one! Who's driving this way? That's the right one! Who's driving this way? Wait a minute, you're broken! Wait like this! Come on! Get out! Hey! Get out of that bus! Hey! It's screwed up! Get out!
3:29 Well, what do you know, Joe? Just get back to the world. What are you excited about? Don't blow your top. What was the bright idea of that? Oh, that's just a little scientific curiosity, that's all. Law of gravitation, all that kind of stuff.
3:45 I can see we're all gonna have lots of fun together in the next two weeks. Yeah, so can I.
3:51 That'll be good. I ain't got no such a humor, that's all.
3:56 Say, you fellas hang around here. I'm a little window shopping.
3:58 Yeah. I don't like that guy's attitude. Me neither. If anybody thinks I'm gonna stay up here and associate with him and all these cows and chickens, they're crazy. You know, I milked a cow once. A very intricate affair. You see, a cow has four faucets. What for? Well, the first faucet is for buttermilk.
4:15 The second for bottom milk. And the third is for evaporated milk. What's the fourth one for? Come to think of this cow in that tree. Oh, that cow must have been contented. Oh, very contented.
4:24 Are you concerned?
4:25 Oh, extremely so. That's fine.
4:28 I don't get it.
4:29 Hey, listen. You guys lay low, see? I think I got an angle.
4:32 As soon as it gets dark, we'll... Make a break?

537 more segments

4:34 That's right.
4:36 Good.
4:42 Hey, I'm thirsty!
4:53 What do you have? I don't know. You got a menu? Oh, I'll have some of that. That's the name of the town, silly. That's what I thought. Give me a little beer. Alrighty. And what do you have? I'll have a demitasse and a large cup of black coffee. A what?
5:12 I'll have a rupee or two.
5:15 And, uh, what'll you have? You. You're very fresh. I hope your bread is just as fresh. Hey, what are you doing tonight? Got a date. How about tomorrow night? I've got a date. How about Wednesday, Thursday, Friday, and Saturday night? I've got a date. Well, that kills that week. Hey, what's your name? Margie. Margie? What a Monica. Margie and Muggsy. Hey, that's got a lot on them up here.
5:42 We're going to camp, you know. Yeah, we're underprivileged.
5:45 We interrupt this programme for an important announcement.
5:48 to listeners near Hillside and Colton.
5:51 All citizens are warned to be on the lookout for the monster killer.
5:54 who is believed to be in this vicinity
5:56 This maniac has left the trail of three inhuman murders.
5:59 and is believed heading upstate.
6:02 We return you now to your program.
6:05 Munchies? You know me, not us. We eat them every morning for breakfast. Bring those munchies on. I ain't scared of them. I'm anemic. I was taken for a ride once. You were? Yeah, there I was. Miles from Times Square, somewhere in Central Park, I think. And them gangsters, they had me backed against a tree. And I got machine guns. What do you think happened? I don't know. What happened? He got killed. Fantastic, wasn't it? Hey, here goes our boss.
6:35 I'm a little bit of a job. Oh, hello there, mayor. What's on your mind? You hear that stuff on the radio about that monster coming this way? Yeah, and that ain't all. I just got a telegram from the state police.
6:54 You did, huh? They'd better go aside and talk it over.
7:04 Jeff Dixon, if you don't stop pouting, I'll scream. I'm not pouting. You do? For no reason at all. That's no way to enjoy a vacation. Vacation? Are you kidding? With that bunch of gorillas, it'll be a nightmare. They're not gorillas. They're not gorillas.
7:16 They're young and a little wild, maybe.
7:19 Besides, you know perfectly well the campers' boys who are denied the things you've had. Well, all right, so they need the outdoor life. But I was hoping for a nice, quiet summer at camp so I could study my thesis and be with you.
7:31 Instead of that, it's going to be as quiet around here as the fun house at Coney Island.
7:34 Well, some excitement will do us good. It's been a dull summer till now.
7:39 Well, I like that. So now I'm dull.
7:41 No, but lawyers aren't usually exciting.
7:44 They're steady and, well, solid, like the Rock of Gibraltar. And just about as good company, I suppose. Well, you listen to me, Linda Mason. I may be studying to be a lawyer. And a good one, too. Yes, and a good one, too.
7:58 Okay, you win.
8:00 You're a good nurse, too.
8:03 Hey, you know that guy that runs this place? He wouldn't be bad if it wasn't for his disposition. Yeah, he ain't no good, but that girl that hangs around with him, she ain't bad. Hey, what's she supposed to be?
8:11 According to a uniform, I guess she's a nurse. A nurse? Pardon me, well, I run a temperature. Well, anyhow, the shower's okay. I didn't need it.
8:18 What? It was full of bugs. What do you mean? I heard that noise there with a rolled mouth that thing had vitamins in it.
8:27 Man, it sure is dark in here. I'll say, I can't even see you. Huh, I can't even see myself.
8:37 Hey, what's that?
8:39 It's an owl. I know it's an owl, but who's howling?
