Camp
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 35:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 89 · shots 202–202. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- camp (camp, exterior) evidence: frame:1
- Time of day
- night evidence: frame:1
- People
- older man, balding, wearing a light-colored safari shirt with suspenders, seated visible, audible
- Mr. Johnson (named at t:35:54): woman, dark hair, wearing a light-colored button-up shirt and trousers, standing, holding a glass visible, audible
- Also said
- “Hold on to my feeling of safety.” 36:42 · “But it's when you run away you're most liable to stumble.” 37:54
- Seen
- glass [frame:1], camp chair [frame:1], table with lamp [frame:1], safari shirt and suspenders [frame:1], button-up shirt and trousers [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and introspective; themes: emotional dependency, fear of abandonment, conflict between security and freedom; style notes: static medium shot, low-key lighting with blue night tones, intimate framing of two characters in a camp setting
A man and a woman are in a dimly lit outdoor camp setting at night; the woman holds a drink and speaks about her relationship with Harry, while the man listens. The dialogue reveals her internal conflict about revealing a pregnancy and her dependence on Harry, while the man offers terse advice.
“We came to Africa for trophies. Harry's got his and I've got mine.” 35:44 · “All my life I've just been drifting.” 36:02 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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