Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 53:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 50 · shots 103–103. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1
- People
- man wearing a light-colored fedora and dark coat, seated visible
- man with dark hair and dark jacket, seated, facing p1 visible, audible
- Tootie (named at t:53:16): woman wearing a dark coat and wide-brimmed hat, standing visible, audible
- man in background, partially visible, seated at table visible
- Seen happening
- A man in a hat speaks to a woman standing in a bar. [frame:1]
- Also said
- “Have you seen Mr. Wagner?” 53:22 · “Well, man, I eat.” 53:24
- Seen
- {'item': 'fedora hat', 'frame': 1}, {'item': 'wide-brimmed hat', 'frame': 1}, {'item': 'dark coat', 'frame': 1}, {'item': 'wooden table', 'frame': 1}, {'item': 'wall-mounted picture', 'frame': 1}
- Interpretation
- Model opinion, not evidence: mood: tense and casual; themes: urban encounter, social class, unresolved tension; style notes: medium shot, low-key lighting, static framing, period costume
A man in a hat speaks with a woman in a dark coat and hat in what appears to be a dimly lit interior space; another man sits nearby. The dialogue suggests a casual, slightly tense exchange about work and seeing someone named Mr. Wagner.
“Afternoon, Miss Tootie.” 53:16 · “You're getting work kind of oily, ain't you?” 53:18 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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