Other
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 26:17 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 19 · shots 100–100. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (other, interior) evidence: frame:1
- People
- unseen, speaking voice audible
- Seen happening
- A sign reading 'DEFENSE DE FUMER' is visible. [frame:1]
- Also said
- “For me, you talk too quick. I go to Saint Denis. I do not know you. Let's keep it that way, huh?” 26:41 · “You go to Saint Denis. I go to Calais. Calais? That's right. I'm going on to England. Tell that to your boss, too. I know Calais. The mother of my wife, she have an hotel there. An English name. The Hotel Strand. But being an American, you would not know.” 26:41
- Seen
- sign
- On screen
- DEFENSE DE FUMER LES CONTREVENANTS S'EXPOSENT A DES POURSUITES CORRECTIONNELLES (ART. 24 DU DECRET DU 27 MARS 1942)
- Interpretation
- Model opinion, not evidence: mood: tense, cryptic; themes: mystery, espionage, travel, identity; style notes: low-key lighting, close framing on sign, dialogue-driven
A man speaks in a dimly lit setting, discussing being followed, his destination Saint Denis, and his plan to go to Calais and then England, mentioning the Hotel Strand. A sign reading 'DEFENSE DE FUMER' is visible in the frame.
“Not much you don't. He spoke it when he bumped into me this morning. Who hired you to follow me?” 26:41 · “Follow, sir? Yeah. I'm the little guy that was killed. Do you have the same boss?” 26:41 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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