8:45 That's an owl that's got four legs and fleas.
8:51 How can you read in the dark, huh?
8:53 How can you read in the dark? About the night school.
8:56 Hey, shut up, will ya? Let a guy go to sleep.
9:03 Hey, Max.
9:04 What?
9:05 I'm not scared or nothing like that, but...
9:07 Remember what we heard about that guy on the radio?
9:10 So...
9:12 Well...
9:12 Suppose he was brawling around here.
9:14 Don't you think we ought to stand guard or something?
9:16 Nah, you just go out and set a couple of bear traps for him.
9:20 Happy dreams, Slappy.
9:22 This book is murder.
9:25 thirsting for the flow of
9:28 Bright red blood.
9:31 At this moment,
9:37 I'm going to go.
10:13 Oh.
10:20 Good evening, my friend.
10:21 Evening. You are a resident here?
10:25 Oh, yeah. Yeah. Good. Then perhaps you can tell me where the Billings Estate is. The Billings Estate?
10:33 Why, it ain't been lived in for 10 years. Not since old man Billings was murdered in his sleep. Interesting. But you were about to tell me where it was. Oh, sure.
10:45 Sure.
10:46 It's up there.
10:48 on the top of Billings Mountain.
10:51 I see
10:54 Is that a road to it?
10:56 Yes, but... Thank you.
11:03 Good night my friend.
11:07 I'm going to go.
11:40 It's you!
11:41 What do you mean?
11:42 I know you.
11:44 I know who he is, too.
11:46 He?
11:47 The monster!
11:48 He was here just a second ago, just now.
11:50 The radio said he was coming in here.
11:53 And you know who I am.
11:54 Of course. I read about you in this book.
11:57 You're Dr. Von Grosch and you've come here to save us from him.
12:01 Yes, I am Dr. Von Grosch. I knew it.
12:04 I knew it right away.
12:06 And the monster, did you know him at once also?
12:09 Right from the start.
12:11 Couldn't miss him.
12:12 With those glaring noise.
12:14 and red lips.
12:16 The dwarf too, like a little black spider.
12:19 and a trailer full of coffins.
12:23 I was right in the middle of the book when they come in.
12:26 Where have they gone?
12:27 Said he was going to the empty Billings estate.
12:30 On top of the hill. Yes.
12:32 The solitude he needs.
12:34 Tell me, this knowledge you possess...
12:36 You've gained it all from that book?
12:38 Oh, sure.
12:39 You see, I'm kind of a student of...
12:42 Black magic.
12:43 You see, I've got to tell the constable you're here. You need help? No, wait.
12:47 We must proceed slowly, carefully.
12:50 As you know, at night the monster is strong. The police would be helpless against him. I guess that's right.
12:55 I know that's right.
12:57 Perhaps.
12:59 Perhaps you'd like to help me.
13:01 Oh sure Dr. Von Groach. Fine.
13:05 Now first...
13:06 Though you may speak of the monsters arrived, you must keep my presence a secret.
13:09 That is of the utmost importance.
13:12 You have a room.
13:13 Someplace where we may converse?
13:15 Oh, yeah.
13:16 I've got a cottage.
13:18 Eh...
13:19 Just take a few minutes to close up the station. There won't be any more business anyway. Fine. I'll wait here.
13:47 Where are we going?
13:48 All right.
13:50 Wake up the whole camp. It's not what you got.
13:52 Don't feel so good on...
13:54 - I've got a little insulmania. - Why don't you put some liniment on it?
13:59 I know where you're going. You got a date with our girl, Margie.
14:02 So I got a date with Monty, so what? So we got a date, too, and we're going to keep it.
14:06 You guys can't leave camp. You'll get in trouble. You've got to have an appointment. You got one? Why, certainly. Let's see it.
14:13 - Shit.
14:15 Must have left in my smoking jacket.
14:17 Don't quit surrounding me, will you? I'm gone and I'm gone alone.
14:21 And there's three of us going alone.
14:22 Sidewalks are free. Why have I heard a sidewalk's in the woods?
14:34 Didn't I sell you to be?
14:36 Quiet, though.
14:42 Yes.
14:58 The city of the dead. Do they too hear the howling of the frightened dogs?
15:20 Riana Billings
15:23 Yeah.
15:24 Winter came after eighteen short summers.
15:30 She was beautiful.
15:33 Hey you! What are you doing here?
16:00 Ouch! These mosquitoes are driving me crazy!
16:03 Why didn't you put citronella on him like we did? Citronella? I thought you said vanilla. I'm giving these guys a party.
16:08 Hey, I wonder if we're heading in the right direction. Ah, you got nothing to worry about, pal. I got my compass with me.
16:13 Well, which way are we going? Oh, Doc, I can't see the compass.
16:16 Here, I'll give you a little light.
16:22 That's a fine thing. Someone stole one of their hands off.
16:25 Somebody stole one of the hands. It must have been a magician. A compass only has one hand. Why don't somebody line me those things? Come on, let's get out of this shell hole.
