Other
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 2 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 0:00 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: start of film. Sequence 1 · shots 0–0. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- other (other, exterior) evidence: frame:1
- Time of day
- dawn evidence: t:1:57
- Period
- post-WWII evidence: t:1:27
- People
- voice only, no visual audible
- Seen
- text credits
- On screen
- JEAN BRETAGNE Sound Supervising LOUIS SACKIN Film Editor LOLA BARACHE Second Unit LOUIS PASCAL LABORATORY PRODUCED AT VICTORINE STUDIOS PARIS
- Interpretation
- Model opinion, not evidence: mood: somber and anticipatory; themes: post-war disillusionment, return to past, mystery; style notes: static black screen with white text; voiceover sets a reflective, narrative tone
The opening credits roll over a black screen, listing crew roles and production details. The voiceover introduces the protagonist Michael Blake, a former paratrooper, and sets the scene in Saint-Elzayar, France, at summer dawn.
“This is the story of Michael Blake, former paratrooper. One of the many ex-GIs who have found themselves drawn back to those places they had known during the war.” 1:27 · “Summer dawn comes quietly to the village perched here on the edge of the precipice. Father Gauron, the village priest, always the first awake, was on his way to the church when suddenly...” 1:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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