Public Reel

The Snows of Kilimanjaro · Beat 273 · permalink

Bedroom

1:29:16–1:29:39 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:29:191:29:19Frame at 1:29:281:29:28Frame at 1:29:371:29:37

Play from 1:29:16 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 198 · shots 459–461. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
bedroom (bedroom, interior) evidence: frame:1
People
  • man, dark hair, wearing a light-colored collared shirt, lying down visible, audible
  • woman, dark hair, wearing a light-colored robe or nightgown, seated visible, audible
Seen happening
  • A man lies in bed, looking thoughtful. [frame:1]
  • A woman sits beside him, facing him, in a dimly lit room. [frame:2]
  • The man turns his head slightly, maintaining a pensive expression. [frame:3]
Also said
“No.” 89:25 · “on the bridge near Notre Dame.” 89:38
Seen
pillow [frame:1], bed [frame:1], robe [frame:2]
Interpretation
Model opinion, not evidence: mood: reflective and tense; themes: memory, regret, intimacy; style notes: close-up shots, low-key lighting, intimate framing

A man and a woman are shown in close-up, speaking in a dimly lit interior. The dialogue references a past meeting on a bridge near Notre Dame, suggesting a reflective or confrontational moment between them.

“That makes you think you know so much.” 89:19 · “Maybe I was thinking about you and me.” 89:23 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Snows of Kilimanjaro (1952) at 1:29:19 (passage 1:29:16–1:29:39); US record: No renewal found

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