16:34 I wonder if this is a cow trail or the state highway.
16:41 A nice place for a picnic. You run out of toothpicks, you can use pine needles. Why don't you look where you're going?
16:47 What are you looking for?
16:49 Remember what we heard on the radio about that ghoul, that guy that sucks all the blood out of you? What would he be doing out here, sucking the sap out of the trees? Hey, has the guy really sucked the blood out of you? Yeah! Well, I got nothing to worry about because the mosquitoes get all mine. Ow! That was a Messerschmitt!
17:03 What if he really was out here?
17:05 What if you was back home?
17:06 Yeah?
17:07 Your old man will give you a hit in the head like that.
17:10 I ain't got an old man.
17:12 The kid's an orphan.
17:15 Oh, it's ripping, huh? You know, it's the five-yard penalty for that.
17:18 Come on, let's move.
17:28 Oh, it's so hot.
17:33 Bob Wyatt. Hold it.
17:36 Okay, no bones over here.
17:39 Hey, hold it for me now, will you?
17:41 Come on, Muggs. Yeah, I'm holding it, I'm holding it.
17:44 Come on, Slim.
17:48 Hey, Doc!
17:55 What are you guys showing here? Why aren't you back in camp? Why should we stay in camp when you fellas go to town? Hey, get me out of here, will you? I can see my eight with March. He's going to be about as private as the Atlantic Street Fish Market on Friday.
18:15 Come on, boy.
18:20 I'm going to go.
18:23 Come on.
19:14 You know, I'm starting to think we're lost. Yeah, we should have been in town a long time ago. I'd go back to camp if I unknew the way. Ah, quit rolling. You're getting me wet. Who asked you guys to follow me in the first place?
19:26 Hey, a graveyard. We can't be far from town. Come on, let's cut across it or maybe a shortcut. If it's all the same to you, Muggs, I'd like to detour. Oh, come on, you chump. We'll be out of it in a minute. How long is a minute? That's too long, brother.
20:05 Come on.
20:07 Stop! After you catch me I'll stop!
20:23 Hey!
20:24 There's a house. Right up there on top of the hill.
20:28 - Cozy looking place, ain't it? - We ain't looking for no rich car. We're looking for a place to get Pee-wee patched up. Come on, let's go. Hope there's somebody there.
20:39 I'm going to go.
20:54 Say there, can we come in? Our pal here was hurt and we want to get him to a doctor.
20:59 Come on.
21:02 Come on.
21:10 I'm going to go.
21:36 Do we have visitors? - You might as well, huh? - Yeah.
21:41 What kind of a place is this anyway?
21:43 I don't know, but I don't think I'm gonna like it. Who is it? It's me! Listen, school, the next time you come out of the dock, put a coat of whitewash on, will you? I'm so scared, I'm turning white now!
21:53 I wish that guy would hurry up, I'm getting tired. Ow!
22:06 Good evening.
22:08 I must apologize for the state of my home.
22:10 It has been without occupants for many years. Well, look, a buddy here has been hurt. We was walking through the cemetery, taking a shortcut to town, and somebody took a pot shot at him. How unfortunate.
22:21 He should lie down.
22:22 Don't you think we ought to get a doctor? Perhaps later. Come with me.
23:06 Well, uh...
23:08 How about calling a doctor?
23:10 There's no telephone here.
23:12 However...
23:13 I have some knowledge of medicine.
23:15 I will treat you, friend.
23:17 I suggest you wait outside.
23:20 Or better still, in my study.
23:26 OK.
23:28 Well, fellas...
23:35 See you later.
24:10 Well we look everywhere and not a sign of them. Did you look down by the lane. Yes everywhere. What are you going to do nothing.
24:17 But Jeff, we've got to find them. They're city kids. If they're lost in the woods... I hope they are.
24:22 Jeff Dixon do you know what you're saying I certainly don't those kids have been nothing but trouble from the beginning if they're lost it's their own fault so you're going to sit there all night.
24:31 Oh. Hey what are you gonna do. If you're not man enough to go after them I'll do it myself. But Linda. Hey maybe she's serious.
24:42 She's been reading Florence Nightingale. She'll be back when she gets tired.
24:48 Hey, I don't like the looks of this place. Neither do I. Let's get out of here, huh? Yeah, let's get out of here. What, Lee Pee, we here? We gotta wait till he's docked it up. Hey, you think that bird up there's all right?
24:56 What if he's a...
24:57 What if he's what?
24:59 I don't know, but I sure hope he hurry up. Me too.
25:10 What's the matter?
25:12 There's a skeleton in there. He was laughing right in my face. Yeah, what's he so happy about? A skull!
25:18 Of course, of course.
25:19 Go on, look, look. Go on, look for yourself. Good, good.
25:24 There ain't nothing in there. Do it. Do it.
25:31 You picture that.
25:32 I've seen it with my own eyes.
25:34 Do you feel alright, kid?
25:36 I never felt better in my life.
