Field
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:14:19 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 161 · shots 376–377. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- field (field, exterior) evidence: frame:1
- People
- man, lying on back, wearing dark pants and boots, shirt partially unbuttoned, appears injured visible
- Mary (named at t:74:37): woman, lying on ground, wearing dark jacket, light-colored hair, appears injured or unconscious visible, audible
- Seen happening
- A man lies on the ground, injured, with his eyes closed. [frame:1]
- A woman lies on rocky ground near a vehicle, looking upward. [frame:2]
- Also said
- “This is Mary, Mother of God.” 74:42 · “Please, let Harry find me.” 74:46
- Seen
- boots, bandaged arm, vehicle tire, rocky ground
- Interpretation
- Model opinion, not evidence: mood: desperate and dire; themes: injury, plea for rescue, religious invocation; style notes: low-angle close-ups, natural lighting, emphasis on facial expressions and ground-level detail
A man lies on the ground, injured, while a woman lies nearby on rocky ground near a vehicle. The transcript includes a plea for someone named Harry to find her and a repeated invocation of Mary, Mother of God.
“I must escape.” 74:23 · “This is Mary, Mother of God.” 74:37 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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