25:40 But, uh, do you think we ought to get back?
25:42 Get out of here, huh? Well, Pee Wee!
25:44 We'll go up and see what's happening now, huh?
25:47 Come on.
26:02 - How's seaweed? - Bebe.
26:04 Oh, your friend. He's resting well. Well, we want to see him.
26:08 um i suggest you should not disturb him oh we ain't gonna disturb him we just want to see him
26:18 Hey, peewee!
26:19 He's dead.
26:20 Not at all.
26:22 - He's merely asleep. - Yeah.
26:24 What you do give him a Mickey or something? Oh, your friend was in pain.
26:27 And I found it necessary to give him a mild sedative.
26:30 You see?
26:32 I have to give it in the proper treatment.
26:35 How are we gonna get out of here with him like that?
26:38 You're leaving us out under question.
26:40 Your friend must not be moved. But we gotta get back to camp. Yeah, I'm hungry. Vitamins or no vitamins? Always talking about food. We can't eat peewee here alone. That will not be necessary.
26:49 My home is not a grip for visitors, but...
26:51 Luigi, prepare rooms for you.
26:53 You will be my guest for the night.
26:55 Come, I show you to your rules. That's fine, but one of us is staying here. Hey, screw it up. You keep Pee Wee company. Hurry. Who, who, who, me? Yeah, you. We'll take turns.
27:04 We'll leave you later.
27:06 Okay, Mr. Uh... If you notice, this is a very old house.
27:11 In some respect, a very strange one.
27:17 You ain't kidding.
27:23 The maid service in this hotel is terrible.
27:35 Hey, Clippy.
27:37 You and Skinny take that room. Just me and Skinny?
27:39 What do you want, a nurse?
27:42 Don't forget to call me every half hour, huh? Yeah, I'll tell the operator.
27:50 A very charming room in a repulsive sort of way. Hey, this looks like one of those beds George Washington slept in.
27:56 Yes.
27:58 Well, it's about time to change the sheets.
28:00 Let's get some light on this subject, huh?
28:11 I understand...
28:13 This room was occupied by the late owner of this house,
28:17 at the time of his death.
28:19 I hope this knowledge will not disturb your sleep.
28:23 Louis just placed a candle somewhere, I'm sure.
28:27 Good night.
28:28 Say, maybe you'd better lend us your candy. Yeah, come on. Good night. Oh, you know your way around here better than us. Good night.
28:36 Right.
28:38 Yep.
28:40 Go ahead.
28:41 No, I'll follow you.
28:44 We both go together.
28:45 Okay.
28:47 See, uh, maybe I'd better get a flashlight, huh? Oh, wait a minute, wait a minute.
28:51 Let's go together.
28:52 Yeah, you said that once.
28:59 You know something?
29:01 I like this room much better in the dark. And I don't like the dark.
29:06 Get a load of this joint, will ya?
29:08 Is this murder?
29:10 Now one other guy died.
29:15 Come on.
29:16 Hmm.
29:17 - No.
29:19 Come on.
29:25 Forgive me if I startled you.
29:28 You would perhaps like this candle.
29:34 Good night.
29:38 Good night.
29:50 I'm sorry.
30:08 Come on.
30:13 Jim?
30:14 This thing's gone far enough. What thing? You know, doggone, well, what thing you see, Lem, Harvey? Yes. Well, why haven't you gone up the hill and arrested that fella? Mayor, you can't go around arresting folks until you know for sure. You gotta have proof. Proof.
30:25 You know that monster was headed this way.
30:28 Radio said so the state police fired you.
30:30 Lemme Harvey saw him with a trailer full of coffins. A crazy killer running around with butchering women and shit. What kind of proof do you want?
30:36 Some little girl murdered out in the woods?
30:38 I tell you, Jim, you gotta do something. Take it easy, Mayor. I'm doing all I legally can. I've sworn in a lot of deputies, and I'm going to have every inch of road within 20 miles of this village patrolled every hour of the day.
30:49 All right, Jim, but it's your responsibility.
30:51 You've been elected to protect the women and children of this community, and it's up to you to do it.
30:55 And don't forget, we've got that boys camp on our hands, too.
31:07 Why don't you lay down, Mugs, and try to get some sleep? Eh, don't feel like sleeping.
31:11 No, there's something funny about that bird.
31:13 Besides, I'm worried about peewee.
31:15 Yeah, I know. It's all mine.
31:17 Well, let's go see them.
31:19 Okay, well, I'll read.
31:21 Thank you. Hello. Hello.
31:25 - What's the matter with you? - We come sleep in our room, it ain't cheerful like this one.
31:28 Hey, where are you going?
31:29 - We're gonna see Pee Wee. - That's a good idea, come on.
31:42 Who's there?
31:43 Yeah.
31:45 Who is us? - Us is me. - What's the matter with you, Scoono? Ain't nothing the matter with me as him.
31:57 He been like that all the time? Man, he ain't moved a muscle.
32:00 I think he's dead.
32:04 Hey, Pee Wee.
32:07 That clinches it.
32:09 Now we're gonna get tough.
32:10 We're going downstairs and have a showdown. You fellas come with me. Scruh-o, you watch Pee-wee. If anybody comes up here, you'll let out a holler. Listen, Muggs, you got the wrong man for this job. I'm better in the crowd. Look, you heard him, didn't you? Let's go. Yeah, keep your eyes open. You don't think I'm going to stay in here for one minute and close them, do you?
32:31 Pee-wee.
32:32 Pee-wee.
32:33 You ain't dead, is you?
32:35 Say yay.
32:37 If you can't see nothing, just...
32:38 Shake your head.
32:43 Nobody in here. Let's look somewhere else. Let's go in.
32:54 Amen.
33:11 Pee-wee!
33:13 Oh, boy.
33:14 Hold it.
33:14 Say, man, I sure am glad you was awake.
33:17 Man, we've been worried about you.
33:19 Yes, sir.
33:21 You're a better now, don't you?
33:29 Don't you hear me talking to you, Peewee?
33:32 Come on.
33:33 Yeah.
33:37 - Come over here. - Hey!
33:40 Say, come on, Pee, we open the door, will you? Come on, come on, stop playing, will you?
33:44 Come on, Mr. Pegg.
33:45 Hey, open that door! I want to get out of here!
33:50 - Is Linda shown up? - Not yet. When she does, tell her I've gone to town to see the constable. - We'll probably need a searching party. - OK.
34:00 That's what it does.
34:01 That guy's a monster. We're getting Pee-wee and leaving here. Hey, maybe he's done something to him. Maybe Pee-wee will be like he is. I don't know about that, but we'll leave him before we find out. Hey, do you think that guy's dead like it says?
34:11 No matter what you catch or read,
34:12 It says here that...
34:14 And tonight he prowls about
34:15 seeking new victims and in the daytime he sleeps in the coffin. Well let's wait till daytime, huh? We ain't waiting for nothing, we're gone right now.
34:23 Remind me not to come back here on my vacation. I'll put it in my blue book.
34:46 Luigi.
34:47 Our guests must not leave the house.
34:52 Hey, open the door!
34:53 I can't. The door is locked. Well, where's the key? I don't know. I ain't got it.
34:59 All right, stand aside. We'll bust a thong.
35:03 Go ahead, Clint.
35:03 Bust it down. I ain't no Superman. You bust it down. You break it down. Why should I break it down? Break it down. Oh, come on, boys. Why don't you bust the door down? I got a bump shoulder. Oh, you've been reading too many Flash Gardens.
35:14 I don't want to do that. Somebody's got to open it. I'm not doing it. That's the way you...
35:21 Well, what took you so long to open it?
35:22 It opened the door. It opened by itself.
35:25 Sit down, you'll be all right.
35:27 Hey, where's Pee Wee?
35:29 I don't know. What do you mean, I don't know?
35:32 What'd he do, just get up and walk out?
35:34 That's exactly what I don't mean. Nothing else but, he got up out of that bed, walked out of this room, didn't even look at me or say a word. That's funny. Say look here, you all know one thing?
35:44 I believe Pee-Wee done been turned into a zombie.
35:47 A zombie?
35:48 What do you mean?
35:50 You should have seen that glassy stare in his eyes and the way he didn't listen when I was talking to him.
35:55 Now, you know what I mean?
35:57 Lamy and O zombie, we're gonna find Pee Wee and get him out of the spider's paradise, see? Now the first thing we do is... Who is your friend? That's what we want to know. What you do to him?
36:04 Aye.
36:05 I did nothing.
36:06 In his condition, he should not be moved. We're going to find him and bring him back to camp. No, no, I insist that you stay.
36:13 You see, you're weary.
36:15 And you see things not as they are.
36:18 But as your imagination pains them for you.
36:20 I suggest that you all retire and that Luigi and myself look for your friend.
36:26 You cannot get gone for hard.
36:28 Well...
36:29 Maybe you're right.
36:29 Think I got hallucinations, huh?
36:31 Yeah, I guess I've been
36:32 Painting pictures, huh?
36:34 Well, what do you say, fellas? We all get a good night's sleep and talk Friday after breakfast, huh? Yeah. Okay, Mr. Harrowman. Lock him up. I just wanted to curl up. Curl up. I'm going to give him one guy. I'll be out of my... Hey, get away. I'll come back. Come on, fellas. Let's go. Come on, hurry up. I'll wind that guy. Hey, Slark, you'll never get out of there. Listen, Danny and me are going to take top floor. See, you glimpy, you take skinny and screwing on. So you sit this floor on the one below. If anything happens, holler. And if you find peewee, holler even louder. We'll meet you down at the foot of the stairs. Come on. Let's go.
37:05 Come on, darling.
37:12 - Go ahead, school, no look in there. - No, no, no, I ain't gonna look in there. - Ah, you're yellow. If I'm yellow, you'd call, Vaughn. - What are you scared about? I'll be right behind you. Go ahead.
37:25 That's all enough. There's nothing in there.
37:36 Stay close, will you, Max?
37:37 I am. I am.
37:44 - Hey, got a match, bud?
37:51 - Zig, what was that? - Maybe someone's trying to break the leash, huh? - Hey, we oughta have a candy. - Yeah, I'll go get one. You two guys stay right here. I'll be back.
38:01 I'm going to go.
38:09 Hey, Grumpy said to wait. I know what he said, but something tells me to keep moving.
38:16 Come on.
38:18 Come on.
38:23 Yeah.
38:26 Hey Pee Wee. You reckon he's gonna be in there? I don't know. Maybe. Wait, wait, wait. Don't go in there. You know what he said. Don't go in there. Wait for him. Well, I'll just take a look and see. Hey, Skinny. Skinny. Stop kidding. Ain't you in there? Ain't nobody in there. He's gone. Oh.
38:56 Get out of here.
39:08 It's you, Griffey. Where's Kenny? I don't know. He done disappeared. What do you mean, disappeared? Well, he went in that box and he's gone. Box? Where? Come on, I'll show you. Come on.
39:27 Skinny skinny skinny. I'll go see you stay right here. Don't move.
39:37 And get it. Is you in that you. Is that you.
39:42 Come on now, we ain't got all night.
39:49 The buff is gone.
39:52 Moxie?
39:53 - Marks! - Marks! Come on up here. Come, Marks.
40:00 Oh, I want to get out of here. Mugs! He's coming. See Mugsy? Mugsy? Skinny and Limpy went in that box and they gone. I went in and looked, but I don't see them in there. Mugs, I want to get out of here. I don't like this place. This place ain't...
40:30 Get out of here!
40:34 I wonder where this goes.
40:37 Attica, I guess.
40:39 Let's see.
40:44 Oh, in such a hurry. I'm not in a hurry.
41:05 I.
41:12 Constable have you seen any of our boys around town? No I haven't why? Six of them missing and I thought they might have come in for the bright lights.
41:17 That isn't all Linda went out to search for them and she hasn't shown up. Say six. That's right. Sounds like Joe here might have taken a shot at them tonight. Hit one too maybe. What do you mean took a shot at them. Well I can't take them over to the very ground. Can't have anybody problem around dead night. Yes but why shoot at a bunch of harmless kids. I only used buckshot Jeff couldn't have hurt anyone bad. Well where'd they go where'd they now. I'm afraid I've got some bad news for you Jeff.
41:39 I want you to take it easy, like. Well, come on, come on, what is it? Well, you remember hearing about that monster murderer on the radio? Yeah. We got reason to believe that he's hiding out in the old Billings house near your camp.
41:49 Joe here thinks he saw the lads heading for the house. Wait a minute. Where are you going, Jeff? I just told you, my girl's out there in the woods. Oh, but you're not going out there alone. I'll call in some of the boys and we'll go away with you. That's a dangerous maniac out there. Hey, Hank.
42:05 Look. Corvins.
42:08 He's just like the book said. Hey.
42:11 Go ahead, open it.
42:14 Oh, you open it.
42:15 Maybe they ain't supposed to be open till Christmas. Go ahead, open it.
42:20 Take the other end.
42:22 Okay. It's locked. How are we lucky? Maybe we better try the other one, huh? I'm sure they're locked, too. What's the future of locking coffers? Maybe we better go back downstairs. I don't think Pee Wee's up here. I don't think so. Yeah. Wouldn't you up here? No, it would. Hey, ain't that Pee Wee? Yeah! Well, let's get him.
42:56 Good night.
42:58 Yeah.
43:02 That's funny. No.
43:06 Hey, Muggsy, look out at the monster. Quick, stop.
43:17 Come in, but you sure scared the heck out of us. What did they do, make you nervous? Where did you come from? That's what I'm trying to find out. Where's Muggsy? Oh, he's right around here.
43:27 Muggsy.
43:32 Hey, Mons! I didn't like to take the kid. I didn't see him go out, did you? No. Let's take a look.
43:42 Hey, there ain't no job no more. Hey!
43:46 Hey, what's the matter with you? Wait a minute. Let me get in! Is that you, Lump? I can't breathe!
43:54 Hey, Danny! I'll bet you're right in the head for this. Let me out of here! Come on, open it up.
44:02 It's locked. Just a minute, we'll break it open.
44:09 Look out! You want to give me water on a brain? Oh, open it. Oh, here. Get the side of it.
44:20 Hey Munch, you're lucky we were just gonna leave. I couldn't get out of it. Munchy got stuck.
44:27 Hey.
44:28 Was that you in that hope chest? Don't excite yourself, Muggs. You've been through an experience. An experience? I've been through a catastrophe!
44:35 And that's a beautiful way. Now listen, we saw Pee Wee come in here and he must be around. See, the quicker we find him, the quicker we can take a powder. Now let's make a search.
44:44 What are you going to be doing?
44:46 I'm gonna relax like you said. I'm gonna take it easy. Oh, dictator!
45:01 It's dark in here. I'll find some matches in this place. Come on.
45:07 Oh, my God.
45:12 Oh, it's a magic. Oh, it's a magic.
45:18 I'm going to go.
45:22 Well, I ain't scared now. Some folks might be, but I ain't.
45:27 This sure is a nice, cozy room. That's what it is. Nice and cozy.
45:32 Some mighty nice folks must used to live here. And tell by this furniture. Hmm. That's what my mammy said. I wish I was with her right now, too.
45:41 But it sure was a nice room.
45:43 Yes, it is.
45:44 Who is it?
45:46 Look!
45:47 A white spider?
45:49 That must be the ghost of the Black Widder. Get out of here! Get out! Get out!
45:56 Whew!
45:57 What?
46:05 Alligator, back of the can. Don't bother me. I don't smoke, so I ain't bothering you. That's all right.
46:12 The spider come back and with me a ladder so I can get out of here right now. I'm getting out here now. I'm getting out of here. I want to get out of here. Where did you go. I'll tell you later. Let's catch him. Where'd he go.
46:44 Come on out of there! Let go!
46:55 Yeah, now we got him. What are we going to do with him? I don't know.
46:58 Now, I wish we had a mousetrap or something. Hey, let's put him in there. Come on.
47:05 Throw him in there. Come on.
47:09 Hey, listen to that.
47:13 Hey, Spooner, look!
47:32 This place is going to give me a nervous breakdown, I'll bet. Yeah, well, if it doesn't, I will. Hey, look at this guy! It's just a beauty! Hey, don't!
47:39 - But slide will be loaded. - You kidding, look, it's full of cobwebs. - Even the trigger's rusty. - Yeah?
47:48 How do you like that? Pikey! And I haven't got my way.
47:52 So what? They're out of seasons, no worry anymore.
47:57 Hey, Mugs! Wake up! What are you snapping your fingers like that for? You woke me up! Didn't you hear the gun go off?
48:04 Gun?
48:05 I told you to find Pee-wee, not shoot him.
48:08 We didn't even get to see him.
48:10 It's a fine thing. See, if you want something done around here, you gotta do it yourself.
48:19 Hiya, pal.
48:20 I'm going to go.
48:32 I don't see it.
48:33 I don't say that.
48:44 Come on.
48:45 He's still coming.
49:00 Callaway. The man I go away with him. You.
49:24 I'm going to go.
49:31 You are the young lady from the camp? Why, yes. There's a mad killer in the Billings house. And your boys, the boys who are missing from your camp...
49:40 are there and in his power. No.
49:42 I'm going to their rescue now. Then I'm going with you. You will follow my orders to the letter? Of course. Good girl. Come.
50:01 So when this thing almost fell on me out in the hall, I got the idea to put it on.
50:05 Not bad, huh?
50:07 And my defrosting.
50:09 Look here, Mokwu, don't you do that no more. Don't do that. Why not?
50:12 Man, you like to scare us to death.
50:18 I'm going up and get Danny and you guys wait down here. I got something to talk of with you. And if Peewee comes in, you hold him. All right, we got him.
50:28 Pee-wee!
50:36 Man, don't Murphy look funny in them there aluminum pajamas, though.
50:41 I'm going to go.
50:48 Boy, this is too good, huh? Say, what, you back so soon?
50:55 I thought you were going to mix with the other guys. That's right. You're trying to mix us up?
51:03 What is this anyway?
51:06 Look at that. There's two of them.
51:11 Okay, okay, I give up, I give up. Pee-wee. Hey, Pee-wee. Hey, Pee-wee. Hey, Pee-wee.
51:43 - I fooled you, didn't I? - Very funny, very funny. You didn't fool me for one minute. What's the idea of playing games? Why don't you wear that suit?
51:50 Oh, my cellar told me we wear like iron. Now you gotta wrap this hook iron around your neck. Come on, let's get out of these animated sardine cans and find Peewee. Hey, brother. Huh? Got a can opener? No, brother. Fucking knife.
52:07 All.
52:11 Hey, wait a minute! Danny and Peewee are missing. It's up to us to find them or we'll all be missing. I wish I was missing right now.
52:21 Let's go down to the cemetery and talk this thing over where nobody can hear us. Look at them, Muggs. Do we have to go out there? Why not? Well, I just don't do my best figuring it in that graveyard. Aw, come on.
52:35 What was that. That's just your imagination. It's looking at the. If anything happens to me you know I'm on my. What is your. Sure. If something happens you know I'm going to buy first just want to find me first and nothing will happen.
52:59 Oh boy. Hi fellas. Hey Danny. You alright? Yeah I'm okay. Oh where was you? I was sharing a room with a skeleton. A real live skeleton. Do you ever see a real live skeleton? No sir. And if I never do that would be too soon. Now if we can find Peewee everything's gonna be alright. That's how I got in the room with him. I was following Peewee and he went in the
53:29 A secret passage? Where? Right down here in the cellar. I tried to find a spring to it, but I couldn't. Hey, maybe if we all tried.
53:36 Come on, I'll show you.
53:40 A roommate, Mr. Bones. Boy, it is skinny. Come on. I mean, I like that. It's open now. David must have come back. Hey, this looks like the place where the plot begins to thicken.
53:50 Let's take a look and make sure. Come on.
53:54 Yeah.
53:55 All right, man, we ain't waiting any longer.
54:23 Listen to what I got to say.
54:25 Remember in that book what it said about the monster? You can only scare them with two things. Silver bullets and blessed iron. But we ain't got neither. So there's only one thing we can do and that's to get tough. Plenty tough, see? What do we do with the fellas back home when they step out of line? Knock them out. Exactly. That's what we're going to do with that vulture and the little termite that hangs out with them. Get it? Sight.
54:55 The place would be just like the subway if they had lights down here. I wish the train would come through.
55:08 This thing is green molded.
55:33 So, you couldn't stay away, could you? The criminal always returns to the scene of the crime. Who?
55:47 Who are you? You don't remember me. But twenty years ago in this very house, I was a living being. I had flesh on my bones. Blood flowed through my veins. But you, you, you scared the health out of me. I was never in this house until tonight. You have made a mistake.
56:47 Oh, hey, he ties out like a mackerel. Well, get a rope, quick. Well, tie him up. Yeah, hurry up. Hurry up, Libby.
57:06 All right, boys, make those nuts good and tight. Hey, Munch, shall I let him have it? What are you kidding? Waiting for the cops. Oh, let me punch you this guy. See up to there, huh? You heard me the first time.
57:17 Hey, what do you say we pick up Pee-wee and get out of this furnished morgue? Hey, maybe there's a reward for this guy. Boy, if there is, my mother won't have to take him no more washing. Why not? I'll go out and buy one of his 40 roses and go around and collect it for him.
57:31 Hold this for me, Chauncey.
57:34 Hiya, fellas. Pee-wee. Hey, you all right? Sure I'm all right. Say, what happened to you guys? What happened to us? He wants to know. You've been running around the house like I, walking asleep, and we've been chasing after you. Yeah?
57:47 was that guy giving me a pill and then I went to sleep. I sure had some funny dreams, though. I'll play that across the board. Well, can you get up? Sure I can. Hey, fellas, do something to scare me, will you? I got the heat cuts. Uh-oh.
58:04 What do you mean, Darden? We're still friends, ain't we?
58:11 Sweet.
58:27 All right, you men surround the house. When you hear a shot, break in wherever you are. All right, let's go in the front door. Let's go, boy. Let's get it. Come on.
59:24 Where's your life.
59:37 This must be it. It's locked. We'll force it.
1:00:00 Well, you listen to me, I'll tell you the whole story. We was all going to town seeing we decided to take a shortcut to a cemetery when some drunk takes pot shot at Pee Win and clips him. So we brought him up here to get him all fixed up. Well, first we thought this was a haunted house, but it's not. And if it is, he ain't haunting it because we thought he was a monster too. But like I said, he's not. He's just a magician. And a very good one too. He used to come up here to practice some new routines. This guy here is his assistant, the best in the country. What about that head on the plate? Oh, just that's the old, uh, the old salami trick. You know, where the girl carries the guy's head in the tray? Well, I was the guy.
1:00:29 *Clears*
1:00:32 That's Linda.
1:01:02 I got a better idea. What is it? Listen, there's a window in there. See? You fellas, let me through the skylight and I'll be all set. No, for danger. That's not even that lie. You keep that folks' attention out here. Yeah, wrap our door.
1:02:21 You all right, Linda? Oh, I thought you'd never get here.
1:02:25 Yeah. Yeah.
1:02:27 Oh, let me hit him up. Cut it out. Light him up. Hey, look who the monster is. Hey, we get the reward, Sheriff. Wouldn't be surprised. I sure had a fool there for a while, Van Grosch, or whatever your name is. I can't believe it. I just can't believe it. You fool. Hey, let's go figure out how we're going to spend that money.
1:02:43 Now, ladies and gentlemen,
1:02:46 For peace de resistance, Nargo's famous disappearing cabinet.
1:02:51 Good magic deserves lovely assistance. Will you help me please? Why, yes. Don't forget that's my girlfriend. Alright, alright.
1:02:59 Mohawk.
1:03:00 She just disappears.
1:03:02 Gonna bring it back?
1:03:03 And I hope...
1:03:11 Oh!
1:03:17 I think that's probably the easiest trick I've ever seen.
1:03:19 I think I can do it.
1:03:21 You can certainly can not only will I find a young lady but when I do will isolate. Now why don't you try it? I will. Just give me five seconds and I'll have her. Oh delighted. What talent.
1:03:31 Come on.
1:03:34 I got it, Professor. Oh, have I got it!